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"Disco Chimi" by Dominican-raised Cuban artist Charles is the second release on Coco Maria's newly found Club Coco label. Comes with 4 paged insert with liner notes and art.

Charlie Chimi — the alter ego of Charles Garmendia — is a globe-trotting, kaleidoscopic creator best known for La China de la Gasolina. A percussionist for legendary Zamrock band WITCH, L’Eclair, and other international acts, Charlie moves fluidly between roles as a live performer, studio musician, and visual artist.

Like the iconic Dominican street burger it’s named after, the Charlie Chimi project is a spicy mélange of Afro-Cuban rhythms, funk-driven basslines, and playful, inventive wordplay — touching on everyday rituals like making lunch, as well as the trickier themes of illusion, hustle, and deception in the animal (and human) world.

Charlie has assembled an international crew of “Chimis” to help him run the numbers, delivering a dizzying, theatrical live show that feels like peeking into the hazy back room of a bodega: old men slamming dominoes, bachata blasting, and a cosmic sandwich opening a wormhole to somewhere far stranger.

For Metro Beirut’s latest release, Cem Mo steps forward with his debut vinyl EP, a record that bridges the roots of Chicago and Detroit house with his own deep and textured approach to groove.

Born in Ankara and having taken piano lessons at an early age, Cem drifted from classical into jazz, re-teaching himself harmony and improvisation before finding his way into production. After moving to Amsterdam in 2016, the city’s community and music scene expanded his horizon, shaping a sound that treats producing like improvising, with curiosity for grain, color, and repetition, where subtle shifts make all the difference. Along the way, Cem has released on Handy Records and Rhythm Section, while his project Nowhere People has appeared on Artisjok Records.

This EP brings together a tight circle of artists who deepen its character. Saxophonist Moritz Schuster, known for his work across electronic music and past work with Cem and Malik Kassim, formerly known as Retromigration, delivers a striking, free-flowing performance charged with raw intensity. On “The Hard Way”, Franco Corica joins Cem for a deep, soulful, jazz-leaning moment that feels both reflective and quietly defiant. Finally, longtime friend Malik pulls up with a dancefloor remix that preserves Cem’s melodic sensibility while adding his own loose, resulting in a circular dialogue between two artists who’ve grown side by side.

Artwork: Shahd Issa

Eco Edizioni debuts in 2025 as an Italian publishing and recording project dedicated to mapping radical sound aesthetics. The label explores the territories of unconventional electronic music, giving space to forgotten productions that outline complex soundscapes through the experience of expert synthesis producers. The first vinyl release embodies this philosophy through a dialogue between different generations of the European industrial and electronic scene. The dark atmospheres of Okиho meet the analytical and methodic techno of Andrew Lagowski, taken from his 1995 album Prismatic.

The album Malnovnova is the culminating synthesis of this synergy, presenting itself as a manifesto of avant-garde sound engineering. The work pushes the Okиho duo’s research towards a totalising and hyper-technical electronic abstraction, where granular signal processing is mitigated by Lagowski’s atmospheric industrial layers.

“Estonian cultural theoretic Tõnis Kahu once said that Black Metal is men seeking for masculinity while their bodies lack the capacity to catch up and are lagging behind. In the age of microplastics and low-testosterone, Tapetud Rott is asking for ancestral guidance from George Michael. Each day with the growing pains of maturity they can only dream about living somewhere so happy-go-lucky and tranquill as the city that once provided the suitable breeding ground for giving birth to such an agressive and theatrical expression that could mark its cadaverous polar opposite. The mask they now so falsely wear is one seeking for Vitamin D inside the heart of a deceased Rat.”

Limited Black 7-inch Vinyl

Music by Robert Nikolajev & Mikk Madisson
Recorded in Tallinn

Mastered By The Bastard

Salon Records is proud to welcome Lil Mark & Jason Hodges for the single Wait. Pure house anthem with a strong focus on groove and funky drums declined also in an instrumental version. Stuttgart based producer Anneke Laurent, known for his production with Markus Schatz under Neverm!nd, delivers a classy deep house version of Wait, while Moritz Piske & Antislash, long label buddies joined their forces to produce a badass remix, slightly more funky, minimal and full of off beat humour.

