Search:blues band

Styles
All
Blind Gary Davis - Harlem Street Singer LP

Reverend Gary Davis aus Laurens, South Carolina war Singer-Songwriter, Gitarrist
und ein wahrer Virtuose des Piemont-Blues-Fingerpicking-Stils. Jack White
erwähnte ihn als einen seiner Gitarrenhelden in der Dokumentation It Might Get Loud
und zeigte darin den Videoclip von Death Don't Have No Mercy (He'll come to your
house and he won't stay long).
Blind Gary Davies spielte Gitarre mit Daumen und Zeigefinger auf eine Weise, die nur
ein blinder Mann spielen kann. Viele seiner Songs wurden im Laufe der Zeit von
internationalen Künstlern gecovert; unter anderem gehören The Grateful Dead und Bob
Dylan zu den Interpreten, die durch ihre Davis-Interpretationen dem blinden Virtuosen
Ehre erwiesen. Harlem Street Singer beinhaltet seine größten Hits, die bis heute
populär sind.

out of Stock

Order now and we will order the item for you at our supplier.


Last In: 12 months ago
Various - The Blue Roots Of The Rolling Stones LP
  • Just Want To Make Love To You - Muddy Waters
  • You Can Make It If You Try - Gene Allison
  • Confessin’ The Blues - Walter Brown
  • Cops And Robbers - Boogaloo And The Gallant Crew
  • I Can’t Be Satisfied - Muddy Waters
  • Don’t Lie To Me - Tampa Red
  • Key To The Highway - Big Bill Broonzy
  • Honest I Do - Jimmy Reed
  • I Want To Be Loved - Muddy Waters
  • Down The Road A Piece - Will Bradley
  • Tell Me Baby - Big Bill Broonzy
  • Look What You Have Done - Muddy Waters
  • (Get Your Kicks On)Route66 - The King Cole Trio
  • Love In Vain - Robert Johnson

Way back in 1962 all roads led to Dartford in Kent when a coming together of influences would result in the formation of the world’s greatest rock and roll band,The Rolling Stones...
Mick Jagger the singer and Keith Richards lead guitarist were both fans of early rockers Chuck Berry and Bo Diddley, whilst rhythm guitarist and harmonica player Brian Jones and pianist Ian Stewart would be immersed in the Blues that were coming from Chicago,the same influences would bring the original bassist Dick Taylor and drummer Tony Chapman to the party.

pre-order now21.03.2025

expected to be published on 21.03.2025

NOISEPICKER - THE EARTH WILL SWALLOW THE SUN
  • What You Deserve
  • Chew
  • Tomorrow Lied The Devil
  • Leave Me The Name
  • What Did You Think Was Going To Happen?
  • The End Of The Beginning
  • Start The Flood
  • The Earth Will Swallow The Sun
  • Lorraine In Blood
  • Lunatics

Seit mehr als einem Vierteljahrhundert lärmt sich Sänger und Gitarrist Harry Armstrong in verschiedenen Bands durch die britische Musikszene: ORANGE GOBLIN, DECOMPOSED, HANGNAIL, END OF LEVEL BOSS, THE WINCHESTER CLUB, EARLS OF MARS, BLIND RIVER_um nur einige zu nennen. Am 21. März 2025 folgt nun endlich das langersehnte zweite Album von NOISEPICKER auf Exile On Mainstream. Nach dem 2018 veröffentlichten Erstling war es zwar nicht wirklich ruhig geworden um die Zweimann-Band mit Kieran Murphy (u.a. COLD COMFORTS, PAIGE KENNEDY), verschiedene Verpflichtungen wie z.B. der extensive Tour-Schedule von Orange Goblin, ließen wenig Zeit für Studioaufnahmen. Doch nun ist es soweit. Nachdem NOISEPICKER auf dem EOM25-Festival im Mai 2024 bereits erste neue Songs vorstellten, ging es kurz danach ins Studio. The Earth Will Swallow The Sun ist das Ergebnis und überrascht mit einem Sound, den Peace Off 2018 bereits vorwegnahm, der aber nun zu voller Blüte gereift ist. Auf der Basis von Blues und Noise erschaffen Noisepicker etwas völlig eigenständiges, mit deutlichen akustischen Verweisen an Tom Waits ebenso wie an The Jesus Lizard. Inhaltlich ist das Album eine Abrechnung mit politischen und gesellschaftlichen Themen, die uns aktuell beschäftigen und die Ohnmacht, unterdrückte Wut ebenso illustrieren wie die Möglichkeit eines Ausbrechens, ohne in blinden Aktionismus zu verfallen. Hier ist nichts poliert, perfekt oder konstruiert. Stattdessen sind NOISEPICKER laut, authentisch und ständig im Wandel, beeinflusst von allem, was Doom, Punk und Blues ist. Und diese Herangehensweise kanalisieren sie in Songs, die emotional, catchy und einzigartig sind.

pre-order now21.03.2025

expected to be published on 21.03.2025

Imperial Triumphant - Vile Luxury (Redux 1924) (2x12")

Als die New Yorker IMPERIAL TRIUMPHANT 2018 "Vile Luxury" veröffentlichten, setzten sie einen neuen Standard für die Möglichkeiten extremer Musik. Seitdem hat die dreiköpfige Band ihren unverkennbaren Sound, der gleichermaßen im eklektischen Black Metal, den klaustrophobischsten Vorstellungen von Free Jazz und dem Konzept von urbanen Stadtlandschaften als Schluchten des Grauens verwurzelt ist, weiterentwickelt und ihren Status mit Touren an der Seite von Bands wie Behemoth, Zeal & Ardor und Voivod zementiert. Jetzt kehren IMPERIAL TRIUMPHANT mit einem neuen Blick auf "Vile Luxury" zurück, das von ihrem langjährigen Begleiter Colin Marston (Krallice, Gorguts) neu abgemischt und gemastert wurde, wodurch neue Dimensionen dieses Werks - das oft als IMPERIAL TRIUMPHANTs zugänglichstes Werk gilt - mit seinen monolithischen Absichten zum Vorschein kommen.

out of Stock

Order now and we will order the item for you at our supplier.


Last In: 14 months ago
Sonny Boy Williamson - Down And Out Blues
  • Don't Start Me To Talkin
  • Cross My Heart
  • All My Love In Vain
  • The Key (To Your Door)
  • Keep It To Yourself
  • Dissatisfied
  • Your Imagination
  • Nine Below Zero
  • Fattening Frogs For Snakes
  • Wake Up Baby
  • Your Funeral And My Trial / 99
  • I Don't Know
  • Let Me Explain
  • Lonesome Cabin
  • Help Me
  • Stop Right Now

Sonny Boy Williamson (Alex Miller 1912 - 1965) was one of the most inspiring
harmonica players in blues history. Though he took his name from another well-known
harmonica player, no one really sounded like him. Williamson developed his own
signature harmonica style, always showing a metronome like timing and an endlessly
inventive technique.
This release consists of Sonny Boy's complete debut LP, Down And Out Blues ,
originally released in 1959 on the Chess Records subsidiary label, Checker. Featuring
Muddy Waters, Jimmy Rogers, Willie Dixon, and Otis Spann, among others.
Sonny Boy Williamson toured England with American Folk Blues Festival in 1963 and
1965 and appeared on the iconic tv music show Ready Steady Go (8 January 1965)
backed by UK band,The T-Bones with Gary Farr.

pre-order now14.03.2025

expected to be published on 14.03.2025

Jaki Byard - Blues For Smoke

Jaki Byard

Blues For Smoke

12inchLPCND33511
Candid Records
14.03.2025

The debut recording from one of jazz music's most revered pianists! First U.S. vinyl release!

All-analog remastering by Bernie Grundman.
"Byard is absolutely brilliant...highly recommended." - All Music

Originally recorded in 1960, briefly released in Japan in the early ’70s, it wasn’t until 1988 that Jaki Byard’s solo debut, Blues For Smoke, was widely released. Even then it was more of a secret handshake among fans than the catalog cornerstone it should have always been. Now, Candid has finally created the definitive edition of this lost masterpiece for all to experience.

