A little mystery goes a long way, but it's fair to say the appetite for unearthing those secret tunes and lost classics has rarely been stronger...
A LOVE THAT NEVER DIES give us a peek inside their formidable archive with four wonderful pieces of coveted music, in very short supply in their original form
One super limited, clear vinyl pressing.
On Stock and ready to ship
We present the first of three 12"s to celebrate our 10th anniversary. For the A side Detroit Swindle radically rework Sometimes into Not Another Sometimes, a killer raw analogue jam that demonstrates a real development of the DS sound.
For the B1 we're buzzing to finally release an original track from Matthew Styles, who's been on remix duties 3 times over the years, with the infectious house of Jungle Fever.
Last and by no means least The Carter Bros give us Tempting Disco Fate, a rolling disco loop with the mother of all bassline changes at the end of the track.
Look out for part two dropping in April featuring a Jimpster edit of Galcher Lustwerk, Fort Romeau remixing the first ever Tsuba release from Williams and a Tsuba debut from Roy Comanchero.
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Side A: Band' Azul - Melo Do Fricote
Licensed From Top Tape Musica Ltda ©1982
Side B: Octavio Burnier - Que Nem Sol
Licensed From Top Tape Musica Ltda ©1980
Club Internacional unearth more long lost Brasilian grooves from the archives of Rio imprint Top Tape for lovers and collectors around the globe.
This edition kicks off with the funk-driven sounds of Melo Do Fricote by Band' Azul.
Fusing rapturous vocals, guitar and horns this track originally appeared in 1982 and was the band's only 45 single release.
Here it is in its original format at last.
The flip side features the much more established artist and celebrated guitarist Octavio Burnier. As one half of Burnier & Cartier he produced one of the most sought after LPs in Brasilian music in 1974, which became like gold dust to collectors of Brasilian music. It was recently reissued by the excellent Mr Bongo to the relief of all lovers of Brasilian sounds.
In this later solo track 'Que Nem Sol', Burnier demonstrates his exquisite guitar playing as well as his talents as a composer and singer.
A seriously delicious slice of soft boogie funk it was released only on 45 single on the Top Tape label back in 1980, and again has never been repressed.
Club Internacional hopes you enjoy bringing these long lost, blissful funk vibes back to life via this limited edition vinyl 45 pressing.
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Brooklyn-based Parang Recording’s teams up with some of Offenbach’s finest to deliver you four new tunes. Sure to light up any dancefloor in House Nation, the EP starts with three wonky, atmospheric house tracks bursting at the seams with the Tom Ries flavor. Plus a remix from Felix Kluge aka FK7 brings the funk to round out this release.
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Dancing People return with their 3rd release to ease us into 2020 with a distinctly warm Brazilian flavour.
Two classics from the Brazilian repertoire: Joyce’s Aldeia and Jobim’s Felicidade are given a subtle and sophisticated dancefloor treatment, perfect for those warm up and after hours sessions. With volume 1 + 2 selling out very quickly indeed, these won’t be around for long.
Same drill - Vinyl only, 300 copies. Cut loud in glorious stereo.
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Eddie C's exemplary RED MOTORBIKE hits No. 20 with another fine double A, dinked 7" !!
A breezy and musical ride awaits on the A, as 'On The Coast' provides a beautifully sliced, pastel linen suited piece of early 80's Japanese Jazz-Funk
On the B, label regular CEM G's 'By The Sea' is reworked by Eddie into a looped-up and irresistible mid-tempo musical mover.
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OK, so this is a bitter sweet moment for me. After 4 years and 60 remixes, we are about to release the last re-workings of Romanthony's vocals.
When Roman and I first cooked up this idea in 2006, the first thing we had to do was digitise all his original vocal takes. Unfortunately, they were all on 1/2 inch tape and he had no working reel to reel. At the time, he hadn't heard of eBay, but I had, and I soon sourced him the Tascam tape deck he knew and loved.
He wasn't the biggest fan of the idea of re-visiting his old catalogue (he was more interested in releasing new material) and so it took a lot of cajoling to get him to record in the multi-tracks. Slowly but surely though, we began building up a collection of a cappellas and other parts.
