Beats Новости

* Second Album From La Stampa, The Six-piece Band From Berlin, Hamburg & Geneva.
* Includes A Bespoke, Full Colour, Fold-out Poster
* Artwork By The Acclaimed Artist, Shirana Shahbazi.
* Design By Manuel Krebs From Norm.
* Edition Of 500

Closely Working With Legendary Producer Tobias Levin From Hamburg, The Band Have Developed And Recorded The Ten Songs Over The Course Of Two Years. Picture Northern Creatures Sweating Out Their Melancholy In The Southern Sun. As The Wind Carries The Beats From The Beach Disco Across The Bay, Chopin, Vodka Shot In Hand, Imagines Writing Music Based On The Build Of Crystals. To The Side Of The Composer, The Rhythm Section Gets Restless. The Thrum Of Eastern European Electronics Pulsates In Their Brains. 'don't Work Yourselves To Death', One Of Them Shouts, 'it's Not Our Fate. Let's Go Dancing, Everything Must Change', Adds Another, And 'sun Screen's On The House!' This Is A Glimpse Of The World Bonjour

Despite sounding like an 80's cassette only wave outfit La Stèle des Pleurs is a contemporary band from the north parisian suburbs.

They're mostly inspired by the underground tape scene of this period and use a 100% analogue set from synth and drums machines to tape recorders according to their unkwnown masters.

The 7 tracks of this mini-LP are only instrumentals somewhere between the melancholia of Enno Velthuys and the heady sound of Stratis. Their music seems untouched by contemporary world and influences, recorded in order to compose their own enigmatic but familiar universe.

Gloomy landscapes and feelings may appear but surrounded by a glimpse of hope.

Limited to 300 copies.

Limited Edition Of 500 Copies On Black 2lp Vinyl. Comes In Gatefold Sleeve With A Funky Artwork By Boggie Cramb! Skipping Through Endlessly Boring 70s Flics From Eastern Germany And Digging In The Crates For 1€ Records Crammed With Scheisse Volksmusik Is Something Torky Does All The Time. Don`t Ask Yourself Why. Listen!

Line Explorations present its first release - a compilation consisting of six tracks by six national artists, producing under the names of T'iwu, HTL, PX, emme, AMSH and Mensaje Sanador, serving as a sampler for what's to come in the future on the label and the sounds the label will evoke such as techno, IDM, ambient, noise, drone and experimental vibrations from the further avant-garde,

The first track focuses on growing an organic and everyday sonic scape with the use of chords and melodies filled with light touch - reminiscent of clear skies and sunshine - which creates an ambient feel similar to that of daily vibrations of life as presented and explored by T'iwu.

HTL enhances the depth of the reflections of today's emotions one can feel by delving deeper into everyday surroundings and exploring the noise/drone side of the ambient musical styles by mixing melodic elements with the out of the ordinary effects which shock and ululate while shaping the musical texture into a darker and deeper atmosphere.

The following track, by PX, elevates the atmosphere into a more jovial soundscape full of '80's inspired electronica and sci-fi soundtracks. The beat rolls off and twists in a funky groove helping develop a danceable pace for the release.

On top of that, emme presents the fourth track - in the shape of techno meets breaks - where more classical elements of industrially influenced electronic music can be traced from yesteryears. The sounds engulf in warmly distorted melodic strings while flowing over and under the rhythmic structure.

In contrast, AMSH's ''Subway'' presents a downpour of heavy sounds, such as noise influenced synths and delayed infected percussion, along with field recording of trains help envision the movement of a manmade machine and its flow through the undergrounds of today's world.

The final piece, of the label's initial release, comes in the shape of a Mensaje Sanador or healing message. The track takes on the elements of the three titles that have preceded it and explores further the dynamics between current and classical sounds of the electronic dance music genres by delving deeper into sound synthesis, melodies and rhythm as to help one submerge further into exploring such sounds, their history and the future to come.

"Made of Industrial tones and decadent rhythm this MIND CLEAR 011 produced by Anthem is pushing at his most extreme layers future dub / trap and black metal, with an hypnotic modular synthesis for the wildest waves in our ears."