Byard backed generations of jazz icons, including Charles Mingus, Art Blakey, Roland Kirk, and Quincy Jones.

As a bandleader and soloist, he went on to build his own catalog of iconic recordings across three decades while establishing himself as an educator and mentor to the next generation of artists, most notably, Grayson Hugh, Fred Hersch, and Jason Moran. Blues For Smoke is where it all began.

Recorded as a solo-piano showcase for Byard’s incredible gifts as a player, composer, and jazz historian, the exquisitely engineered session is given new life by Bernie Grundman’s sensitive remastering. With this release, Candid is hoping to make Jaki Byard’s very first album the rosetta-stone of jazz piano it was intended to be.

pre-order now14.03.2025

expected to be published on 14.03.2025

Shawn Pittman - My Journey
  • Until The Time Is Right
  • Damage Is Done
  • Add It Up
  • Heartbreak In East Dallas
  • Blame It On Me
  • Tabletop
  • Low No More
  • Countin' Them Days
  • My Journey
  • Somebody Gonna Lose, Somebody Gonna Win
  • That's What Love Will Make You Do

Liner Notes Shawn Pittman 'My Journey' Since releasing my first album in
1998, I have been on a road with many twists and turns and some interesting
stops along the way - Like the title song of this album 'My Journey' reveals,
"if I played on the streets, or on the biggest stage..." I think of high points like
getting a standing ovation and an encore as the opening act at The Fillmore in
San Francisco
Opening up for B.B. King for two nights in Houston at The House of Blues. Playing the
Chicago Blues Festival and having hundreds of people standing in line for an
autographed CD. Playing with the Muddy Waters band at Antone's in Austin and doing
a duo with James Cotton. Being a guest front man with Double Trouble in Minneapolis
and many more special moments. There were also gigs where I played for tips on the
street (mainly 6th street in Austin) and played at a shark auction on a pier in Bordeaux
(the auctioneer would interrupt the song and speak in very fast French!). I played 3
nights a week on the Riverwalk in San Antonio for people throwing wadded up napkins
at me and yelling "Play something we've heard!"
During this journey you meet people along the way that can see something in you that
maybe you can't even see yourself. I have been fortunate enough to meet many
people like that that have encouraged me to continue to use the gift that God gave
me. Erkan Ozdemir is one of those people. We started doing tours together around
2011 and I have had the privilege of sharing the band stand with him many times in
Europe and even in the USA. He is a great bass player and has raised up some
amazing young men as well as musicians, Kenan and Levent. You may know them as
the Ozdemirs. I am kind of like the "American cousin" to them as I have seen them
grow up and felt like family. This is the second time we have teamed up on a record.
The first was 'Make it Right' with Levent on drums and Erkan on bass. We have a great
chemistry live and in the studio.
I think this album might just be my favorite one of them all! Hope you enjoy!

pre-order now14.03.2025

expected to be published on 14.03.2025

JOE PRICHARD - JOE PRICHARD & GIBRALTAR

Very little is known about Joe Prichard or his sidekicks, except that the band, which hailed from Missouri, drew its inspiration from influences far and wide, resulting in each of the five tracks being very different in character, ranging from the power chords and staccato guitar breaks of the Jimmy Page variety, to the throaty sax of 12-bar blues specialists Climax as well as the dual guitars of ZZ Top. There’s even a nine-minute jam a la Jethro Tull or Traffic with flute and sax giving a decidedly jazzy feel to proceedings. Originally released in 1974, this is another extremely rare record now reissued by Riding Easy Records. "Pro-sounding 1970s rarity with a ballsy rock sound and songs ranging from ambitious prog over bluesy bar-rock into macho FM rock postures. It’s solid across the board with excellent guitar leads, soulful vocals, and a versatile band. Keyboards, woodwinds and elaborate arrangements provide a prog-AOR vibe that may turn some off, although there’s enough groove to keep one’s attention throughout the four long tracks." – (Acid Archives)

pre-order now14.03.2025

expected to be published on 14.03.2025

The Seldom Scene - Remains to be Scene
  • Last Of The Steam-Powered Trains
  • Crossroads
  • A Good Time Man Like Me Ain't Got No Business (Singin' The Blues)
  • Hard Travelin
  • Farewell, Angelina
  • Walking Down The Line
  • Lonesome Day
  • I Could Cry
  • White Line
  • Show Me The Way
  • To Go Home
  • The Story Of My Life

Since 1972, the group has remained quintessential bearers of the tradition, releasing
nearly two dozen albums that cast a wide net for inspiration and repertoire. Remains
to Be Scene is no exception, delivering stirring takes on bluegrass standards and
providing their signature interpretations on deep cuts from the likes of The Kinks, Bob
Dylan, and Jim Croce. The album is the first to be released since the passing of
founding member and trailblazing banjo player Ben Eldridge, who contributes
impassioned liner notes to the release. Beneath the album's title lies a plain truth:
more than fifty years in, The Seldom Scene are looking ever forward.
Original Seldom Scene are Bluegrass Hall of Fame inductees
"It goes without saying (but I'll say it anyway), the Seldom Scene is one of the most
influential and durable bands in modern bluegrass history." - Bluegrass Unlimited

pre-order now14.03.2025

expected to be published on 14.03.2025

Steely Dan - Aja LP

Steely Dan

Aja LP

12inch4535963
GEFFEN
13.03.2025

At long last: the classic Steely Dan catalog is back on vinyl. Led by Walter Becker and Donald Fagen, Steely Dan released 7 albums from 1972-1980. The vinyl series continues with Aja, the band’s 1977’s platinum-selling jazz-rock masterwork, which includes the three hit singles –“Deacon Blues,” Peg” and “Josie” – and the elegant title cut. The LP has been remastered by Bernie Grundman from an analog, non-EQ’d, tape copy.

So many stellar albums by Fagen and Becker in the 70′s but this one is timeless. Amazing songs produced and performed to perfection by some of the best session musicians and singers in the business. An Absolute masterpiece from start to finish!

out of Stock

Order now and we will order the item for you at our supplier.


Last In: 14 months ago
Dub Syndicate - Stoned Immaculate

"Stoned Immaculate" (1991) ist das wohl bekannteste Dub Syndicate-Album, aufgenommen zwischen Jamaika und London. Zu den rockigen Rhythms des Bandleaders Style Scott gesellen sich weitere Topmusiker wie Skip McDonald (git), Lee "Scratch" Perry und Akabu on vocals, Leith Levene (keys), sowie Samples des verstorbenen, großartigen Prince Far I. Es markiert eine Zeit, in der das Label von Acid-House-Fans ebenso angenommen wurde wie von Hardcore-Dub-Fans, und diese LP zum festen Bestandteil der "Comedown"-Session nach dem Rave wurde. Der Titeltrack ist eine wahre On-U-Sound-Hymne, die Reggae, ausgeflippte Electronica, The Doors und Motown zu einem epischen Groove vermischt. Das seit Jahren vergriffene Vinylformat wurde von Frank Merritt im The Carvery neu geschnitten und enthält rare Fotos von Coneyl Jay und neue Linernotes von Rob Harris (Testpressung).

out of Stock

Order now and we will order the item for you at our supplier.


