House News

The CD included in this vinyl edition features the 15 tracks in the same order Short info: Mr Oizo (aka Quentin Dupieux), the French producer and pioneer of modern electro alongside Daft Punk, Air and Cassius simply can't and won't stop working. Having released 5 studio albums, 4 OSTs, a multitude of EPs and directed 6 movies over the past 20 years, the 'Godfather' is back with a new album. And this time, he is not alone as the tracklist features an impressive selection of quality guests: Peaches, Boys Noize, Skrillex and Charli XCX among others. This new release will be a new occasion to further explore the mind of one of the most fantastically uncommon artist today. The double LPs + CD edition is a gatefold with yellow vinyl records

Avesom (name inspired by the dog of Justin Bennett, the sound technician that mixed the album) are creations produced during long reharsals sessions that have taken place mostly during sunsets and late nights. There Torakiki inmersed themselves in a trip where the music achievable with their own finger was tested, rejecting in advance any programming.
The overall sound of the album follow the path of the previous EP, halfway between the new wave and ambient . The band aims references from Aphex Twin, Liars, Jamie XX and on the other side, classical sounds from the Italian song. In the album participate the voice of Ilaria Ippolito (# #Pap ) and of G ulia Olivari (O .A.U .). The video of Luxard was shot by Giovanni Aloi in a park in Hong Kong.
Torakiki filled the pieces of A vesom with a strong dynamic identity, combining the creative impulses of the three minds and their respective backgrounds. This is a process that questions the logic through a frenetic impulse that provokes constant changes, even though the final result are attainable and catchy songs.

Gerne lässt das Label Strut abseits des Mainstreams nach musikalischen Perlen graben. So kommen
Tonträger voller Raritäten und Klassiker zu Stande, die den geschichtsbewussten Connaisseuren die
Freudentränen in die Augen treiben. Nach der Postpunk-Retrospektive "Disco Not Disco" und der Factory-
Records-Kompilation "Fac. Dance" hat sich der DJ und Kultproduzent Trevor Jackson ("The Playgroup") den
tanzbaren Seiten von Industrial, Postpunk und EBM angenommen und für den Sampler "Metal Dance" 28
Stücke zusammengestellt, die einst im Zeitraum 1980-88 erschienen. Mit von der Partie sind unter anderem
Cabaret Voltaire, Nitzer Ebb, DAF, Jah Wobble, The Bubblemen, SPK, 400 Blow, Yello, Alien Sex Fiend,
John Carpenter & Alan Howarth oder Ledernacken. Inspiriert durch seine bereits zwei Jahrzehnte währende
DJ-Tätigkeiten gelang es Jackson dabei ganz vortrefflich, sich bei seiner Aufgabe weniger von allzu
offensichtlichen Hits blenden zu lassen, als vielmehr die Stücke auszuwählen, die spürbar den dunklen
Maschinenfunk atmen. Das macht "Metal Dance" zu einer so tanzbaren wie spannenden Angelegenheit.






F B3 | Nitzer Ebb - Control I'm Here (Clouston's Controlled Edit)

Special re - release for the historical DEEJAY PARADE bOX SET : DJ ALBERTINO, presents the history of dance music and a beautiful boxed set of 5 CDs. 75 selected successes and not mixed together all the strongest dance hits of all time at a special price.

Don't has dug deep into the history of electronic dance music and now brings you two of the finest 1988 Belgian New Beat tracks that set
imaginations on fire back in the day... Remastered, and STRICTLY limited to 300 copies with no repress, This... is New Beat !

Randy Barracuda & Stiletti-Ana present Mlipuke! "Mlipuke" is a misspelling of the Swahili word for explosion "Mlipuko". Explosive is also the word to describe the mixture of styles the Finnish duo put together. The combination of wild Afrobeat flavours and salty Scandinavian Funk results in a big bang of taste on the first bite. Take the cosmic ride throughout three different interpretations of Mlipuke and let the Afro Suomian energy flow! The remix of legendary British producer Clatterbox adds his unique brain dance mystery to the explosive cocktail and makes it boil over!

