Beats News

• Second Drop Records follow up their first two sold out EPs with another slice of old school wizardry. Featuring label owners and long time Kniteforce artists Paul Bradley and The Lowercase, here you have a four track ep that shows their various talents to the fullest, with impeccable production and tracks that leap off the vinyl and wont sit still. Proper old skool hardcore for those in the know…

Club / DJ Support
Jay Cunning, Billy Bunter, the Fat Controller, Liquid, Hyper On Experience, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Clayfighter, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others

Label owner Kingsize gets his first release on the label, 25 years in the game as a producer but the first solo outing since 2006. These tracks sit firmly in with the 94/95 drum & bass / jungle sound.
Get My Loving is a pad and piano filled beauty of a track. The piano line is straight out of the Omni Trio piano handbook. The track eases itself along at a lovely mellow pace showcasing the musical elements before dropping down to a minimal stepping section, which is the calm before the storm. We then enter an amen workout in typical 94/95 fashion before the grand musical finale. Fantastic stuff.
Dream tracking has received praise from all angles. Being championed by Jay Cunning on his show it has become the most anticipated track to be released on Time Tunnel.
Again pianos and pads are the key elements here and the vocal narration on the track helps take things onto an ethereal level. When the track drops you are transported back to AWOL at the Paradise. The dreamy breakdown sections are a stark contrast to the deep moody drops, this leads to the dark/light balance that so many crave for being presented perfectly.
A future classic.

more of his wares on his first solo release. This 3 tracker dives straight into that oldskool dark side hardcore sound that NewKiller has already becoming known for.
Lurking Among Us is bleak, minimal, dark and unsettling. It’s the kind of track where you feel yourself getting pulled into some kind of dark void. Truly Haunting.
On the flip, Random Acts Of Cruelty is the complete opposite. NewKiller locks into that high speed 93 sound that combines heavily edited breaks, deep sub bass and obscure samples. A rusher of a tune that would tick all the boxes for lovers of the Bizzy B sound from this era.
The bonus track is a stripped down reworking of the lead track from the now hard to find TUNNEL001. All of the Chernobyl samples are stripped away to reveal the bare bones of the track and it is an absolute screamer. Amens, 808 bass and moody synths are all there. The sort of thing you would hear on the dance floor at the Lazerdrome in Peckham back in 93!

Pick your poison! Skream bites down for Steel City Dance Discs Volume 23. The Croydon (London, U.K.) native strikes hard with a 3-track injection of heaving dance floor venom.

A motley of pumping rhythms courses through the veins of this EP as he reaches into his diverse repertoire of soundscapes.

The record opens up with Doolally – a euphoric House shaker intoxicated with nostalgia. Now in its grip, Space Ghetto swells up with tight breaks and aching bass; the tune is peppered with head nods to early hardcore tropes and a voice recording of Big Miz. Symptoms persist with Drago The Destroyer, which finishes us off with a rapid onslaught of chest thumping kicks and off-kilter synth rushes.

Nothing will save you.

Dream Ticket celebrates 10 releases on this planet with a VA matching old label favourites with fresh new blood. Multidisciplinary artist Koolmorf Widesen kicks things off with a madcap acid squirmer that will terrorize your sense of direction as much as it moves your body, before DT stalwart Binary Digit hits us with his latest signature braindance pounder. On the flip, Ryan James Ford, another DT alumni, brings us a techno banger that marries the
best of Detroit and Berlin, then newcomer ZDR closes things out with stuttering, dreamy piece of jungly dnb magic. Here’s to the next 10!

As the final chapter in the initial run of Jazz Is Dead releases, Remixes JID010 continues the creative catharsis of an exhilarating new chapter in jazz music. Adrian Younge & Ali Shaheed Muhammad tapped nine iconic creators to reimagine their personal favorites from Jazz Is Dead’s catalogue to-date, who created striking new versions by Cut Chemist, DJ Spinna, Georgie Anne Muldrow, Akili, Shigeto, Pink Siiffu, Dibiase, Natureboy Flako, and Kaidi Tathum. It’s a family affair.

