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Target Earth is the thirteenth studio album, and the sixteenth release overall, by the Canadian heavy metal band Voivod, which was released on January 22, 2013.12 This is the first Voivod studio album to feature Daniel Mongrain on guitar (replacing the late Denis D'Amour) and the only one since 1991's Angel Rat with Jean-Yves Thériault on bass.

Target Earth is the thirteenth studio album, and the sixteenth release overall, by the Canadian heavy metal band Voivod, which was released on January 22, 2013.12 This is the first Voivod studio album to feature Daniel Mongrain on guitar (replacing the late Denis D'Amour) and the only one since 1991's Angel Rat with Jean-Yves Thériault on bass.

Pink Siifu’s latest release, GUMBO!, is another sprawling Afrocentric vision from one of the boldest voices in contemporary rap. Following up on 2020’s NEGRO, the album’s songs are as rich and varied as its titular stew. Siifu’s boundless style makes for an unpredictable but rewarding ride across the album’s 18 tracks, as he explores the diverse sounds of his influences and breaks new ground with a unique class of co-stars.

Siifu, born Livingston Matthews and raised between Alabama and Cincinnati, has already notched a conspicuous list of collaborations in his burgeoning career, from legendary producer the Alchemist to Australian electronic group the Avalanches. Siifu also embodies various inspirations through a range of alter-egos, often producing under the moniker “iiye,” or as half of the duo B. Cool-Aid with Ahwlee, both of which appear on GUMBO!.

The variety of guest features and production on GUMBO! only elevates Siifu’s ability to push the boundaries of genre and song structure. “Voicemails Uptown” (produced by Soulection’s Monte Booker) is the second of two back-to-back posse cuts, sporting five plus vocalists each. “Lng hair dnt care,” the album’s first single, was produced by Ted Kamal, who first garnered attention for his outside-the-box edits of contemporary rap staples. And while several of the album’s tracks are well within his bag, the jazzy, drumless loop on “Fk U Mean/Hold Me Dwn” could’ve been a cut off of his collab album with Virginia rapper Fly Anakin, FlySiifu’s.

Though rife with standout tracks, GUMBO! is greater than the sum of its parts. Siifu’s ambitious range and impressive pool of features create an otherworldly listening experience. Overall, it reflects an intense desire for self-expression and creative growth, one which he shares with many of his influences. Like Outkast, Sun Ra, Baraka, or Bad Brains, his unique soundscapes re-imagine a genre without restrictions, breaking new ground in search of artistic and personal freedom.

In August of 2007, the Port Arthur duo of Bun B and Pimp C known as UGK released their epic fifth studio album, Underground Kingz. Sadly, this was the last release recorded by Pimp C before his untimely death in December of the same year. Production was overseen
by legendary Rap-A-Lot producer N.O. Joe and Pimp C himself with contributions from Three 6 Mafia, Jazze Pha, Lil Jon, Scarface, Swizz Beatz, and Marly Marl among others. The second single "Int'l Players Anthem (I Choose You) was nominated for a Grammy and won video of the year at BET's 2008 Music Awards.

Marco Faraone returns to DCLTD with a pair of high-impact cuts, reinforcing his range as one of techno's most versatile producers. 'Dangerous' rolls like a percussive steam train, building tension with a barrage of low-slung drums and a head-spinning synth line that darts in and out of play. 'Pressure' doesn't take a back step, as industrial rhythms uncoil with thrilling effect.

First appearing on TV screens in September 1968, Joe 90 was a unique nine year old boy with the ability to absorb the brain patterns of top experts

enabling him to become the most special agent of W.I.N. (World Intelligence Network).

Whilst there are arguably better-known scores amongst Barry Gray's sublime catalogue of work with the Andersons, the composer's work for Joe 90 is in many ways

the most consistent and inventive selection he ever wrote. Developing a theme for the new series was always the musician's starting point, and for Joe 90, the pop charts breezed into Gray's studio,

with an opening tune featuring a genuine groove. Mixing Gray's inventive electronics with 60s "surf rock" guitars was an inspired decision.

