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Narciss & Gerd Janson - No Maze Like Heaven

Running Back is delighted to introduce RB Studio Sessions, a new sub-imprint of music envisioned, recorded and fully realised at Running Back’s in-house studio.
Built on the promise of unfettered creative freedom and aided by agreeable local autobahn connections in the Hesse region, the RB Studio Sessions project is christened with the work of Running Back’s founder, chief dreamer, and Geschäftsführer, Gerd Janson.
For this debut edition, he is joined for a momentous jam by the new-school hero of the house, good friend and kindred spirit, Narciss.
Just as Running Back’s earliest releases dropped a stylus to preserve timeless ideals of club culture, the four tracks on ‘No Maze Like Heaven’ further this continuum by turning back the sonic clock just a decade or so. Picture, if you will, a nascent Narciss, youthfully club
hopping and deeply inspired by the selections of Gerd himself, alongside a selection of DJs coaxing the Panorama Bar blinds open with exquisite, mid-tempo precision.
As such, new light immediately floods in for ‘Chicco’s Chips’, which captures many of those irresistible elements—Italo-tinted synths, hooky vocals, and perfect percussion— regenerated with the wide-eyed, high energy of Narciss’s own solo productions. ‘Elka,
meanwhile, is a richer, deeper dish, masterfully interlocking multiple heavenly melodies under layers of optimistic analogue fuzz.
Narciss and Gerd then look to the Netherlands for further collaboration with one of electronic music’s best-loved vocalists and another fine producer, Coloray, who fills ‘Look For You’ with a yearning performance in the vulnerable, synth-pop tradition. Finally, ‘No
Maze Like Heaven’ builds on this mood and melody for a finale that hits the sweet spot between machine power and oh-so-human emotion.
Featuring labyrinthian artwork from the mighty Gasius., via a sleeve that appears to blend M.C. Escher with MC Hammer, ‘No Maze Like Heaven’ proves to be a divine foundation of RB Studio Sessions. For Narciss, “a memory they will cherish forever.”
For Gerd, a taxdeductible working lunch. For DJs and dancers? Four ebullient hits-in-waiting, sounding great and meaning more.

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Zed Bias - Wanna Go Deeper

Zed Bias

Wanna Go Deeper

12inchIFGGG006
IFG
17.04.2025

Very few producers in the game can hold a candle to Zed Bias when it comes to exceptional garage sounds. He has helped shape the genre many times over and now comes through on the IFG label with another gem. This one features Abstract Sonance and Amber Prothero and is deep, cuddly, dubbed-out mid-tempo garage with long-legged drums and mystic melodic leads next to a spine-tingling vocal. The Zed Bias 4x4 remix bumps a little more directly with fizzing static marbled the beats and some nice wobbly bass finishing it in style.A

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Mitch Wellings - The Ritual EP

Mitch Wellings

The Ritual EP

12inchPRIVATEPARTS06
Private Parts
17.04.2025

Space Tours head honcho Mitch Wellings debuts on Private Parts with potentially his most explosive EP to date. Kicking things off with some bass heavy, ragga infused breaks. ‘The Ritual’ is pure authentic riddims, featuring Mitch’s recordings of Zimbabwean, Persie Pee, on the vocal. ‘Had Me Livid’ ramps up the tempo with some rolling bass/tech. Intricate drum programming, hip shaking dancefloor fun. Flip to the B and you have two highly gratifying electro jams. ‘Leave With Us’ heads into Mitch’s signature, out of this world, alien territory. Wrapping up the ep is the instructional electroid funk that is ‘Choreography’ – dance routines encouraged.

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Dreamlogicc - ST 003

Dreamlogicc

ST 003

12inchST003
SUB TERRAIN
17.04.2025

Dreamlogicc's a hard producer to second guess and he shows why with this latest outing on Sub Terrain. It explores everything from high-tempo and half-time to jungle, footwork and more. There is a real swagger and menace to the opener 'Finite Resource', 'Take It And Break It' then brings minimal drum & bass and caustic synth textures, 'Thyme To Goa To Bed' is a piano happy jungle workout, 'Dos Equitus' slows things down to smeared synth ambience and half-time steppers, more wobbly low ends come on 'Dox Equitus' and there is some manic IDM on 'Uncredited.' This one is mad limited so do not sleep as it won't be around long.

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Konalgad - Club Dream LP 2x12"

Konalgad

Club Dream LP 2x12"

2x12inchDDR006
Dance Data
14.04.2025

Spread across two discs for maximum fidelity, this is sound system music with grooves primed for mixing and dialed-to-a-Tee bass weight, but hovering above the grounded structures are fleeting rhythmic textures that veer things off into a world worth getting lost in. Throughout its 11 tracks, “Club Dream” plays out like a full mix, ebbing and flowing through a variety of energy levels and moods. Some of the range you’ll find here includes half-time dream-step, peak time pulses, and dubbed out mid-tempo tech, all done with a cohesive restraint and appreciation of atmosphere. The record imparts it’s own kind of dance floor dream logic onto the listener, inviting us to let go of making sense of things and trust in its fuzzy logic.

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Club Of Jacks - Always EP

The fledgling Jackpot Recordings label is back with a second serving up club-ready goodness with Club of Jacks at the helm. There is a healthy dose of classic elements to these tunes - 90s vocals, deepness, soul - not least the opener 'Always' with its diva wails and balmy pads draped over nice silky drums with a majestic piano breakdown. 'Gorgon Dub' is a fat bottom house cut with mid-tempo drums and rigid percussion atop a dark bassline throb. 'Think Of You' is a warm and breezy one with loved-up pads and r&b vocal chops and 'Soundboy' gets more naughty with some garage-inspired drums and bass primed to pump the party.

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Kameliia - Dont Be Naive

Kameliia

Dont Be Naive

12inchSUBL019
Sublunar
11.04.2025

Sciahri and Sublunar are proud to present Kameliia's first solo EP on the label, Dont Be Naive. After debuting on Sublunar with the various artists release Veil of Echoes I, she now returns with a record that fully embodies her artistic identity. With a distinct sound shaped by releases on SK11, Token, and Unterwegs Records, Kameliia continues to carve her own path.The journey begins with "MM6", a hypnotic and forceful track driven by sweeping strings that expand and contract like a living entity. "Aspects" follows, a piece of refined minimalism where every element feels meticulously placed.

On the B-side, the title track "Dont Be Naive" sets a relentless pace, steadily building tension with masterful restraint. "Eventide" introduces eerie, spellbinding vocals that weave through the track like an incantation. Closing the EP, "Keepers of the Secret" slows the tempo, its haunting female vocal etching itself into the subconscious.

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Alex Arnout presents Black Logic - Pull Up EP

Alex ArnoutpresentsBlack Logic

Pull Up EP

12inchHTRE010
HARD TIMES
10.04.2025

Hard Times proudly welcomes a new release from an artist deeply connected to the label’s storied past. Alex Arnout presents BLACK LOGIC with their debut EP, ‘Pull Up’, a project born from passion, collaboration, and a return to House music's soulful roots

Hailing from West Yorkshire, Arnout spent his formative years on the Hard Times dancefloors, absorbing the beats and vibes that would later shape his own productions. His journey with the label reignited when he was invited to remix Michael Watford’s classic 'Love Change Over' and Steve Silk Hurley’s fresh hit 'All I Need'. Now, he returns with something truly special

“Black Logic was born out of the pandemic,” says Arnout. “I wanted to move away from drum machines and synths, getting back to sampling jazz and the deep house sounds of the ‘90s - taking inspiration from artists like Bugs in the Attic, Jazzanova, and Ernest Saint Laurent.

