House News

Das Darkwave Elektronik-duo Boy Harsher Aus Northampton, Massachusetts, Startet Sein Eigenes Label Nude Club!

Auf Nude Club Werden Am 27.04.2018 Erstmals Die Beiden Kult-alben - lesser Man (extended Version)" Und "yr Body Is Nothing" Wiederveröffentlicht, Die Es Bis Dato Nur Als Importe Gab. Boy Harsher Sind Ein Gegenentwurf Zum Normalo Elektropop Und Haben Sich Über Die Letzten Jahre Bereits Eine Sehr Treue Untergrundgemeinde Erspielt, Zuletzt Eine Triumphale, Restlos Ausverkaufte Tour Durch Europa Gespielt, Und Das Was Leute Am Himmel Für Chemtrails Halten, Sind Tatsächlich Ihre Nebelschwaden Und Trockeneis-reste. Ihre Verbindung Aus Düsteren Dance-beats, 80er-jahre-versatzstücken Mit Extrem Nach Hinten Gemixten, Sehr Ätherischen Vocals Schafft Eine Unheimliche, Intensive Und Fesselnde Klangwelt. Augustus Muller Entwickelt Den Unterbau Seiner Tracks Aus Präzisen Und Kraftvollen Beats, Die Irgendwie Nach Damals Klingen, Aber Von Heute Stammen Und Schleift Darüber Noch Sägende Synthies, Während Jae Matthews Dazu Flüstert, Schreit Und Singt Als Gäbe Es Nun Tatsächlich Kein Morgen Mehr. Diese Kathartischen Aber Auch Magnetisierenden Tracks Wurden Innerhalb Kurzer Zeit Zu Hits Eines Real Existierenden Untergrunds. Fernab Von Playlisten Und Pr Gedöns Bildete Sich Das, Was Man Früher Eine Kult-fangemeinde Genannt Hätte. Heute Sind Es Die Anfänge Des Widerstands Gegen Die Veralgorythmisierung. Glauben Wir Zumindest Hoffen Zu Dürfen.

"yr Body Is Nothing" Wurde Ursprünglich Auf Vinyl Von Dka Records Veröffentlicht, Dreimal Gepresst. Alle Pressungen Waren Innerhalb Weniger Wochen Ausverkauft. Mit Einem Starken Fokus Auf Rhythmus Und Atmosphäre Zeigen Die Hier Präsentierten 10 Songs Einen Songwriting- Und Produktionsstil, Der Raffiniert Und Einzigartig Ist, Dunkel Aber Kraftvoll Erhaben. Der Klang Ist Paradoxerweise Massiv, Aber Minimal Und Bietet Den Perfekten Raum Für Jae Matthews Reichen, Tiefen Und Emotionalen Gesang, Mit Dem Sie Gemeinsam Mit Gus Muller Den Hörer Mit Jedem Einzelnen Song Immer Tiefer In Ihren Bann Zieht. Auch Zum Ersten Mal Auf Cd Erhältlich!

Yr Body Is Nothing was originally released by DKA Records. All three LP pressings sold out in a matter of weeks. With a heavy emphasis on rhythm and atmosphere, the 10-songs presented here showcase a songwriting and production style that is sophisticated and unique, dark but powerfully uplifting. The sound is paradoxically massive yet minimal, providing the perfect space for Jae Matthews’ rich, deep, and emotive vocals to occupy as she, along with co-pilot Gus Muller, pulls the listener ever deeper with each passing song.

BOY HARSHER is a dark electronic duo that produces gritty dance beats infused with ethereal vocals, creating a sound that is eerie, intense and incredibly danceable. Augustus Muller develops the underbelly of sound with minimal beats and grinding synths, where Jae Matthews whispers, screams and chants on top. Together, the music created is somewhere between industrial, drone and confessional storytelling.

