Pop & Rock Novedades

Dirtmusic return with their fifth album, a full-scale collaboration with Turkish-psych visionary Murat Ertel from Baba Zula.

Bu Bir Ruya is a questing, restless record for the head, but perhaps more so for the body. It broods throughout, as post-punk, Turkish psych, funk, rock and electronics stalk the grooves with widescreen intent. Love is a Foreign

Country', features a startling appearance by Gaye Su Akyol, a treat for those who loved her Hologram Imparatorlugu, one of the most striking Glitterbeat releases of 2016. Fans of Baba Zula, Turkey's premier psychedelicists, will also have more than

enough to chew on, particularly in the remarkable title track that closes the album. Recorded in Istanbul, the album navigates hypnotic, rhythms, cinematic, atmospheres and dark, political realities.

John Johanna's eclectic output uses psychedelia and oriental tonalities, primal gospel blues and folk - among other ingredients - to create a body of diverse yet coherent devotional music. A singer and multi-instrumentalist who works on cassette and reel to reel tape at his home in rural Norfolk, and with Kristian Craig Robinson (Capitol K) at Total Refreshment Centre in London, his songs are informed by the mystical cosmology of the Eastern Orthodox Church.
This release draws from a range of John Johanna pieces gathering four re-mastered tracks that previously appeared on a now sold out ltd cassette tape run and four new tunes. Introducing a incredible gifted singer and player. Leaning in part to the acoustic and dark balladeer aspect of his music, whilst drum machine and blues pieces hint to what's to comes in future.
 Bound a most personal piece written with a deceased friend in mind recalls discussions on Greek mythology of Prometheus. Rock My Soul an adaptation of traditional words from blues gospel lineage. Knowledge And Power, Nathaniel is a Raga. I'll be ready when the great day comes track itself has a full live band ccompaniment. World Unknown words come from Isaac Watts 1700's hymn writer and theologian. (A lot of John Johanna's material takes its cue and shares from a rich tradition of mystical spiritualist music words and motifs)
 Characteristically appearing live accompanied with a four track tape deck his incredible voice and simple raw guitar style always recalling the pure mysticism his music wishes to convey the In the last year he's played sets at End Of The Road Festival a multitude of support slots with label mates Blue House and Super Best Friends Club amongst others.









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180g double vinyl with digital download insert.
A unique selection of Elvis' rock 'n' roll tracks. 32 prime slices of Memphis rockabilly, country, rock and pop from the King.

Stunning Gospel / Blues crossover, it won't be big on the dance floor but is sure to haunt any listener. Also superfluously rare on original 78 press.

Massive club floorfiller

The first single from the forthcoming Jack White 2018 full-length album on Columbia/XL.

Compilation of absolutely must have country blues. A mix of well known artists playing their signature songs and more obscure musicians. Highlights include Bukka White's elemental "Fixin' to die", Lottie Kimbroughs' seldom heard "Don't Speak To Me", George Carters' haunting "Ghost Woman Blues", Willie Browns' existential "Future Blues", Monroe Moe Jackson's wild "Go Away From My Door" and many more hits. The real stuff and some of Mississippi Records all time favorite tunes.

One of the most influential artists from the southern parts of the United States is undoubtedly Lead Belly. Gifted with the ability to write thought provoking lyrics, he became a true master of the folk and blues scene. The list of artists that have paid tribute to him by covering his songs is endless, among these are Elvis Presley, The Beatles, The Animals, Bruce Springsteen and Lonnie Donegan to name but a few. Although many people are familiar with Lead Belly's songs, only few know the true story of the interesting person behind them.

- 180 GRAM AUDIOPHILE VINYL
- GATEFOLD SLEEVE
- INCLUDES 5 BONUS LIVE TRACKS
- 15TH ANNIVERSARY EDITION
- LIMITED PRESSING OF 1.500 INDIVIDUALLY NUMBERED COPIES ON BLUE & GOLD MIXED VINYL

Welcome to the sound and poetry of recovery and redemption. On Beth Hart's third album Leave The Light On, she has taken her already lean, rootsy approach to writing, scaled it back to what is essential in a song, then poured the very grain of her being into each performance. Leave the Light On is filled with songs that take no prisoners, such as Bottle of Jesus' or Broken & Ugly', with fierce melodies and burning guitar crunchiness.