What began as a solo project soon evolved into a collective effort. Bassist and guitarist Alan Riggs, a former member of Delta 5, joined the sessions, bringing warmth and groove to the productions. Vocalists Tempo O’Neil, Anthony Beckford, Mariana Orsho, and Sophie Barker added their distinct voices, completing the vision.

The ‘Pull Up’ EP is the first of a debut double-header from Black Logic, delivering five stunning tracks that blend jazzy keys, deep grooves, and rich, soulful vocals. From the warm basslines to the celestial closing moments, this EP is a statement of intent - a wonderfully fresh, yet nostalgic take on deep house from a collective of masterful musicians.

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Verdure, Ciklo - Natus Ex Nebula

New sounds from the gaullic underground on Violent Cases’ latest release, the first one since many moons. Two long tracks born out of myths and mist to take you on a mental journey.
Side A’s „Chaos Theory“ sets off at 145 bpm. Synth layers and strings over deep bass create the atmosphere. Drama. Then a brilliant incorporation of a classic guitar solo in mid track. Unique.
Side B „Pagan Blade“ is a joint venture with Ciklo and ups the tempo to 160 bpm. Rolling and riding it’s pushing the dance floor while the pagan assassin whispers the rhythm.

You can tell the artists have honed their skills playing live, these tracks will unfold their full potential and deepness on a proper system.

Stunning full sleeve artwork by Darkam. Graphically edited and arranged by TDSIGNZ. Mastered by Stefan ZMK in the low countries.
Each copy includes an artwork poster, artwork sticker and digital download link.

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CC:DISCO! - Touch The Vibe EP

CC:DISCO!

Touch The Vibe EP

12inchMIAMIDADDY004
Miami Daddy
09.04.2025

The five-track ‘Touch The Vibe’ EP is the latest gem in the evergreen treasure trove of music from Australia’s CC:DISCO!. 'Feel It Peak' opens the release with two escapist minutes of slow-burning, gentle synth waves and Spanish guitar before 'Touch The Vibe' then takes off on warm analogue house drums with sugary chords and a classic bassline that bounces along at an infectious pace. Toronto-born DJ, producer and vocalist Jennifer Loveless also returns in fine form, providing heady spoken word vocals that wash over both cuts in an intoxicating fashion.

On the flip, 'Like This' is another absorbing and cinematic synth interlude while 'Me Gusta Is Dead (Period Pain Mix)' brings heavy late-night vibes with its punchy steel drums, fizzing pads and crunchy chords that make for a wild ride. Last but not least is the epic closer 'Yes Papi (Miami Daddy Theme)’, a glorious blend of prog, trance and techno with a 90s throwback feel featuring Loveless’ hushed vocals that showcases CC’s expert command of lower tempo, pumping grooves of the highest calibre.

Fresh off performances at Glastonbury and Love International, plus her debut Essential Mix for BBC Radio 1, it’s safe to say CC:DISCO!’s trajectory as an artist has risen to new heights in 2024. The Lisbon-based DJ, producer, radio host, and curator added a new string to her bow at the end of last year with the launch of her Miami Daddy imprint, which garnered critical acclaim from the likes of Resident Advisor, DJ Mag, and BBC Radio 1.

CC:DISCO! ‘Yes Papi (Miami Daddy Theme)’ and ‘Touch The Vibe’ drop via Miami Daddy on 21st September and 24th October, respectively, with the full EP releasing on 22nd November 2024.

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MMOTTORR - EP 1

Mmottorr

EP 1

12inchIR-008
Intrinsic Rhythm
31.03.2025

MMOTTORR is a new collaborative project between Tr One and New Jackson and the 1st EP marks an exciting fusion of both artists' sounds combined with a fresh take on machine music, blending influences from Chicago and ghetto house, deeper acid textures, techno and use of classic samplers and voice modulation to create 4 dancefloor orientated tracks.

EP 1 features four tracks from the Irish artists that push the boundaries of hardware based production, offering a captivating exploration of sound and influences from both artists.

The lead track U LIKE IT RAW (RED HOT) offers a ghetto house influenced track with a booming low end and persistent bassline containing a dual pitched vocal to devastate dancefloors.

Following that is RED EYE DRIVE a high tempo 4/4 drum machine and tom driven track with hints of hi tech soul and classic acid.

On the B side we have WANNADO - A booming 808 and snare combination contains a powerful yet melodic acid line which ups the heat and energy with a crescendo of sampled sound and fizzing low end.

Finally on a deeper level HEADZ VOL.3 takes it back to a classic "plus 8" and Detroit influenced track with a recurrent wave of sound and synthesis building and weaving towards the end of the record.


The EP will be available on limited vinyl and digital starting exclusively with bandcamp. Thanks for supporting underground music. "

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Dead Man’s Chest X Thugwidow - Forgotten Paradise 2

Forgotten Paradise is a new vinyl series from Western Lore, focussed on exploring the full breakbeat hardcore &
Jungle Tekno tempo range through a collection of 12” singles & EPs

After an under the radar, vinyl only bootleg 12” kicked off the series in 2024 (and flew out so rapidly on Bandcamp, none of the ltd run of copies made it to retail), FP2 sees Dead Man’s Chest & Thugwidow roll out two gully slices of 140bpm(ish) hardcore heaven, with a naughty 160 jungle edit thrown in for measure.

Breaks, vocals, bleeps, pads, pianos, mentasms and a hefty measure of bass, all thrown in the mix and weaved together in Dead Man’s Chest & Thugwidow’s signature waved out styles.

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Rinder & Lewis - Seven Deadly Sins (LP)

Laurin Rinder & W. Michael Lewis's Seven Deadly Sins is a hugely influential, synth-powered, atmospheric space-disco masterpiece. It's arguably the best American Disco LP ever made. It's certainly one of the most important albums in the history of dance music. And, like its innovative producers, it's absolute genius.

During the mid to late seventies the production team of Laurin Rinder and W. Michael Lewis helped to define the Disco sound that was coming out of Los Angeles with studio projects such as El Coco, Saint Tropez, Le Pamplemousse (with vocals from The Jones Girls), In Search Of Orchestra and many others.

Like all of their work, Seven Deadly Sins comprises beautifully arranged and incredibly well produced deep disco that is revered by aficionados. A seven track, largely instrumental concept album covering each of the sins, it was recorded for AVI in 1977. It's a brilliantly conceived, groove-fuelled album that layers moogy keys and druggy synths over club-ready rhythms. The idea that this record is celebrating rather than condemning the sins is said to be another factor that made the record a big one in the underground clubs.

Opening sin “Lust” is an intense, swelling, seven minute blockbuster synth journey. An ethereal Loft/Garage classic, it's a sprawling, brooding slice of epic dancefloor dynamite that remains a firm favourite of discerning disco heads like Harvey. So ahead of its time, it still sounds ridiculously fresh today, drifting through a multitude of melodies over a smooth, lightly percussive mid-tempo beat. A slow-mo sexy killer.

Up next, the sprightly-manic “Sloth” is nothing like its title. A driving, swaggering instrumental incorporating the same Euro-disco elements as our Daft Parisian friends did a few decades on, it's certainly not for the faint-hearted.

A clear highlight, the cosmic, throbbing proto-techno of “Gluttony” gets things firmly back on track. Pure industrial vibes with dark synth bass punctuated by uplifting melodic sequences that brilliantly utilise guitar and horns, is this the sound of Wax! Trax being born? You won't be able to get enough of this.