In den letzten drei Jahren haben sich Lucas Croon, Nikolai Szymanski und Martin Sonnensberger einen Kosmos aus
treibenden Bässen, tanzbaren Rhythmen, schwebenden Flächen, analogen Synthesizern und reissenden Gitarren geschaffen. Nach Compilation Beiträgen für das Düsseldofer DIY-Label - Themes for Great Cities' und das amerikanische Label - Mathematics' von Jamal Moss feierten die Rheinländer 2011 mit der GOLD EP ihr Debüt und gaben schon einen Vorgeschmack auf Ihr aktuelles umjubeltes erstes Album DOUZE POUZE (Album der Woche/Monat u.a. in F.A.Z. und Musikexpress. Features und Reviews in allen großen Musikmagazinen und im Feuilleton).

Good emotional sounds from Japan.

Smx Are Max O'brien And Sam Purcell (blank Mind). 'sleep' Is An Intoxicating Live Jam Recorded In October 2015 During A Period Of Emotional Upheaval, Exploring Themes Of Discordance And Euphoria.
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On 'thief', Koehler Says: "take What You Need And Take It Anyway You Can. If You Get It, You Deserve It, Because It Means You Earned It. But Just Remember One Thing: Whatever You Take Can Be Taken From You Too, So Think Long, Act Fast And Do So With Honour And Pride Or All Will Become Chaos."

Designed By Alex Mccullough.
Mastered By Beau Thomas.

NOTHING BALEARIC OR BREAKBEATS TO BE FOUND ON THIS. ALSO WOULD PROBABLY NOT ROCK THE BRILLIANT CORNERS FLOOR. KINDA BIG TIP!

A near-perfect record, White Magic was the lauded CD-only debut album by Sorcerer (Californian native Dan Judd, one half of Windsurf with Hatchback). Just in time for Spring/Summer, we present the first ever vinyl issue, released as a deluxe double LP.

Back in summer 2007, this majestic set gently nestled itself into the Balearic soundtrack-to-summer slot for many, making him a household name for Cosmic Disco heads alongside the likes of Lindstrom, Metro Area, Todd Terje, Mudd, Studio and Quiet Village. In the intervening years, exceptional producers have created vibrant variations on the dreamy, dubby, melodic nu-disco theme. Happily, the emergence of such luminaries as Jex Opolis, Harvey Sutherland, Suzanne Kraft, Tornado Wallace et al has only served to make the master - Sorcerer - sound ever more brilliant and vital.

Utilising his array of guitars, drum machines, synths, and trusty MPC, the loved-up Sorcerer sound inspires halcyon memories of warm days, endless sunsets and pure youthful abandon. Influenced by surf, 80s dance pop, acid-R&B, space jazz, krautrock, disco, dub, and am radio gold, his music maps a tour through a uniquely Californian lifestyle. Yet when music so vividly captures a vibe and a feeling, it can make writing about it appear almost redundant. Instead, to glean the full colour of what your turntable will soon gratefully radiate, we prescribe the generous soundclips presented here.

And, for a unique insight into the process behind the wonderful sounds conjured up, here's Sorcerer himself:

"White Magic is a reflection of personal freedom and discovery. Having been in bands for years, this was a chance to develop music that stood alone and for me to be in full control.

I was living alone and worked on jams whenever I could. I was highly inspired by a new openness to music as a pure inspiration, not being part of any scene. I tapped into the mixes I was hearing coming out the UK where deejays were playing "cosmic" sounds that were so strangely familiar.

I was picking up all kinds of $1 vinyl and throwing bits of it into my sampler almost randomly to see what would come out.

In my mind, I was making music to be played at my friend's Broker/Dealer Pop nights where they fused golden German techno sounds with the new disco emerging at the time. Also, I took vacations and reconnected with the Pacific Ocean where I spent so much time as a kid: it spilled out into the sounds.

Lastly, I forged a partnership with Hatchback (Sam Grawe) who was working on music in the same way. I learned so much about arrangement and the colors of music. We began recording together as Windsurf and released our own stuff. It all seems like a small glorious moment in time, so I am so excited to keep the legacy alive and I continue to work on my music with these spirits inside of me."

