Cerca:wiz

Artwork by Taychin Dunnvatanachit.

Siamese Twins embarks on its 10th release milestone with the acclaimed Thai performance artist Tul Waitoonkiat. In หนึ่งคำถาม (One Question), Waitoonkiat's poetry is conjoined into a versatile sonic meeting of minds, created in collaboration with producers Black Merlin, Sapphire Slows, and Sleep D. Aligning seamlessly with Siamese Twins' trademark ethos of cultural reflection and interdisciplinary exploration.

Waitoonkiat, known for his socio-political work "2553," which reflects on the 2010 military crackdown in Thailand, has presented his novel "Silence is Violence" through multidisciplinary art exhibitions across Bangkok. One of these collaborations with Siamese Twins’ Khun Fluff in 2022 established a profound connection and laid this release's foundational recording layer. The recorded poem explores existential themes, pondering the endless cycle of questioning and the dichotomy between silence and imagination, darkness and light, with its contemplative imagination setting the stage.

The A-side unveils George Thompson's universe, known in the terrestrial realm as Black Merlin, with two noirish cinematic explorations that compose Waitoonkiat’s trademark expressive and enigmatic voice into the release's fabric. Showcasing Thompson’s ability to create hypnotic, depth-charged soundscapes that captivatingly feed into a broader story rather than claiming center stage.

The B-side begins with a delicate approach to sound design, crafted through the Buchla synthesizer by Japanese modular artist Sapphire Slows. The charm of this version lies within the sustained notes that gently inhale and exhale between enigmatic vocoder effects and layers of beauty, nature, and technology.

B2 closes with a seven-and-a-half-minute peak timer revolving around a pulsating bassline and driving force of drum energy. One craving for packed warehouses and bush raves by the Australian wizards of OZ and Butter Sessions label owners, Sleep D, aka Corey Kikos and Maryos Syawish.

Soultape has been one of the artists we always admire since the beginning.

We are lucky to release two exclusive original tracks from him. To complete the EP we added two killer remixes of Alex Font (Acmé boss) and Venda, the groove wizard from Australia.
This release is limited to only 200 copies.

Since 2019 Demdike Stare had been playing edits of Dolo Percussion’s bare-boned breaks in their DJ sets, eventually sharing them with Dolo’s Andrew Field-Pickering (Beautiful Swimmers, boss of Future Times) and fomenting a creative fusion that hits at the square root of their shared tastes for unruly, deadly rhythms. In a transatlantic back ’n forth - or what Kodwo Eshun termed a double refraction - they juggle the rudest aspects of UK hardcore, as derived from electro, breaks and garage-house - that would feed into Dolo’s pool of sound, and return to the UK via the likes of breakbeat wizard Karizma, who was a key touchstone for the whole late ‘90s broken beat movement key to Demdike’s tastes.

Still following the thread? It’s not that tricky - both US and UK operators favour breakbeat music more than anywhere else, and this devilish hook-up is the epitome of a conversation ongoing for generations now. At each parry, the three cuts here are exemplary of the way DJs, producers and dancers on both sides of the pond have pushed each other to new heights in a feedback loop designed to make the dance throw the maddest shapes.

‘DOLO DS 1’ racks up a full clip of flintiest breakbeat hardcore, pivoting gasping samples inna dervish of ruffneck syncopation, ruggedly distinguished from the pitching, gritty drum machine chicanery of ‘DS DOLO EDIT 1’, and their super crafty sidestep into the offbeats, hingeing around ghost snares and practically spectral levels of percussive suss in ’DOLO DS 2’ which basically sounds like a prime Autechre tumbling thru dub.

Following the resounding success of Rythm by Nature's first release by Nail, the imprint's second outing, "Deep Cuts", builds upon the previous momentum and introduces label owner SaPu for his first solo EP. "Deep Cuts" features three groove-drenched original works and a foot-stomping remix from Berlin-based groove master and sound wizard Tripmastaz.

Drawing from his 15+ years of experience in the scene, "Deep Cuts" displays SaPu's impeccable production skills and evident passion for deeper house grooves and hypnotic rhythms — the ideal music for extended dancing marathons. The EP's first track, 'Roll Out' (A1), is a classic, tech-house-infused banger: funky bass, filtered samples, and snappy percussion elements. Tripmastaz's version, 'Don't Let Joe Change the Name Dub' (A2), adds new layers of depth to the original, infusing it with dubby, sample-based elements and warm chords. SaPu's inclination for old-school grooves shines through on 'Clappin Iron' (B1), delivering Detroit tribal vibes punctuated by stabby synths and rolling basslines. Closing off the EP, 'Keep it Trill' (B2) provides a relatively stripped-down approach, allowing SaPu to demonstrate his innate skill in dubby sample manipulation.

