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Addison Groove - Turn Up The Silence Ep

Addison Groove releases another rattling body shaker with his new EP on 50WEAPONS.
Following up his recent album - James Grieve', Tony Williams aka the UK's footwork-jungle ambassador drops a fresh four tracker. This one is pure fiyah.
- Dat Ass', the records fierce opening track sounds like electro undergone a radical undercut. Maximal subbass meets a sceletized breakbeat, military percussions, euphoric vocal shouts and some actual whistle blowing to add that extra dancefloor discipline.
A2 features the late Dj Rashad and with its stunning title - U been gone' sounds like a hommage to one of footworks´ greatest. Syncopated kicks shuffle around a motown sample which adds a certain melancholy to the cleverly twisted jungle breaks structuring this track.
- Push it' brings some hi nrg flavour to the record and - Masamune', the closing track, brings the whistle back on a minimal Dn'B cut playing with samples that seem to come directly from the soundbanks of Source Direct and Roni Size.
A very fresh sounding dancefloor record deemed to be torn of the shelves by Djs, and praised by pirate radio and music magazines.
RIP DJ RASHAD - Never forgotten - Teklife shall prevail

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Akere - Blue Sphinx

Akere

Blue Sphinx

12inch58025-1
58 BEATS
19.02.2016

The trio of singer Sarah Sulai, Hans Hustle, producer and guitarist, and drum pad enthusiast Manu L One takes the listener on a journey somewhere, though exactly where is hard to tell. Maybe it's somewhere between worlds; a parallel dimension between Hip Hop and Jazz, glitch drums and gentle harmonies, between groaning synthesizers and warm guitar riffs; somewhere between narrowness and infinite space.

Inspired by artists such as Flying Lotus and Portishead, Akere experiments and creates music that lands far away from any stereotype. The group does not force a mix of existing genres. Instead, the resulting sound feels natural and effortless. Akere makes the music they want to make, or they have to make, or simply, that they make.

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Bit-tuner - A Bit Of Light

Bit-Tuner

A Bit Of Light

2x12inchOUS002LP
OUS
19.02.2016

In his energy-driven music and concerts, Switzerland based artist Bit-Tuner oscillates between Bass Music, Electronica and Techno, while he pulls his tracks together to become a gloomy, but euphoric bass monster.

Bit-Tuner stands for heavy beats, blown up bass sounds, vicious dreamscapes, acid-driven melodies and disarming harmonies. He has has collaborated with and/or remixed artists like Sole (Anticon), Sensational (WordSound/NYC), Oddateee (Deadverse Rec.), !Mediengruppe Bitnik, Filewile (Mouthwatering Rec.) or Bleubird (Florida). Live he has shared the stages with Acts like Kode 9, Jon Hopkins, Otto von Schirach, Ben Frost, Jimi Tenor, Modeselektor, Kelpe, Shackleton, Actress, The Haxan Cloak and Zomby. "A Bit of Light" is Bit-Tuner's fith studio album, following 2013/14's live albums "The China Syndrome" and "The Japan Syndrome", which were based on recordings made on previous tours through the countries. The collection of 16 tracks on "A Bit of Light" are sacral bass driven ceremonies out of Bit-Tuner's crypt. 16 tracks exploring the lighter side of darkness, deepness and hypnotic ritual endeavours.

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Emika - Dva (vinyl+mp3)

Emika

Dva (vinyl+mp3)

12inchZEN199
Ninja Tune
06.06.2013

Chris Isaaks "Wicked Game" wurde schon oft in allen erdenklichen Genres gecovert, allerdings selten im elektronischen Bereich und zudem garantiert nie so schwerelos und einnehmend, wie es Emika in ihrer Version präsentiert. Tiefgehende Dub-Beats, dezente, süchtigmachende Drums und eine gewisse Verwundbarkeit machen Emikas Track zur Vorzeigeformel für Coverversionen. Den Wert des Originals kann man nur gerecht werden, wenn man es verstanden hat - und Emika hat es verstanden. "Wicked Game" ist der erste Vorbote zu Emikas zweitem Album "DVA", welches sich auf Emikas Wurzeln konzentriert: Ein genial inspiriertes und brillant ausgedrücktes Wechselspiel zwischen Freiheit und Unterdrückung, sei es politisch, sexuell oder einfach nur Kunst. "DVA" ist eine Reise: düsterer Dub Pop, neue ungehörte Sounds vermischt mit Emikas klassischen Elementen. Emika entwickelt sich deutlich hörbar weiter, Expressionismus durch Sound und liefert uns mit "DVA" eines der spannendsten und innovativsten Electronic-Alben des Jahres! Produziert wurde das Album von Emika und Hank Shocklee.