Seit Beginn seiner langen Karriere ist der Blick über den musikalischen Tellerrand für Daniel Haaksman
typisch. Sei es das Label Essay, das der Berliner Autor, Musiker, DJ und Produzent 1995 zusammen mit
Shantel gründete, die Kompilation "Rio Baile Funk Favela Booty Beats", die Haaksman 2004 veröffentlichte
und die bis heute als Referenz zum Thema Baile Funk gilt, oder die zahlreichen Remixe für Waldemar
Bastos, Madera Limpia, Gotan Project, Phenomenal Handclap Band, Riva Starr, Schlachthofbronx oder Edu
K, Haaksman liebt es kosmopolitisch. Nachdem er sich schwerpunktmäßig ein Jahrzehnt mit Brasilien und
tropischen Musikstilen wie Funk Carioca, Tecno Brega, Reggaeton, Cumbia und Soca beschäftigt hat, geht
Haaksman 2016 den afrikanischen Sounds des 21. Jahrhundert nach. Jedoch ist "African Fabrics" mehr als
nur eine imaginäre Klangreise durch den "schwarzen Kontinent". Haaksmans Ansatz besteht darin,
nostalgiefrei aktuelle elektronische Tanzmusik aus Afrika mit Bass-Musik der nördlichen Hemisphäre zu
koppeln, das heißt südafrikanischen House, Kuduro oder Tarraxo individuell und energisch zu interpretieren.
Dabei erhält Haaksman prominente Unterstützung, zum Beispiel von den beiden Rappern Spoek Mathambo
(Südafrika) und Dama Do Bling (Mosambik) sowie der portugiesisch-angolanischen Punkband Throes + The
Shine.

Debut album from Pacific NW rising star, named "Best Electronic Act" in 2015 by the Seattle Weekly. ** Past Press Coverage as included: A NPR Weekend Edition Feature, Spin, Stereogum, KEXP Live in studio performce, CMJ. ** Past performance highlights: Bonarroo Decibel Festical, Bumbershoot, Capitol Hill Block Party, Sasquatch Festival, What The Festival, & Bonnaroo, as well as national tours with acts like Emancipator, Blockhead, Blackbird Blackbird, Chad Valley, Yppah, ** First single from the album "What We've Got" feat. Flint Eastwood passed 500,000 Spotify plays and 135,000 Soundcloud plays in a month's time.

Amidst the lush environs of his northwest roots, Manatee Commune has fermented an organically molded electronic sound that has been teasing the synapses of audiophiles over the last few years. While not a stranger in the Pacific Northwest, Grant Eadie's tracks have grown tentacles that stretch deep into the dance floor, fueled by natural overtones that he extracts from field recordings. Following the head-turning EP 'Thistle' on Brooklyn-based label Bastard Jazz Recordings (Illa J, Lord Echo, & others) from earlier this year, he comes to the label armed with violin arrangements, nuanced programming and pressure-sensitive LED drum breaks peppering the audio-visual experience of his participatory live performances. His debut album Manatee Commune is set for a September 16th release on Bastard Jazz, and displays the elevated confidence and deft touch of a producer truly finding his footing. Already opening for Bonobo, and recently touring with Chad Valley and Blackbird Blackbird, Manatee Commune has been featured on NPR, Stereogum, and Spin, amongst other outlets.

Eadie describes the inspiration behind his approach: "Learning how to share my creative process with my friends completely revolutionized the last of year of music for me. Inviting those I trusted and loved into my studio to spend even just an hour talking or jamming opened fountains of inventive energy for me, especially from the ones who lacked any musical knowledge. I soon found myself incredibly inspired by the originality of even the smallest interactions with people, and so I pointed my field mic at anyone who had a story, a melody, or a stumbling beat they had been absentmindedly drumming, all in the hopes of capturing their individuality and framing it with my ever expanding insight into audio production."

