Proxima's debut album, Alpha, released on December 1 through Tempa, follows on from a string of blistering
singles for the label, which found the Dutch producer carving out a stark and synthetic vision of 140bpm club
music. Across its eleven tracks, Alpha sharpens his already distinctive aesthetic while significantly broadening in
scope. It's a manifesto of sorts, centred firmly around his characteristic, titanium-hard dubstep mutations, yet
comfortable taking spaced out voyages through melody-soaked electronics, freaked-out sci-fi funk and vocal-led
songs.
Raised in Eindhoven, Proxima, aka Gijs Snik, cut his teeth in drum 'n' bass, with a string of acclaimed 12'
releases for labels including Shogun Audio. But it was when he turned his hand to dubstep that he hit upon a
fresh seam of inspiration. His take on the genre consciously drew upon the perpetual momentum and futuristic
atmospheres of drum 'n' bass inspirations like Photek, yet took advantage of the space within the mix to ratchet
up his music's physical impact to near delirious intensity. His productions strafe dancefloors with stinging welts of
sub-bass and razor-sharpened percussion.
Following his three singles for Tempa, Alpha gathers Proxima's most fully realised music to date - widescreen in
sound but packing intense sound system force. Next to the tinny grind that's characterised some of dubstep's
harder side in recent years, its tracks are rendered in full 3D, with percussion lines moving in snakelike coils
around firestorm distortion, and icepick melodies that cut sharply into the foreground. Opener 'Prologue' is a
deadly dance of glassy shrapnel, its melodies flickering through the mix like early grime blasted into space. It's
followed by the frosty expanses of 'Trapped', a lean halfstep monolith that ranks as one of his toughest and most
minimal tracks so far, and which has been a deadly fixture on dubplate in recent months. 'Pressurized' finds P
Money on frenzied form - with the London MC's rapid-fire bars cutting through windmilling percussion and
grinding beats - while later on the album DRS' voice is taut and restrained while the chaos of 'Smog' erupts
around him.
Indeed, while Proxima's tracks and stripped-back 12's are regulars in the record bags of DJs like Youngsta and
Icicle, the reference points for Alpha stretch far beyond the dubstep world. Its self-contained vision and frosty
evocations of deep space recall the interstellar techno voyages of Detroit pioneers like Jeff Mills, Dopplereffekt
and DJ Stringray. And the rhythmic intricacy and steely poise of tracks like 'Pressurized' and 170bpm Icicle
collaboration 'Redshifted' draw upon the electric charge of contemporary drum & bass, recalling both Shogun
Audio's wiry funk and the machine soul of dBridge and Exit Records.
It's these contrasting impulses that lend Alpha its power. On thrilling highlight 'Gravity', moments of silence are
shattered by shredding distortion and drums cutting violently into empty space. Elsewhere, pinpoint technicality is
paired with moments of striking emotional openness. 'In Vacuo' and 'Playing The Arp' pair tough muscle with
dazzling lead lines, with the latter evolving to a gorgeous, harmony-led climax. And 'Afterwards', featuring the
vocals of Dnae, detours into jazzy territory, sounding both futuristic and strangely bucolic. It closes with the woozy
'Epilogue', whose blend of superheated harmony and intricate percussion captures the essence of Alpha, a debut
album whose approach is familiar in essence but often startlingly fresh in execution.