"Das ist die Musik, die wir hören, wenn wir nachts im Club versacken und schon neben der Spur laufen. Emika besitzt das große Talent, die vielen Farben der Düsternis in schillernde Soundscapes mit kurzen Melodie-Streifen zu verwandeln." - Musikexpress 10/11 über Emikas Debütalbum

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Illum Sphere - Second Sight

Illum Sphere

Second Sight

12inchZEN12427
Ninja Tune
19.02.2016

Ryan Hunn (aka Illum Sphere) veröffentlicht mit "Second Sight" einen fantastischen düster-paranoiden Cold Wave Banger, der es in sich hat! Nach Releases auf Ninja Tune, Fat City und Young Turks, Remixen für Radiohead oder Martyn und seiner Manchesteraner Clubnacht Hoya:Hoya, die zu den angesagtesten Club Events in Europa zählt, meldet er sich mit zwei brandneuen Tracks auf Ninja Tune zurück! Killer!

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Vimes - Nights In Limbo (2lp+mp3/180g)

Die Kölner Band VIMES kündigt endlich ihr Debütalbum "Nights In Limbo" auf Humming Records an! Für Azhar Syed und Julian Stetter war das Debüt kein leichtes Unterfangen, waren doch die Erwartungen nach ersten euphorisch aufgenommenen Single-Veröffentlichungen wie "Celestial" oder "Ential", Auftritten bei internationalen Showcase-Festivals wie dem Eurosonic (NL), dem Great Escape (UK) und SXSW (USA) sowie Remixen für Josef Salvat oder Kat Vinter immens und die Nachfrage immer gleich: "Wann kommt denn euer Album". Gemeinsam mit Produzent Jochen Naaf (Xul Zolar, Hundreds) verschanzten sich die Wahl-Kölner im Studio und bastelten gemeinsam in unzähligen Monaten am Langspieler. Mit "Nights In Limbo" erwartet uns nun ein Mix aus elektronischem Pop, detailversessen arrangiertem Listening-Techno, abstraktem Pop aber auch dezentem House. Es sind Lieder, die die Grenzen zwischen "Song" und "Track" ausreizen und VIMES teils experimenteller und teils zugänglicher als bisher zeigen.

Stimmen:
"As the latest preview of (VIMES') upcoming debut album 'Nights In Limbo', it has a radiance and assertiveness that browbeats negativity and encourages you to accept the beauty of your own spirit." - Dummy
"The voice of Azhar Syed gives the electronics of Julian Stetter a melancholic and yearning touch..." - The Guardian
"There's more than a whiff of Hot Chip's Alexis Taylor ..." - The Line Of Best Fit

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L_ - The Outisder

L_

The Outisder

12inchANTIME015
Antime
16.02.2016

L_ is the moniker of the Brazilian producer and sound artist Luis Fernando. Having released his debut album »Love Is Hell« in 2014 through the Berlin-based ANTIME imprint, he also received attention with a slew of remixes and contributed to several compilations, most notably »Hy Brazil Vol. 7« which was hand-selected by Chico Dub, one of the most important figures in the Brazilian electronic music scene. In 2015, ˆL_ embarked on a successful, two-week long Germany tour with his ANTIME label mate AAAA and released the more dancefloor-orientated EP »The Outsider«, also through ANTIME. Apart from his work as a producer, Fernando regularly hosts workshops on sound design with a focus on film and radio works. Fernando started making music as a young teenager, citing bands like My Bloody Valentine or Nine Inch Nails as inspiration for his first Shoegaze-leaning excursions in the music world. As he grew older, his taste varied and his own output became increasingly eclectic. Nowadays, ˆL_ works mostly digital and oscillates between film score-inspired sounds, acidic Techno, Noise and abstract electronic music. However heterogeneous ˆL_'s music might be in terms of stylistics, Fernando cunningly manages to weave all elements together into integrally closed narratives full of unforeseeable twists which follow a well thought out logic. The prolific Brasília-based producer furthermore creates continuity through his unmatched sensitivity when it comes to sampling. Fernando, who has researched and taught about the art of sampling, has built up an impressive archive and regularly immerses himself in his surroundings for field recordings. The result of his relentless pursuit.

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Oliver Ho And Danny Passarella - Multi

Oliver HoandDanny Passarella

Multi

12inchPASS002
Passarella
17.02.2016

Oliver Ho and Danny Passarella 'Multi EP'
A PROCESS IN 4 PARTS -
MALE FEMALE BACK FORTH Oliver Ho, producer of textural techno/noise music has collaborated with Danny Passarella, clothes designer and producer of cinematic synth explorations to create MULTI."Coming in four parts, it is an exploration of gender and growth, moving between the superficially binary genders, creating new identities through this process."

