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Back on Celestial Echo Records with CER010, a record that’s been a fixture in the right record bags for a long time.

Africano – “Open Your Hearts” is a serious modern soul tune for the Chicago DJs. Super funky, big on feeling, and powered by explosive instrumentation that just keeps driving. — strong, emotional, and made for proper dancefloors.

It’s been spun for years by DJs like Mark Grusane, Theo Parrish, and others in that Chicago scene — and it works every time. Part 1 on the A-side is the one you know, while Part 2 on the flip stretches things out and lets the groove roll on.

As always, Celestial Echo is about soul records that have earned their place. Remastered with care and pressed properly, Africano is one we’re proud to finally put back out there.

Battle tool repress taken from DJ Junk's infamous Second To None label.

Two legends from New York City here for the price of one, as Downside Up Recordings boss Brandon De Carla - noted for his incendiary PAs and DJ sets around the Big Apple from the 90s onwards, as well as releases for labels as luminary as Kevin Saunderson's KMS - enrols the even more celebrated Joey Beltram to add a remix to his three originals here. De Carla's productions sure are uncompromising, not so much as inviting you onto the dancefloor as prodding you on with their itchy, wriggly sense of metallic funk and spaced out atmospherics, especially the latter on the beatless but substantial, grungy DJ tool that is closing track 'Valley Of The'. Beltram's mix, meanwhile, is pinned down by handclaps that sound like they were forged in a steelworks, but again manage to wrangle a sense of irresistible funkiness from the heaviest duty ingredients. Proper 3am techno gear, make no mistake.

UFOs are nothing if not predictable and so it proves as this particular one is back in our orbit after more than two years away. The cult label signs up Mexico's DJ Natas to pilot a new mission to the edges of our solar system and hard-hitting cosmic industrial space tech is his vehicle of choice. 'The Titan Of Terror' is a busy sound laced up with wiry synths and acid prickles and it hits hard. 'F The Pain' rides stomping metallic drums and has eerie pads shimmering in the background while 'Stay Deep' is more sparse and dark with textured acid and spoken word musings, making it a more mental trip then 'Abracadabra' closes with a hint of psychedelic magic.

Oinimod Records proudly presents its first-ever vinyl release, Gravity EP, a statement of intent rooted in deep grooves, timeless house aesthetics, and club-driven energy.

Written and produced by Duccio Lopresto, Gravity EP delivers two original cuts that explore different shades of House music, complemented by a powerful remix from Gearmaster, one of Estonia's most respected House talents.

“Gravity” opens the EP with a deep and groovy House journey inspired by the classic Detroit House legacy. A strong rhythmic foundation drives hypnotic acid lines and rich, expressive synths, creating a track that is both raw and elegant, built for the dancefloor yet deeply musical.

“Mirage” reveals a more dreamy and introspective atmosphere. This Deep House track flows with a timeless rhythm, warm grooves, and relaxing yet melodic elements, offering a soulful and immersive listening experience that transcends trends.

Closing the EP, Gearmaster delivers a pure Club House banger remix of Gravity, reinterpreting the original material with precision and power. Tight rhythms, infectious groove, and a modern club sensibility turn the remix into a peak-time weapon, showcasing Gearmaster’s unmistakable touch and deep understanding of the dancefloor.

Gravity EP marks the beginning of Oinimod Records’ vinyl journey — a release that bridges classic influences and contemporary House music, crafted for DJs, collectors, and true House music lovers.

DJ support: Soul Clap, Walla P (Voyage Funktastique), Moniquea

The first lady of MoFunk Records is also considered by many to be one of the queens of modern funk music. Her latest, “Womp In My Spirit,” fuses a wide range of styles within its ten tracks and shows the true versatility of funk music. On one end, the deep g-funk bounce of songs like “Womp In My Spirit” & “However You Are” show you Moniquea's west coast roots clearly, while uptempo boogie bangers like “Get It Together” sit in the lane that MoFunk is best known for. Tracks like “Red Light” go in a more dancey direction, welcoming the sleekness of house music to mingle with g-funk whistles and rubbery synth bass, a track that recently caught the ear of Soul Clap and was remixed by them on their recent “Soul Clap vs. MoFunk” EP. The majority of production on the album was handled by MoFunk head honcho XL Middleton.

The second vinyl release on Platz fur Tanz continues the narrative of techno's past and future. Experienced artists reinterpret the shadowy vibe of dancefloors around the world, giving it new form and depth.
The record opens with a track by Swedish techno futurist Lakej, featuring his signature sound of machinery on a working factory floor. The music immediately transports you into the industrial atmosphere of a rave.
This time, the Italian-born, Berlin-based artist VSK takes us on a journey through the emotional waves of deep techno. A slightly jazzy groove makes this track perfect for peak time dancefloors.
Latvian producer Ksenia Kamikaza stays true to her style, transporting us into a world of visualized melodies and rhythms. The bassline sets the groove, while the unhurried rhythm allows you to fully surrender to the dance.
Liza Aikin brings an uncompromising Berlin vibrations to the release, reminding us how a true rave should sound. Her style is not heavy but persistent. Liza never stops experimenting, and this track will be a highlight of any DJ set.
Another Latvian electronic talent closes the release. Igors Vorobjovs blends the best of electro and techno in his track. Nervous rhythms and loud sounds stir the emotions, while the raw, untamed resonance will leave no true connoisseur of feral techno indifferent.