It is no wonder that this piece has gone on to enjoy a second life as a Northern Soul disco floor-filler.

For episodic incidentals, Gray was freed from the detached unearthly premise of Captain Scarlet and able to bring back a playful sensibility

and a more mature musical palette which are amply illustrated in this 24 track collection.

Tullio De Piscopo is an Italian drummer, percussionist and singer- songwriter born in Naples, Italy. During his musical career he began working as a session drummer, playing with international artists, including Chet Baker, Gil Evans, Gato Barbieri, Eumir Deodato and many others.

His 6th solo album Acqua E Viento, released in 1983, includes the Italian #1 single “Stop Bajon (Primavera)” which also ranked to #58 in the UK Singles Chart of that same year. “Stop Bajon (Primavera)” was a favourite in Rimini (Italy) Discotheques, a Balearic Islands classic, a Chicago favourite during the early house days, and became an anthem of the Italo Disco movement. The album includes guest musicians Don Cherry on trumpet, percussionst Famoudou Don Moye and composer and songwriter Pino Daniele.

J Hus is back with his highly anticipated third album ‘Beautiful And Brutal Yard’, preceded by the raucous street track ‘It’s Crazy’ which charted Top 15 and ‘Who Told You’ (featuring Drake) which debuted at #2 with the 3rd highest UK week 1 singles sales of the year and Hus’ highest single chart to date.

‘B.A.B.Y.’ is the follow-up to his chart-topping album ‘Big Conspiracy’ which earned him the Best Male Award at the Brits and his Top 10 platinum debut ‘Common Sense’ which won an NME award and was nominated for the Mercury Music Prize and Best Album at the Brits.

Fans have come to expect a range of influences and musical styles from Hus’ albums and they will not be disappointed. Across ‘B.A.B.Y’ Hus incorporates elements of afrobeats, drill, R&B and bashment, all delivered in his inimitable lyrical style. The album includes features from Drake, Burna Boy, Jorja Smith, Popcaan and Naira Marley as well as from UK up and comers CB, Villz and Boss Belly.

Having not played his own live shows since 2017 J Hus is announcing a UK Arena tour on Thursday 29th June.

The history of film music would be different without John Williams. Cinema classics like Star Wars, Indiana Jones and Harry Potter are inextricably linked with his musical style. His soundtracks captivate listeners with thrilling, moving themes and a tremendous range of atmospheres and sounds. John Williams conducts the greatest orchestra in the world; a once in a lifetime recording celebration. The album includes beloved hits such as the “Superman March”, the Theme from Jurassic Park, excerpts from Close Encounters of the Third Kind and the Star Wars, Harry Potter and Indiana Jones films. There are also works such as the Suite from Far and Away and the moving Elegy for cello and orchestra, that may be less familiar but are no less brilliant.ng the legendary composer’s 90th birthday. Featuring completely new arrangements and repertoire all recorded in breath-taking Dolby Atmos sound.

RAWAX proudly welcomes MOVE D to the family!
We are very honored to present you the legend from Heidelberg
on the sixt edition of our RX Series!
Highly recommended!

RAWAX proudly welcomes MOVE D to the family!
We are very honored to present you the legend from Heidelberg
on the sixt edition of our RX Series!
Highly recommended!

The tenor sax master attacks five standards and in the process produces some of
his most intense performances on record. Taped at the Van Gelder Studio in one
marathon session on July 8th 1965, this electrifying Impulse! Records debut also
featured Ray Bryant on piano and Mickey Roker on drums.

Fünf legendäre Charlie-Parker-Klassiker in einem luxuriösen LP-Set!

Würde man diese Alben als Original-LPs kaufen wollen, müsste man einen Kredit aufnehmen. Deshalb erscheinen die legendären Charlie-Parker-LPs jetzt als Special Collector’s Edition Box-Set! Fünf der größten (und meist-verkauften) Bebop-Alben aller Zeiten als Neuauflage im Original-10-inch-Format.

