The first installment from Luv On Wax features four pieces of finely tuned house and break music in physical form. Dreamy soundscapes, slick rhythms, and a fresh infusion of minimal flavor.
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Banoffee Pies Records 17th Original Series release comes via a 4 track Solo EP from Gallegos, making a return after his debut EP "Mad As Hell" in 2018. Along with multiple appearances on compilations and other series on the label, this record is a nostalgic reflection of UK club culture. A "Sentiment Of Love" - the EP title and opening track is a tribute to a different time.
A positive selection of tracks, starting on the A1 with a Winehouse sample, immediately carves the path for what is always a collection of expert sampling from our longest standing label member. The A2 offering, "Put Me In", is a beating club anthem full of heavy distortion and all the acid lines you'd hope for in a moment at the back of a club. A feeling evoked. One Mitsy down.
The B1 "Together Flyin' High" continues this moment with an elevating vocal and ringing synths layered with Broken Beats and the heavily percussive drum patterns Gallegos' sound is so closely developed around. The last track on the release "Before Or Since", immediately teleporting you to the end of a night. Something inward, for a time and place, future or past. BPR x
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A collaboration between two talents who initially broke through on the White Isle several years ago, Jamie Jones and Darius Syrossian deliver the We Bring It EP on Jones’ seminal label Hot Creations. It’s not the first time the duo have co-produced together, with previous releases like Rushing and Eyes Of The Night displaying their dynamic approach. Their latest release brims with bright melodies and club-driven energy.
The title tune unfurls with chunky kickdrums and a chopped-up, speedy vocal sample that winds between a thwacking bassline. A touch of tribal percussion bounces throughout the track, reflecting the Balearic vibe for which Jones and Syrossian are celebrated. On The Best Thing, a stabby synth-line breaks up a wavey and tripped-out soundscape. A vast bassline dominates, with a rave-ready feel that shimmers throughout the track.
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Repress from the PCP14, an acid House deep dark production over-expensive nowadays because defenitly didn't get a riddle !! BIG !
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Suena Hermosa return with their 10th imprint on wax, the first imprint of what is also the label’s celebratory 10th year of releasing exclusively on wax… This very special edition of the original SH vinyl series presents the incredibly talented Glasidum, one of the most prevalent artists on the scene to keep an eye out for in the times to come, hailing from Argentina, with his fierce debut stamp on the label, and a truly epic journeyman remix from none other than the legendary founder of tech house and the renowned Wiggle (London) movement, Terry Francis.
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DEBUT RELEASE FROM SEB JAY. A TRIBUTE TO ADELAIDE’S RICH CLUB HERITAGE. THE LABEL IS A PRODUCT OF THE CITY’S RAW DO-IT-YOURSELF ENERGY.
THIS IS OUR LITTLE CONTRIBUTION TO THE ADELAIDE HOUSE SOUND WITH CLUB-READY DANCEFLOOR MUSIC FOR THE WORLD. PROUD OF OUR CITY’S HERITAGE, GRATEFUL FOR OUR CURRENT OPPORTUNITY TO SHARE MUSIC & EXCITED ABOUT THE FUTURE WHILE BEING ONE PART OF SOMETHING MUCH BIGGER.
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The EP also includes a remix of the popular single ‘SAMO’, which
spent four weeks on the BBC 6 Music playlist, accompanied by an
animated lyric video paying homage to the graffiti tag it was named
after by Al Diaz and American artist and wunderkind, Jean-Michel
Basquiat. The final track on the EP is a remix of ‘Waiting on a Train’,
presenting a new and special version of the original song, with the
presence of featuring artists Ellen Beth Abdi and Chunky remaining
strong.
Formed in 1978 with a core line-up of Jez Kerr, Martin Moscrop and
Donald Johnson, A Certain Ratio emerged from the hallowed grounds
of the late 1970s punk scene, and from that day on they’ve moved
forwards with gleeful disregard for the boundaries of style and genre,
their eye fixed firmly on constant progression.
