House Novedades

DEETROIT drops a confident 6 tracker that is going many places while still keeping the die-hard UDR fans fed with that raw sound they want! With this fourth 12" you should know by now what to expect. If not, just ask "the Underground, they understand". Bumpin house deepness with that jack-acidy flavor for good measure. Stamped white labels

The return of GLENN UNDERGROUND's Chicago style edit series, hot on the heels of last week’s volume 2. This time around he extends and time-stretches the Detroit disco classic "LOVE BUG" by SCHERRIE & SUSAYE, tweaks PETER BROWN's "PENGUIN" and taking up the entire B-side is his re-edit of IDRIS MOHAMMED. Limited.

Bringin back the funk!

Re-release of 'Strange Kind Of Love' by Love & Money.
This song, originally released in 1988 on the album of the same name by Cherry Red Records, features rich velvet vocals from songwriter James Grant. This re-release sees the track get given a chilled out, string heavy spin by Chris Coco, and a chilly, down tempo ambient rerub from Haraket

Nick The Record teams up with Dan Tyler (Idjut Boys) for a fresh edits mission, a Record Mission !
As you'd expect from one of the UK's most respected record dealers and an Idjut sidekick, these are delightfully obscure but utterly deadly cuts lovingly extended and amended for those of discerning ear, and a lightness of foot

Dark, sexy and catchy, FIRE has inspired four distinguished remixers: house and salsoul from Clement ASWF, Hispanic and cinematic from Daniel Maloso, tropical and funky from Hypnolove, electro and dreamy from Kasper Bjørke. Fire walks with them.

Tying together the first four releases on Greg Wilson's new label, the Super Weird Substance Box Set 01 features the array of talent currently surrounding the label; with Kermit Leveridge's past Black Grape notoriety, The Reverend Cleve Freckleton's gruff gravitas and the vocal forces of nature The Reynolds.
Acting as producer, Greg Wilson brought his son Ché in on guitar for a couple of tracks, whilst getting Peza to work on the programming and Derek Kaye to help with the mastering. Another four releases are expected later in the summer and the single EPs will fit in the box perfectly to complete the set.



12"2

13 radiant, sunset inspired recordings, are meticulously selected and beautifully assembled.It begins with a gentle, dreamy classic, by Spanish guitarist Joan Bibiloni and ends with a deceptively simple piano piece by Nils Frahm that captures that mesmerizing moment of a legendary sunset in Ibiza. The current ambient sound is defined on productions from Jonny Nash and A.R.T Wilson. Album-only exclusives are provided by super producer Rui DaSilva's new downtempo project Lisbon Kid, as well as a fun, dubby edit from chillout legend Afterlife. The dream house genre features with tracks from seminal Italian DJ Don Carlos plus a sought-after Japanese rarity from 1991 called Low Tension. Cantoma, aka Phil Mison, DJ from the Cafe Del Mar, provides Alive, a hooky record that won't let you go and Chris Coco introduces us to his Balearic production project- Nick & Samantha.Timeless art direction from Peter Chadwick (Popular / This Brutal House) combines with a first-rate photo shoot by David Ryle to produce a heavenly visual identity that encapsulates Summer.
The curators are: Chris Coco, who was part of the original firm that compiled the Real Ibiza compilations throughout the 1990s and currently hosts Melodica, an award winning radio show; and Jim Breese, who was resident DJ at Cafe Mambo Ibiza and currently produces the respected Ku De Ta album series for the beloved Bali based sunset venue.
Our aim is to build a proper compilation series, made with love, that people can rely on, featuring a top quality, diverse selection of music from real artists in the enduring Balearic spirit.

PUNCHOUT RECORDINGS drops this 4 track EP of bumpin' disco cuts with a serious dose of funk. “THE MUSIC” is an ode to roller skating that will keep you bouncing with flanged out disco bass and more than enough disco wind. “ON THE FLOOR” is a straight forward roller with hiphop lyrical snippets that tell you that terrible funk is what's up and you know it is. “ELECTRICITY” brings the elastic funk guitar and percussion that will keep you break dancing even after the cardboard wears out “CRAZY MOTION” is about a love affair that lasts including a moog solo that might land you on the moon although the song might just be about trying to have sex on a water bed

Ostra Discos presents this Turkish music compilation composed by Turkish and Israeli artists such as Kozmonot, Foc Edits, Dogu Civiciki, and Omri Smadar. For this record they have made amazing reworks of original 70's Turquey`s music. The "Turkish Delights" is as sweet as the name sugests.

