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"With Vilest of Worms to Dwell" ist ein episches und majestätisches Kraftpaket! Dieses Album mischt Folk, Pagan Metal mit Death Metal Tendenzen.
Zum ersten Malauf Vinyl!Dieses Album ist ein Kraftpaket, ja, wir haben es gesagt... Mit Anflügen von Therion, gemischt mit melodischen Death Metal Tendenzen, bricht "With Vilest of Worms to Dwell" in seiner ganzen majestätischen und epischen Ausmaß und ist auch 22 Jahre nach seiner ersten Veröffentlichung im Jahr 2001 noch immer ein großes Vergnügen zu hören. Hollenthon demonstrieren ihre symphonischen Elemente von Anfang an, und die ersten drei Tracks sind geniale Kompositionen, die, obwohl sie unglaublich sind, dem Hörer Geduld abverlangen, die dann aber mit einer großen Belohnung belohnt wird. Hollenthon hat ein zugängliches Album geschaffen, aber man hört bei jedem Hördurchgang etwas Neues.Gleich zu Beginn springt "Y Draig Goch" mit einer wunderbaren "Aufbau"-Strophe heraus, bevor er in einen der headbangfähigsten, erhebenden Refrains mündet, die man seit langem hören wird.Zeit hören wirst. Klingt nach Power Metal? Weit gefehlt, Hollenthon spielen eine mitreißende Mischung aus Death Metal und orchestraler Musik, die an Therion meets Morbid Angel erinnert, aber viel, viel besser als dieser schlechte Vergleich klingen mag.

Wenn Du auf der Suche nach dem härtesten, schnellsten und brutalsten Thrash Metal bist, solltest Du es nicht versäumen, Dir die begehrten ersten beiden Alben "Tortured Existence" (1990) und "Epidemic Of Violence" (1992) von DEMOLITION HAMMER zu besorgen. Diese gnadenlosen Alben der legendären New Yorker Band, die seit 2016 für umjubelte LiveAuftritte auf der ganzen Welt wiedervereint sind, sind endlich wieder bei Century Media Records in farbigen Vinyl-Editionen erhältlich und bieten den für die Band typischen rabiaten Gesang, rasende Riffs, wütende High-Paced-Beats, headbangfreundliche Moshparts und Brutalität en masse. Nachdem sie mehrere Jahre lang vergriffen waren, kannst du dir diese
definitiven Versionen von "Tortured Existence" und "Epidemic Of Violence" jetzt wieder zu einem fanfreundlichen Preis sichern! Thrash or be thrashed!!!

Rock and Roll Hall of Fame® inductees, Songwriters Hall of Fame inductees, and GRAMMY® Award-winning music legends The Isley Brothers proudly present their anxiously awaited new album, Make Me Say It Again, Girl. It marks the duo’s first full-length LP since 2006 and thirty-first original album overall. They originally set the stage for the record with a recreation of The Isley Brothers classic 1975 love ballad, “Make Me Say It Again, Girl,” joined by none other than Beyoncé. It recently catapulted to #1 on the Billboard Adult R&B Airplay Chart, standing out as their first #1 since “Contagious.” It incited a flurry of critical applause from the likes of The FADER and Vulture who proclaimed, “For this one, Bey is out of Club Renaissance, trading lines with Isley over a smooth, polished track.” Make Me Say It Again, Girl THE ALBUM places the pair’s classic sound in the spotlight for a whole new era. Whether it be the cinematic scope of “Long Voyage Home” or R&B escapism of “Disappear,” they lean into the hallmarks of their signature style with undeniable energy. They’ve also brought a few friends—both old and new—along for the ride. El Debarge and Earth, Wind & Fire team up with The Isley Brothers for the generational banger “There’ll Never Be,” while Rick Ross flexes with pure lyrical fire during “Biggest Bosses.” Elsewhere, Quavo and Takeoff ignite the irresistible and infectious “Keys To My Mind.” After more than 60 years of creating massive hits, The Isley Brothers continue to produce timeless and impactful music showing why they are international treasures who are firmly woven into the fabric of our culture.

