House News

Special Edition repress of Combo Chimbita's groundbreaking 2016 EP, El Corredor Del Jaguar. Featuring previously unreleased Extended Mix of Pjarao on A-Side.

After a highly-regarded debut single on Names You Can Trust back in 2014, Combo Chimbita returns, expanded and transformed into one of the most original and wild ensembles currently cutting their teeth in the New York City live arena. Their latest 4-track studio effort, EL CORREDOR DEL JAGUAR, co-produced by NYCT's Greenwood Rhythm Coalition and featuring the powerhouse Carolina Oliveros on lead vocals, is an explosive tour de force of unbridled psychedelic energy and futuristic fire with firm roots in the ritmo of the African diaspora. With connections and inspiration drawn from the vast sea of Caribbean music — specifically the band's native Colombia — these transplanted first-generation New Yorkers have carved a unique corridor in the thriving underground jungle of the big bad city.

Sonido Gallo Negro has been a mainstay of the current revival of tropical and psychedelic music throughout Central and South America since the first of their three albums was released in 2011. Hailing from Mexico City, a hub of cumbia, chicha, surf and garage music for over five decades, it's no wonder that SGN has such a wonderful and integrated blend of traditional styles that have travelled from the Caribbean, up the Andes, through the Amazon, around the shores of coastal Peru and back through Central America. SGN is part of a long line of artists in Mexico to make these cosmic connections found in the music's terrestrial path, yet are completely unique in their own mystical approach, both visually and sonically. As a hefty 9-piece orchestra, the band is quite capable of summoning a rich tapestry of sounds from an array of instruments of the psychedelic persuasion: farfisa, electric guitar, flute, theremin and, in the case of B-side Niño Perdido, accordion from master Colombian artist and NYCT alumnus, Carmelo Torres. It's the making of a swirling kaleidoscope of sounds and squiggles, all of which ride effortlessly over the fluid percussion and pace of those beloved Afro-Latin rhythms. In anticipation of their next full length release,Unknown Future, Names You Can Trust presents the first 7-inch 45 single to ever be released from SGN, a double-sided dose ofsonido psicodélico, spectacularly swirled into a perfect concoction of old meets new.

Field Recordings, carefully chosen percussion, electronic spice and acoustic ingredients. This is the foundation for every recipe that Bolivian Belgian artist Suso Perez aka Susobrino creates. In 2018, he presented his debut EP “Mapajo” on Global Hybrid Records. Since then he has won several awards; the “Champion Sound Beat Battle” and “Most Promising Artist” at the Red Bull Elektropedia Awards of Belgium. He introduced his creations to numerous festivals in Belgium and abroad.

His new album “La Hoja de Eucalipto” brings alive a more energetic and aggressive part of Susobrino and presents a work focused on the ethnic and world sounds, mixing his masterful percussion with electronic beats to create a unique and distinctive sound. For fans of the organic electro-latino sound of Chancha Via Circuito, Nicola Cruz and Dengue Dengue Dengue.

In this album Susobrino created a story of 5 beings looking for answers in their individual lives.
The first track “La Hoja de Eucalipto” is the ceremony right before the journey. It’s a three part composition to set the tone of the entire album: question, answer and interpretation.
“Despertar” (wake up in spanish) is the realisation of the journey these beings are getting into. The guitar interprets the rain as a cleansing. A fresh breath in, breath out.
“La Marcha” is the physical start of a long journey. They will be walking for days, weeks or even months. The exciting, courageous travellers leave their families and friends towards unknown lands that they never dared to enter. Many days of walking pass and they reach a new habitat. A dense jungle.
“Dispersion”. This brings tension and fear out of the 5 travellers. A 6min long repetitive song that interprets walking in circles. Everyone gets separated from each other and they question with doubts of getting out of the unknown jungle. Eventually, the 5 beings survive the unknown jungle. Exhausted and lost, they keep walking with no idea where to go. That’s when they stumble upon “Polahimán”. A mysterious entity who’s very eager to help and knows exactly where they have to go. With riddles and poems, he gives them directions.
“El Desierto de Pazmancú” A new habitat. An endless dessert. Yet, the beings are refilled with courage, crossing the entire dessert. That’s where Polahimán is waiting for them.
“El Enfrentamiento de Polahimán”. This is the endboss; The Final Chapter. The 5 grown travellers find themselves in many challenges. This is where you, as a listener, can interpret if it’s a good or bad ending. Or an open ending?