Uncanny Valley and Permanent Vacation are joining forces for an Uncanny Vacation! There has always been a lively exchange between Dresden and Munich and both labels are known for releasing a wide variety of music so it was only natural to team up for a joint release.

The record starts off with Permanent Vacation-regular and UK-veteran DMX Krew and his 'Astro Logical' which is as sharp and crisp as Electro can go. The bass line strikes hard but he also squeezes some great melancholic synth lines out of his machines. After that, Uncanny Valley's Sandrow M finally gives access to the much in demand live version of 'Prayervan', a tune that everybody has been singing along during his live sets.

On the flipside, Jacob Korn (who already released on both labels) hands in 'Eieiei' which rises on a percussion-heavy drum basement to a discoid House stomper thanks to an irresistible sample straight from an obscure flea market find. Last but not least, Drvg Cvltvre from the Netherlands delivers a tropical House jam. 'See You Again' is riding on a funky Disco bass line and creates a warm and cosy atmosphere with a whole bag of sound ideas.
Alexander Dorn aka Credit 00 adds his graphical talents to the record's sleeve with a brilliant tribute to 1990s adventure video games.

finally repressed!
In the last few years, I'm a Cliché's Edit Service has established itself as constant source of quality edits for DJs and music lovers. The concept is very simple. Every two weeks or so, the label shares with the world an edit made by artists from its roster or producers it likes. 
To celebrate passing the 50 edits mark, the label releases a limited run EP with entries 56 and 57 in the series. This is a vinyl only release, absolutely no digital !

This October, the compilation Disco Sympathy will be released on Versatile. It's author is Vidal Benjamin, an outstanding DJ / digger, considered by his pals as one of the most brilliant in his category. And that says a lot!

Here he makes us rediscover the sound that was so characteristic of a certain early eighties French scene: wacky, happy, dancing and at times even poetic. One begins to travel through an era during which the French producers were not afraid to tackle disco, American boogie, British and German synth wave, to present us their version: French, poppy and above all... fun!

As a prelude, before releasing the compilation, Versatile will come with limited 33 rpm and 45 rpm maxis, on which every track has undergone an editing treatment by mysterious French producers: Jean-Marc Misère (last sighted somewhere near London), DJ Ringardos (who, since his last Versatile release in 2008, chose Roman exile), ALT (already spotted on the Edits Du Golem and on the US label Black Disco), and of course Vidal Benjamin himself, accompanied by Gilbert Cohen - the boss.

On the 45 rpm you'll find no-one less than Jeff Lasson, of the Get a Room! duo, who came through with flying colors. And as a bonus beat: Misère on the B-side.

The late nite stepper, the strut in the stuff that leaves you wanting more. That goodnight kiss, that early morning mist. Mystery producer Olmos steps to the plate for his debut 12" on HOT SHOT SOUNDS, boogie funk vibes paired with modern nods to house- stomping OG mix backed with remixes from label boss INKSWEL and Faces & McDE maestro Pablo Valentino.

*The product of a move from South Carolina to Berkeley, CA and the subsequent extended separation from loved ones, Toro Y Moi's third full-length, Anything in Return, puts Chaz Bundick right in the middle of the producer/songwriter dichotomy that his first two albums established.
*There's a pervasive sense of peace with his tendency to dabble in both sides of the modern music-making spectrum, and he sounds comfortable engaging in intuitive pop production and putting forth the impression of unmediated id.
*The producer's hand is prominent- not least in the sampled "yeah"s and "uh"s that give the album a hip-hop-indebted confidence- and many of the songs feature the 4/4 beats and deftly employed effects usually associated with house music. Tracks like "High Living" and "Day One" show a considerably Californian influence, their languid funk redolent of a West Coast temperament, and elsewhere- not least on lead single, "So Many Details"- the record plays with darker atmospheres than we're used to hearing from Toro Y Moi. Sounding quite assured in what some may call this songwriter's return to producer-hood, Anything in Return is Bundick uninhibited by issues of genre, an album that feels like the artist's essence.
*Born and raised in Columbia, South Carolina, Chaz Bundick has been toying with various musical projects since early adolescence. Having spent his formative years playing in punk and indie rock acts, his protean Toro Y Moi project has been his vessel for further musical exploration since 2001. During his time spent studying graphic design at the University of South Carolina, Chaz became increasingly focused on his solo work, incorporating electronics and allowing a wider range of influences- French house, Brian Wilson's pop, 80s R&B, and Stones Throw hip-hop- to show up in his music. By the time he graduated in spring 2009, Chaz had refined his sound to something all his own. Music journals across the board touted his hazy recordings as the sound of the summer, and he released his debut album, Causers of This in early 2010.
*Since then, Bundick has proven himself to be not just a prolific musician, but a diverse one as well, letting each successive release broaden the scope of the Toro Y Moi oeuvre. The funky psych-pop of 2011's Underneath the Pine evinced an artist who could create similar atmospheres even without the aid of source material and drum machines. His Freaking Out EP, a handful of singles and remixes, and a retrospective box-set plot points all along the producer/songwriter spectrum in which he's worked since his debut, and Anything In Return is another exciting offering that shows he's still not ready to settle into any one genre.