As well as his lack of interest in the project, he was also very protective of these new digital parts and so only released a few of them to me at a time. There are more on his hard drive and hopefully his parents will let me have access to them so we can keep his memory alive with more remixes. However, until then, this is the last of the remix projects.
Most of you will know the version of this song he recorded with Daft Punk. Before he died, he made a new recording of the song and sent me the vocals to source the remixes. It was a tough job - the song is such a classic - but hopefully I've done it justice.
First on the remix list was Detroit Swindle. The guys are just a class act and if anyone could take this classic song and give it a timeless twist it was the Swindle. They do not disappoint. Warm moogs, soft and spacey keys provide the funk-fuelled backing, strings soar around Roman's gorgeous tones and all the while their tight rhythm section keeps the groove bang on.
With the standard that DS set, you'd expect the other remixes to struggle in comparison but each remixer took a different style so I think they all stand up superbly.
Doctor Dru's version is pure gold filled with classic chords and a baseline to die for - a future end-of-the-night anthem for sure. Christian Nielsen opts for a loopier, DJ Sneak style groove and Nice7 go for a dubby acid workout.
Here they all are, I hope you like them as much as I do.
Kevin McKay, August 2015.
Support from: Groove Armada, Lee Foss, Friend Within, Mano Le Tough, Larse, Piemont, Dennis Ferrer, Andre Hommen, Man Without A Clue, Phonique, Soulclap, Tayo, Junior Sanchez, Doc Martin, Jacques Renault, Kiki, Btraits, Monki, DJ Three, German Brigante, Shir Khan, Vanilla Ace, Nacho Marco, Climbers, Robert Owens, Severino, MoodyManc, Marco Lys, Sonny Wharton, Claus Casper, Quentin Harris...
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The timeline Ep is a nod to the journey of label head Jamie Trench. It features a blend of tracks previously only released on limited VA eps and digital only releases. All four cuts epitomise Jamie’s style of heavy bass and drums with lots of sample cuts. The eps these tracks feature on have been heavily in demand so it’s great to see them resurface.
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Debuting under his given name for Maddjazz Recordings' second offering, is DJ, producer and synth enthusiast Henry Keen.
Henry's music was discovered after a long night of online digging, and after several exchanges, it was apparent that Henry was making music that defined exactly what Maddjazz is striving to achieve; honest music that's free of form and not constrained by any genre or tempo.
Henry has been making music as Soundspecies alongside brother Olly since 1998 and the duo are also members of London-based experimental Gnawa band, Electric Jalaba. He also produces solo under the alias, The Room Below, initially reworking close friend Paul White's 'Rapping With' album but more recently exploring dance floor territories with releases on UK imprint 'Don't Be Afraid'.
70's Baby is a raw and honest record. A collection of uptempo grooves written in various locations around hectic inner London. It's spirit is born out of the freedom of the CDR sessions at the now defunct club Plastic People, where many of Henry's productions were first shared, and where tempo and genre were irrelevant. It references Henry's love for the instrumentation, recording techniques and sounds of the 1970s, the decade of his birth. Featuring a tasteful blend of worldly and otherworldly sounds, It owes itself to modern and ancient dance themes alike.
We are so pleased and honored to be presenting this mini LP to the world!
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Italo-disco inspired house music, IN MY DREAMS is the latest single from New York/Moscow duo IPF aka INTERNETPOWERLIFTINGFEDERATION. A warm, galloping bass line fuses with razor-sharp synth stabs, creamy pads and late-80’s house drums. A dual-vocal exchange explores self-delusion, obsession and a single-sided relationship between girl and the boy who lives in her head. Melancholic yet pop-y, IN MY DREAMS wouldn’t be out of place in club run by Erasure, Depeche Mode or Human League at their most soulful and dancefloor-ready. In the spirit of classic 80’s dance music traditions, the original mix gets three additional reworks: a classic Electro version, a “big room” friendly HI-NRG version and stripped down version. This is the first release from New York city based label Daddy Issues, limited pressing 150 copies only.
