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The Jack Ruby releases have been some of the most sought after dnb/jungle tracks on Discogs, mastered from the original DAT by Beau and pressed on 180g vinyl, sounding incredible!

TimeZone was originally released on Knowledge by Subreption - another Zinc alias...

This is the gloriously remastered version of an all time classic: Dj Excel's "Just When You Thought It Was Safe".

Originally releases in the very early 90's, it has been beautifully remastered and recut, alongside some absolutely devastating remixes from the likes of The Criminal Minds, Stu Keating, Abyss, and Dj Stephano, and it also includes the four bonus beats from the original pressing.

This version is the extensive Move-E Series 2 Double Pack, which comes on coloured vinyl, and with a ridiculously cool sleeve and label design plus poster!

Supergroups existed before Emerson, Lake & Palmer formed in 1970. And, as we all know well, many came after. But few, if any, matched the English trio’s chemistry and its elevated combination of virtuosity, vision, and verve. Having influenced a multitude of followers, ELP’s prowess was obvious from the start. The band’s self-titled debut stands as a towering statement of creative imagination, execution, and discipline more than five decades after its original release.

Mastered at MoFi’s California studio, housed in a Stoughton jacket, and pressed at Fidelity Record Pressing, Mobile Fidelity’s numbered-edition 180g 33RPM LP of Emerson, Lake & Palmer presents the benchmark album in audiophile sound. Clear, dynamic, and balanced, this collectible edition honors the perfectionist approaches that both informed the playing and recording of the record.

Distinguished with black backgrounds, this reissue brings to light the epic scope, tonal depth, and mind-bending degrees of musicianship on display. Aspects — textures, nuances, effects, melodies, tempo changes — that go hand-in-hand with the trio’s compositions and interplay are rendered amid broad soundstages and delivered with pinpoint detail. Whether you’ve owned multiple copies of this touchstone or seeking out your first version, you’ll relish the presence, separation, imaging, and crispness that help make every song come across as if the group has set up shop in your listening space.

Opening the door to the seemingly infinite possibilities of progressive rock while steering clear of excess, Emerson, Lake & Palmer achieved a rare feat in that its complex, cerebral music didn’t prevent it from attaining mainstream success. The gold-certified effort launched the career of a band that would sell tens of millions of records. It also landed a Top 50 single in the form of the ballad “Lucky Man,” whose vocal harmonies, folksy strumming, multi-tracked instrumentation, and breakthrough Moog solo almost feel quaint in the face of the other fare on the album.

Comprised of genre-defying originals and hybrid arrangements of two classical pieces, the album Rolling Stone originally and rightly said is “best heard as a whole” matches outrageous ambition with the otherworldly skills of three musicians who remain among the finest to ever pick up their respective instruments. While Emerson soon drew the lion’s share of headlines for his ability on keys — clavinet, Moog, piano, Hammond organ, and pipe organ included — Greg Lake’s aptitude on guitar and bass, along with well as Carl Palmer’s monster talents behind the kit, created a three-headed hydra that devoured everything in front of it.

That extends to the radical reinterpretation of Bela Bartok’s “The Barbarian” that begins the LP, a performance that in less than four-and-a-half minutes runs the gamut from distorted to churchy to angular and blustery. More classical flourishes, keyboard wizardry, hard-rock heaviness, and gothic signatures emerge throughout “Knife-Edge,” which reimagines music by Leos Janacek and J.S. Bach — and ultimately invites you to explore a cathedral of sound teeming with separate bursts of keys and percussion.

And did someone say “drumming”? Check out Palmer’s monster salvo on “Tank,” a rhythmic showcase that marches out with knee-bent notes and mirror-reflected passages. Or dive into the mythological suite “The Three Fates.” Replete with three parts and Emerson playing the pipe organ at Royal Festival Hall, it shoots off sonic fireworks via sophisticated arpeggios, jazz improvisations, dancing counter-meters, sizzling chords, and a few explosions. Please don’t hold anyone at MoFi responsible if your system cannot handle it; this is heady stuff.

Indeed, everything on Emerson, Lake & Palmer is there for a purpose. Whether you aim to attempt to dissect all of the notes, shifts, and polyrhythmic bluster or just want to absorb this album as one living, breathing organism, this version invites you to do both as many times as you desire.

The song titles on Van Halen's aptly titled Fair Warning don't lie. The likes of "Unchained," "Mean Street," "Push Comes to Shove," "One Foot Out the Door," and more indicate the mood the band channels on its double-platinum 1981 record — the nastiest, darkest, and fiercest album of the group's storied career. For the fourth time in four years, Van Halen throws down the gauntlet to all challengers and emerges victorious.


Sourced from the original analog tapes, pressed on MoFi SuperVinyl at Fidelity Record Pressing, and strictly limited to 5,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP set plays with unfettered clarity, dynamics, and immediacy. Benefitting from superb groove definition, an ultra-low noise floor, and dead-quiet surfaces, this vinyl edition captures what went down in the studio with tremendous realism and involving presence.

Taking a more controlled approach in the studio and still completing everything in less than two weeks, Van Halen and producer Ted Templeman relied on studio amplifiers to direct the sound. Further diverging from the live-on-the-floor approach of its earlier albums, the ensemble also employed overdubs to great effect. The result: Dense, stacked architecture that underlines the hard-hitting tenor of the songs — and which comes alive like never before on this reference edition that looks as good as it sounds.