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V/a - Xl Chapter Vi 3x12

V/A

Xl Chapter Vi 3x12

3x12inchXLT736
XL Recordings
30.08.2016

Twenty years after the 5th Chapter, the story continues. Chapter VI celebrates the very best of today's underground. Limited Edition 3xLP. Twenty years is a long time. When XL Recordings released The 5th Chapter in 1995, the world was a very different place. Tupac Shakur was still alive, America was yet to elect a black president and the internet was just something you'd read about. Ecstasy, jungle and hardcore were shaping club culture in the UK and defining the way that a generation of youth moved, sounded and looked. The government had just passed the Criminal Justice and Public Order Act in a bid to kill off free parties, the tabloids doggedly printed page after page on the sins of raving, while the soundsystems of Britain rumbled hard underground. Two decades later and our world is unrecognisable. Kids MC off phones at the back of buses, artists collaborate without ever meeting and ecstasy came, went and came again. But one thing has always remained defiantly present - the underground. XL may have spread its antennae far and wide but at its core its DNA is made up of weird, outsider, two-fingers-up electronic records that crawl out of the concrete and onto wax. XL began as a label by selling 12's to rave DJs, with the best releases pressed onto an annual compilation. The last in the series dropped in 1995 as the label widened its scope. Twenty years on and now is the time to reconnect with the genesis of XL. XL Chapter VI is a vinyl-focused release that wholly embraces the chosen audio format of the decade - all artists on the compilation will be releasing club-ready 12' EPs on XL, a throwback to the dancefloor artillery attitudes that were cultivated at the turn of the 90s. The Chapters provided a regular platform for artists concerned with reshaping the underground and consequently, culture. Think of Liquid's 'Sweet Harmony', 'Everybody In The Place' by The Prodigy or 'DJs Take Control' by SL2. These are names and songs that led a new wave of dance music. Fast forward far into a different millennium and those names have been replaced by a different crew forging a path into new futures. Zomby, Powell, Kaytranada, Novelist, MssingNo, GILA, Homepark, Hugo Massien, rLr, Mumdance, Novelist and Special Request are the artists that are endeavouring to shape not just a way of dancing, but a way of thinking. This part of the story may feature different production techniques and new aesthetics to the last instalment but its spirit remains totally the same. It's a celebrated tenet of dance music that it must look back to move forward, so the snaky acid basslines, brutally sparse beats and the synth melodies that soundtrack the post-club early hours, are all still there. Electronic music is more than listening to records. Our appetite for lowly lit basements packed with people and equipped big soundsystems is endless. This collection is a celebration of that primalism, an uncompromising look at the very best of the world's underground - a journey through the clubs, the cities and the culture. The story continues.

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Brian Routh - You Can't Be Me

Brian Routh

You Can't Be Me

12inchORO003
ORO
03.11.2015

ORO 003 - Brian Routh - You Can't Be Me EP 12" Vinyl + Digital Release date: October 2015 Mastered by Sam @ Precise Distributed by Kudos Written, Produced and Performed by Brian Routh Artwork by Patricia Routh Press Enquiries: A1: You Can't Be Me A2: Laughing B1: Men B2: Nothing Left To Say Following albums from Untold and Lord Skywave the ORO label prepares its' first vinyl release due this autumn from performance artist/songwriter/poet Brian Routh. Brian has been active since the early seventies beginning with the experimental performance duo 'The Kipper Kids' with Martin Rochus Sebastian von Haselberg. In their performance work they created elaborate but purposely low-tech installations in which they would perform "ceremonies" using mostly found objects. Examples are "Tea Ceremony" (1972) a Japanese tea ceremony-inspired piece and "Boxing Ceremony" (1972) in which one performer beats himself until bloodied whilst the other acts as referee. Japanese rituals, English music hall, Viennese Actionism, and the work of Samuel Beckett were amongst their influences.

In 1982 they stopped actively collaborating, and Brian has continued as a solo performance artist focusing on soundworks and Film. These have been presented at the Royal Academy and the Museum of Contemporary Art in Los Angeles. Brian has also collaborated and appeared with Karen Finley, Henry Rollins, Public Image, Genesis P. Orridge, Sex Pistols, Joanna Went, Eric Bogosian, Anne Bean, Bow Gamelan, Lol Coxhill, Paul Burwell, Evan Parker, Derek Bailey and Ian Hinchcliffe among others.

Brian's soundworks incorporate his own vocal rants and spontaneous poetry as well as soundbites of world leaders, politicians, madmen, poets, rebels, murderers and others. The majority of his work is published on
This EP collects four works performed by Brian and set to music. They were recorded in Leicester, UK in early 2015.

As Brian puts it: "The songs/rants/poems on this EP are spontaneous verbal outpourings and the content is whatever oozes out of me; sometimes rants, sometimes poetry, sometimes self-reflection."

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Fennesz - Song Cycle  (lp Box)

Fennesz

Song Cycle (lp Box)

2x12inch1701212
> GB
22.02.2016
  • A1: 17.02.2012 (Live At The Museum 1)
  • B1: 17.02.2012 (Live At The Museum 2)
  • C1: 17.02.2012 (Live At The Museum 3)
  • D1: 17.02.2012 (Live At The Museum 4)
  • CD1: 17.02.2012 (Live At The Museum 1)
  • CD2: 17.02.2012 (Live At The Museum 2)
  • CD3: 17.02.2012 (Live At The Museum 3)
  • CD4: 17.02.2012 (Live At The Museum 4)
  • Dvd1-01 | Walter Rutterman - Berlin:die Symphonie Der Grobstadt (Dvd 1)
  • Dvd2-01 | Photo Sequence At Marino Marini Museum (Dvd 2)
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Lance Neptune - Animal Eclipse