Lovingly remastered by the esteemed Simon Francis, cut reassuringly loud on to heavyweight double vinyl and presented in a deluxe gatefold jacket with freshly commissioned artwork throughout from original designer Rich Robinson, this limited edition of 500 copies is sure to fly.

A continuation of his kaleidoscopic sun-dappled cosmic-disco, Neon Leon was the much-loved CD-only sophomore album by Sorcerer. Just in time for Spring/Summer, we present the first ever vinyl issue, released as a deluxe double LP.

A perfectly formed suite of ten tracks featuring soft guitars, subtle synths and lightly grooving percussion, Neon Leon magically evokes that elusive summer feeling throughout. The guitar-driven "Algorhythm" serves as the album opener, blasting bold, sun-drenched jazz chords atop bright synths and groove-based drum programming. "Ride The Serpent" and "Distort Yourself" are guided by a more sultry, slo-mo disco impulse whilst the staggering "Chemise" and strident "Face It" merge 80s West Coast production sheen with Sorcerer's trademark laid back, gentle disco. "Raydio"'s undeniable head-nod groove adds a rare vocal to the proceedings, joyously combining with the bubbling cosmic funk.

Since its initial release in 2009, exceptional producers have created vibrant variations on the dreamy, dubby, melodic nu-disco theme. Happily, the emergence of such luminaries as Jex Opolis, Harvey Sutherland, Suzanne Kraft, Tornado Wallace et al has only served to make the master - Sorcerer - sound ever more brilliant and vital.

Utilising his array of guitars, drum machines, synths, and trusty MPC, the loved-up Sorcerer sound inspires halcyon memories of warm days, endless sunsets and pure youthful abandon. Influenced by surf, 80s dance pop, acid-R&B, space jazz, krautrock, disco, dub, and am radio gold, his music maps a tour through a uniquely Californian lifestyle. Yet when music so vividly captures a vibe and a feeling, it can make writing about it appear almost redundant. Instead, to glean the full colour of what your turntable will soon gratefully radiate, we prescribe the generous soundclips presented here.

And, for a unique insight into the process behind the wonderful sounds conjured up, here's Sorcerer himself:

"Neon Leon's is the name of a bar in a Elmore Leonard book I was reading on a vacation to Belize with my future wife. I was soaking up his brand of noir during the making of the songs on this record, along with another favorite Ross Macdonald. We were living in a small apartment in the Mission District of San Francisco where i had my own room to jam. It was painted Orange and Turquoise and was a very inspiring place to create and focus. I could walk out of my house to any number of hole in the wall bars where people were deejaying, hanging-out, and knew about me and my music.

After White Magic I developed more confidence in my style and process so I stuck with it and I believe it shows in the tunes I selected for the record. The sounds are rich and I dug deeper into sampling from obscure dollar records and getting looser musically. I made a handful of collage videos for the tracks at this time as well, which represent where my mind was at visually. In my mind it's Cosmic Funk that rules the day and I am thankful to have the opportunity to share it with the world again."

Lovingly remastered by the esteemed Simon Francis, cut reassuringly loud on to heavyweight double vinyl and presented in a deluxe gatefold jacket with freshly commissioned artwork throughout from original designer Rich Robinson, this limited edition of 500 copies is sure to fly.

WHEN YOU'VE FINISHED LOOKING AROUND THE WEBSITE, YOU CAN FIND US ON THESE SOCIAL CHANNELS

Das 2017er Album der Progressive-Formation Way Out West, bestehend aus Top-DJ Nick Warren und dessen Partner Jody Wisternoff erscheint nun als limitierte gesignte Deluxe-3LP. Die Pioniere gehören zu den einflussreichsten elektronischen Acts der letzten 25 Jahre und haben dort diverse Charterfolge zu verzeichnen. Sie touren nachwievor global und sind als Remixer für Gleichgesinnte wie Orbital, Unkle, James Holden, St.Etienne und viele mehr bekannt. Neben ihrem beeindruckenden Katalog also Duo sind sie beide als DJs weltweit unterwegs. Nick Warren enthält zudem sein Soundgarden Label und präsentierte bereits acht Ausgaben der ikonischen "Global Underground" Compilationserie. Jody Wisternoff hat bereits ein Soloalbum bei Anjunadeep veröffentlicht und die letzten vier Ausgaben der gefeierten Labelcompilation gemixt. Ihr fünftes Album als Way Out West, "Tuesday Maybe", ist das Erste in acht Jahren und wird bereits von den Fans heiß ersehnt.