Susobrino plays and records everything in his humble studio in Belgium. Percussion, quena (flutes), guitar, charrango, field recordings and a yamaha dx9.

'Mantra Moderne' is a stunning, contemporary masterpiece that fuses Anatolian Psychedelia, Brazilian Tropicalia, 60’s European pop and American jazz. A must for fans of Khruangbin, Portishead, Arthur Verocai, Goat, Caetano Veloso, Tom Zé, Os Mutantes, Cortex and co.

The duo is formed of Kit Martin, who lives between London and France and plays all instruments on the album, and Merve Erdem, vocalist and multi-disciplinary artist from Istanbul, now based in London. This is their debut album.
The album explores universal themes such as love, loss, decay, language and ideology, mixing three different languages: English, Turkish and French. Written and recorded by the duo - Kit composed all the songs and Merve wrote the lyrics - in rural France during 2018, each song was completed within a 12-hour window, pawning contemplation for spontaneity.
Dubbed by Kit and Merve as ‘lo-fi-hi-fi’ in reference to the high-end tube equipment that helped it find its way to 8-track cassette tape. The style owes its sound to narrow tape width, valve distortion, spring reverb, the mixture of high end gear with lo-fi equipment as well as a disregard to the norms of hi-fi studio techniques. All instruments were analogue and no samples were used. The instruments that are used range from tablas to darbukas, balalaikas to ouds, MS20 synths to Farfisa organs and a lot of cuica. The mixing techniques were done on-the-fly, tracking immediately to tape: compression, EQ, delay and reverb; meaning mixing could not be revisited!

Matasuna Records once again dug deep for its latest release and comes up with probably one of the best Latinfunk tunes. It was recorded by US band "Los Sobrinos del Juez" and released on their debut album in 1974. Matasuna Records is delighted to officially reissue two cuts from the album on 7inch single.

Founder, producer and singer of the band is Carlos Oliva, who was born in Cuba. He moved to Miami, Florida in 1961, where he had his first engagements. There he linked to other Cuban musicians and decided to move to New York with them to make music.

Some time later Oliva returned to Miami and founded his own band "Los Sobrinos del Juez (The Judge's Nephews)" in 1967. The group is regarded as one of the pioneers of musical fusion, which developed in Miami in the late 1960s and became known as the "Miami Sound". The music styles rock, blues, funk and soul that were popular at that time had an influence on their own compositions, which were enriched and spiced with Cuban/Latin American sounds. The band's first album was released in 1974 on an independent label in Miami and is a good example of this new sound. The album is much sought after and hard to find.

Oliva has released several albums with the band and toured Latin America and Europe. In the early eighties he also founded his own label. In the course of time he and his eight-man band got deeply rooted in the cultural life of Miami and enjoy attention and recognition. They are still on stage as "Los Sobrinos del Juez".

"Harina de Maiz" is the name of the song on the A-side - an uptempo latin funk monster driven by the characteristic wah wah guitar and a psychedelic sounding organ. Listening to it reveals why the song is one of the most funky Latinfunk tunes.

On the flip side it's quite different: "Corned Beef Hash" is a vibrant easy Latinjazz tune, where the talent of the musicians is audible. The perfect interaction of the piano player, the vibraphonist, the flute player and the rest of the band is a musical delicacy for its connoisseur.


a A1 Harina de Maiz clip

The title says it all about the latest release on Budabeats Records:
The Southern Hemisphere EP features 4 tracks inspired by the immensely rich and diverse musical tradition that South America and Africa offers.

Beginning with a slick edit of Letta Mbulu's now classic tune 'Nomalizo', London based producer Petko Turned respectfully reconstructed the track, focusing on the elements that work best on the dancefloor.
In 'Pontos das Caboclas', BeTe (a.k.a. Suhov) created a laid back yet driving atmosphere, using the main patterns and the beautiful vocals of the original song as written by Camila Costa.
In his remix, Chillum Trio added his trademark sound to the Ebo Taylor classic 'Odofo Nyi Akyiri Biara', the result is a slow burning, bass heavy house number taking the original to a completely new level.

