House Новости

Everything is just perfect for once. From the ambiguous band name to the cheeky album title
and the ten productions at hand everything hits the mark and therewith satisfies the spirit of
these times.

Cinedelic Records never ceases to amaze us and they are back again with the rediscovery of these two amazing and mind-blowing unrecognized gems (originally released individually in 1971 in ultra-limited edition), by the American transplanted to Florence, David H. Kimball (also known by the pseudonym Peymont) and Riccardo A. Luciani (who, for contractual reasons, could not use his name). Another two tracks are composed by Serena Marega.

Abstract, mysterious, evocative, experimental, futuristic and avant-psychedelic, ATMOSFERE is a fascinating electro-acoustic, industrial, dreamy journey that stands out in the panorama of Italian discography as one of the most original and unusual examples of psychedelia.



















[] D1 ATTESA NEL TEMPO
[] D2 TRA MARE E CIELO
[] D3 TRA MARE E CIELO
[] D4 MEDITAZIONE YOGA

The artistic achievement of Egisto Macchi was avant-garde not only for his immense talent and brilliance but for the quality that has managed to infuse every language he used, ranging from instrumental and symphonic music, musical theater, to library sounds more varied and articulated. Towering over all his passion and commitment, is the great inner need to break down the sectarian walls of thinking within categories. He had sensed that beauty could be located anywhere and that the biggest task entrusted to an artist was to leave the surface, always.

MESSICO and VIOLENZA came out originally on AYNA label, recorded in 1975 and 1976.

The artistic achievement of Egisto Macchi was avant-garde not only for his immense talent and brilliance but for the quality that has managed to infuse every language he used, ranging from instrumental and symphonic music, musical theater, to library sounds more varied and articulated. Towering over all his passion and commitment, is the great inner need to break down the sectarian walls of thinking within categories. He had sensed that beauty could be located anywhere and that the biggest task entrusted to an artist was to leave the surface, always.

MESSICO and VIOLENZA came out originally on AYNA label, recorded in 1975 and 1976.

The work of Enrico Gabrielli (Calibro 35, PJ Harvey, The Winstons, etc.) and that of Junkfood have crossed paths several times in the past in a variety of contexts and collaborations. But never have the two entities, so to speak, been under the same roof. This occasion is thanks to the Festival Hallo Bigallo 2014 dedicated to the figure of Piero Umiliani, where they were both invited to perform and do some readings from the repertoire of the Maestro. After the pleasant experience Junkfood and Gabrielli agreed to meet at the Vacuum Studio of Bruno Germano (Iosonouncane) in Bologna. And thus begun the "Italian Masters", an album dedicated to some of the greatest Italian composers of film scores. The result exceeds expectations, where the beautiful music of Umiliani, Morricone and Trovajoli are distorted and filtered by the sensitivity of the five, while maintaining their unmistakable identity.

What is most striking about this album is the incredible consistency despite the different authorship of the compositions and the very wide range of situations and solutions that musicians find themselves in, which results in a sound that is greater than the sum of both the proprietary songwriters and the individual performers. The quintet succeeds in the difficult task of standing tall against comparison with models and simultaneously develop their own poetic and independent sound, that make Italian Masters a real gem that is as much for the fanatics of film music as the newbies called to those shores by the sirens of Gabrielli and Junkfood.

REPRESSED !!
Zwischenfall formed in Belgium with Michael Sass (synths), Martin Urban (bass/vocals) and Stephan Kraemer (guitar/drums) in 1982. They were united by musical sensibilities that combined electronic and traditional instruments developing the basis for their 1982 demo recordings. By chance Patrick Codenys of the Belgian electro pioneers Front 242< heard two songs and decided to record a 4-song EP for the electro band's newly formed label Mask. The Heute' EP was released in 1983 after a week of recording in Front's private studio under the direction of sound-whiz Daniel B. Bearing in mind MIDI had not been invented at the time, the recording involved some extensive sound sculpting including the use of individual synths (PPG Wave, Syrinx, Roland System 100, etc.) for separate drum sounds. To create an organic feel to the combination of acoustic and electric guitar, a trumpet and a bass were incorporated into the electronic arrangements. Sonically way ahead of their time, Zwischenfall have a distinct sound with hard rhythms and melancholic melodies that blend minimal yet catchy electronics to create a very danceable production.

