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Last In: 2 years ago
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A true surprise success for Paharas Musica, originally written during the end of the pandemic, 'White Isle Memories' captured the loss of not being able to visit the white isle of Ibiza and combines the producer talents of Ridney & Inner Spirit (aka Richard Earnshaw).
A production aimed at the beach bar culture of the island the production duo are joined by multiinstrumentalist, vocalist and loop pedal extraordinaire Michael Sebastian. In it’s original guise the track has racked up well over 1.3 million streams and in that gained the attention of German producer SOMMA (1.7 million monthly listeners), who was keen to grab the stems and deliver a special 2023 remix.
Adding to the package Ridney’s sunset reprise from his Café Mambo Ibiza DJ sets and Inner Sprits own incredible 2023 remix.
DJ Support:
Mark Knight (support on Kiss FM), Purple Disco Machine, Mousse T, Ken Fan (Café Del Mar), Ryan McDermott (Café Mambo Resident), Hector Romero, Des Mitchell (Radio One Mallorca), Mr V, Lenny Fontana, Loeca, Jazzy M, Dario D’Attis, Danny Rampling, Chad Jackson, Brandon Block, Booker T, Black Legend, David Dunne, Graham Sahara, Lizzie Curious, Martyn the Hat.5
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Boulderhead makes his debut on Natural Frequencies a new imprint from Handy Records.
Four bouncy bass tech house cuts in true Boulderhead form, driving percussion, soaring synths all embellished with trancy textures. Bridging the gaps between House, Techno and Trance.
If that isn't enough for you already Luca Lozano steps in for remix duties, moulding his signature style into a pacey 140bpm stomper.
Having established his name with releases on Craigie Knowes, Small Hours, Running Out Of Steam, Gestalt and more. Were gassed to have Boulderhead on our first record.
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We’ve waited over 20 years and finally Vince Watson is releasing the follow up to his seminal ‘Moments In Time’ album released on Ibadan and Alola, entitled ‘Another Moment In Time’. Over the twenty years since the release of ‘Moments In Time’, Vince has put out more than ten LPs of various flavours. Here he returns to the vibe and feel of those early works. ‘Another Moment in Time’ wastes no time in exploring those rich, melancholic tones with his stunning piano chords and an essence of nostalgia that is both thought provoking and deeply satisfying. This album takes Vince Watson ever further into his original sound but with a pristine quality and finesse that his early work was yet to benefit from.
There are many highlights, from the opener with its rich acid deepness and subtle keys, to the energetic and deeply fulfilling ‘Flashback’ that gives a nod to Funk d’Void’s Diablo or KiNK. ‘Peace Of Mind’ features the incredible talents of the hallowed Underground Resistance ‘Timeline’ keyboard master Jon Dixon as co-writer, this combination of both musicians is an ear to behold; the piano and Rhodes playing is straight up high-tech jazz. ‘Lost In the Deep’ takes its cues from Detroit but hits different with twisting chords and grooves. ‘Whispers’ delivers the most melancholic deepness on the LP, whereas ‘Sunshine’ is pure out and out happiness with its twisting chords and a firm foundation in Detroit. Written on the first sunny day after the winter, you can hear the breath of relief within the track.
‘Rendezvous Finale’ is the 3rd and final version of a cut that’s had a long and satisfying journey. Originally released on Carl Craig’s Planet E in 2006, it was then formatted into Afro House for Osunlade’s Yoruba Records in 2018, and in ‘22 this new version was debuted for Carl Cox’s Birthday at DC10 in Ibiza for Vince’s live set. The reaction sealed the deal! ‘Forever’ and ‘Make A Wish’ are straight up club cuts that featured on a single also in ‘22. The album closes out with the peacefully beautiful ‘Sleep’ that rounds things off to sonic perfection.
20 years is a long time to wait, and it would do ‘Another Moment in Time’ no justice to simply say it was worth the wait. This feels like the next evolution in Vince Watson. The finesse, the musicality, musicianship, and the production levels are of the highest level. ‘Peace of Mind’ and ‘Flashback’ may well be two of the biggest tracks that Watson has released to date.
g D1 Rendezvous Finale
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The first release on deadbeat Records comes in the shape of an EP by Rnbws. Pressed on ltd edition 140g vinyl. Only 300 records pressed. All profits will go directly to the artist for this release.
DJ Support:
Jay Carder
“Rnbws wake up / don’t say a word - sweet Jesus what belters”
Adam Curtain
“Tracks are sounding wicked btw! Will play the A1 for sure, it's a great EP”
Adam Shelton
“DOPE trax! full support on this BOMB!”
