quête:tomorrow s world

ULURU is a large sandstone rock formation in Australia. It's sacred to the Anangu, the local Indigenous of the area. For many years it had been deprived of its spiritual significance, due to mass tourism, capitalism, as well as greedy and selfishness of people who just want to make money out of it. However, as a result of the Anangu’s resilience, care and staunchness, huge changes took place in the national park around Uluru as well as in the broader public's consciousness, giving again to the Uluru the sacred identity that had been lost.
You might be reading and thinking now: so what's the point? Actually, there's no real point. I would rather say, there’s hope. The hope of seeing humans all around the world following the example of the Anangu. The hope of seeing humans finally stopping to treat the earth and all what’s part of it, what’s on and what’s in it, as a slave without soul. The hope of changing today, and if not today at latest by tomorrow. This system is failing. It's no longer sustainable, and there's no much time left. So everybody, don't sleep, be critical.

ULURU is a large sandstone rock formation in Australia. It's sacred to the Anangu, the local Indigenous of the area. For many years it had been deprived of its spiritual significance, due to mass tourism, capitalism, as well as greedy and selfishness of people who just want to make money out of it. However, as a result of the Anangu’s resilience, care and staunchness, huge changes took place in the national park around Uluru as well as in the broader public's consciousness, giving again to the Uluru the sacred identity that had been lost.
You might be reading and thinking now: so what's the point? Actually, there's no real point. I would rather say, there’s hope. The hope of seeing humans all around the world following the example of the Anangu. The hope of seeing humans finally stopping to treat the earth and all what’s part of it, what’s on and what’s in it, as a slave without soul. The hope of changing today, and if not today at latest by tomorrow. This system is failing. It's no longer sustainable, and there's no much time left. So everybody, don't sleep, be critical.

Transparent violettes Vinyl, limitiert auf 350 Exemplare. Riffs wie eine Wand aus Wüstensand. Schweiß und Tränen im Gesicht. Der unbarmherzige Groove der 90er, violett blitzende Lichter und viel, viel Rauch.GIANT HAZE sind 4 Musiker aus der Kieler Stoner Rock / Hardcore Szene, die gemeinsam für KYUSS-Tribute Shows auf der Bühne standen. Schnell kristallisierten sich kreative Synergien innerhalb der Band heraus und es entstanden eigene Songs - Giant Haze war geboren. Im Spätsommer 2024 wurde das Debütalbum ,Cosmic Mother" im bandeigenen Studio aufgenommen und anschließend von Ulf Nagel gemischt und gemastert. Schlagzeug und Bass wurden an einem Tag live eingespielt, um den richtigen Groove einzufangen. Die Produktion erfolgte ganz oldschool ohne Amp-Modeling, Drum-Trigger oder sonstigem Schnickschnack. Es wurde lediglich sehr sorgfältig und detailverliebt mikrofoniert und aufgenommen.Das spacige Artwork stammt aus der Hand von Gitarrist Pete und steht symptomatisch für das Herzblut und die Hingabe, mit der alle Bandmitglieder bei Giant Haze am Werk sind. Die Texte erzählen persönliche Geschichten über die Irrungen und Wirrungen des Lebens, Drogen, verlorene Freunde sowie kritische Gedanken zu gesellschaftlichen Entwicklungen und nationalistischen Tendenzen.

Mutant is proud to present Academy Award®-winning composer Michael Giacchino’s latest installment of his Exotic Themes for the Silver Screen series - Featuring more iconic scores from Giacchino’s career that have been exclusively rearranged and re-recorded for this series in the retro lounge style of the 1950s.

Volume 2 spans the period of 2012 to 2022 and features not only his work with Marvel Studios (including their iconic Marvel Studios Fanfare, Spider-Man, Doctor Strange and more!) but also more career defining music for Disney • Pixar (Inside Out, Coco and Lightyear) as well as smaller, cult classics like John Carter, and Tomorrowland, more personal films such as Jojo Rabbit and The Book of Henry. He has taken these iconic themes and transformed them into soothing, beautiful 60’s lounge-inspired reworks.

Other highlights include ‘The Batman Suite’, taken from Matt Reeves' 2022 blockbuster The Batman, ‘Jyn Erso’s Theme’ from Rogue One: A Star Wars Story, as well as themes for War For The Planet Of The Apes, Jurassic World and two selections taken from his directorial debut Werewolf By Night

"We are thrilled to continue exploring Michael’s storied career with this incredible collection of some of his most beloved themes reworked for warm summer nights with a cocktail (or mocktail) in hand," says Mutant co-founder Spencer Hickman. "Michael is a rare composer who is comfortable with superheroes, horror, action, or intimate drama. He always manages to create incredibly beautiful earworms that have been further highlighted by these stripped-back downtempo versions of his award-winning themes.’

Featuring liner notes by Charles Phoenix, artwork by Luke Insect, and pressed on limited edition color vinyl (also available on CD)
“So much was rooted in the big orchestral sound, so it was really about scaling it back. The real trick is figuring out the little fun hooks and things you can add along the way. There were no rules; I was up for anything. It was a way to re-engage with the material and be creative in a new way.”

Exotic Themes for the Silver Screen – Volume 1 includes an array of reinterpreted pieces from Michael Giacchino’s career. Highlights include ‘Primordial Forest’ from the 1997 video game The Lost World: Jurassic Park, ‘Life and Death’ from Lost, the theme from Ratatouille, ‘Roar!’ from Cloverfield, ‘Enterprising Young Men’ from Star Trek (2009), ‘A Man, A Plan, A Code, Dubai’ from Mission: Impossible - Ghost Protocol, and a Super 8 suite.

Featuring package design by Luke Insect, and liner notes by Charles Phoenix.

Donald Byrd’s 1974 R&B-Funk fusion masterpiece Stepping Into Tomorrow was the third album the trumpet legend made in collaboration with visionary producer Larry Mizell. Featuring the standout title track and “Think Twice,” the album became a touchstone for future hip-hop generations and featured Gary Bartz, Fonce Mizell, Chuck Rainey, Harvey Mason, and others. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

Release 18 on Atom Trance Force, this time from label favourite Micropulse. Here they deliver three rip roaring hard trance tracks in the form of 'Ecco', 'Evil Twin' and title track 'Heaven's Gate' that take no prisoners, with an ode to yesteryear, just how we like it!