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Futureboogie continue to shine a spotlight on Bristol’s ever-burgeoning music scene, with an EP from Natural Sugars, backed with a firing remix from accomplished Lithuanian DJ, Manfredas!
Having previously cropped up on Glasgow’s Invisible, Inc. label, Tim Oxley Smith’s Natural Sugars project serves up some top-drawer sunshine vibes on the ‘Zombie Jungle’ EP. The title track pulls down the sun visor for an exotic and alluring mix of tropical beats and proto-house elements, whilst a dubbed out mood is cast over the chugging Balearica of ‘The Soothsayer’.
Manfredas has cut his teeth on the DJ circuit to become a most in demand selector on the leftfield circuit, and makes a rare foray into remix territory with a spicy version of ‘Zombie Jungle’. Thick bass synth over charging Italo beats, a touch of cowbells and a ‘hands in the air’ inducing breakdown, what’s not to love! ‘Sarsen Trail’ rounds things off with hovering keys, subtle acid and chorused guitar licks over a chugging rhythm
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Henry Hicks AKA Horatio Luna is a Melbourne based improviser, composer, bassist and producer. A founding member of hip-hop/soul community "30/70 collective", he is an active member of the Australian beatz, jazz and soul music scene.
After parting with 30/70 in 2019, Horatio featured on the Gilles Petersons Brownswood compilation 'Sunnyside Up', released 12" 'Print It, Run It, Send It', Remixed Moodyman approved Jitwams music and focused his sights on working and collaborating with the younger generation of players in Melbourne, serving as the musical director on 'downundaground' and joining Antiphon among many other groups.
Yes Doctor is the debut full-length LP from Horatio Luna due out Feb 14.
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Delicate Wash is back for Round 4, delivering a seamless combination of spaced-out street synths and exquisite disco toe-tappers.
Four cuts of a familiar 1980's metropolitan milieu, WASH#4 provides the b-movie soundtrack to a cinematic underworld of swanky penthouse soirees and back alley brawls.
Whether in a mix or live set, this evocative quartet is an eloquent addition to any audiophile's storytelling toolkit.
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Any historians keen on the subject of "French youth in the 1980s" are holding a treasure in their hands. As a true archaeologist of this decade dedicated to disposable culture, digger-in-chief Vidal Benjamin with his newest compilation, 'Pop Sympathie', offers them a unique journey in the heart of the cyclone of emotions that struck all teenagers during the first seven years of François Mitterrand's mandate. Fifteen musical nuggets, exhumed from the dungeons of history, each and every one of them teaching us about what really obsessed the youngsters at that exact moment, i.e. what happens when the city lights come on at dusk, when irrepressible urges that stir them to get lost even more appear until the end of the night.
The artists gathered here did not have the honour of breaking into the local charts, but they all individually reached for the sky. Each song of 'Pop Sympathie' tells more or less the same story: that of a girl who throws herself into the night like one immerses one's self into the void, who rushes into a one-night adventure to become a star. And too bad if in the early morning she finds herself back at square one. In all these miniature odysseys there is neon lights, lasers, smoke machines, broken glass on checkered tiles, strangers on leather benches, celebrities in the bathrooms, stolen kisses, alcohol, drugs and cigarettes, Polaroids, venetian blinds and radioactive tubes.
If the first opus of Vidal Benjamin, 'Disco Sympathie', focused on the funky mood of songs that could have been played at Le Palace, then 'Pop Sympathie' develops itself as the imaginary soundtrack of another nightclub, Les Bains-Douches, the capital’s epicenter of nocturnal drifts. So what do we listen to, blasé, at Bains-Douches? Mainly synthesizers. The child of punk and post punk, French New Wave celebrates the matrimony of machines and lolitas under the auspices of a retro trend that revisits the atomic age. Trying to surf on that wave and hit the charts, a bunch of producers (Stéphane Berlow, Laurent Stopnicki, Bernard "Black Devil" Fèvre, Johny Rech, Jean-Yves Joanny ...) will spot their talents amongst friends, in a travel agency or at the local bar. These virtual stars are called Cecilia, Laurent, Sonia, Janou, Fabienne, Anne, Arielle or Ronan, not even 20 years old, and often leaving just an overexposed photo and their first name on a single as the only memories of their swift passage in this particular musical story. It took all the love and sweet madness of Vidal Benjamin to bring them back in the light of day.
