Beats News

A collection of tracks from like minded artists. Inspired by a shared love of the video game aesthetic

For their next venture, Infernal Sounds brings together two titans in the scene marking #IFS026 with a collaborative EP from returning family member Chad Dubz, and debutant Somah. The Business EP is a goliath, featuring full-throttle sounds on the title track 'The Business' to kick things off properly. 'Naraka' follows in the same vein, producing a rough and rugged low end which you can feel deep in your chest, whilst 'Amplify' provides a stripped back, bass heavy affair. 'Unresolved' closes the EP, rounding things off with a more melodic skanker.

The release has already received some strong support in the scene from the likes of Truth, J:Kenzo, Sicaria Sound, N-Type and many more, making it a must own 12".

Infernal Sounds strip things down and go back to basics with their next endeavor, returning to their roots by releasing a two track single by debutants, Frenchless. Not only is it their first venture on the label, but this is their first ever release under this moniker from the mysterious deadly duo.

It's been a few years since Gemmy returned with a release, but he's back in business with a brand new 12 on Infernal Sounds. Entering the imprint on the milestone 30th release, this is a record of pure character and old-school licks that you'd be more than accustomed to if you've listened to the purple-laced producer in previous years. 'Irreversible Culture' kicks things off with a rough and tough low end kick and step, layering that ultimate groove and steppers delight.

Om Unit surprises us with a second volume of his 'Acid Dub Studies' project, once again fusing his love for the 303 with studio techniques given to us by musical heroes such King Tubby, Adrian Sherwood, Jammys and Basic Channel

This second volume further solidifies the convincing narrative created by its best-selling predecessor, heading in a more groove-based direction in places whilst being underpinned by the same sonic narrative that has been enjoyed by many music fans from a variety of different spheres for the past 18 months or so

Support so far for the Acid Dub Studies project has come from many corners including some of the most highly respected names in UK Radio such as Don Letts and Steve Barker, Benji B and Tom Ravenscroft as well as a whole host of truly global worldwide underground support both via radio and in the dance

Om Unit says of this record: 'I felt encouraged by the sheer love for the original selection of works to go back in again and continue to experiment with this approach to writing whilst refining some of the process. Being able to combine processes and influence has been the mainstay of my creative life and I hope this next volume of Acid Dub will be enjoyed by everyone who was a fan of the first'

The beloved 303 bassline continues to inspire every new generation and Acid Dub Studies II is another storybook of sound in that vast continuum that shows no sign of slowing down.

Love Love Records are honoured to present two interstellar remixes from the recent album from HENGE, ‘ExoKosm’ which was self-released last year by the band during the pandemic. Acid pioneers and Madchester legends 808 State rework the track ‘Exo’ in their signature ‘acid-house meets rave-hardcore’ big band sound that fits seamlessly amongst their own back catalogue. The second is a heavily clubbed up twist of ‘Goldilocks’ from Brain Rays & Quiet, a spacey slab of sub-slung broken power-house with a sleazy groove like an alien abduction straight to the engine room of the UFO.

Repress!

For over two decades Jonathan Katsav has used his Crave project to fray rap at its fringes, using Memphis and Houston's low-and-slow legacy to inform sounds that have as much in common with Merzbow as they do Tommy Wright III. Working under a variety of different monikers such as Lieu Noir, Sniper Bait and Soul Collector, the French producer is most prolific as Crave, and "Inner War Delirium" is a substantial and broadly cinematic addition to his canon. Katsav approaches each track as if it's a scene from a movie, using real life experiences to explore separate characters and contrasting emotions. Using different narrators and disparate vocal styles, he navigates grim, blown-out landscapes, driving neon drenched trap synths and horror choirs against overdriven kicks and waterlogged industrial atmospheres. Mangled field recordings, squealing static and gurgling synthesized bass opens 'PHYLLIS', goading the cautious with serrated, carnival synths and cacophonous vocals that sway lugubriously between rap and grindcore. The relationship between dark and light, death and rebirth, is at the heart of "Inner War Delirium", rippling through every track's oozing amalgamation of inebriated hip-hop and buzzsaw noise. Katsav's sounds are an attempt to subject us to the physicality of his own life's puzzle, and he cuts them into vignettes like a director. On the album's final track, listeners are swiped from in front of the speakers and bundled into the trunk of a car, rain rattling on the metal and the album playing on in the distance. It's a way for the producer to turn the camera back on the audience and ask them to consider their own complicated reality - it's Crave's story, but everyone's a part of it.