Heaven's Gate & Ecco channel classic hard trance energy with high pace and melodic. Evil Twin slows it down to 140 for a more serene yet driving take.

Support from:

Adam (Last Of The Mohicans) Apple FM, Ben Corner Love Summer Radio, DJ Panda, DJ Strahl Discover Trance Radio, DJs Present, Devastate Gabberhead / Uprising, Dimitri Kechagias, Giuseppe Ottaviani, Hellraiser, J.O.E Tomorrows World, J.O.E Tomorrows World, Jake Nicholls [Uprising], James Brolly, Loki [Terminal Trax], Louk / Hidden Identity, Matt Handy [Contact], Mind Control [Noise Pollution], Paul Nineham [Brisk], Paul-O [Uprising], Remnis, Renegade System, Rennz [Distorted Dreams], Rocco Jonsson [Collide / The Carnival Sweden], Spaceman [Tuned Flow], Tjerk Coers, TripleXL.

Mutant is proud to present another contemporary classic from Quebec duo Le Matos, a follow-up to their acclaimed science fiction score, TURBO KID. Released in 2015, the movie TURBO KID became an instant cult hit, and since then, fans have been aching for a video game. This is the future; the world as we know it is gone. You are The Kid, a lone warrior on a journey to cross the Wasteland in search of hope. What you will find on your way, however, is a land riddled with scoundrels and creeps, which you’ll have to go through – sometimes quite literally – to survive. Propelling this madness is an incredible soundtrack by Le Matos returning to the wasteland they helped create in 2015. They cherry-pick influences from the best of electronic music from the past forty years; John Carpenter, Vangelis, and Tangerine Dream are all touchstones, but so are Daft Punk or Justice, all put through an 80's synthpop blender. Creating some incredible retro-futuristic synth wave sounds, including an astonishing re-teaming with Pawws for the single To Tomorrow. TURBO KID – A place beyond your dreams, a record beyond your imagination.

Unlike other broadcasts from this tour, this recording captured their entire
performance that night. What makes this release so special, is that Talk Talk sleeve
designer James Mash, has designed the artwork. This is a very special limited edition
on blue and orange vinyl.
Talk Talk was an English band formed in 1981, initially gaining recognition for their
synth- pop sound in the early 1980s. The band was fronted by Mark Hollis, whose
distinctive voice and introspective lyrics became a defning feature of their music.
Their early hits, such as "Talk Talk" and "It's My Life," showcased a polished, new wave
style that earned them commercial success and a place in the burgeoning pop scene
of the era. However, Talk Talk's true artistic legacy lies in their later work, where they
transitioned from pop- oriented music to pioneering a more experimental and
atmospheric sound, embracing a more ambitious and avant-garde approach. Albums
like 'The Colour of Spring' (1986) marked a turning point, blending lush
instrumentation with deeply emotional themes. This evolution culminated in their
critically acclaimed masterpieces, 'Spirit of Eden' (1988) and 'Laughing Stock' (1991).
These albums, characterised by their improvisational style, sparse arrangements, and
use of silence as a musical element, are often credited with laying the groundwork for
the post-rock genre

It happens everytime. As soon as we get the news that Lewis Fautzi, label owner, will release with us, his own imprint, the excitement is hard to describe. First of all, his vision makes him one of the most exciting artists in the scene and last but not least, he's always able to surprise us. Leading us through his own landscapes and rythms, Lewis creates a world which is very much of his, with a motion and a pace that are remarkable and hard not to notice. This release he's been preparing for a while is another masterpiece that will echo in our minds for a long time. Through beatless pads or fierceful kicks, the precise cutting edge of his creations are a delight to our ears and makes us all embark in a journey with no limits or boundaries.

For All The World, the black watch's twenty-fifth (and first double) album is a darkly poppy, brightly moody, many-splendored take on a number of the great themes: Death and Sex, Memory and Lament and Hope and Love. And it is, arguably, this heralded Los Angeles band's most sonically ambitious and moving record yet, since front man/novelist/ex-English professor John Andrew Fredrick formed the group in 1988 in Santa Barbara after he'd seen a London-by-way-of-Canada band called The Lucy Show play to twelve-or-so people in his hometown.

Having recorded 2024's Weird Rooms with producer Misha Bullock and Fredrick's son Chandler at Bullock's studio in Austin, TX, the TBW founder was keen to repeat the experience with, he says, more straightforward, classic psych/jangle/shoegaze songs. The result, though artistically satisfying, spurred a yen in John to write more songs as a sort of reaction against the batch he'd carried with him from LA to Texas. "We had such a productive time recording ‘Weird Rooms’ that I wanted to repeat the experience... without repeating the experience. And once it was over and I left Misha to do what he pleased with respect to mixing and overdubbing, all I could think was 'I need to write another album now.'" So Fredrick brought longstanding producer/engineer and TBW-associate Scott Campbell (Stevie Nicks, Acetone) along this time to help out with engineering and good cheer.

Fredrick, who has been "accused" of being "astonishingly prolific," learned that bandmate Andy Creighton had recently become unemployed, seized the opportunity to have yet another multi-instrumentalist flesh out the new songs he quickly wrote after he came back from Austin. “Achilles Past,” the first single, is in fact a song that John wrote when the production team thought the album was done—and the front man avers that it’s often the case that a very strong song comes to him, as it were, in the eleventh hour. The same could be said for “Listen You Wait”—another number that came late to the Austin sessions.

Nevertheless, the recording of the first half of For All The World has Creighton's signature indelibly stamped on it - especially on such tracks as “Fainting” and “Surely You Rally”- just as the latter half highlights Bullock's formidable talents. "They're both not just brilliant musicians and they understand my aesthetic and bring their own sensibilities to bear on my stuff. Our respective tastes meet in, you guessed it, The Beatles' realm - the great shadow that hangs over all I do, at least."

"There's A Place," the final song on side two, serves in fact as a distinct homage that's been a long time coming for a band that included a cover of "It's All Too Much" as a bonus track and that release a quite punkish, uptempo version of "Eleanor Rigby" on a 7".