Neu gemastert von Alex Abrash bei AA Mastering, 180g- Vinylpressungen, originalgetreue Reproduktionen des Original Artworks von David Stone Martin. Im Schuber befindet sich auch ein 10x10-inch großes Buch mit neuen und exklusiven Linernotes von Ethan Iverson, einem neuen Aufsatz von Autor David Ritz und vollständigen Track-by-Track-Notizen.

Die Alben: „Charlie Parker With Strings“ (1950), “Bird & Diz” (1952), “Plays South Of The Border” (1952), “Charlie Parker With Strings Vol. 2” (1953), „Charlie Parker” (1954)

Stage Fright is the third studio album by Canadian American group the Band, released on August 17, 1970. Engineered by Todd Rundgren and Glyn Johns, it features two of the group's best-known songs, "The Shape I'm In" and "Stage Fright", both of which showcased inspired lead vocal performances (by Richard Manuel and Rick Danko, respectively) and became staples in the group's live shows.

* 5.1 surround and hi-res stereo mix of album (by Bob Clearmountain) + new bonus tracks + previously unreleased Royal Albert Hall (1970) performance on Blu-ray
* CD of new stereo mix album + new bonus tracks and unreleased Calgary hotel demo tracks
* CD of the Royal Albert Hall performance (stereo)
* LP of main album new stereo mix (180gram, 33rpm)
* 7" reproduction of original "Time To Kill" b/w "The Shape I'm In" Capitol single (Spanish pressing)
* Photo booklet with new notes by Robbie Robertson and a reprinting of the original 1970 Robert Hilburn Los Angeles Times album review
* Limited

elbow release their ninth studio album, ‘Flying Dream 1’, on 19th November 2021. The band wrote ‘Flying Dream 1’ remotely in their home studios before coming together at the empty Brighton Theatre Royal to perfect, perform, and record the songs.

PAURA explores the horror repertoire from the precious CAM Sugar archives taking us on a hypnotic journey into the labyrinths of fear, through the different variations that Italian horror took on from the esoteric and supernatural to the slasher films of the early 1970s; to reinterpretations of Romantic literature and gothic fiction to the splatter films of the ‘80s; and from witchcraft to metropolitan horror. This is not a real “best of” but an eclectic menu full of mysterious voices, childlike lullabies, sweet melodies, obsessive music boxes, obstinate harpsichords, crazy distortions and threatening synthesizers, conceived as a succession of sequences, as if a film edit. The new collection includes some of the most creative music ever written and strives to do justice not only to some of the best known composers in this genre, but also to many great unsung composers: From celebrated composers like Ennio Morricone, Riz Ortolani & Stelvio Cipriani to long-forgotten personalities who fed the industrial backbone of Italian cinema such as Daniele Patucchi, Marcelo Giombini & Berto Pisano. The collection includes 6 previously unreleased tracks plus 3 tracks released on vinyl for the first time and 5 tracks available commercially for the first time (originally released only as a limited promo item).

Lisa Batiashvili gathers all the places and memories that have been important in her life and career together with some of the world’s most beautiful music. A journey from her native Georgia to Paris, Berlin, Buenos Aires and Hollywood that features ground-breaking collaborations with artists as diverse as Miloš, Katie Melua and Till Brönner. City Lights shares the beautiful melodies from Cinema Paradiso and Chaplin’s own compositions with all time classics from Piazzolla, J.S. Bach and the late Michel Legrand - all in new arrangements by Nikoloz Rachveli - and last, but not least a new song by Katie Melua about the magic of London. This Special Edition of Lisa Batiashvili’s City Lights combines the most popular music from her latest album on a 10 inch vinyl. Including a brand new track: Desafinando recorded with the Georgian Philharmonic Orchestra in July 2021.