Reimagining his musical approach by opening his studio and microphone to friends, collaborators and loved ones, Eadie was able to release fountains of inventive energy from these deeply personal interactions, inspired by anybody who had a story, a melody or a stumbling beat to share. Key elements are amplified that get Manatee Commune audiences bouncing, while cultivating his warm and textured production aesthetic to further complexity, layer by shimmering layer.

The Vinyl only series Bones brought to you by a mysterious underground house & techno

Five metal-heavy cuts on a clean plate from the still mysterious The Hague based burrow. Comes in all-white all with psychoactive inlay tissue.

A second time W&LL lets some of their favourite producers interpret swedish folk music. This time it's a mix of everything from hypnotic dance floor tracks to creative fusions of sounds and mysterious soundscapes. Just like last time, this is a unique piece of musical story telling. Limited edition of 300, don't miss out.

Sau Poler finished a new EP. Titled 'Memorabilia', the Catalan producer offers 5 new tracks with his typical crossover
house / electronica / disco sound. The best moments on Memorabilia come when Poler leans towards his iconic mix of classic
instrumentation by his Fender Rhodes and arpeggiator synth lines of his Arp Odyssey.
"Memorabilia" is like a link between past and present", Poler explains. "The result of this project is a transition that remains
back and forth during the creation of it. Unintentionally, i've been influenced for what i've done with my old project Pablie and for
the nowadays electronic incursions that Sau Poler is taking me on. I've start to experiment more and more with electronic
sounds, and feeling really excited about that. It's the reason I've decided to invest on new equipment,
aiming to work on longer song structures that can lay on different spots during the track length.
"Jaffe House", "Esperits" or "Gone" are a good example of that."
Sau Poler is one of the artists of the Golden Age of Spanish producers, flying the flag for the country together with guys
such as Pional, John Talabot and Marc Pinol. The Badalona-born musician toured Amsterdam, New York, Barcelona, Montreal,
Paris, Berlin and Calgary in 2015. Boiler Room invited him to play at the Generator show in Barcelona, he remixed Touch
Sensitive for the Australian label Future Classic and also Sonar Copenhagen & Transmusicales invited him to play his live set.

Lowercase Life is a new record label releasing limited vinyl editions with hand made artwork covers. Label owner Colophon kicks off with the 1st EP trying to catch the spirit that once started in Detroit. Three tracks created on old analogue synths and drum machines combined with new software technologies. In addition to the original tracks Florian Kupfer (L.I.E.S.) delivers a remix with a raw, uncompromising one-take hardware recording like only he can.

Wall of Death. The third single of Make The Girl Dance is set up. Set up as the inevitable Episode III of the most anticipated electro trilogy ever rocking its own small planet for the last two years.

a great new deadmau5 bomb with remix by sebastien leger !!!! now repressed !!!

Adelbert von Deyen ist heute als Maler eine bekannte Größe, aber als Musiker verwirklichte der gelernte
Grafiker und Retuscheur seine ersten eigenen visionären Werke. 1978 erschien seine Debüt-LP "Sternzeit",
für die er natürlich auch selbst das Cover malte. Auch den Rest besorgte der Keyboarder mit Pioniergeist in
Eigenregie. Seit Anfang der 70er-Jahre experimentierte er mit Synthesizern und elektronischer Musik und
nicht nur sein damaliger Wohnort weist ihn als Vertreter der sogenannten Berliner Schule um Künstler wie
Klaus Schulze oder Edgar Froese (Tangerine Dream) aus. Auf "Sternzeit" lässt er sich beim Aufbau der
Stu¨cke viel Zeit und verweilt oft unbeschwert in tonalen Interferenzen und Schwebezuständen. Auch der
Ho¨rer muss sich Zeit nehmen, wird dafu¨r aber mit einem kontemplativen Zen-Effekt belohnt. Nicht zufällig
veröffentlichte das in Krautrock-Kreisen hoch angesehene Label Sky die Original-LP in seinem exquisiten
Katalog. So wurde von Deyen Labelmate seiner Idole Michael Rother, Hans-Joachim Roedelius oder Brian
Eno. "Sternzeit" bezirzt mit vollen, analogen Synthesizer-Flächen und mit gefühlvollen Space-Effekten. Die BSeite enthält nur einen einzigen Titel, dessen Basis ein gehaltener - oder besser gesagt: mit Klebeband an
der Taste fixierter - Orgelton mit Vibrato ist, der eine hypnotisierende Wirkung entfaltet. Adelbert von Deyen
ist ein höchst unkonventioneller Musiker, der sich später lange Zeit ausschließlich der Malerei widmete,
mittlerweile aber auch wieder Alben veröffentlicht.