Vessel Recordings line up US producer Jason Merle for the fourth instalment in his Vessel Recordings Group series, where across four tracks - including the nearly ten-minute opener 'I'll Be Gone', 'Sumthin Bout', 'The Nature of Love', and 'Actin Like' - we've deep, atmospheric textures and propulsive house momenta. Merle's signature approach to layered electronic production shines brightly here; B-sider 'The Nature Of Love' opts for deeply echoic, tunnelling sonic tribalisms, countering the A-side's shinier 4x4 allure.

4 monstruous tracks straight from the basement feat. one of the original house music creator RON HARDY.

Vessel Recordings Group owner Ira James has curated another delicious deep house release with this big new house tune, plus a set of Todd Terry remixes which come as part of the label's 20th release celebrations. First up is the Freeze Mix, which brings emotional intensity and heavy low ends, then there's a flashy dub before Kameo & Nonfiction's original mix layers loose toms and elastic bass with disco synth colour. Terry also serves up a peak time house rework, Jon Lee & Ramiro bring a tribal twist with their mix and Blakkat's extended mix is a more tech edge affair. A fine way to mark 20 releases.

Good Kid ist keine typische Rockband; sie sind wahrscheinlich der größte Indie-Act, von dem du noch nie gehört hast. Was als Projekt von fünf kanadischen Informatikstudenten begann, die sich von ihren Aufgaben ablenkten – Nick Frosst (voc), Jon Kereliuk (drums), Michael Kozakov (bass), David Wood (git) und Jacob Tsafatinos (git) –, entwickelte sich rasant zu etwas viel Größerem und einer riesigen globalen Community, die Menschen willkommen heißt, sich so zu zeigen, wie sie sind. Mit vier erfolgreichen EPs im Gepäck liefert Good Kids Debütalbum "Can We Hang Out Sometime?" die energiegeladenen Hooks und innovativen Riffs, die zu ihrem Markenzeichen geworden sind, und wagt sich gleichzeitig mutig in neue Gefilde vor. Langjährige Fans finden hier die typischen Good-Kid-Kracher, die sie lieben, aber auch die Band, die in ihrem bisher rauesten Werk neue Soundfarben, Rhythmen und Wendungen erkundet. Produziert von Grammy-Preisträger John Congleton (St. Vincent, Wallows, Lana Del Rey) in Los Angeles.

Good Kid ist keine typische Rockband; sie sind wahrscheinlich der größte Indie-Act, von dem du noch nie gehört hast. Was als Projekt von fünf kanadischen Informatikstudenten begann, die sich von ihren Aufgaben ablenkten – Nick Frosst (voc), Jon Kereliuk (drums), Michael Kozakov (bass), David Wood (git) und Jacob Tsafatinos (git) –, entwickelte sich rasant zu etwas viel Größerem und einer riesigen globalen Community, die Menschen willkommen heißt, sich so zu zeigen, wie sie sind. Mit vier erfolgreichen EPs im Gepäck liefert Good Kids Debütalbum "Can We Hang Out Sometime?" die energiegeladenen Hooks und innovativen Riffs, die zu ihrem Markenzeichen geworden sind, und wagt sich gleichzeitig mutig in neue Gefilde vor. Langjährige Fans finden hier die typischen Good-Kid-Kracher, die sie lieben, aber auch die Band, die in ihrem bisher rauesten Werk neue Soundfarben, Rhythmen und Wendungen erkundet. Produziert von Grammy-Preisträger John Congleton (St. Vincent, Wallows, Lana Del Rey) in Los Angeles.

Announcing Maara’s new album Ultra Villain, a deeply personal, narrative-driven record that explores desire, heartbreak, obsession, and the freedom that comes with choosing yourself.

Written from a place of hard-won self-trust, the song marks a shift toward clarity. “I realized people can only meet you where they’ve met themselves.”

Written and Produced by Maara Louisa Dunbar
Additional Production and Mixing by Francis Latreille and Patrick Holland at Jump Source Studios
Mastered by Noel Summerville
Cover Art by Dodleyz
Design by Jesse Osborne-Lanthier

Janeret & Halo Varga drop deep, tension-filled house vibes perfect for late-night sessions, powered by Franco Cinelli's killer remix that takes it to peak-time heights.

Fausto returns to the Carpet family, this time with three tweaked out jams perfect for the Circuits series. Spread across the A-side, the 9-minute ‘Moonland’ evokes its title with driving acid and cosmic Detroit atmospherics. On the B, ‘Nacho’ is a classic mood builder, tempering its own acid lead with expansive bass and a rolling groove. The EP closes with the stepping ‘Nirvana’, perfect for closed-eyes reverie at the afters.