Quirke returns with three introspective tracks that take inspiration from philosophical queries and wonderment related to both the world we live in now, and that which we have inherited from those that came before us.

Continuing on from Vol 1's theme of established artists working in disguise, 'Music First Vol 2' delivers another sonic assault with this absolute rollercoaster ride of a record. The mysterious Scorpio T opens the EP with 'Neptune Rising', a squelching acid-bass boomer that can simultaneously spiritually elevate and physically devastate any dancefloor. Rounding off Side A it's followed by Scandalous Arthur's 'Acid In My Mind', a lo-fi tape-hissed jacking beast of a banger that sounds like it's genuinely been brewing in a vat of highly toxic acid for at least 25 years and guaranteed to melt your mind. On the flipside comes JaX DaX returning from Vol 1 with the low-frequency moody slo-mo electro workout 'Fucking Computer' that oozes bad attitude and booty-shaking basslines in equal abundance. Bringing the trip to a close is Kyrenic Azalee with the self-titled 'Kyrenic Azalee', an x-rated new beat tour-de-force of epic proportions that will fry minds and bodies with its relentless energy. Limited edition so don't sleep on it, not that it would let you.

Pinkman delivers another sturdy record for the connoisseurs of discomforting electronics. The second 5 Years Of Tears release unifies 6 artists, each with their own interpretation of the labels ill-famed sound, embodied in vibrating basslines, metallic beats, and corrosive acid. Gear yourself up for yet more nerve-racking music and get accustomed to the obscurity of this series of releases, because the madness is all but finished.

The Mexican platform Comunité returns with its second outpost in the form of a Various Artist package showcasing some of the core
players featured on the 2018 bill of the festival. Through a heap of selected works of both regulars and newcomers - COM002 offers a glimpse of the festival's signature curation of eclectic tastes, from prime-time floor fillers blended in with experimental acoustic sorcery.The 12' kicks off with a notorious collaboration between two regulars of the Tulum-based event: Tijuana's Soul of Hex mind-bending classic approach to house music amalgamated with Mule Musiq's Kuniyuki and his complex synth work - culminating in Dampe, a 7 minute joint-effort between Mexico and Japan. A2 continues in the vein of Cuba's Alpha 606 - a fresh artist debut on the label. Through staggering hi-hat work and filtered synth pad beds, the Miami based artist showcases his signature electro style that blends An undoubtable latin rhythmic influence with drum machines and LFO-grooved melodies forming 'Shadow'. On the flip side, Mexico City's techno veteran Itzone takes the floor with an introductory ambient piece featuring a vocal narrative that highlights inspirational and mystic concepts-serving as both an interlude as well as a commencement to the rest of the package. Comunités regular JoSep takes on the torch afterwards, providing his always floor-ready 4/4 hypnotic debauchery and shining a light On one of the festival's core aesthetics. Closing off the second instalment of the label, Mexico City's AAAA offers his signature plate of modular synthesis-based experiments, welcoming into his realm of apocalyptic concepts simultaneously to a soothing closure of the record; a magnifying glass into one of Mexico's front-running creational platforms.

The Micronaut creates the soundtrack for those moments when the screeching of the subway and the steps on the wet pavement have echoed away into the dark city sky. Those moments when the ghosts of fumes and stop lights haunt the empty streets, when behind glowing windows dreams and urban exit strategies get ready for bed. When everybody is close to each other, but everyone is on his own. When the city comes to a standstill, but the wheels inside the heads of its inhabitants keep spinning. Stefan Streck discovers the musical equivalent for this epic atmosphere somewhere between Bass Music, Electronica and Pop. The cinematic soundscapes of his nocturnal City Blues have a somewhat tragic vibe, which is very noticeable both during the impulsive, passionate live shows of The Micronaut and on 'Forms', his third studio album on Acker Records, distributed through Kompakt. Between moments of deep melancholy and sudden eruptions of blissful euphoria he creates a feverish state of tension.

