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House Novedades
On the release number 013 with the first Remix for the Blackfox crew, the catalogue number 014 completely devotes itself to the Belorussian DJ, producers and label owner Pasha joint, better known under the likeable alias Trockensaft. With nearly 30 releases in the back anything but a unknown in the business! With a thick, percussive groove frame the sound trip rolled out on 7:30 minutes starts. Slowly and steadily a slightly drunken melody pushes in the hypnotic sound events which are maneuvered movement Saxon between head and hip in an inimitably nice sloping situation which brands in the shimmering heat of a summer day full of pleasure on the open-air meadows declared to the dancefloor of this time in the feeling memory of every body fiber. In the Remix of Toureau the small pieces-hypnotic momentof the original divided into a punching, straightened dance approach with a not to be denied Oldschool note. Then the vocal track brings finally the
hymn factor during euphoria account and at the latest now there is also for the most drunken hero of the night to no more holds! The Zielscheiben Recordings Owner and Frankfurt master of the banging Elektro with affinity to deepen Techno tracks, Ziel 100, just plays those cards in its Remix completely: the rhythmical Backing and the melody curves are borrowed from the nicest moments by classical Elektro and just the melodic Bassline brings that kind of depth in the track which evryone will love in deep Techno also in hundred years like nothing else in this world.
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- A1: Section 25 - Looking From A Hilltop (Megamix)
- A2: Certain Ratio - Wild Party
- A3: Blurt - Puppeteer
- B1: Quando Quango - Atom Rock (New York Remix)
- B2: 52Nd Street - Cool As Ice (Restructured By John "Jellybean" Benitez)
- B3: Royal Family & The Poor - Art On 45
- C1: Swamp Children - You've Got Me Beat
- C2: X-O-Dus - See Them A'come
- C3: The Durutti Column - For Belgian Friends
- D1: Shark Vegas - Pretenders Of Love
- D2: Marcel King - Reach For Love (New York Remix)
- D3: Abecedarians - Smiling Monarchs
Strut present an essential new retrospective of Factory Records, the seminal Manchester club-turned-record label set up by Tony Wilson and Alan Erasmus. Compiled by Bill Brewster of djhistory.com, the album places the spotlight on some of the label's early dancefloor-based work across key 12" mixes and rarities, from the unmistakeable productions of Martin Hannett to more unheralded backroom work by New Order's Bernard Sumner and A Certain Ratio drummer Donald Johnson, under their BeMusic and DoJo monikers.
The album traces early experiments from Blurt's avant garde mutant funk to the fertile post-Joy Division period as the label's unique, coruscating post-punk sound took shape through seminal bands like A Certain Ratio and Section 25. The album also expressly documents Factory's strong links and cross-pollination with New York's 1980s club culture, as New Order joined forces with producer Arthur Baker, fresh from his pioneering electro work with Afrika Bambaataa, and acts like Quando Quango and Sweet Sensation's Marcel King enlisted NY remixer Mark Kamins for tough-edged club treatments. Factory bands including Quando Quango would also play live at some of the city's seminal nightspots, including the Paradise Garage. The compilation also touches on some of the wider directions explored by Factory during its early years - Durutti Column's melancholic beauty, the latin jazz and jazz funk of Swamp Children, Kalima and Tony Henry's 52nd Street and a track from the label's only reggae single, the Dennis Bovell-produced 'See Them A'Come' by X-O-Dus. This is the music that would provide the blueprint for the Manchester scene of the late '80s and Factory's heady later years - the Happy Mondays, James, Northside and the rest.
FAC. DANCE is compiled and annotated by Bill Brewster of djhistory.com and features rare artist photos alongside original label artwork by Peter Saville. The album is produced in association with James Nice at LTM Records.
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Limitierte 7" aus dem fantastischen neuen Mouse On Mars-Album "Parastrophics" auf Monkeytown mit einer neu überarbeiteten Mouse On Mars-Version des Haupttracks "They Know Your Name", einem der besten Tracks des gesamten Albums, sowie einem nagelneuen Remix des derzeit heiß gehandelten Produzenten Machinedrum (Merck, Planet Mu, Lucky Me).
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After a rip-roaring tour of the US with his live band at the end of
2011, a healthy wedge of new remixes under his belt for the
likes of David Lynch, The D¯, The Drums and M83,
Copenhagenës Anders Trentem¯ller remains in the spotlight.