LA-based producer Real Bad Man and Detroit rapper Boldy James return with their third collaborative album, Conversational Pieces, out now via Real Bad Man Records. The project features the singles “Come Back Around” featuring DC polymath dreamcastmoe, and “It Factor” featuring El-P. Their creative chemistry has never been clearer: this new album sees the duo pushing into fresh sonic territory through an expanded production palette that Real Bad Man continues to evolve and experiment with.

Recorded immediately after their 2022 album Killing Nothing and revisited in 2023 following Boldy’s serious car accident, Conversational Pieces is a deliberate, reflective body of work. It captures two distinct periods in the artists’ lives—documenting their growth as musicians, fathers, and long-time collaborators. The album’s artwork, along with the accompanying single art, draws inspiration from Rorschach inkblot tests—abstract visuals that invite interpretation and spark conversation, mirroring the album’s introspective nature.

San Francisco style driving techno tinged with dark dubs and disco from two of the town’s most explosive producers.

Brick & Zero Idea represent the same city, blazing their own paths in San Francisco’s heady techno scene. Both manage their own labels / parties, Brick with Perfect Dark and Vitamin1000 a la Zero Idea respectively, but are no strangers in the studio together.

First up, two full-bodied techno timebombs from the duo: a mega sub’n’dubchord special alert on A1’s “West End” paired with a more refined, smoother, slippier companion on the A2 “No Room For Error”. Combined-strengths banger collabs for different moments and moods of a night.

Sticking with the theme, we see contrasting solo tracks on the flip side as well. Brick’s “Sigil” spotlights the producer’s laser focus for darker, hypnotic, full force synths in impeccable arrangement, while “Xhale” ends this release on an upliftingly funky bassline disco tip showcasing Zero Idea’s ease at blending techno sensibilities with French House techniques.

Format C: comes just on time to say No Passaran.

BIG UP !!

Another massive offering from the one and only Mick Harris, continuing on in his Culvert Dubs Sessions experimentations with a new 2xlp. Once again Mick delves deep into the shadow realm of slow beat, psychedelic heavily textured, grinding dub techno. Eight tracks of absolute industrialized, delay swept, full pressure, sound system shaking murk ridden, dark water dubs. Top form work when Mick lets loose in this wild style, just the right balance of beauty, restraint and brutality. Total heavy weight music!

2026 Repress

The undisputed star of 2021, Sweely has provided 4 staples from his inimitable live set, now in DJ-ready form.

2 long shot of french Tribe Hardcore. Efficient Dj tool. Good kick and good luck !

"K8A a.k.a. Kaethe Hostetter is a New York–based violinist. composer, and bandleader, whose work grew out of eleven years living and collaborating in Ethiopia. As a founding member of Debo Band and QWANQWA, Hostetter has been performing Ethiopian music for over two decades, and her solo debut, Woradj Alle, builds on this legacy by reimagining Ethiopian songs through live-looped violin and electronics.
"The album unfolds as a hypnotic, ritual-like performance that expands the instrument into an immersive sonic landscape, that refracts Ethiopian classics through dub, psych rock, and avant improvisation. It is not fusion, but transmission - music that blurs memory, place, and time.
"This collection of musical vignettes is based on my time in Ethiopia, the place I called home for 11 years", Kaethe explains. "The phrase 'Woradj Alle' is one of the first colloquial expressions I learned upon arriving in Addis Ababa, used on public transportation, simply meaning 'let me off right around here'. In choosing this name, I invite you to join me on the rickety minibus journey through my time in Ethiopia, and step off 'the bus' into scenarios, atmospheres, and soundscapes that describe moments I experienced, people I met, and other lasting impressions, striking and mundane."