The premium packaging and gorgeous presentation befit the reissue's select status. Housed in a deluxe slipcase, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. Aurally and visually, it is made for listeners who want to immerse themselves in everything involved with the album, including the iconic cover art adopted from William Kurelek's haunting painting, "The Maze."

Isolated frames from Kurelek's childhood-inspired work — including a man bashing his head into a brick wall, a guy pinning down an adversary as he delivers bare-fist blows to his face and others watch with apparent glee, a boy tied down on a conveyer belt and being sent through the equivalent of a meat saw — adorn the front and back covers. The sunnier visual disposition of Van Halen's prior efforts gives way to something sinister and tortured, traits reflective of the music within. The band members, too, are visually depicted not in glamorous shots but in a serious black-and-white portrait in which the quartet is clad in black leather jackets.

Tough, aggressive, stark: Fair Warning comes on like a series of bare-knuckled punches to the solar plexus and boasts lyrical narratives to match. Though not a concept record, the concise album revolves around themes of roughing it on the streets and struggling to survive amid dim prospects. Singer David Lee Roth reportedly penned many of the initial lyrics after traveling to Haiti and observing extreme poverty. The characters and situations populating Fair Warning reflect hardscrabble existence, last-chance desperation, and underlying danger.

Witness the crazies, poor folks, and hunters of “Mean Street”; the former prom queen turned pornographic actress on “Dirty Movies”; the menace and vice of “Sinners Swing!”; the streetwise hustle of “Unchained”; the isolation and alienation of “Push Comes to Shove”; the desire for escape on “One Foot Out the Door”: A carefree California beach party Fair Warning is not.

Having said he felt angry and frustrated during the sessions, guitarist Eddie Van Halen uses the forceful arrangements as a playground for his seemingly unlimited arsenal. Supported by a crack rhythm section and a hyped-up Roth, he performs with an almost impossible combination of punk-like intensity, technical finesse, lyrical fluidity, and unbridled emotion. The virtuoso was increasingly butting heads with Templeton and seeking a freedom in the studio he believed denied him.

No wonder he plays like a bat out of hell. Listen to the rapid-fire manner in which he slaps the high and low E strings on the 12th fret of his instrument on “Mean Street,” instilling the tune with funk flair and metal-spiked sharpness. For the pouty strut of “Dirty Movies,” Eddie Van Halen contributes slide guitar magic made possible after he sawed off the lower portion of a Gibson SG so he could reach further down the fretboard.

Related intensity, urgency, and daredevil momentum punctuate the surging “Sinner’s Swing!” A heavily flanged, delicately melodic introduction frames the attitudinal “Hear About It Later,” among the most creative arrangements of Van Halen’s career. And do riffs come any bigger or magnetic than those on the high-wire kick of “Unchained”? As for the out-of-left-field “Sunday in the Park,” an instrumental composed on an Electro-Harmonix micro-synthesizer: Who but Eddie Van Halen to supply creep factor in such an ingenious way?

Despite selling fewer quantities than Van Halen’s prior efforts, Fair Warning remains for many diehards the record that epitomizes all of the band’s immense strengths —Roth’s manic energy and tongue-wagging humor, Alex Van Halen’s rhythmic heartbeat-in-your-chest bombast, and Michael Anthony’s lucid bass lines included. Arriving when the New Wave of British Heavy Metal and new-wave movements were taking flight, it signaled a shot across the bow from a band determined to stay a step ahead and provide proof nobody could touch what it delivered.

More than four decades later, Fair Warning still sounds that alarm.

George Gadd + The Aftermath is a Nottingham-based Indie-emo four-piece band. George has been performing since 16 years old and was joined by The Aftermath in 2017. They are set to release their debut album ‘Too Many Ghosts...’ on 5th September 2025. This captures a decade of growth and includes fan favourites from over the years. Taking influence from acts such as Bright Eyes, Manchester Orchestra and Death Cab for Cutie, they create emotionally resonant songs built for catharsis and connection with fans. George Gadd + The Aftermath's DIY set has seen them tour across the UK & Europe, with a few US solo shows. They have performed alongside Frank Turner, Get Cape. Wear Cape. Fly, The Xcerts and more! They have made festival appearances at 2000 Trees, Y Not, Dot to Dot, Beat the Streets and Splendour. While also being confirmed for Y Not and 2000 Trees in 2025.

After finding fame with the Hollies and Crosby, Stills, Nash & Young, expatriate Englishman turned West Coast rock icon Graham Nash made an auspicious solo debut on this 1971 disc. It's an exemplary singer-songwriter effort, striking a vital balance between graceful introspection and political fervor — and while it's deeply personal, it still carries the harmonies, heart and politics that made CSN(Y) so essential.

With assistance from the likes of David Crosby, Jerry Garcia, and Dave Mason, highlights include the sensitive internal explorations "I Used to Be a King" and "Man in the Mirror" and the impassioned protest anthems "Chicago" and "Military Madness."

If Déjà Vu was a wild canyon party with four competing egos, Songs for Beginners is Nash's introspective morning after — a mix of heartbreak, hope, and a little bit of righteous protest. He recorded it while reeling from his split with Joni Mitchell, and you can feel that melancholy seeping through the grooves.

But don't mistake this for a wallowing breakup album — it's also a call to action, packed with the kind of folk-rock anthems that made Nash an indispensable voice of his era. If you love CSN's folk-rock harmonies but also crave a more personal, raw touch, this is a must-listen.

