House News

Quantic, aka Will Holland debuts on Aus with the ‘Heaven Or Hell’ EP a five tracker which follows last years ‘Theme From Selva’ the Studio 54 funk bomb that BBC 6 music snapped up for their A list, so far racking up 200 spins to date. ‘Heaven or Hell’ finds the balance between contemporary and heritage perfectly. Hypnotic disco grooves with lush warm melodic house licks all tied together with those signature walking basslines and live percussive funk that Quantic is known and loved for.

Nordanvind is the work and imprint of Fjäder which has been in the making during some time. The launch of the first record "Sagas" is a various release compiled by four artists synchronizing to add a fulfilled feeling and esoteric vibe.

Larry Tee and Radio Slave announce The Royal Acadamy Of Fierce. Featuring Justin Vivien Bond and Tobell von Cartier, ‘Fashion Queen / Black Pussy’s Revenge’ drops in March.

Founded by US icon Larry Tee and Rekids label boss Radio Slave, The Royal Academy Of Fierce is a project inspired by underground drag culture and the unmistakable sound of early nineties New York house. Featuring Broadway star Justin Vivien Bond and drag sensation Tobell von Cartier, the first release from the project channels this raucous energy across a ferocious pair of club-ready tracks.

Best known for writing the smash ‘Supermodel (You Better Work)’ for RuPaul, as well as a discography that includes seminal late 80s house cuts on Funtone and Quark alongside pivotal work with Princess Superstar, Scissor Sisters, Erasure’s Andy Bell, and Peaches, Larry Tee’s rep goes way beyond his coining of the ‘electroclash’ genre in the early 2000s. A literal party starter for decades, nights like Love Machine (NY), Super Electric Party Machine (London) and KRANK (Berlin), Tee’s a genuine cultural institution.

Cosmic tech house wizard SNAD officially kicks off a brand new label from the stables of For Those That Knoe. Featuring eight tracks of chi-town swagger and a sprinkle of star dust, the Intergalactic Gambler rockets into a solar system near you wielding the likes of 'Juiced', with its spacious production and neatly sassy groove, the linear paths of 'The Big Sleep' and the oozing keys of 'Guiding Light'.

London's tight-knit underground spawned the NorthSouth Records back in 2017 and though releases come slowly, they are of high quality. This year's second offering comes from Privu, a fast-rising hero from the Romanian scene with a stylish sound. Opener 'Altona' has a nice fat bassline and well-defined kick drums making for a fulsome groove, 'Amazonia' picks up the party with some silky percussion and spaced out pads, 'Time' is a twisted and playful cut with smeared pads and drums that pop right off, while 'Blandenur' closes with the most colourful synths and stabs of the lot. A characterful EP of stripped-back sounds for sure.

OPTIC NERVE / STRAND ......define Detroit techno definitively and beautifully through their respective sense of dance from the Motor City. The 12 inch kicks off with the voice of Brian Bonds from Strand simply stating what you are in for and it is indeed a treat. The "Optic Nerve Meets Strand" opener is a mature track with all the colorful strings and funky bass the two groups have brought for over 20 years, ready for the dance floor. B side) "Factor It N" (Mix 1) is a Strand experiment filled with layered bass pads exploding through the speakers and is one of those rare tracks that leads you to listen to hear what comes next. "Factor It N" (K1 Mix) is Keith Tucker's electro persona bringing the electro heads to the dance floor with intricate, precise bass lines thumping within the beats and claps smacking you in the face.......

OTK007 Vol 1 - Cojoc
Sepp Remix
Limited 300 copies

Fasziniert von der Dynamik elektronischer Tanzmusik und der ungeheuren Kraft und Reichhaltigkeit von Live-Instrumenten, schufen Chris Davids und Liam Ivory, aka Maribou State, mit "Portraits" ein unwiderstehliches Album. Es ist ein Album, auf dem sich Organisches und Synthetisches umarmen und an James Blake oder SOHN erinnern und dessen Groove es durchaus mit dem von Moloko aufnehmen kann. Maribou State setzen uns atmosphärischen Dubstep gepaart mit House und einer gesunden Prise Pop vor - "glitchy, sad and slow" (The Guardian), aber ungeheuer tanzbar und garantiert aus der Mitte des Herzens kommend. Die letzten 18 Monate des Duos waren strikt getaktet: An den Wochenenden wurde wild durch die Gegend getourt (von England, Europa, den USA und Australien war alles dabei, die Bühnen von Glastonbury und Bestival waren nur zwei der Meilensteine auf ihrem Weg), während man sich unter der Woche disziplinert den Albumaufnahmen widmete. Bei Radio-Schwergewichten wie Zane Lowe oder Huw Stephens schaute man auch vorbei und werkelte ganz nebenbei an einer schönen Palette von Remixen für "alte Hasen" wie Kelis, Lana del Rey oder den Crookers. Die harte Arbeit zahlt sich mit Erscheinen des Debüts nun endlich aus.

