House Новости

Griffe launches another starship into the endless expanses of music space — EP of young Lviv producer AC130, who has already confidently declared himself on the international scene with a successful release on EYA Records’ sister label — Lonewolf. The start of the new research expedition is planned on (release date), but the destination is unknown, as clearly stated in the title.
But we can be sure, all four tracks fulfill the mission entrusted to them with dignity. Purring acids, spacey synths in tandem with rhythmic breakbeats and electro patterns followed by convincing tech-house arrays — the musical palette of the record is varied, captivating, and is guaranteed to pique the interest of the audience and positively drive the dancefloors crazy. Ready to launch!

After the resounding success of Vol.1, Needs return for a second instalment of their eco vinyl campaign in collaboration with Green Vinyl records in Holland.

Needs continue their journey into the future of vinyl production, partnering with Green Vinyl Records in Holland to produce a 100% recyclable record which now uses 90% less energy cost compared to traditional vinyl production methods. This revolutionary chapter in vinyl history features the production skills of Maara, Priori, Rudolf C & HearThug.

For Needs 010 we welcome yet another all-star lineup of producers from around the world across vinyl and digital formats. Featuring trancey techno from Montreal’s rising star Maara; chuggy, percussive, mysticism from Priori; sultry minimal grooves from Berlin based Rudolf C, and a constantly evolving spacey acid banger from Tunisia’s leading light HearThug.

Enigmatic Welsh producer Jorg Kuning lands on Facta and K-LONE’s Wisdom Teeth imprint with a four track EP of psychedelic, sunkissed modular house-and-techno. Like so many great artists emanating from the lush Welsh valleys (think Steevio, Leif, Duckett et al) Jorg creates distinctly pastoral dance music that is in equal parts playful, deep, melodic and eccentric. Through a string of low-key sell-outs on his own Bakk Heia label, the producer has already developed a unique signature sound and a burgeoning cult following to boot, with early adopters including Ben UFO, Call Super and Shanti Celeste. The record opens with ‘Chosta-del-sol’ - a noodling polyphony of warm pads, warping plucks and oozing modular noise that stretches and sprawls over a sun-baked house beat. Next up, the two-stepping rhythms of ‘Ex-tensor’ provide a bruk backbone for a constantly-crescendoing symphony of warbling chords, glitching melodies and fluttering pads. On the flip, ‘Rhos Fiddle’ sees the artist hit a more driving, peak-time pace - whilst ‘TB-SB’ sees him at his most skeletal, recalling Skull Disco-era Shackleton.

Swedish born, London based producer Hans Berg provides the title track 'A Floor of Stars' for a brand new white label from Klasse Wrecks. Starry-eyed rave nostalgia for the 2020s, produced and presented without a cheapshot gimmick in sight. Luca Lozano provides a startling interpretation on the flip, increasing the breakbeat pressure slightly and taking a left turn into the hoover-vortex continuum. Its a space race journey of sorts, with the producer adorning the track with more rave decoration and climactic piano flourishes. This item is vinyl only and limited to 500 copies.

Paris-based producer and CEO of emotional breakbeat Adam BFD joins the Shall Not Fade family with six emotive tracks, all driven by cinematic ambience.

The past two years have been non-stop for Adam BFD. This release represents his fourth full-length EP of the year, with previous ones finding a home on Lobster Theremin. He's proven himself as a true storyteller, creating music which through melody reveals at once a level of introspection and an outward-facing expression of emotion that will resonate with almost any listener. Innervisions is no different, constituting what might be his most candid record yet.

Made over the course of lockdown, Adam's contemplative mood shines through on the record's A-side. The first two tracks capture breaks at their most meditative potential with a lofi quality and a long, pad-driven interlude ("I've Been Waiting") and assertive kickdrums that punch beneath a wistful melody ("Sonar"). "What's Next" is the EP's only ambient track which cruises along pulseless via a metallic earworm melody that glistens on an iridescent surface. With reverberating claps, a warm bassline and subaquatic synths, the title track opens a door to hope: a sentiment which will stick around on the record's B-side, as is demonstrated by "M1 & 1". Although, it is left up to the listener whether this melody speaks more to feelings of ease of melancholy. On the closing track "In My Feels", however, there is nothing left to debate. An immersive soundscape leaves things on a triumphant note.