This Analogue Productions (Atlantic Series) reissue of Pain in My Heart is a standout for your collection. First, we turned to Bernie Grundman to cut lacquers from the original master tape. Pressing on 180-gram vinyl is by Quality Record Pressings, and the album is housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.

Brixton Heights Records proudly presents the brand new single ‘Am I the Same Man?’, a soulful roots-reggae gem featuring a heavyweight all-star lineup including: Mafia & Fluxy on drum and bass respectively, the Ital Horns on brass, Gussie Clarke on mastering and Gaudi on falsetto vocals + BVs, dub mixing, piano and co-production alongside The Brixton Heights Orchestra.

Drawing inspiration from the timeless instrumental groove ‘Soulful Strut’ by Young-Holt Unlimited, the track channels vintage soul through a deep lovers-rock lens. A fresh and earnest reinterpretation of Barbara Acklin’s 1968 classic ‘Am I the Same Girl?’, this version flips the narrative with an adaptation on the lyrics voiced by none other than Gaudi singing in falsetto, resulting with a smooth, dub-infused love song that combines classic soul and international reggae into a modern masterpiece.
Gaudi is not stranger to falsetto-singing and backing vocals, in fact he has lent his distinctive vocal talent to albums by reggae giants such as Steel Pulse, Horace Andy, Lee “Scratch” Perry, Don Letts, Johnny Clarke, Mad Professor, Hollie Cook, Michael Rose, Creation Rebel, Africa Unite, Awa Fall, African Head Charge, Lion D & Capleton.

Mixed and co-produced by Gaudi at his Metatron Studio in London UK and mastered by Gussie Clarke at Anchor Studios in Kingston Jamaica, ‘Am I the Same Man?’ is more than a cover version, it’s a heartfelt transformation that captures the emotional core of the original song while creating a whole new vibe that speaks to today’s lovers and soul seekers alike.

The B-side presents a meticulously crafted dub version by Gaudi, produced exclusively with analogue equipment and vintage studio hardware. The mix brings forward the intricacies of the original instrumentation and enhances the lyrical elements through spacious delays and warm, analogue textures. Last but not least, in order to maintain the highest level of authenticity and an organic sonic texture, all recordings were done at 432Hz, tuned to resonate naturally.

Bonbon Vodou’s third album (Épopée métèque), created by Oriane Lacaille and JereM Boucris, follows the paths of exile with lush orchestration and lyrics in French, Creole, and Gascon.

The bonbon piment (a spicy Réunionese fritter) is deceptive. Beneath its harmless appearance lies a fiery kick that can jolt you into clarity. Bonbon Vodou operates the same way. While the duo's musical influences sway between the Indian Ocean and the Mediterranean Sea, a sharp edge cuts through the tenderness of their graceful songs, often carried by the rhythms of maloya. This contrast gives depth to their third album, Épopée métèque, which takes us on journeys of exile—both across land and sea.
Oriane Lacaille is the daughter of accordionist René Lacaille, a key figure in the revival of Réunionese music in the 1970s, who has lived in mainland France for five decades. JereM Boucris’s father, from a Tunisian Jewish family, was 14 when he arrived in France at the end of the colonial protectorate. Their lives are interwoven with these paternal exiles, which they continue to explore and unravel, alongside the broader, universal stories of migrants fleeing poverty, persecution, and war.
The duo is now joined by a vibrant trio—Piment Piment (Juliette Minvielle, Roland Seilhes, and Yann-Lou Bertrand)—bringing a rich orchestration featuring guitars, flutes, brass, roulèr, kayamb, jaw harp… all set to lyrics in French, Creole, and Gascon. Their voices are joined by numerous guests, including Mouss and Hakim, Rosemary Standley, and Bernard Lavilliers. This playful yet poignant album explores themes of life and death—radiant but aware—seemingly echoing Camus: “There is no sun without shadow, and one must know the night.”

To celebrate the 50th anniversary of Profondo Rosso, Dario Argento’s masterpiece with its iconic Goblin soundtrack, comes a once-in-a-lifetime collector’s box set.

This box set, limited to 450 copies, includes:

GOBLIN - PROFONDO ROSSO / 2LP SET
Special double vinyl reissue with gatefold cover and brand new artwork including the original soundtrack, plus a bonus disc that contains a collection of tracks with the actual music used in the movie.

CALIBRO 35 - CANZONCINE PER BAMBINI / 12” LP
Exclusive 6-track LP featuring brand-new compositions by cinematic jazz-funk masters Calibro 35, blending their trademark sound with nursery rhymes sung by a real children’s choir.
The project is inspired by one of the film’s key scenes — a sort of MacGuffin around which the music playfully revolves — transforming that cinematic idea into a standalone concept full of irony, tension, and imagination.

FABIO CAPUZZO - NEL ROSSO PIÙ PROFONDO
LP-sized book, in English, containing one of the most detailed and thorough analysis on both “Profondo Rosso” movie and soundtrack ever written, courtesy of Fabio Capuzzo,one of the greatest Italian experts on the matter.

LENTICULAR IMAGE, revealing the film’s key scene, turning this edition into a true display piece.

A celebratory release of extraordinary cultural and collector’s value, blending cinema, music, and memorabilia into a total experience. An unmissable tribute to Profondo Rosso, fifty years on.

"Guerra Total Na Boca Do Lixo" is CAVEIRAS' new album, to be released on February 13, 2026. The album will include 12 brand new tracks, displaying the usual mix of punk aggression, batucada rhythms, industrial / noise bravado and bass music.