3 Mâts Records sets sail once more, delving deeper into uncharted waters. Waypoint settled and new landscapes waiting to be explored. Introducing this latest voyage featuring Paraguayan artist Rafael Schneider, aka R.E.S.S, alongside finest addition by P.O. Carefully crafted, each track has undergone meticulous mixdown refinement, resulting in a harmonious blend of sounds.



This 4 tracker EP dive into a whirlpool of sonic exploration, where the depths of creativity meet the currents of innovation with past influences. From pulsating rhythms to ethereal melodies, each composition offers a glimpse into this 80/90' inspiration palette of R.E.S.S, amplified by a powerful tricky and trancy edit by the french wizard P.O.



Let the music be your compass.

The third in a series of self-released Liquid Earth Physical Records, “Three Dimensional Rocker” is a sonic cheese plate for the dedicated dancer.

The 12” navigates through four robust club tunes, surely an expected outcome from the seasoned Californian producer. From Aside titles’ full throttle funkery to the equally nauseating floor fillers on the flip, LEP003 is one big kahuna.

PB teams up with the dub-wise wizard and fellow Leodis dweller Breakfake for a 4-track release concluding the PBR EP series. Starting off with a UKG steppa ‘Life in Stereo’ hard hitting drums, deep sub, with floaty chords and chops. Followed by the dark garage/ dubstep belter ‘Rat City’ making you feel like you are stuck in Silent Hill itself. The B side brings a more energetic dubstep feel with ‘Chapel Town’ named after the area in Leeds PB & Breakfake first met and is known for its Dub history. The Ep ends with ‘Dub the Acid’ a hypnotic dungeon track with deep subs and a bouncy acid to match.

Free, Dancing . . . is the first release by a new trio with percussionist and producer Carlos Niño, luminary multi-instrumentalist Idris Ackamoor (of The Pyramids) and wizard guitarist, producer Nate Mercereau. They have been playing concerts together in California since June 2022, sharing a unique vibrant sound, findings and energetics... Including download code for the full album.

Artwork by Nep Sidhu.

Oceanvs Orientalis and Ilhan Ersahin first entered each other's orbits by chance at a performance at
Turkey's Cappadox Festival in 2018. Oceanvs Orientalis is renowned for his fusion of Eastern musical
motifs and traditions with cutting-edge electronica while Ilhan Ersahin has long plowed a unique path
uniting assorted musical strains from around the world via an exploratory jazz-improv sensibility.
Following two tracks ("Mesta" and "Pire") co-written by Ilhan and OvO and released as collaborations,
and two more Ersahin/OvO co-writes ("Revenge Of The Wankers" and "Television") released under
OvO's name alone, a fresh and exciting new song called "1980" now heralds a full-length collaboration
slated to land in Spring 2024. The track's title hints at a certain nostalgic bent while still keeping its
gaze firmly fixed on the future even as it evokes sun-drenched good times gone by. The single adds
several extra versions, one of which spotlights the multi-instrumental mastery of Darkside's Dave
Harrington while the other features the mesmerizing vocal stylings of Gaye Su Akyol. This single is the
perfect soundtrack to the waning days of summer and truly whets the appetite for the full-length
project these musical wizards have been busily concocting.

Dutch synth-wizard Nadia Struiwigh brings her eclectic live approach to Blueprint Records.á On the "Voxis Ohlun EP", Struiwigh reflects her profound command over synthesis and sequencing, crafting upfront techno with a vigorous, nostalgic feel.

Nadia Struiwigh, the Dutch artist rooted in Rotterdam and currently based in Berlin, has carved a unique niche in the electronic music scene.á Her genre-defying compositions, blending ambient, techno and electro, exhibit her signature ethereal and melodious production style, with a discography gracing acclaimed labels like Central Processing Unit, Nous'klaer, Dekmantel, Clone and InFinÒ.á Inspired by the Warp school of electronica, her live performances (ranging from immersive ambient to kinetic techno) are a testament to her technical prowess and emotional connection with her audience.á A versatile DJ and live act, she graces both concert halls and strobe-lit club sessions, curating sets that span from driving techno to deeper, emotive realms, earning her residencies at venues like Tresor.á Her versatile expertise extends beyond music; she collaborates with pioneering music brands such as Roland, Korg, Teenage Engineering, Arturia and others, embodying her reputation as a leading tech enthusiast within the industry.á Her contributions to esteemed platforms like Resident Advisor, Phantasy, Bleep, Slam Radio and Red Light Radio underscore her adaptability and prowess across a wide spectrum of electronic music, further solidifying her multifaceted presence in the field.

