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VINYL ONLY !!!NO REPRESS!!!
PHORMA continues with a deep melancholic masterpiece of UK based wizard JS and a mind tweaking 303 dimensional nAX_acid remix. Two complementary types of hypnotic trips that unite in a nullification of any sense of time. VINYL ONLY. No repress.
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A new project by two undercover house/techno affiliates - one a Berliner and the other a Londoner - pretty much given away by their all-analogue production approach and rigorously live mixdown approach. No mercy on those low-ends...The undertaking centres around the more sparse, broken and
heavyweight spectrums of the dance field, merging their various palates of sound to produce a dub-heavy approach to the two-step genre.
Early UK grime and dubstep days - artists like Horsepower Productions and his LP In Fine Style - come to mind immediately. The mixes feel raw, rugged, rough and made from the heart.
A. Itinerant Magic - the track wouldn't sound out of place in an Actress set, thanks to those tweeting sequences of melodies flying in and out that grainy percussion rustling back and forth. It develops with pure fury, contorting those drum machine shots to their very limit and morphing the percussion segments to produce a sludgy, raucous cluster of sound and finally unleashing an all-out cacophony of snares, hi-hats and sci-fi cinematic drama.
B1. Jack The Dub - this is the ONE... for both sheer production- quality and dance-floor sensibility. Apart from the convoluted mass of percussion which grinds its way to the break, the track is actually incredibly minimal in its elements and it uses a stop-start motion arrangement to get its point across. This will likely be
played and appreciated by many of the Bristol crew - Pev, Kowton etc - and its liable to tear any floor to pieces.
B2. Monkey - the 'dubbiest' and most daring of the three. The
arrangement is utterly chaotic and sparse but it somehow manages to
form into a distinct shape. Mounds of delayed snares, hi-hats and
chords wail their way sporadically amidst small bundles of burly
kicks and rolling, distorted, dub-filtered effects.
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Jack this, bitch! The bitchiest Acid record released in 2002 is back as we discovered some long forgotten archive copies that were still stuck in the hidden basements of the legendary imprint Djungle Fever. Be ready for four super bitchy, quirky, raw and well frolicking underground Acid assaults with killer sounds and jacking sample works. A true classic!
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or the latest Apartment release 2 interplanetary gangs come face to face in a techno battle for the ages.
Hailing from the Phantom Planet we come across Forsh, Bin Man and The Red Defender, a trio of rebel Outlaws whose spaceship is under fierce attack from The Muscle Patrol, the Hi-tech Galaxy's ultimate and most fearsome tool of oppression. Following wave upon wave of Acid attack, the Outlaws are forced to eject from their ship, landing on a mysterious jungle planet...
Unbeknownst to them, the trio have landed on Huguenot, infamous for it's ghostly shark creatures which rise up to hunt the living...and they smell fresh meat...
...meanwhile, travelling across deepest space aboard The Viceroy 9-c we find The Dean of Threenie and e-D aka The Beets. They are 2 disparate characters from the planet Tr One, infamous for it's GreenLight Sector, a nefarious haven for low-life traders and smugglers. The duo traverse the galaxy in search of rare treasures to capture and trade back on home soil. Unlike the Phantom Planet Outlaws, these two know what awaits them on Huguenot...or do they.
Will The Beets save The Phantom Planet Outlaws from the bloodlusting creatures of Huguenot Will they sell them out to The Muscle Patrol Or will they join forces to rid the galaxy of it's most fierce oppressors
The black gold sat upon your turntable contains all the answers...and more...
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CWS (pronounced ''Classicworks'') is the new brainchild of Cardopusher and Nehuen, and their debut release for Barcelona imprint Struments Records presenting their first explosive statement as a formulated duo. Already notorious on the international club circuit for their own innovative productions, as well as the forward thinking curation of their own label (also named Classicworks), ''Untitled EP'' sees them experiment with new forms of production and creation. These four tracks of raw, analogue fetishized techno draw you out of this world and into an acid drenched bunker in outer space, with rhythms and synthesis drawn exclusively from analog gear. The A side showcases two very blunted electronic jams - beginning with the overdriven synth and drum layers of ''Untitled 01'', and rounding off with the tape saturated, funky yet introspective electro jam of ''I''. The B Side sees things set off into hypergear; 'Untitled 02' ignites the dancefloor with its relentless kick and hard, acid-inspired bassline. The EP is topped off beautifully with a remix by Rephlex Records electro superhero and Breakin Records boss DMX Krew, flipping the forward drive of 'Untitled02' into a staccato old skool electro breakdance, drenched in sinister pads and block-rattling orchestra stabs. An absolute essential for the DJ crates worldwide.