Lance Neptune

Animal Eclipse

12inchMAGICRS002
Magicwire
15.02.2016

Inspired by the lost lands between here and the heavens Lance
Neptune provides the soundtrack for hazy summer evenings with his debut release on Lone's Magicwire imprint.
Lance Neptune lets his music play the guide. A native of Glenardern, Maryland, his curiosity takes him into the realms of the unknown. Finding and building sounds from these unknown galaxies he conjures up musical vistas to transport us there.
Foot stomping percussions, warm pulsating pads, lush melodies and spatial chords hypnotize. This is the sort of music that floats you far away from reality, music that gives you the abilities to play around in the clouds. Having spent the last few years on hiatus Magicwire is back with its blend of lofi 90s nostalgia inspired by VHS skate tapes, and 'Animal Eclipse's ethereal experience is the perfect reintroduction.

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Loom - European Heartache Ep

Mr. Mitch's Gobstopper Records open their 2016 releases with Loom's aptly titled 'European Heartache' EP, set to be delivered in time for Valentine's. Self proclaiming his sound as "cold war grime", Daniel Timms aka Loom - according to Passion of the Weiss - "looks back to the square wave synths of the Eskimo era, but also the technology that shaped it: hissy cassette tapes, scratched up dub plates, dodgy pirate radio signals and early computer plugins". 'Grade', his debut EP for Gobstopper, was lauded by THUMP, Juno Plus, XLR8R, DJ Mag and The FADER. 'European Heartache' explores deeper into his spacious, romantic take on instrumental grime. "The core theme in my EP is a struggle with identity. What's my identity when society dictates how I should present myself because of my race, sex, religion, sexual preference. What's my identity, when the borders keep changing, when I've been displaced, fled my country because of war, what's my identity when my sex changes Do I even know my own identity, or am i just portraying what I think is expected of me" - Loom.

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Healing Force Project - Gravitational Lensing Ep

It's always been tricky predicting what Firecracker Recordings will release next, though few would have expected an EP of freestyle, darkside drum machine jazz and percussive drone from Berceuse Heroique, Nous and Bedouin regular Healing Force Project. Sounding like early 23 Skidoo replayed on drum machines and samplers, there's much to admire about the hectic rhythms, foreboding textures and dusty samples at the heart of Gravitational Lensing. It's unclassifiable and completely out there, paranoid, dense and intense, with the fizzing drums, mangled horns and metallic percussion hits of "Random Walks" just edging out the experimental jungle-jazz madness of "Apophenia" in the "top tracks" stakes.

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Grimes - Geidi Primes Cd
  • 01: Caladan
  • 02: Sardaukar Levenbrech
  • 03: Zoal, Face Dancer
  • 04: Rosa
  • 05: Avi
  • 06: Feyd Rautha Dark Heart
  • 07: Gambang
  • 08: Venus In Fleurs
  • 09: Grisgris
  • 10: Shadout Mapes
  • 11: Beast Infection

Geidi Primes is Grimes' debut LP. Originally available as a free download, and a limited release of cassettes, it's now available worldwide on CD/LP/Digital. It has a strange air of being created unconsciously while the artist herself was asleep. It is a vastly intriguing set of pop tunes highlighted by its amazing ffth and sixth songs: Avi' and Feyd Rautha Dark Heart', which are each frighteningly reminiscent of an unaccountable psychic experience you may have never had. As an album, it touches on many different tones without exploiting any. It manages to be playful without being precious, clean without being sterile, cryptic without being obscure, and operates in a deceptively complex melodic structure without calling attention to the artistry therein. It reminds one of being a small child, listening to adult contemporary radio in the back seat of your mother's minivan when a special kind of song comes on. You are still maddeningly susceptible to the sympathetic rise and fall of a maternal voice, yet this is a different sort of mother, one more primeval and distant.

Icily it falls over your entire body, begging for an escape you know you cannot give it. You are strangely moved. It seems like an album made for very tall people about what it's like to be very small. It calls to mind the glowering of a child king amidst the many vestments and decorations of his coronation. Listening to Geidi Primes is what it's like to suddenly realize you are being watched while taking a cold shower...on the moon

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Mikael Seifu - Zelalem

Mikael Seifu

Zelalem

12inchRVNGNL34
RVNG International
04.03.2016
  • 1: The Protectors
  • 2: The Solipsist
  • 3: Soul Manifest (Mikael Seifu Feat. L.a.)
  • 4: How To Save A Life (Vector Of Eternity)
  • 5: Unknown (Vector Of Light)

Mikael Seifu's Zelalem is an ode to - and a fearless break from - the storied lineage of Ethiopian music. The literal Amharic translation of Zelalem is eternity,' and through Seifu's conceptual frame it becomes a vector of light.' Seifu shines this light on the music of his home country while guiding us through an uncharted Ethiopiyawi Electronic' - a coinage Seifu uses to describe the music he and his peers are producing in Ethiopia's capital city of Addis-Ababa.