High Altitude 002 brings together three rising forces from three different corners of the world. Stckman, Simone Rossari, and Goosebumps represent a new generation of producers with a shared futuristic vision and a highly distinctive musical identity.

The EP features three forward-thinking tracks, each shaped by the unique taste and cultural background of its creator, yet unified by a powerful, modern sound aesthetic. From deep afterhours mornings to the most crucial peak-time moments of the night, High Altitude 002 is designed to fit seamlessly into any part of a DJ set.

A global collaboration, a futuristic attitude, and a fresh perspective on underground dance music — this is High Altitude 002.

JOCELYN VIRAPIN is one of the master of the Guadeloupean Gwoka percussion.
Born October 17th, 1957 in Basse-Terre, he’s an author, composer, producer and a vinyl digger.
His Gwoka is a pure tribute to the traditional combination of responsorial singing in Guadeloupean creole, rhythms played on the Ka drums and dancing.
He started to play in the 90’s with his band Gwaka. He opened and collaborated with prestigious band such as Kassav or Zouk Machine.
He has a massive discography as arranger and musician: he appears on more than 78 albums! The track "Pasyon" was originally released in 1994 on a rare vinyl , but with the artist we decided to do an edit, so we invited the super talented jazz player Florian Pellissier for a Rhodes improvisation on the original take.
The track "Respè Pou Fanm" was originally released with his band BELOKA in 2010 and was only pressed on a Cd format at a very limited quantity. This beautiful song is a blend of Ka, fantastic jazzy keys on Rhodes, hypnotic bass, sublime creole spiritual chants. With an incredibly joyous feel, the lyrics gave a timeless advice to men: Respect Women .
It definitely deserves a vinyl version for all the music lovers, Dj’s and diggers from all over the world !
Kenbé red pa moli !

RAHAAN…..SUPER DOPE collection of REMIXES & EDITS. Do Not Sleep on this very Limited Run of DJ Only Promo Vinyl.

The Mighty Zaf delivers a must have Double-Pack on Hot Biscuit Recordings. Do Not Sleep on this very Limited Run of DJ Only Promo Vinyl.

Both multi-instrumentalists and seasoned producers, J and Peter took an all-hands-on-deck approach to these original collaborative tracks. The sonic seeds of "Underappreciated" and "Facile" were planted by Peter, JKriv cooked up the demo of "Over Suffa", and all three were completed together in J’s Brooklyn production studio. With live-recorded guitar, bass, analog synths, and drums/percussion by and a cohort of Brooklyn accomplices, the Facile EP marries live elements with modern club-ready production.

The punchy horns and no-nonsense vocals on "Underappreciated" come via Peter’s long-standing stage and studio connection with Ibibio Sound Machine, Favorite Recordings staple singer Olivya delivers the soulful EP title track performance, and Samy Love’s insistent vocal on "Over Suffa" is a pleading message to end the war and suffering in his native Cameroon.

With a remix of "Underappreciated" by French producer extraordinaire Yuksek, songs in both English and French, and influences ranging from boogie funk, 80s R&B, and classic Zouk, the Facile EP is a varied and dazzling collection of music for both listeners and DJs alike.

Ruf Dug flies to Duca with 4 edits showcasing his Ruf Kutz have never been far from the mind.

Rhythm Section, International Feel, Pinchy & Friends, Wolf Music, Music For Dreams and Klasse Wrecks all released the Dug, it’s super honouary to board.

Manchester to Guadalope to Ibiza, his reputation as a DJ, producer and toker is example to all. Here we go. Dug dives in, drum machines ready, mutated across scenes. Street Soul, si! Industriale, buono! Beatdown, no problemo !

Ruffy’s Big Decision is UK Disco meets back alley Boogie, love pains galore over driving funk bass. You Are The One !

Ruffy’s TV Channel is metalica. Heavy beats, unrelenting. Funk to 11. Sherwood. Ciao. Pursuit of trivia. Television, The Drug Of The Nations !

Ruffy Electric Bill. Now we move. Cowbell chiunque? New York ‘81. Smoke stacks. Cars bouncing Downtown. Nobody gets to meet the Duke. Set. It. Off !

For more than two decades, Eamon Harkin has helped shape New York’s communal pulse. As a founder of Mister Saturday Night, Mister Sunday, Planetarium, and Nowadays, he’s created and DJed in spaces where dance, listening, and connection blur into something deeper — places where people come together to make sense of the world through sound.

On his new album, The Place Where We Live, Harkin turns that lens inward. Drawing on 25 years as a DJ and curator, he moves between house, techno, and ambient currents with a sense of stillness and searching. The result is a record that feels both physical and introspective — the sound of the dance floor seen through memory.

The title comes from psychoanalyst D.W. Winnicott’s idea of “the place where we live,” the psychic space between the inner and outer world — where play, art, and culture help us build meaning. For Harkin, an Irish immigrant long settled in another land, that idea resonates both philosophically and personally. The Place Where We Live captures the tension and beauty of the pulse of the club and the quiet of reflection — an album about belonging, transition, and the quiet resonance of finding home somewhere in between.

