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Various - XV | 1

Various

XV | 1

12inchAFFIN054
Affin LTD
03.08.2022

With the project XV | 1 Affin leaves 15 years of its existence behind and looks expectantly and full of optimism into the future.

The A side starts with MTRL's (co-founder of the Munich IO label), "Spice Fields" who celebrates his Affin debut here with a delicate, driving track. Another premiere is the first collaboration between Cauê and Joachim Spieth, who celebrate here with "Alpha", an atmospheric multi-modulated piece of club music.

The B side starts with an old acquaintance, Reggy Van Oers, who makes a massive reappearance with "niffA" after a few years of abstinence. Svarog closes the first episode of our 15th anniversary with the pushing "Psalm". All tracks were mastered at the Berlin-based Artefacts Mastering Studio. Markus Guentner, a label artist from the early days, is responsible for the graphic design and also did a logo redesign.

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Last In: 15 months ago
Various - Creme From The Crypt 10x12" + Book

Various

Creme From The Crypt 10x12" + Book

8x12"-VinylCRBUNDLE1
Creme
03.08.2022
 
45

10x12inch bundle + book

What is going on here then? Well, digging through the ever shrinking tunnels in the cave system that is our warehouse we come across many forgotten ore and metal deposits that silently beg to be unearthed. Since we are not the beroerdste, we reckon it's about time to put some of these on offer to you, the unsuspecting consumer. And we have hit the jackpot in this case! For a limited time only (and as long as stock lasts) we offer 10 (yes TEN) records from the vast Creme Organization back catalogue + a copy of the glorious Godspill Artwork Book for just 50 (yes FIFTY) Smackeroonies! Which titles you will get will be a surprise, so take a chance take a chance boys & girls and all shades inbetween, cause here's a breath of fresh air in these times of inflation and global uncertainty! Love, the management.

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Last In: 3 years ago
Earthen Sea - Ghost Poems

Earthen Sea

Ghost Poems

12inchKRANK234LP
Kranky Records
03.08.2022

Jacob Long’s third Earthen Sea outing for Kranky, Ghost Poems, further refines his fragile, fractured palette into fluttering arrhythmias of dust, percussion, and yearning.
Composed during the first wave of lockdowns in New York, the pieces took shape patiently from samples of piano, texture, and domestic sounds (sink splashing, room tone, clinking objects), filtered through live FX to imbue them with an intuitive, immaterial feel. Wisps of melody splinter, shimmer, and refract, like light on water; pulses accrue and dissipate, as if mapping shifting sands. Throughout, there’s a sense of matter made animate, of absences felt.
Long cites notions of “the studio as a dub instrument” and the melancholy of “7th chords on a fake Rhodes patch” as central elements in his process, transforming raw materials into rare thresholds of symbiosis and hypnosis. This is music for night skies in hollowed out cities, for views across rivers towards unknown shores: restless, placeless, and profound.
track listing:1. Shiny Nowhere 2. Stolen Time 3. Felt Absence 4. Oblique Ruins 5. Snowy Water 6. Rough Air 7. Slate Horizon 8. Ochre Sky 9. Fossil Painting 10. Deep Sky
press quotes for previous album Grass and Trees:
“Jacob Long’s vaporous, lo-fi ambient tracks feel like snapshots of stillness made of moving parts.” Pitchfork
“As light as a warm breeze on skin, Earthen Sea’s latest album for Kranky showcases Jacob Long’s natural sensitivity for low-key, enchanting electronic sound craft.” Boomkat
“It’s exciting to hear such a significant change in his sound without sacrificing a personal touch and sonic character.” Igloo

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Last In: 87 days ago
Ufomammut - Fenice

Ufomammut

Fenice

12inchNR122LP
Neurot Recordings
03.08.2022

This May, Italian alchemists and power trio Ufomammut return with their ninth studio album, Fenice via Neurot Recordings. But not as we’ve heard them before, now “more intimate, more free.”
For over 20 years, the band has combined the heaviness and majesty of dynamic riff worship with a nuanced understanding of psychedelic tradition and history in music, creating a cosmic, futuristic, and technicolor sound destined for absolute immersion.
Fenice (meaning Phoenix in Italian) symbolically represents endless rebirth and the ability to start again after everything seems doomed. The album is the first recording with new drummer Levre, and truly marks a new chapter in Ufomammut history.
“I think we lost our spontaneity, album after album,” says Urlo. “We tried to make more complicated songs and albums, but I think at some point we just ended up repeating ourselves. With Fenice, we were ready to start from zero, we had no past anymore - so we just wanted to be reborn and rise from the ashes..”
While the band are well-known for their psychedelic travels into the far reaches of the cosmos, Fenice is a much more introspective listening experience. Fenice was conceived as a single concept track, divided in six facets of this inward-facing focus. Sonic experimentations abound in the exploration of this central theme; synths and experimental vocal effects are featured more prominently than ever before as the band push themselves ever further into the uncharted territory of their very identity.
The towering synths on the opening track ‘Duat’ evoke an almighty machine rising from the depths of primordial ooze. There’s a shift to a frenetic garage-psych pace before mellowing out into a more familiar doomy stomp. ‘Kepherer’ is a respite, albeit a slight one, returning to the pulsing rhythms of the album’s intro before plunging the listener into the menacing build and release of ‘Psychostasia’ next. Each oscillation of this extraordinary album feels inevitable - Ufomammut are after all, masters of their craft, and when it comes to creating enveloping sonic journeys into the unknown, it’s their uninhibited sense of exploration that breaches new sonic ground.

Fenice is the sound of a band whose very essence has been rejuvenated, and are welcoming the chance to create music in the way they know best; by unfolding carefully and attentively, by melding those extreme dynamics which render Fenice as a living and breathing creature - and by writing gargantuan riffs that herald their very rebirth.

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Last In: 3 years ago
Various - Pay It All Back Vol.8 LP

On-U Sound announce latest volume in the Pay It All Back series with unreleased Lee “Scratch” Perry track, plus 40th anniversary live concerts

On-U Sound is proud to present the latest volume in the much-loved and collectable series of On-U Sound label samplers, packed with exclusives, alternate mixes and previews of upcoming releases. Includes unreleased tracks from Lee “Scratch” Perry, Tackhead, African Head Charge, Mark Stewart, Creation Rebel, Andy Fairley and more.

The first music to be shared from the album is an unreleased track with the late, great Lee “Scratch” Perry - “Many Names Of God” is an outtake from the sessions that produced the Rainford and Heavy Rain albums and also features vocals from Nightmares On Wax collaborator LSK aka Leigh Kenny.

The release of the new compilation also coincides with a very special concert taking place at the Forum in London, originally scheduled for 2020 but delayed because of the pandemic. Celebrating 40 years of the On-U Sound label, it brings together musicians and artists from at least four different continents for a unique evening with Horace Andy, Tackhead, African Head Charge, Creation Rebel and most of the other musicians featured on the album.