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Evasione Digitale is a new label devoted to the Italian Progressive sound of the 90’s. The label is kicking off with the reissue of "Punto G,” the sought-after Italian Techno 12” originally released on Spock in 1995, under the umbrella of Leo Mas, Gemolotto and Fabrice. The "Triade,” with their influential labels, coined a trademark sound for the city of Udine, creating a solid acid kingdom and giving space to modern experiments.
Produced by Fabrizio Vascotto (Skeela) and local dj Marco Bellini, resident in cult clubs like Area City and Aida, "Punto G" sees the light again via Torino and Berlin.
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Now, this release is really special. Warsaw's finest producer, envee (yes spelled in lower case) has been around the block since the early 2000s and is arguably Poland's #1 producer of underground dance music...with soul.
With a sound that often leans towards the UK underground, we thought that we should enlist one of envee's (and our) fave producers to remix his new Local Talk release; Manchester’s finest Zed Bias.
We asked Zed to give us that deep, soulful 2-Step rub but with a slight jazz edge and boy did he deliver.
Not only did he remix one of the tracks, he got so inspired and remixed both tracks...don!
It's proper UK deep UK 2-step / garage that will work in any (!) decent club. Yup it's that good.
We of course need to mention the original mixes from envee himself.
Sum Luv is a warm and melodic hip hop / soul jam with a slight Dilla(ish) backbeat. A proper tune!
Styrax sounds like a killer jazz-funk banger straight out the Bugz In The Attic playbook with jazzy Rhodes, breakbeats, big strings, and a bad bassline. West London meets Wars aw...bam!!
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Ibiza Global Radio is a global reference point for electronic music in the world. Born in Ibiza, for Ibiza and for the rest of the world. A unique sound in an unusual style and excellent “music selection criteria” make Ibiza Global Radio a staple in the genre, so much so that it has a loyal audience of more than 18 million unique monthly listeners worldwide.
Ibiza Global World, a virtual, physical and multimedia platform where radio, TV, events and social media allow the World to experience the White Island, its love and freedom, 12 months a year.
Thanks to this first LP, the label "IBIZA GLOBAL RECORS" is
born. This LP is designed in a unique and exclusive package with 6
tracks with a new electronic sound, created by 6 Great Artists for Clubbing, available for now only in physical format LP and the exclusive worldwide is controlled by "Self Distribuzione S.r.l."
From July 30-31, the project will be presented at the mega event IBIZA GLOBAL FESTIVAL which will be attended by Top DJs like “Luciano” or “Nic Fanciulli” or “Jose Maria Ramon” (Artistic Director of Ibiza Global Radio) and many other Top Djs from all over the World with an expected attendance of over 40 thousand people on one of the most beautiful beaches of Ibiza !!!! Stay tuned
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Who would be better suited for remixing the Skudge classic? It's not a far-fetched idea, as we now see the remix 12" of Convolution featuring Levon Vincent.
Classic late 00s Levon Vincent style of rhythm and pace meets Skudge's hallmark sound.
It's been over a decade since Skudge took charge and urged us to "Give it all up". 'Convolution' forged two distinct genres while avoiding the trap of losing the attitude of both. The track was a strong take on Techno and House simultaneously and brought something new and interesting to the table.
Fast forward a decade since this effort marked the beginning of the Skudge journey, which not only caught the middle ground between Techno and House but also the ears of fellow producer Levon Vincent.
Levon is a prominent name in the oceanic underwater funk, touching strands of Dub, Techno, and House.
Levon delivers two versions, where the Scream Version captures the UK sound of anarchistic basslines similar to 'Basemental' from '95, on the A-side.
Flipping over to the B-side, one can hear the 'Convolution' atmosphere echoing between Levon and Skudge respectively.