Opening up the B-Side, “Pride” is a breezy slice of classic late seventies jazz/funk with deft Hammond and clavinet grooves and expansive horn sections. It's absolutely fantastic. The wicked leftfield vocal cut “Envy” provides more disco pump with squelchy acid synth flourishes, funky guitar and neck-snapping percussive breaks.

The dark proto-techno/house cut “Anger” is a fully on top tour de force of drums. With heavy African percussion throughout and a short Afrobeat section towards the end, it was sampled by Carl Craig and Laurent Garnier for their Tres Demented project and was also a massive Ron Hardy / Music Box favourite. The album is rounded out by the hard-grooving “Covetousness”, another driving jazz-funk workout par excellence with liberal use of the syndrum.

As Laurin Rinder recalled in an interview with Dream Chimney, the duo essentially lived in the studio: “we really had cots, beds and the whole thing, we were just pumpin’ them out. 7 days a week, 3 different projects at the same time. I played drums on everything but had to play a little differently. I had to ask the engineer ‘What’s the name of this group?‘”.

Evidently, their prolific output was the result of a crazy cocaine-fuelled production schedule: “The amount of coke we did, to do all this, you can’t even imagine. $300 a day. I had to have plastic inserts in my nose so I could do more.” Looking at the frankly terrifying cover, you'd have never known!

Be With is beyond delighted to present the first ever legit vinyl reissue of Seven Deadly Sins, carefully remastered by Be With's engineer Simon Francisco to ensure it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The unforgettable cover artwork has been reproduced here at Be With - dare you stare back at it for too long?

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HIROSHI YOSHIMURA - FLORA LP 2x12"

- Also available on black vinyl - First ever official reissue - Produced in full cooperation with Hiroshi Yoshimura's estate - Liner notes by contemporary music writer and professor Junichi Konuma - Remastered from original sources by John Baldwin - First time on vinyl, cassette, and streaming - 2xLP vinyl housed in gatefold jacket - Discs cut at 45 rpm for optimal sound quality // Following their 2024 reissue of Hiroshi Yoshimura's classic album, Surround, Temporal Drift proudly presents the first-ever reissue of FLORA, Yoshimura's underappreciated ambient classic. FLORA was originally recorded and completed in 1987, and remained unreleased until 2006, nearly three years after Yoshimura's passing in 2003. The album is chronologically and stylistically a follow-up to his acclaimed 1986 works GREEN and SURROUND, wherein Yoshimura continues to play with the ambience of sound and the sound of ambience, underscoring his mastery in the field of environmental music. Yoshimura's other recorded works include Music For Nine Post Cards (1982), originally produced to be played back inside a museum space, and Pier & Loft (1983), commissioned as accompaniment to a contemporary fashion show.

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T.E.C - Speed To Burn

T.e.c

Speed To Burn

12inchS.NOW005
Serenity Now
17.03.2025

Back on track setting the tone for the new year with the highly anticipated EP "Speed to Burn" by T.E.C. This sonic journey blazes through a spectrum of tempos and moods, delivering five dynamic tracks that navigate effortlessly from floaty downtempo atmospheres to high-octane peak-time bliss. On the A-side, "Angle Grinder" takes center stage as a club-ready anthem with snappy drums and trippy chords, destined to elevate energy levels. Following suit is "Hi Set & Lo Set," a meditative piece that glides through a serene ambient landscape, offering a mixed excursion of airy textures and subtle dynamics.

Flipping to the B-side, "Myriad" goes off with a trippy, pumping jam that’s as captivating as it is infectious. Next up, "7001 On Plastic" kicks in with a fast-forward techy chugger—a proper peak-time weapon designed to ignite the dance floor. Closing out the EP, "Wasp" delivers a phased-out, downtempo voyage that lures listeners into a hypnotic state with its breezy, introspective flow. With "Speed to Burn," T.E.C. delivers a masterclass in versatility, showcasing a rich tapestry of sounds that perfectly encapsulate Serenity Now’s ethos. This EP promises to light up dance floors while offering moments of introspection—an essential addition to any selector's collection

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Secondo - Over Under

Secondo

Over Under

12inchWAN-014
What About Never
14.03.2025

Over Under marks a significant evolution in Secondo's artistic journey, showcasing a refined balance between the functional and the experimental within house music and techno. The release reflects two decades of musical exploration and innovation, while drawing inspiration from his early production style. Now, fueled by the lessons learned over the years, Secondo returns, synthesizing new ideas from his roots in the ’90s.

Opening with the beatless, kosmische pulse of Occhi Nuovi, Over Under crosses different tempos and moods, shifting from club-ready tracks — like the alien funk of the first single Unlikely Companions and the album’s tense coda Nowhere Man — to the bubbling, mid-tempo step of Slow Space, and deeper, more reflective moments like the modulating jazz moods of the title track and the centerpiece Solar Funk. The album’s progression ebbs and flows, guiding the listener through a carefully crafted narrative. Narrative, it seems, is key to Over Under.

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Edictum - A Cosmic Scale

The album’s title deftly gestures to the sheer vastness of astronomical dimensions, while simultaneously capturing the musical breadth within, where the eight planets are imagined as the eight notes of an octave. The work draws inspiration not only from earlier compositions —most notably Gustav Holst’s The Planets—but also from the rich astronomical and cultural contexts surrounding these celestial bodies. Here, the focus transcends direct citation of melodic motifs, instead embracing an intriguing conceptual approach on a meta level, unfolding in a series of vividly contrasting soundscapes. These contrasts shape a sweeping sonic journey, one that fully embraces the album format with both arms, inviting the listener to venture into realms both strange and wondrous, feeling the immensity of the interstellar space that lies between them. Contrast, after all, is the brushstroke that enriches our world.

Embarking on an auditory voyage, "Astral Guide" establishes the sonic framework that propels us into the boundless expanses of the cosmos. Its ethereal tones evoke the vastness of space, crafting a mood ripe for exploration within the realms of sci-fi. The subsequent tracks unfold like constellations, weaving a rich tapestry of sound that seamlessly marries cinematic soundscapes with pulsating, club-oriented rhythms. This album invites listeners to traverse its immersive landscapes, whether nestled in the comfort of home or dancing under the starlit sky, each note a guide through the transcendent experience of a nocturnal journey.

"Solar Flares" draws its inspiration from the awe-inspiring expanse of solar phenomena, capturing the majestic power of the sun as it reaches into the cosmos. This track resonates with the idea that energy, while vital, can also be a force of destruction when unleashed with overwhelming intensity. The composition beautifully mirrors the sun’s duality, where brilliance and devastation coexist, inviting listeners to reflect on the delicate balance between creation and annihilation. Through its rich textures and dynamic shifts, "Solar Flares" serves as both a homage to the celestial and a poignant reminder of nature's formidable power.

"Mercury – The Winged Messenger" embodies a meticulously crafted soundscape where artistry meets astronomy. The tempo of 173.6 BPM, derived from precise astronomical data, propels the composition into a vibrant realm that resonates with cosmic energy. Synthwave sound design intertwines seamlessly with the fluid rhythms of Drum’n’Bass, imbuing the piece with an uplifting dynamism that evokes the ethereal grace of Mercury itself. In this sonic exploration, listeners are invited to ascend on wings of sound, navigating the celestial tapestry of the universe with each invigorating beat.

"Venus, The Bringer of Peace" strikes a decidedly cozy note, presenting a poignant contrast to the more tempestuous themes often found in cosmic narratives. This composition evokes a nostalgic vision of an optimistic era, one in which humanity transcended borders and embraced the infinite possibilities of space exploration, where no destination felt too distant. The dense, languid atmosphere envelops the listener, creating a tangible sense of serenity that unfolds gradually, allowing for a meditative journey through sound. Each note serves as an invitation to linger in this tranquil embrace, reflecting on the harmonious potential of our collective aspirations and the beauty of connection in a vast universe.