"Voxis Ohlun" invites you into a mesmerizing journey through the enchanting landscapes of the '90s, blending diverse musical influences seamlessly.á The focus here is on 4x4 dancefloor music, adorned with a tantalizing hint of breaks and pulsating rhythms, and a sprinkle of fairyland allure.á Crafted using only hardware, predominantly the beloved Korg Electribe MX, the sounds resonate with the essence of that era.á Each track unfolds like a chapter in a wondrous tale, interweaving nostalgia with a contemporary energy, ensuring an immersive experience.

Specimen Records will kick off with "Zero Plague" January 2024 after a long hiatus from 2022 through to 2024. Specimen are now proud to present such a prolific artist as MANASYt whose level production has reached so many labels, along with extensive Dj work throughout Europe.

Zero Plague - another neurovision broadcast by replicant agent MANASYt. The opener - is a dystopian death march anthem, guided by a rolling snare, thick kick and throbbing bass. Arpeggios sounding like wasps on acid hover in the background, adding to the atmosphere of imminent danger!
Angellust - a hectic breathless industrial electro monster. Fuzzy distorted bass is driving us through a dark desolate territory. Complete with chaotic claps, minor synth stabs, a siren-like clinical pad and Petar's hopeless vocals (reminiscent of his days fronting metal bands).

Next is the Pestilent Mix for SNS Sensation new wave masterpiece "Mirror Radio". Sebastian is also the voice of UK duo Heartbreak (with synth wizard Ali Renault). Petar says : "It's a very impulsive work that sounds nothing like the original! Blending two different beats, mangled voices and psychotic off-kilter leads. Total madness."

First on the flip is the Novichok Mix for Poladroid. Petar and Vadim go way back to Roulette Rekordz in 2003, so this colab is natural, to say the least. It's the only time where the tempo slows down a bit on this EP. Bubbling worm-like bass, metallic percussion, cold windy pads and a classic electro lead take you on a journey to a soulless barren planet.

At last "In Deep Tongues". A heady schizophrenic exercise. A commanding beat, a grotesque polka bass followed by a paranoid synth lead pull you through a darkened maze with no exit. Underwater gurgles and fearsome corroded effects fill the air, no escape!

After 20 years, MANASYt hasn't slowed down or mellowed his intense immoderate sound one bit! And "Zero Plague" is undoubtedly a true testament to that!

He is an artist who couldn't care less about trends or hype, and whose main driving forces authenticate passion for this genre. Some of his tunes resemble future horror movie soundtrack, others a visit to a mental clinic, but most sound like what hostile aliens would listen to while attacking Earth.

Bulgarian dark mastermind Petar Tassev Manayst has been rocking his brand of Nuroelktro since 2003. He is responsible for a vast array of menacing titles on labels such as Touching' Bass, Kommando 6, Musar, and the infamous Bunker, along with 40 others.
MANASYt is currently based in Xiamen, China.

Two legends we have on this next majestic cut of magical sorcery; a Brit wizard and a German magician, the result is a masterpiece.

Mary Yuzovskaya's vinyl-only Monday Off imprint delivers the sixth instalment of its various artists series, calling in a crew of talented artists to explore deep, cosmic anomalies and soothing modular soundscapes. Kicking off the compilation is Poland-via-Berlin artist Blazej Malinowski, a true wizard with sound, whose 'Ocean' sees rich textural synths crash like waves onto driving low-end. The Gods Planet, Svreca's Semantica, and 012 artist is followed by Nonplus+ and Blank Slate's Michal Wolski, who delivers 'Essence', a track boasting squelchy sequences, subtle acid and swirly psychedelia.

'Black Moss' is next, a minimalistic tripper by Xhato that expertly weaves rolling synthlines into sturdy drum work. It's a constantly evolving, deep space adventure before Milena Glowacka closes the EP with distant, foggy wastelands and dubbed-out hypnotics in 'Dystopia'. Volume 6 of Monday Off's compilation cements itself as another must-have collector's item for those venturing into the trippier side of techno.