Detroit’s Julion De’Angelo re-works two songs to PERFECTION. Do not sleep on this DJ Only Promo

Some 30 years after they first met in the DJ booth of Tokyo’s Spacelab Yellow nightclub, close friends François Kevorkian and Dimitri From Paris have finally joined forces in the studio. The result is The Nassau Excursion, a dazzlingly good three-track EP inspired by their joint love of disco and boogie-era dance records made at Island Records’ Compass Point Studio in the Bahamas.

Across three essential tracks, François and Dimitri explore and celebrate this distinctive Caribbean post-disco sound – one where weighty basslines and heavy drum machine beats rub shoulders with early ‘80s synths, dub-style production, heady hand percussion patterns and arrangements drenched in space echo and tape delay.

Daniele Baldelli
"A pleasant surprise to find in this release various atmospheres and sounds that have always been part of my DJing. It even made me rediscover M’Bamina, whom I used to play back in 1974 at the Tabù Club in Cattolica.
There are afro vibes as well, with Black Line – Myele, which is featured on one of my Cosmic tapes, and Nowhere by the Stratosferic Band recalls a track I used to play at the Baia degli Angeli…
Excellent work!"

Voom Voom Music was an independent Italian record label based in Turin, founded and managed by record producer Ivo Lunardi (Turin, December 6, 1940 – December 9, 2010). A pivotal figure in the Piedmont music scene, Lunardi was active both as a DJ and as the owner of several disco clubs.

The label operated for several years in the latter half of the 1970s, releasing mainly productions connected to the Italian dance and pop scene.
Since 2016, the original master tapes from the Voom Voom Music catalog have been owned by Gianluca Pandullo (I-Robots), a close friend of Ivo and Luca Lunardi. Through his labels Opilec Music and Turin Dancefloor Express, Pandullo oversees their preservation and historical enhancement.

The artistic direction of Voom Voom Music was marked by a distinct sonic identity — eclectic yet visionary. The Turin-based label founded by Ivo Lunardi embraced a sound that blended disco, pop, and rock influences, interwoven with African American grooves in a pioneering, international perspective.

Voom Voom Music was among the first Italian labels to introduce this kind of musical language in the country. A prime example is the Italian edition of the debut album by B.T. Express, Do It ('Til You're Satisfied), released in LP, 8-Track Cartridge, cassette, and 7" single formats.
The label’s productions clearly reflected the influence of black and funk music, as evidenced by the references and inspirations running through its catalogue. The track “Lady Pick-Up”, for instance, includes direct nods to “Do It Good” by KC & The Sunshine Band and Manu Dibango’s iconic “Soul Makossa”, revealing a musically refined and contemporary sensibility.

Among the label’s most representative works is Splash (1977) by the Stratosferic Band, a project conceived by Luigi Venegoni — producer, songwriter, and guitarist of Arti e Mestieri. Venegoni’s artistic journey spanned from progressive rock to space and Italo disco. The album artwork was designed by Piero D’Amore (1944 - 2022), a charismatic and multifaceted figure of Turin’s art scene (one of his works was even acquired by the MoMA in New York).
The record includes a disco reinterpretation of Van Morrison’s classic “Gloria”, and “Splashdown”, a track fusing the disco-rock energy of Rockets and Space. In contrast, “Nowhere” revisits the 1975 single by Hokis Pokis, a soul/disco band from Nassau County (New York), transforming it into a vibrant disco-funk number.

Another significant expression of the label’s catalogue is the afro-rock sound of M’Bamina, an Italo-Congolese group whose rhythmic energy and dialogue between African percussion and Western funk evoke the style of international formations such as Osibisa — themselves linked to a rich artistic history in Italy.

Originally released in 1994.

The legendary album from South Africa’s House and Kwaito master Doctor House being reissued for the first time with a full remaster from the original DAT tapes. Nelson Phetole Mohale released a series of albums as Doctor House. Cutting his teeth in the 80s as a session player for a host of big names like Volcano, Senyaka and Obed Ngobeni, he moved on to programming for acts like La Viva and Jivaro, also contributing to Carlos Djedje and others. Still barely out of his teens he became one of South Africa’s first rappers as part of PT House, co-written and produced by Danny Bridgens. Their debut album Big World was released in 1991 and followed by Big City Taste a year later.

MonsieurWilly – “Stomp” (Nu-Disco Remake of The Brothers Johnson) – 7" Vinyl Single Get ready to move your feet: MonsieurWilly revitalizes the timeless funk anthem “Stomp” by The Brothers Johnson with an electrifying Nu-Disco makeover. Pressed on a high-quality 45 RPM 7" vinyl, this remake blends vintage groove with modern dancefloor energy, delivering an irresistible combination for DJs, collectors, and funk-disco lovers alike.

MonsieurWilly’s production pays homage to the original’s infectious basslines and uplifting spirit while injecting fresh synth textures, crisp beats, and a stylish contemporary polish. The result is a vibrant re-imagining that feels both nostalgic and brand new— perfect for setting the tone at any party or adding standout flair to your vinyl collection. This is another special and exclusive 45/7“ release via Soulkitchen Distribution…

Since last year's EP “rhyme09,” a quiet storm has been brewing around the label. This release is not only long overdue, but Vienna is also home to numerous new talents as DJs and producers. The label boss makes the selection here and kicks off this release with a completely crazy track that is unlike anything else out there. There is virtually nothing else like it, making this track unique with its bassline, offset kick drum, and acid grooves. The second tune on the A Side comes from Fabiano Jose’, a well-known DJ in Vienna who, with his brand “Merkwürdig” has been an important player in the local party scene for several years. A catchy tech house tune, “step in” if you can!