Closing the EP is the Birdhouse collective's original composition, 'Berimbao', a catchy contemporary cumbia tune that any combo in Bogota could be proud of.

All titles have been licensed carefully, it makes us beyond proud to be able to say that the Southern Hemisphere EP has the full support of the original artists.

Vinyl LP (incl. DL-Code) from an artist in their seventies, you probably wouldn't expect to hear an album like this.
But Brazilian drumming legend Ivan 'Mamão' Conti has been experimenting and innovating for the last half a century.
Take a bite of Mamão's psychoactive Papaya and join the maestro on a weird and wonderful stroll through the Brazilian jungle.

Italian talent Enzo Conoga launches his first single on WATAJ Recordings. Obscure disco infected of Latin jazz / funk in honor of the tropical side of the savannah and the felines that dominate it.

back in !!

Preceding the release of his debut album, Curses presents 'Gold & Silber', a five track EP led by a hypnotic, post-punk leaning roller, as well as four additional remixes from Antoni Maiovvi, Chinaski and Fango. For the title track, Berlin based artist Perel provides cathartic vocals on top of a drowsy rhythmic framework drawing influence from early EBM, synth music and new wave. Fango provides a more angular, computerised take on the original, whilst Antoni Maiovvi raises the heat to a peak time flow. Across two interpretations, Chinaski provides maximal 80s synth work on the ‚Painkiller bonus vmix' and trippy dancefloor energy on the 'Tech Noir' Remix.

Over the clouds, over the palm trees, there's Club Paradiso.
Club Paradiso is a mission. This italo-duo comes from Rimini, Adriatic Coast, and brings forth the golden age of the spanking Riviera club culture. Travelling through time and space with synths and drum machines, they mix the past(a) and the future.
It's not all about nostalgia, it's the future they like.

The new EP titled 'Panoramica' sexily rides the summer vibe with infectious body-moving rhythms.
The EP is an hypnotic and groovy journey that starts off with 'Batongo', a tribal and exotic dancefloor banger that will let the sweat out of the listener in zero time. 'Espresso Notte' is filled with organic house grooves, dreamy pads and a synth that tells you a story that could go on and on and on.
'Gulliver' and 'Litoraneo' pick up from there and bring the sound scenario down heavy with 70s-80s disco sounds and boogie, transporting mind and body to a warm and mellow planet.
'Panoramica' reflects perfectly Club Pradiso's goal of mixing past and future, an über-cool EP that is both club and disco friendly.

Please meet our latest family member Kermesse from Buenos Aires!

For many years, the trio consisting of Pedro, Muno and Defi have been around in the House Music scene of South America with their solo projects, and eventually joined forces to explore a more slow and organic sound.
In their skilfully crafted productions they combine South American folk, downbeat and hypnotic synths into their own distinctive sound, which unfolds its compelling energy even more in their infectious live shows.

The vinyl EP consists of 3 essential album tracks, plus the wonderful Dandara remix by one of the scenes' most loved artists.
Catchy vocals over a swinging groove is what we always like best on a Sunday, and Kermesse are nailing it with this tune.
Gliding down a more dry and percussive road, Dandara delivers with his remix a perfect completion to the package.

The debut album is co-produced by our label head honcho Noema.

Gerardo Frisina goes back to the roots of the sound which has made him famous worldwide: the latin sound of classics like 'Descarga' or 'The Latin Kick' (both previously released on Schema).

'Moderno Primitivo' is an EP about the encounter of the ancient Afro-cuban tradition (the core of Frisina's artistic DNA) with a refined electronic taste. This component enriches drums and percussions and gives more edge to the whole production with details like pads and effects.
In 'Moderno Primitivo' the latin ensemble headed by Frisina takes us into a jam session where percussions, piano and trombone play happily.
The 'Latin House Mix' is a club version where the rhythmic element and the groove take control of the mix. The melody is broken and a Hammond plays over a ostinato bass. The flavour is definetely tribal.
Cogele El Ritmo' is a trip into Frisina's latin world. Slower than 'Moderno Primitivo', still has a solid hook to the dancefloor and is a triumph of joy and colour.