Last year also saw the release of "Reworked / Remixed", a must-
have double CD release featuring some of the inspired
producerës favourite remixes, and his pick from remixes of his
music by other artists. The release was preceded by the mixed-
media collaboration with Efterklang in September 2011, where
both artists remixed each otherës songs in the "Raincoats vs
Tide" EP.
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Classic meets Tech House..... Strictly for the Clubs.... It's a Bomb!!!!
Drauf & Dran ist zurück auf Stylerockets mit seiner zweiten Single. Wieder zeigt der sympathische Berliner "Fips" das er das Musikgeschäft nicht ganz so ernst nimmt und serviert mit seiner Elise einen Techno Schunkeltrack aller erster Güte ! Neu interpretiert wurde Elise vom Berliner Upcoming Super Newcomer Alle Farben, ein enger Freund von Drauf & Dran, ein Team das sich schon für die letzte sehr erfolgreiche Produktion verantwortlich zeichnete. Drauf & Dran ist kein Akt der den straighten coolen, meist langweiligen Superminimal Sound sucht oder fordert, sein Sound ist tanzbar, frech und manchmal volkstümlich aber dazu steht der Akt, man sollte die Produktionen mit einem leicht verschmitzten Augenzwinkern betrachten und mit Elise ist ihnen ein weiteres Stück unbeschwerter Techhouse gelungen der den Weg in viele elektronische Herzen finden wird : !!!
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This recording contains 7 remixes by Mark Fell of the first three 12' singles released on the record label Sensate Focus in 2012. These were called '10', '5' and '3.3...'. The first of these, '10', was itself a reworking of materials from an earlier project by Fell and Terre Thaemlitz, released on Comatonse Recordings in 2012. The 7 remixes were written and recorded in June 2012 at the Upper Lounge, Chatham Street (UK) using a MacBook Pro running Digital Performer, FM8 (featuring manipulated DX100 and TX81Z presets), Battery and Razor; monitored and mixed with Sennheiser HD 25 headphones. Here hand claps are constructed from the Roland TR707 clap, two copies of which are detuned and panned hard left and right, with an additional Yamaha RX11 Clap 2 panned centrally; kick drums have been constructed with the Roland TR707 Kick 1 pitched up with bass content attenuated, overdubbed with samples from vinyl derived, it is assumed, from the Roland TR909. Two hi hats are used: the Yamaha RX11 Closed Hat 1, and a sample from Bassmental's '2 Daye Revisit (Kerri Chandler remix)', released on Nite Grooves, 1994. Recommended contextual materials include: 'Can You Feel It (Dubby Dub Marc Kinchen remix)' by Chez Damier, released on KMS, 1992; 'Hard To Get' by Choo Ables, released on E-SA records, 1993.
Additional DJ notes for playback synchronisation: Track 1 has a tempo of 137 beats per minute with a rhythmic loop of 30 units each lasting 109.49 milliseconds. Track 2, 126 bpm with 31 units each lasting 119.05ms. Track 3, 113 bpm with 17 units each lasting 88.5ms. Track 4, 128 bpm with 60 units each lasting 117.19ms, with inserted pauses of between 4 and 80 units. Track 5, 128 bpm with 16 units each lasting 117.19ms. Track 6, 128 bpm with 64 units each lasting 117.19ms. Track 7, 125 bpm with 31 units each lasting 120ms.
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Diynamics new member duo Hunter/Game suprise with their first Diynamic release. The two young boys from Italy, Emmanuele Nicosia and Martino Bertola, bringing a really nice groove with them! Its exactly the sound, Diynamic stands for: Deep Basslines combined with groovy, harmonic vocals add up to the newest Diynamic EP "Reckless Lady".
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A classically trained pianist from the age of six, Jarrah McCleary grew up in the sticky heat of the Northern Territory, Australia. His previous project, The Dirty Secrets saw the band working between Australia and London with iconic producer and engineer, Nick Terry (Klaxons, Libertines). After working on ideas for a new record for over two years, in early 2011, McCleary declared a new album and boarded the airplane, bound for Los Angeles. Between splashes of yacht rock, trop-pop and nods to Peter Gabriel (thanks to the iconic '80s Yamaha DX7 synth), a short summer experience in the 'city where dreams are made' lead to tracks tinged with hints of hopeful house music strewn with the sleaziness of Venice beach and too much free poured tequila. And so, Panama was born. Magic is a modern summer anthem. And what better way to celebrate the party season than some bonus remix action by the worlds most avid dance enthusiasts The Sydney-based quartet join forces with DFA heavyweights and Panama fans, Midnight Magic and Gavin Russom (The Crystal Ark) on remixing duties for their debut release.