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When Claude was hunting for tracks to include in his 'Live in Detroit' album, he came across Chambray's 'Evenue' , which ended up making the final mix in his recorded Movement set. When we reached out to him about it, the Berlin artist sent us 4 demos and we signed them all. With an influence from the early stripped down jack sound of the Midwest, Chambray's productions add a polished style and wide range of musical character, both of which are in full display on his 'Where You At' EP. It's not easy to create a 'signature' sound that both crosses boundaries and also appeals to them all, yet Chambray's particular music feels effortless.
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“Muzik Fantastique! is another example of their hidden talents” – NME. 1993’s Muzik Fantastique! will receive its first ever vinyl issue in March. The album finds Chris & Cosey in one of their most dynamic and melodic periods with an album that slides towards subtler grooves and textures.
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DMX Krew announces his return to Peggy Gou's Gudu Records with a new four-track EP, sharing the dreamy, Detroit-inspired title track, ‘Return to Jupiter’.
The full EP - out 14th April 2023 - will be his second release for the label and Gudu’s first release of 2023, set to be the label’s busiest year yet.
Ed DMX made his debut for Gudu with 2019’s Don’t You Wanna Play? EP, becoming the first artist to release on the label outside Peggy herself. Ed and Gudu have retained a regular working relationship ever since: he mastered Indonesian crate-digger Dea’s ‘Glazer Drum’ release for Gudu, contributed a pair of remixes to the reissue of Riff’s South African electro curio ‘Jacks Jive’, and now returns to the label with Return to Jupiter, a new original four-track EP.
Ed has been one of electronic music’s most respected faces for over 25 years. Debuting in the mid-1990s, he released his first decade of music almost exclusively through Grant Wilson-Claridge and Aphex Twin’s Rephlex label and his own Breakin’ imprint, but recent years have seen him ply his trade across a who’s who of dance music’s most respected underground labels: including Hypercolour, Balkan Vinyl, Central Processing Unit and, of course, Gudu.
Inspired by the futurist funk and vivid synthesiser epics of classic Detroit, ‘Return to Jupiter’ is dripping with richness and colour, driven by the sort of thick analogue basslines and distinctive melodies that have come to define Ed’s catalogue. The EP’s title track sets the tone for what’s to follow, introducing a language of sorts for the record - before ‘Altered Chords’ turns the funk up to 11, ‘U Ain’t Down’ aims its distorted kicks and wiggy, manipulated lead straight at peak time dancefloors, and ‘I Love Juan’ closes the EP on a star-gazing tip.
Founded by Peggy Gou in 2019, Gudu releases music from a global roster of artists, including DMX Krew, Maurice Fulton, Hiver, Dea, Mogwaa, Brain de Palma, Dukwa, JRMS and Peggy herself (including the hits ‘Starry Night’, ‘I Go’ and ‘Nabi’). 2023 will see Gudu’s busiest year to date, with new releases scheduled from the current roster and some exciting new faces.
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Repress
Genius of Time for Running Back! Finally Making the esteemed 'Juno Jam' - known and dearly loved since John Talabot's DJ-Kicks contribution - available to a wider public for the first time, the Gothenburg couple draw a whole tribal-vodoo-house-ep around it. Percussion happy and as spiritual as a Green Mass, it would make Joe Claussell proud. Bass drum, djungel muzik!
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Gjidoda Music comes with mute city release that presents the underground city vibe-sound and is shaped on music sound by retaining minimal dub dark tune street-elements
Unique music, modern photography and minimalist design are the three pillars that set this label in motion. Our team don't impose our opinion on you, we just want to share it with you.
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Following his recent Australian tour, Modeight label mastermind Silat Beksi now connects the dots between Europe's thriving minimal underground and the emerging scene down under by showcasing Aussie modular specialist Venda for Modeight's 8th vinyl release. After early 12" outings on Norse Projekt & Subsonic Music, Venda now presents his most accomplished work to date - the darkly accented and introspective "Ovio" EP.
Here is more definitive sonic proof that there is something special brewing on the island continent. With the Aussie revealing 3 deeply rhythmic cuts, awash with subtle artefacts and submersive hues. His dynamic approach to production results in a perfect union with Modeight here, as the imprint continues to explore the farthest realms of minimal music.