Label boss Adrian Sherwood comments: “As usual with the Pay It All Back series, the intention is to promote our upcoming releases and productions. Also on offer are previously unreleased gems, versions of tracks exclusive to this release and more from artists that we’re keen to promote. Sadly in the last year we have lost so many music giants from amongst us, including Lee “Scratch” Perry, George Oban and John Sharpe. Lee Perry laughed at death. It was to him just a part of life and another beginning...I trust Lee. I’m very proud of this album, it goes out to all On-U Crew, our missing and irreplaceable friends.”

Please note that the Rita Morar and Mark Stewart tracks are vinyl only, are not currently available digitally, and therefore are not accessible via the download card.

- Spec: Limited edition transparent blue vinyl in 3mm colour printed sleeve with printed inner , full sleevenotes, fold-out 24” x 12” Pay It All Back concert poster and download card

Bonus tracks accessible via DL card:
1. Tackhead ft. MAD 45 - I Don’t Wanna Work A Fake Job
2. Sherwood & Pinch - Excessive Drinking
3. Ital Horns - Metropolis
4. LSK - Money Masters
5. Andy Fairley - Deranged Man

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Last In: 2 years ago
Gimmik - Sonic Poetry 2x12"

Gimmik

Sonic Poetry 2x12"

2x12inchMD308
n5MD
03.08.2022

Limited edition milky clear with blue and purple splatter + HQ download.


The follow-up to last year's return-to-form collection, Cloudwalker. Sonic Poetry is a refined group of works showcasing Gimmik's adeptness at fusing experimental electronic music minutia with overarching melodicism.
Those that have followed Gimmik's carrier–and subsequent return–will take pleasure in Sonic Poetry's veracity and bolstered production. Leftfield/IDM, Breaks, Downtempo, Electro, and Ambient get dissected and reformed to create a truly authentic album in which it is evident that there is no coincidence in that the opening track is named "Here I am."

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Last In: 9 months ago
DOLENZ, JONES, BOYCE & HART - DOLENZ, JONES, BOYCE & HART  (2LP COLOURED VINYL)
 
25

7A Records announces the release of Dolenz, Jones, Boyce & Hart’s original studio and live albums. In the mid-1970s promoters were trying to reunite the Monkees, but with Michael Nesmith and Peter Tork unavailable, it was suggested that Micky Dolenz and Davy Jones team up with Tommy Boyce and Bobby Hart to tour as ‘The Golden Great Hits Of The Monkees Show - ‘The Guys Who Wrote ‘Em & The Guys Who Sang ‘Em’’. The group signed a deal with Capitol Records to record a self-titled studio album of new material. They later released a live album from their tour of Japan. Both albums have been unavailable and out of print for many years. 7A Records have tracked down the original master tapes, that were presumed missing for at least 27 years, and remastered both albums for this release. Available as deluxe 2CD and 2LP sets, the CD version will include a big 40 page colour booklet featuring extensive liner notes and previously unseen photos. The 2LP version comes in a gatefold sleeve and is pressed on special 180g Green, Black and Yellow Quad Vinyl.

pre-order now01.08.2022

expected to be published on 01.08.2022

Dubfire - Dark Matter

Dubfire

Dark Matter

12inchTEC8S2
Sci+Tec
01.08.2022

Dubfire - Dark Matter | Dust & Gas
With a career spanning over 3 decades, Dubfire has achieved global success as an artist with relentless drive, talent, and intuition. Pioneering commercial notoriety came initially as one half of the Grammy award (2001) winning duo Deep Dish, before embarking on a truly groundbreaking solo career in 2007. A career filled with timeless tracks include his early works ‘Ribcage’, ‘Emissions, ‘Roadkill’ and the highly acclaimed ‘Exit’ with Kiss Kitten. Collaborative work highlights include Luke Slater, Moscoman, Oliver Huntemann, Chris Liebing, Tiga and co-producing two tracks on the legendary Underworld’s ‘Barking’ album. This year he finally releases his debut album ‘EVOLV’. An 11-track visionary into the mind of Dubfire to be released on his long-standing label SCI+TEC. EVOLV’s concept? The journey of the ‘hybrid’ being and its evolution since its first appearance in 2015, as part of his two-year World tour following the release of his retrospective release ‘A Decade Of Dubfire’.
The first of 4 singles launch in July with ‘Dark Matter’ and ‘Dust & Gas’. Both tracks set a brooding atmosphere. The rougher percussion, and eerie lead in ‘Dark Matter’ is accompanied by a stripped back sound and glitchy vocals sitting in a spaced-out atmosphere in ‘Dust & Gas’. Its deep and minimal drum work is exceptional. The start of a sonically evolved journey for its listeners, this album is what many have waited for, with a few unexpected twists along the way.

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Last In: 13 months ago
J.P. Bimeni & The Black Belts - Give Me Hope

BBC 6 MusicAlbum of the Yearas chosen by

DJ Craig Charles

★★★★Mojo

★★★★★Blues & Soul

★★★★★UK Vibe

9/10 DJ Mag (Single I Miss You)

"One of the very best soul voices I've heard for a very long time"

Craig Charles (BBC 6Music)

"Delivered with a vocal dripping with yearning and desperation"

4/5 Mojo

"A high octane soul masterpiece"

Blues & Soul,5/5Album of the Month

"Undoubtedly the album of the year"

5/5 UK Vibe

Burundian soul singer JP Bimeni is set to release his first music since his BBC 6 Music award winning album Free, from 2018. Give Me Hope is a slice of horn heavy, Afro tinged, Stax inspired soul and is the first taster of a new album set for release in early 2022

Give me Hope is the title track from his new album, featuring his band The Black Belts, set to drop on February 4thon Lovemonk Records.

A supremely funky number it boasts bassline and powerful horn arrangements, and gives a taster to a new work that dots between classic '60s Motown, psychedelia and Afro-funk.

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Last In: 3 years ago
Denyl Brook - I Wanna

Up next on Happiness Therapy is Lyon-based mainstay Denyl Brook with his first full-length EP on the emerging label. Already a firm favourite through his contributions to the lauded Happy House series, his forthcoming I Wanna EP follows on from two recent appearances on revered UK outfit Shall Not Fade, as he returns to the French imprint in June to gift us four tracks of mood-lifting musical goodness.


Denyl Brook is swiftly becoming one of France’s most talked-about rising talents. Head of his own Silver Step Records, he’s a familiar face at Happiness Therapy, having racked up several productions on the label’s Happy House compilation series over the years. He’s also one of their resident DJs, regularly playing at their parties across his native country and beyond, and has recently landed a solid release on UK-imprint Shall Not Fade. Now, I Wanna acts as his debut solo EP on Happiness Therapy, proving that Denyl Brook is only just getting started.

