House Новости

VINYL ONLY VINYL ONLY VINYL ONLY VINYL ONLY VINYL ONLY

Luca C & Brigante finally reissue their enchanting edit from 2010, 'Lucio'.

Originally pressed in small numbers and soon after unavailable to all but a few discerning gentlemen, it will now be released as DBL000 on Double Drop. We can only hope this is the label's resurrection and that the catalogue number hints to a stream of intimately curated releases of cross genre material - psychedelic beach pop, retro future balearica, analogue gipsy jazz or maybe something from Slovakia.

If you haven't been sipping juice to this slo-mo marvel before, carpe diem. 'Lucio' is a marvelous halfway between an edit and a 'cosmic remix', an effortlessly beguiling sonic vignette of transcendental beauty that is guaranteed to enchant the wariest of listeners.

Seit mehr als einem Jahrzehnt sorgt Ripperton für einzigartige Grooves und zählt zurecht zu einem der gefragtesten Produzenten in der Szene. Er veröffentlichte bereits auf Labels wie Planet E, Innervisions, und Maeve und wir fühlen uns geehrt, seine neue EP unter seinem House-Alias Headless Ghost auf Drumpoet veröffentlichen zu dürfen. Die vier Killer Tracks sind Future und Classic zugleich! Banger und Listener in einem! All unsere Erwartungen wurden übertroffen! Uns hat es umgehauen... Enjoy!

MMUSIC is a Modern Day Music vinyl imprint, Paying a 12" respect to quality productions, compiled together, for a must have vinyl record. We got the groove on for this bassline, rhythm packed collection, enjoy!

A1 Written & Produced by Filsonik, Remix by Sven Tasnadi
A2 Written & Produced by David Ponziano, Remix by David Scuba
B1 Written & Produced by Daniel Wilde, Remix by Alland Byallo
B2 Written & Produced by Meandisco, Remix by Bruni & Danielle
Limited 300 Copies
Mastered by Rob Small Mastering

Larry Levan's name is synonymous with contemporary dance music culture, his contributions are widely noted in many books and documentaries and in the memories of the lucky people who got to experience his phenomenal DJ sets at the now legendary Paradise Garage in NYC throughout the late 70's until the late 80's. His name is still mentioned with reverence today and he is listed as an influence by countless DJs and artists across the world.

Not only did Larry hold down a residency at one of the finest clubs on the planet with his impeccable selecting and DJ-ing skills for a decade, he also lent his expert ear to many remixing jobs and production sessions, adding his touch to a slew of classic dance records that encapsulated the era; Tanaa Gardner "Heartbeat", NYC Peech Boys "Don't Make Me Wait", Esther Williams "I'll Be Your Pleasure", Gwen Guthrie "Seventh Heaven" and Loose Joints "Is It All Over My Face" to name a select few.

It is Larry's peerless tastes that form the basis of the second volume of the 2003 Japanese CD only Salsoul records compilation. Compiled by Hisa Ishioka of King Street Sounds / Nite Grooves and consisting of some all time classics dug deep from within Salsoul's vast archives. The tracks included here got regular airings on the dance-floor of the Paradise Garage and helped to form the basis of and inspire the subsequent House and Techno movements in the years following the closure of the club and Larrys' tragic passing.

This second volume features another slew of essential tracks from back in the day with classic artists like Skyy, Candido, Instant Funk & Loletta Holloway all featuring. Pressed onto vinyl for the very first time "Paradise Garage - The Legend Of Dance Music Vol.2" contains some stone cold Garage anthems, re-mastered and presented here in triple LP format to remind us all of the power of these timeless records, and the power of the mighty Larry Levan!

"This ain't no game, It's a love thang"

The third release of the "Obscure Cuts" series, curated by the Italian disco pioneer Beppe Loda, represents the electronic dance movement that formed in the late 70s - early 80's in Italy. It features a few obscure productions that were inspired by Giorgio Moroder and other European electronic music of the time.