Undo & Casiowaves return to Melodize with the ‘Casiobass’ EP backed with a remix from Nhar.

A long-time resident at Barcelona’s legendary Razzmatazz and label head of Factor City for two decades, Undo is a Spanish mainstay with countless releases that have garnered support from the likes of Andrew Weatherall, Roman Flugel and Erol Alkan. He teams up with fellow Spaniard and synth-pop wizard Casiowaves to return for their second collaborative release on Melodize after last year’s ‘Predict The Future’ EP.

The straight-forward ‘Casiobass’ kicks off with fizzing synth lines, chugging dark disco drums, a fat bass and
circling pads. ‘Overcruiser’ is a pumping, Italo-influenced cut with retro-future chords and a clean, cosmic feel, while ‘Something Blue’ layers up the crispy analogue drums with sonar pulses, deadpan cold wave vocals and majestic leads that bring color and vibrancy.

Drummer-turned electronic producer and live act Nhar, who boasts an impressive discography spanning two decades, makes his debut on the label with a remix of ‘Waves to Come’ that brings a widescreen serenity and calm to the original through pensive chord work and starry keys twinkling in the distance. The original then closes out with Balearic guitar licks, punchy drums, and rich bass for a fusion of retro sounds with futuristic sentiment. From the driving Casiobass to the Balearic, serene ‘Waves to Come,’ Undo & Casiowaves have served up offerings for all hours with the versatile ‘Casiobass’ EP.

The third album release on our Rezpektiva label is a 2 x 12” compilation by the nutty French sonic wizard, Professor Oz. Containing 8 tracks that were produced between 1986 and 1995 these 'Lost Experiments' from the Prof have matured well. As always, remastered from the original DAT tapes, these recordings that have been brought to light convey the musical sounds present in the 80s and 90s and which will remain relevant for years to come.

Allpa Puruma is a staple within the Latin American techno scene. This EP is nothing but incendiary hurricane whirlwind tracks…speckled with samples from the junglescape, full of hardgroove velocity.

In short: Four dancefloor bombshells (with a B2 to level you out) by a rising South American techno wizard. Tough tools to recalibrate your mind and ass to access the euphoria you need to set yourself free.

Debut full length vinyl from the UK/Italian duo of Ecka Mordecai and Valerio Tricoli, working together as Mordecoli. Individually these two travellers have carved out a path of ghostly musique concrete (Tricoli) and textural cello wandering (Mordecai). Alter is proud to present the album Château Mordécoly a result of two musicians (and friends) coming together to explore the middle ground of their individual investigations.

The results of a red wine induced residency at London’s Cafe Oto, Château Mordécoly is a panoramic audio field exploring both the physicality of sound, informed by the voice, cello and pictish harp of Mordecai, and the artificial manipulations of Tricoli’s revox tape machine. The delicate tension between the physical ‘real’ and the distortive ‘new’ leverages this release far beyond a tipsy residency and shifts it into a top tier electroacoustic take on the zeitgeist. Solo cello and voice appear rooted in the timbre of time. The magnetic tape is both a friend and covert manipulator.

The physical elements open themselves to disfigurement as a means of propagating the fantastical audio that unfolds from the initial enquiry. There’s no witchery or wizardry on part of either player but rather a symbiotic passing of the baton as the line between the real and the non-real flow in and out of themselves. The results are at once sedate, shocking and subversive.

Château Mordécoly is a disembodied sonic landscape; a phantasmagorical world of fantasy unfolds as the delicate beauty of Mordecai’s playing and singing is transformed into a playful and unusual landscape. Epoch’s are evoked as the visual stimuli resulting from these alchemical transformations conjure everything from a haunted house to the Middle Ages.

Multi Culti return with an expansive 8-track mini-LP showcase timed for summer solstice celebrations.

The a-side kicks off with the musically-gifted Mytron’s genre-defining title ‘Shisha House’, Italian Ayala teams up with Abrao on ‘Magia,’ Jamie Paton slices up the low-slung, serpentine ‘Sub Ritual,’ and Xanga & Zebulon deliver a literal love letter to the ‘Coca Leaf’.