Clovis Goux
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Another classic from Dutch High Fashion Music in it's original High Fashion 1982 sleeve.
Original released on the Musix Records imprint in 1982, produced by legendary Italian producer Maurizio 'Sangy' Sangineto. (Change, Armed Gang, Firefly). Including a New Mix by Dino Soccio from LA (for his Pleasure of Love release) and re-worked by Dutch producer Orson Welsh: giving this Italo-sound classic a more powerful touch. On the B-side the original 1982 version, as well as the much sought-after 'Soul Version'!
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Tempo Dischi's second release is one of electronic music’s seminal albums; 1798 Italian space disco album: Automat by Automat.
A year after the release of Oxygène by Jean Michel Jarre, a milestone for electronic music, “Automat" was released in Italy, a timeless record that has influenced the years to come. Released in 1978 by EMI Italia, the album has been produced by two veteran italian songwriters and composers, Romano Musumarra and Claudio Gizzi after meeting Mario Maggi, one of the major innovators in the manufacturing of electronic instruments in Italy. Maggi invented the first programmable monophonic synthesizer ever made: the MCS70. Its sounds have been the basis for the production of the whole Automat album. That synth was used only for this record and remained a prototype, leaving a halo of mystery behind this record.
The album moves in the furrows of an atypical space disco, with abstract classical arias alternating with more sustained rhythms, which combine electronic experiments, progressive psychedelic journeys with cinematic themes. The A Side, composed by Gizzi is an electronic disco-tinged suite divided into three parts (The Rise, The Advance, The Genius). Ater a brief spatial intro, the insistent arpeggio expands into a soundtrack theme with a sumptuous melody, which slowly fades away to make room for a progressive psychedelic journey. The B Side, composed by Musumarra, is made by three tracks, including ‘Droid‘, one of the most representative songs of the electronic music of the early eighties. A magic sequence between the bassline, the electro drums, and the spatial disco theme with a futuristic and cinematic mood. This is a record that has influenced the music of our days and after 40 years may still sound contemporary.
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After CV’s double Special Delivery LP released in 2018, Edit Service is back with its fifth release, an EP of edits by the young Moscovite duo known as Ólta Karawane, noticed for their edits on Maturre and Discos Capablanca. We’ve been playing their edits very often lately, so it seemed natural to release them on Edit Service. a1 - les portrait le diacre astvatsatour sarkissian Opening the EP is this early 80’s antipodean cut somewhere between new wave and post-punk where a shopping list is recited by a male and a female voice engaged in call and response. Innocent and catchy on the surface with its electric keyboard, primitive drum machine and bass guitar, it seems there is something perverse lurking within this tune.
a2 - folle vendredi soir On this cut, Ólta Karawane take an obscure guitar-driven Italian tune from the early 80s with coolly detached vocals that are closer to New York’s phlegmatic post-punk than Rimini’s exuberant italo. Extending the tune and reinforcing the dance-inducing rhythmic section, the Russian duo’s edit is a groovy affair.
a3 - farine The original was a late 80’s hit by an Austrian pop band, with a bassline not far from that of a seminal italo-german hi-nrg hit. This mid tempo edit strips it down to its bare essentials, synth arpeggios, 808 programming, and various bits and bobs. Extended, it’s a catchy and compelling cut.
b1 - oinj Here Ólta Karawane take a dissonant art rock tune from a British producer and focus on underlining the track’s intricate melodic and subtle but danceable rhythmic arrangements. There is a playful and slightly mysterious Eastern feel on this edit fit for hash dens.
b2 - racaille Closing the EP is an edit of a highly-influential Swiss producer. The original was released in the mid-80’s and has proto-trance written all over it. By slowing it down and extending it, Ólta Karawane highlight the warm and bittersweet analog synth arpeggio at the track’s core and make the electro beat driving the tune even more spacious.