Ronnie McNeir has been associated with Expansion for over 30 years through his own Setting Sun label. Now on 7' for the first time in the UK Expansion bring something special for Record Store Day, 500 hand numbered copies of the 1981 Detroit soul single 'My Baby'. An original copy will set you back £100 and these limited edition RSD pressings will become sought after too. 'Hold On' comes from the 1989 Expansion album 'Life & Love', and is released for the first time here on 7' single. Ronnie currently tours as a member of The Four Tops and is back to perform a rare solo concert in June 2019 as part of this year's Blackpool International Soul Festival.

The Vibrators were one of the original UK first-wave punk-rock groups, playing legendary shows at London's Roxy Club, and the late great BBC DJ John Peel was an early fan, recordings sessions with the group for his radio show as early as 1976. Their 1977 debut album Pure Mania is an all-time punk rock classic and one of the most immediately catchy and tough releases of its era. Featuring two great tracks off this album, the classic 1977 single "Baby Baby" b/w "Into The Future..." is reissued here on a limited edition picture disc this April.

SDH (Semiotics Department of Heteronyms) is the new project of two key figures of the synth-wave/industrial scene of Barcelona. Andrea P. Latorre and Sergi Algiz, founders of the Cønjuntø Vacíø label and also in the post-punk band Wind Atlas, unveil a new act more oriented towards pop music. SDH is change, alteration, distortion, metamorphosis. Their synth-pop songs, sprinkled with EBM and techno, are mysterious, obtuse and suggestive. The project seems to revolve around the idea of fiction. What is the language of feigned personalities What is fiction An individual is one and another, is liquid. It is physical. Incarnating someone is doing it in a corporeal way: making it flesh. Conceive: everything is real: reality does not exist. How is a fiction embodied They have already supported artists such as Marie Davidson and Merchandise and performed at the Swedish festival Kalabalik På Tyrolen, one of the reference festivals of the darkwave scene.

In 1986 iconic group The Future Sound of London released the UK Top 40 chart album 'Dead Cities', from which came a track 'Yage'. Such has been the interest in this masterpiece of electronica over the years that the guys have been back into the studio to revisit it.

Here, on this limited edition, individually numbered LP press exclusively for 2019's Record Store Day comes the results. 'Yage 2019' takes the core of the original and rebuilds it. All together there are eleven tracks reconstructions and interpretations, woven together (as FSOL do) into a 42 minute dreamscape journey across the 2 sides of vinyl. Only 1000 copies of this release will be pressed on vinyl.

Issued on limited edition red vinyl is Max Richter's emotive and minimal score to Damon Lindelof's TV series about a post-apocalyptic global event where 2% of the world's population disappears without explanation. Richter's approach explores the feelings of the protagonist's family, the Garveys, through intimate, small scale music. He tackles this psychological landscape by bringing a ritual quality to the score, while themes of departure and loss are represented by a sense of sonic decay, relying on the instrumentation of a few sustained tones on pianos, harps and celesta.

Max Richter is a classically trained composer that defies boundaries. Trained at the Royal Academy of Music and finishing his studies under the tutelage of avant-garde composer Luciano Berio in Florence, Richter's career has followed many paths. His musical output ranges from ballets (Wayne MacGregor's Infra), reinventions of classical works (Vivaldi's Four Seasons), collaborations with The Future Sound Of London, Roni Size and Vashti Bunyan to writing scores for film and TV (Waltz With Bashir, Lost and Found, Last Days on Mars) and solo work (Memoryhouse, The Blue Notebooks, 24 Postcards In Full Colour).

The reissue of the 1968 BBC Radiophonic Workshop's hugely influential 10th anniversary album, featuring remastered early electronic works of John Baker, David Cain and Delia Derbyshire.

Widely regarded as a major influence on the development of electronic music worldwide, BBC Radiophonic Music is a compilation of short works, often composed as intros to various radio or television programs. Conceived in a time when analogue sampling meant hours of slicing tape with razor blades, BBC Radiophonic Music is brimming with zippy themes, unsettling atmospherics, riffs, loops, clicks and beeps. Insanely catchy yet deeply sinister, this is 'collage music', produced, according to Desmond Briscoe of BBC Radiophonic Workshop, 'with the intention of entertaining rather than informing'.