For those who love digging into the dancefloor world but haven't discovered the pleasure of Detroit Nu-Disco and Afro Spiritual Funk yet, the duo Conte/Petrella has just delivered their brand new 12-inch EP "Sun Song / Nigeria", just a few months the previous Conte&Petrella EP "African Spirits / New World Shuffle" (SCEP 480). A release that brings to the fore the value of new musical encounters and expresses the artists' desire to constantly dig, discover and share their endless love for music.

Release no. 1 on Rapscallion brings 3 ridiculous broken reworks that are sure to raise an eyebrow or two.

We're not being told who in particular is responsible for such goodness here but rest assured an accomplished veteran must be at the helm for sure...

Kicking things off is 'A Dis Yah Secret Friend' - A Secret Friend of messrs Asher and Forge at the legendary Inspiration Information nights. A proto broken sound, at a point where Sir Paul was playing with the influences, instruments, melodies...definitely an important piece in fusion history. Kaidi's 'Dis Yah On I Love' provides the beat.

First up on the flip is 'Find a Way'. Take two different versions of Stanley Cowells I'm Trying to Find a Way/ Trying to Find a Way (Both as deserving of an edit as the other), add a bus load of bottom end, beautifully layered percussion and a jazz mash up it is then! A Dingwall's classic in its origin guise, and a future classic in it's reworked (clouseau-esque) Rapscallion disguise.

'Little Rudeboy' closes things...Originally out in '84, only 1 minute at 32 seconds in length and strewn with proto Brazilian boogie synthesizers boogie vibes, a rework/edit of this has been a long time coming. Paired with the Cosmosis broken classic and a surefire dance floor stormer is upon us...Clever stuff indeed !

JB Edits the edit project of Sydney, Australia based house DJ & producer Jerk Boy. Off the back of the success of his first release 'EP Number One' release which gained love and support from an array of DJs around the globe including The Black Madonna, Shir Khan (Exploited Records), Nightmares on Wax, Dave Mayer, Paco Osuna, Can "Khan" Oral, Chris Coco, Dom Servini (Wah Wah 45's), JEPE, Jacques Renault, Timmy Stewart, Giom, Guy Garrett, Erol Alkan, Beaner, Chrissy, Dasha Rush, Dustin Alexander, Moodymanc. Nikola Baytala, Holger Hecler to name but a few. Also after selling out of its first press in weeks across he's back with another 3 x track EP cut, pasted, scratched & sniffed affair not so aptly titled as 'EP Number Two'..... so we just decided to keep it chronological, genealogical and boogieological.

BRS were a UK house outfit who released between 2000-2008 on their own imprint Friends & Families & on many other labels including 2020 Vision, Cyclo & Imperial Dub - the group comprised of Rob Evans, Ben Vacara & Mr Mulatto (the 2x latter now members of the Situation collective).

"Lovin' Me" was first released on a BRS EP on Imperial Dub recordings back in 2000. In its original format the 12" included The original mix, Dubtribe Sound System remix and a bonus track Bouncing.


SITUATIONISM are delighted to re-release the incredible full length Dubtribe Soundsystem remix again on limited vinyl. This remix became a classic, appearing on numerous compilations including Groove Armada's 'Another Late Night' and Ministry of Sound's Chillout sessions 2004 to name but a few.

Included on this limited vinyl run will be 2x new remixes from Italian deep house, motorbike duo Harley & Muscle & the also the lovely BitterSuite, both delivering quality mixes.

Pete Herbert, Afro fusion outfit Oyobi and Neo Soul singer Andre Espeut jump on the train to the South American territories in order to meet Juan Laya & Jorge Montiel for the continuation of their latest sonic excursion: Electropical Part 2.

The EP's exorbitant success and it's makers constantly evolving sound brings their relationship into late summer 2011 as Cadenza announce their sixty seventh cut; the 'I Ching' solo EP from Felipe Venegas. The two track EP triggers with "I Ching" and its spell binding intro of thundering gong crashes and jangling bells, betraying an almost story like theme as sporadic tom's and intense brass melodies converse with one another intensely.

Jimi Tenor delivers another 7" on Philophon. This time he teamed up with the two glorious gospel queens Florence Adooni and Lizzy Amaliyenga from Bolgatanga/Northern Ghana. This release is a first insight into the next album by Jimi on Philophon, which will be released later the year.