The first tune on the B Side is a collaboration between ZentaSkai, well known for his label MASK Berlin, and Thomas Grün, also a long-time DJ and producer in Vienna who releases house and tech house tunes also on his own label “Untitled100 records”.

With Manu Script on B2, we have a debut here. With his great taste as a DJ and producer, he delivers a powerful groove. Another true Party stepper! Be ready...

2026 Repress

After the promo version flew off the sleeves, now comes the full picture sleeve, yellow vinyl version of French live trio, Oden & Fatzo’s chart topping, house smash hit, ‘Lauren’ limited to 1000 copies. A bootleg experiment that got out of hand, Oden & Fatzo’s Radio 1 A-listed single is the accidental hit that everyone is talking about.

So how do you go about making an ‘accidental hit’, by accident of course... The track came about when French DJ Fatzo tried to demonstrate the difference between an edit and a remix to his dad, “... I took a song from the band Men I Trust, sped it up and added a drum beat and violin. After playing it to Oden, they loved it, and in turn, added their secret ingredients.”

Unlike the name might suggest, Oden & Fatzo consists of three people: The Parisian underground collective are a powerful fusion of the electronic live duo Oden, and house DJ Fatzo. Back in 2020 a bootleg version of ‘Lauren’ was uploaded to the YouTube channel of the electronic label Novaj, kicking off an unforeseeable wave of enthusiasm. That video is now approaching 3 million views. Enthralled listeners begged for a commercial release, a year later Ministry of Sound/B1 cleared the sample and the track started its march across the airwaves and up the charts.

With its captivating beat and nostalgic catchiness, ‘Lauren’ makes up for the party nights lost to the pandemic lockdowns, and sees people dancing in their homes and on the streets, as concerts, parties, and live sets are finally making a return. As the trio put it: “This song was all about hope, freedom and a party atmosphere at a time when you couldn't go anywhere. We think it gave everyone who heard it a little bit of an escape, including us.”

Meanwhile in the UK, the track has seen early support, not only by names like Franky Wah, Danny Howard, Pete Tong, Annie Mac, Jax Jones, Jodie Harsh, HUGEL, Bakermat, Cut Snake, Salomé Le Chat, Piem, David Gausa and many more, but also by the incredibly ecstatic party crowds.


Press:

6th week A List at Radio 1
Plays from Radio 2 and added to Hits Radio Pride playlist
Airplay up +3% week on week
#1 Cool Cuts Chart
#1 Upfront Club Chart
#1 Pop Club Chart
#5 UK Shazam Chart
Holding at #12 on Shazam – over 200k tags for the track in the UK to date
Over 8.6m+ streams WW now across all platforms
Over 200k+ views for the music video
Averaging 50k daily streams in the UK
47k+ sales across UK OCC to date
#1 on Beatports Deep House for 16 consecutive weeks

Two foundational releases from Toronto's Strobe Records get a well-deserved reissue on the Clone Classic Cuts series, spotlighting a pivotal moment in North American dance music. While often overshadowed by the Detroit and New York scenes, Toronto's underground in the early '90s was brewing its own potent blend of house and techno - and these tracks are prime examples of that cross-border synergy.

The Hayden Andre Project's contributions sit at the perfect intersection of tribal house rhythms and the emotive, machine-driven pulse of early Detroit techno. There's a raw elegance here - a sense of deep groove layered with just the right amount of percussive tension. It's no surprise that these tracks became staples in the crates of DJs both then and now. The production feels timeless, with hypnotic arrangements that still command the floor over three decades later.

On the flip, Kingdom Come, another alias of Ron Allen, delivers lush, blissed-out house music that channels the soulful energy of New York's golden era while adding a uniquely Canadian sensibility. Allen's piano work, layered with warm pads and swinging drums, gives these tracks an unmistakable vibe - equal parts deep house ecstasy and garage swagger. It's the sound of 3 a.m. euphoria, of packed dance floors and emotional peaks.

To celebrate a decade and a half of excavating the hidden treasures of the Polish underground, The Very Polish Cut Outs presents a definitive anniversary compilation featuring 15, mostly unreleased, tracks from the years 2008-2025.
Since its inception, the label has been instrumental in bridging the gap between Poland's rich musical heritage and the modern dancefloor, and this release serves as a comprehensive time capsule of that journey. From early, legendary edits that defined the label to brand-new, forward-thinking productions, the collection showcases the evolution of a label that turned crate-digging into a national cultural phenomenon.
The compilation brings together a heavy-hitting roster of the label's most influential contributors, featuring essential tracks and rarities from artists such as Pejza?, Ptaki, Holiday 80, Skalpel, Etnobotanika and the label boss Zambon. The sonic palette is vast, moving seamlessly from sun-drenched Balearic and dusty disco-funk to the grittier realms of house and breakbeat. It is a celebration of the label's unique ability to transform forgotten melodies from the 70s and 80s into timeless club anthems, while simultaneously pushing the boundaries of contemporary Polish electronic music.
In keeping with the label's deep-rooted commitment to physical culture, this milestone release is a strictly limited, vinyl-only pressing. The amazing artwork is as always, the work of Bartosz Szymkiewicz.