Nathan Micay is pleased to present the next re-issue on Eternal Schvitz: Mouvement Perpetuel - Sexuel Mouvement, three incredible dance cuts written by Jerome ‘Pacman’ Elia. Originally released on Obsession Music in 1997, the A-side went on to become a cult favourite after appearing on Sasha & Digweed’s North Exposure Expeditions mix in 1999. Since then, copies of the original 12-inch record have sold for astronomical sums. Now, over 20 years later, this gem is lovingly restored and available to a new generation of DJ’s and music lovers.

As always, Schvitz gives back. From any profits raised, 60% of the cut to the artists and ensuring their credits are front and centre. The remaining 40% of profits will go to aequa, a Berlin-based collective with a focus on empowerment of women, trans and non- binary folks through gatherings for interpersonal exchange. Schvitz is Love. Schvitz is Communal.

four strong movers for the crowd!!!

It’s time to dream away with the first realese of the label , turn off the lights !

Simple as it is , Hostox with his smooth blend of classic piano vibes, accompanied by Lizz with a peculiar remix .

Vinyl only. Paris-based Meemo joins the Inner Balance fold with three breezy originals and a remix from The Black Tone, just in time for longer, warmer days.

Ogni is a music project by Saktu, Tobi Neumann and Dave Vega.
The Trio is making music in Berlin’s Apollo Studio, they are all on the road as DJs since decades and are running Ogni-Parties at Berlin’s legendary clubs ‘Club Der Visionaere’ and ‘Hoppetosse’.
After few releases on labels like ‘Mobilee Records’ and ‘Oblack Label’ the guys decided to launch their own imprint ‘Ogni Tapes’.
First release comes with two original tracks Destiny and Vesta and 2 remixes by the house masters Tripmastaz & Dorian Paic.

Saktu is back on his own imprint with three powerful minimal house cutz. vinyl only.

Here we go again! The second release on MARICAS Records is hot and ready to handle, fresh off the kitchens of two of the maestros of the moment, Saorsie and Roza Terenzi. Saoirse fires up the ignition with Dama Latina, an upfront housey number. Her tight, infectious groove bounces along incessantly, punctuated by an orchestra of bleeps and bloops, horns and sirens like one big sexy traffic jam. She keeps our fire burning low and slow with You Can Come. It’s underwater-funk with a lazy, heavily syncopated bassline overlaid with shimmering washy melodies and vocal on repeat, all dripping wet with reverb. We’re deep down in Chuggsville and it’s hot as hell.

On the flip side, Roza flips us out. Kandy Floss sends all kinds of creepy frequencies bouncing around the inside of our skulls. It's not long before a throbbing bassline creeps up on us in the dark and takes us on a ride, like a train through a haunted house of eerie sounds and voices. We cling to the steady groove because all other sounds are moving around us, like ghosts and ghouls erratically weaving in and out of each other over our heads.

We continue our spooky ride with Triple D must be something good because we’ve had three of them and we’re really feeling it. Helek K’s spoken words echo around us like a spiritual guide leading us through our trip, her moaning like a haunting lullaby. Driving bass all the way here, lifted by flickering percussion but darkened by the deep squelch of wobbly bass tone. Much psychedelic doof energy on this side of the disk.

After 20 years of a lot of work, parties and music, Alexandre Antonio and Roberto Filippi (aka ScoutSom) have decided to create another project: to recreate soulful music raising the duo to a standard of sublimation of global trends.