Finally repressed

Next up on Shipwrec is Umwelt, an accomplished electronic musician who used to release on New York electro label Satamile as well as the likes of Kommando 6, and his own labels New Flesh and Fundata. Hailing from Lyon in France, the artwork with this release comes from fellow Lyon artist Timoth

FlexiWave returns with the follow up to the acclaimed 2012 cassette 290.625'. This new 60C cassette boasts 14 freshly vetted tracks of finest obscure electronica. From the shimmering, pearlesque sounds of Lisa & Kroffes' "Rönnbär" to the dark and pensive Colouroids banger "Shove" and a new moniker from Silent Em & Portable Morla, Alta Dosis, 3375.1969' gathers a new clutch of artists set to earn FlexiWave another round of praise for their stellar compilations. Also on offer are Scottish/Icelandic duo Revigorators' Joy Division-inspired Post-Punk/New-Wave excursion "Black Out City", Black People's one-of-a-kind textures and caterwauling rhythms on "White Man Is The Devil", and nine other handpicked, finely crafted sonic gems.


Limited to 150 copies and all comes with a hand made inlay including download code for digital version of the release.

[

repressed !!

Francesca Lombardo has cultivated a sound of her own, one that is representative of her multi-disciplinary musical background and transcends the dance floor via an emotional narrative of dreamy soundscapes, stirring melodies, hypnotic rhythms, and unforgettable vocals.

Francesca Lombardo has cultivated a sound of her own, one that is representative of her multi-disciplinary musical background and transcends the dance floor via an emotional narrative of dreamy soundscapes, stirring melodies, hypnotic rhythms, and unforgettable vocals.

Italian-born and classically trained, Francesca carved her own path in electronic music, criss-crossing the globe as a DJ and live performer, whilst building up a formidable back-catalogue of music.

The sixth release in this series of eight opens up with Alexander Kowalski's remix of "Lydia To The Edge Of Panic" on the A-side. Kowalski's version is a pounding techno monster, with a heaving baseline and delayed chords, hinting at a more sinister dimension beyond the edge of panic. Trolly Route's (aka. Oscar Mulero) remix of "Miscellaneous Pt. 7" on A-2, lulls and hypnotizes with an acid-tinged interpretation of the original track, that nods to the plus 8 school of techno.
The B-side kicks off with Jeff Rushin's remix of "Little Green Apples", pairing the spacious and beautifully gloomy background atmosphere of the original track with a heavier version of its rhythmic framework. The final track gives us the re-mastered original version of "Confort Corpse", which displays Christian Morgenstern's uncanny dedication to exploration and his love for the 80s.

'tis the season to don your finest and party the night away to this year's biggest club anthems from the HedKandi dance floor.
Meet Miss 2017, the luscious locked lady with one eye fixed firmly on the future. She's ready to get down to these New Year's sounds in her high heals, under low club lights.
Getting glammed to the start of CD1, Miss 2017 selects the perfect outfit while Craig David & Sigala 'Ain't Giving Up' gets the good time vibes started. Zipping up a sequinned jump suit, Kungs Vs Cookin' On 3 Burners (Fabich Remix) makes her feel that it's all about 'This Girl'. She begins to move in time to 'Sunshine' (Zac Samuel Remix) by TIEKS ft Dan Harkna... Now it's time for the pre party.The HedKandi girl crew are assembling, and Miss 2017 is the leader of the pack... This most definitely isn't a 'False Alarm' as Matoma & Becky Hill take CD2 out for the night. It's time for the champagne to flow and as the corks pop, the chorus of Sam Feltd, Lucas & Steve ft Wulf 'Summer On You' drops before 'Living' by Bakermat ft Alex Clare provides a mantra for the night (Don't let nothing hold you down!)
A world class expert in the endless night out, Miss 2017 gracefully glides from cab to the club. Inside it's going off, and the HedKandi crew are the centre of attention. The Disco Demolition remix of Lee Walker Vs DJ Deeon ft Katy B & MNEK 'Freak Like Me' has everyone on their feet. Miss 2017 heads for the lounge and the cooler climbs of CD3. ATFC ft Hannah Williams 'No Victim Song' keeps the beats hot while she replenishes her glass. The hours go by and before she knows it, we're on the home stretch as CID's 'Together' provides the pounding piano she needs for one last turn on the dance floor...
HedKandi has led the party since 1999, so whether you're heading out to a winter soiree or home to an espresso martini, we've got the perfect partner for you... HedKandi 2017.