The central theme of „Gaia, The Bringer of Life“ —originally not part of the planetary cycle— is the profound enabler of life on Earth. The arrangement delicately mirrors the slow, tentative unfolding of this potential, marked by an initially sparse orchestration that gradually builds in momentum. This progression crescendos, embodying the explosive dynamism of the Cambrian burst of life, ultimately culminating in a euphoric fanfare—a triumphant, celebratory flourish echoing life’s victorious emergence.

"Blue Moon" unfolds as a contemplative reverie on the tranquil clarity of a night sky, now seldom glimpsed in its natural purity, unclouded by the relentless haze of urban light. The listener is drawn into the vast embrace of the star-strewn firmament, a journey that sways between euphoric awe at nature’s sublime beauty and a profound melancholy for its fragile and imperiled state. Musically, this duality finds expression in the delicate interplay of modal mixtures, while an ever-shifting triplet groove, poised at the intersection of Outrun and melodic house, lends a pulse that is both nostalgic and forward-looking—echoing the beauty and transience of a world on the brink.

Rather than replicating the original composition of „Mars, The Bringer of War“, this interpretation seeks to evoke its profound, foreboding atmosphere. Cyberpunk emerges here as an ideal genre, channeling the dark, relentless march synonymous with Mars, the ancient god of war. The piece reverberates with intensity, as distorted vocalizations rise, embodying the anguish and visceral torment that shadow war’s violent crescendo. This auditory descent into conflict captures the relentless pulse of warfare, where sound itself becomes an embodiment of suffering and fury.

Majestically, "Jupiter, the Bringer of Jollity" emerges on the celestial stage, sweeping away the somber tones with its radiant vigor. Drawing inspiration from the triumphant strains of the original, and borrowing a melodic motif in the refrain, the piece expresses joy and buoyancy through a shift to a major key and the lilting sway of a danceable 12/8 meter. Spirited and exuberant, it leaps boldly from major to minor and back again, playfully shifting time signatures to capture a mood of unbridled festivity and jollity.

Here, a more conciliatory concept is chosen than in the original inspiration. „Saturn“ aligns with the number six, being the sixth planet from the Sun and bearing the iconic hexagonal pattern at its northern pole. What, then, could be more fitting than to render this piece in a 6/8 time signature? The arrangement unfolds with a multifaceted richness, mirroring the countless stones and ice fragments that form the foundations of Saturn’s majestic rings.

„Uranus“ adopts the theme of a light-footed, dancing instrumentation, giving the impression of perpetual motion, never quite settling. This musical choice harmonizes with the planet’s own orbit, as it spins with breathtaking velocity, teetering and swaying, seemingly unable to attain rest or stability.

The chill and vastness of the cosmos find expression in „Neptune, The Mystic“. At its core, an electronic soundscape envelops a classical arrangement, its unreachability intensified by an ethereal, otherworldly choir. Hovering at the outermost boundaries of the solar system, where warmth is but a distant memory, the composition lingers in a slow, contemplative tempo, evoking a realm where space for speculation stretches wide and silence reigns supreme.

Though Pluto may have lost its planetary status, and its companion Charon never achieved one, this shift in classification subtly aligns with the cosmic scale invoked here—one that mirrors the musical tradition of an eight-note sequence. Fittingly, the album closes with „Kuiper Belt“, a composition emblematic of the turbulence and vitality of countless smaller

celestial bodies that, though diminutive, find their rightful place within the vast architecture of the solar system.

They say nature is the greatest composer, shaping the universe with a symphony of chaos and order, beauty and danger. It is this duality that fuels the artistic vision of Edictum—a producer who, armed with a doctorate in chemistry, delves as deeply into the mysteries of molecules as he does into the depths of sound. In the tension between the vastness of the cosmos and the microscopic processes that dictate life’s rhythm, Edictum creates sonic landscapes that dissolve the boundaries between science and art.

His music is a story of contrasts—a sonic tale where the raw forces of nature clash with the intricate structures of human culture. Opposites intertwine to form a harmonious whole: the primal rhythms of the earth meet the celestial melodies of the cosmos, the rigid laws of physics blend with the boundless freedom of art. Edictum explores these polarities with meticulous devotion, each composition an expedition into uncharted soundscapes—a quest to give voice to the unfathomable.

With over 20 years immersed in the realms of electronic music, Edictum has honed a keen sense for rhythm and movement. His driving beats compel both body and mind into a hypnotic flow. Yet beyond the pulse of dance lies a complex framework of conceptual thought. Today, his creative focus revolves around holistic album projects—self-contained worlds with overarching narratives that embrace contrast and complexity. Each track stands alone as a fragment of the whole, but together, they weave a cohesive tapestry, much like the chapters of a novel that guide the listener on an emotional and sonic journey.

Edictum’s distinctive musical signature has earned him international recognition. With over 150 releases, many on prestigious platforms like the iconic *NewRetroWave* label, and collaborations with artists such as Jan Johnston, Azumi Inoue, Powernerd, and Turbo Knight, he has solidified his place in the global electronic music scene. His latest work, *A Cosmic Scale*, marks his seventh vinyl album and is released under his own label, *Echoes of Expanse*. The label’s name is no coincidence—it captures the essence of his art: echoes of infinity, the vibrations of the universe distilled into a singular sonic experience that carries the listener ever further into the boundless expanse of sound and space.

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MOVING STILL - CLOSE TO THE SHAMS EP

From the needle drop, the listener is swept away by Moving Still. The Jeddah-born, Dublin-based artist graces Bordello A Parigi with Close to the Shams, four works that summarise his broad range and even broader influences. Pulsating percussion push piano plumes and brass blasts in “Zaman.” A SWANA-inspired scent weaves through the track, with snare rolls adding spice and speed to this heady opener. Tempos drop for “Bang of Luban.” Beats are bolstered, acid squirms lending texture, while the central melody bends and turns from traditional refrains to house reimaginings.

Those traditional undercurrents continue into the B-Side. The title piece is big and bold, kicks split into broken beats while nuanced mizmar notes dip and dive with a swallow-like agility. “Sunday Rollover (Suntop Mix)” calls time on the quartet. A relaxed rhythm gives support and space to low-slung lounge lines, a dreamy and enchanting finish to an EP that illustrates the breadth and depth of Moving Still.

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Sarah Wild - My Body Flows In Gravity

Preparing your debut full length record is no small undertaking for any artist. The format itself deserves a certain frame of mind and approach – it’s different, and with Sarah Wild’s debut LP she embraces the idea. Expanding her artistic vision to offer something different, making use of the format and bringing new ideas and musical pathways to her established sound. Releasing on her imprint Midnight Operators in early 2025 – My Body Flows In Gravity constitutes a sophisticated homage to the early 2000s trance movement, integrating nostalgic motifs with her ultra-on point production that sits perfect in todays scene.

From the dreamy proto-house vibes of the opener, establishing a foundation with its understated beats, to the Orbital-esk serenity of the title track My Body Flows In Gravity the album works at evoking the emotive resonance of a golden era of music reborn. This trip is backed up by the Early-Balearic styled tracks such as “Fly With Me To The Moon” and “Visit To Mars” which pull you into hazy smoked filled dancefloor territory, hypnotic melodic progressions effectively capture the essence of Trance’s peak cultural moment.