B-side action begins with Ecuadorian newcomer Kunturi, whose ‘Eclosión’ portends a new wave of Nicola Cruz inspired, folkloric techno, Italian duo Future Island (Oltrefuturo teamed up with treasure island) rock an impressive slow-mo trance dub on ‘Wide Music II,’ Aiku debut out of Germany’s Harz mountains with ‘Fried Acid,’ while Argentine wizard Balam finishes the journey off with the incense and sitar laden ‘Caravana.’

While they may dabble in orientalist tropes, these are not mere Tulum-chasers out for shamanic DJ duty. This is avant-garde folk-Tronica that tows the limbo line and once again asserts cult supremacy in the great Psychonautical odyssey.

TN Edits 001
Is based on an old jazz and child song from Denmark with danish child vocals - and now cult classic from Lotte Kærså - titled: "Prøv og Gør li'som Jeg" rediscovered by a dj collective from UK, heavily plaid by eclectic dj's and on the acclaimed collection.

The take on an edit is a straight up techno remix from the Danish techno wizard and genius Bjørn Svin doing his edit of the edit for the first and one time only.

Capturing the soul from the original this is a classic and a hands in the air floorfiller!

Once again, Perm has turned just the right knobs to give you the perfect soundtrack for your personal journey into Techno wonderland. The Leipzig based wizard simply knows how to leave dancers both dizzy and beatific. When those strings in "03-VIII" come together to its climax you're more than ready to embrace the night. The focus in "03-IV" is more heavy on the drum work with just the right amount of subtle tripping hazards. "03-III" builds and builds without ever bubbling over while the mighty "03-VIII" comes with a Boom-Tschak-Electro feel to it. The artwork comes courtesy of Carl-Johannes Schulze.

"Brazilian-born and Milan-based producer Worli makes his debut on Baroque Sunburst with an evocative EP rooted in the depths of 90's D&B. On the A side, Dynamo recalls the ciclicality of a generator, with enthralling grooves rolling through a landscape made of cavernous basslines and spectral vocals.

Breath - Dance totally lives up to it's name, exploring the psycho-physical experiences instigated by the alternation of caustic breaks and introspective ambiances. UK HC wizard Etch overstates the situation by giving Dynamo the full jungle treatment."

Blistering come-back from Culted with five multi-tempo’d bangers, something for every tribal gathering from chic Tulum rituals to the brutalism of Eastern-European underground clubs, rounded off by doses of Italian Rasta and Japanese re-imagining of Hungarian folk song. Cult wizardry at it’s finest, once again!

‘Hardcore Jollies’ was Funkadelic’s ninth studio album and their debut on Warner Bros Records. Released in October 1976 and dedicated to “the guitar players of the world”, it showed Funkadelic was the heaviest black rock band since Jimi Hendrix’s Band Of Gypsies (even featuring Buddy Miles on one track). With lead guitarists Michael Hampton and Eddie Hazel dazzling, the personification of funk Bootsy Collins on bass, Bernie Worrell’s keyboard wizardry and many more, the album was helmed by the genius of George Clinton. Reaching no.12 on the US R&B chart, the album spawned singles ‘Comin’ Round The Mountain’ (US R&B No.54) and ‘Smokey’ (US R&B No.96) and a live remake of 1973’s ‘Cosmic Slop’ from the album of the same name. Recorded during rehearsals for 1976’s P-Funk Earth Tour, this version features a vocal introduction dropped from the 1973 studio cut. Over 45 years since its original release, ‘Hardcore Jollies’ is among Funkadelic and George Clinton’s best-ever albums and remains a masterful example of their creative genius. FUNKADELIC Masterminded by the larger-than-life figure of George Clinton, Funkadelic was a key component of his influential P-Funk empire. Funkadelic’s unique combination of Rock, Psychedelia, R&B & Soul led to the band crossing over to the pop mainstream & gaining a vast international following, becoming one of the most important & influential groups in music. On 6 May 1997, Parliament / Funkadelic were inducted into the Rock & Roll Hall Of Fame by Prince. To commemorate six decades of thrilling & delighting fans, George Clinton returned to the stage in 2022 for a series of concerts. To celebrate, Charly have reissued Funkadelic’s classic four albums ‘Hardcore Jollies’; ‘One Nation Under A Groove’; ‘Uncle Jam Wants You’; & ‘The Electric Spanking Of War Babies’ (originally released by Warner Bros during a golden period for the band between 1976-1981). Each album will be available as deluxe gatefold Digi-Sleeve CDs in PVC wallets + obi-strip & facsimile-edition gatefold LPs on 180-gram black vinyl & limited edition 180-gram coloured vinyl + 1970s-style obi-strip in a protective PVC sleeve. “They played a HUGE role in creating the future of music.” PRINCE