General Manager remarks Dear extinguished guests, I on behalf of all the staff in Scream Time Action represents our warm welcomes and sincere thanks to your come! The service aim of Scream Time Action is to satisfy your requests in an all round way. Everything we do here is to make you receive the best time and have spirit enjoyment. Record number 3 is about the Lost World, adventurous. If you have any inconvenience or valuable suggestions, please tell any employee that you meet right away. If you have optimal feelings here tell your friends, we will express our acknowledgement and keep uniform first rate service quality. Sincerely yours, Tight Pants

The first Sincopat Vinyl Sampler meets two amazing talents from
Spain. Piek shows his track Paunk and also the Marco Resmann
remix, and AFFKT presents the remix he made for Third Son, and
the original mix of The Show, feat. Sutja Gutierrez.

In late 2017, Thomas Gandey and Danny McLewin - known from the popular disco-influenced electronic music collective Psychemagik - emerged from their studio in Bordeaux, France, claiming to have produced an extended musical arrangement, both entitled, and containing the sounds of, the shakuhachi. Furthermore, they insisted, for the purposes of this production, and a further album of related arrangements to be released subsequently in conjunction with the successful German record label Kompakt, they should be referred to henceforth as Ghost Vision. Shortly thereafter, the audio recordings described by Gandey and McLewin came into the possession of noted Los Angeles degenerate, DJ and nymphomaniac (citation needed) Dirty Dave, who was quick to relay the hallucinatory qualities of the duo's productions to fellow DJ and trusted hallucinogenic expert Paramida, of esteemed German musical imprint Love On The Rocks.

Paramida, recognising the innate quality of the sounds presented to her, decided that such recordings warranted immediate release through her audio distribution channel, and not without remixes. Quite without thinking of the origins of the instrument which had given the recording its particular sonic distinguishment, and of course, its title, she enlisted the help of two musicians named Alex - one from Tokyo, and one from Kyoto. Both Alex From Tokyo - teaming up with his colleagues Isao Kumano & Kenichi Takagi as Tokyo Black Star, known for their prior releases on popular German label Innervisions - and his counterpart, Alex from Kyoto, better known as Al Kassian, rising Tamagotchi on Paramida's Love On The Rocks imprint, and his own label, Planet Sundae - turned in striking reinterpretations of Gandey and McLewin's composition. It was reported that upon their arrival and first listen at Love On The Rocks headquarters, wild dancing broke out almost immediately and did not stop for more than 36 hours.

The resulting package of stereo recordings was finally released for public broadcast and manipulation by disc jockeys in early 2018, to much rejoicing, from London to L.A., throughout Europe, Japan and everywhere music is played. It marked the first release for the label in their fourth year of operation, in which, it has been noted, there is much to look forward to.

Carl Finlow aka Silicon Scally, aka Random Factor amongst other aliases, released his first record on Warp in 1993. A prolific producer since then, he's delivered more than 100 releases including 11 albums on labels such as SCSI-AV, Soma and 2020 Vision. Now based in Toulouse, Finlow has showcased his extensive electro and house music performances in Japan, USA, Russia and Europe, including a stint at Sonar in Barcelona in 2000.

Finlow delivers a wide range of styles on this E.P. yet all can be neatly filed under what is arguably his strongest genre: electro. Projections and Thermal Image are laid back affairs reminiscent of LTJ Bukem's flavour of D&B, albeit played at 33rpm, then over to the tougher Miami-bass with Rift and Override. All executed with the precision, melody and craftsmanship he is known for.

