Pop & Rock News

There's something somewhat frightening, yet utterly freeing
when leaving the confines of a successful band to venture solo
- especially a band whose latest record was called effortlessly
brilliant' by critics. Such is the case with Erika Wennerstrom,
who is taking a brief vacation from her Cincinnati-based rock
band Heartless Bastards to deliver her solo debut 'Sweet
Unknown'.

However, fans of Heartless Bastards need not worry. The band
haven't broken up. We'd been going for so long and everyone
in the band was just ready for a little break. But I had songs in
me that needed to come out. I didn't think it was fair to push
them to keep going and I didn't want to do it without them
under the band name,' explains Wennerstrom, who enlisted the
help of HB's Jesse Ebaugh to play bass on most of the tracks on
'Sweet Unknown'.

While Wennerstrom has always been honest in the Heartless
Bastards songs she's written, the tracks that make up 'Sweet
Unknown' are even more personal and reflective and, for her,
quite transformative as well.

The album kicks off with the feel good road trip vibes of
'Twisted Highway', which Wennerstrom says sums up her
musical journey on 'Sweet Unknown'. On the sombre psych
rocker 'Staring Out The Window' the artist digs even deeper
into the inner workings of her mind. The upbeat and optimistic
'Letting Go' epitomizes that experience. 'Good To Be Alone' is
just one sonic outcome of a formative trip to Big Bend taken
soon after the band decided to go on hiatus.

With 'Sweet Unknown' Erika Wennerstrom bravely invites the
listener in to experience her trials and tribulations of life amidst
a cosy soundscape of deeply emotive vocals and melodies to
what is ultimately the soundtrack to her soul.

White vinyl LP in a gatefold sleeve with digital download card.

Jack White announces the release of 'Boarding House Reach' on XL Recordings, the 12-time Grammy Award-winner's third solo album and first all-new album in nearly four years.

'Boarding House Reach' sees Jack White expanding his musical palate with perhaps his most ambitious work thus far, a collection of songs that are simultaneously timeless and modern. Written and conceived while holed up in a Spartan apartment with literally no outside world distractions, White exclusively used the same kind of gear he had when he was 15 years old (a quarter-inch four-track tape recorder, a simple mixer and the most basic of instrumentation). The album explores a remarkable range of sonic terrain - crunching rock 'n' roll, electro and hard funk, proto punk, hip hop, gospel blues and even country - all remapped and
born anew to fit White's matchless vision and sense of restless experimentation. 'Boarding House Reach' is a testament to the breadth of Jack White's creative power and his bold artistic
ambition.

'Boarding House Reach' was produced by Jack White III and recorded at Third Man Studio in Nashville, TN, Sear Sound in New York, NY and Capitol Studios in Los Angeles, CA, the album was mixed by Bill Skibbe, Joshua V. Smith and White at
Third Man Studio in Nashville, TN.

Preoccupations' songs have always worked through themes of
creation, destruction and futility and they've always done it with
singular post-punk grit. The textures are evocative. The wire is
always a live one. While that darker side may have been
expertly explored, it's not quite the same as having been fully,
intensely lived. This time it was and the result is 'New Material',
Preoccupations' deepest and most fully realized record to date.
In it lies the difference between witnessing a car crash and
crashing your own, between jumping into an ocean and starting
to swallow the water.

Opener 'Espionage' lives up to multi-instrumentalist Scott
Munro's stated goal of making a record where nobody knows
what instrument is playing EVER,' kicking off with a clattering,
rhythmic echo that gives way to sprinting percussion and a
melody straight from Joy Division's best playbook.
'Manipulation' explores the futility of going through the motions,
balancing a drony, minimal march with a thunder roll that
brings it to the brink and 'Disarray' bursts up like a blackened
confetti cannon, the song's bright melody dancing over a refrain
of disarray, disarray, disarray.'

'New Material' does offer some relief. This is somehow the
most up-tempo thing we've ever done,' says singer / bassist
Matt Flegel. In this lies the crucial point of tension, as it's that
propulsive, itchy quality that rescued 'New Material' from the
proverbial bottom of the pit.

Vinyl format includes digital download code.