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The Humanoids are back in action with more music from the vibrant Liverpool scene, in the shape of a tasty EP from the in-demand Aerofunk.
On the A-side, “Call Me” sets the vibe in style, weaving a big bass with hypnotic synths and an irresistible vocal sample that does the business on the dancefloor. “F.O.U.” follows up with a punch, its bassline bobbing and weaving around a crunchy beat with power.
Over on the B-side, “Bumpin” keeps up the energy in naughty fashion, whilst “Hugh Mungus” gives a nod towards a more electro sound with relentless drum and synth work to round off a high energy EP full of bombs.
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For the first Feel My Bicep release of the year, Brassica follows up on his previous FMB outing ‘Time Tunnel’ with a new 4-track EP entitled ‘Crystal Sea’.
Brassica embodies the electronic music of Folkestone-based Mike Wright. His sound is invented by harnessing warm memories of music-past, exploring the overlaps between 90s Electronica, 80s Synth-Music, 70s Prog, and 60s Experimental Electronics - combined with modern production techniques and a deep love for Soundtrack-esque narratives.
His return to the FMB label with ‘Crystal Sea’ is hotly anticipated - 4 fictitious journeys composed by staring into the abyss and placing one foot in front of the other. The compass moves this time towards early memories of the Electronica and Dance music he found so inspiring, to a time of abandoning his teenage Metal bands and beginning to dream of new musical territories. With a tighter sound, clearer focus, and commitment to this unexpected trajectory, these tracks mark both the beginning of a new chapter and a spiritual full-circle for Brassica.
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Damiano’s 'PETE' is indebted to those feelings of anticipation for nightlife to return, nowhere is that fell more than his beloved Robert Johnson (where he's resident) and with a new chapter about to start this summer D's trio of heartfelt ravey corkers couldn’t come at a better time.
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Roberto Surace and Cosmin Horatiu head to Bamboleo to close August with their split EP ‘Sintonia’.
Launched in early 2019, Neverdogs’ Bamboleo Records imprint has quickly emerged as a go-to outlet for fresh productions for the industry’s biggest names within house and tech house, with support over the first four releases to date from the likes of Marco Carola, Stacey Pullen, Jamie Jones, Paco Osuna and Oxia to name just a few.
Next up, the Italian duo welcome Rome’s ‘man of the moment’ Roberto Surace, following releases on NONSTOP, elrow and Noexcuse, and rising Romanian talent Cosmin Horatiu as each artist delivers two tracks forming their split release entitled ‘Sintonia’.
Roberto Surace’s ‘Sintonia’ opens the package as the Italian opts for slick, rolling grooves that snake amongst soft floating melodies, before easing into second track ‘Subtitle’, featuring hazy synth lines, punchy kicks and rich chord patterns throughout.
On the flip, Cosmin Horatiu’s ‘Milk & Egg’ ups the energy levels with metallic drum shots, off the wall vocal samples and bubbling bass patterns, whilst switching things up and laying the focus on organic percussion hits and sizzling hats with closing production ‘Make It Rain’.
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We are thrilled to present “Great Wise Chief. “ A follow-up to the “Fela is Everything” digital single homage to Fela Kuti.
For the encore, we feature Dele Sosimi. The London-based Afro beat Maestro, was at the heart of Fela Kuti’s reign and movement. Dele brings fresh insight to the package. In this direction, Dele Sosimi drops a wicked spoken words vocal salutation to Fela with gorgeous synth to keep the horns and groove going. The production incorporates modern Afro house to reflect the upbeat tone of the spoken phrases. We also invite Trinidadian Deep to contribute a stunning Afro Caribbean remix to this sequel.
A beautiful Afro house vinyl EP package with two titles is the result of this fresh release.
Similar to Fela is Everything, DJ Said, the founder of Fatsouls Records and the legendary Moroccan Cee ElAssaad, collaborate to produce the Great Wise Chief.