Greetings from Baba Osman!

feat Roy Of The Ravers remix

Cross-platform entertainer and all round good guy Romeo Taylor, is a cherished personality on the DIY Glasgow music scene, as well as a hilarious presence on the Twitch, YouTube & Twitter-sphere and his Limmy-approved cult rave bop The Kingdom of Scotland (described by Eclair Fifi as 'our new national anthem') finally lands on vinyl, courtesy of Newcastle's Acid Waxa Recs, with bold as brass artwork from Henri Claudel (aka Lewis Cook from Free Love + Fuun Haus et al) + a blistering remix from Roy of The Ravers, to boot!

The Wobble Boys are here. It’s ‘Time To Wobble’ !

We're heading deep into the bowels of the cosmic basements with our latest vinyl release which is headed up by those 2 lovely souls from Leeds, PBR Streetgang.

From rocking it all over the globe to releasing a plethora of absolute yesmate bangers & a long player too, we're pretty thrilled that they have joined our family of music makers with their double A side E.P. 'Transpennine Express'.
GCP gets the party started and instantly takes you to 4am at Barbarellas Discotheque with stacks of throbbing-ness & pumping, laser reaching vibes whilst the boys take you down a wormhole of electronic music pleasure.

Condor jumps ships from Barbarellas & hot foots it over to Berlin to sweat it out in basement with only a smoke machine for company and tons of ravers. Pulsating synth surfs across a chubby bass with some slick as heck cosmic stabs making this a multitude of all that is good in proper dance music.

If the originals are on the dance floor then we made sure to go full on weirded-out on the remixes and crikey they don't disappoint!
ELLES totally flips the script on GCP and turns in a hazy, broken beat style electro groover with a full vocal giving it the sound of a lost track by A Certain Ratio.

Psychederek takes the 'make sure to go really wonky!' advice we gave when sending the parts to Condor and matches ELLES with his full on acid tinged psych wig-out rework. The beat sure is broken, the bass guitar punches, the old school piano thumps and the whole thing sounds like an amazing Andrew Weatherall remix from the mid 90's you never knew existed.

Something for everyone.from clubs to shebeens to after parties & beyond...

Hardacre releases this debut EP on his brand new wax series summoning the spirit of UK rave, breakbeat, techno, trance and acid to produce some of the most upfront cuts around.

Carrying Hardacre’s signature artist logo, make no mistake with this one – descending through the stratosphere are four tracks destined to make waves through the dancefloors starting with the ‘The Cosmos’ and its killer bass track accompanied by layers of spacey pads, all to the rhythm of a clinically produced breakbeat.

‘Levels’ then journeys deeper with its hypnotic melodies and rhythmic bass before ‘Founder’ takes things to another dimension referencing early 90s acid and breakbeat to make for a huge dancefloor shaker.

The EP concludes with ‘Dreamscape’, a moody rave-derived sub bass trip, rounding off a must have piece of wax from this hugely talented artist.

Luca Lozano and DJ Fett Burger return with part two of the three part 'Hands of Doom' series. Following on from the success of the recent Sex Tags UFO release, Hands of Doom 2 continues the tradition of early breakbeat and proto-rave inspired club tracks. Three slices of rattling drums, low-end subs and bleeped out bleeps make for a cohesive and well informed EP and a welcome addition to the series. Keep those peepers peeled for the third and final part, a full album from the duo on Luca Lozano's GRAFITI TAPES series.

Limited hand stamped copies..

Via a trio of critically releases for the CPU label (two EPs and an album), Sheffield born Evan Majumdar- Swift, AKA 96 Back, delivers an eclectic EP for Hypercolour.

Leaning on, but by no means restricting himself, to the bleep roots of the Steel City, the ‘TBQFH’ EP assembles four highly accomplished tracks of head scrambling and fearless electronics. From the beat science of ‘Fe Symbolic’ to the widescreen sound palette at play in ‘Party Animal’, 96 Back flaunts a distinctive and bold dexterity.

This is the second Super Hexagon release. It's got three tracks from Alma at a total running time of 15 minutes and 32 seconds. Superb electronica for fans of AFX & Squarepusher.

Since 2017’s Intimacy & Isolation, Darcy Baylis has gone through several musical metamorphoses, constantly integrating new sounds into his practice.

Darcy’s sophomore album, A House Breaking, sees him weaving through genres with a distinct sense of purpose. Powerful musings on love, addiction, and the sheer danger of growing up are spotlit against a diverse musical backdrop. Breakbeats, autotune, dancehall rhythms and ambient sketches are eloquently woven together throughout the course of the album; seemingly disparate, yet meshing perfectly.