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Official release of the previously unreleased album of the famous 12'' classic. ASSO' the alter ego of italian producer Victorio Pezzolla is something like a Italo Disco one hit wonder. The Do it Again / Don't Stop 12' has original been released in 1983 and is meanwhile one of the most sought after 12' releases from Italy. Unfortunately the related album hasen't been brought to the market back in the 80's. Victorio Pezzolla and Private Records rediscovered the original analog master tape some months ago in an archive of an Italian publisher. The absurdity that the music has never been commercially released leads to the fact that this masterpiece, a complete unreleased original 80's album, will be brought to you fresh and unspent in 2012. Italo Disco, Space Funk and balearic grooves are combining to an unique Italo Disco release. Limited to 300 copies
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In a time where music classification and compartmentalising of genres loses all meaning, Jon Convex has been at the forefront advocating a new wave of electronic music. His new solo album 'IDORU' (A Japanese word derived from the English 'idol') is his multi-dimensional sound projected into a new species of electronic music production.
Convex's roots were already planted deep in cutting edge electronica as one half of genre bending duo Instra:mental, who's impressive list of achievements include: the award winning Fabric Live CD (alongside long time friend and collaborator dBridge) and the groundbreaking Autonomic Podcast series; with downloads reaching up to 60,000 a month. Armed with his serendipitous artillery, his solo efforts still encompass much of what gained the Instra:mental team such adoration but also embrace a brazen lust for evolution.
The themes on Idoru are evident from the start. Influenced from a young age, growing up in a video rental store during the 80's and vinyl hunting in the 90's, these distinguished eras are stamped all over Idoru. The album is further fused with his previous production mastery pirouetting gracefully over his mutated Techno House repertoire. From the Autonomic inspired 'Fade' to the brooding tones of 'About Her' who's late night vibes and pitched vocals pay homage to Drexciyan project 'Other peoples place'. There is a clear statement that his Instra:mental heritage has ripened into a full blown party commander.
Jon reveals deeper into the essence of the debut solo album, "The album feels like a continuation of where I left of with the 'Resolution 653' album as Instra:mental. I've taken what I learned and moulded it to fit the direction I'm taking with Idoru. I've taken all my influences over the past 20 odd years and crafted an album that should appeal to both home listening and DJ abuse."
While Convex has seemed to have taken a still and confident pace to his solo work so far, the inaugural album will be accompanied with a live audio visual show on tour. It is very clear Jon has been busy. Very busy.
"I've been flat out writing the album, designing the art for the EP's and album, creating a live set and working alongside a visual artist for my live show. Over the last year every minute has been spent working or thinking about the album," he says.
The anticipation is hitting a crescendo.
Idoru is set for a July release with two very limited vinyl only EP's leading up to the launch. Each EP will be limited to 300 copies each and will feature full art and coloured vinyl all shrink-wrapped for the vinyl collector.
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"Survival & Resistance" - the brand new solo album by pioneering producer and On-U Sound founder Adrian
Sherwood is "a swirling maelstrom of skull-shaking, heavy electronic tones and masterful deployment of space
and alien echo, 'Survival & Resistance' is the sound of avant-garde dub music in 2012."
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5-track EP in a picture sleeve featuring fine exclusive remixes/edits by HOUSEMEISTER (Boys Noize Records), FUKKK OFFF (Coco Machete Records) and upcoming Techno-Wunderkind ETNIK. Vinyl limited to 500 units. Taken from the new BONAPARTE Album "Sorry We're Open" out on 17h of August. This is "New Electro-Bluesrave" from Berlins number one rock+roll circus!
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Be The Music' and 'Nervous Energy' eschew Scruff's cheeky sampling of yore and put rock hard rhythms built up into driving polyrhythmic dancefloor mania. 'Be The Music' combines them with a kind of digidubbed b-line, while 'Nervous Energy' is built round a classic funk riff played as all-over body-wobble. The results in both cases are hypnotic, powerful, and hugely danceable.
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Nach den heiss erwarteten Veröffentlichungen der "EP1 / Spock" und "EP2 / Single Blip" erscheint am 18.05.2012 auf Mute die dritte Singleauskopplung (12" und Digital). Die Remixe auf "EP3/Aftermaths" stammen von der berühmten englischen EDM-Formation LFO (Warp) und vom Mitgründer des legendären Raster Noton Labels Alva Noto!