Acclaimed Malian musician Sidi Touré returns with his fourth album, 'Toubalbero'. Named after the large traditional drum used to gather people in the Malian region of Gao, 'Toubalbero' is a danceable, dynamic and, despite the region's significant political challenges, joyous album.
'Toubalbero' is the first album by the acclaimed Songhaï legend to be recorded with electric guitar and bass - the groove is irresistible.
'Toubalbero' was recorded in Mali's legendary Studio Bogolan where Ali Farka Touré, Toumani Diabate and Björk have recorded. The album was then mixed live by Jason Meagher at Black Dirt Studio (Steve Gunn, Black Twig Pickers, Jack Rose).
Since his debut album Touré has toured extensively in both Europe and North America at prestigious venues and leading world music festivals, including New York's Lincoln Center, London's Barbican, Chicago's Millennium Park, the Vancouver Folk Festival and New York's SummerStage festival. Touré will tour the US this Spring with appearances at the Brooklyn Bowl's Festival of Mali, New Orleans Jazz Festival, and The Kennedy Center to name a few.
CD in 4 panel mini-LP style gatefold package with metallic
gold ink. 2LP version pressed on virgin vinyl and packaged in a gatefold jacket with metallic gold ink and free digital download card.
Touré weaves beautifully textured songs, each takes a snapshot of an individual Songhaï musical style, from takamba dances to the holley played in possession rituals to the gao-gao played at joyful times like weddings.' - NPR Music First Listen

'Poke It With A Stick' - the only record by Louisville legends Your Food - is a sui generis gem of the American underground, now faithfully reissued for the first time by Drag City. Recorded in 1983 by four scarecrows from Kentucky subsisting largely on cheap beer and baked beans, the album is a burbling burgoo of hypnotic rhythm, uncoiling tension, and sharp invective - a proud bastard of post-punk royalty.

Slint drummer Britt Walford remembers seeing Your Food at age 11: You knew you were in the presence of something powerful whenever they played. Their sound was open and catatonic. Cathartic. You recognized it right away. A lot of it was based on
the bass, which was cool, and the drums were expressive, too. Like the bass, they were simple, but odd and insistent. The guitar was angular and somehow just as present as the bass and drums, which seemed like the center. Doug's singing went
right along with it. He was mocking and smart, then bare and vulnerable, without being vulnerable.'

In the fall of 1981, the residents of 1069, Louisville's original punk house, began to spy three teenagers lurking outside the decrepit environs. Eventually the teens grew bold enough to approach, and soon two, John Bailey and Wolf Knapp ( that's my real
name, not my punk rock name'), were learning guitar and bass in the trashed rehearsal space within. Their practices seemed interminable at first,' remembers Charles Schultz, and then picked up confidence and momentum.' Charles had been the drummer for Louisville's recently defunct Dickbrains, a band described by the Village Voice as freaky weirdos who couldn't fit in if they tried. He started playing with John and Wolf. Douglas Maxson, the Dickbrains male singer, was lured back from New York with the promise of beer and cigarettes and soon Your Food were playing weekly shows at the local Beat Club, mostly for free beer. (The third lurking teen, Janet Beveridge Bean, formed left-of-the-dial, cracked country act Freakwater with Dickbrains guitarist Catherine Irwin.)

Financed by a Pell Grant and what little cash the band could scrounge, the album was cut largely live in the studio by a guy who usually recorded church groups and self-released on the band's own Screaming Whoredog label. The prevailing themes of restlessness and isolation are palpable in songs like opener 'Leave', where ennui morphs into dark comic fantasy. The punk funk of 'Don't Be' fits perfectly with the downtown NYC groove of bands like ESG and Bush Tetras. Doug's sardonic wit laces
each song with trenchant, first-class put-downs. Everybody really wants to be your friend / Shit, I wouldn't even want to talk like you.'

The band became big brothers and bad influences for prepubescent Slint project Languid And Flaccid (which included Will Oldham's elder brother Ned). It was a golden age but a waning one, an adolescent state before hope or commercial
prospect or any plan for the future. When no one gives a damn what you are doing, you are free to do what you want.
Your Food managed three short tours in a world before cell phones, social media, or global positioning and earned the admiration of the few who heard them but they were sonically out of step with the then-dominant hardcore scene, where speed and aggression alone were valued. It all came to a spectacularly bitter end on the side of some frozen, forlorn highway in West Virginia. The tour van broke down three times in four days. The money for the planned second album went to repairs and the band, beaten and broken, called it quits.