This is an essential album for analogue and TV theme obsessives, and anyone with an interest in contemporary electronica; mysterious, eccentric and celestial, it is a celebration of one of the UK's most treasured and unique institutions.

The reissue of the 1968 BBC Radiophonic Workshop's hugely influential 10th anniversary album, featuring remastered early electronic works of John Baker, David Cain and Delia Derbyshire.

Widely regarded as a major influence on the development of electronic music worldwide, BBC Radiophonic Music is a compilation of short works, often composed as intros to various radio or television programs. Conceived in a time when analogue sampling meant hours of slicing tape with razor blades, BBC Radiophonic Music is brimming with zippy themes, unsettling atmospherics, riffs, loops, clicks and beeps. Insanely catchy yet deeply sinister, this is 'collage music', produced, according to Desmond Briscoe of BBC Radiophonic Workshop, 'with the intention of entertaining rather than informing'.

This is an essential album for analogue and TV theme obsessives, and anyone with an interest in contemporary electronica; mysterious, eccentric and celestial, it is a celebration of one of the UK's most treasured and unique institutions.

"Mano LP" a vinyl picture disc, comes in Gatefold sleeve (made of recycled material) with a CD, 16 pages photo album + hand numbered certificate. Limited to 300 copies

IJO is Lithuania music producer that has been making music for over 15 years. Mano LP is a showcase of his many musical faces and tastes. From Ambient to Jazz to Jungle. An emotional and mathematical rollercoaster

This record was strictly limited to 300 copies, these are the last remaining copies

NO REPRESSES

Four floor fillers sourced from the Rising High Tape Archive of 880 Tapes and assorted sampler disks. We have lost count of how many Rising High titles we have restored in the last two years but it is over 250 and we are still only scratching the surface.

Two of these gems made it to the Rave compilation series, "Noise 3". The compilation tracks are that classic 1992 SL2 inspired sound that was so popular, using the same vocal sample as the Tango Project 1 Remixes "Original Rub-A-Dub-Style".

The unreleased tracks are a Belgian style hoover track that would of been at home on early KMS Records or R&S Records and a pounding trippy Acid Techno banger. Check out the You Tube video play list as words do not do them justice.

After a pleasing start to the New Year, 2 same night sell outs on lathe cut 45s and a single afternoon sell out of the recent Gabe Knox LP, Polytechnic Youth continue their relentless release schedule with 2 more awesome full lengths. In their own ways, both totally unique but very much befitting the tried and trusted synth / electronic PY blueprint.

First up is the fabulous 'Where comes the Dark' debut full length from shadowy, underground producer The Slow Engineer. 'An album of sculpted synthsonics and Eldritch electronics originally released on a limited run, blink and you'll miss it cassette which sold out in 24 hrs. Heavy on basslines, with driving rhythms and tweaked synthesisers, it's a record which openly acknowledges it's nod to horror scores and the work of the Radiophonic Workshop whilst pulling off something uniquely and freshly new, with an assembled array of wayward equipment stored at his Analogue Hades base.'

British horror actor Laurence R. Harvey adds suitably menacing narration in places, and across 10 fabulous tracks this is a richly, deliciously diverse electronic record which comes hugely recommended to fans of John Carpenter, not to mention label mates The Heartwood Institute and Dream Division.

A one time pressing of 300, destined to sell out pretty swiftly.....

Gimpmask wriggled out of the London sewer system to present his take on the current state of the social inadequacies in Britain today. From the poorly conceived Brexit vote to the injustice of homelessness and the countries drug epidemic. His gritty music conveys a certain sadness with its heart wrenching melodies enhanced by vague and distant vocals backed by simple yet solid grooves that serve to deliver a pure urban cinematic experience. Imagine if Banksy made music!

Het Interstedelijk Harmoniumverbond (The Intercity Harmonium Alliance) is the collaborative construction carrying Glen Steenkiste, Brecht Ameel, David Edren and Steve Marreyt on their quest for yet undiscovered dimensions of drone. Each member resides in one of the Flemish province capital cities (Brussels, Ghent, Antwerp and Bruges), they all play harmonium and share the genuine interest for temporality in music. Initiated from Steenkiste's idea to expand the solo harmonium of Hellvete into a more dialectic and immersive format, this new league had its premiere on Eastern Daze V festival in November 2018.