Last In: 14 months ago
US - UNDERGROUND RENAISSANCE
  • 1: Night Time
  • 1: 2Snowball Season
  • 1: 3Hop On A Cloud
  • 1: 4Paisley Underground
  • 1: 5Just My Situation
  • 1: 6In & Out My Head
  • 1: 7Citroen Blues
  • 1: 8Carry Your Bag
  • 1: 9Don't Call The Cavalry
  • 1: 0While You Danced

The Helsinki-based five-piece rock band Us has been winning over British ja Japanese audiences with their unique blend of garage rock, punk, and rhythm 'n' blues. Their explosive live energy and catchy rock songs have been brilliantly captured on their debut album Underground Renaissance, originally released in the fall of 2024. Underground Renaissance is now being released on vinyl by Playground Music sublabel Lördag. In 2024 the band played nine shows at Glastonbury festival in the UK and six shows at Fuji Rock Festival in Japan. During the same year Us also released their debut album Underground Renaissance. The album has received praise from such magazines as Rolling Stone Japan, Mojo Magazine, Shindig! and Classic Rock Magazine. The songs have also enjoyed numerous plays on BBC 6 radio. In live reviews Us has been compared to early Arctic Monkeys and The Hives with Mojo Magazine describing their "blistering 3 AM show" at Glastonbury as "Dr. Feelgood-style punk-blues with the vigour of peak Ramones". In 2024 alone, Us have performed at Eurosonic and Bigpop festival (the Netherlands), Glastonbury (UK), Fuji Rock (Japan), Sziget Festival (Hungary), and Transmusicales (France), as well as headline a run of UK dates.

pre-order now07.03.2025

expected to be published on 07.03.2025

Stainless - Nocturnal Racer (LP)
  • Nocturnal Racer
  • Shot For Shot
  • Believer
  • The Evil Lies

Stainless starteten offiziell im Jahre 2022 in Portland, Oregon. Aktuelle und frühere Musiker waren vorher bei lokalen Underground-Bands wie Black Breath, Long Knife, Lebenden Toten, Halt, Bellicose Minds, Nightfell, Malikili und Ripper aktiv. Das erste Lebenszeichen der Band war die in Eigenregie gepresste 7" Single "Snakebite"/"Too Hot To Steal". Nun erscheint als Nachfolger das Mini-Album "Nocturnal Racer" mit dem Titelstück sowie "Shot For Shot", "Believer" und "The Evil Lies". Die vier Songs wurden 2023/24 in den Red Lantern Studios (Portland) von Larissa Cavacece (Gesang), Mira Sonnleitner (Bass), Joe Sugar (Drums) und Jamie Byrum (Gitarre, Gesang) eingespielt. Mittlerweile ist Joe Sugar durch Terrica Catwood von der Band Time Rift ersetzt worden. "Ich würde uns als Hardrock oder Heavy Rock bezeichnen", weiß Gitarrist und Sänger Jamie Byrum. "Es gibt zwar viele Elemente des Heavy Metal in unserer Musik, aber es wäre wohl missverständlich, uns als reinrassige Hevy-Metal-Band zu bezeichnen. Die erste Single war im Gegensatz zu "Nocturnal Racer" noch viel mehr im Blues verwurzelt." Frontlady Larissa Cavacece, die von Kanada nach Portland gezogen ist, prägt mit ihrer messerscharfen Stimme irgendwo zwischen Leather Leone und Wendy O. Williams den Sound von Stainless nicht unwesentlich. Jamie Byrum: "Ihre Einflüsse gehen weiter als Chastain und Plasmatics. Allerdings weiß ich, dass sie es ehrt, in einem Atemzug mit den beiden genannt zu werden. Larissa besitzt einen Goth-Background, schwört aber auch auf Crust-Bands wie Amebix und Sacrilege. Des weiteren ist sie ein großer Bowie-Fan und liebt den Rock der Siebziger. Passenderweise hat ihre Karriere als Sängerin in einer Plasmatics-Coverband begonnen." Laut dem Gitarristen/Sänger sind "Sex, Schlangen, Motorräder, schnelle Autos, Rock 'n' Roll, Standhaftigkeit, das Böse und Heavy Metal geeignete Themen für Stainless." Davon wird es in absehbarer Zukunft wohl noch mehr zu hören geben, denn Stainless arbeiten derzeit am Material für ihr erstes vollständiges Album.

pre-order now07.03.2025

expected to be published on 07.03.2025

FUST - BIG UGLY

Fust

BIG UGLY

12inchDLRLP60
Dear Life Records
07.03.2025
  • Spangled
  • Gateleg
  • Doghole
  • Mountain Language
  • Sister
  • Bleached
  • Goat House Blues
  • What's His Name
  • Jody
  • Big Ugly
  • Heart Song

Fust--the lyrical powerhouse Southern rock band from Durham, North Carolina--announce their new album Big Ugly, out March 7th on Dear Life Records, the record label that launched the careers of MJ Lenderman and Florry and that has become a haven for contemporary songwriters. Big Ugly arrives after the release of 2024's Songs of the Rail--"one of the best alt-country compilations_in a long, long time" (Paste) -- and 2023's standout Genevieve, which unassumingly introduced new listeners to Fust's unmistakable blend of "small-town poetry" (Mojo) with a familiar yet probing "country-tinged folk-rock" (KEXP) that made it "one of the most fun rock records of the year" (Pitchfork). Genevieve was their studio debut, recorded with producer Alex Farrar (Manning Fireworks, Rat Saw God, Tomorrow's Fire) in Asheville, North Carolina. The reception was far better than the band expected, stirring them to immediately start working on Big Ugly, their second collaboration with Farrar. Recorded over ten days in June of 2024, Big Ugly is the explosive sound of Fust uncovering a freedom within their sincere form of loose and fried guitar rock, realizing more than ever before an intimacy within bigness. The members -- Aaron Dowdy, Avery Sullivan, Frank Meadows, John Wallace, Justin Morris, Libby Rodenbough, Oliver Child-Lanning--weave their voices alongside guests like Merce Lemon, Dave Hartley (The War on Drugs), and John James Tourville (The Deslondes) to form a music that sounds like a conversation between old friends. And that's exactly what it is. At its heart, Big Ugly is a story cycle, following tough-skinned characters who seem to inhabit a shared and fictional small town--Big Ugly--that in reality gets its name from a lowly populated and unincorporated area in southern West Virginia around where Dowdy's family has deep roots. The album cover_a mural from the Big Ugly Community Center just off the Big Ugly Creek--was painted by locals for a 2004 play performed by the children that interpreted their elders' stories. In a way, Fust's Big Ugly does something similar as it takes the same area as its backdrop and reimagines a life depicted in the mural between the bars, gas stations, general stores, and double-wides. Throughout the album, we join the characters in finding history and meaning in the banal theater of their own private jerkwater.The songs on Big Ugly are hearteningly varied, moving from beer-fisted radio country to elegiac drones to deconstructed ballads. Songs like "Spangled" take up the theme of past traumas and present desensitizations colliding, of the small and cosmic coinciding in the life of a heedless protagonist. "Bleached" finds the soul-searching narrator recalling the feeling of inner vacancy in their childhood: thoughtless, speechless, herded around like cattle in backseats. And "Mountain Language" laments the poverties of Southern life at the same time that it promotes a higher poverty, a country utopia that's just out of grasp, where we could live if we could only "make it up the mountain again." The mystical hermeticism and the dime-store everyday are two sides of every insignificant thing in the town of Big Ugly.

pre-order now07.03.2025

expected to be published on 07.03.2025

BHAJAN BHOY - BHOY ON THE WIRE
  • A1: The Milkman (Blackburn)
  • A2: Campus Blues (Lancaster)
  • A3: Castle Bandstand (Clitheroe)
  • B1: What Lurks Behind Those Illuminations? (Blackpool)
  • B2: Pass The Sushi Pon The Lef? Hand Side (Burnley)
  • B3: Caribbean Club (Preston)