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repressed !
We are happy to announce MOTHER040, Swipe The Card EP by our dear friends MAT.JOE. The hot duo from Berlin delivers again an incredible 2 tracker HIT EP.
SWIPE THE CARD (Original Mix)
Swipe The Card is just a party stomper. Straight up bouncy, rumbling bassline, haunting, funky pads and a great use of vocal cuts in the breakdown. Come on ya, just clap your hands and beat it!
MAKE A LIVING (Original Mix)
Make A Living features MAT.JOE´s signature sounds, tight drums, clever sampling and heavy bassline! It´s all about the vocal hook and the magical house groove that will have your floor dancing... and singing!
Support by:
JOSEPH CAPRIATI - Thanks!
TENSNAKE - Making A Living, thanks! :)
RIVA STARR - Nice stuff thx guys!
HOT SINCE 82 - very nice, thanks!
ROBERT BABICZ - Nice ep, thanks.
DJ T - Thanks for the music!
OLIVER SCHORIES - Cool. Thx
ROBOSONIC - mathias, hannes. kommt rein, essen is feddich. muddi
MOONBOOTICA - very solid. will play ... thanks.
MICKEY - Thanks!
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Extremely rare left field funky soul on this one, originally released on the 'catchy' Mijarelix label (name came from the initials of the band members). Charm is the name of the game. Fragile guitar and vocal with a great hook, simple and beautiful. Flip it over and you have another original, more garagey but still funky flip, not sure which I prefer, love them both, hope you do.
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Records much-loved label sampler series continues with Vol.12 of their Attack The Dancefloor 12" vinyl releases.
This latest volume sees a JN remix of the classic Bobby D'Ambrosio track 'Moment of My Life' featuring the incredible Michelle Weeks on vocals and killer hammond solos galore. Alongside this, an expertly extended JN edit of American electro-funk duo The APX's boogie bomb 'Lose Yourself To The Groove', ready set for the dancefloor.
Also housed on this release, a Doug Willis raw edit of Carlos Romanos - 1 2 1 and a remake of one of Joey Negro's most played disco cuts 'K - Jee'. A track which holds a special place in JN's heart - the MSFB rework nestled on the Saturday Night Fever Soundtrack which happened to be the first LP Dave Lee (JN) ever bought.
Another essential ATDF 12".
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Two great 'Tom Moulton' Mixes back to back! 'SOUTH SHORE COMMISSION' were a self contacted soul/funk band from Chicago.
They released their one self-titled, Billboard Dance Chart No.1 album in 1975 on Wand Records from which comes the Bunny Sigler composed/produced track “Free Man” featuring Instant Funk.
It was recorded at Sigma Sound Studios in Philadelphia. This Tom Moulton mix on “Free Man” was an original feature of the album and is considered one of the first proto-house records.
ULTRA HIGH FREQUENCY:
More Philly splendor here from 1973 with “We’re On The Right Track” co-written and co-produced by Norman Harris. Mixed by Tom Moulton. Never previously released before on 12” single.
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Black Repress
New 12" from the "Fonk" french master Dabeull, with a lot of vintage synths, 80's sounds and hairy moustache.
Vintage Funk from today.
Back from a tour in Mexico, Dabeull then toured in Europe as support of FKJ. It is during this period that all his talent as a "doctor fonk" was brought to light with his vintage lab, his eighties sounds and its undisputed mastery of his talk-box table ...
The Golden Pilot is on!
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Iconic DJ and producer Paul Woolford has teamed up with singer/songwriter Karen Harding to deliver ‘You Already Know’.
Blessed with a soaring vocal, ‘You Already Know’ flaunts Paul’s vintage sounding chord patterns to create a retro-sounding summer floor filler. The synth-led production follows his recent club-ready D-Mix of the single, which marked the 400th release on esteemed dance label Positiva Records who recently celebrated their 25th anniversary.