The release is an uncompromised gesture claiming one of today's main scarcities: the liberated and emancipated attention. The drone sound has a rare capacity to reflect upon the most delicate patterns of the human experience of time, hitting straight to its core: duration. Long, layered tones of four harmoniums stretch from past towards future, and from emotionally charged warmth of an ensemble to the coldness of post-human electronics. They trigger an uninterrupted flow of music and call for an intensified and extended ritual of contemplative listening on multiple levels. In regard to that, the recording process was carried out with an ambition to capture both micro sounds and detailed textures from each of the harmoniums, as well as the surround sound blended through the acoustics of space. The record comes with the extensive liner notes by the renowned essayist Sven Vitse (in Dutch).

Recording and mixing: Jürgen De Blonde
Mastered by: Christophe Albertijn
Photography: Krysztoff Dorion
Design: Ruttens-Wille
Tekst: Sven Vitse
Distribution: N.E.W.S.
Thanks to Kraak & Vooruit

LIMITED EDITION RUN OF 200

A gem of an EP, the "Untitled" track could easily have been mistaken for a Warp Records release or AFX. Techno to drive you nuts.
Written by my Sound Designer friend, Michael Bolton, at University in 1998.

The Driving Me Nuts track is a sample of our tutors reaction to a track I made she hated.

Voodoo Dance Malarky's intro would be worthy of a Chemical Bros track, full of little surprises and an evil break at the end.

Originally recorded to tape. Cleaned up by me years later, remastered by Subvert Central Mastering and cut at Curve Pusher. Pressing by Vinyl Presents on clear Vinyl.

Following on from last year's releases by Neue Grafik and Selectors Assemble, CoOp Presents step into 2019 with a new 4-track EP courtesy of Oliver Night; a DJ, producer & singer born and raised in North London.

In addition to joining the Selectors Assemble family recently, Oliver is a member and producer of Roots Manuva's Banana Klan. He established himself as a DJ some 15 years ago, and has since played across the capital, from the Tate Modern to Boiler Room. His music has been supported in the past by the likes of Tony Humphries, Kerri Chandler & Seth Troxler,

This four-tracker illustrates Oliver's diverse range of influences, from the initial inspiration of his Jamaican uncle, musician Hughie Izachaar (who worked with Lee Scratch Perry & others), through to his passion for London's broken beat movement. Oliver's sound epitomises tru-skool UK sound-system ethics; grounded in reggae and dub production sensibilities, whilst built solidly for the bruk and house music dances of today.

The set kicks off with title track, 'Make Believe', featuring the powerhouse vocals of BB.JAMES aka Bethany Barnett Bywater, who's had previous releases with EVM128, Spoek Mathambo and Waze & Odyssey. London-based singer BB is a talent to watch in her own right, as proven on this monster of a track, which has all the ingredients to crossover & damage dancefloors underground and over. Sassy soulful vocals ride a woofer-shattering b-line and synth stabs with devastating effect - a sureshot future anthem.

Next up is 'Swing For Life', an instrumental jazz-house affair, which features the talents of Vancouver-born trumpeter, Jay Phelps - a highly-prolific, highly-acclaimed musician in the jazz world, who found his base in the capital over a decade ago and has since worked with a veritable who's who of international jazz artists, including Courtney Pine, Wynton Marsalis, Amy Winehouse, Hugh Masakela & George Benson, to name a few.

Finally, the flipside brings with it two versions of the cut 'U Got To', remixed by Selectors Assemble family, Cengiz, and label founders IG Culture (fresh from receiving a 'Lifetime Achievement Award' at the 2019 Worldwide Awards) and Alex Phountzi (formerly of Bugz In The Attic) aka NameBrandSound, delivering more of their signature bassweight business. Oliver unleashes his own vocal talents on this track, deftly demonstrating a rich, soulful Omar-esque quality to his voice, and completing a truly heavyweight debut for the label.

This record is huge. Essential business, no BS. A truly firing start to the new year for CoOp Presents.