A limited white label press with two new tracks from Hot Chip / 2 Bears man Joe Goddard.

Limited to one pressing, this white label 12' features two new Joe Goddard productions - 'Lasers' backed with 'After Dark'.

'Lasers' has been receiving tastemaker club plays across the summer, appearing in DJ sets from Joe, Four Tet and Floating Points amongst others.

Milton Jackson returns and its worth the wait. Two club ready raw house tracks and the melodic charm of Territory.

Almost exactly a year ago Radio Citizen's third longplayer, 'The Night & The City (SK310CD / LP) was released on Sonar Kollektiv. The first birthday of the highly acclaimed concept album by the collective lead by mastermind Niko Schabel is celebrated with three gifts in the form of remixes and new interpretations.
Even two different treatments are present for 'Last Delight' with Natalie Greffel's comforting voice: One by Schabel himself, arranging the track slightly more hypnotical and dangerously voodooesque. The second remix comes via Moscow based Dima Studitsky. He cuts the song even radically further down to the bone floating between Industrial and Dark Wave inspired techno in a fog of a neverending night.
Together with Niko Schabel, Sound Voyage aka Tom Wieland reconstructed - Near And Far' from scratch and created a bombshell for the somehow a bit sweatier dancefloors.

after the megahit "go down" this one is the new smasher from the house keepers !!! we have the strictly limited upfront promo pressing with the dub version exclusive at deejay.de !!!!! official release date later this year !!!

in stock again!!

"When We Were Astronauts" is Twardowski's third solo outing on U Know Me Records and his first full-length LP. The album started as an exercise in creating an alternative soundtrack to a certain sci-fi movie - sketches for the tracks were laid out as illustration to particular scenes and sequences from the movie. Eventually, as the sketches started to form an album, the concept evolved into an impression about childhood dreams, manifested by the yearning to become an astronaut. All this is heavily filtered by the artist's 80's nostalgia and unconditional love for sci-fi movies, especially the kitschy ones.

Sonically, the album builds on Twardowski's formula for the previous two EPs: take some samples, add a truckload of synths and mold until a modern take on boogie forms. Touches of broken beat and cheesy 80s arpeggios are added to complete the sci-fi theme of the album.

Both sides of the LP feature vocal tracks: Borys Dejnarowicz appears on side A with a sort of a theme song for the album and side B features Misia Furtak in a lullaby for spacemen. The limited edition vinyl (300 copies) features a beautiful gatefold cover, designed by famous Polish designer Edgar Bak.

coole nummer irgendwo zwischen moguai, westbam und dj tocadisco....mit nem schuss daft punk "rollin´n´scratchin".......fett

Planeta Mix Records label Spanish Barcelona and Urban Life Recods Italy exhibit this double CD with 42 tracks UNMIXED with the best of Reggaeton , Latin dance and electro .