Farsight
"Rnbws release is sounding sick! Been playing 5321 and Spinner"
Adam Antine / Dawn Razor
"Great release mates!"
Oldfield
"Sick release - been playing 54321 out loads"
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Here is another mystery from the universe comming straight out from London! Popping up from nowhere, don’t expect any infos about the person behind, it’s a very well kept secret… actually Tutu Ta reached us by telepathy to propose this sensationnal album for Macadam Mambo.
A concentrate of punkish dubby tunes combining ruffness, deepness, darkness, light, humour and serious vocals on very heavy beats and supa loud basslines. It’s raw but so gracefull in the meantime, 12 tracks, 47 min of pure bliss that won’t leave you on your knees, grab it fast it’s high demands style of music
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Ronan lands on nascent X-Kalay sub-label Another Place with renewed focus and a new EP. Musing on personal crossroads, ‘Leaves of Life’ is a highly evocative contemplation on the tides of life. It’s the culmination of a personal arc having sat with the material for six years, further refining the lush, introspective sound that’s characterised his output to date.
The outcome feels similarly unhurried; a pristine, genre-spanning exploration rendered with meticulous attention to detail. Soul-bearing stuff interspersed with words of reassurance through quietly spoken vocals.
The opener strives for utopia. Carried away on a warm current, ‘Song of Surrender’ initiates with a gorgeous unfurling of life-affirming trance that begs repeat immersion. Comparatively direct, ‘Cure for Toxicity’ comes on a breaks-driven flex before a fleeting switch-up into 2-step territory.
Supple groove and jazz modalities fuel airily introspective D&B as we shift focus to title track ‘Leaves of Life’. Then, finally, Ronan closes things out with a ritual purification of sorts. Deploying more breaks but bordering on new age, ‘Sacral Dub’ exudes a soothing, massaging quality with dubby tendencies in full effect.
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After the A/V performance at Up To Date Festival back in 2022, Claudio PRC’s “Unda” project is going to be released as LP on vinyl and digital next September 2023.
Claudio PRC’s upcoming ambient album is a sonic journey through ethereal landscapes and intimate atmospheres. Drawing inspiration from the waves and their movement, “Unda” (in Sardinian native tongue “wave”) evokes a sense of calmness and introspection. Throughout the whole piece, Claudio PRC creates a blend of meticulously crafted organic and synthetic elements that seamlessly integrates together, showcasing his versatility as an artist and his commitment to exploring all facets of electronic music. With its textured layers, this work offers a soothing and reflective musical experience, inviting the listener to escape into a world of contemplation and meditation.
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There's a buzz building around Australia’s Featherstone and his debut EP for the UK's Gated cements his reputation for acidic, emotive electro. These four tracks see the Adelaide-based artist with one eye on the dancefloor and one on pulling as much soul as he can from his gear. This is glassy-eyed stuff, deeply melodic but punchy as hell, with all four tracks hitting hard
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Invisible Inc is back with another remarkable release, this time diving even further into ambient, spiritual and folk-infused psychedelia.
“Mondo Organico”, as the name suggests, is a concept compilation that captures the “organic” side of Invisible Inc. The use of non-electronic instrumentation is a familiar theme explored by the label previously with the likes of Komodo Kolektif, Immaculate Rivombo and Peter Power...but this time the instruments and voices, tranquil and meditatively hypnotic in places, display an even deeper spirituality.
Featuring the talents of Andi Otto and his fello (electronic cello), Anna vs June's ethereal vocals, Tyler Ov Gaia's zoned-out mantra rhythms, Pieter Kock's 8-minute bass and guitar psych odyssey, as well as label favourites Sordid Sound System and Puma & The Dolphin, the record is enthralling and mesmerizing from start to finish - and yet another notch in Invisible Inc's rather idiosyncratic belt.
This record was pressed on eco vinyl. Everything from the sleeve to the inks are recycled too, in an attempt to address some the environmental issues we face today, albeit fractionally.
“Mondo Organico” is the future.
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One In A Million is the second studio album by Aaliyah. First released in 1996 by Blackground Records, the album features production from a variety of producers including Timbaland, Missy Elliot, Carl-So-Lowe, J. Dibbs, Jermaine Dupri, Kay Gee, Vincent Herbert, Rodney Jenkins, Craig King, Darren Lighty and Darryl Simmons. With countless accolades, One In A Million remains as one of the most influential albums in Hip-Hop & R&B and proved to be a major breakthrough in Aaliyah's career. Welcome to the new world of funk.