Limited vinyl & digital available on ********

INCLUDES REMIXES BY PESHAY & STU M
Limited Edition 12" Vinyl

Remastered and recut by MUSIC PRESERVATION SOCIETY

With productions dating back to 1994, James Bernard has gained a cult following for his combination of atmospheric analog beats and modular synthesizers. His debut album, 'Atmospherics' is often heralded as a classic by the diggers who stumble across it, and James' 'Unreleased Works' are a hidden gem of early 90's electronica (if you're lucky enough to own a copy on CDR of course). James has been busy experimenting and refining his modular setup over the years, to the extent that a full album of beautiful music, created live in one take on a sunny afternoon, comes to life once more here on ASIP. 'Atwater', was performed live during a 2018 'Modular On The Spot' event, held in Los Angeles' North Atwater Park. With his custom analog modular rig, a small set of speakers and a generator, James took the afternoon audience on a glistening tour of the beautiful sounds to emerge from a Moog Mother 32, custom built filters and various Eurorack modular sequencers, modules and effects. After hearing James' set, ASIP proposed presenting the music in permanent form for everyone who missed that special day. James initially took the chance to recreate the set and edit versions ready for a release, but after careful consideration, it was decided to release the raw unedited live version of his set (mastered by Rafael Anton Irisarri) forever cementing that special moment and irreplaceable emotion found in North Atwater Park that one afternoon.

This killer Italian library album by Luciano 'Arawak' Simoncini was only ever released on the elusive Orrery Records label, and is now very hard to find. Still very much under the radar, Explosive reveals itself as a swift tangled web of beats for the discerning DJ. Tracks includes the driving cosmic funk Hardware with sharp hip-hop breaks and spaced-out abstract synth keys.

Kangoroo Court is an even better alternative version dubbed with underwater and weird'ish train effects. More electric piano madness on the insane Oil Spot. Also includes the two superb Fender Rhodes & environmental FX tracks Shotgun (First compiled on Vroommm funk cinematique and recently sampled by Tomppabeats) and the intriguing track Warhorse. Classic Arawak moods not to be missed!

Fully remastered and licensed reissue, limited to just 350 copies on black wax.

An ethereal, unresolved presence fading into the stereo field, Hilja breathes into life with a haunted synth line and self-sampling vocal hook that instantly creates an enchanted space. Hilja is the debut album by Glasgow-based musician Maria Rossi aka Cucina Povera. Named after a style of southern Italian traditional cooking associated with precarity and making-do, a philosophy of simplicity and stoicism that applies perfectly to the spare but beautiful music Rossi experiments with. Hilja's marriage of minimal synth, field recordings and the hymnal dexterity of Rossi's vocal performances creates a new language, sometimes literally, to be spoken in some mythological Fourth World we've yet to create.

Originally from Finland, Rossi brings an acute sense of space, surroundings, and practicality to her working practice, with each composition often relying on a limited sound palette to create deeply affecting messages which transcend language. Cucina Povera's power is to communicate purely, often down to the solo-choir nature of Rossi's multi-layered voice, an achingly beautiful instrument which has seems to have an innate spirituality in its grain. The tension between the means and the end is at the heart of Cucina Povera, the invocation of a kind of secular spirituality at times using nothing but Rossi's voice. Indeed there's almost a Dogme-like purity to the arrangements: Elektra is a soothing song based around the lapping waves of Rossi's wordless backing vocals and a simple field recording of stones knocked together. Kehoitus is completely a cappella, a haunted fairytale told in glossolalia, evoking a quasi-religious experience with very little.

For music often minimal and simple there's a boldness that belies Hilja's status as a debut. Rossi allows each word, each sound and rhythm to exist in its own space, finding its own relationship with its surroundings. Mesika¨mmenen Veisu is perhaps the most ecclesiastical sounding composition here; burbling water trickles below a virtuoso vocal, with incredible arrangements in several registers undulating above. A meditation to relieve hunger and restriction, it's a perfect summing up of Hilja, a music ambient but completely earthed, finding enchantment in what you have to hand, the realism of magic, the magic of realism.

After the Stroom releases ... Musiques Electroniques Actuelles presents 1999's solo work of NSRD founder, Hardijs Ledinš. A soft solo ambient album, going from folklore to inspired rhythmical jazz language. Limited to 350, 180gramms + 3 page Booklet !