At the mid point “I Don’t Wanna Go” introduces a different dimension, exploring a more Euro sound that is at the peak of the contemporary scene, but infused with Sarah’s unique edge, hyper pumping beats work alongside spoken word to really up the tempo. Following this the journey returns to a more progressive feel, “Floating Around” and ” On My Way Home” take things into deeper territory, bringing the focus’s of the record back the groove after the blurry eyed highs. Bringing the record in for a perfect landing. There is an emotional duality to this record, a movement through a juxtaposition of yearning and almost frantic emotions alongside more uplifting harmonics through to more introspective moments. The final track “Landing” gracefully closes this arc.

Sarah Wild delivers a sonic journey as much concerned with the process as with the destination itself. My Body Flows In Gravity shows Wild’s capacity to synthesize the deeply personal with the universally resonant, a set of tracks that equally speak to the introspective solitude as they do to the collective euphoria of the dancefloor.

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Lokkhi Terra meets Dele Sosimi - Cubafro Remixes

Repress!

Last summer, London fusionistas Lokkhi Terra joined forces with former Fela Kuti keyboardist Dele Sosimi for the four track album "Cubafrobeat", an ingenious blend of Cuban dance music and Nigerian/Yoruban Afrobeat. MoBlack Records present dope up-tempo re-imaginations of "Cubafro" by Peppe Citarella who contributes an uplifting latin jazz infused interpretation, and Armonica, Francesco Chiocci and MoBlack who serve downright tantalizing afro house renditions oozing with their respective landmark style.

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CRYME - Reality Rush

Cryme

Reality Rush

12inchSEVEN7003
Seven
28.02.2025

SEVEN releases their second EP from label co-founderCRYME, titled Reality Rush. This EP blends classic,atmospheric house with a modern mix.
A1 - Reality Rush is an upbeat house track with playful sounddesign, classic drums, steady rhythm, and a powerful bassline.It sets an energetic foundation for the EP, inviting listeners toexplore SEVEN's distinct sound, balancing house and techno.
A2 - Christoph Faust's remix of Reality Rush is inspired byDetroit. It features a heavier kick, slower tempo, and a moresluggish vibe. He retained the big synth stabs, reversed thevocals, and added familiar old school vocal samples.
B1 - Aurora is a stripped back to basics. It has a soothing, laid-back vibe with percussion-driven beats and prominent congas,perfect for a late-night ride through the city.
B2 - Orbit Exp. is a groovy house track features ever-changing,pulsating pads that create and release tension, giving theillusion of drifting away in space.

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Various - King Street Sounds Sampler Vol. 3

King Street Sounds continues to deliver deep house classics with the third various artist sampler in the series. This release taps into the essence of original house music and features iconic names such as DJ Pierre, Blaze, Kenny Bobien, Palmer Brown, Dannell Dixon, and Big Moses.

The EP begins with Dannell Dixon's track 'Dance Dance (DJ Pierre’s Wild Pitch Mix).' This engaging piece features a steady groove, multiple percussive elements, and captivating vocal hooks that keep listeners immersed in the rhythm.

Next is Big Moses' 'Brighter Days (Extended Mix),' which showcases the unmistakably smooth and sultry vocals of Kenny Bobien. As is often the case with Kenny's lyrics, this song explores themes of love, hope, and the promise of 'brighter days,' delivering uplifting dance music.

On the B-side, DJ Pierre makes a second appearance with 'Dancin’ (Club Mix).' This track radiates sunshine and block-party vibes, effortlessly transporting listeners to a lively street party in New York City.

Finally, the record concludes with 'Shine (Shelter Vocal Extended Mix)' by Blaze. This track brings down the tempo just a notch, making it a perfect addition to sets when the dancefloor needs a moment to catch its breath and regain its energy.

Once again, King Street Sounds delivers a knockout release that is a must-have for collectors and DJs alike

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bad lsd trips - ultrafest

Bad Lsd Trips

ultrafest

12inchENMB-17
enmossed
24.02.2025

Oversized custom cut LP jackets (13” / 33.02 cm width)
Silkscreened with bespoke iridescent citrus green ink by Mark Rice
Short story by Natalia Zuluaga

Flexi 7”:
steaming mescaline (extended mix by bad lsd trips)
Citrus green metallic foil stamp
Pressed in full stereo
Edition of 150

I.

bad lsd trips is the collaborative duo of makers doris dana and domingo castillo flores. Respectively the two have fostered practices that have sprawled out through various approaches and, whether in the lanes of the musical or the contemporary arts, the phenomenology of the social and inclusive prevails. On ultrafest, this motif continues through the psychedelia of its eight time-defying recordings, welcoming the listener into an open temporal architecture of the stereo field as a signifier of environment. It is worth noting that the group began collaborating in Miami, Florida with longer form improvisations recorded to a stereo cassette deck. In these recordings, the paved geographical sprawl and oceanic view permeated the approach to amassing long swaths of sound material. Listening back on that work at the time of this writing, each track feels as though one is walking into an active space, arriving to an event already in full swing and finding your place inside of it. On ultrafest (this album) something different occurs. The space and events are built around you as you move through the record.

II.

The name of the album is ultrafest, which should effectively provoke your mind's eye the imagery of young people dancing, salivating, grinding, and imbibing chemical compounds to the perversely formalized musical genres of “Electronic Dance Music” and latter-era Dubstep often heard in European Uber rides and energy drink commercials. A far distance from the icy and machinic reverie of Techno’s finest rave eras or the notable historical contributions of Miami’s cerebral producers to IDM’s global output, ultrafest is a libidinal catharsis as festival scaled to a multinational corporation of hedonistic excess. The festival has been a hallmark of Miami cultural industry production and optical enticement for tourism, purportedly bringing in nearly a billion dollars in revenue to the city since 2012. Scores of documentation exist wherein this decadent escapism leaves the concertgoer, usually in some neon garment on a near nude body potentially adorned with fluffy faux fur leg warmers, facing a comedown from the combination of volume, sun, dehydration, and methylenedioxy-methylamphetamine. This MDMA experience characterizes an aspect of the way bad lsd trips employs vocals and pitch on this album. The detached, high octaved longing of a high pitched vocal is decoupled from its typical auditory body of song. High-pass clicks and pops touch the (h)air on the back of the neck, promising goosebumps and teasing towards euphoric rushes of dopamine, yet also exist decoupled from the body of song. As the dopamine depletes and the sun imposes itself, Miami’s downtown of skeleton real estate is your company as you meander towards your parked vehicle to rest your fatigued senses, elevated heart rate, and quench the need for air conditioning on your skin. The immediacy of bombastic social immersion to architectural alienation palpable here.

III...

- Nick Klein

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Various - A Love From Outer Space (LP 2x12")

Seit der Gründung 2010 durch Andrew Weatherall und Sean Johnston entwickelte sich die Clubreihe "A Love From Outer Space" (ALFOS) zu einer britischen Institution, expandierte und erreichte ein internationales Publikum. Als Reaktion des Undergrounds auf den schnelllebigen Mainstream verfolgte ALFOS einen langsameren, nachhaltigeren Ansatz bei einem Tempo von maximal 122 bpm. ALFOS wurde für seinen eklektischen und hypnotischen Sound bekannt, der alles von Cosmic und House bis zu Dub und Post-Punk vermischte. Dieser Jubiläumssampler spiegelt die Musik wider, die ALFOS in den letzten 15 Jahren geprägt hat. Das von Johnston zusammengestellte und gemischte 19-Track-Album ist eine Hommage an die reiche Geschichte des Clubabends und sein Engagement, musikalische Grenzen zu erweitern. Es enthält zahlreiche exklusive Titel, darunter The Blow Monkeys' begehrten Neville Watson-Remix und Brioskis "Call 626", sowie eine breite Palette von Sounds, die sowohl die Vergangenheit ehren als auch die Zukunft begrüssen.