What we feel for Max Graef might just be our biggest man-crush ever.

We came across his music through his own label 'Box aus Holz' and we're just as stoked as he is to have him as our second release. The A1 track 'Jungle' (with multi-talented his Ozzie pen pal Andy Hart) is probably the most sought after track of our sets lately and has caused quite a flow of emails ("what the hell is this)_after our Boiler room set. It's got that ass-shaking groove without being a regular four to the floor banger. It rather creeps up from behind with some perfectly sampled scats and a cool duet of cowbells and stabs. Add some funky jungle effects and you've got a track that's stuck in your head for the rest of the day On the B-side, we've got 'Ignorance is Bliss". This track is exactly what we love about modern day deephouse. It's got a rough warehouse vibe on the lows, a hint of disco and a set of 'rhodesy' keys running through the track to set the mood. 'Zitze' is the last track of the EP with layers and layers of vocals, textures and keys taking turns and a great shuffle that runs through the track that makes it just as much a good listen, as a dancefloor jam. Enjoy! Sincerely yours, Lars & Maarten

Release no 31 finds KAT Records on a European tour with 3 reworks based on 80's Belgium, Italy & Germany disco & new wave with man of the moment Moscow producer Phil Gerus (FutureBoogie, Sonar Kollektiv) taking centre stage.
Well, 3 really obscure one's here from KAT with Mr Gerus pulling no punches - 80's Soul, (punk) funk, disco, synth pop & new wave are just some genre's that may well get thrown around here but as ever with KAT, quality prevails. We're going to do a sneaky one here and protect the names of the originals (jus' cause we can!) but suffice to say, these are ace!
Agent Yuri is a mid-tempo boogie melter with buckets of soul - A killa groove, silky tinkling piano and a vocal that could sink ships - Pure summer lovin' and then some.
When we mention 'pulls no punches' then Mr Hero is what we mean - Full on, no holds barred 80s Belgian new wave bordering on punk/funk with raging guitars to boot - A real grower and when heard on a decent sound system we won't be held responsible for any outlandish actions that may well prevail.
Be my Lova couldn't be more Italian if it tried apart from the fact that it's actually German ! Italo vibes with super bloody marvellous vocal, synth's all over the show with a chorus more catchy than the common cold.

To mark the final year of Space Ibiza, Space Ibiza and Cr2 Records are proud to release a very special, one-off retrospective celebrating 27 years of the club. Mixed by Erick Morillo, Georgio Moroder and Mark Brown, the album features contemporary club tracks, underground house, tech house and techno and features an array of classic dance anthems synonymous with the world's most important club throughout it's rich 27 year history. Included in the CD booklet are exclusive artist personal testimonials on the club and what it's 27 year history has meant to them, from artists such as Loco Dice, James Zabiela, Nina Kraviz, Anja Schneider, Carl Cox, Dubfire, DJ Sneak, Erick Morillo and more.
Disc 1 - Mixed & Compiled by Erik Morillo

















Disc 2 - Mixed & Compiled by Giorgio Moroder











Disc 3 - Mixed & Compiled by Mark Brown

[ZD] CD02 | Moloko - Sing It Back (Mousse T's Feel Love Mix) [Edit] CD03 | Sandy Rivera - Come Into My Room (Dub) (feat. LT Brown)

THE PLAYGROUND's 8th release comes from Japanese artist KEZ YM. His ability to blend soul-infused house and disco seamlessly is
revered by many. Four solid tracks with the A-side featuring strong and deep grooves, while the B-side feels warm and dubby. Vinyl ONLY release (no digital!).

Four big raw disco edits ...Re-edited by some big hitters in the game, including DJ Cubism's illusive Bionic Lover Edit, a much sort after track, made famous by his Ebony Cuts Podcast, and never released until now !