Illuminating the rich sounds of Addis-Ababa's azmaris, Seifu's music becomes a dream brew' in which these traditional musicians collaborate and contribute vocals and lead voicings from folk instruments such as the Masenko and the Krar. Seifu was educated at the Lycée Guebre-Mariam in Addis-Ababa. The French academy's international group of students was Seifu's first exposure to a world outside Ethiopia, his second was at Ramapo College in suburban New Jersey.

Here Seifu met a mentor in Ben Neill, the composer and music technologist who trained with La Monte Young. Seifu was inspired by Neil to take serious his calling in music. A calling of a different, spiritual nature brought Mikael back to Ethiopia. As a repatriated young man in Addis-Ababa, Seifu felt a renewed sense of allegiance to his home country and allowed its ubiquitous music to guide his creations. Seifu's early work was shared across a string of EPs for stalwart Washington D.C. imprint 1432 R, demonstrating an interplay of regional folk music and international electronic music. Mikael's music does not westernize or electronicize extant Ethiopian music. Instead, Seifu uses Ethio-Jazz's spirit of brewing estranged styles for his own musical tincturing. Seifu's passion above all else is to create something befitting of its time, yet eternally Ethiopian.' The latter phrase was the mantra guiding Seifu through the creation of Zelalem, and a source of inspiration for the cover artwork. Zelalem spotlights the music of Ethiopia's past as well its future. Mikael Seifu illustrates the potential for reinterpreting sacred and proud sources through energized palettes. His latest effort heralds the future of this new music and signals the genesis of Ethiopian Electronic, where the known and unknown commune.

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Earthen Sea - Ink

Earthen Sea

Ink

12inchLOVERSROCKNO7
Lovers Rock
19.10.2015

Following last year's meditative Mirage EP and the stunning 'Beat 13' on Lovers Rock no. 6, Earthen Sea returns to LR with his debut LP Ink. His heaviest and most ambitious work to date, Ink is a work of hypnotic, monastic beauty. Over the last ten years, Earthen Sea, aka Jacob Long, has been developing a sound world all his own, built on a foundation of vaporous grey-black drones and pulsing kick drums.An impressionistic dream-scape of American life, Ink journeys between the eerily vacant 'Entrance' to the feverish 'Stateless' and the shimmering perfection of 'All Men Know the Truth.' Swaths of violent, glacial noise collide with lost voices transmitted through the ether, framed between moments of transcendent clarity. Following an extended three song suite, closing track 'Blues in Black Ink' rides a gently falling piano melody into a finale that is as infused with political rage as it is with private melancholy. With Ink, Earthen Sea arrives fully formed, an artist in utter command of his craft.The record's insert features a print of Long's original artwork.A limited edition of 50 copies will be sold on Bandcamp in individually stamped,one-of-a-kind sleeves made by Long himself.

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Elodie Lauten - Miracle 2

Wilde Calm Records is honoured to present the final project with the late Elodie Lauten, a new version of the spiritual club classic 'In the Light of the Miracle.' The original version was co-written by fellow downtown luminary Arthur Russell in the early 1980s and appeared on his posthumous 1994 album Another Thought. Numerous club-friendly remixes of 'In the Light...' were released as promotional white labels in the 1990s and helped bring this amazing proto-house song to the dance floor.

This new version for Wilde Calm picks up where the white label remixes left off, as Lauten had always intended to record her own dancefloor version of 'In the Light...' and found a kindred spirit in collaborating with Brooklyn producer Pocketknife. The track features Lauten on vocals and keys, Nirosta Steel (Steven Hall) on additional vocals, Peter Zummo on trombone, and production/arranging by Pocketknife. Reworks were done by two long-time fans of Lauten, L.A.'s Gifted & Blessed (Technoindigenous Studies, Wild Oats, Eglo) and Brooklyn's Bryce Hackford (PRAH, DFA). Gifted & Blessed references Lauten's classic post-minimalist compositions with his remix and takes the dance floor of 'Miracle 2' out into the cosmos. Hackford focuses on the instrumental track, extending it way out and roughing it up with heavy Bushwick Body Actualized vibes.

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Moby - Hotel Ambient (3lp Set, 180g)

Nun wird "Hotel Ambient" als eigenständiges Werk neu aufgelegt, und es ist erstmals in seiner vollständigen Version erhältlich. So sind drei Stücke neu hinzugekommen ("Aerial", "Spaired", "May 04 Two"), andere Titel sind erstmals in ihrer vollen Spiellänge verfügbar. Diese Titel wurden bei der damaligen Bonus-Disc stark gekürzt, weil die Spielzeit des CD-Formates schlichtweg nicht ausreichte. Auch liegt das Werk nun erstmals in einer 3fach-LP 180g-Vinyl Edition vor. "Hotel Ambient" gilt bei vielen Fans als starkes Konzept-Werk. Bei späteren Werken wie etwa "Wait For Me" wiederholte Moby die Idee ein Ambient-Album dem Original beizufügen.