A House Breaking was recorded / mixed in Melbourne by Darcy Baylis & Joseph Buchanan. Mastered by Darren Ziesing.






f A6. ICU VIP

Analha was one of the first approaches I had with the design of analog basses and drums, to understand the way in which we can involve so many sounds and transform them to our own liking, to give it its own narrative, a sense, an identity in which it can be navigated about different styles without problem.

They are two pieces that make up totally different break paths where "Mi ama Dic K no" A1 is my own exploration and vision of the break beat, three melodies written in F # that count the subtlety, while the bass contrasts in an aggressive idea to the beat of many changing rhythms in the drums, which sorfs between a Mpc, 808, Dsm & V Modular ; Classic trip hop voices samples that guide the way this own idea progresses on the breaks and pads that generate a more complete environment with a very energetic atmosphere that is constantly on the rise in the active and natural development of the track.

Towards the B side "Run mami run" B1 is composed by a classic intro of acid cut while some seconds of drums interpose which are accompanied by a radio narration of a chase, a return change is present with a vinyl spin between voices from GTA & WU TANG CLAN which make an intro for an infusion of breaks fully aligned to the beginnings of oldskool drum and bass which are accompanied by voices recorded, treated and edited to connect more directly between the spaces interrupted by the glitch acid chords.

Among contrary structures "Analha" contains hidden but marked criticisms, it is a project that comes from 2018 and ended at the beginning of 2019 which made him think about how to involve more than music within his own sound narrative.

The sonorous identity of rachiid today is different, he understands his environment but does not believe in adapting, he tells us that each exploration and discovery during these years have led him to think how this first release was born until now but is not connected at all with what nowadays, describes his sonority today as changeable, essential and highly with IDM, experimental and breaks.

The Limited Series continues with the 9th release on the sub label. BPLS009 presents a 5 track compilation of stripped back and scantily clad drum tracks. 2020 hasn't been the year for clubs so here's something low key. The opening track "Pitch Control" comes from Guava. A subtle composition of percussive tools and well crafted sub bass, further exploring his sound from previous appearances on Holding Hands and Control Freak. LUXE fka DJ Luz, the Manchester based producer and B.L.O.O.M affiliate provides her debut track "Falcon's Rise", a nostalgic remedy with a euphoric vox and scattered jungle drums.

Part two opens up to French producer Pipholp, his second appearance on the label, adding another broken beat, IDM inspired jazzy house entry with "Angers". A sense of patience between moods leaving you in limbo. Monotronique also joins with "Beat Himself" on the B2, a no nonsense bass heavy DJ tool for that specific peak occasion. More danger after his debut appearance on the Black Label Series (BPBL03) last year. In a total mood change, the release comes to a meditative close with "Wide Awake" from Padre Oe. A collaboration between Pete Lazonby, an artist with a long history most known for his chart heading solo production "Sacred Cycles" on Brainiak Records in the 90's, and Otto Fischer, a Nigerian free-improvising singer, lyricist and guitarist best known for his guitar work with the Alexander Hawkins Ensemble. The track also features Henry Lowther on trumpet, widely recognized as one the UK's best, and the strongest contributor to Talk Talk's Spirit of Eden with dozens of top of the pops appearances with a spanning list of important and renowned bands appearing at Ronnie Scott's to Woodstock. The mood is Blue. One Love. BP x

Over the past year or so I have watched as the releases on Holding Hands got more and more intense. Don’t get me wrong, I love it. Intense and straight to the face was always the plan for the label. At the same time I do have slightly more varied taste and I had been getting sent a decent amount of incredible music that didn’t quite fit on the original outlet. My first love when it comes to electronic music is dark, eyes down, bass heavy and so it seemed like now was the perfect time to create a label with a slightly deeper angle to accommodate this sort of thing.