Label founder Alexander Skancke serves up a more tripped-out fusion between house and techno for the fourth release on the Quirk imprint.

Mastered by Mike Grinser @ Manmade Mastering
Graphic design by Johann3000

TIME FOR LOVE - TIME FOR RAVE

12 inch reissue of Apiento's chill-out anthem "Things You Do For Love" with a new remix by dub reggae legend Mad Professor! Also features the "Original Mix" & "Heartbeat" mixes from the original 7 inch release. Plus the "Machine Mix" previously only available digitally. Go big or go home, right?!?!

UFC is proud to presents R.I.P. Bestiaʼs second outing on the label. Starting out with “Resurgence of Rave Echoes” R.I.P. Bestia delivers an influenced rave breakbeat track with chopped vocals, big bass, acid and piano raves that take you to a new future rave dimension. "Anarchic Alien Fuel" takes over a trance breakbeat influenced with a heavy ambient pad and cyberdelic vocals. Finally “Extraterrestrial Shamanic Ceremonial Rite” rounds up the EP with a tribal and breaks drums, epic synths, an hypnotic vocals that will keep you in the shamanic rite going from start to finish.

In this various CMDRPX releases 4 tracks produced by some of the best artists of the moment.

with cmdrpx002 we can listen to different sounds the first two tracks by Samuel jabba and bakked have a solid techno imprint while on the B side with Elias Sternin and Rizzi & Lapucci we find two overbearing tracks for the dancefloo

Cosmic disturbances cause emotions to run free throughout the local system on Cignol's acid-laced Craigie Knowes debut. "Misaligned Logic" is shaped in Cignol's signature electro sound across the 4-track EP.

Like a US house producers' version of the fabled grime MC battle competition 'Lord of the Mics', Brawther and Chez Damier came up with the idea of a producer contest to bring together the members of the Interweaved community, with the winners of the first round of submissions sharing their stems with the rest of the community, inviting remixes.
French born Roy Vision received the most votes in the online poll for his track '4 One Another' - a house bomb full of sub-bass pressure, craftily employed vocals and deft drum programming. The original is featured here, alongside mixes from Australian underground hero Marley Sherman, who took the trophy for his uplifting remix. London Based DJ Rouge, meanwhile hails from Ireland but loves original Italian deep house of yesteryear, and his offering was the second most voted work and is included here, slower and more wistful but still chunky in the beats department, with Dunique's spoken word part adding a quietly philosophical dimension to both the original and chirpy, cheery sounding mix from Montreal wonderkid South Shore Garage.

3am Recordings brings you its debut album, from label boss Al Bradley. While it would be much easier to get some huge name in for this who is previously unrelated to 3am, it was never going to be like that here. Staying true to the ethos of the label, it was important that this milestone was a reection of the label and what it has always stood for. The move back to vinyl in 2015 has rmly planted the label back
in its place as one of the UK's most consistent for house music, retaining its value of working with artists who have been involved with the label over its 19-year history, or who have been rm supporters of 3am during its time. Over the 9 cuts there are a variety of vibes, 'Little Treasures' aims to cover a selection of sounds that represent Al's inuences & styles, having been buying records since the mid-80s &
playing vinyl as DJ since he got his decks in 1991. The past is important as it represents where we started, the future is equally important, as it's the area of the unknown & we have to embrace it...

Covering deep house, dub techno, broken beats, raw machine funk, beatless ambience & more, the album is one that is danceoor-aimed, but works beyond that area too. With support from the likes of Placid (We're Going Deep), Carlo Gambino (We_R_House), Lolu Menayed
(Rawtrax), Lars Behrenroth (Deeper Shades of House), Loz Goddard (Oath), James Reid (Sonet), Moodymanc (2020Vision) & many more, the album reaches right across the spectrum of electronic music.

(2022 Repress)

"The story: "few years ago in rehab - everything was forbidden there, including music, and for several months I learned to listen to music in my head and remembered the television game, called Field of Miracles, or rather I remembered the sound with which the wheel spins; this is a cult TV program in Russia.

Having returned from rehabilitation we got down to business. We took samples from this program, some changed beyond recognition, some rethought. We recorded this release with a balearic mood, despite the fact that at that moment it was winter and there were severe frosts."

Kincaid returns to Control Freak for a main label release with the Sugar EP - 4 sac- charine, club-ready weapons from a producer at the top of his game.