This exclusive expanded vinyl edition includes no less than 5 bonus tracks (Side 1, including a duet with Barry Hay recorded in Holland) + 5 bonus live tracks (Side 4, of which 4 tracks recorded in Amsterdam). No matter what happens, this album will always sound necessary and is a vital example of classic rock.

Celebrating the 15th Anniversary of the album, 1.500 individually numbered copies are pressed on Blue & Gold mixed vinyl! Strictly limited!

Brand new studio recordings by hard-hitting 70s legends Hackensack.

'The Final Shunt' at last reunites founder members Nicky Moore on vocals with long serving bassist Stu Mills. Nicky's son Timmy serves up some scorching lead guitar work whilst Ed Collins nails a rock solid drum beat. Devastatingly heavy at times, relentlessly intense and infused energetically throughout with Nicky's unmistakably tigerish vocals.

A dozen songs that encapsulate Hackensack's vital and direct approach to bluesy, hard-rockin' music something they were renowned for in the 70s. Raunchy new renditions of 'old classics' 'Rock & Roll Woman', 'River Boat' and 'The Hustler' sit alongside the hard-riffing 'Front Page News' from Nicky's Samson days and the catchy 'Play Dirty', a newer, previously unreleased song.

The cornerstone of this new album is, without doubt, the inclusion of original bassist Stu Mills who provides a pulverising foundation for each song something sadly lacking on 'Up The Hardway'.

This is pure Hackensack music as it should be heard and will appeal to lovers of 70s bands like Free, Groundhogs and Bad Company.

300 individually numbered copies only

* Halfway to Paradise is the Latest Exclusive to Vinyl release on Demon Records.
* 24 Classic Songs of the Fifties & Sixties Performed by the Greatest Artists of the Era
* Housed in a Gatefold Sleeve with Original Artwork & Pressed on 2x 180G Heavyweight Black Vinyl
* Timeless tracks from The Crickets featuring Buddy Holly, Bill Haley and His Comets, Chuck Berry,
Eddie Cochran, Dion, Fats Domino + more..

Though she had been performing professionally since the late 1920s, as a teenager in Harlem, during its Renaissance, the immortal Billie Holiday didn't play a single night on the European continent until 1954. It was in that year that the great journalist and musician Leonard Feather, and a Swedish promoter organized the Jazz Club U.S.A. tour, named after Feather's wildly popular radio program. Featuring Red Norvo, Sonny Clark, and more, the centerpiece of Jazz Club U.S.A. was, undoubtedly, Lady Day. Recorded at various dates across the tour, Lady Love shows Holiday still had it, despite the turmoil, and drug and alcohol abuse, her voice remained strong, a stunning document of one of America's greatest treasures on her first ever tour of Europe.

Though he's been dead for nearly 50 years, Joe Meek remains one of the most fascinating and influential figures in British pop music. A brilliant and prolific producer and songwriter - despite his inability to either play an instrument or read music - Meek also happened to be an occultist, paranoiac, suicidal depressive and, to top it all off, a murderer. Though only 37 at the time of his death Meek left a large body of work rivaled only by his equally inspired/insane competitor across the pond, Phil Spector. This brand new collection on Wax Love bring 18 of Meek's finest early '60s pop productions back to life on vinyl, the format they were made for. Dig in!

Houston, Texas' favorite son Sam John Hopkins, better known as Lightnin', was recorded in 1959 by the legendary musicologist Samuel Charters, predating and predicting the folk-blues revival of the early '60s. Highly regarded as one of the finest acoustic blues albums ever, Lightnin' Hopkins established its hero as a legend. The very definition of essential.

New play written & directed by Conor McPherson based on interpretations of classic Bob Dylan songs. Performed at Londons Old Vic theatre to unanimous rave reviews. Recorded at Londons iconic Abbey Road Studios.