For the ninth installment of his Hardspace series, Len Faki once again dives into his personal vault to present four reworks that bridge the gap between raw funk and modern, high-impact club dynamics. True to the project's ethos, Faki has selected tracks that have been reshaped through his specific sonic signature to maximize their energy on today's dancefloors.
A1. DJ Assault - U Can't See Me (Hardspace Mix) The release opens with a relentless edit of Detroit legend DJ Assault. Faki takes the raw Ghetto-tech energy of the original and embeds it into a massive, modern framework. While the iconic vocal hook retains its street-level grit, the Hardspace update provides a significantly tighter groove and a powerful low-end presence, propelling the track from the warehouse straight into the present.
A2. Myles Sergé - Trans Milenio (Hardspace Mix) With Myles Sergé, Faki explores more hypnotic territory. He extracts the driving, repetitive elements of the original and sharpens the rhythmic angles. The result is a prime example of the Hardspace sound: a deep, almost meditative loop that gains entirely new spatial depth through subtle filter movements and a crystal-clear percussion layer.
B1. Jad & The - Deep Dark Grimey Dancefloor Moment (Hardspace Mix) On the flip side, Faki leans into the brooding atmosphere of Jad & The. As the name suggests, this mix is crafted for the "wee hours". Faki amplifies the "grimey" textures and contrasts them with a stoic, forceful beat. The trippy, almost menacing synth elements are rearranged within the stereo field, creating an immersive pull that is impossible to escape.
B2. Deepchild - Baller (Hardspace Mix) To close out the EP, Faki brings the jacking spirit of Deepchild's "Baller" back into the ring. Through meticulous re-arrangement and quantization, he gives the track the "tightness" essential for a modern DJ set. The playful, bouncing synths remain, but are now grounded by a heavy-duty beat foundation.
H009 is a hand-picked collection that demonstrates how Len Faki unites diverse musical personalities and eras under the Hardspace umbrella. Whether it's raw ghetto vibes or hypnotic deepness, every track has been transformed with technical precision and deep respect for the original to meet the demands of global dancefloors.

Although best-known these days for serving up blissful Balearic beats, Chris Coco's Coco, Steel & Lovebomb project started life as a platform for his early 90s house productions. Pleasingly, the veteran British producer is now making house again, in this instance in cahoots with long-serving Italian artist DJ Rocca. On side A, they both deliver their own pass on 'Echoes In My Mind', with Rocca's fluid, warm and organic Italian dream house-meets-Balearic house pass being followed by Coco's hybrid deep house/nu-disco take. They jointly explore their love of African musical culture on languid, hazy and mid-tempo B-side 'Mama Sol Mama Africa', where fluttering flutes, warm Rhodes keys and layered percussion catch the ear. That comes backed with a lovely alternative 'dub' full of effects-laden musical details and ear-catching percussion hits.

Vintage Pleasure Boutique once again dives deep into the vast catalogue of super-productions by Roberto Zanetti, better known as Robyx and Savage. This time, the journey takes us back to 1984, unearthing a true gem created at the suggestion of Marco Bresciani, Italian DJ and producer, and the same creative force involved with Radiorama. Zanetti delivered flawlessly. He transformed the elegant, high-grade British synth-pop original by OMD into a first-class Italo disco weapon, infused with that unmistakable sweet, melodic touch and fat kick that blended perfectly in clubs alongside genre-defining tracks of the era. “Souvenir” by Saxophone quickly became a classic, a staple of the sound and a cornerstone in countless old-school DJ record bags.

Today, original copies are scarce, highly sought after, and often prohibitively expensive on the secondary market. This reissue is both a tribute to long-time fans of the record and a nod to devotees of Robyx’s unmistakable sound. The vinyl also features a special remix of “Souvenir”, sonically aligned with Savage classics such as “Radio,” “Fugitive,” “Only You,” and “Don’t Cry Tonight.”

A true feast for lovers of this timeless Italo disco aesthetic, equal parts nostalgia, elegance and dancefloor power.

A limited edition collector’s piece to mark 10 years of Girlz B Like - the vinyl-only, female-led London-based party.

Side A unleashes ‘Love Echoes’, a genre bending underground heater from GBL founder Marcia DaVinylMC with additional keys from Uschi Classen. Afrobeat rhythms, lush keys, drum-pad grit, and a hypnotic bassline collide under a vibrant vocal hook - an irresistible, raw catalyst for freestyle dancers and left-field club devotees.

Side B delivers ‘Joy’ from Bristol’s DJ Emma - a bouncy, gospel-fired house stomper built to ignite any floor. Infectious energy, uplifting vocals, and classic vinyl flair collide in a radiant
celebration of rhythm and spirit, guaranteed to move feet, and supercharge the dance.

Limited Pressing Act Fast!

DJ support by Soul Clap, Walla P (Voyage Funktastique), XL Middleton & Moniquea

XL Middleton's “Tap Water” is considered by some to be a cult classic in the modern funk genre. Ten years after its release, MoFunk Records takes two fan favorites from the album (“Do Me Like That” featuring Moniquea & “High On Your Love”) and puts them onto one limited edition 45 – only 300 copies pressed!