It’s been a pretty eventful year for FKOF Records, but we’re delighted to be ending it with a bang and by welcoming two brand artists to the imprint. We’ve been long-time fans of Oddkut and Abstrakt Sonance and when we discovered they’d been on the buttons together we knew it was material we wanted to home...

The next FKOF Records release sees us welcome four artists back into the FKOF fold with our first VIP record in the imprint’s history. It’s great seeing artists remix other artists’ work and putting a new spin on it, but there’s something special about producers revisiting their own work to put an extra spicy flip on solo material. So that’s what we’ve done with FKOFv006...

Ragoo Records is proud to welcome the outstanding DJ, producer and record collector Biga for RGT07, the seventh installment of the cassette series curated by the label.


"Meltin' Brain Loops" is a dope collection of beats composed in the scorching late May and early June of 2022. These 23 tracks are the result of a couple of weeks of studio time that Biga dedicated specifically to the rhythms.

As the producer directly explains, "using exclusively an MPC, I developed the tracks starting right from the drums. I wanted the drums and bass to have a certain kind of groove, only inserting the samples later, just for the joy of studying and for the fun of twisting my workflow out of the comfort zone."

While Biga's beats are hosted on side A, side B includes 10 creamy remixes packaged by JayBee Vibes, Astratto, Odeeno, J. Raise, Jr, HZHA, Looppolo, MstkVibes & Loodo, F.o.x, Pentola, Masneo.

SWR surfaces on Plantpower Records with his 'Blood Money EP'. A weighty 4 tracker with potent basslines, shuffling drums, dubbed out effects, and hypnotic sounds and textures that weave between the beats.

One of the all-time great hubs of soundsystem culture and musical free-thinking, it was only a matter of time before Bristol had DNO Records in its grasp. A quadruple threat from the city’s Young Echo collective members, rappers Manonmars and Bogues join forces with revered producers Ishan Sound and Neek on the ‘Burning Paper’ EP, broadening the expansive horizons of DNO further still.

Repress

Newcomer ​Bakey ​gets his full vinyl release via UKG imprint ​Time Is Now ​with the weighty ‘Take It Further’ EP. London based producer ​Bakey has been steadily gathering attention whether it be via his appearances on ​Rinse FM or club fuelled edits via Bandcamp. His first vinyl outing ‘Take It Further’ EP is a slice of UKG goodness featuring five tracks of groovers and movers, best played loud.

Into the mystic. Crank up the amp and drop the needle on the record. Exclusively on vinyl only, it's the cross-genre collaboration everybody's talking about - between the don of drum'n'bass and one of the godfather's of grime. Goldie and Skepta share a birthday, an elemental connection and an impeccable taste in beats. Upstart is the blistering outcome of their studio sessions together - a fierce, futuristic alchemy of tense horrorshow melodics, street-level rhymes and bangin' breaks. Minted somewhere between Blade Runner and A Clockwork Orange, it's for the kind of kids who want to ram-raid tomorrow, become a ghost in the machine, a contagion that cannot be stopped.

Auf HOLD ON TO DEER LIFE, THERE'S A BLACK BOY BEHIND YOU! vereint das kenianische Wunderkind KABEAUCHÉ seine Produktionsfähigkeiten und stimmliche Plastizität, um einen mystischen, aber dennoch explosiven Dance-Pop mit der für Monkeytown typischen Rohheit, Weirdness und Rave-Energie zu kreieren. Nach einem gefeierten ersten Album auf Nyege Nyege setzt KABEAUCHÉ jetzt mit dem Nachfolger und weltweiter Tour seine Erfolgsgeschichte auf dem Berliner Label fort. Ein Talent von globalem Ausmaß, das zur Reife gelangt.

Hard Dubstep, production from the Peace Off crew for rought Deejayz... Banging stuff in the vein of Niveau Zero, Broken note and Bong-Ra.

Straight out blood relative business, TEMET’s anticipated fourth iteration comes courtesy of up-and-coming French producer Less-O - a relatively new name to the scene but whose musical lineage and shared DNA with Simo shall sound no stranger to our listeners’ ears.
Raised in a family of music lovers and classical guitar players, Less-O first dabbled in music through the prism of drums, mostly jazz, which have played a big part in the development of his approach towards electronic production (he only picked up a couple of years ago), and
obviously runs the length of his debut solo EP, “Shenanigans”, due out 9 November on TEMƎT.