Fresh off releases on BASTARD JAZZ, KAT and LUMBERJACKS IN HELL, PHIL GERUS is about to blow up and these 4 tracks on TUGBOAT EDITS demonstrate why. "LET ME LOVE YOU" opens the A side, followed by the Neu Deutsche Welle of "MISTRESS UNIFORM" while "GET FUNKY..." and "CYANIDE" keep the party going! Hand stamped, limited edition of 400.

Noho Records is an homemade party, a weekly moment to share soul, funky and
disco vibes.
Riviera Studios is the place where all the jams are recorded directly on tape to
catch the magic of the moment.
The tentacles of the legendary Dj Octopus take kindly part on 'Funky Hands'.

1x each customer!

Quick-strike follow up to the massive Move D supported PERSIE001!!
Persies is a party oriented edits label focused on re-working, re-touching and re-purposing an eclectic selection of gems for the dancefloor. Beefed up, pared-down and dangerous. Vinyl only white label, 300 press.

Original mix traverses through modern Italo, cosmic disco, & funk. Wild & Free offer sunny exotica-vibes, & Cooper Saver steadies w/a 3AM chugger. The B has the cinematic "Ad Astra Per Aspera" & into deep space w/a slamming interpretation by Jacques Renault

Available on limited edition triple vinyl (via DJ specialty shops) this is a compilation of nine tracks remixed (between 1979 and 1982) by Larry Levan, the DJ behind New York's famously influential nightclub, The Paradise Garage. Levan is a producer and remixer who, though he died in 1992, continues to be cited as one of the industry's greatest and most revered. Each of the nine individual full-length tracks was DIGITALLY REMASTERED specifically for this project. The sound quality is brilliant! The compilation comes complete with comprehensive liner notes giving the label's history, its relationship with Levan and anecdotes about each of the nine remixes and how each came about.
Originally released in 1999 this release has been fully re created for 2016. Released in conjunction with West End.

As Claremont 56 speeds towards its' ten-year anniversary, label founder Paul Murphy continues to champion little known producers and previously unheard artists. Over the past 12 months, the label has showcased material from rising talents
such as Bella Figura, Simon Peter, Paraiso and Oma & Amberfame. Now, Claremont 56 is adding another new name to the roster: Statues. Essex-based trio Bradley Lucke (production/bass/percussion/keys), Mark Crooks (keys/production) and Grant Carruthers (vocals/guitar) has been making music on-and-off together since they were teenagers, and last year decided to come together under the Statues alias. They submitted a number of demos to Paul Murphy, who was so impressed by what he heard that he offered to help produce and write an album with them. As debut singles go, 'Alaula' is stunning. Reminiscent of many softly spun
moments from the Claremont 56 back catalogue, it builds slowly and breezily via subtle waves of organic and electronic instrumentation. Carruthers' impassioned vocals pop in and out of the mix at opportune moments, peeping above alluring acoustic guitar, bass, synthesizer and Rhodes parts. Throw in
tumbling, life-affrming piano lines and swelling cello parts - both provided by friend-of- the-family Robin Lee of Faze Action - and you've got another near- perfect chunk of sunset-friendly, horizontal brilliance. On the fip, Murphy dons his familiar Mudd alias to provide a superb Piano Dub. Building the action around a sparse, delay-laden percussion track, Murphy teases out the track's most potent moments, in the process creating something
that lingers even longer in the memory. Lee's superb piano and cello work naturally takes pride of place, as Murphy expertly emphasizes the track's impeccably atmospheric nature.

Soul Clap, the Boston bred, international ambassadors of all things funky curate vol 3 of this critically acclaimed series: Tom Trago, Tom Noble, Inkswel, FSQ, XL Middleton, Analog Players Society, etc all line up for a whack at the pinata.





Andrevski rework)

'This Is How It Started' focuses heavily on the early days of the Chicago sound, especially in the formative years at Ron Hardy's Music Box.