Vocalize My Luv is a charmingly presented lure for love. The secret of the song is that drummer Ekow Alabi Savage's upfront high-life beat is triggering a Jimi-operated Korg MS-20 bass synth. Man and machine are melting down into a light and sportive groove, which irresistibly invites you to do some frisky aerobic moves on the 3am dancefloor. Ki'igba is a classic Frafra gospel song by Alogte Oho, completed with some jubilating flute by master Jimi.

The second installment of Argentinean record shop and label 'La Montaña Discos' includes one track of each of its founders.

Four club tracks straight from the heart of Rosario's city scene, each for a different and unique moment of a musical trip.

Ltd. to 300 copies, hand numbered.

Fresh from '78: Brazilian funk lothario Marcelo's first big single (which was never out on a 45 before)- and a peak track from his debut eponymous album from the same year - gets a timely revisit from the Steven J's reissue/edit imprint Pepite. With its subtle piano striking Q&A, wild bass runs and clam-tight guitar/drum groove, Marcelo calls his way through the jam as if everything is a chorus. With its layered vocals, it's gutsy call to action for any dancefloor. Steven's edit stretches out the instrumental bars and brings out focus on the staccato vocal hook with a rising sense of momentum. Two great sides, one dope 45.

For the 5th in the Ele Records catalogue esteemed producer Cottam brings two killer edits to the table. The A side sees a joyous disco rework, extending and expanding elements to really hone in on that exuberant bassline and string section.
Flip it over and 'Jigsaw' delivers a dusty mixture of afro rhythms and stirring spoken words to entrance any audience it's set before.

Turbo Recordings is proud to present a release a full year in the making. A&R'd by Turbo Elder Thomas Von Party, Gender embodies the adventurous spirit of his own Multi Culti label, and marks a return to the kind of mega remix pack we used to make when the world was young and an alternate dub rework was all you needed to get by. Germany's Skinnerbox sets the template with a high-speed jungle rave banger, which is an accurate enough description but not something we would expect you to ever repeat out loud. The 12-inch also features versions by Swedish nice guy Axel Boman, who missed the submission deadline by 13 minutes but still managed to turn in a 12-minute epic jam, and Glasgow's Auntie Flo, who somehow harnessed the siren song of the iPhone with a marimba-heavy mix.

Inventive and genre-defying are only a few adjectives that describe producer/dj/artist Waajeed. After all, Waajeed -- born Robert O'Bryant IV in Detroit in 1975 -- grew up in Detroit's Conant Gardens, the birthplace of soul driven hip-hop underground music. His earliest memories are of evenings spent in his dining room on the eastside of Detroit listening to his father's record collection. A childhood immersed in Roy Ayers, Funkadelic, and Kraftwerk. He would eventually teach himself to program beats and play records at local house parties and school dances. But it wasn't until he found his chosen family at the age of 14 that Waajeed finally gained local respect. His new family was—T3, Baatin, and J Dilla— to form Slum Village circa 1991.

After receiving a full scholarship to The College for Creative Studies at the age of 19, Jeedo put aside his budding music career to pursue an education in art. While in college, he continued to develop his musical career by starting a record label inspired by Motown and Underground Resistance.

He founded Bling47 to release one of the first instrumental series, while also serving as a creative space for developing artists. In search of a wider audience, he formed genre defining Platinum Pied Pipers in 2002. In 2012 he formed his second record label DIRT TECH RECK to explore his more dance floor oriented music.

To this day Waajeed is still a sought after producer and collaborator with the likes of Mad Mike Banks, Theo Parrish and Amp Fiddler.
He continues to push the envelope as a producer and with his eclectic DJ sets.

The nascent Dj/Producer José Martí takes delight in being the first maker of the Presente life's work. With this record, he shows his beaming skills with these 2 tasteful edits that will uplift you to the warmest state of dancing.
On the starting side, the tropical flavour is brought straightforward to the dance floor. With 'Viveros', José places together the respective essences of Latin Jazz and House, and achieves a definitive fusion banger that vitalizes the party spirit to another level.
As the wax flips, 'Baile' suggest the dancer a sensible meeting with the almighty groove. Martí gets this chance meeting, pulling out that 70s funky vibe and turning it into a floorfiller leaving his classy mark.