4 Tracks Of Heavy Bleep N’ Breaks Dance Floor Destruction! Unknown Artist, dont snooze..

We are excited to share our special Wex series, Telomere Plastic.
Each release will be a white label special of 150 copies.
This first release is a four track VA and gives you a little introduction of what to expect from the series.
150 copies pressed

Club / DJ Support
Jay Cunning, Ray Keith, Nookie, El Hornet, Billy Bunter, the Fat Controller, Liquid, Hyper On Experience, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others

The Kniteforce Complete Collection Volume 1 does exactly what it says on the box, giving you the first 20 Kniteforce Vinyl releases, fully remastered, in both Wav and MP3 format. This set of original old skool tracks made in the early 1990s is a package unmissbale to anyone into the original old skool sound, and it features some of the early work from legendary artists such as Dj Force & The Evolution, Luna-C, Cru-l-t, Future Primitive, The Trip, Alk-e-d and more…

The Kniteforce Complete Collection Volume 4 does exactly what it says on the box, giving you the full Kniteforce Vinyl releases of the tracks from KF61-KF80, fully remastered, in both Wav and MP3 format. These tracks have NEVER been released on the digital stores, and until now have never been avaialbel in any digital format. All the tracks here are from the beginning of the new vinyl era, and as such feature some of the names that have made themselves in recent years, such as Mannik, Nicky Allen and Shadowplay, not to mention tracks from old skool masters such as Hyper-On Experience, Billy Bunter and The Fat Controller, right beside Kniteforce’s legendary roster of Dj Ham, Dj Force & The Evolution, Luna-C, Alk-e-d and many more…

Club / DJ Support
Jay Cunning, Ray Keith, Nookie, El Hornet, Billy Bunter, the Fat Controller, Liquid, Hyper On Experience, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others

Ancestral Revolt are humans from different continents channeling their ancestors through voltage control and this is their debut EP.

There are 2 original tunes on the a-side ... The deep, dark and dirty Atrukuatu and the techno-break banger El Afilador, plus 2 remixes of the title track on the b-side.

An atmospheric electro mix by legend Mark Ambrose and also an emotional deep-techno take by the duo Sibling.

A free and unconstrained expression – permanent and cutting-edge creativity - complex and amazing personality, Mr Oizo is always where you don't expect him. On the popular peaks and in the depths of the avant-garde, he counts his fans as well as his sceptics with its sounds and images of surprise, destabilizing and disturbing.

In his universe, neutrality does not exist. The bridges, and bridges between sound, image and writing are perpetually destroyed to be reinvented.

Honing your skills is under-appreciated in times of instant gratification and the continuous stream of music. Rotterdam-based producer Kofi The Unknown subverts this idea and took time for spiritual introspection, studying rhythms and sound production. Where being a late bloomer normally is seen as a sobriquet, the producer, composer and beatmaker wears it as a badge of honour and solidifies it as an honorary title by pinning it to his debut EP on Wicked Wax: The Late Bloomer. Wearing his heart on his sleeve, Kofi The Unknown shares his journey that led to The Late Bloomer, an emotional journey through sophisticated dance music, straight from the heart, aimed at the soul and feet.

Highly influential to Kofi’s sound and this EP is London’s Broken Beat scene. Syncopated drums, soulful chords and heavy bass lines work in tandem to emphasise the danceability the genre is known for. This is further solidified by the track Kofi released leading up to this release: One for Motet, an ode to the Broken Beat MC and Jazz Refreshed host Jason Hicks. The Late Bloomer further develops Kofi’s ode, but provides his Rotterdam flavour and brings his Hip Hop and Funk lineage into the mix.

Embrace Mistakes sets the stage for what’s to come in various ways. It is a textbook case of how dance music can tell a story and be introspective. Kofi’s honesty shines bright on the entire EP and strikes from the first kick drum on. It also shouldn’t be hard to recognise and feel the emotion the producer shares on the title track The Late Bloomer. The emotionally-laced chords and crushing drums are reminiscent of late nights at a warehouse or emotional sequences from a dystopian movie.

Staying true to his ethos ’exploring the university that music holds’, Kofi finds this beyond music production as The Late Bloomer provides an audible experience through creative mixing. Stuttering analog synths, enveloping leads, multiple percussion rhythms and off-beat snare rolls hit from all directions of the stereo spectrum, further underlining the sophistication of his merit. While the EP follows the Broken Beat accents on dance, it is an equally mindful listening experience.