Ajay Saggar is BHAJAN BHOY. "With BHAJAN BHOY, Saggar synthesizes all of the stylistic approaches he’s explored over the years, swirling them into an intoxicating musical blend, with an earthy spirituality. Even the project’s name reflects the dual aspects of Saggar’s upbringing coming together in harmony. In Hindi, a “bhajan” is a devotional song, sung in the mandir, or temple, while “bhoy” is a Scottish and Irish derivation for a young man. There’s a searching quality to Bhajan Bhoy, as if Saggar is still hunting for transcendence with each track, whether through an expansive drone, an orchestral facility on the piano, or an electronics-augmented raga that threatens to dip into noise” (Erick Bradshaw / writer and WFMU DJ). This album presents a rich and varied set of compositions that showcase Saggar’s skills as an incredibly talented and accomplished composer and musician. With each and every Bhajan Bhoy LP, you are are carried to a higher place. With ‘Bhoy On The Wire’, the 35 minutes laid out unfolds like a cosmic tapestry, an extraordinary exploration that shimmers and reverberates with newfound vibrancy. The songs were broadcast as part of a session on Steve Barker’s “On The Wire” radio show in April 2024. They were a gift to Steve and his team for 40 years of broadcasting. “On The Wire” is simply the greatest radio show in the world. As Ajay explains in his own words : “In September 1984, I started a degree course at the University of Lancaster. On a wet and soggy Sunday afternoon towards the end of September, I sat in my room staring out at the grey Lancashire landscape, and decided to alleviate the boredom by seeing if there was anything to listen to on the radio. Most of the stations I tuned into were as dull as the weather outside. However, as I neared the end of the FM dial (and was about to give up hope), I chanced upon a station where I was taken by the music being played. That show was “On The Wire”, introduced by Steve Barker. From there on in, every Sunday, between 2-5pm, I tuned into Radio Lancashire to listen. Steve’s shows had an incredible and wide reaching selection of music and genres, that thrilled your ears and left you wanting more. Tied to that, his deep knowledge of the material he played helped the listener dig into the sounds even more, and also left you in admiration of this trait. In 1985, I started putting on DIY shows in Lancaster (inviting the likes of Bog-Shed, bIG fLAME, The Membranes, The Wedding Present, etc etc) and Steve was kind enough to mention the shows on-air, which helped in getting people from different parts of the county to come to the shows. At the tail-end of 1985, he invited me to the studio to come and hang out. When in 1988, the group I was in, Dandelion Adventure, released our first (demo) cassette, it was Steve, who not only played tracks off it, but invited the group to the studio for an interview. Now if you’re a young band, that is a massive thrill! And in 1990, when Dandelion Adventure did a John Peel session, I actually used “On The Wire” jingles (that Steve had put on a cassette and given to me a few years before) on the track “All the World’s A Lounge”. Since then, the show has been a mainstay for me, and so many others around the world, to get turned onto incredible sounds from around the world. And over the course of 40 years, Steve has always supported my music. These six tracks are a 40th birthday gift to the “On The Wire” team (Steve, Michael “Fenny” Fenton (an absolutely critical part of the show), and Jim Ingham (engineer who keeps the technical side of things going)) for sharing so much amazing music, and making the world a better place. They were originally broadcast as an exclusive session in April 2024 on “On The Wire", and are here for your listening pleasure. Music like shower”. Artwork by Jake Blanchard

pre-order now07.03.2025

expected to be published on 07.03.2025

Vundabar - Surgery and Pleasure

"Formed by Brandon Hagen (guitar, vocals) and Drew McDonald (drums), and later joined by Zack Abramo (bass), Vundabar have always been imbued with a fiercely independent spirit, their sound forged in mythical underground Brooklyn venues such as Silent Barn and Shea Stadium. Musically, they exist almost as a fever dream of many genres, melding arty post-punk, tangled math-rock, sun-dappled surf-guitar, shimmering jangle-pop and grunge scuzz into sharp, compact songs. Across six albums the band have netted them a wide fan base and a reputation for a killer live show, not to mention a platinum record for their song 'Alien Blues'. "

pre-order now07.03.2025

expected to be published on 07.03.2025

Various - Led Zeppelin Origins (2x12")
 
28

Find all the titles that influenced one of the greatest rock band of all times, on a double vinyl. With: B.B. King, John Lee Hooker, Elvis Presley, Little Richard, Bob Dylan, Joan Baez, Muddy Waters, Sonny By Williamson I... The tracklist was made up by the journalist Lionel Eskenazi, who is a true specialist of the what many consider as the best rock band ever

out of Stock

Order now and we will order the item for you at our supplier.


Last In: 15 months ago
Lonnie Johnson - Blues & Ballads

Blues & Ballads ist Lonnie Johnsons drittes Album, das 1960 veröffentlicht wurde. Das vielfältige Angebot
an Originalen und Covers zeigt Johnsons Vielseitigkeit an der Gitarre und als Sänger. Johnson wird auf
dieser Aufnahme von seinen Zeitgenossen Elmer Snowden und Wendell Marshall unterstützt. AllMusic
erklärte, dass Johnson „mühelos seine künstlerische Bandbreite offenbart“. Inkludiert (AAA) Lacke, die
von den Originalbändern geschnitten und bei QRP auf 180-Gramm-Vinyl gepresst wurden. Eine ReplikaTip-On-Hülle vervollständigt das Paket.
Ab dem 28. Februar ist die 1LP erhältlich.

pre-order now28.02.2025

expected to be published on 28.02.2025

PHOSPHORESCENT - LIVE AT THE MUSIC HALL  LP 3x12"
  • Sun Arise! (An Invocation/An Introduction) (Live)
  • A New Anhedonia (Live)
  • Terror In The Canyons (The Wounded Master) (Live)
  • The Quotidian Beasts (Live)
  • Tell Me Baby (Have You Had Enough)(Live)
  • Nothing Was Stolen (Love Me Foolishly) (Live)
  • Dead Heart (Live)
  • Down To Go (Live)
  • Song For Zula (Live)
  • Ride On/Right On (Live)
  • A Picture Of Our Torn Up Praise (Solo, Live)
  • Muchacho's Tune (Solo, Live)
  • Wolves (Solo, Live)
  • Joe Tex, These Taming Blues (Live)
  • Los Angeles (Live)
  • A Picture Of Our Torn Up Praise (Live)
  • South (Of America) (Live)
  • Wolves (Live)
  • At Death, A Proclamation (Live)

Opaque Gold Vinyl. Recorded over four nights at The Music Hall of Williamsburg, this triple LP is a veritable best-of from a band at the height of their performative powers. Featuring scorching renditions of the best-loved songs of the Phosphorescent catalog, from Los Angeles to Song for Zula, Phosphorescent delivers a live album for all-time. Comes with album download.

pre-order now28.02.2025

expected to be published on 28.02.2025

John Lee Hooker - The Standard School Broadcast Recordings

The Standard School Broadcast Recordings, einst als lange verschollene (und in den meisten Fällen völlig
unbekannte) Studioaufnahme von John Lee Hooker angesehen, ist die erste kommerzielle Veröffentlichung
einer seltenen, vollständig elektrischen Bluesband-Aufnahme aus dem Jahr 1973. Die Session wurde bei
Coast Recorders in San Francisco direkt auf Band aufgenommen und fängt Hooker in einer turbulenten
und zutiefst transformierenden Zeit seiner Karriere ein, begleitet von seiner zuverlässigen Rhythmusgruppe
aus Bassist Gino Skaggs und Schlagzeuger Ken Swank sowie Hookers Sohn Robert, dem Pianisten.
The Standard School Broadcast, 1928 ins Leben gerufen, war eine mehrfach preisgekrönte Bildungsradioserie, die von Standard Oil (auch bekannt als Esso, später Exxon) gesponsert wurde. Die in San Francisco ansässige Sammlung war auf Musikverständnis und amerikanische Geschichte spezialisiert. Kopien
einiger ihrer Shows wurden auch auf Vinyl-LPs an Schulen verteilt. Ein solches Set mit zehn Alben war
Musikinstrumenten gewidmet, darunter auch der Gitarre. Während andere legendäre Gitarristen dabei
waren: der klassische Virtuose George Sakellariou, die Jazzgiganten Herb Ellis und Joe Pass sowie der
Session-Geselle Chuck Day, war ihre endgültige Auswahl die reine Verkörperung des Herzens und der Seele
der Bluesgitarre: John Lee Hooker.
Die CD enthält außerdem zwei Bonustitel – „Sallie Mae“ und „Instrumental“

pre-order now28.02.2025

expected to be published on 28.02.2025

MARK LANEGAN - BUBBLEGUM XX LP 2x12"

Bubblegum XX features features members of Queens of the Stone Age, PJ Harvey, Greg Dulli, Izzy and Duff from Guns & Roses/Velvet Revolver, among other assorted rock luminaries. When Bubblegum was released, Mark chose to let it speak for itself and didn"t have much to say aside from within the small handful of interviews he did at the time. In 2017, he released a book of lyrics and writings called I Am The Wolf and wrote about the album then. Shared here are some of his words about the record. Song favorites include "When Your Number Isn"t Up," and "Strange Religion," a love song I wrote in a Tokyo hotel room. While many of the songs came from a place of dejection and ennui at the end of a tempestuous relationship, "Bombed" in particular came about when, after I had written and recorded it in just a few minutes, I put a microphone in front of Wendy Rae Fowler, my soon-to-be-ex-wife, and had her sing along while simultaneously hearing it for the first time. I loved the result as it reminded me of Royal Trux, a band I liked. When I insisted on using the first and only take of the song, it made her slightly unhappy, but to be fair, that was just one of many things I did that had that effect.

out of Stock

Order now and we will order the item for you at our supplier.