Welcome to the ancient Disboard where the 10 rules of the game did not yet exist. War consumes the world, splits the heavens, destroys the stars and even threatens the human race. In the midst of this chaos, a young man named Riku tries to lead humanity towards a tomorrow he firmly believes in. One day, in the ruins of an Elven city, he finds Schwi, an "ex-machina" android who wishes to understand the heart of Man. Their meeting will change the course of history...

Music composed by Yoshiaki Fujisawa, arranger and composer. He is a member of the group Franz Maxwell I. He worked on the anime of LoveLive!, Issekai Cheat Magician and GATE.

He knew, through his music, to transport us in the universe at the origin of this "Issekai" to make us feel all the emotion of a meeting between two completely different beings.

Eight years ago exactly, in April 2017, the Australian soon-to-be dark synth maestro Buzz Kull released his first full-length album Chroma via Burning Rose imprint.

The seminal album is a mass of jagged synth lines and pounding drum machines, a testament to Marc Dwyer’s personal sonic exploration over time. Each song on Chroma transcends the traditional archetype of darkwave by pushing pop sensibilities, focusing on different emotional states and boundaries. Since his debut, Dwyer has given the world tewo more album tackled multiple tours abroad, and continues to remain an elusive but omnipresent figurehead of goth electronics global underground.

With this dark gem being out of print for years now, it was time to bring it to life!

New run of 500 on black vinyl LP housed in reverse board jackets.

Mit nur drei Akkorden und plakativen Texten revolutionieren die RAMONES im Jahr 1976 in Form ihres selbstbetitelten Debütalbums "Ramones" die zunehmend im Bombast erstarrende Rockszene mit dem rohen Energieausbruch des Punk. Die New Yorker beeinflussten über Jahrzehnte einige der bekanntesten Rock-, Punk- und Metal-Bands wie BLACK FLAG, NIRVANA, METALLICA, CIRCLE JERKS, WHITE ZOMBIE, PEARL JAM und GUNS N' ROSES - um nur einige zu nennen. MOTÖRHEAD haben den RAMONES sogar einen Song gewidmet. Die Band verkörperte den Punk-Underground, den sie beginnend im Jahr 1974 mit ins Leben gerufen hatten. Die Amerikaner blieben ihrem Sound und Stil über mehrere Dekaden treu, inspirierten Generationen von Musiker und erlangten ewige kulturelle Bedeutung, obwohl sie selbst kaum große kommerziellen Erfolg feiern durften. Die Redux-Serie von Magnetic Eye wurde als Hommage an klassische Alben aus der Musikgeschichte ins Leben gerufen. Zusammen mit "Ramones Redux" präsentieren wir auch das Begleitalbum "Best of Ramones Redux", das weitere Klassiker und Raritäten aus dem ebenso umfangreichen wie einzigartigen Katalog der US-Punk Legende enthält. Die Magnetic Eye Redux-Reihe lässt ausgewählte Künstler handverlesene klassische Alben aus der Geschichte des Rock und Metal komplett neu interpretieren und respektvoll in das neue Jahrtausend übertragen. Bisher hat das Label solche Meilensteine wie PINK FLOYDs "The Wall", HELMETs "Meantime", BLACK SABBATHs "Vol. 4", JIMI HENDRIX' "Electric Ladyland", "Dirt" von ALICE IN CHAINS, AC/DCs "Back in Black", SOUNDGARDENs "Superunknown" und den JETHRO TULL-Klassiker "Aqualung" in Redux-Versionen veröffentlicht. Unter vielen anderen haben sich solch herausragende Künstler wie MATT PIKE, PALLBEARER, THE MELVINS, ALL THEM WITCHES, KHEMMIS, ASG, ZAKK WYLDE, MARK LANEGAN, SCOTT REEDER an diversen Redux-Projekten beteiligt. Angeschnallt und zugestiegen bei Magnetic Eyes neunter Expedition ins Redux-Abenteuer, mit dem wir den legendären US-Punk Pionieren RAMONES die gebührende Ehre erweisen!

Mit nur drei Akkorden und plakativen Texten revolutionieren die RAMONES im Jahr 1976 in Form ihres selbstbetitelten Debütalbums "Ramones" die zunehmend im Bombast erstarrende Rockszene mit dem rohen Energieausbruch des Punk. Die New Yorker beeinflussten über Jahrzehnte einige der bekanntesten Rock-, Punk- und Metal-Bands wie BLACK FLAG, NIRVANA, METALLICA, CIRCLE JERKS, WHITE ZOMBIE, PEARL JAM und GUNS N' ROSES - um nur einige zu nennen. MOTÖRHEAD haben den RAMONES sogar einen Song gewidmet. Die Band verkörperte den Punk-Underground, den sie beginnend im Jahr 1974 mit ins Leben gerufen hatten. Die Amerikaner blieben ihrem Sound und Stil über mehrere Dekaden treu, inspirierten Generationen von Musiker und erlangten ewige kulturelle Bedeutung, obwohl sie selbst kaum große kommerziellen Erfolg feiern durften. Die Redux-Serie von Magnetic Eye wurde als Hommage an klassische Alben aus der Musikgeschichte ins Leben gerufen. Zusammen mit "Ramones Redux" präsentieren wir auch das Begleitalbum "Best of Ramones Redux", das weitere Klassiker und Raritäten aus dem ebenso umfangreichen wie einzigartigen Katalog der US-Punk Legende enthält. Die Magnetic Eye Redux-Reihe lässt ausgewählte Künstler handverlesene klassische Alben aus der Geschichte des Rock und Metal komplett neu interpretieren und respektvoll in das neue Jahrtausend übertragen. Bisher hat das Label solche Meilensteine wie PINK FLOYDs "The Wall", HELMETs "Meantime", BLACK SABBATHs "Vol. 4", JIMI HENDRIX' "Electric Ladyland", "Dirt" von ALICE IN CHAINS, AC/DCs "Back in Black", SOUNDGARDENs "Superunknown" und den JETHRO TULL-Klassiker "Aqualung" in Redux-Versionen veröffentlicht. Unter vielen anderen haben sich solch herausragende Künstler wie MATT PIKE, PALLBEARER, THE MELVINS, ALL THEM WITCHES, KHEMMIS, ASG, ZAKK WYLDE, MARK LANEGAN, SCOTT REEDER an diversen Redux-Projekten beteiligt. Angeschnallt und zugestiegen bei Magnetic Eyes neunter Expedition ins Redux-Abenteuer, mit dem wir den legendären US-Punk Pionieren RAMONES die gebührende Ehre erweisen!