Undeniably one to watch, the release of his upcoming body of work is set to cement Sam’s status as one of the year’s most exciting new artists. His music has already been praised by the likes of MTV, Clash, BBC, and Notion magazine, played across BBC Radio 1 by Scott Mills, Clara Amfo, Ricky, Melvin and Charlie, and featured on flagship Spotify editorial playlists. Elton John and Bastille are fans, pop phenomenon Bebe Rexha has co-signed his work, while Justin Bieber is a prominent supporter. The two hosted a sensational IG Live together and more recently hung out in LA, while a video of Justin singing Sam’s single ‘Whole’ has gained more than one million views –and counting. Closer to home, JayKae jumped onstage on Sam’s last tour, and renowned UK tag-team Krept & Konan are fans. Such a broad spread of support simply represents his audience as a whole; there’s a literal army of TikTok followers moving alongside him, with Sam amassing almost a half million followers on Instagram –that’s more than some very established artists. In fact, he already has more Instagram followers than some winners at the BRITs last year. Matching pop touches to a classic feel, he’s often compared to Sam Fender’s anthemic truth-seeking or Tom Walker’s revelatory autobiography. Yet Sam’s work stands alone and is already scaling

Blue Notes weltweit erfolgreiche audiophile TONE-POET-LP-SERIE:
- audiophiles, rein analoges Mastering von den Original-Analogbändern
- Pressung in 180g-Vinyl
- extra-dicke, laminierte Tip-on-Sleeves
- wattierte Innenhüllen

Gerade erst Grammy-nominiert als “Best New Artist” haben Tank And The Bangas ihr drittes Studioalbum aufgenommen. Zu dem vor R&B-, Hip-Hop-, Jazz-, Funk- und Soul-Grooves aus allen Nähten platzenden
Album luden sie diesmal Gäste wie Questlove, Lalah Hathaway, Big Freedia, Jacob Collier, Trombone Shorty, Jamison Ross und Wayne Brady ein.

Die in New Orleans ansässige Band mit der energiegeladenen Frontfrau Tarriona “Tank” Ball wurde 2017 durch den NPR Tiny Desk Contest auf YouTube berühmt (sensationelle 12,5 Millionen Aufrufe). „Red Balloon“ entstand jetzt in Folge der pandemiebedingten Unterbrechung des anstrengenden Tour-Pensums der Band. Die Pause gab den Musikern Raum zum Atmen und die Chance für ein kreatives Kräftesammeln. Das Werk zeigt die Band auf einem neuen künstlerischen Level, produziert wurde es von der Band selbst
und aufgenommen in New Orleans und Los Angeles.

Weltpremiere eines bislang unbekannten Ella-Konzertes, aufgenommen mit dem Hollywood Bowl Pops Orchestra im August 1958!
Die berühmten Songbook-Alben von Ella Fitzgerald sind Evergreens des Jazzgesangs, die in regelmäßigen Neuauflagen und inzwischen auch digital immer wieder alte und neue Fans finden. Ellas mitreißende
Interpretationen der besten Songs von ikonischen Komponisten wie Irving Berlin, Rodgers & Hart, Cole
Porter und natürlich George & Ira Gershwin sind bis heute unübertroffen. Dass Ella Fitzgerald Ende der
1950er Jahre ihr Irving Berlin Songbook zusammen mit dem großartigen Arrangeur und Orchesterleiter
Paul Weston auch live aufgeführt hat, war längst in Vergessenheit geraten.
Jetzt wurde in der Privatsammlung von Ellas Manager Norman Granz ein Stereo-Mitschnitt dieses ganz
besonderen Abends entdeckt und von Produzent und Toningenieur Gregg Field bestmöglich digital aufbereitet. Auf LP, CD und digital laden Ella Fitzgerald, Paul Weston und das fabelhafte Hollywood Bowl Pops
Orchestra jetzt zum live aufgeführten Irving Berlin Songbook ein, ein Abend voller Swing, sentimentaler
Balladen, unsterblicher Ohrwürmer und Jazzgesang der Weltklasse