Rock and Roll Hall of Fame® inductees, Songwriters Hall of Fame inductees, and GRAMMY® Award-winning music legends The Isley Brothers proudly present their anxiously awaited new album, Make Me Say It Again, Girl. It marks the duo’s first full-length LP since 2006 and thirty-first original album overall. They originally set the stage for the record with a recreation of The Isley Brothers classic 1975 love ballad, “Make Me Say It Again, Girl,” joined by none other than Beyoncé. It recently catapulted to #1 on the Billboard Adult R&B Airplay Chart, standing out as their first #1 since “Contagious.” It incited a flurry of critical applause from the likes of The FADER and Vulture who proclaimed, “For this one, Bey is out of Club Renaissance, trading lines with Isley over a smooth, polished track.” Make Me Say It Again, Girl THE ALBUM places the pair’s classic sound in the spotlight for a whole new era. Whether it be the cinematic scope of “Long Voyage Home” or R&B escapism of “Disappear,” they lean into the hallmarks of their signature style with undeniable energy. They’ve also brought a few friends—both old and new—along for the ride. El Debarge and Earth, Wind & Fire team up with The Isley Brothers for the generational banger “There’ll Never Be,” while Rick Ross flexes with pure lyrical fire during “Biggest Bosses.” Elsewhere, Quavo and Takeoff ignite the irresistible and infectious “Keys To My Mind.” After more than 60 years of creating massive hits, The Isley Brothers continue to produce timeless and impactful music showing why they are international treasures who are firmly woven into the fabric of our culture.

2023 will see the band releasing their new album I Want It All Right Now, produced by Grammy-winning producer John Congleton, on Glassnote Records and embarking on a North American stadium/arena tour with pop superstar P!nk.

With platinum and gold selling accolades across their catalogue of 5 albums The Pigeon Detectives return with album 6, an album influenced by their biggest hits but matured beyond them. Feeling like a band reborn The Pigeon Detectives have never really gone away, having quietly built a resurgent following at headline gigs and festivals across the UK with their high octane live show, the set is peppered with sing-a-long hits that have passed the test of time with flying colours attracting a younger audience to shows alongside a contingent of Pigeon ‘die hards’. Produced by Rich Turvey (Blossoms / The Courteeners / The Coral / Vistas / Oscar Lang / Jamie Webster) the album holds onto the infectious energy that drove the band to huge audiences on their early records, but has a contemporary feel to the production, arrangements and lyrics reflecting a band that have honed their craft and grown as a band and people.

Converge "Jane Live" is the classic "Jane Doe" album performed and recorded live in its entirety at Roadburn Festival in The Netherlands. The set was mixed by Converge guitarist Kurt Ballou at God City Studio and mastered by Brad Boatright at Audiosiege. Recorded by Marcel Van De Vondervoort Mixed by Kurt Ballou at God City Studio Mastered by Brad Boatright at Audiosiege Artwork by Ashley Rose Couture Photography by Karen Jerzyk Design by J. Bannon

No More Sound, Sad Park’s third full-length, begins with an ending. More specifically, with its own ending. Because the short, just-over-a-minute-long “No More Songs” is kind of a stripped-down reprise of the title track that closes this record. In one way, it means this album—the band’s first for Pure Noise—travels back in time over its 38 or so minutes, but in another it’s also traveling forwards. Because while “No More Sound” is a more fleshed-out version of “No More Songs”, it also contains melodic and lyrical throwbacks to the eleven songs that sit between them. Perhaps more importantly, as everything comes full circle on the record, it offers something that the opener doesn’t. Recorded across ten days at Balboa Studios in Los Angeles, No More Sound is, in fact, the sound of a band really coming into their own.