Magic Waves returns with more 12 action, this time from Funsize Jonny with his debut EP 'Vemod Exhale'. Hailing from Newcastle in the UK's North East, Funsize Jonny brings his own unique electronic psychedelic disco style in four mesmerising and hypnotic jams that are guaranteed to take the listeners and dancers on deep inner space trips to the back of their minds and beyond. Side A starts off with the title track, 'Vemod Exhale' a rocking mid-paced tone-setter that neatly introduces us to Funsize Jonny's signature sound before the action is shifted up a gear with 'Diode 36', one the DJs surely cannot resist to send any audience into a frenzy of delirium. Side B takes things deeper with the introspective and atmospheric strains of 'Seaside Experiment' and the closing track 'M.E.' brings proceedings to a close in magnificent style, its head in psychedelic clouds with its feet far below dancing solidly on the ground right in front of the speakers. Pick this up as quick as you can - copies are limited and won't sit on the shelves for long!

Auf ihrem ersten Album seit dem 2010 erschienen Langspieler "Glow In The Dark Safari Set", der ebenfalls
beim Berliner Label Morr das Licht der Welt erblickte, verweben Antony Ryan und Robin Saville einmal mehr
elektronische Soundscapes, zarte Rhythmen und gelegentliche ungerade Töne zu einem pulsierenden, sich
ständig verwandelnden Ganzen. Insgesamt stellt "Glass Bird Movement" das achte Studiowerk des
Bandprojekts dar, welches 2016 schon zwei Dekaden auf dem Buckel hat. Was zwischen den Zeilen
geschrieben bedeutet: Der Austausch von Ideen zwischen England und Dänemark, wo sich Ryan derzeit
aufhält, funktioniert immer noch tadellos. Über die Nordsee hinweg haben die Zwei in solider Handarbeit ein
Album gesponnen, das nicht weniger als an die Blütezeit von Boards Of Canada, an die freundlicheren
Produktionen von Aphex Twin und an die fokussierten Momente von Ulrich Schnauss erinnert.
Nichtsdestotrotz, und das gilt selbstredend auch für den beeindruckenden Backkatalog, besitzt "Glass Bird
Movement" eine ganze eigene, ausgeprägte Signatur. Denn letztlich ist Isan eine Formation, die in einer
kontinuierlichen Vorwärtsbewegung begriffen ist, selbst wenn Ryan und Saville sesshafte Studiohocker sind.
Vinylfreunde aufgepasst: Die LP kommt mit einer 7'', auf deren B-Seite sich sechs locked Grooves befinden.

Enter 2016 - Fresh out of the Midwest Keith Worthy (Detroit), Jamal Moss aka Hieroglyphic Being (Chicago), and Steven Tang (Chicago) bringing some of that notorious Midwest D.N.A. on this deep acid banger! This limited quantity release is sure to be a collectors classic!

Stallone the Reducer's debut release on EST. 83 Records, a division of the FIT SOUND label. Stallone has been kickin' around in various guises and outfits for a generation (Tamion 12 Inch, Adult., Bad Thoughts) always delivering a distinctly anarchic take on synthesizer and drum machine composition. The EP opens with "Drug Pusher"- system shredding bass unevenly paired with 808 gravity that comes on like Young Boys Inc. taking the lead in a slasher flick. You're already dead before the dinky disco arpeggio lends a hand to squeeze. "Cop Gets Off" - a double sided protest sign. It says fuck you' but it says fuck me' too. On the flip, you better call shotgun before you "Do The Seatbelt!", and other crazes for well behaved kiddos. Non-triggering guaranteed. Rounding out the legalese suite is "Trade Show" - a slinky cauldron of brzap and flower power - sounding just like candy hiding in the electrical socket that you'll happily lure out with yr tongue.