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Various - Lazerdrome Vol.3: Andromeda EP

Phonomena are back and this time joined by Haste on a mission to Andromeda with 4 Hardcore Jungle tracks ready to do damage on the dancefloor.
Kicking off with a remix of Paul Renegade’s Multiverse from London based Jungle veteran Haste that has been floating around on dub for a little while. Taking the tempo of the original up a notch this is the perfect track to start the EP with its Mentasm fuelled mayhem.

Rage and Renegade then drop their first track on wax together with Best Served Cold, taking a sample from a 92 classic then twisting it up with some distorted bass before switching things up as the track progresses. This was made over a bunch of Saturday nights late in 2024 and continues the vibes from the first two records.

At the end of side A there’s some scratch samples for DJs to battle with, pitched to the perfect tempo to use with Hardcore and Jungle.
First up on the flip DJ Rage drops a bass heavy breakbeat workout with Ready To Roll. This was made to contrast with Haste’s remix, a bit more laid back at first but slowly building up to a euphoric tear out towards the end.

Paul Renegade closes out the EP with Dark Carnival, a trip to the underworld with haunted samples and effects that drops into some full on bass, no letting up here with more Hardcore pressure to rattle your speakers!
Coming on ice blue translucent vinyl with hand stamped labels, these Kniteforce exclusive versions come with in an Ice Blue (single colour) label or Electric (double colour). These special editions are limited to 30 copies each.

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Torn Hawk - Flip To Raw

Torn Hawk

Flip To Raw

12inchFRS031
Fixed Rhythms
14.02.2025

Torn Hawk is no newcomer…he’s been lurking in the corners, creeping in and between various arts worlds for well over a decade: spoken word slice of life narrations as heard on NTS Radio and Trilogy Tapes; more guitar-oriented song structural work on Mexican Summer; extensive videography (PPU Party Volumes One and Two along with music videos for Torn Hawk as well as Bicep, Xosar, and more); and more beat-focused work as seen on Unknown To The Unknown and as is featured here on his 12” for Fixed Rhythms.

Euphoria in a concrete rainforest. The joys of plumbing the depths of your own inner darkness. 80s synth sounds with soaring guitars and police sirens and rhythmic vocal snips. Distorted bass line bombers. S l o w e d down breakbeats. Offkilter, stomping grooves for the seasoned freaks. Mid-tempo heavy hitters fit for those thirsty for slime and hungry for grit. Step inside and get your fill!

Credits:
Mastered by Dietrich Schoenemann.
Design by Nick Owen.
Distributed by One Eye Witness.

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Chalo & Vell - Made from Moss Vol. 2

Chalo & Vell return with Made From Moss Volume 2, marking the next step in their collaborative EP series. This four-track of club rollers explores a range of styles and tempos, each track anchored by distinctive rhythms and textures aimed squarely at the dancefloor.

Bangkok, despite being a bustling metropolis, boasts a music scene that feels as intimate and vibrant as those found in smaller European cities. It’s a place where local creatives from various disciplines come together, leaving their artistic imprint across the city. This collaborative energy resonates through Boiled Wonderland’s catalog, which features artists like DOTT, Sarayu, and Chalo—pioneers of Thailand’s burgeoning underground music movement. Both DOTT and Sarayu are co-founders of the record store and label More Rice Records, while Chalo plays a pivotal role as the mastering engineer at Thailand’s pressing plant, Resurrecc. It’s here that the Made From Moss project took root.

While Boiled Wonderland continues to champion eclectic and boundary-pushing music, its sonic direction has evolved to embrace a more dancefloor-oriented approach. This shift reflects the label’s immersion in Bangkok’s electrifying club culture and the inspiration drawn from the city’s warm, sunlit atmosphere.

The Made From Moss series emerged from a creative dialogue between Chalo and label founder Vell. Moss, with its simplicity yet dynamic nature, became the symbolic foundation for a series focused on rhythmically driven, danceable tracks. This vision also sparked the creation of Mosspit events and welcomed MetalMetal as a core contributor.

Chalo’s opener, Feeling, weaves house-inflected vocals with acid synth lines, building a steady groove that carries effortlessly to the finish. Tolerance Break follows, layering dynamic snares, tight breaks, and basslines that pulse with energy. On the B-side, Vell leads with The Ship Rolls Through, a euphoric roller balanced by flickering sound effects that keep the track grounded. Back To Normality closes the EP, leaning into progressive tones with bouncing bass lines that sizzle toward a breaking point, bringing the EP to a close.

The record is already receiving support from the likes of: Ploy, Mixtress, Raresh, Space Dimension Controller, Jennifer Cardini, Answer Code Request and many more.

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Li & ZOL - Landing EP

Li&Zol

Landing EP

12inchSCHNRZ01
Schönherz Records
14.02.2025

Balanced out analog dub-house sessions at the intersection of ice and fire. Born in a Budapest basement, forged by Berlin-like mid-tempo minimalism with a pinch of Balkan, developed to the next level by dub carpets of the north. Hungarian local heroes LI and ZOL debut record opens a new chapter with four shapeshifting trakkers under the flag of SCHNRZ, that refers to Schonherz, the name of the neighbour dormitory of their basement studio. Mastered by Stefan Betke at scape mastering.

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Phase Fatale - Scanning Backwards LP 2x12"

Scanning Backwards, Phase Fatale’s second full-length album originally released on Berghain’s in-house label Ostgut Ton in 2020 is now reissued via his label BITE on limited edition pink marble vinyl after being long sold out and sought after. Using the connection between weaponized sound and psychological manipulation as a conceptual foundation, Hayden Payne explores the ways in which music – and sub frequencies in particular – are used to influence thinking and to synchronize emotions and behavior: from military technology to sound systems and the physicality and sexuality of queer techno culture.

Known for his innovative post-punk takes of dance music as featured on EPs for unterton and Ostgut Ton, the Berghain resident draws on his background as both a guitarist and sound engineer to create a heady mix of broken rhythms, noise-, and shoegaze-inflected techno, often at slower tempos. The result is music with space and pace to expand, highlighting the intense rushes of frequencies found in both sonic warfare and functional dance music. Over eight tracks named after a combination of historical and fictional narratives from literature and science fiction, Payne’s rhythmic excursions explore different manifestations of sound as power – specifically within the context of seeing Berghain as an instrument itself. This is also reflected in the album artwork, taken from an early flyer for the SNAX party series and an obvious ode to the fetishization of power dynamics.

In his own words: “All tracks on the album, no matter the style, were tailored to sound a certain way in Berghain – something I figured out through years of dancing in the middle of the floor, DJing as a resident and investigating what frequencies really penetrate the body. This includes speech and high-frequency, brain-penetrating instrumentation and drilling textures that I had not utilized so often before, but which I think also have an effect on thought and memory. It’s especially true in a space where gay and fetish roots combine with music in unexpected ways, almost in a cultish manner. A musical and physical deprogramming and reprogramming, psychic driving and de-patterning, the erasing and replacing of memories.”

Ultimately, Scanning Backwards surveys not only the manipulative properties of electronic music (mantras, loops, subliminal messages) but also how rhythm facilitates both moving and thinking in synchrony; a pulse of coordinated sound- and brainwaves.

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DULL BOY JOHNNY - THE MOVE EP

After Dull Boy Johnny's previous release, a double EP with a tropical A-side and an erotic B-side, this time the three gentlemen are out on the dance floor. After all, the neighbours decided as much.