Following Chicago's Disco Demolition Night in 1979 the genre's popularity fell dramatically, hence fewer disco records being released.In this era Chicago's DJs such as Hot Mix 5, Hardy, Knuckles & Jesse Saunders played a variety of styles mixing in Italo, electronic pop music, electro-funk and older disco joints often playing their own edits which focusing on the portions of the songs which always rocked the dancefloor. At the end of 1982, when
DJ Frankie Knuckles left the Warehouse to open the Power Plant, Ron Hardy started to DJ at the Warehouse's new location until owner Robert Williams renamed it The Music Box. In 1984, a local label released a 12-inch single called "On and On" by locals Jesse Saunders & Vince Lawrence who had simple made the song in order to replace a record which had been stolen from Saunders' collection, the "On & On" bootleg disco megamix by Mach. Hence Chicago House Music was born and a modern day phenomenon followed.

The direction of this new compilation was to delve deeper into the early sound that fired Ron's eclectic vision and to harness this within todays scene, bringing in not only artists from the original Chicago era but also the DJ & producers who have been influenced by those halcyon days.

Vinyl Sampler 2 of a comprehensive journey in the essence of Chicago House Music, featuring forgotten gems, future classics, highly sort after originals and obscure edits.

Gerd Janson and Phillip Lauer are creatures of habit. Every week, the two club veterans meet up at Phillip's studio and spend an entire day making tunes. And while Gerd often likes to joke that his role in the arrangement is limited to making coffee and looking at his cell phone, it's clear that the two men have forged a potent partnership, one that's been responsible for an astonishing amount of dancefloor heat over the past few years.

Incredibly, this German pair has managed to maintain a relatively low profile, despite the steady stream of music they've released via well-respected labels like Unterton, Delsin, Internasjonal, Permanent Vacation and Live at Robert Johnson. And then there are the remixes—Azari & III, Scuba, The Juan Maclean, Fort Romeau, Avalon Emerson, Massimiliano Pagliara and Sinkane are just a small sampling of the artists who've enlisted Tuff City Kids to work their studio magic.
Throughout it all, there have been whispers of a proper Tuff City Kids album, and now that Adoldesscent has arrived, it will be all but impossible for the duo to linger in the background. After all, the LP is anything but shy—thanks in part to hooky vocal turns from the likes of Annie, Joe Goddard, Kelley Polar and Jasnau—and even the album's instrumental cuts
feature some clear nods to various eras of dance-pop, from the
boogie-inflected funk of Wake People' to the breakbeat techno of Boilered' and the tweaky rave nostalgia of Nordo.' Elsewhere,
first single Labyrinth' is an infectious bit of new wave, while the
guitar-driven Scared' recalls the gloomier side of '80s pop and
Tell Me' is perhaps the record's most playfully soulful moment.

DJs will likely gravitate toward the darting strings of Aska' and
breezy vibes of Farewell House,' yet Adoldesscent isn't entirely
focused on the dancefloor. Dreamy opener Ophmar' evokes the legacy of John Carpenter, while the crunchy R-Mancer' offers up a sort of psychedelic synth freakout.

Much like the Tuff City Kids themselves, Adoldesscent isn't about any one style or sound in particular. It is, however, a cohesive effort, along with proof that the different corners of the electronic spectrum have a lot more in common than we'd all like to admit. More importantly, it's a whole lot of fun, and isn't that what dance music is supposed to be about anyways

Well well well, what have we here then The folk from KAT come up with a might nice surprise brining us a name we haven't seen or heard for a good while, Domu. Domu is a name synonymous with the Broken beat scene (still bubbling away folks) and everything he touched oozed pure quality. No exception here with a couple of big re-edits that are taken from the Japa-nese only release (and uber rare) ESP DJ Classics Vol 2: Domu's Disco Jazz released back in 2009. The Emotions, Love Vibes has been sampled a good few times before, a couple of re-edits have reared their heads but none go anywhere near Domu's wonderful take on this Jazz Funker. The tempo is taken up a notch or three, we have an arrangement to die for and just listen out for the filters - cheeky! On the flip we have a mighty edit of Claudia Barry's Give it Up, originally out in 1978 and taken from the 'I Wanna Be Loved By You' album. Funked up Disco with a killer groove, raunchy guitars and aching sassy vocals to boot. So good to see this finally out on vinyl.