Get ready for schntzl 2.0

On their 3rd album Casper Van De Velde and Hendrik Lasure, the two SpongeBobs of Belgian jazz, enter Cortizona and take you on board of their newly discovered musical spectrum: Rollercoastin' between extreme emotions Casper and Hendrik slide through 90's Euro-optimism on synths, frantic drum rolls, lost piano sounds and sample wizardry: blending Spanish guitars, voices of singing ladies, slow mo clarinets and the patterns of a percussion robot.

'Holiday' is the result of a residency in Ravenna, Italy, in October 2021, where musique concrète, replica sounds and frenetic hyperpop textures sneaked into the musical world of schntzl. Sculpting a world of friction, hypodermic joyful changes, sad euphoria and good old plain fun.

RIYL: Matmos in a jazz mood, free vibin PC Music, Enya on XTC, improvising Valentina Magaletti, moody SOPHIE, BadBadNotGood going GoodGoodNotBad and other excellent music.

Brains is the first full length by Anton Pieete in 5 years, and the first release under his given name since 2016. A gentle gorgeous journey of an LP on Wake Dream (ran by Orpheu The Wizard). TIP!

Born into a family of sound designers and making his own initial steps into a life of music in the late nineties in trash and hardcore metal bands and via an inherited drumcomputer into techno and minimal in the early 2000’s, Anton switched to the Darling moniker in 2016 with a series of kaleidoscopic retro-futurist releases on Voyage Direct and Safe Trip.

With Brains, Anton Pieete comes full circle and takes the next step, putting a lifetime of musicality, recording experience into a highly musical album, having given himself room for exploration, not being fixed on an end goa. The 11 songs on Brains are filled with emotion, some sweet and hopeful, some gloomy and restless.

Cover illustration by Jorge Velez

On April 7th electronic luminary Nathan Fake presents the new longplayer ‘Crystal Vision’ on his own Cambria Instruments imprint, which features collaborations with Clark and Wizard Apprentice.

This is music for music’s sake – recorded without angles, agendas and themes – so Fake was free to simply continue honing his craft and express himself non-literally. Aptly titled, there’s a clarity of execution and ambition, and a peak effectiveness to the record that just sounds right.

Continuing to set a personal bar higher and topping his own best, the mark of master craftsperson is everywhere, but that doesn’t mean it’s polished; There’s plenty of rawness evident, with spiky sonics keeping ears on high alert – full of endorphin-flooded rave energy.

Following a short, scene-setting ‘Arrival’ – a simple major chord arpeggio played on a Jupiter 6 which sounds like curtains opening at dawn, things begin apace with ‘The Grass’, which hurtles like a precision-tuned bullet train through Arctic tundra. The undulating effect of compression is emphasised by the classic techno trope where 2 rhythms jar yet interlock, creating an exquisitely disorientating strobe-like flutter. On the track’s guest, Fake comments, “I fell in love with Wizard Apprentice's ‘I Am Invisible’ and felt our musical styles were similar. Their vocals are smooth and clear and sharp at the same time. They’re like a calm within the storm.”

Inspired by Italo disco but sounding wholly alien and futuristic, ‘Vimana’’s fizzing buzzsaw arpeggiated bassline, popping snares and bright whirling melody are equally an electro trance melange, with an effervescent major chord Arp that kicks in midway.

Reminiscent of what used to be called ‘funky techno’ but with sparklier sounds, ‘Boss Core’ blinds like sunshine bouncing off ice. Using his trusty Boss DR550 drum machine, and inspired by Autechre's ‘Vose In’, the track peaks by reaching that melancholic/euphoric axis for which he is loved.

With chugging slow breakbeats not a million miles from Board Of Canada or trip hop, ‘Crystal Vision’ rolls along, with the melody opening up, revealing more hidden notes as it progresses, building into a fractal, kaleidoscopic mosaic.

An emotional outpouring with serotonin surging through the circuitry, classic breakbeats and layers of lazers, ‘Bibled’ has all the hallmarks of a classic. This is a bonafide festival-set closing, hugging-your-mates, moment – or, with its guitar solo, “a power ballad” – as Nathan calls it.