DJ Support: Laurent Garnier, Dennis Cruz, Girls Of The Internet, Horse Meat Disco, Stacey Pullen, Elliot Schooling, Solomun,Marco Carola, Joseph Capriati, The Martinez Brothers, Dam Swindle, Soul Clap, Luke Solomon, Riva Starr, Franky Rizardo, Archie Hamilton, Silvie Loto, Fouk, Austin Ato, Salomé Le Chat, Blackchild, Jean Pierre, Black Loops, Kassian, Seamus Haji, Melvo Baptiste, Rimarkable, Sophie Lloyd

In-demand Amsterdam-based duo Makèz step into new ground with the release of their album ‘Arriving Home Elsewhere’, via ANOTR’s No Art label. A kaleidoscopic project that moves between deep house, cosmic jazz, R&B, broken beat, and club-ready energy, the record is both a declaration of identity and a dissolution of boundaries - proof of the duo’s rare ability to merge worlds without diluting or compromising their true essence.

Where most albums that span electronic realms lean on functionality, ‘Arriving Home Elsewhere’ reaches for something much more expansive. The project is a true hybrid: half shaped for the intimacy of a headphone listen, half designed for the electricity of the dancefloor. together forming a seamless continuum between reflection and release. Tracks like ‘REARRANGE YOURSELF’, ‘BE REAL’, and ‘LOOKS LIKE IT (SPACE TALK)’ are stripped to the core of house music’s driving pulse, made for bigger systems and peak-time release. In contrast, ‘Dreams’, ‘Fruits of the Universe’ (with douniah), and ‘Without The Sun’ (with Oliver Night) explore lush, textured arrangements where live instrumentation and improvisation carry equal weight to rhythm and groove.

Collaboration is at the heart of the LP, with Makèz inviting a constellation of voices who each expand the project’s palette. Ben Westbeech, Liv East, and SANITY bring soulful intensity; 30/70 and dreamcastmoe connect Amsterdam to Melbourne and DC; Cor.Ece and Oliver Night weave delicate threads of emotion; Goya Gumbani and Javonntte guide the production with their vibey, groove-led performances; while Life on Planets reprises his role as a core creative partner, appearing across the album on tracks including the standout ‘BE REAL’ and the previously released ‘ILLUSIONS’ alongside rising Amsterdam talent AVA LAVÁ. Together, these contributions shape an album that feels less like a singular statement and more like a living, breathing ecosystem.

For Makèz, ‘Arriving Home Elsewhere’ is as much about philosophy as it is about music. The title encapsulates a tension central to their art: the feeling of belonging to multiple worlds without ever being confined to one. Jazz, house, soul, and experimental club sounds are not separate influences but parallel languages, and in merging them, the duo has created a record that mirrors the fluidity of contemporary identity and expression. And while it may speak in many voices, the LP tells one clear story - that of Makèz, arriving, again and again, home elsewhere.

To celebrate a decade and a half of excavating the hidden treasures of the Polish underground, The Very Polish Cut Outs presents a definitive anniversary compilation featuring 15, mostly unreleased, tracks from the years 2008-2025.
Since its inception, the label has been instrumental in bridging the gap between Poland's rich musical heritage and the modern dancefloor, and this release serves as a comprehensive time capsule of that journey. From early, legendary edits that defined the label to brand-new, forward-thinking productions, the collection showcases the evolution of a label that turned crate-digging into a national cultural phenomenon.
The compilation brings together a heavy-hitting roster of the label's most influential contributors, featuring essential tracks and rarities from artists such as Pejza?, Ptaki, Holiday 80, Skalpel, Etnobotanika and the label boss Zambon. The sonic palette is vast, moving seamlessly from sun-drenched Balearic and dusty disco-funk to the grittier realms of house and breakbeat. It is a celebration of the label's unique ability to transform forgotten melodies from the 70s and 80s into timeless club anthems, while simultaneously pushing the boundaries of contemporary Polish electronic music.
In keeping with the label's deep-rooted commitment to physical culture, this milestone release is a strictly limited, vinyl-only pressing. The amazing artwork is as always, the work of Bartosz Szymkiewicz.

Daybreakers keep it moving in 2026 with another essential drop from Chicago’s Vick Lavender. Following on from Vol. 1, Essential Traxx Vol. 2 digs even deeper into that soulful, live house sound that Vick’s been perfecting for decades on his label Sophisticado.

A musician, producer and DJ whose work bridges house, jazz and soul, Vick’s music has always carried that feeling — spiritual, rhythmic, and full of life. Part of Glenn Underground’s Strictly Jaz Unit back in the 90s, he helped carve out a sound that still resonates through clubs today. Sophisticado is his world now — real musicians, real instruments, and real emotion.

On the A side, Consequences featuring Spike Rebel rolls with organic percussion, warm keys and that signature Lavender groove — fluid, human, alive. Music built for the dance.

Flip it for Thanks I Get featuring Cei Bei — straight deep house from the source. Soulful vocals, deep chords, and that unmistakable Chicago energy that hits right where it should. Essential Traxx Vol. 2 continues the story. Real house music, deeper than deep.

Buy or cry.

istinct Motive is a Canadian producer/DJ creating explorative, visceral bass music.

He quickly made a name for himself with his dark and minimal production style.

Paying homage to the early aesthetic of dubstep while building a sound unique unto himself, he has put his respective hometown of Toronto on the map in international bass music circles, advocating for the original, dub-influenced side of dubstep to elated audiences across North America and Europe.