Unlike the recordings of their previous work that took place abroad, this time they stayed in a steamy attic room in Belgium, where guitarist and producer Jan built a studio. Unable to record at night because of neighbours who did not (yet) appreciate Dull Boy Johnny's music, they dove into Antwerp's nightlife.

The group's previous work took you on a cinematic journey where every musical nuance takes you to a specific setting. Be it an erotic seventies scene, a beach party in the Bahamas, or a blood-curdling chase in the Wild West, Dull Boy Johnny covers it all. Nard Houdmeyers, Rik De Bal and Jan found each other in a shared interest in film genres such as blaxploitation, neo-noir and spaghetti westerns. And therefore also the artists inherent to these genres such as Isaac Hayes, Curtis Mayfield and Ennio Morricone. Dull Boy Johnny's conceptual approach to music can be traced back to this passion for cinema.

For the new EP, however, they traded that cosy movie-watching for turbulent nightlife (the angry neighbours, you know). Besides, it was about time to get their inspiration in the flesh. Dull Boy Johnny immersed himself in the pulses, flashes and swell of downtown Antwerp. Thunder chasing crept under their skin and then into their guitars. In grandfatherly fashion, they then turned to composing, first with just bass, guitar and vocals. In that small lineup and with the sounds of the night still reverberating in their minds, the first pieces of the puzzle were laid out. After that, the sound was opened up and a solid rhythm boost was added. This defined the catchy, up-tempo nature of the upcoming EP that centres on themes of dancing, flirting and partying. Expect rousing riffs, catchy hooks and swinging rhythms. Details were meticulously laid out and bricked into the songs with delicate grouting. The fine polishing of the songs was done with patient finesse and a constant attitude to serve the song. With songs like Suspicion, She Can Groove and Dynamite, it is immediately clear that the gentlemen got their mustard from the club: action, party and spunk! All without losing their typical sensuality.

Despite the different working methods for the third EP, there are a lot of recurring elements that define Johnny's fresh sound. The essence? Catchy high vocals contrasted with a sensual baritone voice, carried by a groovy bass and rhythm section. Around it, the details that give the songs the right atmosphere swirl.

Dull Boy Johnny's music prefers to function as a soundtrack to your own imagination. As you listen, you are invited to wander through the various landscapes of their musical world, regularly giving a nod to the more lustful side of your brain. The songs have already been praised for their compelling melodies and irresistible energy.

With this release, Dull Boy Johnny proves their ability to create timeless music that both touches the soul and moves the body. So surrender to Dull Boy Johnny's punchy grooves and dance the night away. Long live the neighbours!

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Drumsauw - Empire

Drumsauw

Empire

12inchDCLTD35
Drumcode
13.02.2025

Drumsauw returns to DCLTD for the second time this year with 4 new tracks off his new EP 'Empire.' The title track 'Empire' is a thrumming blend of high speed percussion keeps up techno pressure, counterpointed by a soulful female vocal intoning with Middle Eastern sounds giving a melodic element. Followed by 'Cycles,' a demanding percussion like hammer blows races along, while spacey horns with doppler FX and dark, plangent synth tremolo arps bring an otherworldly, sinister vibe in a huge breakdown/drop. Next comes 'Collision,' rampant, bounding beats, loud rattling backbeat, with a robotic spoken female vocal riff changing pace, slowing in breakdowns before the racing tempo reasserts itself. And lastly 'Comet' that has the fast layered percussion, interspersed with pizzicato melody, varies pitch, becoming frantic, distorted, in the breakdowns. The vocal riff running through adds to the drama; nervy, hyper, disturbing.

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Eduardo De La Calle - Kapila

Eduardo De La Calle

Kapila

12inchKEY047
Key Vinyl
07.02.2025

KEY Vinyls 47th release dives into a silver-plated, machine driven world crafted by Eduardo De La Calle: Kapila. Across four chapters, De La Calles veteran touch shaped by over 25 years of sonic innovation brings to the label a sleek yet abrasive metallic landscape.

The A side opens with Kardama, unfolding a funky yet metallic interplay with sharp bells and stinging rides slicing through a round, acidic bassline. The track proposes a wide spatial range of sounds, a continuous exchange and interplay of elements.

Khatvanga follows, soft yet needle-sharp a lullaby evoking complexity through simplicity. Deceptively minimalistic, its delicate construction disguises its robust power, marking a signature De La Calle moment: feeling held by a soft energy which is equally pungent. With Kankas, the tempo intensifies.

Rugged surfaces and strong high frequencies merge with a type of construction that leans heavily on rhythm, channeling the pulse of a machine in its element. And lastly, Kala mutates into a sci-fi fever dream.

Tense atmospheres build, the machines world grows fuller, and shimmering synths take on a life of their own. The result is a dense, captivating finale that mirrors the increasingly blurred line between man and
machine.

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Dr Packer - Different Strokes

Dr Packer

Different Strokes

12inchGLITS006
GLITTERBOX
31.01.2025

Ahead of a full-length album coming on Glitterbox Recordings, the king of disco re-edits Dr Packer presents four of his versions of soulful dancefloor favourites old and new, giving a flavour of what's to come from the LP. 'Different Strokes' kicks off with a re-rub of the MK-produced LaTrece 'I Want To Thank You', itself a house cover of Alicia Myer's soul classic from 1981. Dr Packer pulls back on the tempo, making way for keyboards that echo the vocal melody and enhanced percussion. Next, he remixes 'Still In Love' by Shuya Okino, a contemporary nu-disco classic with gorgeous string instrumentation and a tight guitar riff. In true Dr Packer style, his version has plenty of extra funk, fleshing out the bassline to suit a dynamic disco set. A remix of ATFC's 'Bad Habit' is next, again given the effortlessly laidback, groove-laden Dr Packer treatment. Finally it's Soul Rebel's 'I'll Be Good', a vocal house classic from the mid-noughties, reinterpreted masterfully for today's Glitterbox dancefloor.

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Tearra/Teeah-Louise - Just Loving You/You Happened to Me

Tearra’s “Just Loving You” on it’s original U.S Midtown label due to its quality and desirability continues to regularly achieve four figure sale prices on the rare occasion that a copy comes on to the open market. Soul Junction through a licensing deal with Emandolynn Music first reissued this modern soul anthem back in 2017 as part of a dual 45 package that included the previously unissued Delights track “Listen To Me Girl” with the limited 500 copy pressing run selling out in a matter of days. Since then, copies of that Soul Junction release have regularly sold for circa £60 a copy with sales enquiries still being received for either side of this 45 to this day. Therefore, we at Soul Junction have decided to fulfill this continued demand by reissuing “Just Loving You” for the second this time paired with Teeah-Louise’s “You Happened To Me” as the featured flipside (reissued for the first time).

Tearra, real name Teeah-Louise a native of Mobile, Alabama was offered a recording contract by Philadelphian Record Producer/Label Owner Manny Campbell Jr during 1980. Campbell himself had relocated his Emandolynn Music operations from the city of Brotherly Love to Atlanta, Georgia some two years earlier. Campbell had planned to record a whole album on Teeah-Louise under the working title of “Great Love”. He firstly released a lead 45 single, the mid-tempo “You Happened To Me/Got To Keep You Mine” on his Coastal label logo with the artist credited as Teeah-Louise. Teeah’s fiancé didn’t share his future wife’s ambitions of a recording career and her prospective album project faltered and was never completed. Although as a further two tracks had been recorded this allowed a for second 45 release to follow “Ooh Let This Feeling (Last A Long, Long Time)” backed with the desirable “Just Loving You” these were released on the Midtown label, with Midtown by then being Coastal Records main record distributor. This second release was credited under the artist name of Tearra, due to Teah-Louise by now not wishing to use her real name. Both the Coastal and Midtown releases were only ever pressed in 500 promotional copies runs. Teeah-Louise left the recording business for good soon after her marriage.