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Last In: 2 years ago
JIMMY REED - I'M JIMMY REED LP

I’m Jimmy Reed underlined the very raw nature of the recordings, yet it immediately showed
why his music was embraced so much by others as the songs offered more melody and variety
than other Blues players. Ain't That Lovin' You Baby has fine melodic hooks that could easily
be transcribed into rocking versions, while Boogie In The Dark set the template for so many
groups in the sixties. The slower tracks like You Got Me Crying and Little Rain provided useful
contrasts, while Honest I Do gives added meaning to the phrase 'stripped down'. Jimmy Reed
was easily the most commercially successful Bluesman in America during the 1950s, and as
such his material was readily available to be plundered by artists wanting to enrich their live
repertoire. This reached its height during the UK Beat boom when virtually every working group
included his songs in their sets. The Rolling Stones, The Yardbirds, Them and The Animals all
covered his songs liberally during the first half of the sixties. In his homeland, The Grateful
Dead, The Steve Miller Band, Johnny Winter, Wishbone Ash and, bizarrely, even Bill Cosby
followed suit!

pre-order now01.08.2022

expected to be published on 01.08.2022

JOHNNY BURNETTE - ROCKABILLY BOOGIE LP

Johnny was born in 1934 in Memphis, the city where Rock’n'Roll began. A career in boxing
seemed most likely tfor the Burnette brothers before meeting Burlison, who’d graduated from
High School two years before Elvis Presley. Burlison had backed Blues giant Howlin’ Wolf on
radio appearances and worked at Crown Electrics with Dorsey, with Elvis later becoming a
workmate. They had also taken to rehearsing in the basement of one of the apartment blocks
in Lauderdale Court. With the apartment above rented by the Presley family, who had not long
arrived from Tupelo. Legend has it that, Elvis would slip downstairs and sit quietly in a corner,
listening to them rehearse. And it was after seeing Elvis on television in January 1956, that
sent the Rock'n’Roll Trio to New York where their appearances on Ted Mack’s Amateur Hour
saw them sign to the Coral Label. The three-time talent show winners immediately set about
recording a repertoire based equally on R&B and Country & Western material. The Rockabilly
they cut for Coral, some 25 tracks, was later described by genre expert Bill Millar as 'unrivalled
for unsubtle power and wild intensity’. Joe Turner’s Honey Hush, and the self-penned Tear It
Up have been constantly recycled by acts. The originals are included in this LP along with
other material such as Rock Therapy, Lonesome Train and Touch me

pre-order now01.08.2022

expected to be published on 01.08.2022

VARIOUS - THE SOUND OF PHIL SPECTOR

In late 1961 Spector formed Philles Records with Lester Sill, buying his mentor out the
following year. The slogan was ‘Tomorrow’s sound today’, and Phil Spector proceeded to live
up to that boast. Three-track tape machines were then state of the art, and he perfected the
method of ‘bouncing’ the tracks to get the biggest possible sound. As time went by, his ‘twominute symphonies for the kids’ would be increasingly gilded by his ‘everything but the kitchen
sink’ production including Strings, Percussion and banks of Vocals. Spector gained his
second U.S. chart-topper and his first as a Producer in 1962 with the Gene Pitney penned,
He’s A Rebel. Spector became increasingly obsessed by the production process. ‘My records
are built like a Wagnerian opera. They start simply and end with dynamic force, meaning and
purpose. I dreamed it up.’ He retired from the music business, returning only sporadically to
work with first The Beatles (their Let It Be album, plus solo LPs by George Harrison and John
Lennon), plus a handful of other artists including Dion, Cher and the Ramones.

pre-order now01.08.2022

expected to be published on 01.08.2022

ERIC DOLPHY - OUT THERE LP

Eric Dolphy

OUT THERE LP

12inchNOTLP337
Not Now Music
01.08.2022

Multi-instrumentalist and Composer Eric Dolphy made a significant impact in the
world of Jazz over a period of half a dozen years running from 1958 until his
untimely death in 1964. He took part in many of the great recording sessions, both
as a leader and sideman, that moulded the sounds and outlook for modern Jazz
as it developed over subsequent decades. In addition, in his superior hands, he
gave a voice to the under-used Bass Clarinet – as heard on both the tracks
Eclipse and Serene, eventually taken up by equally adept Reedmen, and his Flute
playing became a model for those looking to expand the range of the instrument.
Examples of his leadership and fluidity as a Flautist are featured on 17 West and
Sketch of Melba where he shapes the character of both compositions. 1960
became his breakthrough year as Prestige Records gave him the chance to record
under his own name which resulted in 1961’s Out There. Dolphy emerges on this
album as a fully-fledged Modernist. His technique is impressive but the emotional
commitment he brings to the music is equally striking

pre-order now01.08.2022

expected to be published on 01.08.2022

Various - Himalaya Collective - Latawce

We have two versions (two different covers) - black vinyl or multicolor, limited, hand nubered (111 copies) vinyl.

Two years after the well-received compilation "Nebula," Himalaya Collective (probably the largest team of beatmakers in Poland) returns with another release. This time the Himalayan section of 24 producers (and some exceptional guests from outside the collective) will take us on a journey into the skies. On "Latawce" (which means "Kites" in English), we will hear 24 tracks with one goal in mind - to allow a maximum two-minute flight. The premiere (not accidentally) will take place on the 1st day of summer.

The sound of each Kite has been colored thanks to the excellent mastering done by Eprom. The album's vinyl version was made in two options and with two different covers. @Eloprzemi is responsible for the design of the classic version, and the cover of the limited surprise vinyl was designed by Gbur. The limited edition is hand-numbered (111 copies), and the surprise is worth emphasizing the different colors of each vinyl! Crazy Action! Great album! The perfect soundtrack for the summer holidays 2022!

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Last In: 3 years ago
DoomCannon - Renaissance LP

DoomCannon presents a meticulously crafted debut album ‘Renaissance’ available on a 12” LP vinyl, CD and digital formats on 15th July 2022. Journeying through an awakening and reimagining of the young Black British experience. Sequentially moving through a rich breadth of soundscapes, ‘Renaissance’ signifies the birth of a new era in DoomCannon’s trajectory. Inspired by an accumulation of experiences over the past four years and defined by significant events like the global pandemic to the worldwide outcry of the Black Lives Matter movement in the summer of 2020.

The album has garnered early support from Gilles Peterson & Tom Ravenscroft at BBC 6Music, Jazz FM, Worldwide FM, NTS, Rinse France, FIP, Radio Nova plus features on Spotify & Apple. Almost 130K combined streams on Spotify alone for his first two singles ‘Amalgamation’ & ’Times (feat. Lex Amor)’.

DoomCannon spearheaded a plethora of forward-thinking, improvised Jazz-inspired outfits (Project Karnak, Triforce) and is the Musical Director of award-winning vocalist, Celeste, performing live at the Brit Awards and Later with Jools Holland. He presented his solo project at Abbey Road Studios & was selected via Jazz Re:freshed as part of the SXSW/ British Council collaboration. Invited to curate sessions at the legendary Ronnie Scotts, DoomCannon is set to hit numerous stages, including his debut headline show at Peckham Audio, the Worldwide Awards, World Island Festival & We Out Here this Spring/Summer.

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Last In: 3 years ago
Bontan - Gold Teeth

Bontan

Gold Teeth

12inchHOTC193
HOT CREATIONS
01.08.2022

Long-established house talent Bontan makes a much-anticipated return to Hot Creations in June. Gifting us with the two-track Gold Teeth, it showcases the UK-native at his best and continues a standout 2022 that has already seen him release on Hot Since 82’s Knee Deep In Sound last month.

