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Tiga & Hudson Mohawke - Feel The Rush Remixes (w/ remixes from Honey Dijon, Mr G., Johnny Aux)

Tiga & Hudson Mohawke recently released their hit single 'Feel The Rush', featuring none-other-than Channel Tres. After landing in Tiga's recent Boiler Room set, Feel The Rush created a full-on ID frenzy prior to release. The original track harnesses a signature Tres vocal over a low-slung LMZgroove. Turbo have enlisted three dance music legends for the remix project : Honey Dijon, Mr. G, and Johnny Aux (of Paranoid London). Tech-house + Detroit techno + Acid House... just in time for summer 2024.

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Tenderlonious - Ragas from Lohore – Improvisations With Jaubi

In April 2019, 22a boss and multi-instrumentalist Tenderlonious embarked

on a trip to Pakistan to work with Lahore based instrumental quartet, Jaubi.

Following on from the success of the three-track limited edition 10" vinyl

release of 'Tender in Lahore' earlier this year, 22a presents the full LP-length

suite of improvised Ragas from a one day recording session in Lahore,

featuring four previously unreleased tracks.

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Miki - Small Black Dots 10 years (TAPE)

A decade has passed since we released our first vinyl in 2014 through the infamous ILLEGAL SERIES imprint.
To celebrate this milestone, we've invited Miki to create a mix that weaves together tracks from our entire catalogue, reminiscing of our journey over the past decade. We chose to release this mix on a classic tape cassette to better capture the essence of this special occasion.

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Farron - Feal LP 2x12"

Farron

Feal LP 2x12"

2x12inchSCLP02
Shaw Cuts
23.09.2024

Sometimes, we have the tendency to run away from distress because we do not want to deal with the feeling of pain, but the first step in spiritual healing is overcoming the fears and recognizing the pain. The sooner you address the cause of your difficulty, the sooner you’ll get freedom from the pain. Be aware of your situation.
Once you have faced the source of anxiety, you need to acknowledge the pain. Feel your emotions and question what their sources are. Be honest about your feelings. In this stage, it is normal to feel like situations are beyond your control, which can transfer the feeling of hopelessness. However, by allowing yourself to feel rage, it becomes easier for your wounds to heal. Honor your feelings.
Honoring your pain will teach you self-forgiveness. You should be able to feel the kindness within you and experience all the love you have for yourself. You will feel a conflict between the instinct to heal on your own, and the desire to accept the situation and seek support to get healed. You prove that you have an unwavering determination to get healed by choosing the latter. When you want spiritual healing, you have to place your faith in the universe, too.
Surrendering the pain means releasing the pain and seeking support from the universe. It will help you ease your sufferings.
The negative ego vanishes from within you and makes your heart feel lighter once you release your pain. This is a sign of spiritual wellness. You will start to feel a deep openness towards things and think with a peaceful mind. You will become whole again and you will develop the ability to deal with the disruptions of your life with tolerance. The inner peace will be restored. Feal.

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Rufo - Crónicas Del Milenio Pasado

For the next edition under the number twenty-two we have Peruvian mastermind Rufo, coming up to steer the spaceship into the right direction as he always does. Currently based in Barcelona being the resident of the legendary project Mad Radio that is expanding rapidly with the clear vision of electronic underground music. Therefore, our artist has learnt and studied the ancient methods of best of the best. The extend play is called chronicles of past millennium and explores the sound of the past with a modern twist on it. It’s sounds splendidly fresh now and with full confidence could be said it will sound fresh in all the upcoming future millenniums. The record features a vast range of sounds which shows the maestro is very versatile at the executing stunning audio puzzle pieces that are ready to blast the dancefloors of big clubs, illegal raves or the afterparties all over the globe.

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Severed Heads - Ear Bitten LP 2x12"

Dark Entries picks up Severed Heads yet again for Ear Bitten, a double LP reissue of some of the band’s earliest material. As originary Aussie industrial legends - although founder Tom Ellard would balk at being branded as such - Severed Heads shaped the continental subcultural sound with their kitchen electronics, chaotic tape loops, and quietly infectious nursery-rhyme-esque melodies. In 1979 Ellard, Richard Fielding, and Andrew Wright abandoned the moniker Mr. and Mrs. No Smoking Sign and adopted the edgier name Severed Heads “to pretend to be an industrial band such as Surgical Penis Klinik & Throbbing Gristle.” Noise-rockers Rhythmx Chymx had placed an advertisement in a local shop looking for a band to share the costs of pressing an LP. The Heads set about recording a Dadaist racket on a pair of open reel dictaphones and a cassette deck using a TRS-80 computer, Kawai Synthesizer 100F and Korg Mini Pops drum machine. Ear Bitten was released in 1980; original copies now fetch obscene sums, in part due to most of Severed Heads’ copies perishing in a fire at Richard’s home. The band’s next endeavor was a cassette titled Side 2, a collection of free-form experiments fashioned as Ear Bitten’s second side. For this reissue, Dark Entries has collected both Ear Bitten and Side 2 on the first disc, presenting the album in its full form. Disc two includes the original first version of Ear Bitten, which was only unreleased because it was recorded in a format not suitable for pressing. The album comes in a gatefold sleeve designed by Eloise Leigh and includes photos, liner notes, and reproductions of the original Xerox inserts from the 1980 issue. Ear Bitten delivers 22 tracks of pain you can dance to!