"To kick off the yearlong celebration and provide the perfect summer soundtrack, Capitol Records and UMe will release a newly remastered and expanded edition of The Beach Boys career-spanning greatest hits collection, Sounds Of Summer: The Very Best Of The Beach Boys, on June 17. Originally released in 2003, the album soared to no. 16 in the US and stayed on the chart for 104 weeks. Now certified 4x platinum for sales of nearly four and a half million albums, the collection has been updated in both number of songs and audio quality, expanding the original 30-track best of with 50 more of the band’s most beloved songs for a total of 80 tracks that span their earliest hits to deeper fan-favorite cuts and from their 1962 debut album, Surfin’ Safari through to 1989’s Still Cruisin’.
Assembled by Mark Linett and Alan Boyd, the team behind 2013's GRAMMY® Award-winning SMiLE Sessions and last year’s acclaimed boxed set, Feel Flows – The Sunflower and Surf's Up Sessions 1969-1971, Sounds Of Summer features nearly every US Top 40 hit of The Beach Boys’ incredible career, including “California Girls,” “I Get Around,” “Surfer Girl,” “Surfin’ U.S.A.,” “Fun, Fun, Fun,” “God Only Knows,” “Good Vibrations,” “Be True To Your School,” “Wouldn’t It Be Nice,” “Kokomo,” “Barbara Ann,” “Help Me, Rhonda,” “In My Room,” and many others. Fifty additional tracks showcase a broad mix of songs from across their wide-ranging catalog with some of the many highlights including “All Summer Long,” “Disney Girls,” “Forever,” “Feel Flows,” “Friends,” “Roll Plymouth Rock,” “Sail on Sailor,” “Surf’s Up,” and “Wind Chimes.”
The collection boasts 24 new mixes including two first-time stereo mixes, plus 22 new-and-improved stereo mixes, which in some cases feature the latest in digital stereo extraction technology, allowing for the team to separate the original mono backing tracks for the first time.
The expanded edition of Sounds Of Summer will be available in a variety of formats, including a 3CD softpack, and as a Super Deluxe Edition 6LP vinyl boxed set on 180-gram black vinyl in two options – a standard set or a numbered, limited edition version featuring a rainbow foil slipcase and four collectible lithographs. Both versions will feature color printed sleeves that replicate the original “Capitol Catalog” sleeves that highlight the entire Beach Boys discography, and all formats will include a booklet with new liner notes and updated photos. The original 30-track version will also be available in its newly remastered and upgraded form on single CD or double gatefold LP on standard weight vinyl or as a higher-end limited edition numbered version pressed on 180-gram vinyl with a tip-on jacket and a lithograph. "

U.K.-based artist and multi-platinum-selling singer/songwriter Calum Scott has announced that his highly awaited sophomore album Bridges will arrive on June 17. The follow-up to Calum’s 2018 full-length debut Only Human — a widely acclaimed effort that hit No. 1 on the iTunes album chart in 21 countries across the globe, in addition to selling more than 3.6 million in adjusted album sales and garnering over 7.5 billion combined streams. Fresh off his recent run as support for Irish rock band The Script (which included a stop at the legendary Radio City Music Hall in New York City), Calum has just announced his forthcoming headlining tour of North America. The 25-date tour will kick off on July 30 at Seattle’s Neptune Theatre and wrap up on August 31 at House of Blues in Chicago. Please note the LP release date is later in year

Ella Mais neues Album „Heart On My Sleeve” ist endlich auf Vinyl erhältlich! Das neue Album der britischen Sängerin zeichnet sich durch 15 zeitgenössische R&B-Songs aus, wie „DFMU“ und „Leave You Alone“. Neben Rapperin Latto sind auch R&B-Sänger Lucky Daye und Rapper Roddy Ricch als Featuregäste zu hören.

Ihr kommerzielles Debüt feierte sie mit der Single „Boo’d Up“, welche in den USA mit fünffach Platin ausgezeichnet wurde. Das self-titled Album der R&B-Sängerin landete auf Platz 1 der US R&B-Charts
und wurde mit US-Platin, UK-Silber und Gold in Neuseeland ausgezeichnet. Außerdem wurde es bei den Grammy Awards für eine Auszeichnung in der Kategorie „Bestes R&B-Album“ nominiert und gewann 2019 einen Grammy für den besten R&B-Song.