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Toronto-based producer and DJ Ciel is renowned for a style of dancefloor material that’s as heady as it is visceral. The Xi’an-born artist’s ascendant profile has seen her cutting- edge and club-ready EPs released on UK labels Peach Discs and Coastal Haze, as well as Stateside imprints Spectral Sound and Mister Saturday Night.
As a member of the renowned collective Discwoman and the creator of femme-forward party Work in Progress Ciel’s thoughtful narratives are clear, running in parallel to the perception-altering sounds that are consistently woven deeply into her wide-ranging sets, beloved mixes and inventive collaborations. Now the Parallel Minds label co- founder is crystallising her imaginative and omnivorous sound with her !K7 Records debut, ORLANDO.
Written during her emergence from an uncharacteristic bout of writers’ block, the three original tracks of Orlando chart a return to the musical self, spurred along by a cinephile’s embrace of film, a love of classic literature, and a curiosity for the oddest corners of popular culture. “SCENES FROM A MARRIAGE” might share a name with the episodic series, but is rather a nuanced critique of the modern rite of union, moving through structured chapters, and mirroring the un-static nature of longtime love.Inspired by Virginia Woolf’s radical novel, and its superphysical protagonist, “ORLANDO” considers the cult literary figure who lived from the renaissance to the modern age, and embodies both sides of the sex binary.
The thrown sounds and aural illusions of “EL CALIFA” create the effect of a beckoning, beguiling psychedelic experience. To complete the EP, Ali Berger, Ciel’s recent collaborator on the Jacktone Records’ release Damn Skippy! repurposes the mind-bending flourishes of “El Califa” into a noodly and spacious deep house production, replete with pillowy, gauzy pads.
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expected to be published on 10.09.2023
expected to be published on 10.09.2023
The Blackwhitecolorful sind eine Kölner Alternativ Rockband mit ihrem 2. Longplayer. Ihr Anspruch dabei ist es, ein lebendiges Oxymoron zu sein: Inhaltliche Tiefe schaffen, sich mit komplexen Themen auseinandersetzen, dabei aber zugänglich und einfach bleiben.
Sie sind die Leichten unter den Brachialen, die Leisen der Lauten, die sanftmütigen Stürmer - eine widersprüchliche Rezeptur, die dennoch -oder gerade deswegen - aufgeht. Das Konzept Album Brace For Impact ist das dritte Kapitel der Navigators-Saga. Die Geschichten handeln je von einer Gruppe von Menschen, die aus unterschiedlichen Nöten heraus ihre Heimat verlassen und sich in die Ferne aufmachen. Notgedrungen werden sie jedoch zu Pionieren, denen es gelingt, imaginäre Grenzen zu durchbrechen und Unerschlossenes zu erschließen. Während das erste Album sich noch damit befasst, unbekannte Ozeane zu ergründen, geht es nun darum, den Weltraum zu erobern. Musikalisch manövrieren The Blackwhitecolorful gekonnt zwischen Alternative Rock/Metal, Post-Rock und Post-Hardcore. Neben tiefen, voluminösen Gitarren und glasklaren, eingängigen Vocals finden auch lange Synthesizer-Passagen und Instrumental-Parts ihren Platz. Ein weites Spektrum von sanften Klängen bis hin zu harten Rhythmen. Die erste Single Echoes vereinbart exakt diese Reibungsfläche breiter Gitarren und moderner Synths, sanfte Vocals, ohne auch nur für einen Moment den treibenden Puls zu verlieren. Zahlreiche Kooperationen runden das Ganze ab: Sänger: innen Tobias Brandt (Cera Maven), Emelyn Blanco (Privacy Please) und Eric Stöcker (Illusions Fade), sowie 1LIVE-Moderator Kotaro Dürr für ein Gastspiel am Bass. 2021 spielte die Band auch beim ARD Film Taufalarm-Familie ist ein Fest mit & steuerte 4 Songs zum Soundtrack bei.
expected to be published on 09.09.2023
expected to be published on 09.09.2023
expected to be published on 09.09.2023
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Janefondas’ disco house anthem "French Love" shines in new splendour on this single. Sam Irl's rework is carried by a completely new, deep dub vibe, melancholic melodica sounds and playful piano chords. We are already dreaming of summer by the sea.