Cute Heels is the solo project of Victor Lenis, a contemporary artist living in Barcelona, Spain. He grew up in Bogotá, Columbia during the 1990s, surrounded by the radial punk scene. Over the years, Victor's passion and fascination for synthesizers and drum machines to produce and compose resulted in various digital-only releases as well as his debut album Spiritual" for Dark Entries in 2014. Cute Heels has been called ''the new blood and spirit for the next step in techno music'' by Electro/Techno pioneer Juan Atkins. Third Skin' is a 4-track EP that connects the dots between Detroit techno, early Chicago house and Belgium electronic body music. Inspired by equal parts Liaisons Dangereuses, Drexciya and Black Devil Disco Club. On the A-side are two fresh compositions recorded in 2015. Third Skin' kicks things in a metallic EBM funk with a pounding bottom end. Lipstick Information' takes the listener on a dark, psychedelic and twisted journey through thrillingly intense arpeggiations. On the flip we present two remixes. The first is from Steffi, House and Techno DJ and producer born in The Netherlands and residing in Berlin. She picks up the pace for an uplifting, percussion-driven, DAF-eque dystopian stomper. The second remix comes from Michel Amato aka The Hacker, French born DJ and producer and frequent collaborator with Miss Kittin. His early musical influences of bands such as Cabaret Voltaire, Throbbing Gristle and Front 242 shine through on this pumping and sophisticated remix ready for any dance floor.
All songs have been mastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record comes in a custom-made jacket designed by Eloise Leigh featuring a photograph by Corinne Schiavone printed with hi-gloss finish. Each copy includes a postcard with with notes and image for fetish lovers

After a successful remix for Monkeeplatez' second vinyl cut, Greenville Massive returns to the Berlin house label to release their latest 4 track EP with their characteristic melodic house sound boasting 2 original tracks. On remix duties the duo has invited Monkeeplatez' own Eintier. Young fast-shooter Dayne S delivers a deep house cut to complete the package.

Nick J Smith has been immersed in the Leeds underground music scene for ages and is one third of the DJ crew and top mixtape blog Clandestino.This EP is representative of the eclectic vibe Nick brings to the trio. The main track 'Flashback' bubbles with Chicago style dreamy chug and 90's rave gaze.
Planet Raider is cyborg Manc-talo Electro night driving music at its best and mega Geordie Man Power twists the 'Flashback' remix into an impressive and progressive 9 minute bulimic tek belch. Nick has been regularly releasing his music on Red Laser since his debut on EP4. Word is he finished this EP at least 6 months ago and it only just gets released due to the vinyl pressing plant melt down across Europe.Soul-less cretins at the major labels are selling repressed LPs for 20 quid that you can buy in any charity shop for 50p and it's this overload that's causing the blockages. Well you won't be seeing this EP in any charity shop soon as it boasts three appendix bursting club bangers for any 'fill the dance floor' emergency.

The fifth Skylevel is completely homemade and is bound to save the world once again.
Four tracks, coming in at four different altitudes, but we don't get into a detailed description this time. Click the snippets or better give it a spin at the store.
One for DJ Sneak, one for Soundstream, one for Eddie C and one more for the road.

These two young guns from Amsterdam promise to leave a big mark on the scene. Their fresh interpretation of classic US House convinces with soulful vocals, stomping beats and surprising breaks. On their debut EP, Soultage delivers with 'Old school love' and 'Soulful Damage' two House anthems, which will definitely make every peak time dancefloor go Boom.
To 'Warm up the place' in the earlier hours, the duo recommends a swinging groove and jazzy Trumpet.
To round things up we find Let's Play House maestro Jacques Renault on remix duties, who turns 'Soulful Damage' into a percussive dub monster. Say what House Music all night long!