Combining Paul’s four-to-the-floor signature style with Harding’s rich and emotive vocal delivery, ‘You Already Know’ looks set to secure a spot as one of this summer’s hottest dance records.
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COLLECTING ORDERS FOR A REPRESS
Amsterdam dwelling editor par excellence Em Vee took the solo reigns on the inaugural Lumberjacks In Hell - and truly excelled with a great reimagination of "Miss You". The second release on the label sees the German share duties with Spanish edit demon Rayko, with the Rare Wiri boss hogging the A Side. First up is an expert rearrangement of Candi Staton's cover of the Bee Gee's standard "Nights On Broadway" which strips the track of its orchestral leanings to focus on the groove! Following this is a meaty take on a classic, with Barbara Keith's cover of "All Along The Watchtower" reinforced with some bottom end bump. Em Vee spreads a special disco version of Alma Lee's late 70s Philly delight "Gimme Your Love" with an extended intro that fully displays his edit talents.
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After many failed attempts to bring joy to DJs around the globe,
40% Foda/Maneirissimo proudly presents one of the most dj-friendly affairs ever possible: "Estaçoes Esquerdinhas" by label-owner DJ Guerrinha.
Inspired by his favorite subway stations in downtown Rio de Janeiro - also the only downtown stations that don't have a religious or military reference in their names - the EP is a deep house homage to the same four notes who were once used as motif on 40% own's Pessoas Que Eu Conheço track "009".
Recycling is no small thing here, those same four notes serve as leads to the four tracks and the same organ stabs, crystal sounds, fake-rap scats and shuffling hi-hats all fumbles around here and there as the EP goes, you could mix the whole thing and people wouldn't notice that the tracks changed.
By romanticizing your subway ride, you can enjoy those in transit minutes like never before, so just remember: next time you pass through the turnstile … you already know … 'DJ Guerrinha' is the only way to go.
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Danny Krivit is currently known as one of the music community’s greatest purveyors of top quality disco & house as he continues to perform regularly before sold-out audiences around the world. With his unique ear for what works on the dancefloor he has also become known as “King of the Re-edit.”
Kerri Chandler “Rain” is well-established as one of the defining vocal house productions from Kerri Chandler. With Kerri’s unique singing / scatting vocal performance “Rain” has continued to be a peak hour DJ favorite since its original 1998 release as the B side of his Mood EP on Nervous Records.
Danny masterfully brings those elements that have always received the biggest dancefloor response. The B-side is Danny’s edit of the 2013 remix by another equally well-respected leading talent in the worldwide house music community… namely AtJazz.
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After 4 sell-out releases and a sixth month break, The Owl returns with its strongest EP to date containing four certified disco and funk inspired joints.
Starting with a lesser known rework, The Owl once again delivers the goods with ‘On It’ adding extra bottom end and percussion making this track alone a future favourite in record bags. The theme continues with The Owl adding his unique disco touch to both ‘Boogie’ and ‘Getting Down’.
But the standout track on this EP has to be ‘Sly Lovin’, more like an original disco cut than a rework. It just has so much funk, that this gem could become a cult favourite for years to come.
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Positiva classic given the remix treatment by king of the underground Floorplan (Robert Hood) one of the biggest live house booking acts in the world.
Robert Hood is an American electronic music producer and DJ. He is a founding member of group Underground Resistance as a 'Minister Of Information' with Mad Mike Banks and Jeff Mills. He is often considered to be one of the founders of minimal techno.
This record is set to do damage at club and forms the 7th release on the labels 25th Anniversary remix series.Positiva classic given the remix treatment by king of the underground Floorplan (Robert Hood) one of the biggest live house booking acts in the world.
Robert Hood is an American electronic music producer and DJ. He is a founding member of group Underground Resistance as a 'Minister Of Information' with Mad Mike Banks and Jeff Mills. He is often considered to be one of the founders of minimal techno.
This record is set to do damage at club and forms the 7th release on the labels 25th Anniversary remix series.