"In 1910, the illustrator George Herriman created the Krazy Kat comic strip. Ignatz, a vicious mouse, was Krazy Kat’s arch enemy, and his favourite pastime was to throw bricks at Krazy Kat’s head (who misinterpreted the mouse’s actions as declarations of love)
"Ignatz is the alter-ego of Belgian musician Bram Devens. Since 2005, he has released around 20 albums accompanied by guitar, in LP, CD or cassette formats, on labels such as (K-RAA-K)³, Ultra Eczema, Fonal, Mortaux vaches, Okraïna, among others. Ignatz has toured all over the world: Belgium, Germany, the Netherlands, France, Great Britain, Italy, Finland, Greece, Switzerland, Portugal, Lithuania, the United States, Japan, etc.
"Since the beginning of his journey as a singer-songwriter, Ignatz has played wonderfully and mysteriously with the combination of the similar and the unfamiliar, between the repetition and permanent reinvention with slight shift in accents... Now For two decades, when discovering his new songs, whether on record or in concert, his expressive and sonic universe can be recognized in seconds, and at the same time, he surprises every time. This is clearly also the case with ‘I Don't Know’, an album for which (after the cassette ‘Coffee, No Cigarettes’, Taping Policies 2017) he trades his guitar for the piano.
"In the mid-2010s, Ignatz inherited the family piano. As a self-taught musician, he explored the instrument and gave a piano concert in the small Flemish town of Geel, which was filmed by Jef Mertens (who also released the aforementioned cassette) and attended by Beata Szparagowska and Philippe Delvosalle from the label By the Bluest of Seas. After some years, it was in his home in Landen that Bram Devens recorded this haunted piano album, which is unlike any other piano record."

First Axis of People release for 2026.
Fantastic Man shifts the tone, dialling back recent trance leanings in favour of a more direct, house-driven sound. Deep chords and ethereal vocal fragments remain, but the focus moves away from the ‘epic-drops’ du jour toward something more fluid and propulsive.
A Little Bit More and Be There keep things warm and rolling, Inhibition adds extra drive, and Prophecy closes in dubbed-out broken-beat territory.

Epsie steps up on Secretsundaze’s 9FINITY imprint with ‘Any Colour You Like’, a four-track EP weaving trippy, techy, and subtly progressive elements juxtaposed with darker, electro-orientated moments for a heady dancefloor statement.
Built with a live-first mentality, his productions mirror the fluidity of his sets—intricate rhythms and elastic basslines ground the EP in pace and movement. The release oscillates from the sleek to the abrasive with punchy drums and otherworldly synths existing in tandem with deep tech house grooves. A distinctly European sensibility runs throughout: restrained yet exploratory, minimal yet richly detailed, all landing with understated psychedelia and deep functionality tailored for the heads.

Frizzell & Duque's A Sorrow Unrequited moves with suspended patience, each LP piece built from simple melodic figures, each of which eventually thicken out to quiet overwhelm. Working outside their Zake/City of Dawn aliases, the pair realise a more diaristic exposure here, drawing their inspiration and track titles from Julia Frizzell's poems of the same name. 'We Once Believed We Owned The Sky' tone-sets the vibe with long, tidal swells of strings and synth, dissonances sparing but weighted, while 'Closer, Always Closer' moves in similarly tidal cycles, with momentary swellings and torn cellos fissuring through the overall sadness.

Enough pop princesses! Vanja Sky is the real deal—a blues-rock gunslinger with a fiery voice and a striking new album full of modern classics. The Croatian-born guitarist first made waves during the Blues Caravan 2018 with her acclaimed debut album Bad Penny, praised by critics as a powerful entry that revitalized the scene. Inspired by legends like Rory Gallagher, Albert King, and Stevie Ray Vaughan, Sky left her hometown of Buzet and her job as a pastry chef to immerse herself in the music scene of Zagreb. Despite the challenges of coming from a region rarely noticed by the music industry, her talent quickly gained attention. Supported by Thomas Ruf of Ruf Records, she broke through with Bad Penny and impressed audiences alongside Mike Zito and Bernard Allison on the Blues Caravan tour.

Tetragon ist das zweite Album des Tenorsaxophon-Virtuosen Joe Henderson beim Label Milestone, auf
dem er seinen Sound im Post-Bop-Bereich weiterentwickelte, bevor er sich später in seiner Karriere weiter
in den Bereich des Spiritual Jazz vorwagte, begleitet von einem Weltklasse-Ensemble mit Ron Carter, Jack
DeJohnette, Kenny Barron, Louis Hayes und Don Friedman.
Diese Jazz Dispensary Top Shelf-Neuauflage von Tetragon wurde von Kevin Gray aus den originalen Analogbändern (AAA) geschnitten, bei Fidelity Record Pressing auf 180-Gramm-Vinyl gepresst und kommt in einer
Gatefold-Tip-On-Hülle.