Breach and Cinnaman are next up to release on Breach, aka Ben Westbeech's own label Naked Naked. The two track EP NKD010 is a fluent exercise in dance floor house music from two producers well versed in the club scene.

Cinnaman the moniker of Amsterdam's Yuri Boselie, part of the infamous Rush Hour Record store crew and a resident at Trouw nightclub is known for his eclectic sets, his varied musical past is translated in his productions and it is fair to say that Cinnaman is one of the most exciting producers coming out of Holland at the moment. Breach, label owner and producer has released records from the likes of Dark Sky, Midland, Dusky and Lorca amongst his own acclaimed work. This EP continues to build on Naked Naked's stellar reputation. The first track is a skipping vocal house track that retains a solid and weighty bass line. The second track is a textured and slightly moodier exploration into house music that builds in complexity and depth. NKD010 certainly meets expectations and the collaboration is a master class in quality club music production.

Los Angeles based EBM duo High-Functioning Flesh usher in 2016 with a new single entitled "Human Remains" on Dais Records. For the past three years, synth-punks Gregory Vand and Susan Subtract have pulled together their subversive misgivings through a series of releases such as their debut album "A Unity of Miseries...A Misery of Unities" on DKA Records and their sophomore follow-up "Definite Structures" on Dais Records. Each audible imprint left behind by High- Functioning Flesh dices up their sinister tone, reworking themselves through their own self reference and spits out a malformed adjustment of electronic dynamics and uneasy phonetic display.

"Human Remains" signifies the band's movement from aggressive industrial structure to shining dance floor anthems, all while making sure their audience never strays in thought of who their musical architect is playing overhead. Coupled with the B-side "Heightened State", HFF passes through the speakers at more progressive, minimal electronic pace. Keeping up the rhythm and nature of their familiar signature, HFF matures into complex, infectious cadence married with a voltaic synthesized sound that has us never halting in our dance and curious about their next move.

A double pack LP set of the album on vinyl. Combining huge beats with uplifting strings and soaring vocals, Sigma have carved out their own sound and captured the hearts and imagination of UK dance and pop fans alike. The album features the hit singles inclduing guest vocals from Ella Henderson, Maverick Sabre, Paloma Faith, Rita Ora and Labrinth

We want to present to your attention a compilation that consists of the Russian musicians' works. They're stylistically different, but in the same time they've got one energy and close affinity with classical sound. Musicians in this compilation represent a little-known stratum of a new Russian electronic scene. Their music embodies positive transformation of cultural values of our present and future. We'd like to thank all the musicians and those who support us. Peace!:)

Project STS-31-Spiralgalaxie (Hubble Telescope Series Vol.3) A clash of the Titans! Celebrating Solar One Music's 40th release and 10th anniverary, this split LP sees two stars under various disguises, Heinrich Mueller (aka Der Zyklus and various other projects) and German producer Robert Witschakowski aka The Exaltics, back to back in a no return odyssey through the depths of the Galaxy. Expect nothing but contemplative and cosmic electro beats using original outer-space sounds from the Universe. Closing the Hubble telescope trilogy which brought to you Luxus Varta and more recently E.R.P. (respectively with the "Everything Is Nothing" and "Ancient Light" EP's), trippy "Spiralgalaxie" will mark a new step in SOM's History. As usual, the final chapter of the series dedicated solely to Hubble and all the great scientists and engineers at the NASA and ESA, comes with a beautiful cover print picture taken by the Space Telescope.