Last In: 15 months ago
Ellis Mano Band - Morph LP

Ellis Mano Band

Morph LP

12inch249801
SPV
21.02.2025
  • Virtually Love
  • Count Me In
  • 20: Years
  • For All I Care
  • Scars
  • Madness And Tears
  • Ballroom
  • Stray
  • Countdown To Nothing
  • State Of Grace
  • The Fight For Peace (Live)

Mit MORPH legt die Ellis Mano Band ein facettenreiches, in sich schlüssiges Opus vor. “MORPH ist für uns mehr als nur ein Album – es ist unser
nächster großer Schritt, unser musikalisches Reifezeugnis,“ so die Band. Mit Tracks wie dem epischen „Countdown To Nothing“ und der rockigen
Hymne „For All I Care“ lädt die multinational besetzte Blues-Rock Institution die Hörer auf eine intensive Reise durch moderne Interpretation des
Classic Rock ein. Dabei treffen energiegeladene Riffs auf überraschende, ruhige Momente – alles verpackt im Artwork der Grafiker Legende Hugh
Syme (Rush, Aerosmith, Bon Jovi…), das den Spirit von MORPH perfekt widerspiegelt. „Wir freuen uns, diese Klangwelten mit unseren Fans zu teilen,
sowohl auf Platte als auch live!“
Mit zahlreichen Top-2-Platzierungen in den Schweizer Albumcharts und hervorragenden Kritikerreaktionen schreitet die Ellis Mano Band weiter voran
und wird auch in Zukunft Musik vom Allerfeinsten liefern - zeitlos und 100% handgemacht!

pre-order now21.02.2025

expected to be published on 21.02.2025

The	Wombats - Oh! The Ocean
  • A1: Sorry I’m Late, I Didn’t Want To Come
  • A2: Can’t Say No
  • A3: Blood On The Hospital Floor
  • A4: Kate Moss
  • A5: Gut Punch
  • A6: My Head Is Not My Friend
  • B1: I Love America And She Hates Me
  • B2: The World’s Not Out To Get Me, I Am
  • B3: Grim Reaper
  • B4: Reality Is A Wild Ride
  • B5: Swerve (101)
  • B6: Lobster

Seit sie 2007 mit ihrem Debütalbum A Guide to Love, Loss & Desperation zu den Vorreitern der späten 00er-Jahre in der Indie-Rock-Szene gehörten,
haben The Wombats aus Liverpool - Matthew „Murph“ Murphy, Bassist Tord Øverland Knudsen und Schlagzeuger Dan Haggis - einen unglaublichen
Aufwärtstrend hingelegt und 2,5 Milliarden Streams angehäuft. Mit ihrem elektrolastigen zweiten Album The Modern Glitch aus dem Jahr 2011
landeten sie regelmäßig in den Top Ten; mit ihrem dritten Album Glitterbug aus dem Jahr 2015 wurden sie Jahre später von der TikTok-Generation
umarmt, wobei „Greek Tragedy“ ein mehrfacher viraler Hit wurde. Mit „Beautiful People Will Ruin Your Life“ von 2018 traten sie in Arenen auf der
ganzen Welt auf, und „Fix Yourself, Not the World“ von 2022 war das erste #1-Album der Band in Großbritannien.
Nun beginnt die neue Ära von The Wombats sechstem Album Oh! The Ocean, einem Projekt, das von sozialen Ängsten, innerer Zerrissenheit,
zwanghaftem Verhalten und den Dilemmata und Schwierigkeiten des Lebens in Los Angeles handelt, wo Murph und seine Familie leben. Hinter der
täuschend kuscheligen Fassade der Band hat Murph schon immer offen über seine Ängste, Depressionen und Süchte geschrieben (er ist jetzt
„stocknüchtern“), aber mit dieser Sammlung gibt es ein Gefühl des Fortschritts in Richtung Konfrontation, Akzeptanz und Bewältigung seiner
Probleme. Neben vertrauten Klängen erkunden sie neue Genres, von glitzerndem Tech-Rock über Sci-Fi-Pop, futuristischen Fuzz-Rock bis hin zu
bluesigem Rock'n'Roll, mit einem Hauch von Disco und Hip-Hop-Einflüssen.

pre-order now21.02.2025

expected to be published on 21.02.2025

JAMES BRANDON LEWIS TRIO - APPLE CORES

Apple Cores is the latest full-length album from New York tenor saxophonist James Brandon Lewis, "one of the fiercest sounds in jazz today" (The Guardian) with a "penchant for unbound exploration" (Pitchfork). Informed by the rhythms and textures of hip-hop and funk while remaining rooted in jazz, Apple Cores was recorded with Chad Taylor (drums/mbira) and Josh Werner (bass/guitar) over the course of two intense, entirely improvised sessions. The album takes its name and intention from the column that poet and jazz theorist Amiri Baraka wrote for DownBeat in the 1960s. In addition to Baraka, the influence of another jazz giant looms mightily over Apple Cores: trumpeter and multi-instrumentalist, Don Cherry. In a testament to Cherry"s influence over the music that the trio is playing, Lewis designed each song title as a cryptogram of sorts, making subtle references to Cherry"s life and music. Apple Cores further cements Lewis as one of the provocative and prolific musical voices of his generation. It follows his breakthrough with JazzTimes" Album of the Year Jesup Wagon (2021), a dreamlike mosaic of gospel, folk-blues, and catcalling brass bands inspired by inventor George Washington Carver, and Eye Of I (2023), his joyous and exploratory debut for ANTI-.

out of Stock

Order now and we will order the item for you at our supplier.


Last In: 15 months ago
John Hammond - Big City Blues
  • I M Ready
  • My Starter Won T Start
  • Barbecue Blues
  • I M A Man
  • Barrelhouse Woman Blues
  • Midnight Hour Blues
  • Backdoor Man
  • I Live The Life I Love
  • No Money Down
  • My Babe
  • When You Got A Good Friend
  • Baby, Won T You Tell Me

In 1964, Big City Blues dropped, and John Hammond delivered the goods. With his raspy voice and guitar, he gave a fresh spin to classics by legends like Robert Johnson and Willie Dixon. No big band needed—just him and his raw feeling to capture the soul of Delta blues. But he added an urban edge that fit perfectly with the times. Simple, powerful, and incredibly authentic. This record is pure blues that hits hard and sticks with you.

pre-order now14.02.2025

expected to be published on 14.02.2025

Corlyx - Purple Pain (LP)
  • A1: Wasted And Alone
  • A2: Ghost Of The West Coast
  • A3: Up On The Cross (Feat. Blutengel)
  • A4: Downtown
  • A5: Kill Cave (Feat. Suzi Sabotage)
  • A6: Psycho Sensual
  • B1: The Letdown
  • B2: The Sacrifice
  • B3: Zombie Kid
  • B4: Take The Money
  • B5: Our Shadows
  • B6: The Underground