Original year of release: 1999. Features the tracks 'Easy Girls', 'Leila', 'Ce Pays', etc. Les Négresses Vertes was the biggest French act touring the world in the beginning of the 90's. The band has just reunited and will tour Europe this year to celebrate the 30th anniversary of 'Mlah". The album 'TRABENDO' has been unavailable on vinyl since their first original pressing.

Original year of release: 1989. Features the tracks 'Zobi La Mouche', 'C'est Pas La Mer A Boire', 'Voilà l'Eté', etc. Les Négresses Vertes was the biggest French act touring the world in the beginning of the 90's. The band has just reunited and will tour Europe this year to celebrate the 30th anniversary of 'Mlah". The album has been unavailable on vinyl since their first original pressing.

Original year of release: 1991. Features the tracks 'Le Soleil de Bodega', 'Face A La Mer', 'Famille Heureuse', etc. Les Négresses Vertes was the biggest French act touring the world in the beginning of the 90's. The band has just reunited and will tour Europe this year to celebrate the 30th anniversary of 'Mlah'. The album 'Famille Heureuse' has been unavailable on vinyl since their first original pressing.

Original year of release: 1994. Features the tracks 'Mambo Show', 'Après La Pluie', 'A Quoi Bon', 'Bourré d'Allégresse', etc. Les Négresses Vertes was the biggest French act touring the world in the beginning of the 90's. The band has just reunited and will tour Europe this year to celebrate the 30th anniversary of 'Mlah". 'Zig Zague", the 3rd studio album, is available for the first time on vinyl.

Original year of release: 1989. Features the tracks 'King Kong Five', 'Pas Assez De Toi', 'Sidi H'bibi', etc. Mano Negra the legendary first band of French singer Manu Chao ... featuring songs in Spanish, French, English and Arabic.. We are celebrating this year the 30th anniversary of its foundation. The album has been unavailable on vinyl since its first original pressing.

Original year of release: 1992. Mano Negra the legendary first band of French singer Manu Chao. We are celebrating this year the 30th anniversary of its foundation.. featuring songs in Spanish, French, English and Arabic.. The album 'In The Hell Of Patchinko", the live double album recorded in Japan in 1991, is available officially for the first time on vinyl.

Experimental German Rock And Electronic Music - Part A

Soul Jazz Records new 2018 edition of their long out of print classic first 'Deutsche Elektronische Musik - Experimental German Rock and Electronic Music 1972-83' is 'a near-definitive guide to some of the world's most extraordinary music' (The Guardian).
The album comes as two separate double-vinyl (+ download code) editions and a large double CD pack (+36-page booklet), featuring a stunning line-up of groups including Cluster, Can, Faust, Popol Vuh, Neu!, Amon Düül, Harmonia, La Düsseldorf and Tangerine Dream as well as a host of lesser known groups such as Kollectiv, Ibliss, Between and many more. This new edition is fully re-mastered and features all the original artwork and tracks.
The first seeds of German rock and experimental electronic music were planted in 1968, as students and workers in Paris, Prague, Mexico and throughout the world demonstrated against mainstream society, the war in Vietnam, imperialism and bourgeois values. The birth of a counter-culture, drug experimentation and social change expanded musical worlds. Germany experienced its own cultural revolution fuelled by these worldwide student and worker revolts and by a generation's desire to rid itself of the guilt of war.
German rock and experimental electronic music grew out of this worldwide counter-cultural revolution of 1968. The objectives were to create new music, 'free' from the past, many German youth turning their back on mainstream society. From the opening of the first collective/cooperative, Kommune 1, in Berlin, to the formation of the Baader-Meinhof terrorist group and the bombings, kidnappings and killings of the Revolutionary Armed Forces (RAF), young Germans sought out new values and a lifestyle outside of 'the system'.
These cooperative and communal experiences led to a number of new collective German bands forming such as Amon Düül, Faust, Can (all featured here) and others and these ideals drove this new movement. A music that gave seed out of the cultural 'nothingness' that young Germans felt as a consequence of Germany's role in the Second World War. A generation who grew up stifled by the recent history of Nazi atrocities, the guilt of their parents' generation and their disillusionment at the reintegration of old Nazis into mainstream society.
Influenced equally by the electronic experimentalism of Stockhausen, the progressive rock of Pink Floyd and the black American jazz and soul music played at the occupying armed forces bases, young German artists seamlessly created out of this a new unique music with its own unique identity.
Double CD pack with large 36-page outsize booklet encased in slipcase. The vinyl edition is made up of TWO separate volume heavyweight loud gatefold double albums (+ free download codes) featuring all sleevenotes and text.