The Sam Irl Dub is limited to 250 copies. There will be no repress!
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AWEH is back to present Shukuma, the highly anticipated collaboration between label head Esa and South African Kwaito legend Kamazu from Soweto. This record, created between 2020 and 2022, is a testament to the power of musical synergy and South African cultural aweh-ness.
As part of Shukuma, the title track and the EP also lies the future Kwaito classic, Muntu. This dance floor banger not only showcases the creative prowess of Esa and Kamazu but also features a collaboration with Dirty Bungalow, adding a unique touch to the overall EP. Muntu has already been featured in the esteemed podcast series, The Invisible Hand.
To further enhance the experience, Esa has collaborated with talented artists Floating B_strd and Sanoy to create an exquisite art piece that perfectly captures the essence of Shukuma. The final artwork will be revealed on the official release day, adding an element of surprise and anticipation. This is a Kwaai Collab you don't want to miss.
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Omformer is the collaborative project from Ute cornerstones Mikkel Rev and Oprofessionell. Mostly focusing on the live act they still have managed to build an impressive catalogue covering everything from one-hour long ambient tracks to loopy psychedelic peak time weapons.
And for their long overdue debut EP you can expect no less, presenting four summer ready trance excursions extracted straight from previous live sets and jam sessions.
Dive into their most maximalist, drama inducing and dancefloor-shattering project to date. Get lost in layered psychedelic trance endlessly looping arpeggios, mind bending squelching resonances and big melodies best consumed under the forest canopy.
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It is always our pleasure to have new talents in the house, and we've been following Notzing's development since long ago. His approach to techno is absolutely personal and complex, hard and intrincated, mental and physical.
Protae is the first missile in this box full of weapons, a super busy techno exercise with compacted drums, drilling synth lines and random metallic hits breaking the monotony. The effect on the floor is devastating and has been tested extensively in dancefloors worldwide by label owner Oscar Mulero in the past months. 7 minutes of pure dancefloor mayhem.
Fagus continues with the sickness, with hysterical synth washe repeating an hypnotic chant, adding layers of sound as the groove goes by. Repetition is here the key to proper trance, not exactly with pleasant tones but by aggression.
Ekaterin is gummy and elastic with formant synth sounds chewing frequencies and changing constantly in shape. Another mental mantra with a physical drive.
Molniya slows down the pace and dives into profound sound scapes full of unnatural underwater sounds and washes providing a feeling of scuba diving.
To end this sonic odyssey, Emision goes completely beatless, growing from the profound sub bass frequencies to crispy and crunchy surface noises, creating the soundtrack of floating in outer space with no gravity. Please beware of the super intense bass tones when playing on a big sound system.
The perfect combination of experimentation and punchiness, keep an eye on this guy, is gonna make some proper noise in the coming years.
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Chris Liberator's Maximum Minimum label returns with a colourful joker set to meddle with your synapses... Bad Boy Pete and Errot slam hard on the title track 'Joker' with some hard and booming techno beatz , whilst Sam DFL and Richie Five Alive go dark and minimal on 'Deeper'.
On the flip Brazilian legend Nori delivers a funked up stomping gem on 'Early', whilst Bad Boy Pete delivers more hard driving rhythms on 'Eastern Promise' to finish up the EP.
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"Life Plans and Parallel Side Tracks" by Ismael Zouaoui (aka Ish) is the highly anticipated album on Libertine Records. Spanning Electro, Drum 'n' Bass, Dark-Wave, and Ambient, Ish's versatile production shines. Inspired by diverse influences like Brave New World, Japanese Anime, and early Techno/Trance, the album's contemporary, textured sound captivates.
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Moving to England for its second release, Rant & Rave Records presents a proper EP from South Wales-based producer JoeFarr, known for his dancefloor jams on labels such as: 'SLAM', 'Arts', and his most recent success with 2019's epic 12" 'Death Becomes Us'. On the a-side 'In This Anger', which JoeFarr has written with Louisahhh, an anxiously dark, slowly developing atmosphere menaces behind a slow rolling, broken beat for maximum effect. This is punctuated by dark, slightly distorted female vocals with sporadic lyrics subtly encouraging its dance floors to move.. and think. Signature hard and bouncy grooves with infectious in-yer-face techno riffs dominate the rest of the EP with tracks 'Laced Up', 'You Can See Me' and 'You will See Me (Hardcore)', effortlessly weaving in and out of the pulsating groove with an interesting palette of machine sounding synths and heavily processed vocals.
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