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Luis Luchetti / Richard Rozen - Carnedd Llewelyn (Llewelyn’s Cairn)

22 Units Ltd as F*K.

The third highest of the fourteen peaks, Carnedd Llewelyn possibly referring to Llewelyn Fawr - Llewelyn the Great, who had a manor house at Abergwyngregin, however, more probable that it refers to his grandson Llewelyn the Last, who fell foul of Edward 1st , and ended up with his head displayed on a pike at the Tower of London. Thanks England x The cairn referred to almost certainly dates back to the bronze age, and the name Carneddau, refers to the many prehistoric burial cairns found high up in the nippi peaks.

Mountain peaks and foregone legends aside - let the music tell another story… one of advanced dreamy electronica inviting Argentinian Luis Luchetti to the rucksack club with 2 slices of ultra squelchy hypnotic dream nip and the flip from long-time friend Richard Rozen giving us his deep bass tribal jams - these 2 secret artists are for the fans, for the heads and we’re extremely proud to present 3000.11 - volume 11 of 14 highly collectable records from the NiP headquarters pressed on ridiculously naughty transparent violet vinyl!

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Turntable / Plattenspieler - OMNITRONIC BD-1380 USB Silver

Belt drive DJ turntable with USB interface and recording software, silver

Built-in USB port and phono preamplifier, for a high-quality and convenient digitization of analog vinyl records
Plug & play: no driver installation required, unit is identified automatically
Sampling rates of 44.1 kHz and 48 kHz in stereo, resolution: 16 bits
Incl. software for recording and editing
2 speeds, pitch control ±10 %
Large start/stop button
Strobe lamp for exact speed adjustment
Adjustable anti-skating
Shock-absorbing feet
Switchable phono/line output
Delivery includes removable acryl dust cover, pick-up system, RCA and USB cable
USB 1.1 support
Suitable for Windows XP, Vista, 7, 8, 10 and Mac OS X
the device can be connected via USB to the PC

Power supply: 115/230 V AC, 50/60 Hz
Power consumption: 8.00 W
Protection class: Protection class II
Power connection: Fixed Power supply cord with Euro plug
Frequency range: 20 - 20000 Hz
Drive type: Belt Drive
Brushless DC motor
Drive: Start time: 1 sec.
Stop time: 1 sec.
Speed change time: <1s 1khz 5cm/sec
Wow and flutter: <0.25 % WRMS
Rumble: 50 dB DIN B
Speed: 33 RPM, 45 RPM
Tonearm: S-shape with Cardan''s suspension
Length: 220
Overhang: 10 mm
stylus pressure: 3-4 g
output level: phono 1.5-3.6 mV/ 1 kHz 5 cm/sec
line 90-216 mV/ 1 kHz 5 cm/sec
Color: Silver
Connections: Output: line/phono via Stereo RCA
Output: via USB B (W) mounting version
Pitchrange: ±10%
USB port: 1 x USB 1.1, Typ B
Material: Plastic
PC connect: via USB
Width: 45 cm
Height: 14.5 cm
Depth: 36 cm
Weight: 3.90 kg
Turntable platter
Material: Plastic
Diameter: 33 cm

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Dzc. - Conversations with Birds

Dzc.

Conversations with Birds

12inchFORTUNEA032
fortunea
23.08.2024

In recent years, Dzc. has emerged as a highly sought-after DJ, leaving her mark in Austria with performances at numerous venues. As a key member of the Acid Lambada crew, she has been featured in well-established curated festivals and events, both locally and internationally. Her productions mirror her passion for synth-driven dance music, characterized by dreamy pads and playful melodies.

No stranger to Fortunea Records, having already been featured in two editions of the Fortunea Cookies VA-Series, she is set to present her first 4-track EP in February.

The 'Conversations with Birds' EP is a meticulously balanced collection of tracks designed for each phase of a club night. Drawing inspiration from elements of 90s House and progressive sounds, 'Visual Mind' and 'In Sight' are dreamlike journeys with lively synth melodies, joyful basslines, and captivating pads and textures. The latter has also been reworked by Fortunea regular Peletronic, infusing crisp minimalistic rhythms into his 'Blurred Vision' Mix.

The standout piece of the EP is the title track on the B-side, a beautiful composition that elicits uplifting moments and feelings of euphoria.
It features emotive chords, airy strings, and soothing sustained tones that enhance the powerful groove.

The record promises to immerse listeners in an engaging journey that captures Dzc.'s distinctive vision.

’Conversations with Birds' will be digitally released on February 22, followed shortly by a limited vinyl edition.

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Turntable / Plattenspieler - Technics SL-1210MK7

Technics' SL-1200 turntable is back! This beautiful, matte black MK7 version is a direct-drive turntable with a 'coreless' motor that is lighter and more powerful than before. Thanks to its design, not only is it extremely reliable, but cogging issues should now be a thing of past. That means you can concentrate fully on doing what you do best.
SL-1210 MK7: Classic turntable with a modern look

Apart from its colour, the MK7 SL-1210 may look familiar, but it has a few new additions on board. This includes a microchip that comes from Blu-Ray technology and makes the turntable more accurate, also when scratching. It's possible to adjust the power as well as the braking time of the motor and, if you have a stylus that supports it, you can make use of 'reverse platter play'. Another change is the use of removable cables instead of fixed ones.