Imagine if you could put together a dream line-up of MCs and producers from all four corners of the rap world
That's what artist and illustrator Gangster Doodles set out to do when he put together a stellar collection of tracks by the rappers and talent that inspire his work.

The all-star line-up features everyone from hotly-tipped emerging producers like Eets, Caleb Stone, Maze Mountain and LoVibe next to underground perennials like Onra, Mndsgn and Jon Wayne all the way up to top flight producer Kaytranada and established rap vets like Madlib, Oh No, Blu and Defari.

This second collaboration between All City Records and Gangster Doodles is a jam-packed sonic adventure featuring 27 killer tracks from some of the finest creators out there. Doodles had the idea for a comp two years ago. Hyped after partnering with All City for Knxwledge's "Wraptaypes" project back in 2015, they initially set out to put together an EP but as the tracks kept coming in it exploded into the sprawling double LP of low-slung grooves and bangers from the best in the business.

With everyone on the record being a friend or friend of a friend, the comp just kept growing as GD went to work with the hustle he has learned from penning his post-it sketches day in day out for the last decade.
Word spread fast and soon he was being sent beats from all over, even reaching behind the prison walls of Bergen County Jail, New Jersey and securing a track from former Dipset affiliate Max B.

The last few years have been busy for Marlon "Gangster Doodles" Sassy. He released his acclaimed Gangster Doodles (The Book) alongside an ever-expanding array of prints, original works, apparel and exhibitions across the globe. Topping that off with animation projects, a graphic novel in the works and now, with this LP titled " Gang$ter Music Vol 1", he is about to debut his first ever music compilation.
He says himself: 'Every time a new track came in it was like running down the stairs on Christmas morning to open a present. What started as a slow trickle of work coming in soon turned into a tsunami with some of my heroes like Onra, House Shoes, Blu, Jeremiah Jae joining up with young guns Kojaque, Kean Kavanagh, Dream Panther and others to beef up the record'

'When an email pinged through with a track from brothers Oh No and Madlib it felt like the final gift and Gang$ter Music Vol. 1 was complete.'

Welcome to a time of global sousvelliance and psychophysical burnout _
Welcome to an inconsistent present that calls for schizophrenic rhythms and mutable harmonies _
Welcome to a future that doesn't need you anymore _
Welcome to your world _
Welcome to End2End _

Nightmares On Wax Legt Eine Unglaubliche Selektion Hin, Die Dem Hörer Einblicke In Seine Innerste Gefühlswelt Und Exquisiten Geschmack Gibt. Mit Seinem Track "good Ship" Feat. Steve Spacek, Dem Remix Für Fat Freddy's Drop Sowie Den Neulingen Creative Principle Integriert Dj E.a.s.e. Drei Exclusives, Die Diese Zusammenstellung Einzigartig Machen. Ein Weiterer Kern Seines Sets Repräsentiert Mit Dem Duo Children Of Zeus (manchester), Steve Cobby (hull) Und Dem Chuggy-disco-projekt Chieftain (hull, Birmingham) Seine Nordenglische Heimat. Afro/latin/disco/funk/soul/jazz-produzenten Rund Um Den Globus Ergänzen Diese Ausnahme-kollektion: Dim Zach (griechenland) Mit Einem Phänomenalen Synth-sample (imagination "just An Illusion"), Bosq (usa/kolumbien), Massimo Vanoni (italien), Soulphiction(berlin) Und Ladi6 (neuseeland). Mit Nightmares On Wax Feiert Die Musikliebhaber-serie "back To Mine" Eine Triumphale Rückkehr Als Cd Und 180g Doppelvinyl Mit Ausführlichen Track-by-track-linernotes Vom Dj Persönlich.

The Eggplant gets mature

5 years of audible meals - 5 years of diverse electronic music and Eggplant-based recipes.
We're celebrating MONIKER EGGPLANT's anniversary by releasing the RECIPE DECALOGUE - a VA compilation containing 10 tracks by 11 artists on two sides of one 12" record:
The EGG side is representing the feisty and straight forward tastes eggplants might have.

The PLANT side is representing the rich and complex tastes eggplants might have.
The RECIPE DECALOGUE represents everything MONIKER EGGPLANT stands for: Tasty and diverse audible meals seasoned with dance floor attitude, experimentation, and spiciness.