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CAVEIRAS deal in obsessive rhythms and low frequencies, infusing punk with Afro-Brazilian vibes. Their spiritual birth can be traced back to a visit to Favela Rocinha: while watching two young boys improvise a batucada with a bucket and a bin, band members became obsessed with the possibility of an occult alliance between Rio de Janeiro and Einstürzende Neubauten’s Berlin. Back home, Caveiras made a blood oath, vowing to channel the dark side of samba. Armed with an electric bass, scrap percussions and a machine-gunning sampler, they began to butcher Brazilian standards with a wild and iconoclastic attitude. Claves and rhythms of the Brazilian tradition are heavily treated through electro-acoustic techniques, dub-oriented bass lines strip melody down to the bone, while screams cross the line separating punk’s rants from Quimbanda’s curses.

Gagaku is the oldest of the Japanese performing arts, with a history more than a thousand years old. The term refers to Japanese classical music and dance, traditionally performed by families of musicians linked to the ancient Imperial court, and later passed down in Buddhist temple ceremonies and Shinto shrines. Shiba Sukeyasu, founder and director of the Reigakusha ensemble, descends from the Koma clan, whose origins date back to the end of the 10th century. The recordings partly reflect repertoires borrowed from Chinese music between the 5th and 9th centuries. The incredible variety of timbres of the instruments greatly amplifies our exotic imagination: the eternal breath of the flutes (ryuteki and hichiriki) creates a sort of suspension of time, together with the hypnotic and hallucinatory atmosphere of the mouth organs (shō). The meditative tone of the string instruments (bika and koto) that punctuate the voids and silences is impressive, as is the enigmatic percussion section, with the tolling of the gong (shōko) and the calibrated beats of the drums (taiko and kakko).

4 kicking hardcore tunes including one speeecore killer.

This is the fourth 7-inch vinyl release of Tatsuro Yamashita covers from Junk Fujiyama, a leader in the city pop scene.
Junk has been collaborating with creator Itsuki Kamiya in recent years, and the track was produced by him.
Juny-a plays alto saxophone, while Itsuki Kamiya plays guitar, chorus, and all other instruments. Junk sings this emotional and reverent song over an exhilarating
track that recreates the original sound.
The B-side is the popular track "Boku Dake no SUNSHINE," which has topped Spotify's viral chart three times.
The jacket is an original illustration by hikari&-, evokes a summer feeling.

This package evokes those vivid summer feelings, brought back to life at Christmastime.
Junk's passionate vocals and spirit vividly color Tatsuro Yamashita's timeless summer song.
Of course, the B-side is Junk's own popular summer tune.
(Kanazawa Toshikazu)

The second release in French beatmaker Medline's 7" cover series of soul, jazz-funk, and rare groove classics!

Much like Leon Michels of El Michels Affair, Medline plays all the instruments himself?this release features two stunning tracks, including a newly recorded cover.

Side A presents a brilliant rendition of "Wind Parade," Donald Byrd's immortal 1975 masterpiece that has been widely sampled in hip hop. The iconic bassline remains intact, while Roni Alkekengi's transparent vocals and a bold substitution of flute in place of trumpet create a uniquely groovy interpretation.

Side B is a refined cover of the 1972 soul classic "People Make the World Go Round" by The Stylistics, which has also been heavily sampled and covered. Medline retains the charm of the original while adding his own polished touch.



[a] 01: Wind Parade (45 Edit) [feat. Roni Alkekengi]

The world tour, including Hungary's OZORA Festival, has culminated in the completion of a new album packed with all the experiences and energy gathered
along the way － a masterpiece vibrating at the highest frequency!
A collaborative work created by KENTA HAYASHI, who plays high-vibration instruments, and Dragon Sound's inventive equipment that supports music by adding
the energy of meteorites and crystals to electricity.

Classic Latin Tunes Became Sals Hits! Pablo Yglesias -aka DJ Bongohead- compiles Grosso Recordings an amazing serie with classics tunes from Caribbean music that became great successes of "Salsa". Some tracks have been remastered and restored, others are presented on vinyl again after many many years. "This is the four volume in our series on the Roots of Salsa...The main criterion was to pick tracks that sounded adequate for today's DJs to play at a gig or were sufficiently interesting (or enough of a surprise to fans of the later version) to merit inclusion. The other measuring stick was that they needed to come from the old-school, before the more modern era (from 1962 on) and all of its recording innovations and marketing strategies...for now, listen to these dozen gems and then go back to their more familiar cousins from recent times and compare and contrast, and we're sure you'll be enlightened and entertained." Liner notes by Pablo "Bongohead" Yglesias. Format and selection designed for DJs, collectors and general public.

A peerless debut album by Jacks, born during the dawn of Japanese rock, is reissued as a colored vinyl modeled after the original red disc released by
Toshiba Musical Industries on September 10, 1968.

Its dark and freaky lyrics and sound, as if gouging out the depths of the soul, had a profound impact on the music scene that followed.
In addition to the original 10 tracks from the album, this reissue includes the single A-side track "Kono Michi", which was released around the same time but not included in the original album.

Now recognized worldwide as one of the biggest artists, BTS released this album about two years after their Japanese debut, solidifying their status as
top artists in both Japan and Korea. This marks the analog release of their second Japanese album, coming two years after their previous one.