In this new Live PA venture, the couple of friends produced a unique album in the history of the world of electronic music. They were able to mix the best of the Detroit Techno with the Divine Name of the Creator.
Summarizing, the relationship between the language code of the Divine Name and the cellular parts of the human fabric can be seen in terms of the DNA-wave form of a certain vibrational frequency which composes the human bio-computer through the 64 cell areas of a complex matrix.
The Divine Code is the coding mechanism, communicated through micro-signal ranges, where the vibratory link forms the “genetic matter” within the cells as a pattern of Divine energy flow. The body is seen as a bio-suit of lightware operating via a language of biochemical light that provides billions of instructions per second. The identity of each individual is housed in this inner labyrinth of chemical letters, which equates the complete genome with the soul mechanism of life.
By linking all these unusual elements, ScoutSom explores the relationship between human creativity and the innovative technologies that enable the freedom of improvisation. This is a label that comes to encourage movement – a movement that wants a change through a sonic revolution.
We can only emerge from unconsciousness and understand the higher coding instructions by means of following the thread of life in the letters of the Names; a person who has lost this thread is lost in the maze of the body and mind. Such a person is impotent for he builds his tower to heaven with mental promiscuity, looking only at the building bricks and particles of his body and not at the source of the bio-transducer. The secrets that constitute the “glue” which holds the building blocks together, lie forgotten or even dismissed in the arrogance of the intellect.
Alexandre and Roberto urge you to join the resistance and help combat the mediocre audio and visual programming that is being fed to the inhabitants of Earth. This model of programming is stagnating people’s minds; building a wall between races and preventing world peace. The duo is ready to smash this wall by using the untapped energy potential of sound just like certain frequencies shatter glass.
Techno is a kind of music based in experimentation; it is music for the future of the human race. Without it there will be no peace, no love and no vision. By simply communicating through sound, Techno has brought people of all different nationalities together, under the same roof, to enjoy themselves.
Isn’t it obvious that music and dance are the keys to the universe? So-called primitive animals and tribal humans have known this for thousands of years! ScoutSom shout out to all brothers and sisters of the underground to create and transmit their tones and frequencies no matter how so-called primitive their equipment may be. Transmit these tones and wreak havoc on the programmers




Your influences: Jorge Ben Jor, Tim Maia, Sabotage, Mau Mau, Laurent Garnier, Technasia, Daniel Bortz, Djebali, Richie Hawtin and Ricardo Vilalobos

People who’ve supported you/played your music already (if you have any video links of DJs playing the record in question, please send) clubs Le Salon Daome, D-Edge, Eletrola.

MASSIVE REMIXES OF THE VICTOR SIMMONELLI CLASSIC FROM DUSKY & TOTAL SCIENCE

Davide Piras is an Italian producer with a penchant for the tougher, rougher side of British bass music. Creating music under the moniker DJ Chupacabra, Piras has been picked up by labels like Haws and Dr Banana in the past year, and now makes his debut for Time Is Now with more deep raw cuts.

The EP hits hard with deep tech, breaks and rumbling bass. "Grimer" kicks off with sparse, staccato beats for heads down business before the expansive two step of "Rockstar". With its eclectic use of samples and ominous swelling bassline, it's a solid club roller.

Funky, earworming house is the game of B-side opener "Killalot" which hints just a little of an acidic edge. "Morbid" is a heady stepper with plenty of ear teasing melody and atmosphere. The EP closes with a crescendo in "Croissant", which has a chunky minimal deep tech beat and booming bassline which is destined to send the dancefloor wild.

Lauren Lo Sung makes her LOCUS debut as she delivers her ‘Miss B’ EP, backed by a remix from label favourite KOKO.

One of the UK’s most exciting house talents, gaining stand out praise from Mixmag and DJ Mag to name just a few, Liverpool-based DJ and producer Lauren Lo Sung has established herself as one of the scene’s most in-demand ‘new names’ of recent years. With releases to date via the likes of Vatos Locos, Lazare Hoche Records and Rutilance, alongside her own blossoming imprints LOLiFE and e1even Records, her groove-laden sound has seen grace the decks across a host of renowned hotspots from Space Ibiza to Club der Visionaere, and her sharp ascent is most certainly showing no signs of slowing. After yet another impressive twelve months, 2021 welcomes her debut on
London’s flourishing LOCUS as she reveals her ‘Miss B’ EP this February – backed by a remix from bubbling Italian talent KOKO, who returns having dropped the launch EP on the label.