The record comes in a beautiful and unique silkscreen printed cover.

First single taken from the forthcoming Miniman's album "Digital Harmonies". Miniman, a true-to-the-roots French producer and live artist. Fierce proponent of sound system music for more than two decades, the veteran is at it again in full force. Full album to be released on the 16th of November 2018 by Moonshine Recordings. This 7" vinyl contains two exclusive mixes that will not be included on the album. Limited to 300 pcs!

About The library Tool Kit' Series The New Sub-label From Wncl Recordings Features 12 Short tools' Per Release, For Use On Discotheque Sound Systems And Home Stereos Alike. Released On 10' Vinyl With Digital To Follow At A Later Date

About This Record Jane In Palma (the Artist Previously Known As Don Froth / One Half Of Bato Bato) Graces The Tool Kit Series With A Selection Of Jazz And Latin Cuts And A Flip Side Full Of Live Conga Jams

No more than 30 Copies available Worldwide.


Highly limited 10" Dubplate with custom sleeve.
"With a raft of excellent music already accumulated, we move on to the penultimate release in our Project Mohawk series, with our 8th instalment only adding to the quality that has gone before. Odd Harmonics may be a new name to some, but being one quarter of the highly regarded G.H.O.S.T outfit should set the scene on what sort of EP you can expect. With the full crew on board for the retro Virus-Esque roller that is Orbiter, and our own label boss Tony Consort on collab duties for edgy & minimalistic Middle Ground, this release retains the funk and old skool production values that so many still crave in the drum & bass scene today. With a selection of tracks that fully hit the mark, yet each offering something a little different, Odd Harmonics lays down a marker as solo producer of note in his own right"

Following on from Medium's hugely successful 6th chapter in our Project Mohawk series, we waste no time gearing up for number 7, and make no mistake, it's one of the biggest. For the next instalment, we handed the creative reigns to Kaset. Already treasured as one of our brightest talents, he showcased his early abilities in the edm.com premiered 'Contour' from our Musical Currency Volume 3 compilation, but that alone was the briefest insight into what would follow. More a mini album than an EP, Kaset presents seven tracks of what we feel is his finest music to date. Each track stands up to objective scrutiny in its own right, but together they form a body of work that few can deny is seriously on point. This is an EP for the heads, the only punches it pulls are bass laden ones to the solar plexus. Those out looking for the freshest of deep beats, it's time to load up, you've just found them!

Limited Edition 120 Copys White Label Stamped.

"combat Dubs - Dub Murderation" - A Statement That Is Well Suitable For The Next Release On Hamburg's Most Underground Vinyl Imprint Intrauterin Recordings Which Already Has Been On
The Scene Since 1999.

Led By A Vocal Sample Of The Labels Mastermind Baze.djunkiii This Limited To 120 Copies 7" Whitelabel Single Does Not Only Provide A Unique And Creative Take On Bass Music -
Especially Grime, Dubstep And Breaks As Well As Some Echoes Of Early Jungle / Breakbeats - But Also Proves How Long Term Relationships In The Music Industry Finally Fall Into Place To
Create Musical Results As The Combat Dubs Project Is Formed In Between Intrauterin Recordings-founder Baze.djunkiii And The Multi-active Producer Sascha Müller Who's Also Been Responsible For The Labels' Cat.no. 005 Way Back In 2005.
After Nearly Two Decades Of Friendship Baze.djunkiii And Sascha Müller Finally Joined The Studio Together For The First Time In Early 2018 For A Session With Only The Name Combat
Dubs In Mind And A Rough Plan To Dig Deep Into The Realms Of Bass Music For Their Very First Collaborational Effort. Fueled By This Idea They Churned Out Two Tunes Within Less Than Eight Hours From Scratch, Two Variations On One Main Theme With One Gravitating More Towards The Raw, Unprocessed Aesthetics Of The Early Grime Scene Whereas The Second Cut Goes A Little Deeper, Providing A Smooth Crossover Between Dubstep And Breaks Whilst An All Embracing Bass Line And Trancey Strings Are Perfect Tools To Provide An Ultimate Lift Off For Late Night Crowds.

Vinyl Exclusive - No Digital Release!