Taken from Tensnake's upcoming debut album Glow, released March 10th, Love Sublime is a delicious slice of disco pop adorned with the beguiling vocals of Fiora and the irresistible and unique guitar riffs of the legendary Nile Rodgers. Having already gained huge support from Radio 1's Annie Mac and been graced with the title of Zane Lowe's Hottest Record In the World, Love Sublime is a glistening example of what's to come from the album. True Romance is proud to release the vinyl version of this massive tune. The vinyl release features a spezial 12 Mix edited by Gerd Janson accompanied by remixes from super-producers Duke Dumont in addition to one of the UK's most respected producers Ewan Pearson and Sweden's shining newcomer Jonas Rathsman.

amsterdam based record label just edits is back with another release made for the floor.

hip house party anthems sounds a bit cheesy but this is exactly what the tracks do when played on a proper sound system. these tracks were never meant to be released and could
only be heard on the floor at the right place at the right time. But since reactions were always so overwhelming these tracks are now released for everybody to enjoy.

the a-side features original tracks from amsterdam cool kid tommy theo (this is his first release)and label founders l'atelier. The b-side is filled with 2 stacy kidd remixes that fit right in.

note: these tracks are made for a proper party!

artwork is hand-made by jim mooijekind

everything today, basically, is just an edit

After ep's on Aficionado or Music For Dreams, A Vision Of Panorama is back on his own label Mellophonia for it's long awaited first album! His debut album on which races his creativity, glides into the future and brings in listeners for a sonic embrace with more soothing Balearic secrets. Tropic tones and heat haze on 8-track exploration Aquafusion that sends you sailing straight into the ocean. Top notch Balearic and sun-soaked soundtracks for your lazy afternoons on the beach. An amazing album, every track is spot on as you come to expect from AVOP, you will thoroughly enjoy this!

"It all started in 1974 with the purchase of my first Mini Moog and another 70's dream machine, a white Mellotron M 400." So starts Klaus Hoffmann of his 40 years love affair with the Mellotron. Moving from Prog-Rock guitarist to Cosmic Disco warrior in a space of a few years, the birth of Cosmic Hoffmann would lead to a number of classic Kosmiche albums through-out the 1980s. Before this though came Space-Disco. Initially recorded in 1978 after endless late night sessions exploring the new realms of this free form electronic music, the first incarnation was recorded live to tape for a failed film project. An uplifting spaced-out synth journey, it was the later reworked version that would go on to become the lost cult classic. With added disco syncopation taking the track into interstellar spheres, it appeared only as a flipside of Cosmic Hoffmann's first and last single, "Weltraumboogie", in 1982. Unfortunately the release did not make much impression at the time but has become highly sought-after for the more leftfield DJ and music lovers in the years since. Now fully licensed and remastered, the inclusion of the unreleased 1978 Original will be only add to the collectors dream.

Killer new Misterio 12" from Devin Dare. Some limited business as usual!

After LOTR005 had been deleted (sadly) we have an alternate version whoch we would like to introduce you too. Same tracklisting, Same fantastic sound, slight different edit!
Melbournian producer Mic Newman's Fantastic Man alias has been steadily building over the past few years. Having established himself through a handful of features on labels such as Wolf Music, Kolour LTD and Let's Play House between 2010 and 2013. The past year however, has been a more focused affair with releases only coming via his imprint Fine Choice Records. And this phase of consolidation has to be seen as a key turning point for the quality of his productions. Last year's 'Animal Language' EP turned out as a bushwhacking odyssey through the outback of a land called Amorhythmia. It was sold out instantly and has been periodically repressed after its release in May 2014. Earlier this year, the follow-up EP 'El Tropo' finally proved that his butterfly transition has been a more permanent steer for his musical direction. Love On the Rocks too has been steadily building over the past year, with a string of sold out records, which perfectly compliment one another; as the title track 'Dream Machine' ties in perfectly to Khidja's preceding New-Age objet d'art. Like an early-bird's waking chirps in-between fields dazed with morning dew and slight winds howling from above, the track slides into it's Proto-house inspired beats with a taste of some early nineties Progressive pads. A piano unravels when it's just about time to unzip the tent door and make a move for the meadows. 'Fountain Gate' merges the NYC Garage House feel of Sha-Lor's 'I'm In Love' with Jungle inspired snare fills and a timeless Acid line, a festival spacer to all expressive dancers in the hey. 'St Elmo's Theme' closes the circle for his recent Afro-oriented releases with saturated kicks guided by hypnotic drum patterns and some Xylophonic sparkle