A bit of background on how this release came about: I was touring Australia & New Zealand and for one of the shows, I was performing in Melbourne, which is where Kloke is based. I finally got the opportunity to meet him in person for the first time ever, after many years of collaborations with him online and having supported/enjoyed a lot of his music.

I got to visit his studio where we worked on a tune together and afterwards, he was playing me some of the music he had been working on recently and I noticed that they were all in one big folder, where he explained that every time he works on music, he exports what he's done so far into this one folder with multiple versions/iterations of each track he does. There were 1000s & 1000s of files in this folder... ????

Of course, I was insistent on taking this folder away with me haha, and even though I didn't get everything off him, he was generous enough to give me a lot of what was in there. After the tour was done and I was back home, I listened through everything I had from him, which took weeks (if not months) of ploughing through it all, with the aim of putting together an album of my favourites and after a lot of back & forth between us, we were able to come up with this release, On Rhythm, which I'm really pleased with & I hope he is too!

Anyway, big respect to Kloke for consistently creating some amazing music, thank you to my girlfriend Marta who handled the design for this release & a special mention to Nergal who brought me to Australia & New Zealand, which led to me meeting Kloke in person, visiting his studio and then putting this release together.

This new album celebrates 10 years of activity by the quartet House of Echo!


Wallsdown II: Beyond Cyborgs, tECHnO Inside Us is the second part of a trilogy, following Wallsdown, released in 2020. This new repertoire, half organic, half electronic, questions the relationship between man and machine and the digital worlds of today and tomorrow. It confronts electronics and artificial intelligence with the acoustic quartet, which, throughout the album, enter into osmosis, reverse their roles, and merge.

THEE ALLYRGIC REACTION are a fuzz'n'Farfisa-powered 60's garage punk outfit from San Diego, CA USA! While they specialize in fuzz stompahs that will move your feet, they will also melt yer mynd with minor key psych madness! They are also leaders in the emerging "protest garage" scene, with songs that address the import topics of today's over aged teen scene!They have a maraca-breaking wyld live set, but also managed to sit still long enough to record their debut LP for Soundflat Records As every band does, they argued over the title for the LP, and finally settled on one that NO ONE likes, simply, "Thee Allyrgic Reaction"! All four lads grew up in the 80s Charmkin Scene, witnessing first-hand groups like the Unclaimed, The Primates, The Miracle Workers, The Tell- Tale Hearts, The Cynics, The Gruesome, Lyres, The Chesterfield Kings, The Fleshtones and The Brood! (and about a 100 more not named here!) The boys are THRILLED with their new LP on Soundflat, which was recorded over a two day period, and required nine California burritos, three pizzas, two cases of beer, and several cans of wine.

The record features 11 original compositions, as well as their own version of their favourite UNCLAIMED-song. One of the originals is an ode to Peter Maniette of the Crimson Shadows and Wylde Mammoths. So what do they sound like? They certainly pull from the farfisa'n'fuzz blasters of the past, but also employ some 12 string, harpsichord, harp and a few other surprises. They are a little folk, a little psych and LOT of garage punk! The group records at Earthling Studios in the San Diego area, which features an array of vintage gear, including an 8- track from Sunset Sound that was used on Forever Changes. That's how you say "MO-JO"!!!

2023, past and future merge into one. Stripped of temporal markers, today's artists unabashedly draw from the past while boldly gazing into the future. Amid revivals and

innovations, trends and undercurrents, the game is intricate, the nuances abundant. Orphia's music is no exception. Behind the synthesizers, the Genevan weaves a musical tapestry on a tightrope. Cold wave, synth-pop, post-punk, eurodance, Indochine, Depeche Mode, Boards of Canada, Eurythmics... it all blends in a grand synthetic ritual where the festivities happily don't stop at the first light of dawn. Charging forward, swiftly, strongly, into an uncertain future, no questions asked but with a quick glance in the rearview mirror, just to be sure.

"L'Aventure des Gens Modernes" resides in this retro-futuristic melancholy, between nostalgia and a thirst for tomorrow. Without ever falling into foolish nostalgia or soulless revival, the EP reflects an absolute urgency. Urgency to produce, first and foremost, as studio work has become a true raison d'être for Orphia. Urgency to also shout out a certain rage against a world devoid of hope, and this on stage where the artist performs alone, synths in hand and sharp beats for the dancefloor. In an era where the past enables facing the future, the 5 tracks of "L'Aventure des Gens Modernes" breathe a breath of fresh air into a scene in ruins. Cyberpunk or punk in general, Orphia wants to go fast and take everything in its path.

Amber Broos, the rising star of Belgium's techno scene, has released a thrilling remake of the iconic anthem 'Arpegia'. Originally released in 1995 by Belgian dance act The Mackenzie, this legendary track has captivated clubgoers for decades and earned its place as a true cult classic. Amber Broos, known for her dynamic fusion of techno and Belgian retro influences, breathes new life into 'Arpegia' with a powerful, energy-infused version on the Belgian label Serious Beats Classics. Her reimagined version for a new generation of dance music lovers features an epic breakdown, driving beats, and an electrifying intensity that cements her reputation as the next-generation artist to watch. With this bold and electrifying remake, Amber Broos continues to carve her path as one of the most promising female artists in the electronic music scene.

Amber Broos: "'Arpegia' is a track that has shaped Belgium's dance scene, and I'm honoured to bring it back to life with my own twist. It's a tribute to the past, but also a vision of the future."

At just 22 years old, Amber Broos is already a force to be reckoned within the global electronic music industry. She has made waves with her radio shows on Belgium's leading station Studio Brussel and Tomorrowland's One World Radio, and has become a favourite among fans for her energetic performances and happy dance vibes. Her impact was undeniable at Tomorrowland Belgium, where she not only hosted her own stage at the Atmosphere tent but also performed on the iconic Mainstage for the second time in her career - a historic moment as the youngest female DJ ever to achieve this milestone.