Das aufstrebende "Death Pop"-Trio Corlyx wird sein bisher ambitioniertestes Projekt veröffentlichen: Purple Pain. Das Doppelalbum, das am 14. Februar 2025 via Out Of Line Music erscheint, ist eine tiefgreifende, 19 Tracks umfassende Erkundung von allem, was die Band an der dunklen Seite der Musik liebt. Mit Einflüssen, die von 80er Jahre Synthpop und Post-Punk bis hin zu Darkwave und Alt-Rock reichen, ist Purple Pain ein spannendes Mosaik des Goth Genres. Ursprünglich aus Los Angeles stammend, leben Corlyx heute zwischen Großbritannien und Italien und bestehen aus der Singer-Songwriterin Caitlin Stokes, dem Gitarristen/Produzenten Brandon Ashley und dem Bassisten Davide Rocco. Über Touren in Europa, Großbritannien und den USA mit Blutengel, Twin Tribes, Double Echo und Unzucht sowie die Zusammenarbeit mit Künstlern wie Lord Of The Lost, Massive Ego und Ashbury Heights haben sich Corlyx schnell eine solide Fan Base erspielt. Mit ihrem 3. Studioalbum "Purple Pain" werden Corlyx die Welt der dunklen Musik im Sturm erobern und die Band in ihrer kreativsten und gewagtesten Form präsentieren. “Purple Pain - ja, eine Anspielung auf Prince - ist der Höhepunkt jahrelanger Experimente mit den Gothic-Genres, die wir so lieben", sagt Sängerin Caitlin Stokes. "Es ist emotional, sinnlich und kreativ, aber auch ein bisschen gruselig, kitschig und lustig. Goth kann all diese Dinge auf einmal beinhalten." Das Album enthält sowohl sehr persönliche Stücke wie Death Is The Beginning - eine ergreifende Reflexion über Caitlins Verlust ihrer Mutter - als auch ansteckende Dancefloor-Hymnen und entfaltet sich wie ein Film, der den Hörer durch seine dramatischen Höhen und melancholischen Tiefen trägt. Für Gitarrist Brandon Ashley war der kreative Prozess für Purple Pain ebenso natürlich wie aufregend. "Als wir mit dem Schreiben anfingen, sprudelten die Songs einfach aus uns heraus, wir konnten nicht aufhören. Caitlin schlug vor, noch weiter zu gehen und ein Doppelalbum zu kreieren. Diesmal haben wir mehr von meinen 70er-Jahre-Rock-Einflüssen aufgenommen und unserem typischen Sound eine gewisse Blues-Note hinzugefügt." Die auf 12 Tracks limitierte Vinyl-Edition komprimiert das Album zu einem einzigartigen Meisterwerk aus Goth-Hits, während die Doppel-CD den vollständigen Umfang des Albums offenbart. Merkt Euch also den 14. Februar vor und macht Euch bereit für Purple Pain - eine genreübergreifende, dunkle und gleichzeitig unterhaltsame Reise von Corlyx; einer Band, die neu definiert, was es bedeutet, Goth zu sein.

pre-order now14.02.2025

expected to be published on 14.02.2025

Betty Carter - Out There With Betty Carter LP
  • A1: You're Driving Me Crazy
  • A2: I Can't Help It
  • A3: By The Bend Of The River
  • A4: Babe's Blues
  • A5: Foul Play
  • A6: You're Getting To Be A Habit
  • B1: On The Isle Of May
  • B2: But Beautiful
  • B3: All I've Got
  • B4: Make It Last
  • B5: Blue Bird Of Happiness
  • B6: Something Wonderful

Originally released through Peacock Records in 1958 after her stint with Lionel Hampton’s band, Out There is a snapshot and early gem in Betty Carter’s broad career. Supported by a quality cast including Benny Golson (tenor saxophone), Wynton Kelly (piano) and Kenny Dorham (trumpet) among others, Carter glides through standards such as “Something Wonderful” as well as her first-penned track “I Can’t Help It” which would go on to become a performance staple. This Verve By Request title is pressed on 180-gram vinyl at Third Man in Detroit.

pre-order now14.02.2025

expected to be published on 14.02.2025

Don Covay And The Jefferson Lemon Band & Harvey Mandel - If There's A Will There's A Way / Baby Batter

It's another 45 Rocafort treatment!

"If There's a Will, There's a Way" was written by Don Covay and Donny Hathaway and released in 1972 on the American Janus Records label. Covay, a key figure in the 1960s and 1970s soul scene, was known for his gritty voice and songwriting for artists like Aretha Franklin and Wilson Pickett. Hathaway, on the other hand, was an influential soul singer, composer, and pianist often celebrated for his collaborations with Roberta Flack. This song blends both of their distinct styles: Covay's raw, Southern soul vibe and Hathaway's sophisticated, jazz-influenced arrangements. Like Donny Hathaway's live album released that same year in 1972, this track grabs you from the very first notes. A classic soul groove, with a powerful vocal delivery!

Notably, this track was later sampled by Pete Rock in his remix of "Lots of Lovin'" with C.L. Smooth, bringing the soulful essence of the original into the realm of 90s hip-hop.

On the b-side, another track from the fantastic Janus Records catalogue. Harvey Mandel's "Baby Batter," originally released in 1971 is a blend of funky blues and psychedelic rock vibes representing another popular genre from the early 70's in the USA. Mandel's signature guitar work shines throughout the track and the drum break in the introduction will please the hip-hop heads and 45 DJs out there.

out of Stock

Order now and we will order the item for you at our supplier.


Last In: 15 months ago
Da Lench Mob - Guerillas In Tha Mist
  • A1: Capital Punishment In America
  • A2: Buck Tha Devil
  • A3: Lost In Tha System
  • A4: You & Your Heroes
  • A5: All On My Nut Sac (Feat. Ice Cube)
  • A6: Guerillas In Tha Mist
  • B1: Lenchmob Also In Tha Group
  • B2: Ain't Got No Class (Feat. B-Real)
  • B3: Freedom Got An A.k
  • B4: Ankle Blues
  • B5: Who Ya Gonna Shoot Wit That
  • B6: Lord Have Mercy
  • B7: Inside Tha Head Of A Black Man

Possessing lyrics heavily focused on political and social justice, inspired heavily by West Coast gang culture and Islam, Da Lench Mob made waves throughout the hip-hop scene when they first appeared on the track "Rolling With Da Lench Mob", off Ice Cube's famed 1990 solo record AmeriKKKa's Most Wanted. Initially, the titular "Lench Mob" of the track namesake referred to Ice Cube as well as the other participating rappers, but J-Dee, Shorty, and T-Bone would adopt the name for their own in time. Their standout appearance on the Ice Cube track would earn the trio critical interest, (as well as shout-outs on Ice Cube's 1991 follow-up Death Certificate) and generate palpable anticipation for a studio album of their own. Guerillas In Tha Mist, their 1992 debut record, was recorded in the wake of the Rodney King riots, taking its name from infamous comments made during the riots. The record was uncompromising and confrontational in its depictions of urban decay and an unjust system wreaking havoc on an economically disadvantaged Black population. It was starkly realistic (bordering on abrasive) in the content of tracks like the armed revolution-advocating "Freedom Got An A.K.", the kill-your-idols style of "You And Your Heroes", and the anti-pusher anthem "All On My Nut Sac." These harsh manifestos were made all the more smooth via Ice Cube's jazzy G-funk and Bomb Squad-influenced production, which sampled heavily from classic songs by Parliament, Kool & The Gang, The Incredible Bongo Band, and even Vangelis. Cube himself would make guest appearances throughout the record, as well as an appearance by B-Real of Cypress Hill on the track "Ain't Got No Class." Guerillas In Tha Mist was a Billboard success upon its release, reaching #24 on the Billboard 200, and rendering rap radio hits out of its title track and "Freedom Got An A.K.", but Da Lench Mob would fall into obscurity over the years, eventually going their separate ways after creative differences, financial rifts, and the life conviction of rapper J-Dee for suspected murder in 1993. Despite their loss of commercial fortunes, Guerillas In Tha Mist would develop a strong reputation as an unheralded gem among hip-hop heads, and would be considered one of the great lesser-known releases of the era among critics (in 2018 Complex would declare the title track as one of the 100 Best L.A. Rap Songs). Decades after its initial release, and in tribute to the memory of Da Lench Mob member Shorty, who passed in 2019, Get On Down now presents an exclusive LP reissue of Guerillas In Tha Mist, which previously was only released officially on wax in Europe. The LP is pressed on a deluxe Green and Orange Splatter-colored vinyl, and features remastered audio and a painstakingly recreated full color jacket.

pre-order now14.02.2025

expected to be published on 14.02.2025

BDF All Stars - Ital Lion Serenade

Franco Rosso’s epic cinematic opus of reggae social commentary, Babylon, landed in November of 1980. Moving through the film’s opening frames of grey dreary London, two spars – Blue and Ronnie – run with unrestrained anticipation to link with their Ital Lion Sound System brethren. Simultaneously the rest of the crew does what sound crews have done from time: Load them boxes up in the van and trod with vigor to the dance.