No More Sound, Sad Park’s third full-length, begins with an ending. More specifically, with its own ending. Because the short, just-over-a-minute-long “No More Songs” is kind of a stripped-down reprise of the title track that closes this record. In one way, it means this album—the band’s first for Pure Noise—travels back in time over its 38 or so minutes, but in another it’s also traveling forwards. Because while “No More Sound” is a more fleshed-out version of “No More Songs”, it also contains melodic and lyrical throwbacks to the eleven songs that sit between them. Perhaps more importantly, as everything comes full circle on the record, it offers something that the opener doesn’t. Recorded across ten days at Balboa Studios in Los Angeles, No More Sound is, in fact, the sound of a band really coming into their own.

Freakazoid was written mostly in the months before the pandemic. When we were ready to start tracking, we found ourselves with a lot of free time to be creative but no opportunity to get together, so we tried something we'd never done - recording an album all by ourselves in isolation. To create the sessions, we would record instruments separately in our houses and email the tracks to each other. That was an extremely frustrating and time-consuming process that took from the fall of 2020 until late 2022 to complete. We were used to banging out albums in a studio in a few weeks so it was a blessing and curse to have all the time in the world to work on it. They say great art is never finished, it is only abandoned and that's how it felt to wrap this up. There are still little changes I wish I could make from time to time but I've had to learn to just let it go. That being said, I'm so proud of the album and so happy that the reaction has been so incredibly positive so far.

Fates Warning’s ninth studio album, “Disconnected,” contain recurring images of separation and incompleteness reflective of the album’s title. “To do something similar to earlier release would have been an easy way out,” says guitarist Jim Matheos of the set. “The best thing for me to do, and the biggest inspiration, is to say, ‘Let’s do something different now and stretch ourselves in the other direction.’ ” Disconnected,” sees Fates Warning collaborate with ex-Dream Theater keyboardist Kevin Moore, as well Armored Saint’s Joey Vera on bass and backing vocals. Vocalist Ray Alder takes a more active role in the writing process for this album. Matheos, who writes the group’s music, has served as Fates Warning’s primary lyricist for years, but on “Disconnected” Alder pens the words to two songs, including the first single, “One.” Another “Disconnected” track, “Pieces Of Me,” is the first lyrical collaboration between Alder and Matheos. Throughout the band's career, Fates Warning has always cut a clear path, remaining steadfast in their vision to create inspired progressive metal. A must have for fans!

Seminal progressive rock icons, FATES WARNING, back from a four-year recording hiatus, return to form with 2004's highly anticipated studio release "FWX". In 2003 fans of progressive rock & metal were treated to a U.S. TOUR that took almost fifteen years to come together. When DREAM THEATER, QUEENSRYCHE and FATES WARNING hit the road in the summer of 2003, both the members of Fates and the fans in attendance were in for the surprise of a lifetime. As far as Jim Matheos, Ray Alder and journeyman bassist Joey Vera were concerned, FATES WARNING would be the opening act on a national tour that would shine the spotlight squarely on co-headliners Dream Theater and Queensryche. Much to the band's delight, they were able to reach a whole new and very appreciative audience. Accolades for the band reached fever pitch during the tour with new fans embracing the band on every tour stop. This excitement has rejuvenated FATES WARNING and you can clearly hear it on "FWX", as the return of the more aggressive side of Fates has breathed new life into the recording of "FWX". Produced by guitarist Jim Matheos and vocalist Ray Alder, "FWX" is the best of FATES WARNING flexing their creativity combined with a new sense of purpose and drive.