Kofi The Unknown is a Rotterdam native producer with a knack for rhythms. His keen ear is informed by mentor and Dutch enigma Trian Kayhatu. While Kofi has taken the time to perfect his skills under the guidance of Trian, the two are simultaneously working on the exciting follow-up project to this debut EP. Without looking too far ahead, enjoy The Late Bloomer. It’s not only a crown jewel Kofi proudly wears, it is also establishing him as a future household name in the sophisticated dance scene. "

Auf „Tread“ steigert Ross From Friends die komplexen und gefühlsbetonten Qualitäten seines Produktionsstils, die Mixmag bereits dazu veranlassten, seine „eigenwillige Fingerfertigkeit“ zu loben, die „nicht nur dein Herz schmerzen lässt, sondern auch direkt aus deiner Brust tanzt“. „Tread“ ist eine Platte, die gleichzeitig glatt und melodisch, aber auch hervorragend tanzbar, nostalgisch und doch brillant modern ist, mit Anspielungen auf Sounds und Stile, die nicht so sehr reflektiert, sondern durch Weatheralls Linse gebrochen und neu kontextualisiert werden. Genauso einzigartig wie die Musik auf „Tread“ ist die Art und Weise, wie sie entstanden ist. Frustriert von den Arbeitsabläufen im kreativen Prozess, die bei der Aufnahme von Hardware und Instrumenten über einen Computer entstehen - die ständige Notwendigkeit, die Aufnahme zu starten und zu stoppen, alles zu speichern und zu katalogisieren - beschloss Weatherall, seine eigene Software zu schreiben und zu entwickeln. Das daraus resultierende Plugin mit dem Namen „Thresho“, das über Abletons Max For Live-Plattform erhältlich ist, startet die Aufnahme, sobald das Audiomaterial einen benutzerdefinierten Schwellenwert erreicht, und stoppt sie, sobald dieser Schwellenwert unterschritten wird, wobei die resultierenden Clips automatisch mit Zeitstempeln gespeichert und indiziert werden.

Coming from the end of time and moving towards the future ... A '93 original gets dusted down from the Cassette Library shelves, backed with remixes from the leading lights of the UK underground - Skin Teeth, Mani Festo and Denham Audio

Phuture Assassins returns to the old skool scene, and rarely has any new old skool EP sounded more perfectly on time. This is like a follow up to the classic Roots’n’Future EP as if the years in between had never happened. A perfect blend of the original, authentic, old skool sound, with its signature dub elements, this EP lays the groundwork for progressing into the future while keeping the sound rooted in authenticity. Each track chooses its own path, but all feel both brand new and like they have always existed. Simply put, this is one of the best new EPs from an old skool head since the resurgence began….

Slowly but surely, the Dom Trojga saga continues, and there could hardly be a more fitting way to start off its next chapter than with jamaszka FT's untitled extended play offering. Conceived and executed entirely during lockdown rule, the record is a pointed expression of the angst and confusion that we all fell prey to - aimed at a dancefloor that was not to be, yet delivered with a gripping honesty that in itself offers consolation. Difficult to pinpoint stylistically, the music shifts from dense to sparse, with hazy un-rave anthems, hints of fourth-world minimalism and hazy, dreamscape echoes - all in keeping with the protean genius of jamaszka FT himself, who remains one of the most spontaneous, and idiosyncratic, if somewhat cryptic, artists that populate our scene. In keeping with this very aura, we had Miko?aj Moskal take care of the cover art - a distinctive stylist if there ever was one, his work constitutes a language of its own, traceable across his incredible output. Play this record to your friends and family and keep hope alive.

Eluize returns to Craigie Knowes to release her second album in the form of the beautifully eclectic 8-track 'Gone' LP. Experimental sounds feature alongside club-ready Techno and Electro - moving effortlessly and coherently across genre and influence. 'Gone' captures the full-spectrum of Eluize's mastery of songwriting, composition and production in all of its shimmering intricacy. Her take on synthesis, drum programming, mixing and original vocals and lyrics take you by the hand and lead you into a rich garden of colour and sound in what is likely her most accomplished work to date. The 12" version is accompanied by an A5 insert with a message from the artist and information on how to get your hands the digital files, including the final 2 tracks that complete the album.

Big South West energy here as young Bristolians Litherland make their debut on new North Devon label with the dreamy, rolling, old school / new school breaks of ' Ida's World'.