Mit seinem neuen Doppel-Album "Baroque Colours" präsentiert Martin Stadtfeld eine einzigartige Palette farbenreicher Werke des Barocks. Und das in einer ganz besonderen Form: Für den ersten Teil wählte er 19 wunderbare kleine Originalstücke aus, u.a. von Bach, Rameau oder Händel, aber auch von weniger bekannten Komponisten wie Johann Kuhnau oder Joseph-Nicolas-Pancrace Royer. Für den zweiten Teil hat Stadtfeld einige seiner Lieblingstücke des Barocks ausgewählt und für Klavier neu bearbeitet. So gibt es aus Vivaldis berühmten "Vier Jahreszeiten" die mitreißenden Melodien aus dem "Sommer" und dem "Winter" neu zu erleben - als kurze, wunderbar klingende Piano-Stücke. Oder den berühmten "Kanon" von Johann Pachelbel in einer neuen Fassung für Klavier zu vier Händen, die Martin Stadtfeld mit der Pianistin Lilian Akopova eingespielt hat. Diese ist auch seine Partnerin bei den vierhändigen Fassungen des ersten Präludiums von Bach sowie der "Passacaglia" aus Lullys Oper "Armida". Ein Erlebnis sind auch die Klavierfassungen von Purcells Musik aus der Oper "Fairy Queen". Nahezu meditativ klingen Stadtfelds Improvisationen über Themen von Bach (u.a. das berühmte "Air" und "Menuett"), über Werke von Arcangelo Corelli sowie über das Kirchenlied "Ach bleib mit Deiner Gnade". Aufgenommen wurden die insgesamt 45 Stücke mit einem modernen Steinway mit einem sehr nahen und warmen Klangbild, so dass sich die Farbenpracht und Intensität unmittelbar auf den Hörer überträgt. Es ist, als ob man vor einem farbenreichen barocken Gemälde stehen würde und dabei immer neue Farben entdeckt.

2026 Repress

On Left At Sunset, Tornado Wallace taps into those fragile, glowing moments after a long night in the club, when the lights come up just enough, the bass softens, and the first hint of morning slips through the windows. Time feels suspended.
The lead track Asahi Ga Yondeiru (“the morning sun is calling”) captures that feeling perfectly. Built around Courtney Bailey’s gentle vocal, it drifts somewhere between late-night house and early morning reflection. It is not about the peak. It is about what comes after it. That quiet euphoria when you realize the night gave you something you will carry back into the real world. The rest of the EP stays in that same emotional zone: warm, slightly melancholic, but full of light. These are tracks for the very last dance, when the floor is half-empty, hearts are wide open, and every sound feels a little more meaningful. Not an ending, really. Just the beginning of whatever comes next.

Phantasy transports back to 1982 for a faithful reissue of the highly sought after ‘Fools Are Friendly’ from Xclusiv, carefully re-mastered from the original tapes.

The alias of sisters Karen and Maxine Berlinski, Xclusiv emerged inconspicuously from the London borough of Croydon with a sophisticated vision of cosmic disco pop, linking the suburbs with Soho’s neon-tinted nightlife. Decades later, and in close collaboration with the sisters, this highly sought-after record arrives lovingly reissued by Phantasy in its original, sensuous form.

Originally self-released on Le Maitre Music, a record label spun-off from their family-run fireworks and pyrotechnics company, ‘Fools Are Friendly’ has the irresistible sense of a radio hit that never was. A brilliant DIY reflection of the disco and soul that dominated the charts of the time, its glossy, primitive electronics echo the synth experiments of Giorgio Moroder or Didier Marouani, pioneers that were transforming pop music.

The extended mix provides an overture to the sisters’ twinned vocals, unfolding with delectable disco drama. In contrast, the Instrumental Mix lets the record’s blend of elements truly breathe, a synthesised version of Xclusiv’s irresistible vocal hook holding court between timeless arpeggios and subtle modulation.

Masayoshi Fujita & Jan Jelinek, live in Kyoto, 29th June 2025 at Shimei-Kaikan, Kyoto

The concert took place as part of a Japan tour by the duo in June/July 2025. The show in Kyoto was organised by Tatsuya Shimada (night cruising). After a solo concert by Masayoshi Fujita and Jan Jelinek, the two performed as a duo.

faitiche edition is a series of concerts on tape cassette. The recordings are not available digitally. Buyers/owners of the tape can send a photo of their cassette by email to info@faitiche.de (Subject: »das digitale Konzert«) to receive a Bandcamp download code free of charge.