RED MOTORBIKE rips through town again !
7 inches of pleasure once again, as label mastermind Eddie C proves, yet again that his devilishly good ear for a hook is matched with no small amount of skill in concocting a funk-charged mid tempo groove.
Another keeper in a dazzling series & alot to love in a little package ! Pressed in Hamburg.
Stamped personally by Eddie in Berlin. 300 copies only

A very warm welcome to Los Angeles based record label VINYLS ON WAX, run by Daddy Differently (Dublab's Things Of Life) and Tommy Moye (Rong Music).Â

This debut 12 comes courtesy of PHARAOHS, whose previous musical outings under this alias include stunning releases on revered labels like ESP Institute & 100% Silk !

Multi-instrumentalists, alongside the mighty Diego Hererra (Dude Energy, Suzanne Kraft, Odd Numbers) result in something of a Californian super group !
Rinse Dreams begins with the title track, easing into a mid-tempo and slowly unfurling epic, which could quite easily be the sound of a peyote trip condensed into 9 glorious minutes...

Flip for Mr Fontel, a much livelier workout that's all humming circuitry and pulsing rhythm track, whose metronomic drive never undermines the 'live performance' and organic feel of this irresistible jam.
Finally El Datil is as sweet and sticky as its name would suggest, another pulsating, syncopated sonic journey that blows through like the Sundowner winds.

U-Star records has returned !
After spearheading a dub-soaked and twisted Disco revival in the early Nineties, U-Star quickly became a cult label, whose catalogue still manages to sound as fresh and dislocated as ever !They are kicking things off again with Shrinkwrap's incredible versions of the 1997 Idjut Boys and Laj track 'Karmakazi' from the Outhouse EP.Shrinkwrap serve up two recreations that have captured the spirit of the original and taken it far far away...

In his first outing since 2011's now classic 'The Orange Place', Test Pressing's Paul Byrne Teams up with Sade's Andrew Hale for The Light Machine, a low slung, throbbing, acid led piece of gorgeousness that has been getting rave reviews from the Balearic mafia all over.

For ESP Paul teams up with Yello's producer / engineer Ian Tregoning aka The Stranger for another intoxicating piece that recalls the best moments of The Art of Noise if they were still making music in 2014.

A remix from Austrian DJ and perennial man of the moment Lexx rounds out the package perfectly.

Golf Channel every time !

DK is back on ANTINOTE with a second record that exudes refinement and class a la DK, meaning: perfect pastel pads with sophisticated cowbells, tasteful toms, riviera playboy boogie bass lines and risqué drums.
The 4 tracks of "love on delivery" will make you move and strut with sensuous pride, reminding you that you looked good in the mirror when coming out of the shower. As always, evocatively housed in an extra shiny paradisiac cover created by the masters at Checkmorris. Infinity pool here we come.

Adult Contemporary follow up that superlative entry from Lord Of The Isles in belated but worthy fashion, as Dany Dorado takes the helm for a double dose of well judged South American disco that's aimed at switching the mood from the horizontal to vertical and inclined to dance. This release marks the vinyl debut for the Chilean producer and what a debut it is, as the lead track "Crepusculo" gently rolls into life via a near infinite expanse of balearic sound. Just as you're senses lose focus amidst this inviting backdrop, an almighty arpeggio lead surfaces and heads skyward atop a strident disco kick. "Fuga" is less shy in its intentions, swiftly settling into a fluttering electronic disco arrangement akin to Lindstrom at his most Scandolearic which is again driven by drums which have real substance to them. Release includes a nice little printed card insert!

vinyl only and limited !!