DJ support – Jamie Jones, Seth Troxler Damian Lazarus, Marco Corola, Joseph Capriati, The Martinez Brothers and Rey Colino

S.A.M. returns to Up The Stuss this summer with the third release in the UTSOFF series, delivering a potent double-header that’s been rattling dancefl oors for months. Titled ‘Hit You With My Phone’, the release arrives on 4th July and features two dynamic cuts that further cement the Danish talent’s place in the label’s core family.

A mainstay in Chris Stussy’s recent sets and one of the most talked-about IDs in recent months, title track ‘Hit You With My Phone’ is pure dancefloor dynamite — a helter-skelter ride through organised chaos, laced with warped vocals, frenetic percussion and a relentless groove that grabs you and doesn’t let go. It’s bold, it’s unpredictable, and it’s quickly become one of the most commanding tracks in the Dutch label boss’s arsenal.

On the flip, ‘Got Me Down’ offers a skippy contrast — a low-slung groover that channels tension and release with tightly wound drums and rolling bass, keeping things locked for deeper moments on the floor.

Marking S.A.M.’s third outing on Up The Stuss following their collaborative ‘Get Together’ project with Stussy and the solo ‘Check It Out’ EP, ‘Hit You With My Phone’ sees them explore new ground while staying true to the raw, club-focused ethos of the label. As the UTSOFF series continues to shine a light on uncompromising, forward-facing club music, this latest instalment delivers two cuts built for impact and ready to cause damage.

Rolando’s back in the game with Syncrophone Remixes Vol.2—flipping DJ Qu’s “Undescribed3,” Detect Audio’s “Synchronize,” and Anthony Shake Shakir’s “Arise.” Three exclusive remixes, pure underground techno for real heads. Detroit spirit, cop this 12” before it disappears!

DJ Feedbacks :


Honey Dijon : DJ Qu is the one for me. Will def support!
Raresh (ar:pi:ar) : super! thanks
Truncate : Thanks!
The Advent : Smooth bgrooves on here.. 3 - Anthony 'Shake' Shakir - Arise (Rolando Remix)
Anika Kunst (Symbolism / RSPX) : Cool release. Arise rmx is beautiful. Thanks!!
Harvey Sutherland (MCDE / PPU / Voltaire Records) : DJ Qu flip for me, thanks!
Scott Grooves : The Shake is the one
Satoshi Tomiie (Abstract Architecture) : Wooow hot hot hot
Roman Fluegel (Roman Fluegel, Dial, Cocoon, Playhouse, Robert Johnson) : The Remix for Shake is the one for me.
Erol Alkan (Phantasy Sound) : Downloading Thanks!
Enrica Falqui (ERIS, Plexus 4) : I like it!
Daniel Avery (Phantasy / Fabric) : Awesome
Laurent Garnier : cool release
Elisa Bee : Only love for Rolando, thanks x
Slam (Soma) : Brilliant - thanx
San Proper (Perlon / Rush Hour / Proper's Cult) : Totally what i needed to hear, Rolando remixing Shake & Q, my heroes lined up. I will enjoy playing all 3 mixes. One Love.
Axel Boman (Studio Barnhus) : killer remixes!
Terry Farley : DJ Qu mix my fave - heads down LETS GURN
D'Julz (Bass Culture) : great work !
gilbr (Dj Gilb'R / Chateau Flight (Versatile)) : Like the Shakir remix thanks for sending
Ben Sims : Now downloading... will check asap!
Lea Lisa (Phonica Records / Folklor Club) : mental, really good one
Dj Deep (Deeply Rooted) : Super nice package! Dj Qu's Undescribed3 remix for me here! Thank you
Mike Shannon (Cynosure) : Rrrrreeeeemix!! Thx
Efdemin (Dial) : Wonderful remix package!
Inland (Inland) : Hellooo. These are great. Qu and Shake versions both killer! Thanks
Kai Alce (Real Soon) : DJ QU remix bangin
Uncertain (RSPX, WRKTRX, Suara) : remix 1 for me
Harri (Sub Club) : very nice all three will play and support
Blasha & Allatt (Meat Free) : Thank you!
Marcel Dettmann : thx
Richie Hawtin (M_Nus) : downloaded for r hawtin
Luke Solomon (Classic / Freaks / Music For Freaks) : all killer
Luke Slater : Thanks Ro!
Ame (Innervisions) : thanks
Felix Dickinson (Futureboogie, Rush Hour, Cynic) : I like this
Geir Aspenes (G-Ha (Sunkissed)) : Thank u
Alienata (about blank) : Very nice remixes, all of them, thx!
Nat Wendell (Depth of My Soul, Courtesy of Balance, Love & Loops) : Dope remixes!
Dave Clarke (white noise radio) : Not my sound, but please keep them coming !

Twenty five years after its debut, the legendary Post Office compilation returns with its sixth volume – this time as a tribute to House music. Staying true to its pioneering spirit, the series once again brings together iconic figures and fresh talents from today’s international electronic scene. More than just a compilation, Post Office vol.6 is a true celebration of House music – honoring its roots while opening new sonic perspectives.

Tony Bontana, the Birmingham rapper, producer and multi-instrumentalist, releases his 35th album My Name, which is also his first to receive a proper vinyl pressing. The album follows an impressive 2025 in which he performed with Nourished By Time, Mark William Lewis, YHWH Nailgun, TAGABOW and 454.