1966's seminal Blues Breakers with Eric Clapton marked John Mayall's emergence as a major recording artist, as well as his commercial breakthrough. The 12-song LP, considered by many to be the most influential British blues album of all time, marked the official introduction of Mayall's long-running, ever-evolving combo the Bluesbreakers. Mayall shares the spotlight here with soon-to-be-superstar guitarist Eric Clapton (who quit the Yardbirds in order to pursue his blues muse with Mayall), along with future Fleetwood Mac co-founder John McVie on bass and Hughie Flint on drums. Blues Breakers with Eric Clapton is generally acknowledged as a musical milestone for Clapton, his scorching playing and over-the-top tone dominates the entire album. With the group's punchy performances captured in straightforward style by noted producer Mike Vernon, the album offers a potent combination of Mayall originals and distinctive interpretations of songs by Ray Charles, Freddie King, Little Walter and Otis Rush.

Das bahnbrechende Album von Decca aus dem Jahr 1966 - John Mayall's Bluesbreakers with Eric Clapton - wird neu aufgelegt und reproduziert originalgetreu die monoaurale Veröffentlichung von Decca Records UK aus dem Jahr 1966. Es wird auf hochwertigem
180g Vinyl gepresst. John Mayall stammte aus Macclesfield, Cheshire, und wuchs in Cheadle Hulme auf.

Er hatte sich bereits einen Namen in der Blues-Szene von Manchester gemacht, bevor er 1963 auf Drängen von Alexis Korner nach London zog. Eric Clapton schloss sich Mayall von den Yardbirds an, enttäuscht von der poppigen Richtung, die die Gruppe einschlug,
weg von seinem geliebten Blues. Als Ergebnis wurde Blues Breakers With Eric Clapton zu einem Eckpfeiler der Blues-Rock-Szene der Mitte der 60er Jahre, angefangen beim ikonischen Cover (ein desinteressierter Clapton, der das Comic-Magazin The Beano liest);
es war eine ernsthafte Hommage an die Musik, die die Musiker so inspirierte, und schuf einen schweren, warmen Sud; eine unverkennbar englische Interpretation einer amerikanischen Form. Es stellte auch einen chartbrechenden Durchbruch dar und erreichte im Juli 1966 Platz 6.

Diese Neuauflage reproduziert originalgetreu die monoaurale Veröffentlichung von Decca Records UK aus dem Jahr 1966 und wird auf hochwertigem 180g Vinyl gepresst.

- 180 GRAM AUDIOPHILE VINYL
- INCLUDES INSERT
- LIMITED EDITION OF 1500 NUMBERED COPIES ON TRANSPARENT RED VINYL

The American hardcore punk band Agnostic Front formed the side project Madball in the late 80's, when front man Roger Miret let his brother Freddy Cricien perform the lead vocals. They released their debut album called Set It Off in 1994 as a document of the hardcore music they were making by that time. The classic album features a wide range of sound effects above the groovy and doomy atmosphere of the music. The speed of the title track alternates between fast parts and mid-tempo bits and brings the focus on the ever ongoing riffs. The album also features the song Down by Law', where the heaviness of the sound is brought in the drum beats.

The vinyl release of Set It Off is available as a limited edition of 1500 numbered copies. The album is pressed on 180- gram transparent red vinyl.

DELUXE VINYL EDITION!!!
By the time of their performance at the Bizarre Festival on 17th August 1996, Nick Cave and The Bad Seeds were enjoying their most successful era to date. Their latest album Murder Ballads, released in February that year, was their best-selling record yet, having topped the charts in three countries and reached the Top 10 in a further five. This was aided in no small part by Nick Cave's duet with Kylie Minogue on 'Where the Wild Roses Grow', which was a worldwide hit and earned the band two ARIA awards. The video received repeated airplay on MTV, who would later nominate Nick Cave for Best Male Artist at the MTV Awards. Nick and the Seeds toured Europe, Asia and South America in support of the album, and it is their entire performance at the Bizarre Festival that is included here. Recorded and broadcast on FM radio throughout the United States, who had curiously been left off the tour's itinerary, the group captured the dark, brooding nature of Murder Ballads perfectly in their set, which included too classics from their back catalogue such as 'The Weeping Song' and 'The Mercy Seat'. As a grand finale, the band were joined by PJ Harvey - with whom Cave was romantically linked at the time - for a rendition of 'Henry Lee'.