Ella Mai hat in der Vergangenheit bereits mit einigen namenhafte R&B-Größen kollaboriert, wie Usher, Ty
Dolla Sign, Chris Brown oder auch H.E.R.

Back in 2003, during an incredible period of growth and reinvention for legendary artist MF DOOM, he introduced us to one of his numer- ous alter egos, Viktor Vaughn. As the story goes, Viktor Vaughn was an interdimensional time-traveling MC from an alternate realm where Hip-Hop was banned. He’d been exploring time and space looking for new dimensions to sharpen him to 90s era NYC, where he found himself stranded due to a mechanical mishap with his time machine. He began hitting open mics and small venues, battling other MCs and picking up a few side-hustles in order to raise enough funds to repair his time machine and get back to his travels.

Vaudeville Villain is a concept album like no other, where MF DOOM re-envisions himself as a younger, hungrier, more brazen persona, in order to explore subjects new and old from a different point of view. Of course, developing a second self from a more technologically advanced universe, he wanted to take a new approach to the produc- tion too. Viktor Vaughn fittingly raps over next-school beats that move freely in spaces between Electronica and Hip Hop, all courtesy of Sound-Ink producers King Honey, Heat Sensor and Max Bill, with the exception of one track produced by RJD2. Featuring all original lyrics by DOOM, with a few notable guest appearances from M. Sayyid (Anti-Pop Consortium), Lord Sear, Apani B Fly MC, Louis Logic, and more, Vaudeville Villain is one of the more uniquely creative entries in the MF DOOM universe.

Freddie is the fourth studio album from acclaimed rapper, Freddie Gibbs. One of the most consistent and polished artists from the blog era, Freddie Gibbs has yet to release an album that does not achieve widespread acclaim, proving that he’s able to compete in any era. At 10 tracks, the album comes at a blistering yet concise pace, showcasing his raw and energetic flow over thundering trap-influenced beats. Aside from a tasteful appearance from 03 Greedo, Freddie Gibbs mainly relies on himself to carry the album, and features production from hip-hop heavyweights such as Kenny Beats, Dupri, RichGains and more. Marking the 5 year anniversary since release, Freddie is back in print for the very first time.

The hotly anticipated follow-up to 2007"s Horizons, Deep Blue raised the bar in every conceivable way. While maintaining the band"s uncompromising metallic-hardcore style at its core, it pushes into exciting new realms, drawing from a wider scope of influence, incorporating everything from anthemic pop-punk to bloodcurdling death metal. Including classic songs such as "Karma" and "Sleepwalker".

Factory Benelux presents a limited (500 copies only) 180g black vinyl edition of Part-Primitiv, the fifth studio album from post-punk trailblazers Section 25, originally released in 2007.

Recorded after a hiatus lasting almost two decades, Part-Primitiv saw founder members Larry and Vin Cassidy joined by former Tunnelvision guitarist Ian Butterworth, as well as multi-instrumentalist Roger Wikeley. Combining raw postpunk power and retro-futurist electro, the album marked a convincing return to form and drew praise from reviewers.

"Haunting, melancholic beauty - part post-rock, part trance" (Plan B)

"A vibrant, fierce collection of songs played with all the intense, live-wire energy one could want. Well worth the wait" (All Music Guide)

"The music on Part-Primitiv is informed by all phases of the band's back-catalogue, incorporating their early post-punk impulse alongside their later disposition towards electronic music. She's So Pretty is one of the band's closest brushes with pop music, while Power Base is a surprisingly straight-forward venture into techno, with its rampaging drum machine" (Boomkat)

Two tracks, Dream and Better Make Your Mind Up, were written and sung by Jenny Cassidy before she lost her battle with cancer in 2004. Best known for her beguiling vocal on 1984 club hit Looking From A Hilltop, on subsequent SXXV projects Jenny would be replaced by her daughter Beth.

Paper Route Frank is the first posthumous studio album from legendary Memphis, TN figurehead, rapper and mogul, Young Dolph. Gone from us way too soon, the album serves as a testament to the larger than life person and leader that Dolph was, illustrated in tracks such as “Hall of Fame,” “Get Away,” & “Love For The Streets.”