'Keffala Breaks ' drops the tempo, adds some grit, and keeps drifting along, before up and coming Italian electro duo Hiver finish things up with a deep and streamlined version of Ida's World.

LONE - ABRAXAS EP IS A THREE TRACK EXCURSION INTO ETHEREAL ACID

Lone reveals the first physical release on his new imprint, Ancient Astronauts, which has been set up to release new material whilst working on his next studio album.

The three track EP, Abraxas, sees the producer carry out his first experiments with 303 acid packaged up in a breakbeat club tool focused sound – an idea which was sparked from hearing friends playing ‘90s drum and bass at slower speeds than usual.

The result is a rip-roaring trio of tracks, with the heavy bass rumbles and searing squelch of Abraxas undoubtedly cementing the title track as the chosen club destroyer. Young Star Cluster follows up with a marriage of the rolling funky drummer break with bursts of 303 acid and Lone’s trademark empyrean breakdowns before How Can You Tell takes us deeper still, with choral pads opening the door to another chapter in the multifaceted producer’s sound.

Casa voyager lands in Napoli for the next chapter of the twr series. Prince Ozay unveils his "method" for surviving on the scam planet...machine language and microprocessor funk on this 5 tracker. Tested and Approved

Demi Riquísimo follows his superb ‘Better Days’ VA with a hefty six-track remix EP on his ever-evolving Semi Delicious record label. Not surprisingly, Demi garners reworks from some of the hottest names in the underground circuit at the minute, each reinventing his truly original dancefloor sounds with their own unique tinge.

Kassian come screaming in with a super-chuggin’ up-tempo revamp on ’54 Reasons’. Nip-tuck-tight 4x4 house groove with a wonky, explorative synth bassline that marries the soft, undulating synth pads and sensual vocal snippets harmoniously.
T. Jacques offers up his atypical rolling acid-house. Blending trance-like tones with buckets of organic drum machines and M1 Organ stabs that just never get old.
The cheeky chaps Jive Talk present a remix unlike any other, fusing boogie-funk and Greg Wilson style electro with naked bassline squelches and gurn-worthy pads primed for the chill-out room.
Black Loops takes his signature sound to ‘Certified’, while swapping out his usual deep-house sound for some raw UK 2-step beats. ‘Machine Tagine’ gets a racing-rework from Manuel Darquart, primed with 606 hi-hats and endlessly modulating FM basslines for this extremely hard-hitting remix.
Finally, Holding Hands regular Baby Rollén whips up some 90’s breakbeat across ‘Spice Rack’, allowing Demi’s immaculate hook-writing to shine through in his mix.

To follow the success of Breaka’s ‘The Startup’ - the inaugural Off Beat release which earned support from the likes of Addison Groove, Sherelle, Minor Science and Sicaria Sound to name but a few - label boss Rhyval (one-third of Off Beat), steps up to deliver three cuts of fun, percussive, bass-laden heat for OBR002.

DJ Support
The Black Madonna, The Zenker Brothers, Tzusing, re:ni (NTS play likely), Henzo, DJ Tess/Giulia Tess, Sicaria Sound, Nightwave, JASSS, Ciel (Discwoman), Henry Greenleaf, Jabes, Syz, Âme, Om Unit, Solid Blake +more

Lovely lush and melancholic ambient wrapped breakbeat excursions - 2021 clear vinyl edition.

Nine Eleven Records’ sole motto is to spread out the word that broken beat and jazz are not dead.

For the first release of the “4 seasons” project, Autumn is in the spotlight. Imagine falling leaves creating an explosion of colors, the first frost of the year warmed by a ray of sunshine… This EP proposes a journey of a thousand shades into the universe of the label Nine Eleven: breaks, soul, and groove shaping an evolutive and captivating story. For this adventure, we surrounded ourselves with talented artists such as LBTQ, Sofatalk, Kaidi Tatham, and Footshooter. Together, we have created an anthem for this autumn season as a revival more than a fall.

If you embrace this experience, you will feel the energy of the earth’s continual evolution through your veins. All you need is to sit back and relax.

Double 12” Vinyl (L12MUTE629)

Side AB transparent orange vinyl

Side CD transparent blue vinyl

Packaged in a sleeve with artwork by Pockets Warhol and 3 complimenting metallic inks.

Includes high definition audio download code