Die Technics 1200-Serie
Der originale SL-1200 wurde im Jahr 1972 als direktgetriebener Plattenspieler vorgestellt und erfreute sich sehr schnell einer außerordentlichen Beliebtheit. Er wurde weltweit ungefähr 3,5 Millionen Mal verkauft. Charakteristisch waren von Anfang an das hohe Antriebsmoment, die einfache Bedienung und die hohe Langlebigkeit. Er wurde sowohl von Audio-Enthusiasten als auch von DJs hochgeschätzt. Letztere verhalfen dem SL-1210 zum Kultstatus, gerade im Bereich der elektronischen Dance Music. Auch heute noch wird diese Modellreihe von DJs in aller Welt außerordentlich geschätzt.
Höchste Klangqualität getreu den Maßstäben der Technics Philosophie
Eisenkernloser Direktantriebsmotor für eine stabile Rotation und kräftiges Antriebsmoment

In einem direktangetriebenen Plattenspieler wird ein langsam rotierender Motor verwendet, der direkt mit dem Plattenteller verbunden ist und die Bewegung unmittelbar an diesen weitergibt. Das bringt zahlreiche Vorteile mit sich: Das Gerät erreicht eine beeindruckende Umdrehungspräzision, ein extrem kraftvolles Antriebsmoment, eine hohe Zuverlässigkeit über die gesamte Lebensdauer und ist wartungsfrei. Lange Zeit wurden dem Direktantrieb kleine Unregelmäßigkeiten in der Rotation durch das sogenannte Rastmoment nachgesagt. Für den neuen SL-1210MK7 wurde daher ein neuer Direktantriebsmotor entwickelt, der mit einem eisenkernlosen Stator arbeitet und damit die Ursache für das Rastmoment vollständig behebt. Gleichzeitig erreicht die Antriebskraft der Rotormagnete im SL-1210MK7 ihr Optimum. Der Spalt zwischen dem eisenkernlosen Stator und den Rotormagneten wurde so verbessert, dass es dem Drehmoment des früheren Modells SL-1200MK5 ähnelt. Das gleichmäßige Rotationsverhalten und kräftige Antriebsmoment ermöglichen eine präzise und originalgetreue Klangqualität bei allen Schallplatten.
Der empfindliche Tonarm sorgt für eine hochpräzise Abtastung des Schallplattensignals

Der Tonarm, der die in der Schallplattenrille enthaltenen Musikinformation ausliest, ist eine statisch ausbalancierte Konstruktion in S-Form – typisch für Technics Modelle. Das Tonarmrohr besteht aus leichtem, hochfestem Aluminium, während die Lagersektion der kardanischen Aufhängung über ein gefrästes Gehäuse sowie hochpräzise Lagerelemente verfügt. Dies sorgt für einen hervorragenden Abtastvorgang mit einem Minimum an unerwünschten Nadelbewegungen selbst unter rauen Bedingungen, wie z.B. beim Scratching.
Zweischichtiger Plattentelleraufbau mit verbesserter Vibrationsdämpfung

Der Plattenteller des SL-1210MK7 besteht aus einer zweischichtigen Konstruktion. Vibrationsabsorbierender Kautschuk überzieht die gesamte Unterseite des Tellers, der aus einem Aluminium-Spritzguss gefertigt ist. Diese Verbundkonstruktion verhindert unerwünschte Resonanzen und bietet hohe Stabilität bei überragender Vibrationsdämpfung, wodurch die Schallplatte vor schädlichen Vibrationen gestützt wird. Das Ergebnis ist ein ungestörter, authentischer Klang.
Hochstabiles Gehäuse und effektive Dämpfungsfüße für umfassenden Vibrationsschutz

Das Chassis des SL-1210MK7 besteht aus einem sehr stabilen, extrem vibrationsarmen Gehäuse. Das Aluminium-Spritzguss-Chassis ist fest an einer Konstruktion aus ABS(Acrylnitril-Butadien-Styrol-Copolymer)-Kunststoff befestigt, das mit Glasfasern verstärkt ist. Die somit erreichte Zweischichtkonstruktion bietet eine Festigkeit und Vibrationsdämpfung auf höchstem Niveau und garantiert somit eine originalgetreue, dynamische Soundreproduktion.

Für eine optimale Dämpfung sorgen die Dämpfungsfüße aus einer Feder-Gummi-Konstruktion. Der hohen vertikalen Dämpfung steht ein sehr steifes Verhalten in der horizontalen Bewegung gegenüber. Diese Kombination sorgt für eine unkomplizierte Handhabung besonders beim Scratchen und für eine sehr gute Störfestigkeit – auch bei sehr hohen Schallpegeln.
Abnehmbares Netz- und Signalkabel für höhere Flexibilität

Die Netz- und Phonokabel des SL-1210MK7 sind abnehmbar, sodass sie, z.B. im Falle eines Defektes, schnell ausgetauscht werden können. Die vergoldeten Phono-Anschlussbuchsen sichern dabei beste Klangqualität und Kontakteigenschaften.
Hoher Bedienkomfort trifft auf innovative Funktionen
Anpassung des Start-/Abbremsmoments

Der SL-1210MK7 überzeugt mit innovativen Motorregelungstechnologien, die vor allem bei der neuesten Generation von Blu-ray-Spielern eingesetzt und perfektioniert wurden. Durch einen Microcomputer hält der Regler sowohl dem normalen Abspielvorgang als auch anspruchsvolleren DJ-Anwendungen wie z.B. dem Scratching problemlos stand. Zudem kann der Nutzer das Startmoment und die Abbremsgeschwindigkeit an seine individuellen Vorlieben anpassen.
Pitch-Funktion für eine präzise und stabile Feinregulierung der Geschwindigkeit

Die Umdrehungsgeschwindigkeit des SL-1210MK7 kann auf 33-1/3, 45 oder 78 U/min eingestellt werden.* Der Pitch-Einstellbereich liegt bei ±8%/±16%. Dies ermöglicht eine hochpräzise und stabile Feinanpassung der Geschwindigkeit sowie das perfekte Matchen z.B. zweier SL-1210MK7 Einheiten im DJ-Betrieb.