Steve Bicknell returns to KR3, once again unleashing his mastery of power electronics!
Following his two reinterpretations of last year's "JK Flesh Remixes" and four years after his solo EP "A Day In The Life" in 2021, Bicknell takes us deep into the realms of his sonic mysticism, marking a significant milestone in the fifth anniversary of the label.
Several Streams of Thought LP - is an unrelenting and immersive odyssey, presented through nine tracks, seven of which will be available on a double 12-inch vinyl, with two exclusive cuts in a limited 7-inch format.
The album hits hard, straight to the brain, with no warning, across sides A, B, and C. Each side is a raw, untamed techno experience, with Bicknell's unmistakable signature dominating throughout, delivering unwavering intensity and relentless impact.
However, on side D, a transformation takes place: a 15-minute soundscape that turns the embedded waves into breath - a blinding light emerging from the darkness. It's a moment of tribalism and evocative magic, offering a refreshing pause, a return to balance after the intensity of the shadows.
The 7-inch, available in a limited edition under the title "the eye of the invisible world", contains two tracks - one on side E and the other on side F.
The mystical sounds complete this dual experience: one part filled with dark, untamed energy, while the other brings a sense of mental lightness, emphasizing breathwork and emotional self-
healing.
S | B is back, stronger than ever!

Comes on Black & White Marbled Vinyl, complete with a printed inner sleeve featuring insightful liner notes. CHARLY RECORDS present the first ever reissue of the sought-after cult New York, gospel street opera, Free The Black Man’s Chains. The most intriguing, and certainly the most ambitious project on the city’s GSF label (see more stunning titles on GSF exclusively from Charly). The project had its roots in a trio of singles released by the mysterious Broad Street Gang in 1971. The first, on the Cougar label called “Fair Skin Man” and its two follow-ups “L-o-v-e Love” and the title track from the album “Free The Black Man's Chains”. Celebrated musicians on the sessions were Mitchell Rowe, Bobby Eli, Len Pakula, Daryl Hall, Ron Baker, Norman Harris, The Raelettes and strings arranged by Richie Rome. A project like Free The Black Man's Chains should have been perfect for the multi-media nature of GSF. The album could have led to a film in the way that it had for Jesus Christ Superstar, but instead like so many of the label's releases, the album failed to make its mark due to a lack of promotion. GSF would barely reach its second birthday before it – and its parent company – shut down. A Black Opera…

Contemporary Belgian techno powerhouses Charlotte de Witte and Amelie Lens come together on a groundbreaking new “One Mind” EP.

Between them, this pair have very much refined the sound of techno over the last few years. Both hail from Belgium, and both came up through the clubbing scene with their own unique interpretations of techno and its many different nuances.

Charlotte de Witte, a global techno icon and founder of the KNTXT label, has released numerous EPs with a focus on acid and techno, blending in trance and ambient into compelling club cuts. With millions of fans, she also has a history making presence in underground clubs, at electronic music festival main stages like Tomorrowland and Ultra, and crossover festivals with her recently completed production tour "Overdrive". She’s also been crowned DJ Magazine’s World’s Number 1 Techno DJ five years in a row. Through KNTXT, she innovates with ventures like the archival Époque label, immersive pop-ups and spontaneous street parties. Poised for a groundbreaking 2025, she remains at the forefront of revolutionizing the electronic music landscape.

Amelie Lens, the leading figure in modern techno, is known for her exceptional productions and performances. Beyond music, she is a proud mother, record label owner, and activist. She founded Exhale and LENSKE, two globally recognized labels and event platforms celebrated for their inclusivity and unique on-site experiences. Exhale focuses on nurturing fresh talent, signing its youngest artist at just 16 years old. Amelie made history as the first woman with a residency in Ibiza and is now collaborating with Vogue Collective, becoming the first techno artist to do so. Her strong relationships with top designers like Chanel further highlight her creative vision beyond music. From festival appearances at the biggest festivals in the world to performances at iconic venues like The Sphere in Las Vegas, Amelie consistently pushes boundaries, shaping the future of electronic music.

To enhance the unified concept of the EP, both Amelie and Charlotte’s voices are subtly layered into the tracks, together, as one.

The brilliant 'One Mind' kicks off with rock solid, earth rattling kicks and intimate vocal whispers that draw you in close. Flashy, strobe lit synths soon electrify the groove and ensure hands will go skywards as acid lines bring extra drama. 'Where Do We Go' is another fantastic, turbocharged and acid-laced trance-techno gem with high-speed drums and synths racing along under icy spoken words that bring spine tingling sensuality.

This is a super coming together of two of modern techno's most potent creative forces.

The first solo album from Keith Streng, the legendary guitarist of The Fleshtones, the greatest garage rock band in the world! Featuring 12 tracks that span from psychedelic rock to '70s rock, with a strong garage rock essence. For this special occasion, Keith has invited some prestigious artists to collaborate on the album. Two tracks feature The Limiñanas, with whom he will be sharing the stage as a guest guitarist on all their 2025 tour dates. Several tracks include Peter Buck and Scott McCaughey of R.E.M.. The French scene is also well represented, with the young prodigies Dynamite Shakers on one track and Tony Truant on another. And, of course, longtime collaborators Michael Giblin and Kurt Bloch from his side project The Split Squad. Adding a touch of magic, the Red Chuck Tabernacle Choir brings light to the stunning ballad "More Than Beautiful". Kurt Bloch (Fastbacks / Young Fresh Fellows / Presidents of the USA) also mastered the album. The "most hard-working man" Keith Streng will be on stage in France this June for several dates with his fabulous Fleshtones.