Included on the album are their 4th single "FOR YOU," which earned them their very first No.1 on Japan’s weekly chart, the hit single "I NEED U,"
and their 6th single "RUN," along with Japanese versions of tracks from the "Hwa Yang Yeon Hwa" series such as "FIRE," which capture the most
beautiful yet fleeting moments of youth. Additionally, the album features the Japan-original song "Wishing on a star," as well as many tracks only
available on this release.

Distant Lifeforms’ First Contact EP marks the launch of the new techno imprint by Lucinee and Lifka. As a split release, it includes two tracks by each artist, forming four trippy and forceful cuts that explore the outer edges of deep-space sound. With hypnotic rhythms, dense atmospheres and relentless drive, First Contact invites listeners on a journey beyond matter and mind - a bold introduction to the label’s sonic identity.

‘Get A Life, Listen To Autumns’ is a statement that tells you everything you need to know about the quality and attitude of the Irish producer’s latest EP. His DNO debut presents five tracks of steel-studded EBM and industrial run through with his trademark dub aesthetics.

A1 ‘100 Ways To Get Fucked’ — another bold title — struts its stuff to a methodical stomp; strained vocals pulled out of shape and fed back into macabre forms; low-end chugging like some smoke-billowing, grease-slicked machine.
‘Let It Melt’ picks up the pace, making judicious use of the reverse function, while subtle acid chirps and woozy arpeggios provide a chaotic, though not unpleasant, dissonance that induces a feeling of headrush.
‘Petted’ swaggers like sex incarnate, alongside snatches of diva vox and the kind of sweeping space-age pads that Holst might have used had he been born a century later, seemingly taking cues from the hot and sweaty nights of ’80s Chicago.

Over on the B-side, ‘LDRO’ sets its kicks and snares thrusting at full tilt over an inexorable bassline; Autumns’ favourite effect, delay, keeping things squelching like the jellified flesh of a ballistics dummy.
And to finish, ‘God’s Gift’ drops down to a sludgy rhythm — though with surprisingly spritely percussion — to match its tortured guitar, shrieking horns, and deadly subs. A fever dream of twisted metal and hot breath, like the gradual slowing after the climax of debauchery.

Marking a sultry new route for DNO, Autumns’ first for the label is confident, confrontational, and
not to be missed.

Rhythms of postmodern realism at the very bottom of the DNO.

Mokum Records proudly presents a fresh slab of hardcore:
Remixed by:
Dysistor
RETRO
The Outside Agency
Faniac
Plus: the original track included on the record!
A must-have vinyl for collectors and hardcore heads — raw, dark, and uncompromising.

Following on from a very successful remix for the label in 2024, Dilby delivers his second EP of deep hypnotic house grooves on Sublease. Dilby's Without You EP features three fresh cuts, all infused with his signature dance floor flavour. The title track is a bouncy slab of house goodness, balancing driving stabs with atmospheric pads. Stay True is in a similar vein, tough drums and spacy washes with some classic house groove and dubby percussive synths. The final track, Elevate, keeps the
vibe alight with more of the New Zealander’s trademark deep and slinky house and including a massive breakdown.

Following on from a very successful remix for the label in 2024, Dilby delivers his second EP of deep hypnotic house grooves on Sublease. Dilby's Without You EP features three fresh cuts, all infused with his signature dance floor flavour. The title track is a bouncy slab of house goodness, balancing driving stabs with atmospheric pads. Stay True is in a similar vein, tough drums and spacy washes with some classic house groove and dubby percussive synths. The final track, Elevate, keeps the
vibe alight with more of the New Zealander’s trademark deep and slinky house and including a massive breakdown.

To celebrate the 30th anniversary of Snoop Dogg’s multi- platinum Doggystyle, heralded as one of the most important albums of all time, Death Row Records will be bringing this back to retail with the original 1993 track listing on vinyl.

This new 30th Anniversary edition will include the track “Gz Up, Hoes Down” which has not been on the album since its pressing in 1993. For new and old fans alike, this is the definitive version of the classic album that launched Snoop’s solo career and helped define the sound of Los Angeles in the process.

Its Big! Limited vinyl run from one of the biggest tracks of 2025.

Fold and cu.rve join forces for the inaugural release on Ingram, a new label dedicated to bold, underground-rooted electronic music. Their debut collaboration, “Business,” delivers a dark, kinetic statement of intent—genre-defying, club-ready, and engineered for the dancefloor’s outer limits. Merging raw authenticity with forward-thinking production, the track crystallises the label’s mission while uniting two artists whose careers have consistently pushed at the edges of UK club culture.

On the flip is “Smart Casual,” a sleek counterpoint to the intensity of Business. Harnessing the same shadowy, garage-inflected energy, the track leans into a deeper, bassline-driven groove—refined, minimalist, and designed to work across peak-time warm-ups and after-hours sessions alike. Already following in the successful footsteps of “Business,” which has been receiving global support from heavyweights including Four Tet and Joy Orbison, “Smart Casual” lands as a sharp, functional club tool that reinforces Ingram’s commitment to cutting-edge dance music.

Together, the two tracks mark an uncompromising opening chapter for Ingram—one defined by progression, underground spirit, and dancefloors pushed to their limits.

The pinnacle of total art pop, "yes, mama ok?", celebrates its 30th anniversary.