Shamanic-like drums create a hypnotic sensibility right from the word go, as we’re graced with echoing vocals on Gold Teeth. There’s an air of tribalism throughout via shimmering maracas and rhythmic hi-hats, before Heart Shaped Leaf takes on a techy edge. Cow bell-esque percussion undulates beneath a low-slung bassline whilst spacey lyrics repeat nearby, forming a peak-time, club-ready cut.

Since first bursting onto the circuit in 2015, Bontan has become one of the best-selling acts on Beatport, a winner at the prestigious DJ Awards and has firmly cemented himself in the underground house scene. He has released on labels such as Crosstown Rebels, Defected and Origins and remixed for artists including Groove Armada, Booka Shade, Melé and Yousef. He kicked off 2022 with a remix of Agenda for Lazarusman, which reached Number 3 in Beatport’s Afro House chart, as well as releasing Stutterman on Club Bad. His releases this year have received support from Jamie Jones, Skream, Eats Everything, Agoria and Chris Lake to name a few, a testament to Bontan’s keen ear for production.

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Last In: 10 months ago
Kanda Bongo Man - Kekete Bue

'Kekete Bue' is the first new album from legendary Congolese musician Kanda Bongo Man since 2010, and his first vinyl release in over two decades.

The master of soukous, the infectious and uptempo guitar-driven music from the Democratic Republic of the Congo, Kanda's latest album features new tracks alongside reinterpretations of some of his classic songs.

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Last In: 3 years ago
Sp@sms - From A 20th Century Box

Sp@Sms

From A 20th Century Box

Cassette9UTRQDM24
U-Trax
01.08.2022

Dutch pioneer Sp@sms returns to U-TRAX with 'From A 20th Century Box' LP, backed with remixes from Bloody Mary and Cosmic Force

On 'From the 20th Century Box' Arno Peeters, aka Sp@sms, returns to U-TRAX with his debut full-length album. Showcasing years of sonic exploration stemming from his time in various groups including Random XS and Voltage Control amongst others, the LP also draws from his experience studying and teaching music at the Centre for Electronic Music as well as his work in project-based sound design.

Filled to the brim with pulsating arpeggios, crunchy drums and dark, moody atmospheres, the LP is marked by a retro yet timeless feel. Inbetween its snaking, squelchy synth lines and old school electro grooves Sp@sms masterfully incorporates playful textures and elements from found recordings and unused projects, resulting in a vastly versatile and experimental album fusing all things techno, acid and EBM.

An expert lesson in sound design and composition taught by one of the Netherlands' most trusted and experienced artists, the LP also contains remixes from Dame Music's Bloody Mary and Utrecht electro stalwart Cosmic Force and arrives via heavyweight, colored double vinyl, digital, CD and cassette mediums.

As is typical for a U-TRAX release, each physical version has its own set of tracks. The vinyl and CD versions also come with a in-depth interview with Arno Peeters, as well as extensive background notes for each track (on the album's inner sleeves and a 24 page booklet, respectively).

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Last In: 3 years ago
Stella Donnelly - Flood
also available

Red Vinyl

Cassette


Like the many Banded Stilts that spread across the cover of her newest album, ‘Flood’, Stella
Donnelly is wading into uncharted territory. Here, she finds herself discovering who she is as
an artist among the flock, and how abundant one individual can be.
 ‘Flood’ is Donnelly’s record of this rediscovery: the product of months of risky experimentation,
hard moments of introspection, and a lot of moving around.
 Donnelly’s early reflections on the relationship between the individual and the many can be
traced back to her time in the rainforests of Bellingen, where she took to birdwatching as both a
hobby and an escape in a border-restricted world. By paying closer attention to the natural
world around her, Donnelly recalls “I was able to lose that feeling of anyone’s reaction to me. I
forgot who I was as a musician, which was a humbling experience of just being; being my small
self.”
 Reconnecting with this ‘small self’ allowed Donnelly to tap into creative wells she didn’t know
existed. Soon songs were coming to her in a way she could not control and over the coming
months, Donnelly accumulated 43 tracks as she moved out of Bellingen and around the
country, often finding herself displaced due to border restrictions and a tough rental market.
 Though the writing of ‘Flood’ was an intensely personal undertaking, Donnelly still saw the
recording process as one of her most collaborative projects yet. Along with her band members,
co-producing the record beside Anna Laverty and Methyl Ethyl’s Jake Webb helped to foster
an important spontaneity in the studio. With Webb, Donnelly could “dig in” and discover a
“forward-leaning sound” she’d been searching for, while Laverty’s ability to “capture the piano”
and discern the “perfect take” allowed the songwriter to take risks, many of which have clearly
paid off.
 Looking back at the Banded Stilt, Donnelly ultimately appreciates how when “seen in a crowd
they create an optical illusion, but on its own it’s this singular piece of art.” While each song in
‘Flood’ is a singular artwork unto itself, the collective shares all of Stella Donnelly in abundance:
her inner child, her nurturing self, her nightmare self; all of herself has gone into the making of
this record and, although it would take an ocean to fathom everything she feels, it’s well worth
diving in

pre-order now01.08.2022

expected to be published on 01.08.2022

Stella Donnelly - Flood

Stella Donnelly

Flood

12inchSC432LP-C1
Secretly Canadian
01.08.2022
also available

Black Vinyl

Cassette


Like the many Banded Stilts that spread across the cover of her newest album, ‘Flood’, Stella
Donnelly is wading into uncharted territory. Here, she finds herself discovering who she is as
an artist among the flock, and how abundant one individual can be.
 ‘Flood’ is Donnelly’s record of this rediscovery: the product of months of risky experimentation,
hard moments of introspection, and a lot of moving around.
 Donnelly’s early reflections on the relationship between the individual and the many can be
traced back to her time in the rainforests of Bellingen, where she took to birdwatching as both a
hobby and an escape in a border-restricted world. By paying closer attention to the natural
world around her, Donnelly recalls “I was able to lose that feeling of anyone’s reaction to me. I
forgot who I was as a musician, which was a humbling experience of just being; being my small
self.”
 Reconnecting with this ‘small self’ allowed Donnelly to tap into creative wells she didn’t know
existed. Soon songs were coming to her in a way she could not control and over the coming
months, Donnelly accumulated 43 tracks as she moved out of Bellingen and around the
country, often finding herself displaced due to border restrictions and a tough rental market.
 Though the writing of ‘Flood’ was an intensely personal undertaking, Donnelly still saw the
recording process as one of her most collaborative projects yet. Along with her band members,
co-producing the record beside Anna Laverty and Methyl Ethyl’s Jake Webb helped to foster
an important spontaneity in the studio. With Webb, Donnelly could “dig in” and discover a
“forward-leaning sound” she’d been searching for, while Laverty’s ability to “capture the piano”
and discern the “perfect take” allowed the songwriter to take risks, many of which have clearly
paid off.
 Looking back at the Banded Stilt, Donnelly ultimately appreciates how when “seen in a crowd
they create an optical illusion, but on its own it’s this singular piece of art.” While each song in
‘Flood’ is a singular artwork unto itself, the collective shares all of Stella Donnelly in abundance:
her inner child, her nurturing self, her nightmare self; all of herself has gone into the making of
this record and, although it would take an ocean to fathom everything she feels, it’s well worth
diving in