A minimalistic moment of calm midway through the album, ‘CMD’’s gently comforting dreamscape is conjured with FM stacked and detuned sine waves which are left to breathe, whilst the chunky Chicagoan house jack of ‘Hawk’ brings to mind classic Relief records, but even more detuned and wibbly, and laden with synths.

As the title suggests, ‘Amen 96’ is in Fake’s own words, “me having a go at jungle. I grew up listening to it, and I remember as a teenager it sounded like the most intense and otherworldly music ever. It still does. This track is an experiment to see how my melodic style works against amen breaks”. Closer to the braindance end of the spectrum than ‘proper’ jungle (and all the more interesting for it), Fake channels the spirit of Squarepusher but makes it his own, brimming with melodious twinkle.

A collaboration with Nathan’s close friend and genuine musical hero Clark. ‘Outsider’ finds this dream team alchemising pure gold that’s bigger than the sum of their parts. Skittering, intense, far-reaching end epic, the pair close proceedings on a grandly dramatic note. In 2020 Nathan released the album ‘Blizzards’, which was described by The Quietus as “his best work”, and “his best LP yet” yet by Resident Advisor. The equally well received ‘Blizzards Remixes’ EP which featured Afrodeutsche and Irene Dresel followed in 2021, as did a nationwide UK tour.

An in-demand remixer, Fake has added his magic to tracks by Radiohead, Clark, Perc, Jon Hopkins, GoGo Penguin, Dominik Eulberg, Christian Löffler and Damian Lazarus, working for labels including Ninja Tune, Domino, Warp, Blue Note and Kompakt.

Vortex Traks is proud to present the return of Lazercat. ‘Void Droplets’ showcases the Canadian artist’s love for old-school electro, while the B3, “Take Me To Your Discothèque”, pays tribute to the 2000s italo-revival sounds of her youth. Features a moody remix from French electro wizard KafkaCtrl. Limited to 200 copies

2023 Repress

Everything is for the best in the best of all possible worlds" (Pangloss) by Voltaire

After successful releases on Transatlantic and Monnom Black, German FM synthesis wizard Luca Daniel Schwarz (aka LDS) presents his latest record ‘algo5’. The EP captures a wide range of sonic ground with innovative and futuristic edge.

’nbdfoil’ the opening track starts the voyage with mesmerising awe before sliding into ‘kizzt_VF’ where reality distorts and mind-warping events unfold. Closing out the A side the interlude ‘<13’ stumbles along with playful weirdness and explorative sonic gestures. Back in more familiar territory the B-side’s ‘fl+’ and ‘Vone’ propel dynamic rhythms through the ether until arriving at the final track, ‘mfäg’ where fragmented arps and cinematic ambience give an emotional sense of closure.

LDS’s ability to compose to a high level of depth and intrigue is unmistakably a significant feat for any electronic dance music producer and testament to the possibilities of modern sound design.

White Vinyl


LUXXURY’s rework series comes in caliente with Volume 5. Spiced and diced, with that fire that every dancefloor needs. Meaty kicks, tasty basslines, juicy echoes and straight up re-edit wizardry.

Repressed in Limited Edition Snow White Vinyl.

purple marbled vinyl

Faces Of Bass head honcho Coco Bryce once again dons his DJ Y moniker, delivering two slices of four to the floor sorcery.

Cheech Wizard is straight-for-the-throat hardcore acid, which wouldn't have sounded out of place at a turn-of-the-century squat party in a deserted warehouse in Rotterdam.

On Junk Waffle he opts for a more rave-centric jungle techno vibe: stabs galore, deep subs, pounding kick drums and a solid dose of Amens.

Next up, Some Wizardry from our man dot13,
Played by Herodot, Nu Zau & more.

The first release of the new label Surfaced Trax submerges into deep waters, delivering three sonically rich compositions aimed at late-night peak-times and early-morning sun rising hours.

The 'Liquid Terrain EP' was produced by Parallax Deep and remixed by Christopher Ledger. And while "Liquid" takes the listener through minimalized yet funky arrangements of precise drum programming and steady grooves, "Terrain", on the other hand, explores the in-between palettes of the electro & acid genres with plenty of rhythmic experimentation and wonky modulations.

On the remix duties, the Italian wizard Christopher Ledger works his magic on "Liquid", turning it into a highly textured, deeply atmospheric, slightly acidic breakbeat monster.

Stunning and tonally fitting collage artwork by Joagi.