Originally reissued as part of the Promise Kept: The Complete Artist House Recordings boxed set, now available separately LP contains the original 5 tracks – CD/Digital include an additional 3 bonus tracks Remastered by Grammy® winner Michael Graves, with vinyl cut by Jeff Powell Producer John Snyder had always wanted to record Pepper and booked him into a week at the Village Vanguard in New York. At the time, Pepper was under contract to Contemporary Records and label head, Les Koenig, decided he would record the gigs, quashing any notion Snyder had of doing the same. However, Art promised Snyder that he’d record an album for Snyder’s label, Artists House, at some point down the road. Together they wound up making four. Here again on vinyl, CD & Digital are the original albums drawn from these sessions, lovingly recreated in their original form, remastered by Grammy® winner Michael Graves and recut by Jeff Powell. So In Love (originally issued in 1980) features Pepper’s takes on classics from Thelonious Monk, Cole Porter, and Hoagy Carmichael, plus a pair of originals including “Blues For Blanche.” The CD and Digital add three bonus performances from the sessions. The AllMusic review by Scott Yanow noted: "Pepper is in excellent form throughout the album, giving these songs heart-wrenching interpretations". “John and Art both kept their promises. John brought Art into the wider world; he put him on the road. Just as he said he would, he brought him to New York and to the Village Vanguard, got his picture in the papers, got him on the radio. From Art, John got his dearest wish. He made these recordings.” —Laurie Pepper






[f] 6. Yesterdays (Take 2) [Bonus Track]
[g] 7. Landscape [Bonus Track]
[h] 8. Straight, No Chaser (Take 4) [Bonus Track]

Valentine Lover Red Vinyl. Die Apart Demos wurden zwischen 1980 und 1984 in verschiedenen Kellern und professionellen Studios in Chicago aufgenommen und dokumentieren 12 intime und reduzierte Skizzen, Demos und unveröffentlichte Tracks von Andre Gibson und der Universal Togetherness Band, als sie sich auf ihre Solokarrieren zubewegten. Von tief empfundenen Huldigungen an die Liebenden, die von einem seidigen Fender Rhodes verziert werden, bis hin zu Disco-Party-Startern über spirituelle Dankbarkeit - Andre Gibson lässt uns in sein Herz blicken und bringt am Ende alles zusammen. Die Universal Togetherness Band aus Chicago, verband in ihrem eklektischen Sound Funk-, Soul-, Disco-, Jazz-, Rock- und New-Wave-Einflüsse mit intelligenten und fantasievollen Texten. 1978 gegründet und geleitet von Andre Gibson, mit seinem Bruder Arnold Gibson (Schlagzeug, Bass), dem ehemaligen Colorvision-Mitglied Fred Misher (Bass, Hintergrundgesang) und Freds Bruder Leslie Misher (Leadgitarre), während Andre die Keyboards, das Vibraphon und den Leadgesang übernahm. Obwohl die Gruppe mehrere Jahre lang in den Clubs von Chicago auftrat und gelegentlich größere Auftritte absolvierte (vor allem als Vorgruppe von Peter Gabriel), hatte sie Mühe, ein größeres Publikum für ihre anspruchsvolle R&B-Melange zu finden. Zwischen 1979 und 1982 nahm die Band Dutzende von Sessions auf, die Gibsons weitreichende Vision als Komponist und Bandleader dokumentierten. Während Gibsons Zeit am Columbia College kamen Paul Hanover (Mundharmonika und Klavier) und Louis Sanford (Schlagzeug) zu den ursprünglichen vier Multiinstrumentalisten hinzu. Nachdem sich die ursprüngliche Besetzung der Universal Togetherness Band schließlich Mitte der 1980er auflöste, nahm Andre Gibson weiterhin mit einer Besetzung mit Frank Alexander (Schlagzeug), Allen Burroughs (Gitarre), Art Love (Bass) und Michael Young (Saxophon) auf. 2015 veröffentlichte Numero Group eine erste Zusammenstellung mit unveröffentlichten Aufnahmen mit dem schlichten Titel Universal Togetherness Band.