Sound recording: Kunihito Kizuka
Mastering: Jan Jelinek
Drawings: Vincent Klingelhöfer
Photo: Yoshikazu Inoue
Design: Tim Tetzner

Ola Tunji is a young French quintet based in Brussels. Together, they explore the boundaries between spiritual jazz and free jazz, following in the footsteps of their great heroes John Coltrane, Pharoah Sanders, and Albert Ayler. At the forefront is the still only 24-year-old Ornella Noulet, whose saxophone playing can both rasp and soothe with the authority of a seasoned jazz veteran.

The band describes their music as collective meditations, in which they express love, compassion, joy, and serenity through improvisation. By making music together, they search for a deeper sense of humanity.

Their self-titled EP was initially released only digitally on Bandcamp, but it was immediately met with enthusiastic international acclaim, including praise from the American platform All About Jazz. Bandcamp itself also highlighted the release as a jazz standout. While awaiting their first full-length album, W.E.R.F. records is releasing this outstanding EP on vinyl for the first time.

DJ Ron's forgotten classic 21st Century finally gets the release it deserves, arriving on 12" black vinyl alongside a brand-new Bladerunner remix Originally recorded for DJ Ron's debut album Quintessence back in 1997, Hospital Records proudly welcomes it back into the world in style. The A side carries the original in all its glory. 21st Century is a timeless and futurefacing weapon - analogue at heart, hand-controlled automation and carefully curated sounds take you centre stage, giving it a unique, personal texture and depth that has lost nothing with age. Flip it over and Bladerunner steps in with an equally powerful B side remix, bringing his own vision to a track that was always ahead of its time. Born and bred (and still resident) in Hackney, career-long Rinse/Kool FM DJ, the first jungle/ D&B artist to record an Essential Mix for BBC Radio 1, host of the London Something podcast and more, DJ Ron is a multi-faceted creative and an uncontested foundational figure within jungle and drum & bass. This 12" is long overdue. The first time that DJ Ron's '21st Century,' taken from his unsung debut album, will be available digitally & physically alongside a fresh remix from Bladerunner. One for the heads - this one is all about flying the flag for DJ Ron, one of the foundational figures of jungle and drum & bass.

This 12" introduces Maajo Soundsystem, the electronic, dancefloor-focused sub-project of Maajo, presenting stripped-down, club-ready versions of their 2022 album 'Water of Life' that go beyond standard remixes through newly recorded balafons, percussion, and vocals from Senegalese artist Ismaila Sané and Mauritian vocalist/drummer Gilbert K. Sané began his career in the 1970s as a percussionist and African ballet dancer before relocating to Finland in 1999, later becoming the first emigrant to receive the country's Citizen of the Year award. While Maajo tours as a six-piece live band, Maajo Soundsystem offers a flexible electronic configuration that retains live vocals and percussion. The group has released multiple LPs and EPs on Queen Nanny and Permanent Vacation, scored the silent film Lost World, received remixes from Luke Vibert and Call Super, and toured internationally, with strong radio and press support from BBC Radio 6, Worldwide FM, KEXP, Resident Advisor, WFMU, and more.

Information Society's Running was the band's debut single, released in 1985. Originally distributed to club DJs, it quickly became a club hit, especially in New York, and attracted the attention of Tommy Boy Records. The song hit number 2 on the Dance/Club Airplay charts. The b-side to this 7 features the instrumental version of the song.

With spring and summer right around the corner, Small Moves returns with it’s 7th release, this time showcasing Sweaters distinct Philadelphia sound. After the success of the Post Play EP, this 5 track EP solidifies Sweaters place as one of the top producers in the US and beyond. From House to Tech House to Breaks, this EP has got every mood covered. With lots of early support, don’t sleep on this one!