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Nick van de Wall, born 9 September 1987, commonly known by his stage name Afrojack,(2) is a Grammy Award winning Dutch music producer and DJ. Born and raised in Spijkenisse, Netherlands,(3) He was listed as number 7 on DJ Mags top 100 DJs of 2011.(4) His 2010 entry into the poll at number 19 was the highest new entry of that year's list.(5)
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2009 had a busy start for Thomas Gold, with his first single of the year, a collaboration with Matthias Menck, 'Everybody Be Somebody' topping the international charts. Thomas' success continued when his anthemic remix of 'Delerium's' classic 'Silence' dominated the Beatport chart and picked up the coveted Beatport Music Award for 'Best Progressive House Track'.
Thomas' flawless talent as a producer has resulted in a string of massively successful single releases: 'Don´t You Want Me', 'Everybody Be Somebody', 'Losing My Religion' to name but a few.
His undeniable skill as a remixer has also seen him remix tracks for massive artists like Erick Morillo, Paul van Dyk, Roger Sanchez, Ian Carey, Antoine Clamaran, Alex Gaudino, Laurent Wolf and Peter Gelderblom.
With this strength and quantity of material its no wonder Thomas has gained such a massive following amongst discerning clubbers, Labels and other DJs. His tracks are hot property with Axwell, TV Rock, Syke`N Sugarstarr, D.O.N.S., Dabruck & Klein, Stonebridge, Pete Tong and DBN all counting themselves as fans of his work.
Thomas has recently closed the deal with renowned UK label CR2 for his new production in collaboration with Lee Cabrera, a new and fresh version of one of the biggest Ibiza anthems ever - 'Shake It'! -So rest assured his next single is already in the pipeline ...
Always finding innovative and exciting ways to develop tracks, this talented and musically gifted producer's music is filled with energy, soul and strength. Thomas' deep devotion to music started early in life: by the age of 7 he had learnt to play the keyboard. And the rest, as they say, is history.
Creative production skills, pioneering mixing talent and the interesting fusion of house and electro styles are why so many international labels are interested in this exciting artist, amongst others: CR2 (UK), Ministry of Sound (UK), Positiva (UK), Nero / Joia (Sweden), Vendetta (Spain), Cyber & Scorpio (France), Time (Italy), Ministry of Sound (Australia), Universal (USA), Egoiste (Switzerland).
The magic you hear in his productions is just as evident in his DJ sets. The earthshaking basslines and cutting edge electro house beats tear apart clubs throughout the world as Thomas' intuition sets dancefloors on fire and keeps the crowd rocking 'til the early hours.
So what gives Thomas the drive to work day and night the studio until the track is tight
'The greatest thing, is to see and feel the vibrations when I first play a track to an audience. Spinning my latest stuff and watching from the DJ booth as the crowd get excited and begin to go crazy gives me an amazing feeling that words can't describe! That's what pushes me!'
Thomas is constantly travelling around the world with his unique and distinctive 'Golden TG Set', playing is own productions and remixes. After a busy 2008, touring through Brazil, Indonesia and Australia, 2009 started with an impressive show at Queen, Paris where Thomas celebrated his birthday, followed by hot DJ sets in Miami and across Europe, tours through Canada and Brazil.
It goes without saying that Thomas Gold is spinning in all of the hottest places around the world; Queen and Mix Club in Paris, Pacha in London, The Week in Sao Paulo and Rio De Janeiro, Fabrique in Moscow, Circus in Montreal, Peter Pan in Riccione, Passage in Vienna, Grodan and Solidaritet in Stockholm, Tank in Sydney, and of course on the white island, Ibiza, where he played at El Divino, Space and Privilege. Not forgetting the German venues, especially his residency at Munich's finest house club '8 Seasons'. Alongside all Thomas' live gigs, he also finds the time to do regular radio shows, like 'Friday Nights' with KCB in Australia, 'The Edge' with Maximus around the globe, RTSFM in France and Rise FM in Hungary.
From the stamps in his passport it's easy to see that Thomas Gold is growing as an international success and looks set to go from strength to strength.
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The follow up to last years "Planet X" is finally here. The Pistache EP is dripping with more juicy analogue sauciness and happy arpeggiated accidents than you can shake a Juno 106 at!