Kennedy Mann, indie singer-songwriter and lead singer of dream-pop band Highnoon, is a rising artist from the Philly DIY scene, in which she has become memorable for her poignant lyricism, tender vocals, and sharp melodic skill. Combining the analog sounds of dream pop, indie folk, and slowcore, Kennedy Mann's compositions strike you in the heart and linger like a bittersweet memory. Kennedy's journey as a songwriter began with the debut of Highnoon's first album Semi Sweet, a project consisting of self-written pop-rock tunes. As Kennedy continued to write, she quickly gathered a collection of demos that felt too intimate and singular for the traditional rock band format - a world of music she kept to herself like a secret. Kennedy finally launched her solo project in 2023 as a way to bring some of her most personal musical ideas to life. A prolific songwriter and creative force, she began performing her original acoustic demos on TikTok, quickly building a small devoted following around her vocals and songwriting. Through TikTok, Kennedy began to build her own music community, befriending fellow songwriters Kai Warrior, Tofusmell, and Leith Ross along the way. In recent months, Kennedy Mann embarked on the European leg of Leith Ross' first headline tour, allowing her the opportunity to bring her idiosyncratic talents to the world stage. In July of 2023, she released her debut solo single ?Crooked," a charming Kimya Dawson-inspired slowcore track that finds Kennedy pining over her partner's ?ugliest? and most undesirable traits.

Mazy Fly, the second full-length by the Bay Area artist SPELLLING, explores the tension between the thrill of exploring the unknown and the terror of imminent destruction. Chrystia Cabral spent the summer of 2018 in her Berkeley studio reflecting on the thresholds of human progress and longing for a new and better tomorrow. She was struck by the way the same technologies that have given humans the ability to achieve utopian dreams of discovery have also brought the world to the precipice of dystopic global devastation. Despite the darkness of this reality, Mazy Fly is defiantly optimistic. It is a celestial voyage into the unknown, piloted by Cabral. Mazy Fly musically traverses the spaces between languid, honey-soaked vocals and distant angelic whispers, from thumping 808 club beats to crunching tape loops, and from silky, smooth R&B to whirling organ sonatas. Cabral became enamored by the idea of flight as a harbinger of both progress and apocalypse, and that was expressed in the textures and compositional techniques she utilized. Swarms, flocks, flies, angels, spaceships, flying saucers - all are represented sonically by Cabral and her Juno-106 synthesizer.

Some time back just after then and before now, i was approached to work up a rough working script for a Punk Rock film, based on a boys entre into the whole Punk Arena and how it would affect his life. A loosely updated tale somewhere along the lines of a ‘Punk Quadrophenia’.

After many stop / starts and we are waiting for funding… etc, etc... and changing of ideas. I thought I better just get on with it. I worked up twelve tracks and put an opening script together for approval. Like some of the best made plans, as time moved on, so did the theme and the initial rush of enthusiasm rolled on to somewhere else.

A shame but lurking in the back of Punk Art studios the tapes were found and a bent up copy of the working introduction script. So here it is in all its rough and ready glory. Who knows what might have been but here is some of what could have been… hope you enjoy the idea.
Mal-One

"“We can still hold the line of beauty, form, and beat. No small accomplishment in a world as challenging as this one... hard times require furious dancing. Each of us is proof” Alice Walker, Hard Times Require Furious Dancing

Snapped Ankles have given up trying to make sense of it all. The forest only offers so much protection. Feeding on a diet of fractured narratives, meme culture, viral moments and the very worst of human impulses weighs heavy. The woodwose hold up a mirror to the absurdity of modern life once again. The only sane response is to dance. Make your way to the clearing, gather around the megalith of speakers, drum machines, amps and synthesisers and dance like there’s no tomorrow.

Hard Times Furious Dancing is an invitation to all those lost in the unrelenting noise of the present, to leave it all behind and come together in the forest. Driven by the primitive thrust of their single-oscillator ‘log’ synths, high and low culture collide in a surreal, free flowing narrative - but the rhythm is universal. This is easily the closest Snapped Ankles have come to capturing their rapturous live energy in the studio.

The sound of Hard Times Furious Dancing evolved at Snapped Ankles’ South London ‘Forest Rayve’ club nights in 2024 in response to that age-old primal urge to bring people together and make them move. It’s the first time the woodwose have road tested new material to this extent before committing it to tape since debut album Come Play The Trees, and in doing so have harnessed that feral energy once again. This surreal human/woodwose connection is the very best release from an algorithm that knows you better than you know yourself. Dance it all loose."

Known for his indie-folk-inspired singer-songwriter music that envelops emotions and
moods in intimate, breathtakingly beautiful soundscapes, Cunningham has built a
massive following over the years, amassing more than half a billion streams.
With 'In Light', he wanted to push boundaries. Inspired - and unsettled - by the rapid
development of artificial intelligence, he sought to capture the essence of raw human
creativity. The result is a collection of ten tracks, recorded over five weeks in
Tottenham, North London. These songs-- captured as single takes with minimal
editing-- immerse the listener in a profound stream of consciousness. Cunningham
explores personal truths and reflects on the world's complexities, from the unsettling
grip of big data to the hope that genuine human connection still offers. As he sings in
'This I Know', "The best is yet to be / I believe." The album's title, 'In Light', reflects
Cunningham's optimism, shining through even in darker moments. "We're here right
now / Let's be here again tomorrow," he urges in New Symmetry, concluding with the
poignant affirmation, "I am leaving a light on".

In 2016 an internet user discovered Panchiko’s discarded 2000 demo CD, D>E>A>T>H>M>E>T>A>L, in a Nottingham charity shop and posted it to 4chan to intrigue and fanfare. It took four years for Panchiko’s legions of dedicated fans to find the people behind the music as millions of curious listeners were swaying to the band’s adolescent creations. Upon discovering their own virality, the band reformed with original members Andy Wright (keyboardist and producer), Owain Davies (vocalist and guitarist), and Shaun Ferreday (bassist) alongside new members Robert Harris (guitarist) and John Schofield (drummer), toured the world and wrote, recorded, and released their first album in 20+ years, 2023’s Failed At Maths. But after the thrill of the whirlwind came a new question. What comes next when your dreams come true? The answer is Ginkgo, a 13-track project that finds the band making some of their most introspective, cinematic, and moving music yet. “The whole production has gone up ten-fold,” says Wright of the new album.“ Standout track "Shandy in the Graveyard" feat. rapper billy woods sees the band channeling their youth and tapping into the typical audience at Panchiko shows. That youthful spirit can be felt in the song’s sonic world, as its production genre-shifts between trip hop and orchestral folk, creating a fresh juxtaposition of soundscapes. The same wrenching honesty that attracted legions of fans to their teenage demos is the same truthful ethos that keeps them listening to new material like title track, “Ginkgo.” On it, Davies sings “You command the leaves to fall/The Ginkgo bends at will.” A rumination on the limits of control, collaboration, and fate, the song is an apt meditation for a band whose resurgence came about through a mix of luck, artistry, and then clear-eyed energy.

