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Last In: 3 years ago
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Long time friend of Dixon Avenue Basement Jams and collaborator (going back 20 years) makes his debut on the label with four helpings of weird and wonky machine funk jackers. This ep perfectly encapsulates the sound of Monox where we all met many years ago. If you close your eyes whilst listening you could be there - minus the damp smells and farting subwoofers!
Presented on lurid pink marbled vinyl and hand stamped labels with insert art from the talented Matt Consume!
Enjoy!
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Two years after their previous Against Strong Thinking mini album, Spanish techno-meets-new wave duo SDH returns with a new, killer EP. There is a duality rooted deeply in the very soul of this project that is reflected in the line-up as well as in the music the band creates. While Sergi Algiz is behind the machines propagating a wide spectrum of electronic beats ranging from techno and body music to synthpop and electro, Andrea P. Latorre offsets the night club vibe of the pounding drums with her emotional, romantic vocals. This same dichotomy is perfectly represented here by their new 12-inch Maybe A Body, out April 29, 2022 on Avant!.
The title-track is a powerful song about body recognition, about having a voice and using it, sustained by some throbbing EBM with traces of 90’s trance/progressive, ending up in a perfect balance of rousing groove and hypnagogic feelings.
The B side is the hunting ground for more dream-like scenarios as it digs deep in the nostalgia realm with its retro mood filled with italo and synth-pop bliss. To power up both these aspects of SDH’s identity, we have called two of the best electronic producers out there to remix one track each.
Maybe A Body has been given to techno golden boy and Avant! alumni Phase Fatale who has managed to enhance even further the trance-like nature of the track, creating just the perfect dancefloor filler.
All Of That has been instead reworked by the skillful hands of the rising star of the Eighties sound Pablo Bozzi who literally exploded the italo groove, occasionally smoothing things out with some breakbeats just where they’re most needed.
Produced by Matia Simovich at Infinite Power Studios, LA. Mastered at Dadub Studio, Berlin.
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This time we have one of the most acclaimed duos in the history of our music, we will all remember that wonderful Golden Age of breakbeat in Andalusia, they are Dj Jams & Jerry Ropero, better known in the Breaks scene as Before or also with their other Aka , B4 Angels Of New House, Supergroove or Groove Masters.
Welcome to the monkey family <3
Without a doubt, this duo left a mark on our hearts with many of their tracks, which became anthems of our scene.
At 13Monkeys Records we have always been committed to spreading music to the greatest number of people so that everyone can enjoy it, we believe that this is what our work consists of and perhaps the edition that we have already launched in transparent purple has been too limited, but still this vinyl will be a more exclusive piece for anyone who owns one of these copies.
We don't stop thinking about it and we have chosen to order some copies again, but we also don't want this to stop being an exclusive and striking product, so we have decided to make a change and order again only 150 copies in a mix of colors (Solid White & Black)
We believe that this is the fairest thing so that all our followers can enjoy this compilation as they have been doing so far with each of our releases.
So if you ran out of your copy….. Now you have the opportunity to get one of these.
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Bonzai Classics is proud to present the seminal Balearic classic, Café Del Mar from Energy 52 aka Kid Paul and Cosmic Baby. We first snapped this beauty up in 1996, bringing you the first two tracks from 1993 on 12” and housed in our vibrant yellow Bonzai branding. Known for its infectious melody, there have been countless remixes over the years which have charted in territories all over the world, winning awards left, right and centre. But two of the most recognisable interpretations, which fed into the hearts of millions, are the remixes from Nalin & Kane and Three ‘N One. This latest 7” vinyl collectors edition features radio edits of both tracks and will no doubt be a much sought-after piece in the collector’s fraternity.
The Nalin & Kane Remix takes us on a deeper trance journey, raiding the senses with warm, calming pads before lush basses come through and ultimately that famous, instantly recognisable melody. On the Three ‘N One Remix we’re treated to a masterclass in remixing, taking the track to the next level with driving percussions, mesmerizing melody and a full-on emotive break which results in a hair-raising climax.
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Faithful to the ethos of the label to put new talents on the map, the second E2-E8 release comes from newcomer Hems. A regular punter at underground festivals such as Freerotation and Labyrinth, Hems spends some of his time making great electronic music in his East London cave… And we are very happy to be the first to put his music out.