* Die Verwendung von 78 U/min wird über den Haupt-Ein-/Ausschalter aktiviert.
„Reverse Play” für maximale Kreativität

Werden die Geschwindigkeitstaste und die Start-/Stop-Taste gleichzeitig gedrückt, dreht sich der Plattenteller in die Gegenrichtung. Die Reverse Play-Funktion wird über den Haupt-Ein-/Ausschalter aktiviert. Dies eröffnet dem DJ neue, kreative Möglichkeiten. Dafür muss das Tonabnehmersystem allerdings für den Scratch-Betrieb ausgelegt sein.
Traditionelles Design – perfekt für den DJ-Einsatz
Nadelbeleuchtung dank heller, langlebiger LED

Bei der Teleskop-Nadelbeleuchtung kommen ein neuer Druckmechanismus sowie eine helle, langlebige weiße LED zum Einsatz. Zudem wurden der Beleuchtungsbereich sowie die Belichtungsintensität angepasst. Verglichen mit den Vorgängermodellen ist somit eine bessere Sichtbarkeit der Nadel gewährleistet – selbst in sehr dunklen Umgebungen.
Durchgängig schwarzes Design

Die Bedienelemente sowie der Tonarm des SL-1210MK7 sind in Schwarz gehalten. Gleichzeitig wurde die Form der Bedienelemente der früheren Modelle beibehalten. In Kombination mit der matten Textur des schwarzen Gehäuses strahlt der Plattenspieler einen coolen Chic aus. Die LED-Tastenhinterleuchtung kann individuell in blau oder rot angepasst werden.


Technische Daten SL-1210MK7:

Technologie zur Umdrehungskonstanz

Eisenkernloser Direktantriebsmotor
Hochpräzise Motorregelung

Konstruktion zur Vibrationsentkopplung

Vibrationsdämpfender Plattenteller
Steife Gehäusekonstruktion
Dämpfungsfüße mit Feder-Gummi-Verbund

Hochwertige Bauteile

Tonarm hoher Empfindlichkeit
Vergoldete Anschlussbuchsen

Technics Definitive Design

Aus der SL-1200 Serie entwickelt

Plattenlaufwerks-Sektion

Typ: Direktgetriebener Plattenteller
Umdrehungsgeschwindigkeiten: 33 1/3, 45, 78 U/min
Pitchbereich: ±8%, ±16%
Anlauf-Drehmoment: 2.2 kg・cm
Anlaufzeit: 0.7 s. aus dem Stand auf 33 1/3 U/min
Gleichlaufschwankungen: 0.025% W.R.M.S.
Rumpeln: 78dB (IEC 98A-bewertet)
Plattenteller: Aluminium-Druckguss
Durchmesser:332mm
Gewicht:ca. 1,5 kg (inkl. Gummi-Auflagematte)

Tonarm-Sektion

Typ: Universell, statisch ausbalanciert
Effektive Länge: 230mm
Überhang: 15mm
Spurfehlwinkel:
Innerhalb 2° 32' (an der äußeren Rille einer Langspielplatte (30cm/12")
Innerhalb 0° 32' (an der inneren Rille einer Langspielplatte (30cm/12")
Kröpfungswinkel: 22°
Tonarm-Höhenverstellung: 0 - 6mm
Bereich der Auflagekraft: 0 - 4g (Direkte Abtastung)
Gewicht des Headshells: Ca. 7.6g
Tonabnehmer-Gewichtsbereich:
ohne Zusatzgewicht 5.6 - 12.0g (14.3 - 20.7g (einschließlich Headshell))
mit Zusatzgewicht 10.0 - 16.4g (18.7 - 25.1g (einschließlich Headshell))
Bohrungsabstand der Tonabnehmermontage: JIS 12.7mm
Headshell-Kabelanschlüsse: 1.2mmφ 4-Pin

Anschlüsse

PHONO (RCA) x 1, Erdungs-Schraubklemme x 1

Allgemein

Netzspannung: AC230 V, 50 Hz
Leistungsaufnahme: 11 W (Ca. 0.2W Standby)
Abmessungen (B x H x T): 453 x 173 x 372 mm
Gewicht: Ca. 11.2kg
Zubehör:
Plattenteller, Gummi-Auflagematte, Staubschutzhaube, Single-Adapter, Gegengewicht, Hilfsgewicht, Headshell, Überhangschablone, Schraubensatz f. Tonabnehmer-Befestigung, Phono-Anschlusskabel, Erdungskabel, Netzkabel, Bedienungsanleitung

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Reverendos Of Soul / Right To Life / Soulista / Serge Funk - Groove Culture Jams Vol.4

DJ Support: Dave Lee, Mousse T, Mark Knight, Michael Gray, Eric Kupper, Kenny Carpenter, David Harness, Seamus Haji, Melvo Baptists, John Morales, Julius Papp, Dj Romain, Luis Radio, Birdee, Lego and many others…

Groove Culture on going ‘jams’ series of compilation style vinyl EPs has long been a reliable source of disco-house fired excellence, and this 4th edition is another high-quality affair. Package incl. Music from Micky More & Andy Tee, Reverendos Of Soul, Soulista, Serge Funk and Right To Life.