B12, one of the UK's first wave of pure techno acts, are back again to take you above and beyond with their trademark deep space techno and electro soundscapes. After appearing on the '5 Years De:tuned' album with the track 'Let Me Free', B12 return to De:tuned with more transient music for the mind.
Transient Life contains 4 new productions from B12 member Steven Rutter. Futuristic atmospherics and intricate drum programming are the order of the day, and there is a sense of mystery present that is both beautiful and haunting. Travelling without moving aptly expresses the feeling this music evokes. B12 manage to lay down another timeless slice of forward-thinking ambient techno, perfect for a journey into the space age.
All tracks were lovingly mastered by Matt Colton. The vinyl release is presented on 180 gr coloured vinyl with artwork by Abdul Haqq of Third Earth. A digital release will also be available. Stay tuned!

When WNCL012 hero, Kevin McPhee, dropped the unreleased Bobby Champs dubplate of 'Krenshaw' in his Boiler Room set last
year, the Cassette Library instantly knew that they had found their lucky star for WNCL013. With his trademark boxy drum sound
littering the contents of this EP, the man who likes '...making songs that make you want to dance' has done it again.

L.A.'s DON FROTH has recently been busy remixing Catelepsia, engineering for DJ Harvey and releasing on his own Froth'N imprint, not to mention his larger-than-life, limited release '10,000cc' for Phonica Records. Here he reminds us all that 138bpm is not yet a spent force. WNCL Recordings is proud to present BALBOA and VON - two trax offering super-fresh beats with exhaustingly endless twists and turns. Strictly for dancers.

KNOWING LOOKS kicked off 2011 for WNCL Recordings with with his much loved, hard stepping ABANDONED SKIP, backed with the acclaimed symphonic masterpiece that was LAST KISS AT THE PLAINS HOTEL. Jason Hopfner is back again to neatly tie up a busy year at WNCL HQ, unveilling the classically constructed epic LISTEN TO MY 45 - described by BEN UFO as 'lovely. gorgeous. slick. buff etc' ...and who are we to disagree. Just do what it says on the tin, then flip over for GHOST BABY - yet another fine example from Hopfner's rich and varied production cannon, melding super cool minimalism with party breaks. Merry Christmas from the Cassette Library!

2011 sees the ever-prolific Milyoo stretching out from his Kentucky base, heading for world domination and gracing South-East London's favourite Cassette Library with his presence along the way. Biogram v2 locks disparate vocal fragments and found sounds into a low-down, cranky House groove, peppered with a boogie down bassline and sweeping, straight-outta-Chi-Town strings. For the flipside, the in-house WNCL remix department selects a few choice clippings from the original to present a jam tailored for the trackheads with their feet on the dancefloor.

WNCL Recordings tenth and final release in its 10' series is WEST NORWOOD CASSETTE LIBRARY's own 'COMING ON STRONG'.The A side original mix was produced by Chris Simmonds, legend of the UK underground, and recorded at Cross Section Records' own House Proud studios.The B side remixer should need no introduction. Pangaea strips down the original samples to the bare bones and, predictably, delivers the unpredictable.

WNCL Recordings continues the 5th Anniversary celebrations with this appropriately titled 4 track EP of underground goodies from label boss, Bob Bhamra - a selection of unreleased and previously dubplate- only affairs from the Cassette Library vaults...

This is the lost album from Alpha 606 entitled Afro-Cuban Electronics', hot on the heels of the Alpha 606 RMXD ep, which featured outstanding remixes from Anthony Shake' Shakir, BMG, and Erika. The vinyl edition includes the vinyl exclusive "Shake (Live at Samhain, Detroit)".
Alpha 606 is Hialeah born, Miami dwelling Armando Martinez, who offers an intoxicating concoction in the form of his unique take on this music. This album is a love letter to Cuba and his family and their struggles, from the vivid anthem Defection' which claims Defection was our only choice, it all happened when you first oppressed our voice', to the reflective beauty of Boatlift'. From powerful to subtle and gentle, the rhythms and visions of Cuba invoked through the incredible hand drumming are all alive within this music. The vinyl edition includes a live version of Shake' from an Interdimensional Transmissions party in Detroit thrown every Halloween called Samhain. The digital version includes the bonus cut No Me Quieras Tanto (Cafta Version)', a tribute to a Perez Prado song from 1947, the artist known as the King of the Mambo.