To commemorate their 30th anniversary, four titles have been officially released: a 14-track LP featuring a comprehensive selection of tracks released between
1995 and 2000 on labels like LD&K, Nippon Columbia, and Etiquette Recordings; a 26-track cassette tape featuring more best-of selections; a 7-inch single
featuring their best tunes; and a long-awaited two-disc CD featuring the works of legendary songwriter Takeshi Kongochi. These four titles, overseen by
Takeshi Kongochi and Wataru Sawabe (Skirt), who self-proclaims himself the world's biggest fan, are being released.

yes, mama ok?'s long-awaited three-track 7-inch vinyl EP featuring the killer hits "Q & A call 65000" and "Shopliftin' blues" is now available.

To celebrate the twentieth anniversary of their debut album ‘Employment’ (usually commemorated with the gift of china), Kaiser Chiefs are making three new expanded ‘China Anniversary’ formats available. The 1LP edition is pressed on white vinyl, and includes ‘bonus’ track ‘Take My Temperature’. Remastered at Abbey Road Studios.


Originally released in March 2005, ‘Employment’ peaked on the UK album chart at No. 2, and has since spent more than 17 months on the Top 40, selling more than 2.1 million copies in the process, and being certified 7 x Platinum status by the British Phonographic Industry. Similarly successful across Europe, the album’s longevity was aided by the hits singles ‘Oh My God’, ‘I Predict A Riot’, ‘Everyday I Love You Less And Less’ and ‘Modern Way’, and a series of triumphant performances that established Kaiser Chiefs as a ‘must see’ live act, building a loyal fanbase that stays with them today.

In March 2025, "On the Love Beach" completed a highly successful solo concert in Shanghai and Beijing with Toushi Naoki.

In 2025, marking the 30th anniversary of their memorable debut album, "On the Love Beach," the band's first three albums will be reissued on CD and vinyl!
All three albums use the original master tapes, and each has been thoroughly remastered under the supervision of Shinji Shibayama for high-quality sound!

This is Nagisa Nite's second album and only live recording, released in 1998. Featuring an acoustic arrangement featuring acoustic guitar and djembe,
the band's imaginary concept is "A Tyrannosaurus Rex from Osaka." This is a realistic documentary of a solo performance held in a dilapidated wooden
apartment building in Tokyo during a scorching heat wave in July 1997, a space that was barely a free space. The band performed in the scorching heat
of July, with the venue lacking air conditioning, forcing them to play with the windows open. This resulted in "ambient music" that occasionally blended with
the sounds of the outside world and the barking of dogs. The band's determination to never perform in a place like that again led them to believe that this
unique and intriguing experience was what made this album so unique.

The environment forced the band members and the audience to remain unwavering, creating an undeniable tension in the small venue, creating a literally
"hot" groove despite the entire performance being acoustic. This experiential live album, the polar opposite of the '71 Nippon Genya Festival, is impossible
to recreate, even for the band members themselves, including the immersive recording.

The 1998 album was only available on CD, but this time, the album is available on vinyl for the first time on a 2LP!
Remastered using the original master DAT tape, it recreates the "hot" and "ambient music" atmosphere even more realistically. T
akeda's cover of Midori Mako's "Yasashii Nipponjin" is also a must-listen!

The pinnacle of total art pop, "yes, mama ok?", celebrates its 30th anniversary.

The album includes a 14-track best-of LP featuring a comprehensive selection of tracks released between 1995 and 2000 on labels like LD&K, Nippon Columbia,
and Etiquette Recordings; a 26-track cassette tape featuring more best selections; a 7-inch single featuring the band's best killer tunes; and a long-awaited
two-disc CD featuring the works of legendary songwriter Takeshi Kongochi. These four titles, overseen by Takeshi Kongochi and Wataru Sawabe (Skirt), who
self-proclaims himself the world's biggest fan, are officially released in celebration of the band's 30th anniversary.

The long-awaited "yes, mama ok?" best-of album, a 14-track vinyl LP, is now available!

This is the ultimate mini-album that can proudly be called LIP CREAM! “9 SHOCKS TERROR” has remained timeless since its original release in 1986, embodying incomparable speed and a level of perfection that defines Japanese hardcore. Opening with ‘TERROR,’ which goes straight into reverse audio and needle skips, the song structure charges forward relentlessly, shaking off the catchy, humorous, and approachable vibe that had previously defined LIP CREAM. Naoki's noisy yet melodic guitar, Pill's wild drums, Minoru's heavy yet high-speed bass, and JhaJha's intense shouts that still allow the lyrics to be clearly heard—all these elements fuse together to create powerful tracks that have reached an unprecedented sound. Recorded at Shinjuku JAM Studio, ‘9 SHOCKS TERROR’ was composed primarily by Minoru and Naoki, with lyrics and artwork by JhaJha. JhaJha's hand-drawn jacket illustration was a parody of THE FUZZTONES' album “Cinderella”. Additionally, an English translation of the lyrics is included for this RELAPSE release, helping English-speaking listeners understand the unique world of LIP CREAM. Interestingly, the title “9 SHOCKS TERROR” was revised to “9 SHOCKING TERROR” on the 2007 CD reissue by ONI Label. This revision was made after illustrator PUSHEAD, who has a long-standing relationship with LIP CREAM, pointed out a grammar error. However, the original title has been restored out of respect for the original work for this RELAPSE reissue. Following the release of this album, LIP CREAM launched their self-managed national tour “BLOODY SUMMER TOUR,” and fans who bought the album rushed to the gig. Additionally, during a show at Doshisha University in Kansai in the autumn of the same year, torches were brought onto the stage and Jha Jha set them ablaze, causing absolute chaos (footage of this incident can be viewed in the video “LIP CREAM ONLY”).