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José James - Saturday Night (Louie Vega Remix) LP 2x12"

Jose James has showcased his rich and graceful baritone voice through a series of unpredictable projects that have blurred the lines between traditional and contemporary jazz, soul, funk, rock, house, and other genres. Now, with a new collaboration on the "Saturday Night" remixes with Grammy winner Louie Vega, Jose proves his versatility and variation in his unique vocal ability, able to adapt to all types of grooves with ease. "Saturday Night" is a feel-good summer song penned by Jose James himself and seasoned songwriters/Grammy winners Talia Billig and Kaveh Rastegar, who have worked with Moby, Aloe Blacc, and Bruno Mars, to name a few. Taking it to the clubs, as we say in nightlife, Jose takes us on the dancefloor once again all around the world! Enjoy the Louie Vega remixes with long versions of each interpretation and the hot guitar dub on Vega Records, with license courtesy of Rainbow Blonde Records! Available at all digital outlets and a vinyl double pack coming to you early summer 2024!

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Record Case - Reloop Club Series 60 Black

Das Reloop 60er Case ist mit Platz für bis zu ca. 60 Platten genau richtig portioniert für den kleinen Gig. Zwei Schlösser verwehren Unberechtigten den Zugriff, eine Schutzpolsterung verhindert ungewollte Vinylschäden.

Features:
* klassisches Plattencase
* äußerst robuste Konstruktion aus alubeschichtetem Holz
* Deckel abnehmbar
* 2 abschließbare Schnappschlösser
* Schaumstoffpolsterung
* angenehmer Griff
* runde Schutzecken


Technische Daten:
* Maße: 360 x 220 x 395 mm
* Gewicht: 2,6 kg
* für ca. 60 Platten

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Turntable / Plattenspieler - OMNITRONIC BD-1320 / black

Belt drive DJ turntable, black

Delivery includes pick-up system and stylus
Adjustable ±10 % speed control
Large start/stop button
Strobe lamp for exact speed adjustment
Delivery includes removable dustcover
Adjustable anti-skating
Shock-absorbing feet


Power supply: 115/230 V AC, 50/60 Hz
Power consumption: 8.00 W
Protection class: Protection class II
Power connection: Fixed Power supply cord with Euro plug
Drive type: Belt Drive
Brushless DC motor
Drive: Start time: 1 sec.
Stop time: 1 sec.
Speed change time: <1s 1khz 5cm/sec
Wow and flutter: <0.25 % WRMS
Rumble: 50 dB DIN B
Speed: 33 RPM, 45 RPM
Tonearm: S-shape with Cardan''s suspension
Length: 220
Overhang: 10 mm
stylus pressure: 0-4 g, adjustable
output level: phono 1.7-3.5 mV/ 1 kHz 5 cm/sec
Color: Black
Connections: Output: phono via Stereo RCA
Pitchrange: ±10%
Material: Plastic
Width: 45 cm
Height: 14.5 cm
Depth: 35 cm
Weight: 3.77 kg
Turntable platter
Material: Plastic
Diameter: 33 cm

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Mixer - OMNITRONIC TRM-202MK3  Rotary-Mixer

TRM-202MK3 ROTARY MIXER

Back to the roots For some time now, rotary mixers have been making a big comeback in the world of electronic dance music. The TRM-202 MK3 from Omnitronic offers the DJ all the classic features of a rotary mixer with its ALPS knobs (Blue Velvet RK27) and the built-in 3-band frequency isolator.

Smooth transitions
The high-quality components provide a good and appealing sound. The large knobs of both channels allow very smooth transitions, which are difficult to set with a conventional mixer (with faders). For both channels, you can switch between 2 x line & phono inputs or sources. A microphone input is also available. The isolator's kill characteristics completely eliminate bass, midrange, and treble for creative mixing

Classic Rotary Mixer With 2 Input Channels And Integrated 3-band Frequency Isolator For Djs
Gain Control, 2-way Equalizer (highs/lows) And Phono/line Switching Per Channel
Dedicated Boost And Kill Cut
Kill Cut Feature Allows Djs To Completely Remove Low, Mid And High Frequencies For Amazing Mixing
Vintage Alps Potentiometers (blue Velvet Rk27)
High-grade Components Ensure Long Life And Excellent Sound Quality
Dj Microphone Input With Separate Level Control
Prefader Listening To Input Channels And The Master Output Via Adjustable Headphones Output, With Cue Mix/split Function
12-digit Stereo Led Level Meter And Master Level Control
Booth Output With Separate Level Control
Inputs: 4 X Line And 2 X Phono (rca L/r), Dj Microphone (xlr) And Headphones (jack)
Outputs: Master And Booth (xlr/rca L/r), Record (stereo Rca)