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Henrik Schwarz'first work for Running Back and concurrent solo piece since 2013 is a prime example of the man's uncanny production abilities. Recent years saw Schwarz more and more gravitating towards the intersections between electronic music and jazz, classical compositions or african sounds than serving the weekly bread and butter at clubland's busy buffet car. Now, Not Also You is a return to exactly that honourable craft and service. Built around an imagined and imaginary curtain lecture from a saint to a sinner and housed in one of Henrik's 'most techno' looking robes as of yet, it's a no-brainer or shall we dare say a reaper of a track - without frills but with a Fata Morgana like rave signal. Oh, there is a dub for snobs (Not You Also), too. Peak time, high time, any time. Nice sleeve on top.
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UNOS, a Belgian artist with roots in the Philippines, has long been a part of the Darker Than Wax family, repping the label in Europe and beyond for a number of years through her parties and DJ sets. As she begins to put her unique productions out into the world, we are pleased to give her first release a home on the label.
Borrowing its title from the exuberant Filipino dining tradition - a communal, bare-handed feast among friends and families - UNOS' debut EP Boodle Fight highlights her sincere love for communities forged through club culture. The release was conceptualised during her first Asia tour through Singapore, Bangkok, and Manila in 2019, where the artist became acutely aware of the crucial role that community plays in sustaining a culture. Shortly after these foundational travels, the pandemic threatened the lifeblood of this
culture, prompting her to draw on her feelings from the tour to maintain hope. With the release of the EP, UNOS revels in the return of togetherness to club culture after the pandemic - just like a musical boodle fight.
Boodle Fight ties together this celebration of community with a number of other influences and experiences in the artist’s life. First single ‘Angermanagement’ is a ballroom-inspired roller, focusing on contemporary voguing culture’s ability to translate anger into queer empowerment. ‘Powerslide’ is a piano-driven house cut that attempts to capture the energy of a legendary Darker Than Wax block party in Singapore in 2019, while the frenetic pace of ‘Headlock’ evokes imagery of a crowded club scene that the artist sorely missed in 2020. True to the spirit of a Boodle Fight, the bright chords and bouncy rhythms on ‘Flavourtown’ imagine the best aspects of an inclusive space where diversity is celebrated like a buffet. Closing out the record, ‘Loveletter to Summer’ reflects on the tropical warmth of her roots in the Philippines. Boodle Fight manages to pack in quite a few themes and inspirations, while still maintaining a polished consistency from front to back, and announces UNOS as a producer to watch.
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An avant-garde maestro from Valencia, Upercent fuses classical instrumentation with electronic equipment to create a sound that is totally unique. He tantalises the dancefloor with sultry rhythms, infectious melodies and weaving narratives that buck the trend for simplicity. Upercent’s music tells a story, it captivates and entices, creating unforgettable moments. There’s melancholy, euphoria, moments of high energy and an energy that is hard to resist. With releases on Kompakt, Watergate, and Diynamic, he has a first-class reputation and we’re proud to welcome him on board here at TAU. The ‘Regal No Material’ EP features three distinct cuts that further demonstrate Upercent’s production prowess…
On side A we have ‘Malson’, a sombre production with simmering energy and a level of depth that is rare to find in most of today’s club music.
The persistent thud of the drums feels tribal, while Upercent steadily builds the atmosphere with intelligent programming. A stepping beat keep this cut moving forward, while the menacing allure is second to none.
The second cut is a collaboration with British group Stereo MCs. ‘Endless’ keeps things dark and deadly, with an ominous instrumental supporting the prophetic spoken word. Upercent’s production is exceptional here, creating a piece of music that transcends the dance floor and stands alone as a piece of art in its own right.
Closing the EP is ‘Theremite’, which works around a techno trope, utilising a hefty kick drum and grainy industrial effects. Like the rest of this release, Upercent incorporates a variety of unusual sounds and layers to create an unnerving atmosphere that gets the body moving while provoking the mind and lifting the spirit.