Drawing on an array of club sounds from trance to UK garage and the best in con- temporary leftfield techno, the EP marks our most rave-ready statement yet, with percussive drum tracks and soaring euphoric pads - carefully crafted for dark rooms and packed dancefloors.

On the A-Side, Air-ism and Sugar bubble with peak time energy - a pair of secret weapons which haven’t left our record bags for months now. B1 E is a pounding, energetic 4x4 pumper, whilst Sycamore closes things out with moody, shuffling drums and powerful low end pressure.

Pressed by Deepgrooves - Europe’s leading ecologically-friendly plant for sustain- able vinyl production, made using 100% green biomass energy.

Escola Records is back in the game with their second release, a Broken Beat & futuristic Deep House odyssey.

On the first side Karmasound & Sara Bee open the EP with the uplifting soulful summer anthem “Esperándote,” full of choppy live drums, jazzy keys and sweet, melodic vocals.

Next, musclecars deliver a dreamy remix of “Esperándote,” putting a futuristic twist on classic soulful NYC deep house. Lush and sensual, with a beautiful vocal outro, the remix has a warmth reminiscent of nighttime summer heat.

“Trencacintures” (“waist breaker”) is the second original track of the EP, by Barcelona’s JP Sunshine & Guim. The title of the track is a playful reference to its “broken” rhythm. Magical keys and intergalactic pads create a cosmic atmosphere on this fun tune.

On remix duties we find the house producer Hugo LX taking the original on a deep excursion to the dance floor, adding breaks that make the track irresistibly groovy.

After a 2 year hiatus, Silver Dollar Club returns to round out a trilogy of EPs with a sparkling slab of weirdo tearjerkers and club-ready cuts from Bristol's own Remotif. With a healthy lineup of releases on Coymix, Air Miles, and his own label Familiar Strangers, it's been a busy year for Joe Reddick and for good reason: Prolific and versatile, he combines a classic club sensibility with an exploratory approach to space and texture that results in a sound all his own.

Slap Bass, wet arps, emotional breaks & driving percussion all come together to make a record that we're very proud to be able to put our name on. This will be the last in a series of three records from Silver Dollar Club; so play it in your sets, play it in the car, play it in the bath, whatever you do, just play it

Following their contributions to Unruh 01 and 02, Tachyon return with four tracks of their own for the Fried EP. After the funky breaks of ‘Fried’, things take a sharp left turn with ‘PCM Dub’ before we shoot into outer space with ‘Traffic’. The tweaked and blissed-out beats of ‘Late Chatter’ finish off the EP in style.

From deep inside the inner workings of L3 Liverpool comes the latest instalment from the city’s very own, Aerofunk. An EP built through atmospheric melodies, break scattered percussion and the heavy sub-driven, relentlessly shifting basslines he is becoming renowned for.

The EP opens itself out into true break-funk fashion with ‘The Definition III’, setting off via back-and-forth percussive movements with hints of hypnotising, atmospheric keys, that pave the way for one of his signature hard hitting, scattered basslines.

Moving in an ever forward style, ‘Funky Breaky West’ cranks up the level for the A-Side. The repetitive bassline layered beneath a kick that skips itself in-and-out of various timings throughout the track, alongside staple, party worthy snare and hat crashes, guide the music on course before delightfully introducing an added touch of flavour with two competing basslines that work together perfectly, hand in hand.

To the flip, there’s no time for pause, as ‘Zezwa’, a track built upon a differed style to its predecessors yet sugar coated in the unmistakeable A-F style, noticeably designates itself in a groove to make its listeners relentlessly move. Throughout and just in ear shot, riding their way throughout that background, is the unmissable sound of scurrying hats and cow bell strikes that seem to make spontaneous decisions for their choice of inclusion.

The B-Side close out supplies an ending filled with a stripped back groove, plied by guided reverberating horn sounds that give off a sense of alarm aimed to draw a mind to the fullest attention. All the while, the music shifts itself on in true, groove driven funk fashion. The keys and atmospheric tones that work themselves in midway through the track are worthy of noting, as if to cultivate the way for that melody one could easily mistake to have been designed by the touch of a musical robotics lab.

‘Chance Is Our Greatest Ally’ celebrates the launch of Faux Poly, a brand new label from Kassian

The label name pays tribute to a hardware-focused production style which they first experimented with on their “Faux Polynesia” EP on Phonica White. This stylistic turning point encouraged further exploration into this direction, discovering new processes to make genuinely unique dance music that focuses on the idea that the best sounds are not imagined and then created, they are discovered.