Billie Eilishs mit fünf GRAMMY®-Awards ausgezeichnetes, mit Multi-Platin ausgezeichnetes Debütalbum
mit den Titeln „bad guy“, „when the party’s over“ und „you should see me in a crown“ – WHEN WE ALL
FALL ASLEEP, WHERE DO WE GO? – ist nun als limitierte erste internationale Pressung auf babyblauem
Vinyl erhältlich.
Diese Schallplatte besteht aus BioVinyl, das zur Vermeidung von Klimabelastungen das üblicherweise
bei der Vinylherstellung verwendete Erdöl durch Altöl und Abgase ersetzt. Alle Verpackungen aus Papier
und Karton sind FSC®-zertifiziert und bestehen zu 100 % aus Recyclingmaterial. Die Druckfarben sind
naturbelassen und pflanzlich, der Glanzdispersionslack ist wasserbasiert. Anstelle von Folienverpackungen
werden wiederverwendbare Hüllen aus 100 % recyceltem Polyester verwendet.
Billie Eilishs Debüt-EP mit weltweit über 2,6 Milliarden Streams, darunter „ocean eyes“, „bellyache“ und
„idontwannabeyouanymore“ – „dont smile at me“ ist jetzt als limitierte, weltweit erste internationale Pressung auf transparentem Vinyl erhältlich.
Diese Schallplatte besteht aus BioVinyl, das zur Vermeidung von Klimabelastungen das üblicherweise
bei der Vinylherstellung verwendete Erdöl durch Altöl und Abgase ersetzt. Alle Verpackungen aus Papier
und Karton sind FSC®-zertifiziert und bestehen zu 100 % aus Recyclingmaterial. Die Druckfarben sind
naturbelassen und pflanzlich, der Glanzdispersionslack ist wasserbasiert. Anstelle von Folienverpackungen
werden wiederverwendbare Hüllen aus 100 % recyceltem Polyester verwendet.

The Romantic, the new album from Bruno Mars. The fourth studio album from the global superstar and 16 time GRAMMY® Award-winning artist marks Mars' first solo album release since 2017's 24k Magic and follows chart topping collaborations with Anderson .Paak as Silk Sonic, as well as smash hits with Lady Gaga and ROSÉ.

Available for pre-order on the 9th January at 5AM GMT and set for release on the 27th February 2026.

Sixteen-time GRAMMY® Award winner and thirty-three-time GRAMMY® Award nominee Bruno Mars is a celebrated singer, songwriter, producer, and musician who is one of the best-selling artists of all time and now continuously the number-one most listened-to artist on Spotify. With recent hits like “APT.” with ROSÉ and “Die With A Smile” with Lady Gaga—the latter earning him two nominations for “Song Of The Year” and “Best Pop Duo/Group Performance” at the 67th Annual GRAMMY® Awards—Mars has celebrated another extraordinary year in music. Among his robust list of accolades, some of which include “Album of the Year” for 24K Magic at the 60th Annual GRAMMY® Awards and “Record of The Year” for Silk Sonic’s “Leave The Door Open” at the 64th Annual GRAMMY® Awards, Mars has held the number one global song for more weeks than any artist in 2024 with both “APT.” and “Die With A Smile.”

Deaf Center travel through quiet pathways and grand boulevards in their fourth studio album “Through Time”.

Since their last full-length LP, “Low Distance” (2019), the duo has gradually shifted towards a more long-form electroacoustic sound which perhaps makes for their most immersive listening experience so far. Otto A Totland’s piano travels in less frequent rhythms than before, yet is felt even more as a relief in the quieter moments that contrast with Erik K Skodvin’s deep atmospheric worlds. There’s a searching quality within the record which feels like slow movements on the way towards something meaningful, capturing a sense of both peace and awe.

The latter part of the album takes a different turn: fluctuating electronic rhythms over deep strings create an ecstatic yet haunting duality. It is the first time a guest musician appears on a Deaf Center record: British composer and musician Simon Goff joins with violin and viola in the finale, “Further”, a hypnotising piece submerged in layers of strings and drones.

The subject of time is an ambitious one, yet Deaf Center manage to balance the humble with the grand in great warmth as seconds become minutes, hours become days and time seemingly freezes as a still-life moment.

Deaf Center travel through quiet pathways and grand boulevards in their fourth studio album “Through Time”.

Since their last full-length LP, “Low Distance” (2019), the duo has gradually shifted towards a more long-form electroacoustic sound which perhaps makes for their most immersive listening experience so far. Otto A Totland’s piano travels in less frequent rhythms than before, yet is felt even more as a relief in the quieter moments that contrast with Erik K Skodvin’s deep atmospheric worlds. There’s a searching quality within the record which feels like slow movements on the way towards something meaningful, capturing a sense of both peace and awe.

The latter part of the album takes a different turn: fluctuating electronic rhythms over deep strings create an ecstatic yet haunting duality. It is the first time a guest musician appears on a Deaf Center record: British composer and musician Simon Goff joins with violin and viola in the finale, “Further”, a hypnotising piece submerged in layers of strings and drones.

The subject of time is an ambitious one, yet Deaf Center manage to balance the humble with the grand in great warmth as seconds become minutes, hours become days and time seemingly freezes as a still-life moment.