But that bassline…The soundtrack notes that carry the celluloid movements of the film’s opening scenes…That bassline…Upside down…Jazzy…Dubby…A bassline like no other reggae bassline the Ital Counselor has ever heard. The hook that got me deep into UK roots music from the band that is my number one inspiration.

If there is bassline that represents the core imperative of Ital Counselor Records, it would have to be Aswad’s Hey Jah Children. It seemed therefore only fitting to bring its absolutely resplendent glory to a new generation. Lovers of sounds and blues, it is time for the dread ital lion sound to once again rise to meet the day. So it is with the deepest of gratitude and respect to the legacy of Aswad (RIP Drummie Zeb) and Franco Rosso, that we present a deeper than deep next cut…Christened here…the Ital Lion Serenade.

In line with all IC releases, we have enlisted top tier session musicians and studio men. Long time IC collaborator, Inyaki BDF, is at the center of the action as the musical maestro. Hopping on the BDF sonic lorry are Aratz Diez on Trombone and James Zugasti on the dub mixes. This crew bring the original composition up-to-date with a heady dubwise weight. Syndrums ricochet while Inyaki’s bassline rumbles teetering as it does somewhere between a modern dubstep warble and its core roots-wise influence in Tony Gad’s original playing.

Diez’s trombone playing comes across like an x-ray of the Aswad Horn Section and keeps intact the jazzy abstraction of the original. In turn, Inyaki goes full 70s synth on the psychedelic dubwise of the B-side’s Operation Swamp 81. UK history buffs better you know the reference in that title and its thematic echoing significance from the UK depicted in Rosso’s film and carried on in remembrance on this here hotter than hot 12”.

A warning: the Zugasti dub cuts are devasting to speaker boxes.

pre-order now14.02.2025

expected to be published on 14.02.2025

Creedence Clearwater Revival - Bayou Country

Das selbstbetitelte Debütalbum von Creedence Clearwater Revival aus dem Jahr 1968 machte die Welt mit
den gitarrenspielenden Brüdern John und Tom Fogerty, dem Schlagzeuger Doug Clifford und dem Bassisten Stu Cook bekannt, vier jungen Männern aus El Cerrito in der San Francisco Bay Area. Obwohl sie
an einem Ort und in einer Zeit auftauchten, in der trippige psychedelische Visionen an der Tagesordnung
waren, widersetzten sich CCR den Trends und stießen stattdessen auf eine reiche, traditionelle Nahtstelle
der amerikanischen Musik, die mit Blues, Country, Rockabilly, Gospel, Folk und R&B verbunden war.
Während ihrer kurzen Zeit als Band erlebten Creedence eine beispiellose Kreativitätsphase, zwei ihrer sieben
Studioalben landeten auf Platz 1, sie spielten über 150 Tourneen in der ganzen Welt, einschließlich eines
Auftritts als Headliner in Woodstock, und erzielten 14 Top Ten-Singles. Jetzt erscheinen alle grandiosen,
sieben Studioalben auf farbenfroher Colour Vinyl.

pre-order now14.02.2025

expected to be published on 14.02.2025

Creedence Clearwater Revival - Green River

Das selbstbetitelte Debütalbum von Creedence Clearwater Revival aus dem Jahr 1968 machte die Welt mit
den gitarrenspielenden Brüdern John und Tom Fogerty, dem Schlagzeuger Doug Clifford und dem Bassisten Stu Cook bekannt, vier jungen Männern aus El Cerrito in der San Francisco Bay Area. Obwohl sie
an einem Ort und in einer Zeit auftauchten, in der trippige psychedelische Visionen an der Tagesordnung
waren, widersetzten sich CCR den Trends und stießen stattdessen auf eine reiche, traditionelle Nahtstelle
der amerikanischen Musik, die mit Blues, Country, Rockabilly, Gospel, Folk und R&B verbunden war.
Während ihrer kurzen Zeit als Band erlebten Creedence eine beispiellose Kreativitätsphase, zwei ihrer sieben
Studioalben landeten auf Platz 1, sie spielten über 150 Tourneen in der ganzen Welt, einschließlich eines
Auftritts als Headliner in Woodstock, und erzielten 14 Top Ten-Singles. Jetzt erscheinen alle grandiosen,
sieben Studioalben auf farbenfroher Colour Vinyl.

pre-order now14.02.2025

expected to be published on 14.02.2025

Creedence Clearwater Revival - Mardi Gras

Das selbstbetitelte Debütalbum von Creedence Clearwater Revival aus dem Jahr 1968 machte die Welt mit
den gitarrenspielenden Brüdern John und Tom Fogerty, dem Schlagzeuger Doug Clifford und dem Bassisten Stu Cook bekannt, vier jungen Männern aus El Cerrito in der San Francisco Bay Area. Obwohl sie
an einem Ort und in einer Zeit auftauchten, in der trippige psychedelische Visionen an der Tagesordnung
waren, widersetzten sich CCR den Trends und stießen stattdessen auf eine reiche, traditionelle Nahtstelle
der amerikanischen Musik, die mit Blues, Country, Rockabilly, Gospel, Folk und R&B verbunden war.
Während ihrer kurzen Zeit als Band erlebten Creedence eine beispiellose Kreativitätsphase, zwei ihrer sieben
Studioalben landeten auf Platz 1, sie spielten über 150 Tourneen in der ganzen Welt, einschließlich eines
Auftritts als Headliner in Woodstock, und erzielten 14 Top Ten-Singles. Jetzt erscheinen alle grandiosen,
sieben Studioalben auf farbenfroher Colour Vinyl.

pre-order now14.02.2025

expected to be published on 14.02.2025

Creedence Clearwater Revival - Pendulum

Das selbstbetitelte Debütalbum von Creedence Clearwater Revival aus dem Jahr 1968 machte die Welt mit
den gitarrenspielenden Brüdern John und Tom Fogerty, dem Schlagzeuger Doug Clifford und dem Bassisten Stu Cook bekannt, vier jungen Männern aus El Cerrito in der San Francisco Bay Area. Obwohl sie
an einem Ort und in einer Zeit auftauchten, in der trippige psychedelische Visionen an der Tagesordnung
waren, widersetzten sich CCR den Trends und stießen stattdessen auf eine reiche, traditionelle Nahtstelle
der amerikanischen Musik, die mit Blues, Country, Rockabilly, Gospel, Folk und R&B verbunden war.
Während ihrer kurzen Zeit als Band erlebten Creedence eine beispiellose Kreativitätsphase, zwei ihrer sieben
Studioalben landeten auf Platz 1, sie spielten über 150 Tourneen in der ganzen Welt, einschließlich eines
Auftritts als Headliner in Woodstock, und erzielten 14 Top Ten-Singles. Jetzt erscheinen alle grandiosen,
sieben Studioalben auf farbenfroher Colour Vinyl.