Black Vinyl

"Tief gestimmter, düsterer und brutaler Texas Death Metal", lautet die kompromisslose Antwort von Terror Corpse-Schlagzeuger Dobber Beverly, wenn er gebeten wird, sein neuestes Monstrum zu beschreiben.

Terror Corpse wurde 2025 gegründet, besteht jedoch aus Veteranen der US-Underground-Szene und ist aus den Überresten von Malignant Altar hervorgegangen, wo sie dort weitermachen, wo ihre Vorgänger aufgehört haben – immer noch in Zusammenarbeit mit Dark Descent Records.

Das Album wurde vollständig vom Schlagzeuger selbst produziert und hat einen ebenso unverwechselbaren wie vernichtenden Sound. Vom ersten hämmernden Kick-Drum-Schlag an, zu dem sich bald eine markerschütternde Bassline gesellt, lässt Ash Eclipses Flesh seinen unerbittlichen Griff nie locker.

„Ich wollte im Wesentlichen einen extrem tief gestimmten Celtic-Frost-Gitarrensound mit einer modernen und großzügigen, natürlichen Drum-Aufnahme. Großer Raum, große Drum-Sounds. Dazu noch ein paar höhlenartige, tiefe Vocals im Stil von Craig Pillard und Bassgitarre, und schon hat man unseren Sound.“

Die Verehrung der Band für das Erbe von Celtic Frost zeigt sich auch im letzten Song des Albums, einem Cover von „Into the Crypts of Rays“. Dobber macht keinen Hehl aus den Einflüssen von Terror Corpse: „Disciples Of Mockery, Incantation, Morbid Angel vor den 2000er Jahren; im Wesentlichen älterer böser amerikanischer Death Metal. Celtic Frost hat uns alle massiv beeinflusst. Von ihren primitiven und gewalttätigen Anfängen bis hin zur ultra-experimentellen und dunklen Ära ihrer späteren Alben.“

Celebrating their 40th anniversary in 2025, Japan's ska scene pioneers The SKA FLAMES － still going strong and continuing to exert a huge influenceboth

domestically and internationally － will release five 7-inch singles over three consecutive months!! First release features two titles simultaneously!
This release includes “I WON'T NEVER LET YOU GO” left behind by BLUES BUSTERS and a self-cover of The SKA FLAMES' classic early track
“GOOD MORNING” recorded with Daisuke Ono on drums!"

Composer, arranger, and multi-instrumentalist Yoshiharu Takeda's long-awaited first album, released in 2018, is now available as a Cassette Tape.
He plays various instruments himself, including piano, clarinet, pedal steel guitar, and percussion.
Fantastical, crystalline melodies constructed through masterful use of multi-tracking and programmed elements.
This richly textured work possesses an organic quality, unfolding dynamically through colorful arrangements while maintaining a mysteriously serene
atmosphere. Highly recommended not only for jazz and world music fans, but also for enthusiasts of ambient and new age music.

A Larum, the debut album by singer and actor Johnny Flynn, was recorded in Seattle and is one of those rare albums that immediately creates its own world - Originally released on Vertigo Records in May 2008, this re-issue faithfully replicates the original 2LP release's pop up gatefold sleeve and is pressed on 180g vinyl Backed by his band The Sussex Wit, the album's songs were likened to the work of Fairport Convention and Bert Jansch by Rolling Stone.

Flynn has been described as "a musical prodigy turned Shakespearean actor, with the soul of a poet," and his songs offer a sweet gentility in an increasingly loud time. Close mic'ed and intimate, Flynn cast his eye over romance, religion and celebrity. A Larum became something of a beacon for the burgeoning folk scene at the time, with fellow travellers such as Mumford & Sons, Laura Marling and Noah and the Whale. Since A Larum, Flynn has carved out a singular path as both a critically acclaimed musician and award- winning actor. He has released a string of celebrated albums including Been Listening, Country Mile, and Sillion, continually evolving his sound while maintaining his signature storytelling. As an actor, he's earned accolades for roles on stage and screen, notably portraying David Bowie in Stardust and starring in films like Emma (2020) and Netflix's The Dig. He also composed and performed the beloved theme song for the BAFTA-winning series Detectorists, where his evocative music became inseparable from the show's gentle, melancholic charm. ...

Spanish Love Songs return with a new EP, a reflective collection created mid-process while writing their next full-length. Since forming in 2013, the band has grown from DIY roots into one of modern punk’s most vital voices with albums like Schmaltz, Brave Faces Everyone, and No Joy. Vocalist Dylan Slocum calls these songs “imperfect snapshots,” built in real time with friends and collaborators — including Kevin Devine, Illuminati Hotties, Dan Campbell, and Tigers Jaw. The vinyl release will pair the new EP with their previous No Joy – Sessions and Doom and Gloom Sessions, offering fans a comprehensive physical collection.

On December 19, 2025, HAMMER KING will release a very special double edition, closing the circle of their band’s history while opening a new chapter. To mark the 10th anniversary of their debut album “Kingdom Of The Hammer King”, the album returns as a freshly remastered edition. The original artwork has received a modern twist, and thanks to Alexander Ecker’s brilliant remastering, the album now sounds warmer and more present than ever – without losing the charm and magic of the original. But that’s only half of the royal celebrations: with “Hammer King X – Alive In '25”, HAMMER KING release their very first live album! Recorded in the summer of 2025, it captures the raw energy and magic of their acclaimed shows – including performances at Summer Breeze, Bongert Open Air, Formosa Bierfest, and their traditional summer homecoming at the 7er Club Mannheim. Of course, the vinyl edition is also included: the anniversary edition is available as a double album on CD and vinyl, making it the perfect gift for all metalheads.