Mick has been active in the seedier corners of electronic music for more than 30 years, first immersing himself in the world of hi-NRG and new wave before embracing the house, techno, acid and electro explosion of the late 1980s. Aligned with DJ Hell in the 90s and more recently the Intergalactic FM crew, he's the quintessential selector. A life spent digging in the undergrowth for deviant dance music has given him the edge that makes a truly gifted spinner, without riding on hype or studio productions. However, Mick isn't adverse to the odd outing on vinyl, having previously appeared on International DJ Gigolos both solo and as The Kinky Lovers with sometime partner Isabella Venis, but these moments are few and far between. For this release on Arma, Mick has given us two edits that speak to his distinctive style as a DJ - the original tracks are cult choices re-moulded into deadly, subversive club weapons. The brooding darkwave of 'Himmelfahrt 89' is enough to turn the most indifferent bar crowd into swaying, baying denizens of the night, while 'Stay Silent' pummels out a relentless electro motif that teeters on the edge of destruction for 11 thrilling minutes. These aren't crowd-pleasing DJ tools, and neither are they slick and easy edits of obvious classics. This is a peek into the inner workings of a man with decades of experience working masses of flesh into a sweaty fever pitch using sounds you've never heard before. The mastering on Mick's edits was undertaken by none other than Dutch electro legend Rude 66, while the striking artwork on the sleeve sees Arma reach out for the first time to French artist Judex. The nerve-shredding, broken Op-Art assault was originally found in a book published by cult illustrator Sam Rictus. Cover Artwork by J

The sophomore release on the Ouïe imprint brings three more killer cuts into the universe. Made up of the production outfit NU - based in Germany but clearly well travelled and open to diverse sounds from around the globe- this EP is full of groove laden sunshine vibes. 'Endup' is the lead track - a swingy, afro-tinged disco outing with warm, trippy percussion and a hypnotic, joyful vocal sample sure to bring smiles to every dancefloor. 'Cosa Mia' slows things down a few BPM - a chugging beat and balearic vibe, enhanced by a beautiful string section that makes this a no-brainer for a sunrise / sunset session. 'Palomita' delivers a similar feel, but with slightly more drive to it - shifting from a mid tempo groover to a latin hip shaker with perfect aplomb. This three tracker is going to win the hearts of open-minded DJs and dancers alike.

After releasing SPACE CONTROL an intergalactic journey into synthesizers, back in 2012, the Theremynt duo went on to release a successful, if steady, stream of EPs, including 'Robotique de l'Amou'r and 'Vampiros Discos' (a tribute to Brazilian filmmaker Ze do Caixao). With remixes coming from the likes of David Carretta, Acid Washed and Club Bizarre, these were playlisted by scene DJs such as Marvin & Guy and Ivan Smagghe, amongst others.

Now Yann and Eva are striking back with their second LP, Parallels.

It's a record that sees them changing their colour palette and mood, but one that's still haunted by ghosts that lurk within their synthesizers and drum machines. The 10 tracks still exhibit Peel's ever shifting vocal style and Yann's sophisticated arrangements. But the second LP oscillates between ballad and dancefloor, landing between cosmic disco influences, Krautrock and other progressive techno sounds. As a bonus, the album also features a cover of famous 80's anthem Self Control. (Raf & Laura Branigan).

We are very proud and happy to present the new reference from Rotten City Records. After the releases with original works from Tronik Youth, A Jokers Bizarre (Jokers Of The Scene + Club Bizarre) and Dj Rocca, with great remixes from artists such as Red Axes, Timothy J. Fairplay, Justin Robertson or MR TC, now it's the turn of the Spanish trio Cannibal Ink.
They are Antonio Canca, Guillermo Iraola and Andres Navarrete. Fruit of the union of its old moniker Voodoo Corporation, Antonio & Andres joined Guillermo to look for those sounds that had frequented their neurons during the last years. EBM, New Wave, Industrial and Cosmic Disco are the palette of sounds that make up their DNA.
With releases in labels like Ombra International, and remixed by amazing artists such as Emperor Machine or Moscoman, now it's time to give welcome to these guys to Rotten City with an EP composed by two wicked original pieces full of electronics & dark ethnic sounds for the dance floor plus remixes from the mexicans Zombies In Miami and the lisergic italian duo Mushrooms Project. The first track on the A side is Samarkanda, a trip into the middle east. Slow and mechanical funk mixed with arabian sounds giving an ethnic touch to the darkness of the track.
After, we find The Souk, continuing the style of Samarkanda but in this case more narcotic, acid and deep than the previous.
On the B side we find the amazing 'Audio Guide Remix' from Zombies In Miami, and as the name says, it introduces us in the mode of a guided ceremony, in a shamanic ritual that will make us find our own fears so we can let them go on the dance floor letting us flow through much more exciting places than the ones our mind normally is. Close your eyes and prepare to ride. Finally, the remix of Mushrooms Project offers another good trip for the head. Longer, deeper, more narcotic if is possible than the original and retaining that ancient and dark atmosphere. Startling.