The record comes with a 60x60cm poster

Hitoshi Murakami aka First Floor debuts on Local Talk.

Opening track 'You Dubn't Know' got a heavy bassline, deep chords and hypnotic textures and sounds like it was tailor-made for those dark and late after hours in the club. A righteous lesson in bumpin' deep House...

On the flip, 'Delight', shows a different side. A piano driven house track with a great sense of melody that just keeps on keeping on - and that's a good thing.

Hot Off The Back Of The Second Full Length Far Out Monster Disco Orchestra Lp Black Sun, The Orchestra's Prolific Remix Series, Which Has So Far Included Reworks From The Likes Of Theo Parrish, Dj Spinna, Andres And Dego, Rolls On. John Morales' Massive M&m Main Mix Of 'step Into My Life' Ft. Arthur Verocai, Gets A Reissue On This New 12', Alongside A Brand New Remix Of 'the Two Of Us' From Million Dollar Disco Boss Al Kent, Who Highlights The Hypnotic Backing Vocals Of Brazilian Psych-folk Master Mauricio Maestro, For An Emotionally Charged Balearic Anthem, Complete With Heavy Dub Mix.

Going Good's first release of 2018 is indeed a very special one.

Cosmic Handshakes sees the pairing of 2 extremely talented Detroit natives - Blair French & Todd Modes - who take elements of Disco, Techno, Jazz, House, Afrobeat, Latin music, Dub and Electronics and filter them through their own unique view of dance music. Steeped in soul, live instrumentation, sampling and analogous alchemical studio processes, French & Modes give us an exhilarating and fresh take on the deepest smoked out, after hours sounds of the city of Detroit.

'In The Mist' is the duo's second release, following on from 2013's 'The Delicate Details', released on the M1 Sessions imprint. The last 2-3 years has seen the pair individually release music on a plethora of varied and esteemed global labels such as FIT Sounds, Claremont 56, Rocksteady Discos and more.


A compelling body of work from front to back, the tracks on 'In The Mist' work perfectly as a self contained home listener, or as we've found, just as well on a darkened dancefloor, leaving the choice up to you, the listener.

Hagen Mosebach debut release, comes around with great remixes from Ron Flatter (labelhead of Pour La Vie Records) and dotSTRIPE (Supdub)!

Ijsbrand & Gert had always wanted to create balkan inspired music, and hence came the duo Stavroz. Beyond just sharing the same musical tastes, these two buddies bond over both being sound engineers (live for Ijs, studio for Gert), which makes them real goldsmiths' behind each and every production (such can be seen in this short clip which presents their title The Ginning').
Their music is imprinted with original inspirations while keeping to a jazzy/burlesque influence, leaving little to be left displeased. The bridge, so it seems, borderlines between minimal and jazz-house.

The first title of the EP, The Ginning' is constructed around guitarist, Max Honckelinx. The track's instrumental harmony is skilfully constructed by the duo as they borderline minimal and deep house.

The second original title of the EP, The Finishing' is merely a dialogue between a rhythmic stratospheric universe and the sax of Nathan Daems, well preserved from the first studio recording. The end result leaves us with 8 minutes of lyricism soaked in sophistication and technicality.

In regards to the remixes, Felkon, who has been presented several times before on the Délicieuse, takes on The Ginning' by including vocals which create a more dance-like ambiance.
Britta Arnold, a legendary pioneer from Bar 25 and Katerholzig, worked on The Ginning' as well with Sascha Cawa. They delivered a version more obscure yet wickedly effective.

As for the remixes of The Finishing', Powel continues to captivate us while executing his deep and melancholic twists. He entirely redesigns the piece's structure by retiring the voice' of the sax.
And then there's our man, Viken Arman, who spins his version of The Finishing' by refiguring the rhythm pattern and adding a new dimension to the bass.

It's time to invite some New Kids' onto the block as Jammhot come very correct with a 4 tracker of what can only be described as Lush' House Music. The EP is a collection of deep, swinging analogue grooves with both feet firmly planted in the Real House Music' sound.

The production duo who are split between both Leeds and London and currently hold a residency with Ape X in Newcastle have previously released on labels like Dirtcrew, Leftroom and fellow rEJEKT favorite Jamie Trench's Root For Bloom imprint.