Long regarded as singular architects within European post-rock, EF have built a catalogue defined by dynamic patience, melodic clarity, and widescreen emotional reach. Across two decades of touring, the Gothenburg ensemble have carried that language to clubs and theatres at home and abroad, earning a reputation for meticulous, high-impact live shows and a body of work that has steadily gathered critical regard and a devoted international following. Reimagined and with expanded production including strings and brass, this edition is a considered re-engagement with the material that first crystallised EF's voice. The band returns to thesesongs with the benefit of twenty years' craft, presenting new arrangements that stretch time and deepen narrative, while retaining the quiet-to-catharsis arc that has always set their music apart. "Since it's our precious first born we wanted to give it the love it surely deserves. We felt we didn't want to celebrate its big 20th birthday by just remastering it and we surely didn't want to make the songs too modern and unrecognisable for the old fans. We wanted to give it a tighter, more dramatic and bombastic make over_ a gentle touch of today's EF." (Niklas Åström) Originally released in 2006, `Give Me Beauty_ or Give Me Death!' introduced EF's signature blend of cinematic guitars, patient dynamics and aching melody. For this new edition, along with an incredible cover illustration by Phillip Janta and brand-new bonus track `Noll', the band returned to the material with fresh ears and clear intentions: to open more space in the arrangements and to enrich the melodic lines with orchestral colour. `Give Me Beauty_ or Give Me Death!' (20th-Anniversary Edition) is a document of growth rendered with care: more instrumentation, more time, more consequence. The album is an act of stewardship_ both a homage and a forward-looking manifesto for EF and for discerning listeners everywhere. FOR FANS OF Explosions in the Sky, Mogwai, Caspian, Gospeed You! Black Emperor, Yndi Halda, Mono Black or White Double Vinyl, Digisleeve Single CD. Includes bonustrack Noll.

Long regarded as singular architects within European post-rock, EF have built a catalogue defined by dynamic patience, melodic clarity, and widescreen emotional reach. Across two decades of touring, the Gothenburg ensemble have carried that language to clubs and theatres at home and abroad, earning a reputation for meticulous, high-impact live shows and a body of work that has steadily gathered critical regard and a devoted international following. Reimagined and with expanded production including strings and brass, this edition is a considered re-engagement with the material that first crystallised EF's voice. The band returns to these songs with the benefit of twenty years' craft, presenting new arrangements that stretch time and deepen narrative, while retaining the quiet-to-catharsis arc that has always set their music apart. "Since it's our precious first born we wanted to give it the love it surely deserves. We felt we didn't want to celebrate its big 20th birthday by just remastering it and we surely didn't want to make the songs too modern and unrecognisable for the old fans. We wanted to give it a tighter, more dramatic and bombastic make over_ a gentle touch of today's EF." (Niklas Åström) Originally released in 2006, `Give Me Beauty_ or Give Me Death!' introduced EF's signature blend of cinematic guitars, patient dynamics and aching melody. For this new edition, along with an incredible cover illustration by Phillip Janta and brand-new bonus track `Noll', the band returned to the material with fresh ears and clear intentions: to open more space in the arrangements and to enrich the melodic lines with orchestral colour. `Give Me Beauty_ or Give Me Death!' (20th-Anniversary Edition) is a document of growth rendered with care: more instrumentation, more time, more consequence. The album is an act of stewardship_ both a homage and a forward-looking manifesto for EF and for discerning listeners everywhere. FOR FANS OF Explosions in the Sky, Mogwai, Caspian, Gospeed You! Black Emperor, Yndi Halda, Mono Black or White Double Vinyl, Digisleeve Single CD. Includes bonustrack Noll.

Vinyl gatefold jacket includes a 12x12 insert reproduction of the original LP jacket art.Recorded in 1956 and released in 1957, Supersonic Jazz is arguably the first long-playing album by Sun Ra and His Arkestra on his Saturn label. However, it was not recorded as a debut. Rather, the album was assembled from tapes recorded during a number of sessions at two Chicago studios (RCA Victor and Balkan), and several tracks had been released as singles before their inclusion on this album. (Sunny's first fully realized commercial album was 1957's Jazz by Sun Ra, produced by Tom Wilson on his short lived/soon to be defunct Transition label.) Prior to these sessions, Sunny was still arranging for the Red Saunders Orchestra and singer Joe Williams, in addition to arranging for and coaching doo-wop ensembles. As Sunny's ambitions achieved liftoff, the Arkestra coalesced, began building a repertoire (mostly of Ra's originals), and making forays into studios. Deciding it was time for commercial releases, Sunny and business partner Alton Abraham launched Saturn (sometimes called El Saturn) as a record company in 1956. As a first offering, Supersonic Jazz is a pinnacle Sun Ra release. While reflecting many prevailing bebop, Latin, and R&B conventions of the mid-1950s, it's evident that Sun Ra's musical voice and vision were starting to propel him away from the jazz mainstream. Biographer John Szwed finds on these recordings "characteristics which seemed alien to swing, bebop, or the new, more soulful and hard-edged music which was coming to be called hard bop."