At 13 tracks, the album features appearances from PRE labelmates Key Glock, Big Moochie Grape & Snupe Bandz, and taps heavyweight guests in 2 Chainz & longtime collaborator Gucci Mane, who in many ways helped provide the blueprint for Dolph’s own illustrious career. A truly independent foundation in the rap game and unquestionably one of one individual, we may never see another artist like Young Dolph. Long Live Dolph Forever.

Nach dem Albumvorgänger „Acoustic Space“ (2019) ist „Spells“ der zweite Teil der ungewöhnlichen MusikTrilogie „The Invisible Light“, mit der der legendäre Grammy- und Oscar-Gewinner T Bone Burnett in Zusammenarbeit mit Jay Bellerose und Keefus Ciancia eine Verschmelzung von Trance, elektronischer, Folk-, Tribal- und Weltmusik versucht. Die „The Invisible Light“-Alben beschäftigen sich mit der These, dass unsere Gesellschaft über ein Jahrhundert lang elektronischer Programmierung, einer sogenannten „Programmierpandemie“, unterworfen wurde, die dazu führt, dass wir unsere Fähigkeit verlieren, Fakten von Fiktion zu unterscheiden.
Der mehrfache Grammy- und Oscar-Gewinner Burnett ist Produzent, Musiker und Songwriter. Er hat mit Bob Dylan, Elvis Costello, Roy Orbison u.a. zusammengearbeitet. Für das Album „Raising Sand“ von
Robert Plant und Alison Krauss wurde er mit dem Grammy für das Album des Jahres ausgezeichnet. Als Komponist für Film & TV ist Burnett inzwischen ebenso bekannt, u.a. für “The Big Lebowski” und “The Hunger Games”.

Paul Bradley, one of Kniteforces leading creators, is adept at any style of old skool rave, but when he turned his hand to the original old skool sound, he chose a new Alias, in Alias 303. This EP is a heavyweight slice of proper original rave music. Sounding like something Frank De Wulf or R&S might have released in 1991, its a dirty techno rave EP with filthy stabs but crystal clean production!

Phoenix Breaks is a physical record label based in the UK specialising in modern breakbeat hardcore, jungle and drum n' bass. The label began in 2021 and the first release was released in December of the first year in the form of a vinyl ep entitled 'The Rising'.

The EP sports 4 tracks of varying styles ranging from breakbeat hardcore to jungle and also drum n' bass. Staying true to the sounds of the 90's, each track has been carefully produced to fully capture that sound and has received raving reviews so far. Strictly limited edition and housed in a sturdy stickered cover, this is a must buy for anyone who has any kind of interest in the oldskool 90's rave sounds.across 4 huge dancefloor tracks.

NRG is one of old skool raves original masters, and he once again shows the world why he is so highly regarded with this epic new EP. Three tracks ranging in style, with I Like It leading the way on a cheerful tip, while The Trouble and Its All Gone Wrong lean deeper and darker. Another classic in the making? Time will tell, but the high level of production and the excellent execution makes this one of the standout new NRG Eps...

How can anyone do a new remix of Q-Projects definitive old skool jungle classic "Champion Sound"? Well, almost nobody could without retreading the past or losing the thread...But Hyper-On Experience isn't "nobody". Hyper-On Experience takes the original and makes something truly special, keeping the dark and nasty vibe, but bringing it up to date in a way that is both authentic and classic. Flipped with RayKeith remixing The Trip - The Erb in his unmistakeable junglist style, this is two legendary classics on one slim piece of wax....

The legend that is Acen returns after the incredible success of his Trip To The Moon box set with an absolutely epic single "Champion". This new track heralds his upcoming Monolith box set, and is exactly what you would expect from Acen. With a sound like it just came out a few months after Trip To The Moon - which is to say, both forward thinking and timeless, this is heavy beats, classic stabs, ruff bass and proper original rave stabs as only Acen can bring. With flipside remixes from Innercore and Jimmy J & Cru-l-t, this single will be gone before you can imagine it....