pre-order now14.02.2025

expected to be published on 14.02.2025

Creedence Clearwater Revival - Cosmo’s Factory

Das selbstbetitelte Debütalbum von Creedence Clearwater Revival aus dem Jahr 1968 machte die Welt mit
den gitarrenspielenden Brüdern John und Tom Fogerty, dem Schlagzeuger Doug Clifford und dem Bassisten Stu Cook bekannt, vier jungen Männern aus El Cerrito in der San Francisco Bay Area. Obwohl sie
an einem Ort und in einer Zeit auftauchten, in der trippige psychedelische Visionen an der Tagesordnung
waren, widersetzten sich CCR den Trends und stießen stattdessen auf eine reiche, traditionelle Nahtstelle
der amerikanischen Musik, die mit Blues, Country, Rockabilly, Gospel, Folk und R&B verbunden war.
Während ihrer kurzen Zeit als Band erlebten Creedence eine beispiellose Kreativitätsphase, zwei ihrer sieben
Studioalben landeten auf Platz 1, sie spielten über 150 Tourneen in der ganzen Welt, einschließlich eines
Auftritts als Headliner in Woodstock, und erzielten 14 Top Ten-Singles. Jetzt erscheinen alle grandiosen,
sieben Studioalben auf farbenfroher Colour Vinyl.

pre-order now14.02.2025

expected to be published on 14.02.2025

Creedence Clearwater Revival - Willy And The Poor Boys

Das selbstbetitelte Debütalbum von Creedence Clearwater Revival aus dem Jahr 1968 machte die Welt mit
den gitarrenspielenden Brüdern John und Tom Fogerty, dem Schlagzeuger Doug Clifford und dem Bassisten Stu Cook bekannt, vier jungen Männern aus El Cerrito in der San Francisco Bay Area. Obwohl sie
an einem Ort und in einer Zeit auftauchten, in der trippige psychedelische Visionen an der Tagesordnung
waren, widersetzten sich CCR den Trends und stießen stattdessen auf eine reiche, traditionelle Nahtstelle
der amerikanischen Musik, die mit Blues, Country, Rockabilly, Gospel, Folk und R&B verbunden war.
Während ihrer kurzen Zeit als Band erlebten Creedence eine beispiellose Kreativitätsphase, zwei ihrer sieben
Studioalben landeten auf Platz 1, sie spielten über 150 Tourneen in der ganzen Welt, einschließlich eines
Auftritts als Headliner in Woodstock, und erzielten 14 Top Ten-Singles. Jetzt erscheinen alle grandiosen,
sieben Studioalben auf farbenfroher Colour Vinyl.

pre-order now14.02.2025

expected to be published on 14.02.2025

Creedence Clearwater Revival - Creedence Clearwater Revival

Das selbstbetitelte Debütalbum von Creedence Clearwater Revival aus dem Jahr 1968 machte die Welt mit
den gitarrenspielenden Brüdern John und Tom Fogerty, dem Schlagzeuger Doug Clifford und dem Bassisten Stu Cook bekannt, vier jungen Männern aus El Cerrito in der San Francisco Bay Area. Obwohl sie
an einem Ort und in einer Zeit auftauchten, in der trippige psychedelische Visionen an der Tagesordnung
waren, widersetzten sich CCR den Trends und stießen stattdessen auf eine reiche, traditionelle Nahtstelle
der amerikanischen Musik, die mit Blues, Country, Rockabilly, Gospel, Folk und R&B verbunden war.
Während ihrer kurzen Zeit als Band erlebten Creedence eine beispiellose Kreativitätsphase, zwei ihrer sieben
Studioalben landeten auf Platz 1, sie spielten über 150 Tourneen in der ganzen Welt, einschließlich eines
Auftritts als Headliner in Woodstock, und erzielten 14 Top Ten-Singles. Jetzt erscheinen alle grandiosen,
sieben Studioalben auf farbenfroher Colour Vinyl.

pre-order now14.02.2025

expected to be published on 14.02.2025

John Lodge - Love Conquers All LP

"Love Conquers All" is a collection of deeply moving songs by The Moody Blues’ John Lodge. All written during difficult times, yet reflecting the positive way in which John sees the world. As John explored his journey of healing, he invited different musicians to collaborate with him on each song, making each song unique, yet at the same time they all carry the same message... that love does conquer all. ‘Love will Conquer All’, ‘Whispering Angels’, and 'Sunset over Cocohatchee Bay’ were all written through personal health challenges, and 'In These Crazy Times’, and ‘The Sun Will Shine’, originally written in lockdown, have been reimagined and remixed for 2024, reflecting how this time is now firmly in the past. 'Whispering Angels' was written by John and his son-in-law Jon Davison, of YES, and Jon features on all the tracks on the release. ‘Love Will Conquer All’ isan almost Christmas song full of hope, plus there are guest appearances on the album by Geoff Downes of YES, Tim Maple, Dave Colquhoun, Ray Nesbit, John’s 10,000 Light Years Band, and also John’s wife, Kirsten and son, Kristian. As you journey with John through the songs, starting with the instrumental ‘Sunset Over Cocohatchee Bay’, and ending with the more anthemic ‘Whispering Angels’, you will be moved by these beautifully crafted songs, surrounded by the incredible musicianship, and feel the love brought to each song by John and his friends and family. This release truly is a journey of love and recovery and John is delighted to be able to share it with you today.

pre-order now14.02.2025

expected to be published on 14.02.2025

HIJSS - STUCK ON COMMON GROUND LP

Stuck on common ground is the debut album of the Italian Power Trio hijss. With a mixture of heavy blues influenced riffs and synthesized Krautrock parts hijss tries to create a high dynamic range that will keep your attention at all time. On top of gritty basslines and ferocious drums lie cosmic guitars, tantalizing vocals and arpeggiated electronic drones. All three band members come from a vast musical background. Their common denominator is with out a doubt a punkish attitude. The album was produced by Toni Quiroga and hijss, drums were recorded at Nologo Recording Studio, Laives by "holy barbarian" Fabio Sforza. Engineered, mixed and mastered at accept productions by Toni Quiroga, album cover by Luca Guarino.

out of Stock

Order now and we will order the item for you at our supplier.


Last In: 15 months ago
THE LIBERTINES - UP THE BRACKET (20TH ANNIVERSARY EDITION) LP (2x12")

Up The Bracket arrived like a raging bull in a tired post-Britpop china shop and introduced the world to The Libertines, a new gang of London bohemians, whose ragged tunes, red military tunics, opiated poetry and "live now pay never" lifestyle came to define the millennial angst of the early noughties. At the heart of the band is the blood bond bromance between the ramshackle Music Hall Jagger/Richards, Peter Doherty and Carl Barat, ably assisted by the rock solid rhythm twins John Hassall and Gary Powell. Any bookie worth his salt would have given you short odds on this quartet surviving more than a month or two, given the teetering on the brink lifestyle they chose to lead, but here we are two decades later and our Byronic heroes, though older and wiser, are still fighting the good fight and making music every bit as vital as their debut. The belief, talent and fervour that Doherty spoke of in their earliest manifesto has stood them in good stead. Up The Bracket, justly considered one of the greatest albums of the noughties, was originally released on October 21st 2002 by Rough Trade Records. The album, a heady stew of indie rock, skiffle, blues, dub and English bucolic pop, was a huge shot in the arm to a largely redundant music scene and helped to inspire the rebirth of guitar music, going on to influence countless artists who followed in its wake. Up The Bracket, which was produced by Mick Jones of The Clash, takes you on a wondrously poetic journey into the band"s mythical world and their fevered dreams of Albion, a land of squalid glamour, liberty, equality, fraternity, gin palaces and chip shops. Quite simply Pete, Carl, Gary and John created a hugely compelling timeless British rock"n"roll classic debut as relevant now as it was upon its release.

out of Stock

Order now and we will order the item for you at our supplier.


Last In: 16 months ago
Items per Page:
N/ABPM
Vinyl