"The Bag of Bones EP is an unsettling yet beautiful record. Coming from a time when South Africa is undergoing an unnerving state of change with revolution bubbling just under the skin. The record speaks of hope, anger, love and dreams.

Marek Bilinski is one of the most famous Polish composers, pioneer of electronic music in Poland and multi - instrumentalists, using the newest and classic, electronic keyboard instruments like MOOG, NORD, YAMAHA & ROLAND. He is an alumni of the Academy of Music in Poznan (Music College in Poznan). He acquired his popularity on the music market thanks to his bestseller album The Garden of the King of Dawn' and video clip Escape from Tropics', which were accepted by TV audience as the best clip of 1984 which nowadays can be called a classic video mash-up.
Marek Bilinski compositions deduces from the best standards of classical and romantic music. His talent and knowledge unite tradition with vision of modern world sounds.
30 years after the release of his first best-selling vinyl record called: "The Garden Of The King Of Dawn' Marek Bilinski is back with the next 12'' LP called Best of the Best'.
The album will be a treat for all fans of the 12' and warm analog sounds of electronic music. All songs on the album are the original versions of these songs remastered on a world-class studio equipment. That's why the sound is so velvety and dynamic.
If you are a big fan of: Klaus Schulze, Kraftwerk, Tangerine Dreams or Jean Michel Jarre it will be your Icing on the cake!

Classic 80s Miami Bass Vocoder Electro party jam in the style of the World Class Crew or Egyptian Lover. Taken from the Turbo movie soundtrack.

2 Bitches From Queens this time in two different corners of the ballroom. 'E 4 Love' replays two monuments of sheer joy simultaneously. Inspired by the creative mixing brilliance of the late and great DJ John Robinson. NYC zero gravity. 'Video Fear' knocks that elegance off the table and substitutes it with slackness and a whip.This is the sound of yesterday for today! Warehouse find, vinyl only.

Following a debut EP on Golf Channel in 2015, Autarkic aka Nadav Spiegel has risen in status alongside his close friends and collaborators Red Axes and Moscoman. His recent debut LP for Mosco's red-hot Disco Halal has garnered critical acclaim, including a 4/5 review on Resident Advisor. Spiegel clearly has a rare talent as a songwriter, crafting the kind of intelligent, left-field pop music that one usually has to look back to the avant-garde of the 1980s to find. It's an influence Autarkic not only wears well - he seems legitimately to be of another place and time. The sound is never pastiche, even as it recalls the character and mood of familiar classics, perhaps because it's filtered, inevitably, through the fractured prism of middle eastern culture. If things were more downtempo, experimental and psych rock on his first EPs, these tracks for Turbo point squarely at the dance-floor, and have been staples in the sets of not only Moscoman and Red Axes, but in the other rising stars of the underground Israeli scene around labels like Malka Tuti and Fortuna records, as well as the global groove empire developing around Turbo A&R Thomas Von Party's Multi Culti. It's a stunning record, with substance, character, and style. The arrangements are especially strong, each song building in a way that feels exceedingly rare in dance music, in every case the second half elements come together in just the right way to surprise you, even make you fall in love. The somber vocals and unadorned production are just rough enough to make the unexpectedly beautiful twists and emotive flourishes call your attention and keep you hooked. For those that still need convincing, there's also a slamming Red Axes remix, as if those guys need any introduction. An unexpected and welcome return for Tiga's venerable label.

After two big EP's, DJ/producer powerhouses Steffi and Martyn team up once again for their debut LP on 3024! Punchy, straight forward house and techno with a broken twist and beautiful layers of melodies and sound, dedicated to those who feel..