In addition, a later 12” Coastal Records single issued on the group ‘Tomorrows Wish’ featuring the song “My Love For You” which shares the same backing track as Tearra’s “Just Loving You”. All four of Teeah-Louise’s songs were wrote by Manny Campbell, with Manny sharing the songwriting credits on “Ooh Let This Feeling (Last A Long, Long Time)” with his cousin, Keith “Toppie” Hill notably a former group member of the aforementioned ‘Delights’.

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Jimi Jules - IVLP10 LP 2x12"

Jimi Jules

IVLP10 LP 2x12"

2x12inchIVLP10C
Innervisions
31.01.2025

Ring the alarm - multi-instrumentalist Jimi Jules scheduled for the album „+“ in 2022, executive produced by Innervisions label boss Dixon. The album features the most sought after and requested tracks of the last month including „My City's On Fire“, revolutionary „Der Aufstand“, dancefloor romance „Burning“ and „Clinomania“ featuring Joy Tyson, and fabulous Lily Allen / Elton John drummer Nathan Curran. The artwork concept is developed and designed by iconic graphic artist Trevor Jackson, whose multi-disciplinary works formed the graphical identities of design, music, fashion, and art by the likes of Soulwax, HFD / Comme des Garcons or Apple Music. Jimi Jules’ second album signifies his return to future-focussed album concepts. A welcomed novelty and venture. Exploring themes such as free thoughts and togetherness after a period of interpersonal absence. Better Together Forever.

A unique character in the electronic music scene, Jimi Jules is a multi-instrumentalist and school-trained musician with much more to offer than the standard four-to-floor sound. Jimi plays nearly everything from drums to trumpet and sings almost all the vocals himself. The talent probably lies in his roots, as many of his family members are known for their playing in jazz bands and classical ensembles. Most recently awarded a silver disk marking 200,000 copies of the 2020 track “Pushin On” in the UK, Jimi Jules also commenced a new collaborative partnership with Berlin-based booking agency, Temporary Secretary, earlier this year.

As the new era is underway for Innervisions, Jimi Jules “+” takes center stage of the label’s fundamental core - artist first, label second. For Jimi Jules especially, this new project represents the beginning of a whole new platform and innovative space for collaborations and symbiosis of mixed media.

2025 Repress on clear orange Vinyl!

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Various - LRDCV4

Various

LRDCV4

exclLRDCV4
LESCALE RECORDINGS
30.01.2025

Lescale Recordings continues to establish itself as a prominent label in contemporary techno music.

Available exclusively on vinyl, the EP opens with "Quartette", where Hendriks Toth (BODY PARTS) blends a jazzy flow of harmonic percussions that intertwine brilliantly.

Following this, label founder Ramona Yacef collaborates with Floog (PREMIESKU) to expand the soundscape with "Sintetica," delivering a range of deep industrial beats.

Next up, Federico Grazzini (TENAX) and F.T.G (FUCK THE GOVERNMENT) work their magic on "Scrambled Bells", incorporating 90's rhythms with analog drums and progressive synths.

On the flip side, Late Nite Guy (HOWL RECORDS) takes on "Rave Eart Stab", lowering the tempo to create a laid-back, dub-inspired track featuring rough stabs and lush pads. To close the set, Rayo (ALL IN RECORDS) pushes the limits with "Doloni", serving up spacey breaks and steady beats in a magical atmospheric setting.

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Justin Hinds - Marcus Tradition 7"

Justin Hinds

Marcus Tradition 7"

7"-VinylJAMWAX35
Jamwax
24.01.2025

Jamwax is proud to announce the reissue of Justin Hinds' rare and evocative track Marcus Tradition, a powerful song that resonates deeply with the roots of Jamaican music and honors the enduring legacy of Marcus Garvey.

Marcus Tradition is a heavyweight roots reggae masterpiece that embodies the spirit and teachings of Marcus Garvey, the Jamaicanborn leader who founded the Universal Negro Improvement Association (UNIA) and championed the 'Back to Africa' movement. The song’s down-tempo riddim and distinctive whistle create a captivating atmosphere, while the lyrics emphasize the importance of tradition and heritage: "You're the offspring of this nation, and this is a tradition. Marcus Garvey was born in Jamaica and that's a tradition."

Justin Hinds, a pioneering figure in Jamaican music, is celebrated for his impactful contributions to the ska and roots reggae genres. As the lead vocalist of Justin Hinds & The Dominoes, he achieved monumental success with classics such as Carry Go Bring Come, cementing his legacy in Jamaican music history.

This reissue of Marcus Tradition reaffirms Jamwax's dedication to preserving and sharing the richness of Jamaican musical heritage. By bringing this exceptional track back into the spotlight, Jamwax not only honors the profound artistry of Justin Hinds but also celebrates the timeless cultural legacy of Marcus Garvey, a tradition that continues to inspire and unite generations.

Originally released in 1987
Licensed courtesy of Claudette Pottinger & Correl Hewitt

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SILVER & BRASS BRONZE - RENARD'S GROOVE EP

Bronze, Silver & Brass swing in horns blazing with their electrifying second 7" vinyl single on Timmion Records. "Renard's Groove" and "Brass In Motion" expand the musical range that can be distilled from a brass band mixed with guitar and funky drums. You are in for a cinematic ride through funk, soul, and jazz-inspired terrain. On the A-side, "Renard's Groove" delivers fast-paced, library soundtrack style funk. Driven by a tight guitar riff and solid breakbeat drums, this instrumental gem stages a high-speed chase though the grimy alleyways of a nameless 1970s metropolis. Flipping the record reveals the B-side, "Brass In Motion", a mellow mid-tempo instrumental that once again tips its hat towards the golden age of independent jazz funk. While maintaining the funky soundtrack mood, its lyrical chorus and unhurried pacing make "Brass In Motion" a perfect pairing for the frenetic energy of its counterpart. With their second release, Bronze, Silver & Brass continue offering fresh sounds for those who have an ear for uncomplicated funky instrumentals. The digital package of the group's singles comes with a digital only bonus track "Boondocks", that reveals another sweaty street funk workout for getting your dance on.

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MIRACLE THOMAS - SUGAR FREE

Miracle Thomas

SUGAR FREE

7"-VinylSSCR014
Sedsoulciety
20.01.2025

MiraclMiracle Thomas & Rob Hardt are doing it again with the remake, "Sugar Free" originally from 1985, released by Juicy. This team-up brings fresh life to the Boogie Genre with this Neo-Boogie joint .The Sweetheart of Soul, Miracle Thomas and Boogie Funk super producer Rob Hardt re-vitalizing a classic! The funky baseline and held notes over the chorus complementing the chant on the end of the song making it instantly a memorable sing along tune. Miracle’s sexy, cooing upfront perfect vocals over a Soul-Train worthy spotlight dance beat creating a mid-tempo groove monster that does it well for a bar DJ as well as for any and every club warm-up phase. The fit that Miracle and Rob have together is tight and groove heavy. It’s no wonder they keep coming up with these solid Soul Music Hits! They live and breath this music and though this super sweet “Sugar Free” tune will ride high on all DJ lists. DJs need this double up as doubles because the dub version is extra ordinary and suits the vocal side for an exclusive extended mix of your own.

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