Shiner was a very special group. Their sound palette had a variety of colors and intensities like no other group of their generation. They linked a work ethic (learned from Jawbox and Fugazi) to a way of understanding the composition and musical interpretation that transcended post-hardcore. It was very rare (a unique case) That a band could sound like My Bloody Valentine and then like Jawbox, then like Chavez or Helmet.

They not only killed themselves everyday touring in a van but burned hours in the rehearsal room and had more effect pedals than anybody. They were more math rock than anyone else. But what's more important - they had songs. Shiner wrote memorable songs. It's easy to try and be Radiohead, but writing songs like "The Simple Truth" is a lot more complicated.

While writing these lines I happily put on the record that BCore have reissued, "The Egg", and I once again faced the albums songs. It's many the times I still get goose bumps, and I don't think it's not due to a feeling of nostalgia (in fact age often makes the things I liked before less likable). The contagious riff in "Andalusia", the epic "Bells and Whistles", the roller coaster of emotions of "The Simple Truth" (it looks like a song by Unwound's "Leaves Turn Inside You", one of the only albums I could ever compare "The Egg"), the rock feeling of "Pills", the rhythmic game in "The Truth About Cows", "The Egg" and how tension is transformed into catharsis...

"The Egg" - released in November 2001 - was the group's fourth and final album, its creative peak and one of the most ambitious albums produced by J Robbins, whose creative participation goes beyond the mere production of the album. Not only because it is a perfectly balanced piece of work at a compositional level that makes us travel thanks to its production, but because it is a record, not just a simple collection of songs. Each element has its own entity and at the same time plays a role in the set.

Experimentation and accessible melodies. Darkness and rhythmic play. Ambitious and immediate rock. Visceral and brainy. On paper it seems difficult to blend influences like MBV, Helmet or Jawbox, but the Shiner of "The Egg" were in full blast and went straight for it. And they won.

Continuing with our reissue campaign of the Toby Robinson's Pyramid label catalogue, now it's the time for Temple. Probably the most rock' sounding of all the Pyramyd titles, Temple were an ad-hoc outfit born out of several late night sessions at Dierks Studios (where Toby was working at that time), involving local friends of Toby and other musicians from adjoining studios, among them Zeus B. Held (Birth Control).

Temple played a kind of heavy, dark psychedelic krautrock with ahead of its time proto-Goth vibe. Loud guitars, Hammond, Mini-Moog, Mellotron, distorted & echoing vocals, effects...

RIYL: AMON DÜÜL II, HAWKWIND, BIRTH CONTROL, POPOL VUH, ASH RA TEMPEL, EMTIDI...

*24-bit remaster from the original tapes.

*Insert with liner notes by Alan Freeman (The Crack In The Cosmic Egg).

*Includes download coupon.

The Inner Mystique, the hypnotic second album by the Chocolate Watch Band, takes up exactly where its sacred predecessor left you: looking for your perfect match at the local Love-In. When Watch Band lead singer par excellence Dave Aguilar grabs you by the lapels and tells you "I'm Not Everybody Else," you have no choice but to believe him. He's not. And when he cools down enough to extol the virtues of "Medication," who could doubt his sincerity Especially when he stokes the fires to the boiling-point where medication may not really make much difference. But the real stunner here is the Watch Band's exhilarating cover of Bobby D's "It's All Over Now, Baby Blue." In typical CWB interpretive bliss, nobody has ever done this hallowed song any better. Not Bob Dylan, not Van Morrison. Nobody.

A San Jose, Calif. band whose reputation has grown exponentially over the decades, the Chocolate Watch Band are now revered as one of the Seven Wonders of the World of garage rock. Spotlighting the classic lineupthe inflammatory vocals of Dave Aguilar and the roof-rattling guitars of Mark Loomis and Sean Tolby, fronting the rock-solid bass of Bill Flores and the letter-perfect drums of Gary Andrijasevichthe Watch Band's first two albums have it all. Stones swagger snake-hips its way through cosmic significance with just a dusting of eye-opening psychedelic legerdemain to make your neck snap backwards in pure joy.