A fine connoisseur of ambient and electronica, Hems has sometimes featured on the line-ups of Astral Industries parties. This release covers a wide spectrum of his sound. The almost beatless title track Post Radiance opens things up, followed by the subtle dub techno of I Know This Road and by the raw and relentless beat of Dirty Chords. On the B side, Let It Go is a suspended 15-minutes journey clocking in at 140bpm – arguably the highlight of the EP, sounding like little else out there. Madsituation closes the EP, with a nod at lighter atmospheres and a hint at Detroit-influenced strings.
Techno heads will be pleased to hear that the record has already got praises from techno talent Refracted, who loves Let It Go, and from Jane Fitz.
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‘Belonging EP’ is the blistering debut record from LUXE - the producer, DJ, composer and classically trained musician, based in London. She started her journey in Manchester, where she became part of collective and events series B.L.O.O.M. Since then, a move to London has seen LUXE established as a new Percolate resident and most recent signee to Radical New Theory, a label by HAAi and Alice Pelly.
LUXE’s genre-bending production blends a multitude of influences; from prog house and psychedelic trance to UK bass, techno and breakbeat jungle sounds. ‘Belonging EP’ showcases this eclectic sound - it’s a journey into the many sides of the dancefloor, and a statement of intent for things to come.
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The project of Julien Huynh and Will Holden, Hybrid Man returns after releasing four spacious cuts of downtempo breaks and house in 2019. This time debuting on Butter Sessions, the tracks on Shapeshifting feel like a natural progression, equally well-crafted with the DJ in mind but with a slightly more trance influenced modus operandi.
Opening with 'Virtual Language', the duo seemingly nods in the direction of Richard H. Kirk's seminal Virtual State album, inspired by the futurism and warm robotic soundscapes of the 90s ambient techno scene. Dub FX and swirling basslines underpin the stylistic make-up of the EP, sharp breaks on the title track recalling 5AM catharsis in a pre-lockdown state of loved up rave bliss. Combining propulsive sequences with melancholic pads and melodies that are as easy to grab onto as they are lost the morning fog, the pair show a talent for holding the attention of the keen listener as they might the dancer. Indeed, those already attuned to the contemporary Australian underground might recognise Holden's name from his slower paced work with Low Flung (also previously on Butter Sessions).
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From the Southside of Glasgow now the south side of Berlin, previously most notably The Burrell Connection, but also Alfie and DJ59, is now fully under the alias Dream_E. Kicking off the self-titled vinyl and digi imprint with a mix of Breaks, House & Techno, "Crushed" follows in hot pursuit of the acclaimed "Dreams On 22" Ambient / IDM album released last year on Pace Yourself and a number of releases via longtime fellow deejays, Craigie Knowes. A donation will be made to The Encephalitis Society following each release.
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We are combining 2 artists whose standout EP's were the turbo highlight we needed in 2021.
Nova Cheq & Samurai Breaks representing the best of Hooversound has to offer, for the first time released on vinyl for RSD 22.
Nova Cheq’s music is pure party fuel, Ghetto house styled jungle-juke pounders on Sherelle & Naina’s Hooversound Recordings. Samurai Breaks is one of the UK Bass scene’s best-kept secrets.
A rich palette of influence shines through past productions, making nods to pioneering generations on the way to futuristic gunfinger euphoria—and this latest release makes no exception in delivering the goods to the Hooversound imprint.
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In this solo EP syberian98 builds up a shelter and escapes nowaday brutal and generic technoish sound. You find here acidized, much more soulful, trancy, leftfield tools. And sure, this simple three note sequence going thru the both sides reminds you a bored happy morning feelings of a loud warehouse party which you want to leave slightly away soon.
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Black vinyl repress
"A shield against death,
Blood, fire and power.
The purity of feelings,
For an eternal youth."
After more than 5 years in the techno scene as an organizer, label, and agency, RAW is launching their first vinyl compilation including 16 original tracks from a well-curated list of top producers. The release features several early label contributors as I Hate Models, Under Black Helmet or Hadone with respected and inspirational artists as Perc, Somniac One, Thomas P. Heckmann, or Clouds to name a few.
Entitled Gemstones, this V/A is divided into 4 colored vinyls representing precious stones, promoting a hard and harsh sound from industrial to emotional techno stompers.
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Heavenly Recordings announce the release of ‘Heavenly remixes 3&4 - Andrew Weatherall volume 1&2’, a brace of compilation albums collecting together some of the finest remixes from the label’s long-time friend, collaborator and go-to remixer. These compilations follow ‘Heavenly remixes 1 & 2’, which showcases some of the label’s other great remixes.