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- A1: Onyx - Robot World
- A2: Calling Hearts - Return To Base
- A3: Savant - Stationary Dance
- A4: Onyx - Call Of The Wild
- A5: Mld - Dynamo
- A6: The Kiliwax's - Kili Watch
- B1: Pre Fix - Ectomorphine
- B2: Andy Giobino - Motorimkompf
- B3: Sun Yama - Subterranean Homesick Blues
- B4: C.u.b.s - We Don't Need No Carpet Beggars
- B5: Quick Culture - Quick Culture 1
- B6: The Gadget's - Termite Mound
- C1: Onyx - Dance Of The Robots (Moxon's Master Mix) Single Sided 12'' Red Vinyl
After the club tropicana sounds of Bang the bomb its time to roll the sleeves up and get down to the business end of this trip. Touching down on planet Subturanus in search of the real underground shit Light sound dark do not disappoint digging deep into its core and excavating strange alien like sonics which had previously been lying dormant. Onyx ''Robot world'' kicks things and what a start! hailing from Boston Massachusetts this 1982 cassette only release is almost completely unknown to all but a few. So ahead of its time with its production and ''Robots are taking over the world'' drone vocal this is an absolute must for people who are fascinated with the history of house music and is surely worthy as a missing piece on the ever expanding jigsaw puzzle.
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Following his earlier single release "(Call For) The Last Stand", which was his debut on Equinox in 2010, as well as his remix release for Ceschi Ramos' "Black And White And Red All Over", the "Euryphaessa EP" is a new great musical perspective on Andreikelos' vast talents.
A well known producer and engineer in Greece, Andreikelos may still be the best kept secret from the global Leftfield Electronica genre. Having created his own style with his significant drum pattern and synthesizers use this EP is adventurous as it is deep.
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- A1: Introduction (3:02)
- A2: City Of Dreams (2:33)
- A3: Over The Edge (5:35)
- A4: The Nightshift (0:52)
- A5: Paper Chase (3:29)
- A6: Outside Looking In (2:07)
- B1: Midnight Sun (2:29)
- B2: Behind The Wheel (5,29)
- B3: Thicker Than Blood (3:36)
- B4: A Sort Of Homecoming (3:34)
- B5: Winner Take All (3:29)
- C1: Death Mask (5:34)
- C2: Jackie's Eyes (3:33)
- C3: The Fading Faces (2:15)
- C4: Mind Games (3:14)
- C5: The Maze (3:59)
- C6: Threshold (3:13)
- D1: Flashback (3:56)
- D2: Blood Sport (3:42)
- D3: Survival Instinct (2:54)
- D4: Hall Of Mirrors (4:17)
- D5: Eulogy (2:58)
- D6: The Messenger (3:57)
- E1: Love Theme (1:56)
- E2: Through The Gauntlet (3:42)
- E3: Ghost Town (4:25)
- E4: Cruise Control (3:24)
- E5: Wave Goodbye (1:04)
- E6: Magic Gardens (2:05)
- E7: An Eye For An Eye (2:03)
- F1: The Point Of No Return (5:55)
- F2: Cremation (2:54)
- F3: The Nightshift (Reprise) (1:04)
- F4: Memories Are Forever
- F5: Echoes Of The Mind (1:22)
- F6: Streets Of Fire (4:53)
Three years in the making, Symmetry - the project that began as a conceptual tangent between Glass Candy, Chromatics, Mirage, & Desire's more abstract sides - finally sees its release this month. Themes For An Imaginary Film is two hours of claustrophobic cinematic bliss compiled for Painters, Writers, Photographers, Designers, Cruisers, Night Walkers, & Dreamers. Adrenaline drips thick like syrup across a horizon where memories become blurred scenes behind the windshield & yesterday's faces fade as the road strobes to aggressive rhythms. Romantic melodies linger in the rearview mirror as chimera bells saturate the electric fog that's slowly rolling in.