Limited Handstamped Vinyl !!!

A treasury of unreleased rare and hard to get mixes from the first generation of master tapes.

Sources is a brand new series which will examine the output of a number of extremely influential independent U.S. labels hroughout the 1970s, 1980s and 1990s. In an age where corporate anonymity reigns supreme and music is being treated like aural
wallpaper, the Sources series will go back to a time when record labels really meant something via their A&R policies, their ground-breaking releases, their everyday modus-operandi and
their general philosophies. What made these operations unique How did they manage to compete with the major companies How did they protect their artist rosters What sort of people ran these operations and how did they manage to survive in the cut-throat music business Bill Brewster, co-founder of the influential DJ History website and forum and author of the
acclaimed Last Night A D.J. Saved My Life' will be compiling and writing the sleeve notes for the series. The first six releases will concentrate on 6 New York independent labels which have each been massively influential in the evolvement of Dance Music over the last 30+ years - Easy Street, Fresh, Sleeping Bag, Sam, Streetwise and P&P. Each 3 x CD package will be full of lovingly re-mastered original 12' mixes as selected by Bill. These will include many tracks which have never made it to CD before and you can be sure that a variety of 'secret weapons' will emerge from each of these packages! All notes and scans will be included in a 16 page colour booklet which fits beautifully within the 3CD superior digipack. The usual Harmless PR and Radio operation will support all Sources releases.
The fourth package in the Sources series covers one of the most loved New York independent record labels ever, the iconic Sam Records. Formed by industry veteran Sam Weiss in 1975, the label launched with a the killer atmospheric funk anthem Woman Of The Ghetto' by Doris Duke before heading into Disco territory with several hugely successful albums from John Davis & The Monster Orchestra before hitting big internationally with a brace of Disco smashes from Gary's Gang including their most successful single Keep On Dancing'. By the beginning of the 1980s Sam managed to deftly circumnavigate the Disco backlash and re-invent themselves as a bona-fide 80s Dance label immediately
scoring with Rhyze's Just How Sweet Is Your Love', Convertion's Let's Do It', Scandal's Just Let Me Dance', K.I.D.'s Don't Stop' and Mike & Brenda Sutton's We'll Make It' among others. This proved to be a fortuitous direction and by the end of 1982 Sam had scored high-profile successes with Vicky 'D''s This Beat Is Mine', Komiko's Feel Alright', The Evasion's Wikka Wrap', K.I.D.'s Hupendi Muziki Wangu! (You Don't Like My Music)' and the sumptuous Dreaming' by Greg Henderson. Sam's impressive dance hit tally continued into 1983 with further successes like Steve Shelto's pumping Don't Give Your Love Away' and Klassique's Somebody's Loving You' before the label wound down for much of the next decade. Over the ensuing 30+ years Sam's 70s and 80s releases have seldom been off DJs turntables whether via the Disco, Rare- Groove and Electro scenes or by the almost relentless re-edits that appear of Sam's main output throughout this period. 'Sources: The Sam
Records Anthology' continues the run of comprehensive anthologies of the most important labels in the evolution of Dance music.

Fernando Pulichino is not only a producer and DJ but also a multi instrumentalist and singer songwriter.A
He started playing music at the age of 14 being the bass guitar his main instrument.

Fernando's extensive discography is testament to his numerous releases. Apart from releasing his own music as 'Fernando' he is also part of the duo 'Silver City' and the band '2020Soundsystem' along Ralph Lawson, Danny Ward (Moodymanc) and Julian Sanza (Silver City).

He has performed at clubs like Fabric, Watergate and Space, also at festivals like Sonar, Glastonbury, The Big Chill, Bestival, T in the Park and The Garden Festival to name a few.

Fernando's talents continue to blossom. You can find his releases and remixes on labels like 'Gomma', 'International Feel', '2020Vision', 'Leng', 'Internasjonal', 'Redux', 'Under the Shade', 'Nang', and 'Bearfunk' where early this year he released his debut album.