180 gr, rmxs by CFCF, Nu Guinea, Luis Delgado, Domenique Dumont) Earlier this summer Mark Barrott released his second album on his infamous label International Feel. Here are the remixes.

Earlier this summer Mark Barrott released his second album on his infamous label International Feel. 'Sketches From An Island 2' continued in its quest to sketch a fresh and modern foundation for Balearic music and now is followed by interpretations from artists who are equally as bold. Barrott's music once again spoke to a diverse set of aficionados such as Pitchfork who stressed it was "an example of a sequel surpassing the original" and was even supported by the prestigious Financial Times.

The challenge of reworking the material firstly falls to CFCF, who released an acclaimed album on International Feel this year whilst also receiving a Grammy nomination for his remix work. Luis Delgado, member of highly influential spanish avant garde band Finis Africae takes a sublime shot at 'Over At Dieter's Place' and Domenique Dumont's stunning remix of 'Der Stern, Der Nie Vergeht' is nostalgic for an early Padilla record and his first 'new' material since being named one of Resident Advisor's best albums of last year. Finally Nu Guinea, a favourite of Gilles Peterson impress with their 70's Library music funk take on 'The Mysterious Island of Dr Nimm'.

Barrott is also reissuing the Gatefold Vinyl edition of the first Sketches from an Island album to mark the occasion and due to continued demand. He plays every Thursday at Hostel La Torre soundtracking the sunset until the end of September and also at the launch of the venue's first compilation album (compiled by Mark and Pete Gooding) on Wednesday 7th Sept alongside DJ Harvey.

Four fine edits of super rare cosmic disco tunes from French playboy and producer Maximilian Blanc. Maxi wouldn't reveal the details of the originals but needless to say these tracks will do the business on the dance floor. The tracks range from wigged out funk to space cruising strutters, all with that classic cosmic vibe. Enjoy the ride...

4 disco and boogie edits from the Essex rascals member Ron Bacardi

Occasionally, a record — or sometimes even a DJ — simply falls out of the sky, like so many unexplained showers of fish, or midnight deliveries of frozen piss from passing jumbo jets. And so it was when DJ Steve first came to our attention in 2011 via Tim Sweeney, who discovered him quite by chance DJing in the Italian seaside town of Tropea. Sweeney, on vacation in the area, was so impressed with Steve he passed him his card, telling him to call him if he ever made it to New York. Some time later, DJ Steve did make it to New York, called Sweeney and turned up at the Beats In Space studio, barely speaking any English but with a pile of DJ Steve special cuts', white labels and acetates, and laid down an extended mix - Italian style!'. Then, nobody ever really heard from him again. Fast forward to Berlin 2013, and the mix had become a staple at the after hours of a small group of friends, including Paramida, who would soon start Love On The Rocks. They called it the DJ Steve experience'. Paramida counts it as one of her main musical inspirations, saying it showed her another perspective of groove, and turned her perception of dance music upside down'. And still, nobody seemed to know who he was. speaking any English but with a pile of DJ Steve special cuts', white labels and acetates, and laid down an extended mix - Italian style!'. Then, nobody ever really heard from him again. Until one day in early 2016, after years of exhausting all her contacts in an effort to track him down, after all the blood, sweat and tears, and countless hours spent interrogating various dance music insiders, Paramida finally received a message. Minkia, stu pezzu nci spunda u culu e passari!' Whatever that meant, it was instantly clear that her search had come to a conclusion. Despite the near-indecipherable dialect, and other obvious communication problems, Paramida somehow persuaded him to sign two of his special

A1 Yes, another killer cut on ZR. Zo!'s gorgeous soul tune featuring Eric Roberson and Phonte gets subtly housed up mix by Dave Lee.
A record you'll be hearing all summer at more musically inclined parties across the world.
A2 Jakatta's house classic American Dream gets a very cool bassline driven remix from Andre Crom & Chi Thanh...