Follow Da Groove is pleased to announce Rico Casazza for its second strike. Waves of warm sounds ranging from dub to electro. An EP that definitely has a sensuality and a charm with 4 tracks that tell a story.

A unique approach from this energetic label that's really working for us down here. Techno/dub lush soundscapes galore...tip for ravers!

Supervision records is very happy to present its first various that gathers big talents for a wide range of breaky beats and groovy sounds. Garage vibe at its finest.

REPRESS

Antonio aka Raw Ambassador is the next from the another perspective that presents us 4 tracks of Raw electro for dance floor and with their travel melodies.

Club Designs head honcho and infectious beat impresario Garneau is joined by Vanouver Slab party series producer Max Ulis for the “Big O EP”. Both extraordinary producers and DJs in their own right, these Canadian underground stalwarts never fail to impress.

Breaks, beats, booms, and bass – expect to hear these on the club circuit for a while, each track a brilliant combination of deep house roots with breakbeat tips.

After manufacturing delays these tracks have been kept under wraps for over a year, but we are so happy to finally release them for the world.

The French crew La Boomerie is back with its second EP produced by Sunaas. Deep dive into its musical Spectrum, produced with Birkenstock on feet and cat on knees for dancefloor and sofa purposes.

LIMITED RED TRANSPARENT 10" / HAND-STAMPED / NUMBERED / NO REPRESS

Welcome to our renovated cinemusima. Where we perform film musicals the other way around.

First off, we are proud to welcome back our Untitled B jungle nuisance acts to the scene.

Now choose among two red pills for your spouse to ingest:

- Untitled A aka Special Agent Corn
- Untitled B aka MI6 Lovers Kush


(playable at 78 RPM under the influence of C17H21NO4 and 33 1/3 RPM on shrooms)

After spending most of 2020 putting music out on respected labels like Far Out Recordings, Sonar Kollektiv and Oye Black Label, Croatian producer Jan Kincl is kick starting 2021 with a 4-track EP featuring a remix from Atlanta-based house don Kai Alcé. The EP is titled "It's Been A While" and consists of three original pieces; "Love's So Far Away" is a direct peak time club track drawing a lot of its influences from the raw and dirty side of Detroit house music. "Day By Day" sits somewhere on the cross section between deep house, broken beat and jazz, with Regis Kattie's beautiful Rhodes melody woven throughout the track. "Just Stay (Kai Alcé Remix)" is a masterful reinterpretation of "Just Stay", which transforms the otherwise more laidback original into a driving 3am house tune. "Just Stay (Dub)" is best described as a connecting point between A1 and A2. Jan's raw house groove juxtaposed with a deep and subtle jazz feel coming from the hands of Regis Kattie.

The third installation from Ernest's Way 'Chrysalis' sees Featherstone return with another 4 track EP building on his already diverse catalogue.

This release features angular rhythms offset against dreamy, introspective yet expansive melodic passages.

Orson Bramley calls for the return of old friend Mesak to his label for his 3rd release.

This time Mesak teams up with Daniel Savio and the results are quite simply amazing!

This 4 track Ep delivers tough yet melodic Drexciyan sounding electro cuts that are set to cuase devistation on dancefloors around the globe.

The wonderful Trixie offers two spellbinding stories for the second chapter of the Dream Dancing journey...

The legendary El-B returns to GD4YA with 4 bumping House & Garage tracks.

Perfect for the Summer & Club!

DJ Fucks Himself showcases his versatility on the "WEISSE WESTE EP": a nod to the producer's hi-vis getup when he gets up behind the decks.

The four-tracker kicks off with a Jungle-infused club tool: "Cafe del Mardcore", which combines a relaxing vocal with sweet synth harmonies for a zen-like rave atmosphere. "Ausgefallen" carries you further into the groove with its sublime sampling and eery vocals.

On the flip we have "Dream Team", where influences of Electro and Footwork can be heard combined with ethereal pads and sizzling percussion. B2's "Take It", which rounds out the release with a mystic 140 bpm roller, whose uplifting chords and infectious vocal make their way out of the club and into your heart.