By the time Heavenly was born in the spring of 1990, Andrew Weatherall was already an inspirational sounding board, as well as a fellow traveller on the bright new road that stretched out ahead, thanks to the massive cultural liberation of acid house. Back then every energised meeting could be turned into a fortuitous opportunity in this burgeoning new underground economy. Bored of your job? Start playing records out! Start a club night! Get in the studio!
Start a label! Just don’t stand still. Commandments Andrew would follow for the rest of his life.
At the start of things, Andrew was a regular visitor to Capersville - the pre-Heavenly press office run by label founder Jeff Barrett (soon to become Andrew’s manager). It was there that he famously picked up a copy of Primal Scream’s unloved second album and singled out a
track that would later become ‘Loaded’, after being given an instruction to “fucking destroy” it by the band’s Andrew Innes; it was there too that the idea to remix the first Heavenly release
came about.
Andrew’s mix of that first Heavenly record is very much a product of its time. ‘The World According To Sly and Lovechild’ is a swirling bass punch topped with a hypnotic marimba line and the kind of ecstatic diva vocal that you’d hear coming out of the speakers all night at postShoom clubs like Yellow Book.
His take on the label’s next release - Saint Etienne’s ‘Only Love Can Break Your Heart (A Mix of Two Halves’) - would set the template for his next three decades of audio exploration. A drawn-out imperial dub, the track builds and builds with a moody intensity (partly down to the
melodica played by Weather Prophets legend Pete Astor) that’s far more Kingston JA at dusk than Kingston-upon-Thames at kicking out time. It’s both a dancefloor record to get lost in and
headphone psychedelia of the highest order - a perfect example of what he did better than anyone else.
Between 1990 and his untimely death in 2020, Andrew fed more Heavenly bands through the mixing desk than those of any other label. Consistently, he returned visionary music to the
office, often in person for (at least) one ceremonial playback - a ritual that would involve the volume cranked up high and Andrew rocking back on his heels, eyes closed, lost in the alchemy of it all.
Each time, he would warp and twist originals into beautiful new shapes - elasticated club records that might evoke Detroit techno one second and Throbbing Gristle the next, before wheel-spinning into something akin to The Fall produced by King Tubby.
Andrew’s studio adventures would always be guided by that early advice to destroy the source material. It’s why he was the first name that came up when remixes were discussed; the first number on the speed dial. Listening back to these remixes now - to thirty years of glorious outsider sounds - it bangs home again just how fucking good Andrew was.
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The Rota Bene crew is proud to present their first release. Taking a time machine back to cyberspace, deep into an era of pure rave and cosmic elevation. Destination 001: Defective Bytes. A fine selection of one of the most sophisticated labels out there awaits you. We gathered a 4 track missile with forgotten anthems, heading to a target more clear than ever: planet dancefloor.
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expected to be published on 28.03.2022
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BEAM is excited to present the long-awaited debut EP from South London mainstay, Rudefood. Across 4 tracks, the listener is welcomed into a radiantly eccentric habitat, in which freakish prog, entrancing breaks and wiggly tech are fused together with a unique melodic sensibility. The title track ‘Cloud Hop’ moves with a terrace-friendly bounce, in which pulsating sub lays the bedrock for a fluidly evolving lyricism. The cascading synths of ‘Undercurrent’ trawl the nether regions of tempo, teasing agents of higher intelligence from their slumber. On the B-side, ‘Without a Trace’ matches pastoral psychedelia with stuttered breaks, channelling multiple U.K. auralities. To close, ‘Shift’ sees rolling, crunched out throbs emerge from surging swirls, flirting with the thresholds of disorientation.
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An afterimage of a free party in Carpathian forest. First, intransigent kicks and psy-vibe that does go deep enough - slowly and sharply. Then, an overwhelming softness and progression (watch out for the looong, quiet breakdown!), acid joined by an acoustic guitar that somehow works, as well as a little bit of triggering story-telling to wrap it all up
This is a re-master and reapplication of ultra-limited Thracian CD-R from 2003. Originialy given away in Lukovit, Lovech Province, Bulgaria. It's a 3rd part of Brutaż expedition into the chillout zone of 90s Eastern Europe. Look out for more, maybe?