"When two of the best team up! Melodic techno at its best!"
Jonas Lion / Hello Play

"Wow! Very atmospheric sound! Great album!!! 5/5"
Mixmag

"Brilliance from two masters of the game."
XLR8R

"Has a rough-n-tumbling '90s romanticism that is really hard to capture in a lot of tracks nowadays - that's already an achievement but the tracks are also heartfelt bangers. Terrific LP!"
Mitch Strasnov / URB

"Coming out around my birthday, what a feast. It's You I See makes me wanna play all those old 808 State and Gerald singles again."
Rene Passet / DJBroadcast

"Very soulful and even spiritual, at a time music needs it most."
Matrixxman

"Legendary from the first listen. Five thumbs up. LOVE IT!!!"
Ambivalent / LA4A

"Very VERY VERY Cool release indeed. Quality music as always on 3024"
Laurent Garnier

"Its exactly how I imagined FSOL now, if they took a less arty route"
Kink

TOM And His Computer is the newest alias for Copenhagen favourite Thomas Bertelsen. He started out as a teenager by looping and creating beats on his 4 track tape-recorder. Since then the very talented producer and DJ has been around the block. He produced two albums (with Lulu Rouge) and a number of songs, edits and remixes. He has also been DJing alongside Trentemøller every now and then since the early days and most recently TOM And His Computer performed live on the opening slot of Trentemøller's latest live tour and lately at Sonar Copenhagen 2015. Now we are happy and proud to present 'Small Disasters', TOM And His Computer's debut EP on Anders Trentemøller's label In My Room! Mixing elements as disparate as electronica, lo-fi guitars, driving beats, vocals and cinematic soundscape, this EP is a perfect example of why TOM And His Computer is tipped for big things in 2016. What maybe can be described as 'alternative electronic music' unfolds in different nuances. The lead track 'Organ' rides along on a crunchy rhythm track while throwing in psychedelic organs and howling electronics. Fizzing guitars weave in and project a paranoid undertone. Next up is 'Girl A Go Go' and its raw driving beat and bass hits in without any warning, before an agressive, hypnotising surf like guitar-riff comes in. Layers and layers of dirty distortion build a colapsing, overdriving climax. 'Tectonic' keeps the dark energy flowing, but packs it into a slow crawling creepy setting, drenched in reverb and noisy layers. Fraser McGuinness contributes the otherwordly vocals. Is he moaning Or conjuring Or proclaiming The song evolves from a fragile, fleeting feel into a massive, 'tectonic' pressure and all the way back. 'La Fountaine' completes the EP with another cut that perfectly fuses diverse elements from across the musical spectrum

Fascination Set of REMIXES of Trentemøller's recent album opus Lost that already served as the logical continuation of his varied work and delivered his signature sound intact, yet it really didn't sound like anything he'd ever produced before. Streamlined, song-structured and guitar-driven, Lost boasted a dozen tracks, each offering something of interest for anyone who has ever been a fan of the Copenhagen producer. Now the new 'Lost Reworks' release gleefully rips up the rule book again, as Trentemøller is joined by some carefully-chosen conspirators - Toydrum (aka James Lavelle and Pablo Clements of UNKLE), Jenny Wilson, T.O.M. And His Computer, Unkwon and Trentemøller - in dismantling the intricate musical tapestry of the album, recontextualising the instrumental experimentation, the trashed analog consoles, and the entire sweep of influences, from krautrock to classical. The original version of 'River Of Life' abandons its throbbing guitars and soaring strings for dark and retro electroclash tones on Trentemøller's own remix, and introspective, electro-gaze in the hands of T.O.M. And His Computer. 'Come Undone' stalked at a slow and measured pace, and Trentemøller's steamy new version recalls vintage Goldfrapp in marrying sultry vocals and seductive machine music, while Toydrum beefs up the raw, spiky electro rock elements. The melancholic pop beauty of 'Candy Tongue' is remade with ghostly atmospherics and evocative, exotic instrumentation via Jenny Wilson's version, and while one remix of 'Deceive' made its debut in a stunning EP package from earlier this year - Unkwon's misty, dusty broken beat version - it is counterbalanced by Trentemøller's own glitchy, cinematic 'Lost & Found' Remix.