1962's Modern Sounds In Country And Western Music is regarded by many as Ray Charles' finest studio album. A departure from his earlier work for ABC and Atlantic, this LP features Charles' reworkings of country standards in his inimitable pop-R&B style. In addition to being a damn fine album, it was also a landmark release as it bridged the racial divide between country music and R&B and also marked one of the earliest albums where a black artist had complete creative and production control over their own recordings. A truly monumental piece of 20th century American music history, one that is essential to any collector of R&B or country!

Graham Bond died in May of 1974 and it seemed the world of music forgot about one of the most interesting and legendary artists to come out of the early 60's music scene. Graham was multi-talented, mastering the alto sax, piano and the organ. His vocals and phrasing are truely one of a kind. Graham experimented with various forms of R & B but these particular albums are totally spiritual and mystical. Check out "The Magician" , "Moving Towards the Light" and "Time to Die". Some of the most moving pieces of music I've ever heard. Graham was experimeting with a form of new age music long before anyone had ever even tried to.

This is REAL new age music. It is powerful. Highly

recommended to any who practice Thelemic Magick.
Bond was the very best at what he did. Thanks to this recent reissue he will now live forever.

If you like semi hard, blues guitar oriented jam rock then look no farther, grab this one if you can. This puppy rocks from track 1 through track 7 with no let up in between. All seven tracks are toe tappers Miss Purdy.

Here we have some excellent, prog. influenced blues rock with extended guitar jams, some elec. violin, and a nice diversity of material with imaginative songwriting. The album starts off with arguably the best cut. The hard rocking "If I Could Keep From Laughing" is quickly followed by the innovative Native-American flavored "Medicine Weasel".

Recommended.

In the late 1950s, it was common for big labels to record performances simultaneously in Mono and Stereo, and then release both versions at the same time, with different reference numbers. This was explained at the time by the fact that Stereo was still a very recent innovation, and not everyone had sound systems capable of reproducing the new technology. The Stereo
albums were slightly more expensive than their Monocounterparts. Over time, the Mono versions were condemned to oblivion, and only recently some music fans began to value these long forgotten masters, which capture classic performances from a different aural point of view.

Out of the ashes of Toledo's Henry and June arose the mighty Soledad Brothers. This recording is the Soledad Brothers doing what they did best - houserockin' blues in full Midwestern malaise. This single was recorded in 1998 at Jack White's house on Ferdinand Street in southwest Detroit and was the band's debut release.
As key players in a scene of like-minded minimalist garage groups, vocalist, guitarist and master of harmonica Johnny Walker and drummer/future Third Man Records co-founder Ben Swank, were playing shows in Detroit so often, it eventually just made sense for Ben to pay Jack rent and become his roommate. This single features Jack playing a metal snow shovel on the B-side, "Johnny's Death Letter".

British blues legend Alexis Korner first began performing live in 1949 in Chris Barber's Jazz Band, where he met his longtime bandmate, the great harp player Cyril Davies, and they released their first recordings in 1957. After cutting their teeth on the UK club circuit, honing their skills to near perfection, together in 1961 they formed Alexis Korner's Blues Incorporated along with the great UK vocalist Long John Baldry, and released this, their debut album, in 1962. R&B From The Marquee is one of the pillars of British Blues and an album that influenced heavily the coming generation of British Invasion blues groups. Featuring originals penned by Korner, Davies, and Baldry as well as American blues legends Jimmy Witherspoon and Muddy Waters, this is a killer piece of British Blues history finally back in print on vinyl.

Blues legend John Lee Hooker cut countless records beginning with his debut for Modern in 1948 and going some 50+ years until his death in 2001. With such a vast discography it can be easy to lose track of some records and Burning Hell, recorded in Detroit in 1959 with just his guitar and vocals, is one such lost record. But this album deserves so much to be rediscovered, a brilliant set from his "acoustic" period this is raw southern acoustic blues at its best and a truly brilliant collection of songs. Rumble is pleased to bring this lost classic back to light on LP.

Killer female driving 'unknown' blues rocker