Get yourself ready for the weekend with the amazing new release from Ministry of Sound. Saturday Night Club Classics is the ultimate accompaniment for all those itching to put on those dancing shoes, with a collection of 60 Disco Floorfillers and Party Anthems.
With Mothers day fast approaching Ministry of Sound comes to the rescue for with the perfect gift for all those amazing mums!
The soundtrack to your weekend kicks off in fine fashion with the ultimate feel good classic 'Shake Your Body' by the legendary Jackson 5. Boogie on down with massive dancefloor hits from the likes of Shalamar, Earth Wind & Fire, Chic and Kool & The Gang to whip you into a real Disco Fever.

We then up the tempo with the biggest Party Anthems of all time with all of your favourite nostalgic gems including Ce Ce Peniston, Livin' Joy, Jamiroquai, Haddaway, Bobby Brown plus the instantly recognisable theme tune to everyone's favourite programme 'The Only Way Is Essex'.

As we groove into CD3 we bring you right up to the present day with some of the biggest floor fillers and massive No. 1 chart hits from DJ Fresh ft. Rita Ora, Bingo Players, Example alongside timeless classics from Eric Prydz, Robin S. and Tina Moore.

So whether you're stuck for a present or in need of the perfect kick start your weekend, then The Only Way... Is Saturday Night Club Classics!
CD1 Disco Fever





















CD2 Party Anthems





















CD3 Dance Floorfillers












13 Michael Gray The Weekend Radio Edit

Oppenheimer Mk II is Andy Oppenheimer and Mahk Rumbae. Andy Oppenheimer - Singer, songwriter and formerly one-half of 1980s synth-pop duo Oppenheimer Analysis, one of the leading bands of the 'minimal synth' scene, and inspiration behind the Minimal Wave label.

Mahk Rumbae - Electronic musician and producer known for his work with long-running UK industrial/experimental band Konstruktivists. Andy and Mahk joined forces after performing together at Vienna's legendary electronic music venue Rhiz in April 2012, and discovering a shared love for for 1960s pop and 1980s synth music.

After their debut album 'The Presence of the Abnormal', released in 2013, and the Line of Sight EP released in 2015, the band return with a new single 'Another Nightmare' on Peripheral Minimal. The two songs 'Another Nightmare' and 'The Presence of the Abnormal' were originally featured on their debut album, and now this new single gives these complete new versions of these two songs a new lease of life as well as being available on vinyl for the first time.

Limited to 300 copies + insert.

The result of russian radiation and winds of netherlands, rough rude young girls drinking vodka from bear's eyeballs, everything destroyed by angry russian solders, the world is in danger.

We want to present to your attention a compilation that consists of the Russian musicians' works. They're stylistically different, but in the same time they've got one energy and close affinity with classical sound. Musicians in this compilation represent a little-known stratum of a new Russian electronic scene. Their music embodies positive transformation of cultural values of our present and future. We'd like to thank all the musicians and those who support us. Peace!:)

ac$ (aka AARON CARLSON) drops this 4 track EP of deep, Detroit tinged house hybrids featuring two tracks mixed by OSUNLADE (at his studio in Greece). His release on the now defunct Portland label STARBASS and his own TRACK 29 imprint have been well received and sought after. Hand stamped with DL.

ac$ has been secretly busy, amassing synths, and exploring improvised jams in his basement in the Parkrose section of Portland. For a time, these loose, exploratory sessions brought in many a wandering musician. These sounds from ac$ where heard by OSUNLADE, who at this point was residing in Greece. Through conversation, a meeting of minds, which led to ac$ making a pilgrimage to the isles, and in return led to several sessions yet to be heard. The mixdowns on this release are the first taste.
These first results of ac$ sessions with OSUNLADE in Greece have brought together dance music and free improvisation. The result at times strikes one of the spirit of CAPTAIN BEEFHEART ala “CANDY CORN”, in that the elements slowly swirl together, with elements wandering in and out, like that of a musician entering and exiting the room, yet the ingenuity and drive of the rhythm track keeps things in a consistent, catchy framework.