B1 New and unreleased....
B2 Akabu feat. Alex Mills "Everybody Wants Something" was an enormous tune for many in 2013 and is still getting played by big name dj's in bustling nightclubs around the world.
Now we give you an off the chain/on point/un-believable remix from Rhemi. We're not going to describe the nuances of the remix and highlight why the aforementioned big name djs like dropping the track in their sets at cool clubs/festivals/corporate events but its pretty bloody good...

YSE returns with 4 tasty treats for RSD pressed on Limited edition Easter Yellow Vinyl.

YSE Biog..

Non-smoking, 5'11, spotlight-avoiding music producer, crate digger, occasional DJ but all-round music aficionado, currently living in Taiwan. Full head of hair enabling the ability to look distinctly average for age, is seeking the ultimate groove for creation. Must be up for good times, deep beats, soulful vibes and the occasional chilled night in. Enjoys nicely syncopated rhythms, heavy melodies, outgoing quirkiness and a quality glass of cheap Brandy and Coke - hold the ice. At weekends, likes to lead a more refined lifestyle, with his current favourite stench being anything by YSE Saint Laur'Ant or Paraíso. Hobbies include music making as one half of Matlock super duo Rhythm Plate, so comes with a bit of history which mostly spans 20+ years of DJing in clubs and 17+ years of music releasing and remixing for numerous labels and artists, but don't let that put you off. Happily never been 'flavour of the month' according to the darlings in the music press. GSOH.
(Male, White)

Superconscious Records offshoot "Suco" returns with two bizarre club cuts from the mysterious Bjorn This Way

Torske's debut album under his own name was Nedi Myra' in 1998 on UK label Ferox. After that he released a string of singles with Svek label, among them the seminal Jegvilværesøppelmann' (that translates to I Want To Be A Binman' in English). Also on Svek was the single Sexy Disco', cited by Todd Terje as the first time I listened to disco in a non-ironic way'. The "Trøbbel" album was released in 2001 and in 2005 he signed to Smalltown Supersound and released the two 12' singles KoktKveite' and Ny Lugg/Kortbaklangpåsiden' and the albums Feil Knapp' (2007) and Kokning' (2009). In 2010 he released Oppkok' 12' EP with remixes by DJ Harvey and Todd Terje. 2013 saw the release of Kok' EP which contained additional material from the Kokning' album sessions.

Re:works is the result of a groundbreaking project that sees the rich catalogue of Decca Classics being opened to some of the world's foremost electronic producers, seeking to further establish the common ground between the historic and modern day aspects of musical composition.
Ranging from the experimental to the more recognisable 4/4 structures of house and techno, Re:works elicits the full range of emotion - from the heartbreaking to the ecstatic.
Taking on Satie's celebrated 'Gnossienne No.1', former Planet Mu and Ninja Tune artist Starkey starts with little more than the stripped-back piano of the original piece, before steadily building to an epic peak through increasingly frenetic percussion and soaring florescent synths.
Also included on EP 2 is Henrik Schwarz's version of Debussey Azzez 'Vif Et Bien', a dramatic restructuring of the many string parts for a unclassifiable record that is by turns playful and intensely dramatic. This "Azzez Kik Rework" version by Henrik is exclusive to the vinyl pressing. Finally, Mr. Scruff's gleefully idiosyncratic 14-minute reinterpretation of Reich's 'Six Pianos' creates an ever-evolving piano loop, sporadically dotted with neon-flecked glitches and harnessed by a chugging 4/4 beat.