Re-mastered and cut on 45 RPM by Tim Xavier at Manmade Mastering
Design by Aleksandra Grünholz (Studio Chaotyczne)
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Embrace is the sixth studio album by Dutch trance DJ and producer Armin van Buuren. The album features hits like “Another You (ft. Mr. Probz)”, “Off The Hook (ft. Hardwell)”, “Looking For Your Name (ft. Gavin DeGraw)” & “Heading Up High (ft. Kensington)”. Other notable collaborators include Angel Taylor, Cosmic Gate, Eric Vloeimans and many others. The album was originally released in 2015 through Van Buuren’s own label Armada Music. Critics noted how the record has a poppy, commercial appeal, but still allows the emotional essence of trance music to shine through.
Embrace is released as a limited edition of 2500 individually numbered copies on black & white marbled vinyl. It comes with a
4-page insert with pictures, lyrics and credits, and the run-out groove contains secret inscriptions.
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expected to be published on 11.03.2022
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Tred’s bio is a simple one. It reads “high power, deep emotion”, and that about sums up the Tred aesthetic. The Aussie born, Germany based producer has been behind some of contemporary hard dance’s most exciting anthems, and follows up a release on 1Ø Pills Mate with this epic four-tracker for Lobster Theremin.
Capturing all the frantic energy of a Tred set, I’m Not Like Other PPL gets underway with the title track - a punishing cut of stripped back, high velocity techno. Old horror film vocal samples induce an old school, psychedelic experience from within as the track builds and builds towards its imminent climax.
‘Dead Droid’ maintains a spooky feel throughout, it’s off-key atmospherics and marching rhythm channeling that deep emotion that Tred does so well, before ‘Secrets’ strays down a more melodic route with its trancey stabs and hands-in-the-hair energy, unting the worlds of hard and soft.
‘Don’t Need A Thing’ ventures further into this trance-world, with an albeit heavier cut than its predecessor. This is in-your-face hardcore trance - not for the faint hearted, for those that wish to totally immerse themselves in complete rave escapism.
Rounding off the release is a digital only track ‘All Messed Up’, which halts the high-speed onslaught with an emotionally-stirring ambient piece designed to float, captivate and inspire.
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marbled green vinyl - limited to 300 copies
Nero Zang open the ep with a slow emotional lysergic journey followed up by Oblako Maranta, the new project composed by A-Tweed and Radial Gaze, with a tribal triplets flow scanned by edgy synth, literally a peak time fire gem.
Pletnev close the A side with a trippy electro sequence marked by his voice.
Turn the vinyl to listen Matteo Coffetti in search of a new galaxy, planets are connected to each other through glitchy synths, Camboja draw us a dark scenario with twitchy screaming coming from who?
Closing the various is Hassan Abou Alam the Egyptian emergent artist with triggered voices floating on fattybass.
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Double Stars; often orbiting in tandem and gravitationally bound together, are usually mistaken as a singular light. An unmistakable parallel to the Space Cadets, Leeds trail blazers Lisene and Adam Pits join in magnetic union for Planet Euphorique’s big 1-5 to showcase their sole vision; superior prog synergy. Warp Drive gets flung into hyperdrive by your local enigma Rudolf C and the B side is a case of nuclear audio fission, splitting the duo so their individual and technical flair can shine. No doubt you’ve crossed paths with something hot on this disc in the encompassing party atmosphere; four straight up essentials for a function of chaos.
The title track breaks in the EP with frisky righteous drums, precision in rhythm; swinging stylishly. Cosmos loom within reach, infinite rolling with baselines built for the long haul; an expertise in tension and release revealed through sonic sweeps and delicate filter explorations. A match made in heaven, Rudolf C has been gliding on similar trajectories; elevating the Warp Drive to a celestial level; the Psychedelic Envisionment accentuating the original's intricacies whilst maintaining the swagged flow and dancefloor steeze. Distorted pulsations and modulations swirl above head to signal the B side split show; driving bass anchoring the higher frequency expeditions, Lisene mastering the spectrum of sounds with Moral Panic and breaking up the 4/4 pursuit. Meanwhile Adam Pits closes things out with an ethereal highway drive; cruising, twinkling and boasting telescopic trance like skills.
A perfectly balanced blend of modern, innovative and familiar, veteran status technological slick hits; you’re in good hands.
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Repressed !
This awesome 3rd compilation vinyl contains high energy tracks ! A great colab with Acid Ted & Jack Wax is the 1st track on this release. After this pounding acid trance techno track; System Rejects kicks in with this mindblowing acid techno trip !! Then on the flip a very special acid oldschool goa track from Ajna that brings you back to the 90's ....like we like on Flatlife Records the most !!
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