Title cut ‘Miss B’ kicks things off in a warping fashion as spiralling synths and fluttering vocal interjections meet skittering drums to offer up lively EP opener, whilst ‘Cosmic Flow’ introduces further tripped-out vocal effects atop of dubby chords and paired back, refined percussion. Next up, KOKO’s hazy and energetic take on the title cut showcases the Italian’s slick and infectious sound palette, before the aptly titled ‘B-Side The Point’ closes proceedings as Lo Sung opts for bubbling basslines, hypnotic atmospherics and snaking percussion arrangements throughout a groove-heavy peak-time closer.

Filippo Bena back with an EP full of stories to tell! Intriguing and enganging moods, accompanied by spatial rhythms, enjoy it!

Fred P's fresh 'Perpetual Sound' imprint continues its journey with 'Lush Culture', a split EP that finds the label head alongside like-minded soul, Deetron. 'Liquidity' opens the EP: a slowly-bubbling, elegantly shuffling house trip that pairs liquid, deep chords with irresistible percussion. 'Lush Culture' finds the New York-Berlin producer in his most sophisticated mode, channelling pure early-hours dance floor ambience via a rolling, charismatic beat amid a subtle but intoxicating build. Handing the reins to Deetron for the flip, 'Sweet Science' sees the Swiss maestro punctures the weightless mood with a heavier, stepping bassline that blossoms into a blissful analogue state that rolls on and on, mastering sublime cosmic tension with each powerful breakdown. Fred P returns to conclude the release with '119 Black Key Experiment', a sparkling, ambient sign-off that explores the retro-futurist influence at the beating heart of the label's aesthetic.

Up next on One Of 4 with his 'Different Occasions' EP we have California based DJ & Producer Sam Haskin! 4 super cool and groovy cuts on this one guaranteed to liven dancefloors. Early support from Chklte, Lee Onel, Carlo Gambino, Monika Ross & Shacklo!

Repressed !

Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums. In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.

The series starts with Neptune's Lair, first released in 1999, with the Hydro Doorways single arriving shortly after. In November, Harnessed The Storm and Digital Tsunami are coming. In 2023 comes the release of Transllusion in February. The series is completed by the long-awaited re-release of Shifted Phases - The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope - at the end of March.

These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.

Following the success of the label's Cassiopeia reissue, Mysticisms presents a second EP from Nail with four previously unreleased tracks of gliding deep house, dub techno and Balearic sunrise anthems, highlighting this respected talent.

Recorded between 1993 to 1999, predominately at the DiY collective's Strictly 4 Groovers studio in Nottingham, with the ever reliable Damian "Deadbeats" Stanley engineering. While edits and overdubs were completed at home, some were mixed down to DAT and cassette to became part of Nail and friends after party soundtrack, as much for pure enjoyment as appraisal.

Still a teenager for the early years of these recordings, Nail was honing his craft. Utilizing the ever faithful S1000 sampler, Juno 106, Oberheim Matrix 1000 and Roland SH101, influences from Future Sound Of London, the emerging 'West Coast Sound' rising in the US, Maurizio's dub fusion, through to the bouncing free party sounds emanating out from the Midlands to a now nationwide party scene embed in to machines.

Unreleased until now, the Cassiopeia release ignited an interest in these old cassettes and DATs, bringing them to life and offering further proof of Nail's place as one of the UK's best House producers.

Ghost the Mystery.

LTD Edition exclusive to vinyl – ‘Best of Club Sweat’ featuring Purple Disco Machine, David Penn, A-Trak, Ferreck Dawn, Torren Foot, Motez + many more.

A double wax’s worth of serious heat to get dance floors moving, butts shaking and people elating. Packed to the brim with exclusives you won’t get anywhere else but here. Throw in a couple of chart toppers, secret weapons and most requested IDs and you've got yourself a sure-fire winner.

Three sumptuous offerings of quality grooves from the Aesthetic series, as Paris club scene fave Djebali and Argentinian DJ and producer Jorge Savorett join forces once again. This choice trio definitely veers on the side of the under rather than over stated, preferring to rely on warm rhythmic flourishes and enticing, inviting instrumentation rather than thumping firepower or gimmickry. The beats are tight and hypnotic, with perhaps just the slightest hint of a nod to the shuffling drum machine funk of early Derrick May productions like 'Nude Photo' here and the more head nodding repetition of Chicago jack house there. Aesthetically pleasing for sure.