pre-order now01.08.2022

expected to be published on 01.08.2022

Stella Donnelly - Flood

Stella Donnelly

Flood

CassetteSC432CASS
Secretly Canadian
01.08.2022
also available

Black Vinyl

Red Vinyl


Like the many Banded Stilts that spread across the cover of her newest album, ‘Flood’, Stella
Donnelly is wading into uncharted territory. Here, she finds herself discovering who she is as
an artist among the flock, and how abundant one individual can be.
 ‘Flood’ is Donnelly’s record of this rediscovery: the product of months of risky experimentation,
hard moments of introspection, and a lot of moving around.
 Donnelly’s early reflections on the relationship between the individual and the many can be
traced back to her time in the rainforests of Bellingen, where she took to birdwatching as both a
hobby and an escape in a border-restricted world. By paying closer attention to the natural
world around her, Donnelly recalls “I was able to lose that feeling of anyone’s reaction to me. I
forgot who I was as a musician, which was a humbling experience of just being; being my small
self.”
 Reconnecting with this ‘small self’ allowed Donnelly to tap into creative wells she didn’t know
existed. Soon songs were coming to her in a way she could not control and over the coming
months, Donnelly accumulated 43 tracks as she moved out of Bellingen and around the
country, often finding herself displaced due to border restrictions and a tough rental market.
 Though the writing of ‘Flood’ was an intensely personal undertaking, Donnelly still saw the
recording process as one of her most collaborative projects yet. Along with her band members,
co-producing the record beside Anna Laverty and Methyl Ethyl’s Jake Webb helped to foster
an important spontaneity in the studio. With Webb, Donnelly could “dig in” and discover a
“forward-leaning sound” she’d been searching for, while Laverty’s ability to “capture the piano”
and discern the “perfect take” allowed the songwriter to take risks, many of which have clearly
paid off.
 Looking back at the Banded Stilt, Donnelly ultimately appreciates how when “seen in a crowd
they create an optical illusion, but on its own it’s this singular piece of art.” While each song in
‘Flood’ is a singular artwork unto itself, the collective shares all of Stella Donnelly in abundance:
her inner child, her nurturing self, her nightmare self; all of herself has gone into the making of
this record and, although it would take an ocean to fathom everything she feels, it’s well worth
diving in

pre-order now01.08.2022

expected to be published on 01.08.2022

Third Eye Blind - A Collection LP (2x12")

Third Eye Blind

A Collection LP (2x12")

2x12inch081227882044
Elektra
31.07.2022

Zur Feier ihres 25-jährigen Bandjubiläums veröffentlichen
Third Eye Blind am 15. Juli ihre Greatest Hits Compilation
A COLLECTION aus dem Jahr 2006 als Doppel-LP. Die
19 Tracks des Sets, das erstmals auf Vinyl erhältlich ist,
wurden aus den ersten drei Studioalben der Altrocker
(1997-2003) ausgewählt und enthalten ihre größten
Singles, gemischt mit ein paar Raritäten und
Fan-Favoriten.

Das Debüt der Band wurde in den USA sechsmal mit
Platin ausgezeichnet und hielt sich mehr als 100 Wochen
in den Billboard 200. Die erste Seite von A COLLECTION
enthält alle fünf Singles des Albums, darunter "How's It
Going To Be", "Graduate" und "Semi-Charmed Life", die
meistverkaufte Single der Band. Der Song wurde im Juli
1997 veröffentlicht und erreichte im August die Spitze der
Modern Rock-Charts (Platz 4 Pop). Später im Jahr wurde
die Single mit Gold ausgezeichnet und bei den Billboard
Music Awards zum Modern Rock Track of the Year
g

pre-order now31.07.2022

expected to be published on 31.07.2022

An-i - Gutz EP

An-I

Gutz EP

12inchCITI015
CITITRAX
31.07.2022

restock

Cititrax present the follow-up to An-i's Kino-i debut 12', released at the start of the year. The record is pressed on 160 gram fluorescent magenta orange vinyl and housed in a high gloss grey Pantone sleeve. TIP!!!
An-i continues his love affair with electronics offering us three distinct slabs of throbbing machine funk. The opening track Gutz is a dense mutant high energy number, modern yet timeless. Rut, the first track An-i recorded whilst still living in New York and the first one to catch our attention, opens the B side with a massive dose of syncopated teutonic mayhem, spacier and sparser than the rest. Save Us completes the release with an anthem of dirty warehouse techno.

out of Stock

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Last In: 3 years ago
Barney Kessel, Shelly Manne & Red Mitchell - Hampton Hawes - Four!

This series highlights gems from Contemporary's extraordinary catalogue and features artists who both defined and expanded the sound of West Coast jazz.

Guitarist Barney Kessel, drummer Shelly Manne, bassist Red Mitchell, and the supremely soulful Hampton Hawes, one of jazz's most appealing yet unsun pianists, fill out the quartet scorecard of the 1958 release Four!. Although much later in his career Hawes experimented with electronic keyboards and fusion music, at heart he was a bebopper, as this session makes abundantly clear.

With material like Charlie Parker's "Yardbird Suite," his own "Up Blues," and Red Mitchell's "Bow Jest" (on which Mitchell plays his first recorded bowed solo), Hawes is at a creative peak here. Kessel, who played on the date, paid tribute to Hawes' "inexhaustible ideas on the blues…no one else in modern jazz plays the blues better." And nobody could tie a rhythm section together better than Shelly Manne, the fourth party in this boundingly energetic Four!

pre-order now31.07.2022

expected to be published on 31.07.2022

DELROY WILSON - CAPTIVITY

Delroy Wilson was one of Jamaica's most soulful vocalists, and over a 40-year career the singer unleashed a flood of hits and a multitude of masterpieces. Born on October 5, 1948, in the Kingston neighborhood of Trenchtown, Wilson's phenomenal talent would be his ticket out of the ghetto, and his discovery by producer Coxsone Dodd in 1962 would change the path of Jamaican music. Released on Big Shot in 1973 and produced by Bunny Lee, 'Captivity' is one of the true classics from Delroy's discography, back on vinyl for the first time since its original release.

pre-order now30.07.2022

expected to be published on 30.07.2022

Voivod - Forgotten In Space (Boxset)

Voivod

Forgotten In Space (Boxset)

6x12"-Vinyl4050538699326
Warner UK
29.07.2022

It’s been an exhilarating 40-year ride for Voivod, the Jonquière, Quebec quartet that has, over the years, defied the odds, faced tragedy head on and also seen the band rise above many of the contemporaries to a point where the band’s intricate progressively fuelled heavy metal sound also brings with it honours and awards. The 2018 Voivod album, ‘The Wake’, won the band a Juno Award for Heavy Metal Album of The Year, while the previous year Away had picked up the Visionary Award at that year’s Progressive Music Awards in London.