Bristol based producer Gilbert steps into the time machine with this wonderful EP that sonically and spiritually connects to the early works of Warp pioneers such as B12, LFO and Speedy J. First track Ylem starts with a strong kick but is nevertheless a subtle builder that directs you straight to deep space. Shift the Focus, the opener on the flip, may well be the EP's most suitable track for the (dreamy) dance floor - the cut's dense melodies and subtle 303 flavours work well with Gilbert's rhythm section and would slowly but surely draw you into a psychedelic swamp when played in a club. The tracks Lucid Dream and Are We Alone are even a bit more otherworldly and fitted for an armchair listen. A big tip for anyone into layered, mind bending UK techno!

Just 100 copies pressed – make sure to book your place for this unforgettable journey.

Celebrating our tenth release, First Cut delivers the label’s first split release. Like the arbitrary scheduling of our hometown Dublin’s bus system, it took a while for these tracks to appear – and then they all came at once!

Tr One drops ‘Fold’, a rousing house track, led by insistent piano keys and tough drums, while on ‘Crash2’, Lerosa delivers a wonderfully sub-aquatic electro-techno jam. Bringing the listener back to earth with a driving bass and powerful rhythm is Giles Armstrong’s ‘Deep is For Dopes!’

180g gram vinyl, screen printed sleeves

Rising star Innellea demonstrates his prowess with four diverse, powerful cuts. In a short time Innellea has made a significant impact.

His production is inventive and progressive, gracing dance floors with emotional depth, considered arrangement and pumping rhythms. His debut EP opens with ‘Confronted Reality’, which is driven by an
oscillating low end, complemented by an emotive melody and a huge riff - tinged with drama throughout.

Next up it’s the title track, a morose cut that utilises breakbeat-esque
rhythms, piano keys and warped vocals. On the flip The Loss Of Hope’ features beautifully composed, trance-esque layers drift over a driving rhythm - lifting spirits and invoking the Heaven within. Finally, ‘Irreversible’ takes us into the darkness, with spinetingling melodies and hard-hitting drums ...

The first X-Kalay release of 2022 finds Melbourne’s Escape Artist traversing wormholes, complete with an assist from the ever-prolific Roza Terenzi.

Picking up where a 2019 Salt Mines debut left off, ‘Wanna Dance’ allows proggy tendencies to flourish across some mind-altering electro. Portals to higher planes of consciousness and uncharted star systems fling open as widescreen, celestial pads make way for lysergic climax.

Ramping up the intensity with her ‘Bassbin Mix’, Roza Terenzi jumps on remix duties; another electro workout, but this time more urgent, more propulsive. Bringing the tribal-breakbeat pressure in spades, it’s quintessential Terenzi.

More prog, but leaning further towards cosmic techno percolation, ‘Levitator’ finds mazy arpeggios in seemingly infinite ascent. ‘Time Knife’, on the other hand, is a radiant, beatless highlight. Deploying cascading synth arps to truly mesmeric effect, it sees the Antipodean achieve sublime tension in a rare moment of introspection.

A first full vinyl release from Leeds-to-London label Reel Long Overdub, featuring two friends from the extended family. First up, New Delhi's Monophonik presents his signature brand of wiggy modular techno and breaks on Tabalchi, before unleashing a fusion of UK jungle and Goa trance with the relentless Sourcecode. On the flip, Diastema of Naples' Nice To Be party crew serves up dubby club heaters Teeth Drifting and Dubquake.

Junes delivers ‘Transport Express’ the 4th instalment in his Dote series.

Limited to 100 units

Next up on the Kyiv-based label Kashtan comes from a very promising Ukrainian artist Monoconda.

Oleksandr Filonenko aka Monoconda is a Kyiv based multi-instrumentalist, music composer, sound producer and a live performer. While making music for commercials, theater and public places, Monoconda started to release his own electronic music in 2018 with an album called "Alphabet". His second release, "Low Light" was recorded during the pandemic isolation, and was named as one of the best records of the year by top Ukrainian musical journalists. There was much music recorded after that, alone and in collaboration with different musicians, but the pandemic and the war have made the release process somehow impossible or at least quite a hard quest. But the music is always being done, cause that's what he is here for.

The main concept of the Kyiv label Kashtan is to identify and carefully choose the pearls of Ukrainian electronic music, which are not defined and limited by genre definitions. This playing with genres has been released through the album "Horizon" by musician Monoconda.