Who did Aretha Franklin not want to miss out on when she recorded
her most inspiring albums in the early Seventies? Who gave Steely
Dan the beat? Who did Isaac Hayes, Donny Hathaway, BB King,
‘Sweet’ Lou Donaldson and Joe Cocker give the chair behind the
drums? No drummer has seen the inside of a studio as often as
Bernard ‘Pretty’ Purdie.
 Not for nothing do colleagues attribute the ‘funkiest soul beat on the
scene’ to the drummer, and consequently, Purdie has never relied on
the genre of jazz alone, but rather curiously looked beyond the
borders. Sessions with The Rolling Stones, James Brown, Jimi
Hendrix or Tom Jones are no problem for him, whose precise and
sensitive playing is synonymous with drive and groove. This is
probably one of the reasons why his rhythms are still sampled by
many DJs today.
 Released on CD back in 1996 and 1997 (and now out of print), the
two ‘Soul to Jazz’ recordings have a cult factor today and sound as
fresh as they did back then. Now both albums are released together
for the first time as a 3LP set.
 These recordings are peppered with lots of prominent star guests
from jazz and soul, from Eddie Harris, Michael Brecker and Nils
Landgren to Hank Crawford, Stanley Turrentine and Cornell Dupree.
 Purdie’s ‘Soul to Jazz’ project takes two different approaches: The
first part focuses on the renowned WDR Big Band led by Gil
Goldstein. Soul classics such as Stevie Wonder’s ‘Superstition’,
‘When a Man Loves a Woman’, Eddie Harris’s ‘Freedom Jazz Dance’
and Lee Morgan’s famous groove tune, ‘Sidewinder’, are interpreted
in large scale sound. One discovery of these recordings amidst all the
renowned guest soloists is the New York-born singer, Martin Moss.
 The great success of this first album, released under ‘Soul to Jazz’,
led to ‘Soul to Jazz II’, a more intimate record, but one that picks up
where the first recording left off, by exploring similar themes. Again,
Purdie has called together a notable band of kindred spirits, including
saxophonists Hank Crawford (BB King, Ike and Tina Turner, Ray
Charles), Stanley Turrentine (Jimmy Smith, Shirley Scott) and Vincent
Herring, as well as guitarist Cornell Dupree (King Curtis) to pianists
Benny Green and Junior Mance.
 Bernard Purdie’s ‘Soul to Jazz’ is a timeless classic and a blueprint of
the soul jazz genre in all its facets. Above all, it is a portrait of one of
the most influential and best drummers in the world, who made jazz
groove with his inimitable funky soul beat

Part fantastical historic sonic biopic, part anthropologic
journey into the deep roots of Belgium’s monstrous
cosmic rock sound, this wholly individualistic concept
album combines the lead members of the mighty COS
(Daniel Schell and Pascale Son) with studio genius
Alain Pierre (Ô Sidarta / Des morts) and celebrated
Dutch progressive rock singer Dick Annegarn, for what
many consider to be both the overlooked hiding place
of Belgium’s deepest psychedelic moment and
European prog’s lost map to the ‘Franco-Flemish
Boom’.
 Emerging from the wider musical family that counted
Marc Moulin, Placebo and Marc Hollander amongst its
creative kin, Daniel Schell’s most profound conceptual
project ambitiously combines the tale of the heroic
historical figure of Count Egmont (1522–1568), while
simultaneously tracing the evolution of the ud, or oud,
(‘the grandfather of the guitar’) in this multifarious
hallucinogenic epic.
 Featuring key members of other collectable groups
such as drummer Felix Simtaine from Solis Lacus and
bass player Jean-Louis Baudoin from the mythical
Classroom (COS predecessor), this best-kept secret
vinyl release also harbours the voices of Dirk Bogaert
(of Belgian hard rockers Waterloo), as well as Catalan
singer Ilona Chale (Marc Hollander / Aksak Maboul)
before her later tenure as the COS front woman.
 Initially released in 1978 via Zeuhl school distributors
Free Bird alongside French pressings of Don Cherry,
Jacques Thollot and CAN, it is plain to understand the
niche nature of this maligned ‘lost COS’ LP as it finally
blooms from between the cracked branches of
European jazz-rock-synth-psych-prog-pop history…
and beyond