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When you sneak-a-peek at the title of this forthcoming pressing, “Justice”, you might be surprised to know that a monster boogie track, or actually a good handful of them, are hidden right beneath those 7 bolded letters. Dig This Way Records and Sleeve Records have combined forces for this one, to make the impossibile, possible: Dibson & Essody’s, “Justice”.
Originally recorded in ‘82 and stamped on the distinguished Nigerian label Wilfilms, this extremely rare, revelation of music was meant for sharing and the two labels will be doing just that.
Reworked and remastered, this 7 track dance floor masterpiece is coming to a turntable near you.
Following the 1960 Nigerian liberation from Western colonization, Nigeria began to use music to vibrate everyone into a place of harmony and community. The majority of pressings that came out from within the Nigerian state paired disco, funk infused beats with strong, political lyrical statements.
In this release from Dibson & Essody, the political undertones of “Justice” blended with the smoldering grooves of “Music Lovers” and “Let Your Body Move” classify this disco under the monumental must-haves of Nigeria from the early 1980's.
Side one kicks off with a heavy rhythmical beat, driven by funky synthesizers in a track called “Music Lovers”. Followed by a lyrically driven track, “No Ones Gonna Live Forever”, with vocals resonating over percussions and flugelhorns. Side two is packed with two goodies: “Let Your Body Move”, composed of a funky bass line and layers of percussions, and then the famous “Justice” track that combines catchy guitar riffs with memorable piano chord progressions.
Stamped under one of the most esteemed labels Wilfilms, owned by the most enigmatic figures in Nigerian music, William Onyeabor, Dibson & Essody’s “Justice” is one for the taking. Dig This Way and Sleeve Records are happy to take the reigns on this one to make sure this funky themed disco will be available for all to hear.
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King Britt appears as Sraddha for the second release on Rekids offshoot
Stranger In The Night entitled ‘Believe EP’, following a notable debut release
from Radio Slave.
King Britt, of course, is a long-time house head who brings his Philly roots and a
real sense of musical soul to his timeless and feel good grooves. Here he
introduces Sraddha on four fantastic new cuts that ooze quality from start to finish.
Fantastic opener ‘Believe’ is a shimmering house cut with well treated vocals that
bring an eerie quality to the warm, deep drums. The ‘No Drums’ version is an
intimate bit of late-night mood-setting that creates a dreamy ambiance.
The excellent ‘Memories’ is perfectly off-balance deep house, with live sounding
drums and gorgeous synth puddles, deft leads and a romantic feel that is perfect
for cosy dance floors. Last of all, the gorgeous ‘You’re All I Need’ sinks you into a
reverie over eight soft-focus minutes of persuasive hand claps and withering
chords, subtle sci-fi motifs and plenty of real musicality that is often all too rare in
modern house music.
Once again King Britt’s unique sense of class really shines through on these most
authentic and soulful house tracks.
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Joe Cleen is back with his second EP, following the vibe of his previous one, providing mesmerizing anthems like 'Show me your Dimension' & 'And this is' that have the undeniable spark to bring everyone together on the dancefloor.
'We need' on the flip is one of those rainy days house best friends...
That track you listen to on repeat in the train on the way back from that amazing night in the club.
We're of course extremely proud to have the Don, Glenn Astro, give his touch of playful deepness & Detroit grittiness to it to make the package full as you're used to from Jazz Cabbage.
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Dubbed out disco edits made with love, drenched in summer spice and slapped straight on the grill to waft out across the hazy breeze!
From the Latin infused sax power of ‘Doin’ It’, to the Italo tinged synth pop nugget, ‘Pop Lock’ and back round to the sensual boogie gem ‘Right Now’, it’s another must have set of edits from the Labor of Love crew.
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A Vision Of Panorama continues his synth exploration, expanding his vision towards new synthesizer motifs and dreamy chords on a vast array of late night cosmic g-funk grooves, modern funk and boogie inspired tracks. This time covers a different spectrum of sounds and atmospheres which merge to form a harmonious whole that can stands on territories of accomplished future soul, jazz and funk. Distinctly deeper and visibly more emotive deep house than just a technique of smooth Balearic instrumentation.
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