The music contained in this set proves that Voivod were very much pioneers of the sound, as their own music became more refined and experimental. You can hear the development of the band’s sound over the three albums contained here (Rrröööaarrr, Killing Technology & Dimension Hatröss). In the five year span from 1984’s ‘War And Pain’ debut to 1989’s ‘Nothingface’, Voivod forged a defiant progressive metal sound that they would expand upon with later albums and ensure that they are one of the most exhilarating metal bands in existence today. ‘Forgotten In Space’ is a deluxe celebration of Voivod’s, Noise Records discography and is the definitive collection of their recorded work plus rare and previously unreleased material.



Includes :

- Includes following 5 Albums:

Rrrröööaaarrr
Killing Technology
Dimension Hatröss
Dimension Hatröss – The Demos
No Speed Limit Weekend ‘86

- Chaosmongers - DVD (Containing a mini documentary plus a previously unseen concert from 1987 and an audio recording of the legendary WWIII show from 1985.)

- 12” x 12”, 40 page book of photography, and brand new interviews with founding member Michel ‘Away’ Langevin. Contains a vast array of previously unseen photos from the era.

- ‘Körgull’ f¬igurine USB drive containing MP3

pre-order now29.07.2022

expected to be published on 29.07.2022

Lasse Marhaug - Context

Lasse Marhaug is one of those characters that operates at the nexus of so much stuff that’s important to us here - working as a producer (over the last couple of years alone he’s helped shape albums by Jenny Hval, Kelly Lee Owens, Okkyung Lee, Hillary Woods etc etc), a mastering engineer (far too many releases to mention), a prolific sleeve designer (likewise), publisher (his occasional Personal Best magazine is still going strong) and, perhaps most importantly - a recording artist in his own right. ‘Context’ is his most substantial release in years - a crushing assembly of bone-dry/darkside drone/machine malfunctions that’s bursting with a visceral, throbbing, mass of feeling. If yr into anything on the spectrum from Mika Vainio to Grouper to Kevin Drumm or Deathprod - this one’s as good as it gets

Over almost three decades of activity, Marhaug has carved out notoriety as a solo performer, a prolific collaborator (working with everyone from Sunn O))) to Jim O'Rourke) and as a busy producer, who's notched up credits on some of the most striking-sounding albums of the last few years. This new album was created as a swan song for the infamous Oslo studio that he's inhabited for 17 years, prior to his move back to the Arctic Circle where he originally came from. Recorded over a 14-month period and painstakingly edited from hours upon hours of material, it might just be the most impressive, moving record we’ve heard from him so far.

The interplay between piercing softness and deafening noise is the key to "Context", displaying a philosophy Marhaug has been exploring for years. Few other artists are able to balance chaos and harmony with such ease; Marhaug does it without grandstanding, it's music that sounds as simultaneously beautiful and as daunting as the Arctic landscape he's returning to. At any moment a sound can be alluring or treacherous, like the frozen sun reflecting on a snowy mountaintop. Marhaug's deftness with rhythm and bass emerges on 'Context 3', as he pairs Vainio-esque low-end pulses with crumpled noise and widescreen tones; as disquieting music-box chimes absorbed into the blasted soundscape on 'Context 5', while we're thrust into the freezing cold on 'Context 6', subjected to punctuating gusts of white noise and trapped string loops.

Trust it’s a rare and near-mythical beast, conjuring vast, treacherous soundscapes illuminated with pangs of sentiment that naturally weave strands of his non-musical practice in their psychosensual lustre and gritty attrition. As he steps into a new phase of his career, we're left with a concluding chapter that stands as a summation and open-ended post-credits reveal.

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Last In: 3 years ago
Tangerine Dream - Strange Behavior - Original Motion Picture Soundtrack

First-ever release of this legendary Tangerine Dream score from 1981 (aka Dead Kids).

Gatefold packaging / Green (Streaked Lime Green) Color Vinyl. (

Please check allocation with your rep.

It's never been available on any format until now! For this release, we dug out the original tapes and had them digitized and they sound incredible.

Such an atmospheric masterpiece and we are honored to be releasing it. This has been on many TD fans' wish lists for years and years.

pre-order now29.07.2022

expected to be published on 29.07.2022

Wolfhounds - Bright and Guilty 2x12"

Deluxe reissue of their 1989 sophomore album pressed on pale blue colour vinyl.
Presented in a gloss laminated gatefold sleeve, which features the original LP plus a bonus disc with all the A and B sides, some compilation tracks and an outtake, plus a 12-page booklet containing previously unpublished lyrics and tons of contemporary reviews and photos.
Completely remastered for your listening pleasure.
In 1989, while the musical world was fêting serial-killer worshipping noise bands, white boys with dreadlocks and the first glimmers of techno, one band – The Wolfhounds – was describing the times and the country exactly as they were. Or at least as they saw it.
Well, not exactly. The privations of finding enough money to live on, a semi-permanent roof over your head and perhaps the hope of real change were all there in the lyrics along with the multitudinous shards of ideas in the music, both raging and reflective – but there was also a sense of magical realism and authentic personal circumstance imbued in it all.
Formed as a frantic noisy fusion of sixties garage and independent post-punk in Romford in 1984, by 1986 it was the band’s misfortunate to be corralled with the jangly and quirky bands of the era-defining C86 tape, given away free with the NME that year. The frustration of being lumped with the lumpen was already spilling over into a heightened creativity that would see the band release three LPs in 18 months, the first and perhaps most fully realised of which was Bright & Guilty.
The band’s sense of melody saw three singles taken off it, and all received plentiful radio play that resulted in enthusiastic audience responses when the band toured with My Bloody Valentine and the House of Love shortly after the LP came out. This renewed attention also saw them being threatened with legal action by the food company satirically targeted by one of the singles – Happy Shopper.
The band’s magpie listening habits also saw the first glimmers of an interest in sampling with the track Cottonmouth, hip hop in the drum rhythms of Invisible People and Son of Nothing, discordant post- hardcore in Non-specific Song and even percussive hints of Tom Waits’ Rain Dogs in Charterhouse.
The album’s lyrical themes have sustained the relevance of these 30-something year-old songs. The dictatorship of the class system over the economy is touched on in Charterhouse, the unfairness of housing policy in Rent Act and Red Tape Red Light, the desperation of not having enough money to even seek employment in Useless Second Cousin. But there is contemplation and mystery, too: Rope Swing’s nostalgia for pre-teen childhood, Invisible People’s detailing of intangible weaknesses.
Of all their peers, The Wolfhounds post-C86 output stands up straight and proud, and you’ll find echoes of their sound in Fontaines DC, Idles and many others – but not performed with the brashness, vigour and uniqueness of the originals.

pre-order now29.07.2022

expected to be published on 29.07.2022

Ani DiFranco - Living in Clip (25th Anniversary) LP 3x12"