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Richie Hawtin's triumphant return to the stage as Plastikman in 2010 proved that his best-known alias is as innovative and as relevant as ever. Hawtin has taken Plastikman's most classic material, originally released between 1993 and 2003, and reworked it for a truly live performance accompanied by mind-bending, synchronized visuals-a sound and light show like no other, one that collapses the distance between present-day festivals and the uncompromisingly underground warehouse parties of the mid '90s.
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Techno-Legends Oliver Bondzio and Ramon Zenker aka Hardfloor are back in style this season! With their beloved machine music that is free from seasonal flares, and artificial flavours. Hardfloor are still true to the core of their 303 platine circuit boards. Electronic music production is nothing less than a bare necessity to these pioneers of the acid groove. Hailed and namedropped by many a young producer's today, revamped or sampled... acid lines emerge anew in quite a few tracks. But when Hardfloor put Acid in their tank - it is sooo much more and way bigger than a marketable gimmick or the fuel to an otherwise exchangeable battery of loops. It is the motor, the lifeline and the heartbeat to a whole organism offering a whole world of expression and - first and foremost - emotions!
From their seminal - Acperience 1' track for Sven Väth's Harthouse label in 1992, on to to their legendary - Yeke Yeke' Remix for Mory Kante. From their Big Beat-ish experiments as DaPhreakNoizePhunk and remixes for icons from Depeche Mode to New Order. From almost a dozen albums and countless 12's - unto today's new album: The TB 303 remained at the center of their production, whether doubled up, linked like a sixpack and mutated thoroughly, or used alongside other analogue gear, that makes every electronic producer's pulse go...
Hardfloor ride effortlessly once again. Letting us all fly, loosing sense of space and time: on beats, rhythms, melodies, dreams and fantasies manmade. Hand in hand with just the machines. Meticulous arrangements, transcending spheres, sound that travels! That is what they are still about, remaining the experts. Because that's the way the feel the machines and make us feel them: From the straight push forward of their album-opener - Tweakend' to the percussive tripping flow of - The Art Of Acid', the supersweet and chilling - Swag My Glitch up' or the raving rough shake and stir of - Bubble And Squeak', to name but a few album titles.
When their new album ends with the tongue-in-cheek - TB Continued', a homage to the uncompromisable TB-303, they know how to manipulate endlessly, you might ask, - what has happend for the last hour'. Unique original music has happened ... goddamnit! For Hardflloor surely know how to carry your mind away for a good while. With music that is timeless, daring and great and only follows the rules they set up themselves!
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The original pressing from Sterling Moss his solo release on Flatlife is a killer !! The countdown track is an uplifting and very energenic dancefloor track with on the A side the underground killer Hyperdrive !! With 2 totally different remixes from Jack Wax (melodic oldschool) & DDR (raw acid) ; this release is completed ! It comes in the black Flatlife Sleeve again and the White Vinyl with black in it, gives this vinyl the Flatlife signature again. Enjoy this one !!
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Tireless producer, Tronic boss and top international DJ Christian Smith here steps up for his first release on Plus 8. Over the years Christian has offered up a high volume and high quantity of techno inclined singles for myriad labels (Bedrock, Systematic, 100% Pure, Soma), so it only makes sense he now finds himself on one of the sceneís most reliable outposts for such material.
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vinyl Only!
Here we are with our first release, Liltte Hill 001, two original bouncing techno tracks from Lorentz, well remixed by Gianluca Meloni (Prologue) with drifting-techno rework and Owl (bpm-family) with more dubby-atmosphere remix.
Distribuited by Triple Vision (NL)
Mastered at Dubplates&Mastering (Berlin) by Michael Kuhn
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Collaboration is at the heart of the brothers concept. 4 artists, 2 tracks, 1 vinyl. Brothers music sits under the expansive banner of techno. From ambient / leftfield, dancefloor to industrial / experimental and everything else in between. We want to push artists we love to there limits. getting them to move outside their comfort zones and venture into new territories. Swap ideas, techniques and sounds, as long as it feels fresh and unique to the artist, their partner and us that is all we ask.
UC - TR ER :: A debut collaboration for the Brothers imprint. These boys smash out a belter of track, fusing their writing styles together seamlessly. The distorted broken drum pattern starts as it means to go on, an acidic line pulsates through the industrial metallic flow of the percussion and is the central piece to this unique track all wrapped up in warm analogue goodness. Multiple Visions - AD TD :: Another debut collaboration, Three of Manchester's finest techno producers provide a claustrophobic and moody track for the B side. Born out of a WW2 air raid shelter the brutal yet hypnotic track relives Manchester's industrial past. Pushing the bottom end to its limit with the aggressive drums, well arranged percussion and sinister synth line accents take multiple visions to the very depths of the human soul.
played by Milton Bradley, Henning Baer and Perc etc..