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Arovane/hior Chronik - In Between (remixes Ep) (1 Per Customer)

Admired by many since its release, Arovane & Hior Chronik's ethereal ambient album In-between, received wide applause from many and has been held-up as one of the best of 2015. 2016 sees a dream lineup of remixers turn in a spectrum of deeper takes on the original shimmering ambient sound, ranging from immersive drones, to dubtechno and electronica.
Arovane opens up the 12" with a return to his early City Centre Offices sound. After Tomorrow is reworked into a melodic and warm synth-heavy track, that finds an even more ethereal touch than the original.
bvdub's relentless album output has seen him become one of the most respected artists of the genre, yet his remixes are still few and far between. Here, Brock steps up to the plate with a confident, big sound that takes the core of Past Creates The Future, into a completely new yet familiar bvdub territory. Expanding layers embellish on the raw rumbles and strings of the original, with new chords, beats and vocals progressing into an epic nine minutes. It would've been longer if Brock had his way...
The man behind the mixing desk for ASIP, Rafael Anton Irisarri, provides two remixes for the EP. His first, under Herr Irisarri with an unexpected, decaying, granular dub-take on Wunderland. Rafael's dedication to analog production heard throughout, as tiny details and organic changes manipulate and drive the dub-heavy sound.
Arovane and Iran's, Porya Hatami collaborated on Resonance in 2015, so it's of no surprise to see Porya take on Arovane's sound here. Porya provides additional field recordings to lift the already immersive Past Creates The Future, landing on the beautiful cello piece by Aaron Martin to create a final twist in the tale, elaborating on the beautiful instrument found in the original.
Following Markus Guentner's successful ASIP release, the Pop Ambient pioneer dives into his unique, looping ambient sound in style on Scale, embracing more menace and mystery than the original. Markus' new album Theia, has undoubtedly won the hearts of many new ambient fans, who won't be disappointed with this, the latest addition to his expanding contributions to ASIP. The murdered-out all-black artwork represents the juxtaposition between the glistening sounds of the original, and the alternative takes found on the remix EP, featuring heavyweight vinyl and a spot-gloss sleeve, designed by ASIP regular Nick Brzostowski. Mastered by Rafael Anton Irisarri @ Black Knoll Studio.

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Dengue Dengue Dengue! - La Alianza Profana

Superb album for all Tribal sounds lovers... between 4/4 Footwork and Tribal house... A new project coming from Rennes, in west France, brittany... Enjoy

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Gareth Williams & Mary Currie - Flaming Tunes

This iconic experimental album is now available on CD after last year's (now very scarce) Blackest Ever Black vinyl re-issue. Comes in a crisp foam digipack alongside a full colour 8 page concertina insert featuring band photos and lyrics - essential

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Lumisokea - Transmissions From Revarsavr

On the "Transmissions from Revarsavr" LP, Lumisokea continue their exploration of rhythm technology and electro-acoustic experiments while paying tribute to the pioneering spirit of the visionary inventors and composers from the early 20th century from the former Soviet Union. Linking the polyrhythmic ferocity of 'Apophenia' (Opal Tapes 2014) to the otherworldly acoustic biotope of 'Mnemosyne' (Alter 2015), 'Transmission from Revarsavr' presents a meticulously balanced aural web of spiralling polyrhythmic constructions, clashing and chiming copper plates, sub-zero bass shudders and glowing synths. Combining their fondness of electro-acoustic experimentalism with traditional rhythm science from southern India and Korea, Lumisokea create a music in which the pulsating rhythms wind and coil unto themselves like a snake biting its own tail while metallic clangs and howling drones float in and out of focus. The point of departure for 'Transmissions from Revarsavr' was a recording Lumisokea made in early 2014 of Vladimir Popov's 'Noise Instruments' - remarkable mechanical contraptions designed in the 1920's to imitate the sounds of the coming industrial era. Like the 'Noise Instruments', many of these initially outlandish and far-fetched sounds have imperceptibly become self-evident to present-day music, while pioneers such as Arseny Avraamov (aka Revarsavr) and Vladimir Popov have been largely forgotten. With these 'Noise Instruments' as a basis, Lumisokea craft the spiraling rhythm trips of 'Generation Z' and 'Nanissaanah', the eerie procession of 'Buk', the rapid-fire blasts of 'Hyman Otor', the spectral shimmering dub of 'Engrams' and the corroded percussion-mayhem of 'Uroboros'. The album has been mastered and cut by Rashad Becker at D&M, features artwork by Darren Brian Adcock and will be released on LP and digital formats by Opal Tapes on January 22nd 2016. The "Noise Machines" used in the recording are courtesy of The Music Laboratory (Moscow) and were recorded at the ReNoise exhibition in Berlin by Lumisokea. Lumisokea would like to give special thanks to Konstantin Dudakov-Kashuro, Peter Aido and Evgenia Vorobyeva for the permission to use and record the reproductions of Vladimir Popov's 'Noise Instruments

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The Durian Brothers/harmonious Thelonious/don't Dj - Diskanted

Emotional Response returns to Dusseldorf with a compilation of the music emanating out of the Diskant label over some 7 EPs between 2009-2014. Featuring the productions of The Durian Brothers, Harmonious Thelonious and Don't DJ, their unique polyrhythmic percussive sound of the label is highlighted across this special double album.