As you have quite rightly come to expect, this is a release of high quality productions. We set up our label to do things properly! In a world where music has become so throwaway, we strive to have an output that stands the test of time. . Otherwise . . Seriously what's the point

On the remix front we've drafted in the Jedi master that is Dudley Strangeways (Ovum / Holic Trax) known for his tight stripped back productions, his mix offers a deeper, more sparce interpretation to the fuller sounding original and the fact that Dudley is a mastering engineer himself means that he's bang on our level when it comes to the quest for perfection.

supported by Danny Tenaglia, Tim Green, Hannah Wants, Rodriguez Jr, David Glass, Franco Bianco, Anderson Noise, Michel De Hey, Cristian Varela, Daniel Steinberg, ....

Arthur Baker and Murk are two of the most iconic brands in electronic music. Arthur Baker's career started in Boston, and then hit its stride while he was living in New York City in the 80s and 90s, and he now spends much of his time in Miami.

Oscar G and Ralph Falcon aka Murk were born, raised, and lived their entire lives in Miami. This new single is a culmination of the three artists spending time together in Miami, and DJing on the weekly Murk Monday events at renowned Miami location Coyo Taco (delicious tacos up front, Beats in a secret club in the back).

Coyo combines the tribal house percussion that Murk is known for with the party-driven synths, vocals and instrumentation that is Arthur Baker's trademark.

Carioca DJ and producer JOUTRO MUNDO digs deep and delivers a stunning collection of reworks on this first release on his own label, Outra.
Influenced by the melodic sounds of the Amazonian jungle and the explosive Carnival rhythms of his hometown Rio, you can feel his devotion to the diverse music of Brazil, which he now shares with you on the dance floor.
VALEU!

Recording this record in Cuba was a special moment in my life', Louie says. For the first time Elements Of Life, Anané Vega, Josh Milan, Luisito Quintero, Gene Perez, Axel Tosca and Louie Vega

embarked on a trip to Cuba to participate in Two Beats One Soul' album on RVMK Records. The Results were four tracks on the album and one of them a very unique song Music And Life' featuring the sultry and angelic voice of Anané Vega. The song was penned by Josh Milan, and Louie Vega contributed with the music. Gene Perez on Electric Bass, Josh & Axel Tosca on Keyboards, and Luisito Quintero on Percussion. Released as a digital single recently, it's now on many radio and club charts worldwide, as well featured on compilations. On top of all this momentum Vega Records, then reached out to RVMK Records and licensed the track for a special picture vinyl release. The picture vinyl is a collectors piece, get your hands on it fast as there will be a limited number made. Anané Vega on the picture vinyl with her signature as well, colorful and sonically delicious! Release Date is May 25, 2018 at a vinyl store near you.

(en) In our fast moving times five years of sharing a musical path is a remarkable way and a good moment to celebrate. Mollono.Bass & AVA Asante celebrate with their first joint album: BIRDS FLYING HIGH. While part one of the vinyl double brought pleasure to the festival world in summer '16 already, the silence of winter gave more of their precious time in the studio to melt all their musical feelings into the second part of the record. This time the journey takes you along endless roads from lively african villages to mystic asian dreams - lay back and relax or move your feet in passion.
(de) In unserer schnelllebigen Zeit sind fünf Jahre musikalischer Zusammenarbeit ein immer selteneres Geschenk und ein schöner Anlass zu Feiern. Mollono.Bass & AVA Asante begehen das Jubiläum mit ihrem ersten Album: BIRDS FLYING HIGH. Während Teil Eins der Doppel-LP bereits im Sommer '16 viel Freude in die Festivalwelt getragen hat, gab ihnen die Ruhe des Winters genug Zeit im Studio, um ihre musikalischen Ideen für Teil Zwei in Form zu gießen. Diesmal führt die Reise entlang endloser Strassen durch lebendige afrikanische Dörfer hin zu geheimnisvollen Orten einer Traumlandschaft Asiens - Tracks zum entspannten Dahingleiten und zum leidenschaftlichen Tanzen.

Marvin & Valentino started a project called 'Tambien' in collaboration with Munich based producer Bartellow from Munich. This is an official repress of the self-promoted 12 that came out in spring 2012. Three carefully selected tracks that got reinterpreted by the trio.