Recorded during the recent lockdown that pushed him to explore further ahead his thendormant potential within the electronic sphere, writing most of the tracks over lengthy night watch shifts, “Shenanigans” champions a sound both dark and subtly elating. The EP fuses an immersive and brooding neo-noir ambience with Jon Hassell-ian brass a la Blues Nile and flooded machinery on ”Bumblebee”, whilst “Clan D” peeps at slowed-and-throwed trap
motifs with muted savagery. A shadowy hood joint primed for slo-cruising around the blocks. Contemporary trip-hop number is on the menu with “Meditative Walk”, laying macroscopic emphasis on faux-organic envelopes and insectoid sounds as ominous riffs and brittle
chimes scud across. Tapping in cross-knit seams of hard-edged bass and future dancehall, “Behind Closed Doors” reels out as a fractured kaleidoscope flush with hypermodern rhythmic shards, cascading bleeps and knee-buckling breaks. The mystique-imbued polyrhythmia of “A Third” rounds off the package with incendiary percussive flair, unleashing a hypnotic symphony of skilfully ordinated dissonance and rattling riptide froth. Keep your eyes peeled, the Less-O adventure is just getting started.

Vienna impact on RFR! PELETRONIC blesses us with his own unique blueprint of abstract house.

„Riddim & Bassline“ are the main ingredients for the opener of his
„Honey Badger EP“. A rumbling, buzzing and funk loaden predator digs his way into our ear canal.

„Sry I’m dazed AF“ - words we‘d sometimes like to address our supervisor with, especially after a serious weekend night out. A grating, distorted Miami Bass variant on a Deep House bouquet that lives up to his title.

„True Brew“ also starts wonderfully imperfect. Blustering beats and scruffy hi hats are being perfectly paired with a piano harmony. Bring us another two or twenty of this special drink!

Last but not least we got a remix by none other than DMX Krew, who provides a bubbly finish to „Riddim & Bassline“. There is not much left to say, cos if you got Ed DMX on your record, really everything has been said.

Reissue of in demand classic.Dubtraxx was new on the scene back in 2019 when they dropped this EP which has since become something of a mini-classic. It came on their own label Rhythm N Vibe and now this is seriously heavyweight gear gets reissued. 'Soundbwoy Request' is especially dangerous, working plenty of dub, reggae and jungle motifs into a rugged garage structure and sounding utterly ruff in the process. 'Towards '99' is no slouch either, albeit on a slightly housier tip than the raucous A-side. The "2000 Tribute Mix" of 'Next Millenium' meanwhile sneaks out a few of the eerie tones you'd expect to hear around the time that dubstep first started to emerge.

Groovy D debuts on Hot Haus Recs after turning heads on Time Is Now, Shall Not Fade & Hardline Sounds - here we are treated to 2 UK-Garage infused House burners and a couple of weighty 2 Step cuts.

2nd vinyl cut from "Collapsizm" by Japanese Dub producerMantis including A remix by Nonplace label head, Burnt Friedman. Mastered by Stefan Betke aka Pole from scape mastering.

We’ve had a quieter start to 2021 than previous years, but that doesn’t mean we’ve not been busy. In fact, our next physical release marks the first in a run of 9 or more we’ve got booked and ready for the rest of the year... To kick off the first FKOFv release of 2021, we welcome an artist back to the roster we first worked with as FKOF Records in 2013. It’s been great watching Subreachers develop his sound and material over the last ~10yrs, and it’s wicked to have him on a record – with some incredible tunes as well! FKOFv005 also welcomes Congi to the label for the first time, with a sumptuous remix that we know you’ll love as much as we do...

We survived 10 years. Holy FKOF we did it - with your help! To celebrate, we’ve put together a record worthy of getting through our first decade. 8 tracks. 4 remixes. 2 records. 1 FKOF vibe: beats, bass and space.

These run of releases on ‘Existence Is Resistance’ comes from the Legendary Proto Garage Record Label ‘Same People’, and see’s Persian & Long time musical partner DJ Texsta, repressing some of their most pioneering UKG E.P.s.

Banoffee Pies Records in its 10th year of operations welcomes UK based artist Syz to the label for the 22nd Original Series Release via their "Headspin" EP. Kicking off 2023 with a 4 track collection of shape shifting hybrid techno ear worms.

Distinctly playful compositions from an artist continually paving their own sonic path between drum heavy and broken beat UK techno. Focused and dynamic club music made for the sound system explored through always evolving, grime influenced post dubstep sounds and percussions. BPR x

Tapes is back! EM Records is very happy to bring you the latest from the artist known as Tapes, here with a 10-inch vinyl/download release that, with its good vibes, positivity and major-key delightfulness, will rescue you from any doldrums you are experiencing, whether personal, societal or cosmic. Both of the tracks are solo recordings from 2019, but they soar over the worries of the year, any year, with an uplifting rhythmic lilt, a positive tonality, non-annoyingly catchy melodies and some lovely sonic textures. There’s something here for fans of bass music, mid-80s-and-beyond electronic music, and toe-tapping good times. There’ s a sweet chord progression and background drift in the title track that are particularly pleasing, and the flipside has some very satisfying tape echo that will lovingly catapult you to the future past. The sun can shine anywhere, anywhen, so enjoy!