7"

Alongside their Record Store Day 'Remix' EP, French psychedelic band The Limiñanas presents a very limited 7' vinyl. The side A features the hit single 'Dimanche (feat. Bertrand Belin)', from their latest album 'Shadow People', The side B features a previously unheard cover of The Kinks' song 'Two Sisters' with gripping vocals from Anton Newcombe.

The Strawberry Alarm Clock made musical history with its first single, the infectiously psychedelic "Incense and Peppermints," which topped the singles charts in December 1967. It remains one of the Aquarian Age's most enduring anthems. And as the California combo's debut LP demonstrates, there was a lot more to the Strawberry Alarm Clock than their iconic trademark hit.

Incense and Peppermints combines gorgeously melodic flights with a Sunset Strip sensibility--the album is filled with trippy soundscapes, fuzzy guitars, sophisticated harmonies and the evocative lyrics of tracks such as "The World's on Fire," "Birds in My Tree," "Rainy Day Mushroom Pillow" and "Paxton's Back Street Carnival." The result is a surprise-filled collection that All Music Guide calls "a strangely compelling mix of psychedelia, sunshine pop, garage rock, and California harmony."

Mastered from the original stereo UNI reels, our vinyl edition features the album's unique original cover art.

These LA scene regulars mined the final year of hippydom to produce this debut LP led by the spiralling, organ-drenched title track--a US Number 1 in 1967.RB"

-Mojo magazine

3LP - Deluxe Triple LP heavyweight vinyl set with Gatefold sleeve and inner sleeves. Comes with new liner notes.

April 2018 - the 50th anniversary of these legendary unreleased recordings from the Fillmore East, New York City, Friday April 5 and Saturday April 6, 1968. Both nights were recorded by Who manager Kit Lambert with the intention of releasing as the Who's fourth album after Sell Out and before Tommy. · Songs from the second night have been restored and mixed by Who sound engineer Bob Pridden (who was there in 1968). Remastered for optimum sound quality, this will enhance The Who's reputation as the best live act of the time, regarded by fans as something of a 'holy grail' in live shows. Features stunning extended versions of My Generation, A Quick One..., Shakin' All Over and many other Who classics. Features two ripping versions of Eddie Cochran numbers - Summertime Blues and C'mon Everybody (the latter unavailable elsewhere), Fortune Teller played at these shows for the first time and unique live versions of Tattoo and Relax from Who Sell Out.

140g Red with Black Swirl Vinyl with Direct to Board Special Gatefold with Fold Up Calendar

Casey are a band whose music is not defined by their image, or where they come from, how they met, or where they've been before now. Casey is a means of self-expression created with no underlying motive, only the wish to experience and relate. Music is their labour of love. Debut album Love Is Not Enough was released on Hassle Records in late September 2016. This October the band decamped into legendary Monnow Valley Studios torecord the eagerly anticipated follow-up album, with in-demand producer Brad Wood (Touche Amore, Placebo, Smashing Pumpkins).

DELUXE VINYL EDITION!!!
Following his majestic revival in the mid - late 1980s, Paul Simon's slowing of pace during the next decade can easily be forgiven.
This Double LP release features one such concert, his Unplugged performance recorded for and broadcast by MTV, from Kaufman Astoria Studios in New York on 4th March 1992. This extraordinary event features a broad range of classics from the entire Paul Simon songbook, from his earliest hits with Art Garfunkel to numbers from his latest records. Performing solo, in fine voice and good humour, Paul Simon once again proves, on this previously unreleased recording, how he gained his reputation as one of the finest songsmiths in the business.

Emerging from the ashes of math-melody masters Colour all the way back in January 2010, Tangled Hair are a UK mathy, indie pop gem and have been playing their distinct blend of minimal indie pop tech ever since, sharing the stage with the likes of Adebisi Shank and The JCQ amongst others. With their last recorded output in 2011, their very long awaited debut album has been eagerly awaited in math circles across the globe. The good news is that the wait is no more! In March 2018, We Do What We Can, the brand-new album from Tangled Hair will be released on Big Scary Monsters. The band will also be touring in support of US band Tera Melos.
The long awaited debut full length from Tangled Hair (feat ex members of Colour) 7 years since their last EP - eagerly awaited everywhere in math circles from Mexico to Australia! Supporting Tera Melos on their upcoming UK tour