[N] C3 | THE FADING FACES (2:15)
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Als Michael - Michi' Beck und Thomas - Thomilla' Burchia 1994 in einem Stuttgarter Plattenladen zum ersten Mal aufeinandertrafen, war weiß Gott noch nicht abzusehen, welch kreativen Früchte diese Begegnung einmal tragen würde. - Wir haben unsere Musik mal als Electronic Wildstyle beschrieben, und das trifft es nach wie vor ganz gut', findet Thomilla. - Wir kombinieren stets viele verschiedene Elemente miteinander, sodass wir mit einem Mindestmaß an künstlerischer Narrenfreiheit irgendwann eine genrefreie Zone erreichen, in der wir uns schlussendlich erschöpft und zufrieden niederlassen.' Nach den beiden Vorgängeralben Classic und Smile ist das kommende Album einszwei wieder etwas vollkommen Neues geworden. Ein selbstkreierter Wildstyle-Boogie zwischen Cosmic-Disco, Classic-House und gelegentlichen Hip Hop-Backflashes. Ein discoides Pop-Club-Album im Spannungsfeld von 110 und 120 bpm. Eine kreative Annäherung an das Turntablerocker-Live-Erlebnis in Albumform. - von vorn', der erste musikalische Vorbote aus dem neuen Album einszwei , wird heute auf seine Clubreise losgeschickt. Selbstverständlich auch auf Vinyl - - denn die Welt ist eine Scheibe'. Die Turntablerocker werden bei Universal als einziger deutscher Act nach Giorgio Moroder auf einem der legendärsten Disco Labels veröffentlicht - dem sagenumworbenen Casablanca Records. - Zu viel Gefühl, zu wenig Zeit, zusammen mit euch zu allem bereit.' (einszwei)
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Limited vinyl only release. First on Livity Sound sister label dnouS ytiviL.
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4 Trackers Not 4 Kids Killa Bombs
- There are 2 types of EDM producers.
The ones who aren't instrumentalists in the first place, and the ones who are.
Bone Machine is definitely of the 2nd kind and you can feel it in his tracks:
A totally different level of grooviness,
way more hypnotic than your average electrohouse track.
Danzere is one of his finest works : Progressive structure,
mesmerizing bassline, cutting-edge synths.
-When trying to answer to the question "What comes after dubstep"
Some answer stupid stuff such as "progressive trance will come back"
and some bet on a better horse.
Pzyon definitely invests in the future with his glitch hop track Tomorrowland :
Organic basses, solid drums exploding on impact, and oldschool vocal loops.
-Is it possible to get a coherent result when you use 5 different synths,
each with a dozen of articulations,
and some filtered 70s disco samples on top of it well, apparently.
Troublegum's Too Many Parameters (hence the name)
layers strong pumpy subs with screaming
and growling basses but doesn't forget funkyness.
-filthy hybridation of dubstep and gabber (!!!) memories of rotterdam wakes up the robotic raver
inside you with its ternary rythm, hardcore kicks and aggressive synths.
having ingested all these energy drinks of various fluorescent colors was indeed a good idea.
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Profumo is the first release in the new Don't Be Afraid 10" series entitled DBA DUBS. This series is about teaming a London house dub with a 'techno-related' dancefloor remix. The first release comes from Claws For of Modern Soul Recordings (and formerly DC Recordings), with a remix from Miami's Gosub, who you will doubtless recognize from his releases on Citinite, Device and Frustrated Funk. Hearing is believing as far as the original goes, a soulful and expressive analogue house cut that will work in both day time and night time sets this summer. Gosub's remix is a sleazy, greasy Miami electronic funk work out which sweats and oozes authentic East Coast vibe
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Eglo Records' Fatima and Funkineven once again collaborate, proving to be an unstoppable force with an original take on contempoary UK soul and dance music. Fatima's universal approach to Funkineven's tilted West London swing creates a chemistry and understanding reminicent of the greats that came before them.
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First release on Kowton
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- CD 1: Gee Moore - "Good Lines" (Zeitgeistmovement Mix)
- CD 2: Matthias Heilbronn & Joeski - Equal Rights & Justice
- CD 3: Roberto Clementi - Motion A
- CD 4: Kosheen - Holding On - Kosheen - "Holding On
- CD 5: Gee Moore & Alan Prosser - War Like People
- CD 6: Vitamin G - Funny Bone
- CD 7: Christian Smith - Pressure Point
- CD 8: Layo & Bushwacka! - 5Am
- CD 9: Pig & Dan/Mark Reeve - Expand
- CD 10: Hernan Cattaneo & Soundexile - Japanese Snowbell
- CD 11: Funk D'void - Liqualove
- CD 12: Slam - Azure (Carl Craig C2 Mix)
This compilation is a celebration of some of the artists that we both admire & have had the privilege to grace the decks of Bora Bora, the most famous beach club concept in the world. Many of the tracks listed are exclusive to this compilation including Matthias & Joeski, Gee Moore and a worldwide exclusive from Layo & Bushwacka's forthcoming album Rising and Falling, alongside tracks from Christian Smith, Pig & Dan, Funk D'void & finishes of with Carl Craig's mix of Slam.
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