Following 2012's acclaimed Red Nail album, machine manipulator, DJ, collector and music auteur, Cherrystones has been consistently working - composing, producing, editing, educating, programming, soundtracking and performing.

Biding time, considering and now ready to present the latest instalment of his journey. After completing the Critical Mass compilation - with part 2 due late 2020 - he left London for Scotland for two years to isolate. An experiment to truly find himself, with no social circle or need to engage, the objective to alchemise and create.

Building an intensive, all analogue studio running to 1/4 & 2 tape, the majority of these recordings are the emotions and moods drawn from this detoxification. The widescream Rave Digger, horror-haus Lavid Grinch show a more expansive Cherrystones. The occult beats of Uhuru Glue lead to the anthem Amaziac, with it's organic AFX rising, before again down to future beats of Silver Soarde and closer, Sethodone Recess Plant.

A musical blacksmith, a magician, conjurer a part of me i knew existed but have never fully spoken to or back to, i saw the sun rise and the clouds swarm, i saw dark settle and as the process speaks for itself they were aged in Bronze, dawn of man-man of dawn.

Mystical dreamweaver Edward has previously brought out some of his classiest club-tooled gear for Trelik, with 2018's Rumours EP being a particular highlight in his glittering career in minimal. Breaking a protracted silence for Baby Ford's label, this new three-tracker once more takes us into the unique atmospheric zone Edward occupies with his productions. 'The Giver' has an unnerving, desolate quality but it's also rock-solid in the rhythm department, with subtle threads of warmth to balance out the eeriness. 'Memory Motions' is a spicier cut with a pronounced house jack to propel a tense set of sonic motifs, with a special mention to the wobbly organ-like chord line. 'Tuned' is the most upfront of all the tracks, using some processed piano hooks and a full compliment of nagging, funkified ingredients to make a certified, if left-of-centre, party starter.

For the third release of the label, Kamarads records is happy to welcome on board Alessio Viggiano, Jonny N' Travis, Mancini, Olivier Romero & Anso. Alessio Viggiano known as one of the rising talents from Italia with his label Meslow has delivered a sophisticated minimal-house track called 'Acid impulse', Jonny N' Travis the duo from Torino are improving their skills with 'Morning Funk' - deep, warm & catchy at the same time. Mancini part of the famous label Headzup (based in Paris) is inviting us on a journey atmospheric & groovy. To close the EP, the Frenchies Oliver Romero & Anso went on jazzy & solid house music groove surrounded by a female voice hook, it will be your secret weapon in any situation.

"After shining a light on the Garage'n'Breaks of Persian and the Bump'n'House of Brian Bristol, Mysticisms' journeys to a source of love and inspiration, the epicenter of the 90s NYC club music's explosion and development.

Better known as the team behind The African Dream on Eightball Records, they feature on many early 90s NYC who's who of labels including Movin', Strictly Rhythm, Tribal and Oxygen Music Works.

Released as a 12", a 2 x 12" the want of a lot of US labels at the time to mirror the success of Hip Hop saw an attempt to grow House 'projects' from club EPs to being seen as artists via albums.

The EP starts with Opening, with warm keys that serve to show this is not your average 4 tracker, before soon giving way to the deep intensity of Dark Intervals. Tight drums and keys pushing, the vocal samples and swirling atmospherics all yield to a bass calling for loud sound systems.

On the reverse, an immense, spiritual take of NYC music in Innocence And Inspiration. Double bass, swirling arpeggio, tight claps, whistle strings, ridin' jazz fused break-beats and then pure piano cuts through.

To close, Are You With Me My Love?, here included to provide a repost to the grooves that have gone before. A song for sunset and sunrise, with lilting keys, shanty samples, vocal questions and a melancholic horn refrain.

Uncover the Mystery."