Vor mehr als einer Dekade erschien das großartige Debütalbum "Attack Decay Sustain Release" des englischen Duos Simian Mobile Disco auf Wichita Recordings. Für ihr fünftes Album mit dem Titel "Murmurations" haben sich die beiden das Schwarmverhalten (auf Englisch "Murmurations") von Vögeln als Vorlage genommen und zusammen mit den Sängerinnen des Londoner Deep Throat Choir (Bella Union) ein besonderes Klangkonzept entwickelt. Nahezu unheimliche Soundstrukturen steigen aus einem Meer an Stimmern empor und bilden ungewöhnliche wie komplexe Akkorde und Harmonien. Das bedeutet jedoch nicht, dass das Album avantgardistisch oder schwierig ist. Vielmehr vermischen sich die Stimmexperimente perfekt mit den bekannten Techno/Dancefloor-Beats des Duos.

- 2LP: schwarzes Doppelvinyl, schwarzes, poly-lined Inner Sleeve im Gatefold, inkl. DL

Moby releases a super limited one off coloured vinyl pressing of 'Play B-sides', via his Litttle Idiot imprint'. First time this has ever been pressed on vinyl. Featuring tracks from Moby's multimillion selling 'Play' era. 'Play B-sides' includes some lost treasures and some of Moby's Best works, including the global hit Flower.

Pressing of 1000 copies only

This is music that comes from playing records. DJ Fiskars have done it for 15 years, subconsciously gathering an assortment of ideas, vibes and moments on the job. It's only now as he's starting his career as a recording artist those ideas start to materialize in an accessible form on wax. It's fair to suggest that the record has a day side and a night side. 'Filippa' is a somewhat balearic piece: on the shelf it lands somewhere between your Omar S records and a Mario Kart disc. On the flip, 'Key Largo's' mellow yet banging house grooves drop especially well at the after hours party. The release also marks the dawn of Fiskars' new vinyl-first imprint Leave the Man in Peace with His Kit - be on the lookout for more releases in 2018.

The idea of purity is always recurring when talking about techno. Although purism has long been relegated to a mere excuse for fear, when understood not as vindication of a certain dogma, but as a way of approaching creative expression, purity is, as a matter of a fact, inseparable from the genre. After all, techno is something like the pursuit of transcendence - either visceral, cerebral or spiritual - through the strictly necessary means only. The search of the truest forms by just outlining them. All of this brings us to the story of 'Uniformity', Orbe's first release for Hivern. The 12 comes wrapped in a screen printed sleeve with design by Arnau Pi.

Repress

Finnish electro maestros Morphology return to CE for they're 3rd EP on the label. 3 tracks of high quality electronics round off with a Sync 24 remix.

After the last years widely appreciated 12 with two extraterrestrial dancefloor cuts on Jon Rust's Levels imprint and a handful of now hard-to-find 7 releases, the estonian musician/producer Ruutu Poiss returns to his minimal funk and leftfield synth-pop roots releasing a debut EP on International Major Label. The six selected homerecordings from 2011-2016 reflect almost a chronological and kaleidoscopic journey through the authors musical explorations, instrumental storytelling and unique sound design, imaginatively non-locking to existing genres. From subtle vocals to vicious toms; celestial soundscapes over restless rubbery bass; shimmering synths over polyrhythmic structures - an environment of romantic futurism and organic transformation appears, surrounded by a warm psychedelic sound palette. Previous releases played and supported by Secretsundaze, Benji B, James Blake, Mary-Anne Hobbs, Call Super, Omar-S and many others.