With a voice that seems to speak from the heart of
the Estonian forest, Mari Kalkun’s music is at once
of a place and deeply personal.
 Rooted in ancient Estonian and Võru traditions, but
beautifully fresh and contemporary, ‘Stories of
Stonia’ reaches back to very old layers of tradition
to imagine what Mari’s ancestors would have
thought and sung about the world in an era of
skyscraper, steel and metal.
 Throughout the album’s nine songs, Mari explores
humanity’s controversial relationship with nature
with powerfully emotive musical backdrops.
 One of Northern Europe’s most important folk
singers, Mari has created a mysterious and
magical album

FEUERSCHWANZ haben sich über die letzten Jahre eine herausragende Stellung in der deutschen MetalLandschaft erarbeitet und gelten als eine der angesagtesten Bands der Szene! Diesen Status manifestiert einmal mehr das brandneue Studioalbum Fegefeuer, das am 7. Juli 2023 über Napalm Records erscheint.
Fegefeuer ist der Nachfolger des enorm erfolgreichen Vorgängerwerks Memento Mori (2021), mit dem FEUERSCHWANZ auf Platz #1 der offiziellen deutschen Albumcharts eingestiegen sind. Direkt im Anschluss an den Release spielte die Band Co-Headline-Sets auf einigen der größten Festivals, wie etwa dem legendären Wacken Open Air und dem Summer Breeze, und eine nahezu komplett ausverkauften Tournee.

Mit Fegefeuer liefern FEUERSCHWANZ jetzt einen weiteren Beweis für ihren Status! Und natürlich kommen auch auf der neuen Platte das bekannte Augenzwinkern und der Spaßfaktor nicht zu kurz.
FEUERSCHWANZ bleiben sich auf Fegefeuer lyrisch treu, besingen längst vergessene Legenden, heroische Schlachten und brillieren mit herausragenden musikalischen Fähigkeiten, samt exzellentem Songwriting.
Das Album wird in verschiedenen Formaten erhältlich sein. Einige dieser enthalten das Live-Bonusalbum Live in Wacken 2022, das einen Mitschnitt der Co-Headline-Show vom Holy Ground enthält. Mit der neuen Veröffentlichung treiben FEUERSCHWANZ das bisherige Schaffen vorerst auf die Spitze und schüren im selben Atemzug bereits jetzt Spannung und die Vorfreude auf all das, was in Zukunft zu erwarten sein wird.

Das Album „Queen Radio: Volume 1” der amerikanischen Rapperin und Sängerin Nicki Minaj ist ab dem 07.07. als 3LP erhältlich!
„Queen Radio: Volume 1“ ist das erste Greatest-Hits-Album der amerikanischen Rapperin und Sängerin Nicki Minaj.

Es wurde am 26. August 2022 über Young Money Entertainment und Republic Records veröffentlicht.
Das Album wurde zwei Tage später erneut veröffentlicht, um einen Remix von Skengs 2022er Single ”Likkle Miss” hinzuzufügen.

Das Album enthält Songs aus all ihren Studioalben—”Pink Friday“ (2010), „Pink Friday: Roman Reloaded“ und seine Neuauflage „The Re-Up“ (beide erschienen 2012), „The Pinkprint“ (2014) und „Queen“ (2018).
Songs aus dem Mixtape „Beam Me Up Scotty“ (Originalversion von 2009 und Neuauflage von 2021), der Young Money Entertainment-Compilation „Rise of an Empire“ (2014) und einigen Nicht-Album-Singles, die sie 2022 veröffentlicht hatte. Es wurde überraschend ohne vorherige Ankündigung veröffentlicht. Eine der Singles von 2022 und der Eröffnungstrack des Albums, ”Super Freaky Girl”, debütierte und erreichte den Höhepunkt der Billboard Hot 100.

Seit 2005 schaffen es Local Natives sich immer wieder neu in die Indie-Herzen ihrer Fans zu spielen und liefern nun mit „Time Will Wait For No One“ den nächsten Soundtrack für einen ausgedehnten Roadtrip im Sommer.