Early 1980, UB40 scored their first success with Food For Thought', reaching high in the charts. By the time they released their first album they were already so successful that they had signed off on unemployment benefit, leading to the stamped Signing Off featured on form 40, for the sleeve of their debut album. The first dub album ever to reach the album charts in the U.K. included One In Ten' and Don't Slow Down'.

In 1983 the band put on a new project, boasting ten cover versions of Jamaican hits and, contrary to low expectations, it became a huge hit and the band's first number one album. Tracks included are Cherry Oh Baby' and Please Don't Make Me Cry' and Red Red Wine'. The latter was a rather poppy song and became the band's biggest selling single ever, entailing their definitive worldwide break through.

There have been lots of collaborations through the years and most of these became huge hit songs. Together with Chrissie Hynde UB40 recorded two singles: I Got You Babe' (1985) and Breakfast In Bed' (1988). They teamed up with Afrika Bambaataa for Reckless' (1988) and with Robert Palmer the band released I'll Be Your Baby Tonight' (1990), just to name a few.
UB40 - COLLECTED has captured all the different phases of the band in one complete album, from classic hits combined with the new!

"Enjoy The Ride Records in conjunction with Curry Cuts proudly presents Songs, Bond Songs: The Music of 007. For over sixty years, people around the world have been thrilled by the ongoing adventures of James Bond. And it's not hard to see why. The combination of death-defying stunts, cool gadgets, beautiful women, and sinister villains is nearly irresistible.

But there's another feature of the James Bond films that's just as crucial to their success: The music.

Songs, Bond Songs: The Music of 007 pays tribute to that great Bond music, with some of today's best indie pop artists - including members of Drive-By Truckers, The New Pornographers, Fountains of Wayne, and Bowling For Soup - offering updated interpretations of 26 James Bond themes, from Dr. No up to Spectre.

Songs, Bond Songs: The Music of 007 is available on vinyl for the first time. Featuring new gatefold and back cover art by Garreth Gibson, this release is sure to delight fans of 007. This pressing is limited to 500 copies across 2 color variants. "

Leah Chisholm, die als LP Giobbi bekannte Künstlerin, ist eine der interessantesten und wichtigsten Produzenten und DJs der Welt. Sie ist eine im Jazz ausgebildete Pianistin, die sich von der Welt der Jazzmusik inspirieren lässt und es vorzieht, die oft komplizierten und vorprogrammierten Strukturen der elektronischen Musik zugunsten einer spontanen Live-Zusammenarbeit zu vermeiden. Heute kündigt sie ihr zweites Album Dotr an, das am 18. Oktober auf dem Ninja Tune Imprint Counter Records erscheinen wird.
Dotr ist der mit Spannung erwartete Nachfolger von Light Places, dem Album, das ihr den Titel DJ Mag's Best Producer of 2023 einbrachte und sie unter NPR's Favorite New Musicians of 2023, Spotify RADAR's Artists to Watch, Amazon's Artists to Watch und TIDAL's Artists to Watch 2023 platzierte. Mit 3 Millionen monatlichen Hörern auf Spotify und mehr als 340 Millionen Streams auf allen Plattformen hat LP Giobbi große Festivalbühnen geziert - Coachella, Tomorrowland, Electric Forest, Lollapalooza, sowie Auftritte bei Kappa Futur, Arc Music Festival, Lost Village und Portola, die für dieses Jahr geplant sind - und überfüllte Clubfloors, während sie mit Künstlern wie Mochakk, DJ Tennis, John Summit, Diplo, Dead & Co, Black Coffee und ihrem häufigen Kollaborateur Sofi Tukker tourte. In Dotr sind für LP Giobbi echte, unverfälschte Erinnerungen eingestreut: eine letzte Geburtstags-Voicemail von Patricia Lynn und die Aufnahme eines ihrer letzten Gespräche mit Carolyn Horn. Doch obwohl das Album aus der Trauer geboren wurde, ist es im Großen und Ganzen ein fröhliches Projekt, das die Traurigkeit durch die überschwängliche Offenbarung dessen, was es bedeutet zu leben, überwindet. "Is This Love" ist eine wunderbare Kino-Disco, Carolyn" fühlt sich an wie eine Ode an die Chancen, die man einfach so ergreift. Es gibt Lieder über Liebe und Versöhnung, Hymnen über Trauer und Glauben und Hymnen über Angst und Ekstase - keine Emotion ist vollständig ohne ihr gleichwertiges Gegenteil.

The Mac Miller Estate announces new album Balloonerism.

Many of Malcolm's fans are aware of Balloonerism, a full-length album that Malcolm created around the time of the release of Faces in 2014. It is a project that was of great importance to Malcolm -- to the extent that he commissioned artwork for it and discussions concerning when it should be released were had regularly, though ultimately GO:OD AM and subsequent albums ended up taking precedence.


We believe the project showcases both the breadth of his musical talents and fearlessness as an artist. Given that unofficial versions of the album have circulated online for years and that releasing Balloonerism was something that Malcolm frequently expressed being important to him, we felt it most appropriate to present an official version of the project to the world. With that in mind, we're happy to announce that Balloonerism will be released on January 17th, 2025.


The album was born from the same creative period in which Mac was working on Watching Movies with the Sound Off, Delusional Thomas, Faces and more, and represents the creative ambition that he had agnostic of musical genre.

Nat King Cole was born Nathaniel Adams on the 17th March 1917 in Montgomery, Alabama, USA. His family held a key position in the local black community with his father being pastor of the local Baptist church.

His first professional break came touring with the Broadway show “shuffle along” which eventually found its way to Los Angeles. Where Nat ended up playing at the century club on Santa Monica boulevard. This was an in-place for musicians and Nat’s already developed and incredible piano playing became a great attraction eventually forming a trio with Oscar Moore on guitar and Wesley Price on bass. With Nat’s great voice and add libs the trio were a great success in 1939/40.