There it is… A wonderfully dark, quirky and utterly contagious release from one of the most progressive artists around today. Wonderful!
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New school techno pioneer Avision will release his debut album ‘In My Mind’ on Ellum Audio this winter.
Avision grew up around the rich club culture of New York City and is now part of a new wave of artists defining the contemporary techno landscape. In just a couple of years, the American has become an absolute mainstay on labels like Drumcode, Machine, and We Are The Brave. His hard-hitting productions have found their way into the record bags of tastemakers like Adam Beyer, Maceo Plex and Chris Liebing. At the same time, he has been featured everywhere, from The Brooklyn Mirage and Time Warp in New York to festivals like Elrow, The BPM Festival, Electric Daisy Carnival and Dockyards. Now he offers up ‘In My Mind’, a widescreen artistic statement across 13 immersive tracks.
Says the artist, “I’m truly proud to share ‘In My Mind’ with the world, as I feel like this is another side of music that people haven’t heard from me. This album touches on a little bit of everything, and I wanted it to represent where I’m from. 90% of the album was written during the time we couldn’t be ourselves and do what we love, but I turned that frustration and disbelief into an album with emotion and meaning. I couldn’t be happier with the final outcome, and I hope everyone enjoys it.”
The LP kicks off with ‘Real Talk’, wasting no time getting going on a lush wave of Detroit-style techno full of hi-tek soul. 'Cut The Rope' features Robert Owens, the legendary house vocalist who lights up the deep, driving house drums with a typically impassioned vocal. The energy levels stay high on 'No Disco' with its oversized hi-hats, nimble bassline and chattery claps, while 'Baby' traps you in metallic techno loops with a playful vocal sample. After the bright lights of lead single 'Contrast,' and grinding peak time weapon 'In My Mind' is ‘Ground Rule’, an atmospheric spoken word interlude about NYC.
The album’s second half kicks off with the far-sighted cosmic pads of 'I'll Take You' with Xander and has you lost in another world. There is angst in the tense synth loops of interplanetary techno cut 'Your Soul' and hands-in-the-air trance energy on 'Where I Want To Be.' The monstrous 'All Night' is another wall of rich synth sound over big drums, and 'Lost Symmetry' then releases the pressure with a more dreamy melodic vibe built on tumbling breakbeats. 'In Your World' closes in an uplifting fashion across eight minutes of cantering techno and epic synth work.
‘In My Mind’ is an accomplished and adventurous album that takes melodic techno in bold new directions.
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At last Bernardo Mota makes his debut on vinyl and this is not one to be missed! Simple Times 1 hits the shelves hard with deep, bouncy vibes that capture Bernardo's essence at his finest - Simplicity and Groove are all we care about. This is a bundle of slapping, deep tunes ready for the dance-floor!
This work is stamped with a timeless feel good attitude that Bernardo has gotten the reputation for and we have made sure to press all those vibrations on wax.
Includes a tasty dub dub Remix by Italian maestro, Ezzy!
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Halvtrak returns to Cold Blow with techno-romantic rave escapism, riding Chi House-leaning rhythms and intergalactic Techno sculptures. If his previous “Images By Night” dealt with things nocturnal, Digital Dawn opens the curtains to a blue-eyed retrofuturism, bursting with colour and spark.
The A-side shows Halvtrak at his most upbeat vibe to date. X-pressed and Rhythm Overture teleport us on a nostalgia trip to the acid, rave and breakbeat era which is re-imagined by an artist too young at the time but who parsed the ethos from the artefacts of its heyday.
The B-side throws a deeper counterbalance to the release. Born out of studies in the Chicago house tradition, Phase Distorshun quantum leaps into a turning point in time where disco influence was long abandoned and sights set into the unknown deep space.
The closing number, Doubt, does not relent on the 4-to-the-floor but turns the gaze inward, exploring our inner vulnerabilities while musically standing on the shoulders of New York-style house and the early UK-produced Detroit Techno a la B12, Stasis and the like.
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