Technical Specifications
Power Supply: 100-240 V Ac, 50/60 Hz
Gain:
Line: 20 Db
Phono: 60-75 Db
Mic: 44 Db
Max. Output Level: 22 Dbu
Frequency Range:
Line: 20-20000 Hz
Phono: 40-18000 Hz
Mic: 20-20000 Hz
S/r Ratio:
Line: 85 Db
Phono: 77 Db
Mic: 80 Db
Thd:
Line: <0.03 %
Phono: <0.1 %
Frequency Isolator: - To +9 Db
Lows: 20 Hz To 300 Hz
Mids: 300 Hz To 4 Khz
Highs: 4 Khz To 20 Khz
Inputs:
Line: Rca L/r
Phono: Rca L/r
Dj Microphone: Xlr
Outputs:
Master: Xlr/rca L/r
Booth: Xlr/rca L/r
Rec: Rca L/r
Headphones Output: 6.3 Mm Jack (min. 32 Ohms)
Dimensions (w X D X H): 190 X 250 X 107 Mm
Weight: 2,7 Kg
Power Consumption: 6,5 W
Height: 10,7 Cm
Depths: 25 Cm
Width: 19 Cm

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Headphones / Kopfhörer - Sennheiser Hd 25 Plus

Der HD 25 Plus ist ein dynamischer HiFi- Stereo- Kopfhörer in geschlossener Bauform, d.h. Umgebungsgeräusche werden besser abgeschirmtals bei der offenen Bauweise. Daher eignet sich dieser robuste Kopfhörer besonders zum Abhören von Musik und Sprache in lärmbelasteter Umgebung, z.B. Monitoring von PA- Anlagen.

Merkmale:

* hohe Empfindlichkeit durch leichte Aluminium- Schwingpule
* auch für sehr hohe Schalldruckpegel geeignet
* leichter, komfortabler Sitz durch spreizbare Kopfbügel
* robustes, annehmbares, einseitig geführtes Kabel
* drehbare Hörmuschel für das Hören mit einem Ohr

Lieferumfang:

* 1 HD 25
* 1 Klinkenadapter, verschraubbar - 3,5 auf 6,3 mm
* 1 Tasche
* 1 zusätzliches Paar Velours- Ohrpolster
* 1 zusätzliches 1,5m gerades Kabel

Technische Daten:

* Farbe: schwarz
* Audio- Übertragungsbereich (Hörer): 16-22000Hz
* Klirrfaktor bei 1KHz: <0,3%
* Andruckkraft: 2,5 N
* Ankopplung an das Ohr: ohraufliegend
* Anschlussstecker: 3,5/ 6,3mm stereo
* Kabellänge: 1-3m
* Wandlerprinzip: dynamisch, geschlossen
* Gewicht ohne Kabel: 140g
* Nennimpedanz: 70O
* Nennbelastbarkeit: 200mW
* Max. Schalldruckpegel: 120dB

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Turntable / Plattenspieler - Technics SL-1200MK7

Turntable section

Type
Direct Drive Manual Turntable
Turntable Speeds
33-1/3, 45 rpm (with switch 78 rpm)
Starting Torque
0.18 N・m / 1.8 kg・cm
Build-up Characteristics
0.7 s. from standstill to 33 1/3 rpm
Wow And Flutter
0.025 % W.R.M.S.
Turntable Platter
Aluminium diecast
Diameter : 332 mm
Weight : Approx. 1.8 kg (Including slipmat and slipsheet)

Tonearm Section

Type
Universal Static Balance
Effective Length
230 mm
Overhang
15 mm
Tracking Error Angle
Within 2° 32' (at the outer groove of 30 cm record)
Within 0° 32' (at the inner groove of 30 cm record)
Offset Angle
22°
Arm-height Adjustment Range
0 - 6 mm
Stylus Pressure Adjustment Range
0 - 4 g (Direct Reading)
Head Shell Weight
Approx. 7.6 g
Applicable Cartridge Weight Range
(without auxiliary weight)
5.6 - 12.0 g
14.3 - 20.7 g (including head shell)
Head Shell Terminal Lug
1.2 mmφ 4-pin terminal lug

Terminals

Audio Output
PHONO (Pin Jack) x 1, EARTH TERMINAL x 1

General

Power Supply
AC 110 - 240 V, 50 / 60 Hz
Power Consumption
8 W
Approx. 0.2 W (Standby)
Dimensions (W x H x D)
453 x 169 x 353 mm
Weight
Approx. 9.6 kg
Accessories
Turntable, Slipmat, Slipsheet, Dust cover, EP record adaptor, Balance weight, Head shell, Screw set for cartridge, PHONO cable, PHONO earth lead, AC power supply cord, Owner's Manual

Mit dem SL-1200MK7 erweitert Technics sein erfolgreiches Sortiment an DJ-Plattenspielern nun um ein Modell in Silber. Der neue SL-1200MK7 verfügt über die gleichen technischen Merkmale und den gleichen Bedienkomfort wie der SL-1210MK7, der sich seit Verkaufsstart im Januar 2019 zum Liebling der Vinyl-DJ-Community weltweit entwickelt hat.

„In den letzten Jahren wurde von DJs, internationalen Musikveranstaltern und unseren Vertriebspartnern vermehrt der Wunsch an uns herangetragen, das Technics Plattenspieler-Line-up zu erweitern und weiterzuentwickeln. Auch eine Silberversion des DJ-Plattenspielers, der für so viele Anwender auf der ganzen Welt die erste Wahl ist, stand auf der Wunschliste ganz oben“, sagt Frank Balzuweit, Produkt-Manager von Technics Europa. „Diesem Wunsch sind wir gerne nachgekommen und bieten mit dem SL-1200MK7 jetzt allen Interessenten ihr geliebtes Arbeitsgerät in der Optik ihrer Wahl an“, so Balzuweit.