Releasing this collection of works of the Diskant label is special as it was the discovery of Disk01 on the wall of Honest Jons store back in 2009 that was one of the prime influences in the creation of Emotional Response. Obscure, rhythmic music like no other was matched in striking artwork, presented on screen-printed sleeves that caught the imagination.

Since then a lot has become known about Dusseldorf's music scene. DJs, artists and labels like Musiccargo, Wolf Muller, Lena Wilikens, Tolouse Low-Trax, Themes From Great Cities, Vladimir Ivkovic, Kunstopf, B.A.R and more have all deservedly reached out beyond the original meeting and melting pot that is the Salon Des Amateurs to become names to watch.

With so much interest centered on this cultural hive, it is only right that the Diskant collective of musicians is now viewed and their music appraised for how ground breaking and influential it has been on the Cities unique musical perspective.

Born out of the early years of the Salon (check online for suitable live clips), the label was set up as a vehicle for the music and member's music of The Durian Brothers. Florian Meyer (Don't DJ), Stefan Schwander (Harmonious Thelonious) and Marc Matter. Coming together from their own music backgrounds to explore a new experimental polyrhythmic para-funk via distorted electronics. Using specially prepared turntables, hypnotic rhythmic patterns, noise and sequencing they have created a dense and fuzzy excess that over four sides of vinyl is here now presented as a retrospective, but not an end, to highlight their unique sound.

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Concealed Identity - Levanter / Calavera

Narratives Music returns after 6 months with the first of a new wave of music for 2016.Blocks and Escher present Narratives 011 and a new artist to the label.

This debut from Concealed Identity offers a beautiful and hard hitting double A Side which conjures up visions and tales truly fitting of the track titles and the Narratives Music camp.

First aired on Friction's BBC Radio 1 show, the lush and warm Levanter, has been a fixture in Blocks and Escher sets for months and moved dancefloors across Europe in 2015. A true example of beautiful agression.

The flip side, Calavera, is a different beast entirely. Equally as musical as Levanter, trumpets and guitars introduce the listener to this piece of music but the introduction of the bass reveals a very different and contrasting side to the artist.

Calavera has grabbed the attention of DJ's across the Drum and Bass scene, championed by the Metalheadz camp and finding its way into the highest calibre DJ's sets.

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Junior Boys - Big Black Coat Lp

Junior Boys

Big Black Coat Lp

12inchSLANG50089LP
CITY SLANG
04.02.2016

Electro-pop pioneers Junior Boys return with 'Big Black Coat' their first album in 5 years. The Canadian dancefloor innovators return with their boldest record to date. 'Big Black Coat' is a slick, soulful, synth-pop record fusing their illustrious trademark production with their love for R&B, soul and pop music.

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Mat 101 - Archives 1999-2001

Mat 101

Archives 1999-2001

2x12inchCYBERDANCE019
Cyberdance Records
05.02.2016

Italian arcade electro superstars Mat 101 are back with this LP of lost recordings from the vaults on Cyber Dance Records. Back in the late 90s when electro was first being resurrected and transformed into a more European dark psychedelic style Mat 101 were at the forefront of the revolution, taking inspiration from the pure electro sounds of the arcade games of their youth and representing the classic Italian sound in new and unexpectedly brilliant ways. Their legacy was immense, spawning Jollymusic, Pigna People, Raiders Of The Lost Arp and Francisco (among many other projects) and inspiring subsequent generations of electro wannabes with how to do it properly ever since. This LP brings together their lost recordings, some intended for a second LP that never was, along with live cuts and rarities as well as other unreleased material. However the album is in no way merely a random collection of lost bits and pieces - what is surprising is how fresh, finished and naturally flowing the record sounds, so much so that it really would have made a worthy follow up to their classic 1999 'Goodbye Mum!' first album. The breadth of sound on the records, from the gently hypnotising strains of 'Marble Madness' and the blissful climax of 'Gloria Gloria' to the intense electro jamming of 'Commando' and the progressive rave monster 'Toys Around', is truly stunning. And with dancefloor anthems like 'Falling Down Suite' and 'Musicadambiente' thrown into the mix too the release is essential ammunition for both DJ activists and armchair-listeners alike.

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Rabit - Communion

Rabit

Communion

12inch39135981
Tri Angle
30.10.2015

For the past few years Rabit (aka Houston, Texas based producer Eric Burton) has sent shockwaves through the underground via a series of acclaimed 12' and EP releases, building an increasingly bold and challenging discography. He's been at the center of some of the most exciting, emerging electronic communities, sharing ties with both the Berlin based, dance deconstructionists of Janus (Lotic, M.E.S.H.) and with UK based grime experimentalists like Mumdance and Logos.

With the release of Communion, the follow up to his acclaimed EP (and Tri Angle debut) Baptizm, Rabit shows no signs of letting up. As a sound designer Rabit has continued to push himself into new and compelling territories, reshaping various 'club' sounds into something alien and unpredictable, but with the release of this album he's heavily politicized his music in a way he'd only hinted at before.