An old hero at INT HQ, Andy Meecham(Bizarre Inc, Big 200, Chicken Lips etc.) released his debut for Internasjonal recently. No we with Vol.2 of a 2 part series entitled '2500. All synth noodles and doodles written, performed and produced by Andy Meecham and one rework by Wolf Müller Prins Thomas, INT HQ 4th of July 2017

2x12"

The remix collection, inviting international and french remixers... close to be a complete High Tone story (a voulme 2 with the missing one i hope some time in the future) And what a selecta of tunes !! Bloody heavy stepper, Bass Music, or kind-of-a-House... and even a drum & bass Mix !! Long Time no ear that on Jarrieng !! ... Also to noytice the Singer invitations who brings another dimension. So, of course Shanti D is here, but recognise Pupajim on the Mahom remix, Martin Campbell on the Alpag Steppa's remix... A masterpiece !! Don't miss !

Two fast and freaky electro tracks from Paradigm aka Erik Travis. For fans of REAL DETROIT SHIT!

Repress

After two big EP's, DJ/producer powerhouses Steffi and Martyn team up once again for their debut LP on 3024! Punchy, straight forward house and techno with a broken twist and beautiful layers of melodies and sound, dedicated to those who feel..

"When two of the best team up! Melodic techno at its best!"
Jonas Lion / Hello Play

"Wow! Very atmospheric sound! Great album!!! 5/5"
Mixmag

"Brilliance from two masters of the game."
XLR8R

"Has a rough-n-tumbling '90s romanticism that is really hard to capture in a lot of tracks nowadays - that's already an achievement but the tracks are also heartfelt bangers. Terrific LP!"
Mitch Strasnov / URB

"Coming out around my birthday, what a feast. It's You I See makes me wanna play all those old 808 State and Gerald singles again."
Rene Passet / DJBroadcast

"Very soulful and even spiritual, at a time music needs it most."
Matrixxman

"Legendary from the first listen. Five thumbs up. LOVE IT!!!"
Ambivalent / LA4A

"Very VERY VERY Cool release indeed. Quality music as always on 3024"
Laurent Garnier

"Its exactly how I imagined FSOL now, if they took a less arty route"
Kink

Klanken are two Belgian brothers. Klanken by name Klanken by nature. 'Vier' is motorik. Highway engine sounds over rumbling bass. 'Vijf' kicks. LFO gone Benelux. These two tracks are the sound of New Beat reinvented from its Belgian home. Metallic machine sound for dancefloors and heads. Sleeve design by Ill Studio, Paris.

8* Following recent excursions channeling the big room sound, Project Pablo returns with a sleeker, more refined EP for Technicolour.The resulting five tracks span upbeat opener 'Napoletana' - a rough and ready duet between a MFB 522 drum machine and Juno 106', through the swirling improvised piano loops of 'Last Day' - recorded in an hour just before he packed up his gear at the studio of fellow Montreal residents Braids and moved it all home, to the bumpy 2-step of 'Less and Less'. The Canadian producer has had a stream of quality releases via labels such as Clone's Royal Oak imprint, Spring Theory, Lone's Magicwire and most recently Ninja Tune's Technicolour imprint.

Fireplays (also spelled Fireplais' on second single) was the moniker chosen in 1981 by italian producer Franco Pagliaccia foran instant-band project composed by him and a few other musicians.
Allein' b/w Hormone' was released in mid-1982, and as can be clearly heard, both tracks clearly show the mutation disco as a genre, started having at the very beginning of the 80s in Europe: ablend of electro disco, along with new-wavish elements and some classic era-blueprint sonic elements: synth driven melodies, filtered vocodered choruses, pads, swirling cosmic sounds, cowbells, all topped by a powerful male voice that will give genuineconnoisseurs an exact Zeitgeist, along with assured goosebumps.