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Techno-Legends Oliver Bondzio and Ramon Zenker aka Hardfloor are back in style this season! With their beloved machine music that is free from seasonal flares, and artificial flavours. Hardfloor are still true to the core of their 303 platine circuit boards. Electronic music production is nothing less than a bare necessity to these pioneers of the acid groove. Hailed and namedropped by many a young producer's today, revamped or sampled... acid lines emerge anew in quite a few tracks. But when Hardfloor put Acid in their tank - it is sooo much more and way bigger than a marketable gimmick or the fuel to an otherwise exchangeable battery of loops. It is the motor, the lifeline and the heartbeat to a whole organism offering a whole world of expression and - first and foremost - emotions!
From their seminal - Acperience 1' track for Sven Väth's Harthouse label in 1992, on to to their legendary - Yeke Yeke' Remix for Mory Kante. From their Big Beat-ish experiments as DaPhreakNoizePhunk and remixes for icons from Depeche Mode to New Order. From almost a dozen albums and countless 12's - unto today's new album: The TB 303 remained at the center of their production, whether doubled up, linked like a sixpack and mutated thoroughly, or used alongside other analogue gear, that makes every electronic producer's pulse go...
Hardfloor ride effortlessly once again. Letting us all fly, loosing sense of space and time: on beats, rhythms, melodies, dreams and fantasies manmade. Hand in hand with just the machines. Meticulous arrangements, transcending spheres, sound that travels! That is what they are still about, remaining the experts. Because that's the way the feel the machines and make us feel them: From the straight push forward of their album-opener - Tweakend' to the percussive tripping flow of - The Art Of Acid', the supersweet and chilling - Swag My Glitch up' or the raving rough shake and stir of - Bubble And Squeak', to name but a few album titles.
When their new album ends with the tongue-in-cheek - TB Continued', a homage to the uncompromisable TB-303, they know how to manipulate endlessly, you might ask, - what has happend for the last hour'. Unique original music has happened ... goddamnit! For Hardflloor surely know how to carry your mind away for a good while. With music that is timeless, daring and great and only follows the rules they set up themselves!
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The second of the Decadub vinyl-only releases dedicates three of its four sides to a volley of woozy and twisted footwork from most of the key members of Chicago's Teklife crew. Side One starts with DJ Rashad and Gant Man's squiggly 303 banger 'Acid Life' and moves onto Taso & Djunya's Darwinian banger 'Only The Strong Will Survive'. Side Two descends into DJ Spinn's bombastic 'All My Teklife' and then Earl, Rashad & Taye's 'Bombaklot' which takes Hyperdub full circle with a yardcore bomb like a 2014 upgrade of the label's early days. Side Three leads with DJ Earl's immaculate diva vocal cut-up of 'I'm Gonna Get You', then moves on into DJ Taye's fizzling R&B jam 'Get Em Up' and the stone cold, warped humour of 'Icemaster' by Heavee. On the fourth and final side, Tokyo-based ally Quarta330 returns to craft 'Hanabi', an epic, uptempo synthesiser jam. Young gun Champion follows with 'Power Cut', its minimal, energetic and militant kicks and bass molded with cowbell and lots of tight edits, before dropping some neat keys and a warping bassline two thirds in. Ikonika finishes things off with the solemn march of 'Tug Zone', opening slow but building in flickering high hats and gaseous cymbals into a track which could have emanated from Battlestar Galactica.
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This year Russell also launched his MPIA3 guise with a pair of 12s on the Avian imprint overseen by Shifted and Ventress, and his debut release for the esteemed R&S has peen produced under this name. Fans of R&S in its original incarnation as an outlet for visceral techno will find much to enjoy across the six tracks on offer, which bristle with the kind of nightmarish energy that characterised the 90s techno output of Dave Clarke, Cristian Vogel and Ben Sims. Opening track 'Crusty Juice' is characterised by a solder iron percussive stomp which sounds like the sun is setting on humanity, while 'Mountain Of Ash' pares back the overdriven kicks for a more subtle roller with an evolving, filtered acid line. Elsewhere Russell also dabbles in classic breakbeat techno ('Roly Poly Babs ', 'Your Orders' and 'Ridge Way'), while the brilliantly titled 'Acid Badger' rivals the opening track for sheer sonic force.
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collecting orders for a repress!
Shredding acid release from the Avian camp courtesy of new secret artist MPIA3.... White vinyl limited 1st edition feat. A5 postcard and an AVIAN BUTTON BADGE ! Big support from Sigha, Luke Slater, Silent Servant, Marcel Fengler & Shifted etc...
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