In L.A. leben viele Menschen, die auf der Suche nach dem einen Trick sind, der ihnen hilft, sich zu verwirklichen, erfolgreich und glücklich zu werden. Es ist ein lohnendes, aber zum Scheitern verurteiltes
Unterfangen, und das Beste, worauf wir hoffen können, ist, in einem Moment präsent zu sein. Das Album der Local Natives kommt in einem Moment der persönlichen Metamorphose. Das frühere Selbst schmilzt dahin, einige werden Väter, andere durchleben Zeiten der Isolation, des Verlusts und der Identitätskrise.

Time Will Wait For No One ist ein Mantra der Beruhigung als Antwort auf unerbittliche Veränderungen.

Die mehrfache Grammy-Award Gewinnerin Taylor Swift veröffentlicht „Speak Now“ (Taylor’s Version) eine Wiederveröffentlichung des von ihr 2010 veröffentlichten Albums „Speak Now“. Das Album, welches alleinig von der Sängerin geschrieben wurde, zeichnet sich durch brutale Ehrlichkeit und tagebuchartige Bekenntnisse aus. „Speak Now“ (Taylor’s Version) markiert die dritte Wiederveröffentlichung ihrer ersten sechs Studioalben. Zuvor veröffentlichte Taylor Swift „Fearless“ (Taylor’s Version) & „Red“ (Taylor’s Version).
Ihr letztes Studioalbum „Midnights“ erreichte sogar Platz 1 der deutschen Charts. „Speak Now“ (Taylor’s Version) enthält zusätzlich zu den bereits 2010 veröffentlichten 16 Songs noch 6 Titel ( From t he Vault), auf welchen unter anderem die Band Fall Out Boy & Hayley Williams von Paramore zu hören sein wird. Die mit mehrfach diamant-ausgezeichnete Künstlerin nahm das Album im Alter von 32 erneut auf, was einen Bezug zu den Lyrics ihres Songs „Never Grow Up“ („32 and still growing up now“) herstellt.

Jedes Vinyl-Album enthält:
22 Lieder darunter 6 bisher unveröffentlichte Songs (From The Vault), Sammler-Albumhülle mit einzigartigem Front- und Rückcover, 2 einzigartige Farben Violett oder Orchidee, je nach Produkt marmorierte Vinyl-Scheiben, Sammelbare Albumhüllen mit Songtexten und nie zuvor gesehenen Fotos sowie ein Foto
und Prolog im Klappcover.

"No Jacket Required" is the highly successful third solo album by Phil Collins. Released in 1985, it features a blend of pop, rock, and R&B. With hits like "Sussudio," Collins' soulful vocals and catchy melodies dominated the charts. The album's polished production and heartfelt delivery solidified Collins' status as a prominent figure in 1980s pop music.

Elvis Presley’s self-titled debut album forever changed popular culture on release in 1956, its earthquake aftershocks still felt some 65 years later. Gritty adaptations of Carl Perkins’ ‘Blue Suede Shoes,’ Ray Charles’ ‘I Got A Woman’ and Little Richard’s ‘Tutti Frutti’ helped make it the first Rock ‘n’ Roll album to top the Billboard charts, where it remained unchallenged for a full ten weeks. The iconic cover image with its distinctive lettering, showing Presley brandishing his acoustic guitar, helped embed the instrument in rock mythology too, indelibly changing how we conceive of the genre and its axemen. Elvis Presley proved that our hero was already the undisputed King of Rock ‘n’ Roll, just as he still is today.

he debut album from Marcus Mumford, frontman of Multi-Platinum, Grammy, and Brit Award winning band Mumford & Sons. Collaborations with Clairo, Phoebe Bridgers, Brandi Carlile, and Monica Martin. Exclusive Limited Edition Version, includes Unique Artwork & 12-inch Clear Transparent