You And Me Cocoon Recordings welcomes Pele & Shawnecy for his Cocoon 12 debut. Without any doubt the Rosenheim resident is one of the fastest rising names in Germany. The bavarian tech-house-hero has built up an impressive reputation over the last two years. His driving and testosterone loaded productions and remixes can be found in many top notch dj-sets and charts. Pele is a master of kicking tech-house and his style of incorporating chords and vocals create real peaktime highlights. There is no escape when the sound of Pele kicks in on your PA system! SHAWNECY native Persian, who shows musical fully controversial direction. Michael Jackson's hip, he sings and dances for various chart and show acts, and also working as a choreographer and dancer. Both together started to produce music end of 2010 when Shawnecy moved from FFM to Rosenheim. Their first 12 for Cocoon Recordings is no exception here. With 'Can't Wait' they deliver the next peaktime highlight just in time for this years summer season start. Merging house and techno this one should make fans of Harvey McKay, Santos and Guy Gerber happy which makes it a perfect release for us. The Flipside 'Can't Leave' slows down a bit and looks more at the deeper side. While 'Can't Wait' is a proper peaktime monster 'Can't Leave' should work out great on the next afterhour and keeps the party going and going. The right sound to welcome the sun after a hot night... change your sneakers for flipflops and check your mirrorshades and let's start dancing to the beat and bassline of 'Can't Wait". The digital bonus track 'You And Me' seems to be a dub version of 'Can't Leave' at first glance. However the more you hear it to more it starts to progress into an unique and very hypnotic track. One of these tunes that don't let you leave the floor and you wish it would go on and on forever. 'You And Me' would be a pe

Giuseppe Scarano's musical journey began at a young age, DJing in some of Puglia's best clubs like Clorophilla, Guendalina, Discorama and Heartz Festival supporting top tier DJs before launching NICEPEOPLE in 2018. His latest is on Constant Sound sublabel Cardiology and features four deep and dusty cuts. From the low slung disco loops of 'In Your Own' and the particuarly thumpin' Same For You' on the A side. Over on the flip, there's the swing fuelled deep house of 'Freaky' and some late '90s filtered house in the form of 'Best Places', cleverly sampling a pop classic from the same period.

German producer HOSH kicks off his new label fryhide with a free to download continuous mix that is made up of all his own tracks. Called Stories From Sa Talaia, the album is out on May 25th, but tracks from it will also be released as four individual EPs on the label. Now comes the first one featuring four fine efforts that showcase his broad house style and find the Ibiza based, Diynamic associated producer in the form of his life.

Up first is 'Standing Still Is Moving Backwards' a track that serves two purposes as it is a perfect peaktime techno opener or the sort of track to bring a break in between big moments to let people breeze before you fire up the next gem. It´s fresh in every way and shows the producer coming at techno from an exciting new angle. Next is 'Fire and Ice', a dark, analog, melodic track with crisp in-your-face hi hats but also deep melodic vibes. The title describes this fine fusion of sounds perfectly as it goes deep and moody with warped synths and menacing bass.

On the flipside, 'The Watergate Affair' features vocals from Lou from the GHEIST agency after the pair met at Watergate and HOSH instructed him to "go further with this. Experiment with your voice. Go somewhere where you haven´t been yet, don't be scared just do it.' And he nailed it with a beauty hard to describe in words as HOSH lets the vocal shine with a simple straight forward reduced techno beat. The outcome is a surefire festival anthem in the making this summer.

Last but not least is 'Natalia's Lullaby', the closing track from the album that was written for HOSH pregnant wife. The resulting track is beautiful and filled with emotion that will make any set that bit more special.

This gem from 1998 is produced by Jean Frank Cochois aka Jeremy. A set of atmospheres: deep, tech, chill, which will make you travel through time. "Spiritual Reality" is considered a timeless classic in the deep-house scene.

Focus On Egoless return with further outstanding vinyl output this Spring with four tracks crafted by label founders, Moray & Different Reflexion, and includes a heavyweight remix from local hero, Carlos Sanchez aka Lowwaxx. The “Subida Peligrosa” EP is jam packed with glitchy broken drums, and electro enthusiasm, all fuelled by acid injections bringing the rave nostalgia.

Opener “Dalema Raca” chugs along, immediately letting you know the flavour of the day from the Gran Canaria duo, energetic club room sounds from the get go.

Title track “Subida Peligrosa” takes you on a mysterious wander through curious, almost sinister synths, and hypnotic drum loops. You can just imagine this track slicing through an after hours dance floor with great impact.

Kicking off the B side is “Pauntema” which enters with real tenacity due to the crisp breakbeat drums before you are met with dreamy pads, and a sub heavy bass.

Lowwaxx takes the beautiful synth sounds, and amalgamates them with a more direct and 4 by 4 energy in comparison to the original. Both versions will no doubt make their way to record bags of devoted diggers.