Living In Clip (25th Anniversary Edition) Newly remastered for vinyl + cd in deluxe packaging. This landmark double album by Ani DiFranco, features her trio from 1995-1996 with Andy Stochansky (drums) and Sara Lee (bass). Twenty-five years later the album is recognized as a point of entry that radically expanded DiFranco’s audience, and a historically important testament to the relationship between Ani as a live performer and the devoted community she created with her fans. If there was ever a record to help you pull through until the next time the Folksinger makes her way to your town, Living In Clip is the one. Affectionately named after the state of stage amps about to blow out, the record is constructed like a show complete with the onstage humor and antics we love. The culmination of years of studio work and constant touring, Living In Clip is a tour in itself: nearly two-dozen venues provide the atmosphere for over two hours of music complete with intermission and encore. Recorded straight from the soundboard on an 8 track ADAT, digital videotape and mixed by Ani and Andrew Gilchrist – Living In Clip is conceptually designed to preserve the authenticity and pulse of a live show. There are jazzy folkalicious renditions of "Letter to A John," "Fire Door," "Diner" and "Anticipate." Amusing and sweet snippets are interwoven throughout the songs and sometimes during them - "Out of Habit" harbors a little cinematic glimpse into Ani's first days in New York City. This dynamic collection also offers The Buffalo Philharmonic Orchestra playing on "Both Hands" and "Amazing Grace" at a hockey arena as well as a phenomenal version of "Shy," that was nominated for a Grammy for Best Rock Vocal Performance – Female (or whatever). Living In Clip is also considered one of Rolling Stone Magazine's essential albums of the 90's. Living In Clip includes a beautiful photo gallery that contains pictures of the sparkling faces, questionable attire and unique persons behind the road show.

pre-order now29.07.2022

expected to be published on 29.07.2022

Kuolemanlaakso - Kuusumu

Kuolemanlaakso

Kuusumu

12inchSVART309LP
Svart Records
29.07.2022

Finnish Death Doom spearhead Kuolemanlaakso, starring vocalist Mikko Kotamäki, are about to release their first album in eight years. The new album Kuusumu was produced by V. Santura, who also took responsibility for producing the band’s previous records. In addition to his studio works, Santura is known as the guitarist of Triptykon and Dark Fortress. Kuusumu is the band’s fourth full-length album, and it will be out in 2022 via Svart Records. “The recording pause got unnecessarily long, but there’s no rush in doom. It was great to get back to work with the folks and catch up with some good friends as well. Kuusumu’s keyboards were played by Aleksi Munter (Swallow the Sun, Insomnium, Ghost Brigade) and Lotta Ruutiainen (Luna Kills) performed female vocals on the album. In my opinion we took many steps forward on Kuusumu”, guitarist-songwriter Laakso says. Kuusumu's texts are loosely based on the sudden global cooling that began in 535, leading to a 10-year winter, loss of crops, mass deaths of cattle and other animals, and famine. Climate change was most likely caused by massive volcanic eruptions, the fog of which darkened the sun for one and a half years, causing intolerable cold. Moreover, the plague pandemic that began in the Byzantine Empire in 541 swept across Europe, killing tens of millions of people during the climate crisis. “Our previous releases are autumn albums, so this time we decided to make a winter album. I came across the literature about those catastrophic events by chance, and got thoroughly inspired - especially by contemporary stories. It wasn’t long until the album material was there already. It’s spine-chilling to think that deadly climate change and a pandemic also raged 1,500 years ago when medicine, information flow and living conditions were in their infancy. There was no knowledge about electricity, for example. People imagined that the gods are angry and the darkness is eternal. One way or another, the power of nature should still not be underestimated,” says the band's artistic director Laakso. On Kuusumu, Kuolemanlaakso stretch their artistic boundaries even further. The album contains the familiar slow heaviness, but also more epic, faster and more polished material. The first single Katkeruuden malja, featuring Lotta Ruutiainen, represents the catchier and lighter side of the album. “Katkeruuden malja draws its inspiration from grief and misery. Musically it trips almost in the landscapes of Tribulation, but with longing, Kalevala-infused and, in my opinion, very Finnish melodies. Regarding singing, Kotamäki introduces new winds, and Lotta's parts really top it all off. The music video is like a visual extension of the cover art and the album’s lyrical themes, ” Laakso comments. The previous Kuolemanlaakso record Tulijoutsen (2014), reached the 10th place on Finland's official album list and was selected as one of the best records of the year on Soundi, Rumba, Kaaoszine and Imperiumi, among others.

pre-order now29.07.2022

expected to be published on 29.07.2022

Creux Lies - Goodbye Divine

Creux Lies

Goodbye Divine

12inchFREAK0043
Freakwave
29.07.2022

Following the release and subsequent year of our first album, "The Hearth," we began nurturing some new compositions for a second release. This process began similar to the first album, each of working us separately on songs, then bringing the bones, veins, and skin of a track to the rest of The Creux to fully animate. We were all taking off in a lot of directions, which tends to lend greatly to our dynamic sound once harnessed, and it was a good departure after playing "The Hearth" tracks live for two years straight during tours and festivals. We ended up with around 25 or so song frames and delighted that list down to about 12 to lay into. Then, the pandemic hit. We were all separated into our own bubbles, trying to make responsible choices on how to continue writing and recording this record promptly as we had just penned a deal with our new label Freakwave; with a target of releasing sometime in 2020. It was a pretty challenging endeavor for a band that typically relies on each member to bring greatness to the sound. We began experimenting with using virtual jam sessions and shipping files to each other. Luckily, we are all decent home sonic production creators so creating and flying around edits and changes over the months leading up to our time in the studio wasn't tricky. Around the end of Summer 2020, we finally had the demo tracks prepped enough to start working with our engineer and producer, Patrick Hills of Earthtone Studios. He worked with us on our last album and is sort of a special weapon of creativity for what we can pull off. We would send in one member at a time to lay down studio versions of the finals in a separate room from Mr. Hills; mask on, the whole nine. We would fly out the takes each day and make edits, rinse, and repeat. It was tedious and was pretty trippy to make a record in that manner. "Goodbye Divine" took almost a year to finish recording and mixing. So, here we are, in the Summer of 2021, and it is complete and ready for release this October. Expect both departures and arrivals of what you might have predicted following "The Hearth." Yet, this album does, in true Creux Lies fashion, offer a complete range of emotions throughout the album; prepare to find yourself ass shaken, and watery-eyed before you raise the needle on "Goodbye Divine."

pre-order now29.07.2022

expected to be published on 29.07.2022

John Frusciante - The Empyrean (10 Year Anniverssary Issue) LP 2x12"