True Romance is proud to release a fantastic EP from one of House music's biggest new talents. Damon Palermo is from the Metro Detroit region and currently lives in Los Angeles. He has been making adventurous house and disco music under the moniker Magic Touch since August 2011. In a short time the producer/DJ has amassed an impressive following and several well-received releases, kicking off with the critically-lauded 100% Silk release 'I Can Feel The Heat,' which was a recommended release of the week at Boomkat and made the 20JazzFunkGreats Best of 2011 list. Magic Touch live sets mix the psychedelic ethos of San Francisco with the house movements of Chicago, Detroit and smatters the whole thing with a solid nod to the UK rave underground. In demand at festivals including Sonar, Unsound and CTM, as well as touring Japan, China, South Korea, Australia, Magic Touch is also traveling the world DJing at places like Berlin's legendary Panorama Bar, Lux Frágil, The Shelter Shanghai and Dommune in Tokyo. His Magic Touch - Nothing More EP is a deep bow to the golden era of House Music and shows his impressive talent as a producer. His sound is raw and kicking but very subtly arranged. His collaborators on this EP are the production duo Greeen Linez (Christopher Greenberg & Matt Lyne) and the fabulous singer Fatha Green (Justin Leon Johnson) from New York on 'Nothing More". 'Nothing More' includes additional mixing by Brian Foote.

A dream and a trip into de pure House music, subtle and dynamic born with this 001 of Discos Nutabe. From the Aburrá Valley, Colombia, perpetuating the essence of music in time with limited vinyl copies is their purpose.

For this first cut, we present the debut of DCM with his 'Orígenes', a record that has a very noble sentiment: the revival of classic House music which only causes movement, in body and soul.

True French cold wave classic for the first time reissued in vinyl. If you are into minimal synth music, you of course know the track and except if you have 200 euros to spend in an original copies, you're still looking for this killer record.

Forgotten Corner Records cohort Nick Mackrory launches his new offshoot label Colona Records

Much of Nick's eclectic music is inspired by Cornwall's coastline, as well as a healthy & worldly combination of live & electronic elements
Colona001 sets the tone nicely with three wonderfully varied acoustic and electronic Balearic infused tracks!

The cat is out of the bag as two Greg Wilson summer festival exclusives are unleashed on the expertly curated and highly collectable A&R Edits DJ imprint.



It's label favourite Peza who is back at the editing block for this release, reworking 'Walking In Rhythm', the 1975 classic from The Blackbyrds, into a contemporary dancefloor scorcher.



Its instant familiarity is swelled by Peza's additional drums and percussion - his complementary instrumentation, played live over the original groove, updating this feel-good sensation.



'Pure Morning' was Peza's favourite Placebo track and so the required amount of reverence was paid when he sharpened the razor to bring it right up to date for 2014, and provide Greg with the opening track of his Glastonbury Trilogy this year.



A full, percussive rework accentuates its anthemic reach and a well measured dose of filters and effects nudge this new arrangement to completion.

File Under Disco have steadily been building a seriously strong back catalogue of 100% original disco music.

So far this has taken shape through digital EPs of original material by artists like Drop Out Orchestra and JKriv & The Disco Machine, plus a series of big hitting vinyl remix releases from acts like The Idjut Boys, Ron Basejam, Dicky Trisco, Pete Herbert and Duff Disco amongst others.

For this release the imprint have collated their biggest selling and most popular 'digital only' cuts from the last year by Drop Out Orchestra and JKriv & The Disco Machine, plus an exclusive and unreleased version of Drop Out Orchestra's The National Theatre by Pete Herbert & Dicky Trisco.

All tracks are tried and tested for the dancefloor, beautifully mastered and appear here on vinyl for the very first time.

Electronic Emergencies is proud to introduce Ceci N'est Pas, a synth wave project from New York consisting of Nico Nightingale, Pierre Klein and Jorge Socarras. Nico Nightingale is the man behind Neud Photo and earlier worked with Pierre Klein as Neud. Jorge Socarras was singer with synth maestro Patrick Cowley in the 70s duo Catholic, and with 80s cult band Indoor Life. Together, they started Ceci N'est Pas in 2014, and this 7 inch "The Last Time" is their first release. The title track on the A-side is an irrestisibly melancholic and romantic synth wave pop song, while B-side "The Stranger" has a mysterious and yearning feel.

Snakehips are always hitting the top spot. Last year saw them hit the higher-region of the Hype Machine chart multiple times with their remixes of the likes of Banks, Raury, Bondax and The Weeknd. This year's different though. Judging from the strength of latest single "Forever (Pt.II)", they're still going to be racking up the plays but it's going to come from their own compositions rather than remixes.