Der SL-1200MK7 in Silber verfügt über dieselben technologischen und funktionalen Merkmale wie der SL-1210MK7 in Schwarz:

- Eisenkernloser Direktantriebsmotor mit leistungsstarkem Drehmoment und einer stabilen Rotation
- Präziser und robuster Tonarm, der die Musikinformationen der Schallplatte präzise wiedergibt
- Zweilagiges Chassis mit verbesserter Schwingungsdämpfung
- Stabiles Gehäuse und schalldämpfende Isolationsfüße zur Eliminierung von Vibrationen, auch unter erschwerten Bedingungen
- Anlaufdrehmoment / Bremsgeschwindigkeit-Einstellfunktion
- Pitch-Regler-Funktion für genaue und stabile Pitch-Anpassung
- Reverse-Play-Funktion erweitert die Flexibilität von DJ-Stilen
- Stylus Illuminator mit hoher Helligkeit und langlebigen LED-Leuchten

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Francisco - House Bootleg Mix

Loud Enough returns with the third and final installment of the 3-EP series dedicated to Roman Pigna Records, the dancefloor-oriented sister label of Nature Records. Following the releases by Marco Passarani and Mario Pierro, it's now Francesco De Bellis's turn, akaFrancisco / Mr. Cisco.

In line with the previous EPs, LE004 showcases four tracks: two timeless cuts, "Fregna The Age" and "Miss Cha Cha Cha," alongside two previously unreleased tracks from the same era, "Move" and "House." Each piece embodies Francisco's groovy, Chicago-inspired signature style, ensuring a captivating journey on the dance floor. Music produced and written by Francesco De Bellis. Originally recorded in Studio 22 (Pigna Studios) Rome, Italy 2024 – 2008. Remixed in Mondo Studio Rome 2023

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Modern Life Is War - Tribulation Worksongs LP

Kicking off 2024, Modern Life Is War introduces the Tribulation Worksongs sessions as a single 12"EP/Digital album. This release consolidates all three 7"EPs along with "End Times Dub," a dub version of "Feels Like End Times," creatively reimagined by Urian Hackney (Rough Francis, Iggy Pop, The Armed, etc). The packaging for this release features a collaborative visual effort from Jeffrey Eaton, Thomas Hooper, and J. Bannon. Tribulation Worksongs was recorded by Luke Tweedy at Flat Black Studios, mixed by Kurt Ballou at God City Studios, and mastered by Brad Boatright at Audiosiege. Originally released as a series of three 7"EPs between 2018 and 2021, the lyrics and credits for each song were typed by vocalist/lyricist Jeff Eaton on his 1950s Royal "Quiet De Luxe" typewriter during the initial presentation. These typewritten elements were later hand-stamped on the front and back covers of the EP by artist J. Bannon, resulting in each cover being entirely unique. Additionally, the labels on the vinyl were hand-stamped before final assembly by the team at Deathwish, which will see physical release on March 22nd.

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Turntable / Plattenspieler - OMNITRONIC BD-1390 USB (Black)

Belt drive DJ turntable with USB interface and recording software, black

Built-in USB port and phono preamplifier, for a high-quality and convenient digitization of analog vinyl records Plug & play: no driver installation required, unit is identified automatically
Sampling rates of 44.1 kHz and 48 kHz in stereo, resolution: 16 bits

Incl. software for recording and editing
2 speeds, pitch control ±10 %
Large start/stop button
Strobe lamp for exact speed adjustment
Adjustable anti-skating
Shock-absorbing feet
Switchable phono/line output
Delivery includes removable acryl dust cover, pick-up system, RCA and USB cable
USB 1.1 support
Suitable for Windows XP, Vista,7, 8, 10 and Mac OS X
the device can be connected via USB to the PC

Power supply: 115/230 V AC, 50/60 Hz
Power consumption: 8.00 W
Protection class: Protection class II
Power connection: Fixed Power supply cord with Euro plug
Frequency range: 20 - 20000 Hz
Drive type: Belt Drive
Brushless DC motor
Drive: Start time: 1 sec.
Stop time: 1 sec.
Speed change time: <1s 1khz 5cm/sec
Wow and flutter: <0.25 % WRMS
Rumble: 50 dB DIN B
Speed: 33 RPM, 45 RPM
Tonearm: S-shape with Cardan''s suspension
Length: 220
Overhang: 10 mm
stylus pressure: 3-4 g
output level: phono 1.5-3.6 mV/ 1 kHz 5 cm/sec
line 90-216 mV/ 1 kHz 5 cm/sec
Color: Black
Connections: Output: line/phono via Stereo RCA
Output: via USB B (W) mounting version
Pitchrange: ±10%
USB port: USB 1.1, Typ B
Material: Plastic
PC connect: via USB
Width: 45 cm
Height: 14.5 cm
Depth: 36 cm
Weight: 3.95 kg
Turntable platter
Material: Plastic
Diameter: 33 cm

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Patrice Bäumel - Speicher 89