In 1943 Cole signed to the infant Capitol records and began his enormous string of hits for that label and eventual amazing career partnership with the great arranger and orchestra leader Nelson Riddle. This was at the time of popular music already pioneered by Bing Crosby and latterly Frank Sinatra and something Nat would become a master of, with his by now incredible, highly developed and unique voice which we all instantly recognise.

Right up until his untimely and tragic death on 15th February 1965, Nat made a string of successful records for capitol, a string of film appearances, and the first black presenter of his own tv show, which ran for many years and introduced a whole host of new and old artists to the television screens. As is so often with people so talented, Nat’s life was short but extremely successful. He was a well loved and admired person with his vibrant and kind personality with many great friends and colleagues and made an enormous contribution to the music industry, civil rights and the world in general.

As a singer and pianist, he was exceptionally talented, and his voice will live on in immortality. His ability to express and sing any song was quite extraordinary to say the least and these recordings are a fine example of that ability. A must have for all music lovers!

Dentelles Records is proud to present its latest vinyl release!

We are excited to share the newest release from Greg All, the founder of Dentelles Records and the visionary behind the celebrated Les Dentelles Electroniques festival. This 2-track EP is a perfect reflection of his passion for music that unites people on the dance floor, offering two tracks that will resonate with house music lovers worldwide.

The first track, Last Night, delivers a powerful Tech House groove that will get you moving from the first beat. With its infectious rhythm and captivating vocal layers, this track is a true crowd-pleaser — full of energy and just the right amount of tension to keep the dance floor alive.

The second track, Tomorrow, shifts gears into the realm of Afro House, offering a rich, percussive journey complemented by an evocative vocal performance. It’s a track that speaks to both body and soul, with a driving energy that builds towards an emotional crescendo, sure to resonate deeply with listeners.

This EP marks another milestone for Dentelles Records, bringing together the unique sounds of Greg All with the infectious spirit of the festival. Whether you’re experiencing it live in the club or streaming it at home, Last Night and Tomorrow will transport you into the heart of the celebration.

Dentelles Records est fier de présenter sa dernière sortie vinyle !
Nous sommes ravis de vous présenter la toute nouvelle sortie de Greg All, fondateur de Dentelles Records et créateur du célèbre festival Les Dentelles Electroniques. Cet EP de deux titres est un parfait reflet de sa passion pour la musique, une musique qui rassemble les gens sur le dancefloor, et offre deux morceaux qui résonneront avec les amateurs de house à travers le monde.

Pop/rock singer, songwriter, and guitarist Albert Hammond Jr. is the lead & rhythm guitarist and songwriting member of the GRAMMY® and BRIT Awards-winning band The Strokes. He has released 4 solo albums to date, most recently the acclaimed “Francis Trouble” in 2018 which spawned the radio single “Far Away Truths”. In the 4 years, since then, The Strokes released their US Top 10 charting GRAMMY® nominated rock record “The New Abnormal” and toured the world extensively. Albert also began the songwriting process for his 5th solo album “Melodies on Hiatus”, a 19-track album, crafted in a most experimental style. Albert teamed up with his writing partner, Canadian songwriter, and poet Simon Wilcox (whom he never met during the process) and had lengthy conversations via the telephone; Simon would jot down notes from Albert’s stream of consciousness, and draft the lyrics on her typewriter, and drop them into his letterbox! Albert then added the lyrics to the melodies he had already crafted. The songwriting process became a long distant “anonymous love affair of ideas & lyrics.” The album covers themes of childhood, surviving adolescence, adulthood, vulnerability, fame, relationship with self and others, and is Albert’s “deconstructed broken down ego reaction” to “Francis Trouble.” The album also features songs with GoldLink, Matt Helders (of the Arctic Monkeys), Steve Stevens and Rainsford, and was mixed by Tony Hoffer (known for his work with Beck, Air, M83, The Kooks, Fitz and the Tantrums, Metric, Chromeo, etc.) and mastered by Dave Cooley at Elysian Masters (Paramore, Spoon, Tame Impala, Jimmy Eat World, Peanut Butter Wolfe).

2024 Reissue

The one of the rarest albums pursued by soul-funk-rare groove freaks all over the world is officially reissued with the original jacket for the first time! Originally released in 1976 from Chicago's local label Stage Productions. This is the only album by a six-member soul band "TOMORROW'S PEOPLE" led by the four Burton brothers, and the original version is traded with almost no market. It is no exaggeration to say that it is the ultimate collector's record that everyone wants once, such as always exceeding US $ 1000!

'It was such an honor to play on Dwight Trible's album.

His singing has inspired me since I was 15 years old. He has a way of bringing such a unique life and feel to every song that he sings.

His voice has power, soul, and beauty, qualities that all us horn players strive for.

Thank you Dwight for having me on this masterful piece of art'

Kamasi Washington (early 2019)

The godfather of the LA sound, and possibly the World's greatest living Jazz Vocalist, returns with his masterpiece.

Timeless, yet made for our times - this is a double album of spiritual jazz, soul, gospel, and psychedelic rock.

Recorded at LA's Sunset Sound, and backed by a band of legendary musicians (including Kamasi Washington), this is a
work of true beauty. A tour de force that reveals Dwight's kinship with Spiritualism.

Musicians:

Dwight Trible vocals
Kamasi Washington tenor sax
Mark de Clive-Lowe piano
John B. Williams double bass
Ramses Rodriguez drums
Maia harp
Miguel Atwood Ferguson viola
Derf Reklaw percussion
Carlos Nino hand percussion

Marysia Osu’s debut album, “harp, beats & dreams,” is a captivating journey of self-exploration and emotional expression, blending classical harp with innovative electronic production. A graduate of Brownswood’s ‘Bubblers’ academy and a key member of Levitation Orchestra, Marysia brings a unique background, including a classical music degree from Trinity Laban. The album, entirely homemade, captures intimate moments and raw emotions, featuring notable tracks like “seatime,” which celebrates self-acceptance, and “memento mori,” inspired by stoic philosophy. Collaborations with artists such as Emma Barnaby (cello), YUIS (flute), and Plumm (clarinet) enrich the project, which reflects Marysia’s classical training infused with modern experimental sounds. The album offers an absorbing and elevating listening experience, perfect for those seeking a peaceful, calming sonic sanctuary in an uncertain world