The deeply personal aspect of his creative process, and what has been described as an ' intangible something ' in his music, resonates with listeners on a gut level, both pushing and pulling the listener into a world of destruction and rebirth. 'Communion' is a complex, disorientating album, and one that feels especially timely considering it was primarily inspired by issues relating to sexuality, gender, ownership of our natural bodies, societal and governmental injustices, and media manipulations, the discussion of which have been so prevalent of late. Consequently 'Communion' runs the full gamut of emotions; confusion and bewilderment transforming into anger and confrontation, finally ending up in a place of possible hope; the sound of earthly chains on the soul being broken.

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Noumeno - The Phantom

Noumeno

The Phantom

CassetteHR011
Haunter Records
12.02.2016

HR011. Digitally saturated bass music with dark overtones and industrial-level aggression. First release by Milan-based producer Stefano K. Testa AKA Noumeno.

Limited edition of 100 tapes + insert, packed in silver plastic bags.

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Power Glove - Ep Ii

Power Glove

Ep Ii

12inchINV151LP
Invada
02.02.2016

Red Vinyl +DL. POWER GLOVE are an Australian duo described from their bio as "two lawyers sent back from the streets of future, post apocalyptic Los Angeles 2043. With a touch of romance and a on of trouble, we're gonna get there...any way we can" and named after a 1980's 'Nintendo video game controller accessory'. The media and press have compared them to artists such as Kavinsky, College, John Carpenter and Daft Punk (primarily the TRON soundtrack). The mighty Power Glove make a speedy return to Invada after their EP I was released in April as part of Record Store Day. Much like 2014's Far Cry 3 soundtrack, this sold out instantly and was one of RSD's most sought after releases. Invada are proud to present Power Glove's 7 track follow up - 'EP II' This new record features the incredible 'Motorcycle Cop' and PG's remix of The Fauns' '4AM'

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Egisto Macchi - Pittura Contemporanea
 
10

Coming in a luxurious box with hard cover on canvas like a painting, this new Cinedelic production rediscovers 3 rare 70s gems of Maestro Egisto Macchi. Born in Grosseto, Macchi studied in Rome composition, piano, violin and singing with, among others, Roman Vlad and Hermann Scherchen, and Human Physiology at the Università La Sapienza. Since the late fifties Macchi has been active in organizing music, in collaboration with a group of musicians (Franco Evangelisti, Domenico Guaccero, Daniele Paris), to whom he was bound by strong friendship. Along with Dominic Guaccero, Daniele Paris and Antonino Titone, he was among the editors of the magazine "Ordini", which appeared in 1959. With Bertoncini, Bortolotti, Clementi, De Blasio, Evangelists, Guaccero, Paris, Pennisi, Franco Nonnis, Macchi founded in 1960 the Association of New Consonance, on whose board he has repeatedly been a part, also holding the position of President from 1980 to 1982 and in 1989. Following the ANC was the dawn of the activities of Settimane Internazionali di Nuova Musica of Palermo. After giving life with Domenico Guaccero to the Teatro Musicale di Roma, Macchi was one of the founders of Studio R7 - an electronic laboratory for experimental music born in Rome in 1967. In the same year he was one of the members of the Gruppo d'Improvvisazione Nuova Consonanza founded in 1964 by Franco Evangelisti. Macchi's time in the 70s was mainly dedicated to experimentations in library music and film scores. Among the most noteworthy soundtracks he made at the time were for the label AYNA, which gave him full artistic freedom. From that catalogue, Cinedelic is reissuing together the LP PITTURA CONTEMPORANEA (CONTEMPORARY PAINTING) and the double LP PITTURA MODERNA 1 & 2 (MODERN PAINTING 1 & 2) released in 1975. Remastered from the original master tapes in a hard-shell case with canvas cover / 3 LP. Limited Numbered Deluxe Edition of 600 copies.

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The Missing Brazilians - Warzone (lp+mp3/poster)

Reissue des legendären On-U-Sound Klassikers der Missing Brazilians von 1984, der mit seiner rhythmischen Kollision aus Noise, Dub und Elektro der Musikwelt den Atem raubte. Vocals von Shara Nelson (später Massive Attack) und Annie Anxiety (Crass Records). Neu geschnitten im Berliner Dubplates & Mastering Studio für noch wuchtigere Bässe. Schwarzes Vinyl inkl. Poster und Downloadcard mit zusätzlichem Bonustrack "Ace Of Wands (unreleased extended mix)".

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Clara Moto - Joy Departed

Clara Moto

Joy Departed

12inchIF2054
InFiné
27.01.2016

Neue Maxi der österreichischen Produzentin Clara Moto nach ihrem Debütalbum "Polyamour" in 2010, ebenfalls auf Infiné. Die vier neuen Tracks variieren zwischen Post-Dubstep, Balearic-Techno und cineastischen Soundtrack-Klangwelten. Sehr interessant ist ihr Cover von Chris Isaaks "Wicked Game" mit dem Griechen Lee Burton und seiner Vocalpartnerin Mimu on vocals. Clara Motos neues Album "Blue Distance" ist für November 2013 angekündigt.

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