His earlier 2025 album The Beautiful Malaise made The Wire’s annual top 50, and he appeared as the sole feature on Nourished By Time’s album The Passionate Ones, where Marcus praised his “freewheeling spirit.”

Tony’s production work has appeared on records by Billy Woods, Cities Aviv and Novelist, with upcoming collaborations planned with Blackhaine and DJ Python. The single Battered Chips has received airplay from NTS, Esk on Rinse and Huw Stephens on 6 Music.

If anyone is counting this is the 35th album by Birmingham rapper, producer, multi-instrumentalist Tony Bontana. A pioneer of his own ‘Splayed’ style of production characterised by heavily manipulated samples, non-linear rhythms and introspective lyricism. My Name is a significant landmark for Tony being the first album to receive a proper vinyl pressing. It caps an impressive 2025 which has seen Tony play live with acts such as Nourished By Time, Mark William Lewis, YHWH Nailgun, TAGABOW and 454. His previous album “The Beautiful Malaise” (one of four he released in 2025) made The Wire’s annual top 50. He appeared as the sole feature on the acclaimed Nourished By Time album The Passionate Ones on the track Jojo with NBT’s Marcus praising the rapper as having the “freewheeling spirit of a street baller out on the playground” . His productions have already appeared on records by Billy Woods, Cities Aviv and Novelist with further collabs to come with the likes of Blackhaine and DJ Python. The standout single Battered Chips has received airplay from NTS, Esk on Rinse, New Music Fix and Huw Stephens on 6.

yellow & green mixed coloured vinyl 2026 Repress

Previous releases on aufnahme+wiedergabe, Fleisch Records, Minimal Wave Records imprint Cititrax and n-PLEX have been frequently played by acclaimed DJs (Phase Fatale, Randomer, VTSS, Amelie Lens, Regis, Helena Hauff, SPFDJ, Veronica Vasicka, Silent Servant to name a few).

Schwefelgelb is a Techno duo from Berlin, known for their raw but precise and cutting productions. Their reputation for a strikingly energetic live show brought them into clubs and festivals around the globe.

After launching their own label n-PLEX and releasing two original EPs on it, NPLX003 marks a re-release of their most successful record "Dahinter Das Gesicht" ("Behind It The Face"), which was released on aufnahme+wiedergabe in 2017 primarily. After 1500 sold out copies it still remains highly demanded as one of the most influential records for actual EBM-Industrial-influenced Techno. This re-issue comes in a special edition of remastered track versions and also includes an edit of its most notorious track "Es Zieht Mich" as addition to the four original tracks.




c B1 Es Zieht Mich GP2 edit

Estus & Lester Patterson’s ‘Gonna Find A True Love’ is one of the greatest ‘70s southern soul dancers. A sublime three minutes of smooth, shuffling, dance floor dynamite, that has been reissued before and will no doubt be reissued again. It’s a record that has been in demand since it was championed by UK DJs, as Northern Soul began its wonderful offshoot into Modern Soul in the early '80s. It’s one that should be permanently in print for those who feel the need to add it to their DJ set, juke box, or home-listening/dancing pile… and Acid Jazz Records has obliged.
Nearly seven years since group label Miles Away pressed 500 copies, this new pressing is on Acid Jazz. To add to the fun, the Deep Soul ballad ‘How Long Must The Show Got On’ is on the flip, which has, until now, been an album-only gem, just sitting there waiting for someone to shine the spotlight on it.

Volcov, the Veronese founder of the Neroli record label, returns to the BBE fold with the third compilation in his majestic series 'From the Archives' and once again this new installment is another collection of overlooked gems and unreleased beauties that are set to entice the discerning listener. As with volumes 1 and 2, 'From the Archives volume 3' features cherry picked songs that focus on melodies and weave a thread between eras and genres. From the Archives volume 3 is a genre free journey into authentic grooves which features music from the enchanted tones of Carlo Nino & Friends, an exclusive from Collettivo Immaginario, uptempo moments from remix kings Kaidi Tatham and DJ Spinna as well as two unreleased songs from Fred P and J2 Fusion feat. Javonttee and DJ Genius. From The Archive 3 represents another accomplished work of love from Volcov aka Enrico Crivellaro, who has a long list of albums and compilations under his belt as well as being involved in productions, edits, releases and projects with artists such as Dego, Theo Parrish, Phil Asher, Gerald Mitchell, Domu, Kaidi Tatham, Kirk Degiorgio, Patrick Gibin, Lars Bartkuhn, Ian O’Brien and many more. From the Archive volume 3 is released as a vinyl double LP and a digital download and is a compilation in which the music lover will be guided hand in hand through a collection of unreleased and hard to find songs that shift effortlessly between jazz and house, broken beat, ambient and soul.

Neapolitan DJ and producer Lello Di Franco, aka L.D.F., presents World Beats — a project driven by the intention to carve out a new, deeper mood on the dancefloor. Rooted in rhythm, raw edits and sampling, the concept draws from forgotten and classic cuts pulled straight from his vinyl collection, reshaped with a contemporary, club-focused approach. This first volume brings together like-minded artists from different corners of the world — Jesse Bru, Chicago edit master Rahaan, and Berlin- based DJ Merci — each contributing their own unique musical perspective while helping define the project’s distinctive global sound.