Repress of the 10 year anniversary vinyl reissue of “The Empyrean” By John Frusciante cut for the original analog tapes at Bernie Grundman’s mastering. includes hi res audio download card. THE EMPYREAN is the eighth solo album by JOHN FRUSCIANTE. It was originally released in January of 2009, reaching number 151 on the US Billboard 200, 105 on UK Albums Chart and number 7 on the Top Heatseekers. It contains contributions from RHCP bandmate FLEA and former guitarist of The Smiths Johnny Marr. John Frusciante is an American guitarist, singer, composer, and producer. He is best known as the guitarist of the rock band Red Hot Chili Peppers. He recorded five studio albums with them and was recently inducted into the ROCK & ROLL HALL OF FAME. Frusciante has an active solo career, having released twelve solo albums and five EPs; his recordings include elements ranging from experimental rock and ambient music to new wave and electronica. He has also recorded with numerous other artists, including the Mars Volta, for whom he was a studio guitarist (and occasional live performer) from 2002 until 2008; Josh Klinghoffer and Joe Lally, with whom he released two albums as Ataxia; and various collaborations with both Klinghoffer and Omar Rodríguez-López. He has also produced and/or recorded with Duran Duran, Wu-Tang Clan, Swahili Blonde, Black Knights, The Bicycle Thief, Glenn Hughes, Ziggy Marley, Johnny Cash, George Clinton, Johnny Marr, Dewa Budjana and others.

pre-order now29.07.2022

expected to be published on 29.07.2022

Phillip Smart Meets The Aggrovators At King Tubbys - Phillip Smart Meets The Aggrovators At King Tubbys

Phillip Smart was one of the great engineers to learn his trade as understudy to the legendary dub master himself Osbourne'King Tubby'Ruddock.
Alongside other luminaires such as Prince Jammy and Scientist,Phillip Smart would step in at the controls when demand for King Tubby studio dubs grew to such an extent that each single release was expected to carry a version/dub flipside.
Phillip Smart moved to the United States in the late 70's and in 1981 opened his successful studio HC&F,Long Island,New York.It produced some sizeable Jamaican Dancehall hits for his two record labels TanYah and Eclipse.
Tracks like Dirtsman's 'Hot This Year' and 'Rikers Island' and most notably artist Shaggy used the studio to work up his massive hits 'Oh Carolina','Big Up' and 'Angel'.
But it's in the heady days of the early 1970's and up to 1976 that we concentrate on for this release.When Version was King and Prince Phillip Smart was at the controls mixing up some fine dubs with Jamaica's finest musicians The Aggrovators.
Working some of producer Bunny'Striker'Lee's rhythms in fine style....hope ypu enjoy the set......

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Last In: 10 years ago
NINEY THE OBSERVER - DUBBING WITH THE OBSERVER
  • A1: Rebel Dance
  • A2: Casanova Dub
  • A3: Silver Bullet
  • A4: Rasta Locks
  • A5: Dubbing With The Observer
  • A6: Sir Niney’s Rock
  • B1: Jam Down
  • B2: Parade Dub
  • B3: Youth Man
  • B4: Turntable Dub
  • B5: Corn Man
  • B6: Mister D Brown Skank
  • B7: Rema Dub

REPRESS

Niney the Observer’s first dub album ‘Dubbing With The Observer’ was cut at King Tubby’s Studio with Tubby
himself reworking Niney’s rhythms and adding his magic as only he could do.

Niney The Observer (b. Winston Holness, 1951 Montego Bay, Jamaica) by the early 70’s had forged a successful working partnership with singer Dennis Brown cutting some of his best songs adding a more rootsy element to the singers sound. Songs like ‘Westbound Train’, ‘No More Will I Roam’, ‘I Am the Conqueror’ to name but a few. Also
cutting a hit for Ken Boothe ‘Silver Words’ and two other singers that Niney had grown up with, Max Romeo ‘That Was Love’ and Delroy Wilson ‘Halfway Up The Stairs’. It was these tracks and a few other Dennis Brown worked rhythms, that Niney took to King Tubby’s studio at 18 Drumilly Avenue, Kingston 11, with the intention to let Tubby remix and enhance the rhythms Tubby Style.

The result was to be Niney’s first Dub album the mighty ‘Dubbing with the Observer’. On completion it was sent to London and it was then released on Trojan records and named Dub album of the Year. We are proud to put that album back out there for all to hear, what has now become a dub classic.

Hope you enjoy the experience………….

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Last In: 5 years ago
Emperor - Anthems To The Welkin At Dusk LP

Irgendwann kommt die Zeit, in der der Hype um eine Band überflüssig wird, und allein ihr Status Bände spricht. Das ist der Fall bei Emperor, den Black-Metal-Göttern aus dem norwegischen Telemark. Emperor ist als einer der Begründer des symphonischen Black Metal bekannt geworden, für den Norwegen international bekannt ist. Der gesamte Backkatalog der Band wurde von Turan Audio unter vollständiger Anleitung der Band neu gemastert. Außerdem wurden die Alben in den berühmten Abbey-Road-Studios auf Half-Speed-Master neu eingespielt, wobei alle Vinyl-Kunstwerke sorgfältig so restauriert wurden, wie sie ursprünglich von ”Dan Capp” Design und Illustration entstanden.

pre-order now29.07.2022

expected to be published on 29.07.2022

ORBITAL - 30 SOMETHING 4x12"

Orbital

30 SOMETHING 4x12"

4x12inchLMS5521698
London Recordings
29.07.2022

Deluxe cardboard box cmyk+special panton UV Matt,
4 x 180 G vinyl boxset each in a dedicated vinyl sleeve cmyk+ special panton ,matt uv. 12’’ x 12’’ fold out booklet with new sleeve notes by Andrew Harrison. Plus exclusive ’30 Something’ Slip Mat !

Orbital missed their actual thirtieth anniversary due to lockdown, but it gave Paul and Phil pause to think and find a way to celebrate their past that was actually about the future. Unlike other Best Of’s, the ‘30-Something’ album contains reworks, remakes, remixes and re-imaginings of landmark Orbital tracks based on the duo’s unrivalled live show. Satan, The Box, Impact, Belfast and more appear in new 30-something guises, familiar yet new, time reversing, yesterday becoming tomorrow. Plus new track ‘Smiley’ Also including remixes from Yotto, ANNA, Jon Hopkins, Dusky, Joris Voorn, Logo 1000, Eli Brown, Shanti Celeste and more.
Deluxe 4x 180 Grs Vinyl Boxset , with Slip Mat & 12’’x12’’ Booklet. / 2 X CD edition .

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Last In: 2 years ago
Jazzrausch Bigband - Emergenz LO

Jazzrausch Bigband

Emergenz LO

12inchACTLP99541
ACT
29.07.2022
 
15

Jazzrausch Bigband stands for a truly unique concept: jazz meets techno meets big band.

After the powerful, song-like album ‘techné’ from 2021, which featured a cast of prominent musical guests, new release ‘Emergenz’ focuses on the core line-up of the band. And a more subtle, yet broader approach, which incorporates elements of minimal music, drum & bass, literature and stronger jazz influences without giving up the
trademark of the band; pulsating grooves and powerful horn arrangements.

When comparing ‘Emergenz’ with earlier albums, what is most striking is how the band’s expressive palette has become even more differentiated and refined. The moments when the energy levels are
at their highest are still dominated by techno jazz, which is only to be expected, but, in between, the regular four-on-the-floor pulse of the bass drum is increasingly suspended, so there are sections
where the forward momentum comes from intricate interlocked horn parts, or just voices.

pre-order now29.07.2022

expected to be published on 29.07.2022

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