DJML & Jerod S. Rivera debut Later Version project with ‘Swim Domain’ EP on Third Place

Later Version is made up of Oakland-based artists Dan Letson and Jerod S. Rivera, whose debut EP lands on London-based Third Place this April.

Across the 12”, the duo’s natural flair for hi-res IDM-tinged electronica is on full display, with four colourful and playful originals accompanied by a stellar (digital only) remix from Jacktone co-owner, Dark Entries and Tartelet Records affiliate, and Beats Unlimited member Doc Sleep.

All aboard! Stones Taro delivers the goods for the second instalment of the Third Place Dance Discs. The 12" also comes with multiple locked grooves containing elements from each track.

Vinyl was made in two versions - black and limited to 100 copies black&white vinyl. Both 180g.

The debut album from our specialist in bass sounds from Wrocław - TVB. AAfter many bootlegs and two acclaimed EPs (including official Sam Binga remix), the time has come for the official cross-genres long play, where, apart from solo tracks, there are many vocal guests - Mila, Bryndal, Cheeba, Krzaquu, Marceli Bober and JupiJej. An amazing mix of experienced MCs with a new generation of artists.

"The Very Bass" LP is a fresh club sound inspired by the British wave of bass music, which resulted in a mix of 2step, UK garage, dubstep and drum'n'bass.

Om Unit preps a concept mixtape in the direction of early dubstep-leaning influences from '92-'99..

A non-profit release with all proceeds going to 'The Cause' - a creative youth workshop organisation based in Bristol.

The tape was conceived during the dark winters of the end of '22 and realised via days and weeks of digging into the primordial melting pot of sonic experiments that either directly or indirectly arrived in a place that might have been called 'dubstep' but as much as 10 years prior to the official coining of the term.


With liner notes from well-respected writer and journalist 'Laurent Fintoni' this 60 min cassette serves as an audible 'hot take' on what some might refer to as 'proto' or 'pre' dubstep, and as Laurent states in the notes..

"If sound is birth and silence death, the echo trailing into infinity can only be the experience of life, the source of narrative and a pattern for history." - Louis Chude-Sokei

When Om Unit first sent me a copy of this mix I was struck by how the selection evoked so many memories and feelings I associated with the excitement of the mid 2000s when new styles were emerging from UK club culture. Yet all these tunes predated that period, some by more than a decade. In response to this realization the reflex might be to associate the music with linear ideas of time, whereby someone was first in capturing something — be it a vibe, a drum pattern, or a sample. Proto-jungle. Proto-garage. Proto-grime. Proto-dubstep. But this misses the point.

Ideas about music are not unique to their creator but perhaps more like versions, interpretations of the echo that is the universal feeling of the times, accessible to all and located firmly outside the limitations of time as a linear force. And sometimes musicians hear that echo too soon and their ideas are left to wait until the culture can catch up with them. We might call it accidental music, a vibe without full cultural context.

There are ghosts in the archive, echoes of ideas out of sync with the culture, stylistic outliers left to float away in the ocean of sounds we call music. The DJ finds them. We might call it digging in the crates. Or selecting. Whatever the term, the DJ uses the mix — a sacred space where continuous time can be harnessed to go beyond linearity — to expose the ghosts and let them be heard in new cultural contexts where they are no longer too early, but just right in time. Because the soul does not keep time.

Vinyl was made in two versions - black and limited to 100 copies black&white vinyl. Both 180g.

The debut album from our specialist in bass sounds from Wrocław - TVB. AAfter many bootlegs and two acclaimed EPs (including official Sam Binga remix), the time has come for the official cross-genres long play, where, apart from solo tracks, there are many vocal guests - Mila, Bryndal, Cheeba, Krzaquu, Marceli Bober and JupiJej. An amazing mix of experienced MCs with a new generation of artists.

"The Very Bass" LP is a fresh club sound inspired by the British wave of bass music, which resulted in a mix of 2step, UK garage, dubstep and drum'n'bass.

ALONZO is an electro guy. raised in miami and now living in brooklyn, he has been brewing tracks for years. these electro/futuristic miami bass tracks are finally getting the release they deserve. recommended for fans of dopplereffekt, pretty tony, and the west coast sound of holland.