2024 Repress

A powerful addition to PATRICE BÄUMEL's steadily growing Kompakt catalogue, SPEICHER 89 is the third contribution to the series from the Dutch producer and former Trouw resident. Hitting dance floors in the wake of SPEICHER 81 (KOMPAKT EXTRA 81) and SPEICHER 85 (KOMPAKT EXTRA 85), his latest 12" offering brings you a duo of massive belters, headlined by cyber-calypso manifesto DUM DUM and backed by techno string showdown SURGE. Both tracks nourish some serious bass drops while showcasing an artist invested in carefully crafted melody and impeccable flow - excellent material from a leading beatsmith and DJ who knows how to woo a crowd.
SPEICHER 89 ist die nunmehr dritte Scheibe vom holländischen Produzenten und ehemaligen Trouw-Resident PATRICE BÄUMEL in der Serie, mächtiger Zuwachs in seinem sich verdichtenden Kompakt-Katalog. Nach den Einschlägen von SPEICHER 81 (KOMPAKT EXTRA 81) und SPEICHER 85 (KOMPAKT EXTRA 85) birgt auch die neueste 12" ein massives Set an Schiebern, angeführt vom Cyber-Calypso-Manifest DUM DUM und unterstützt vom grossen Techno-Streicher-Showdown SURGE. Beide Tracks züchten sich ein paar äußerst ernsthafte Bass-Momente heran, vergessen aber nicht den Künstler hinter der Welle, der stets auch in sorgfältige Melodiearbeit und reibungslosen Flow investiert - exzellentes Material von einem führenden Beatschrauber und DJ der weiß wie man mit einer Crowd umzugehen hat.

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MA - Sounds From The Northern Hemisphere LP 2x12"

'Sounds From The Northern Hemisphere' is a collection of live-recorded takes, registered between 2021 and 2023. The Icelandic extraterrestrial scenery was the main inspiration for this work. Similarly to the nature of each landscape, every composition was crafted with a genuine and spontaneous approach, entirely avoiding digital instruments.

A methodical sound research was enacted, exploring the analog behaviours of classic and modern machines. The result is a minimalistic and intense merge of sounds: simple, but meaningful.

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Jorga Mesfin - The Kindest One LP

This is Mulatu Astatke’s protege and Ethiopian saxophonist and composer Jorga Mesfin’s debut album. It’s a long foray into Ethio-jazz that takes this courageous syncretism further by fusing spiritual experimentation with bits from all kinds of situations in Ethiopian music, jazz music, and specifically Ethiopian jazz music that precedes it.

Jorga Mesfin is widely regarded as one of the most talented contemporary musicians and composers in Ethiopia. He started his professional career at the young age of 17 and has since collaborated with numerous renowned artists, including Tsegaye Gebremedhin, Carolyn Beard Withlow, The Last Poets, Vijay Iyer, Wayna Wondossen, Kirk Whalum, Takana Miyamoto, Gizze Reggae band, Dionne Farris, Aster Aweke, Mahmoud Ahmed, and Mulatu Astatke. Additionally, Mesfin was a resident at Astatke's legendary African Jazz Village in Addis Ababa every Thursday.

Jorga Mesfin is the founder of the Ethio-jazz group called Wudasse. He composed the music for the epic Ethiopian film "Teza" directed by Haile Gerima. His work on the film earned him the Best Music Award at the 22nd Carthage Film Festival and Best Composition at the 5th Dubai International Film Festival.

Muzikawi is a record label, music publisher, studio, artist management, and event organizer based in Addis Ababa and Stockholm. With extensive experience in curating and representing artists from all regions, Muzikawi has a deep understanding and appreciation of Ethiopia's culture.

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Idrissa Soumaoro - Diré

Idrissa Soumaoro

Diré

12inchMRB-ML01-019
Mieruba Record Label
03.06.2024

‘Diré’, Idrissa Soumaoro new album, comes as a surprise to Malian and international audiences. Composer, singer, guitarist and master of the kamalen n’goni Idrissa Soumaoro presents here a beautiful collection of songs on his third album, Diré, named in honor of the town where he met his wife and where his first daughter, who is no longer with us, was born.
In 1971, after his studies at the INA in Bamako, Idrissa was transferred to Diré to teach music at the lPEG (Pedagogical Institute of General Education). He was 22 years old when he arrived in Diré. Idrissa has always been nostalgic for this beautiful place in the 333 Saints of Timbuktu region. As Idrissa sings in ‘Diré taga’ (Going to Diré), the track that opens the album, the city evokes deep emotions for the artist, as if it were a long-lost friend or lover. Celebrating the memory of the city of Diré leads the artist to retrace stories and lived situations that marked and animated him in years gone by: ‘I really miss the people, the colleagues, the friends and that period. Despite the time that has flown by, I would ardently wish to see Diré again’. Today, at the difficult time Mali is experiencing, remembering the city of Diré in the 1970s also means for the artist not giving up hope for peace: ‘The memory of Diré, a beautiful town in northern Mali, strengthens my hope for peace, union and real independence for the happiness of my people’; as he sings in ‘Sababou’, ‘Without hope, there is no life. Together we will succeed’.
The ten highly original compositions of the album are strongly based upon traditional music of Mali, but Idrissa’s life experiences, travels, education, collaborations and personal musical career have led him to compose and perform music with other influences. As Idrissa quotes: ‘My inspiration generally comes from the donso n'goni, a Bambara instrument played by and for hunters throughout Mali. This is a pentatonic instrument, similar to the blues exported to the USA by black African slaves. I've also spent so much time playing a variety of music that my music also reflects rumba, salsa (as well as Bamanan blues and a few derivatives: jazz, country, soul, rhythm and blues) etc. I have looked for and hope to have found my own form of expression from these influences’.
Throughout the album, his strong, clear voice sings in French, Bambara and English. It rides seamlessly upon a complex rhythmic sea of distinctly West African stringed instrumentation and percussion with accents of flute and balafon. There are keyboards in a few songs, but these, happily, do not dominate the music as we hear so often in today’s music. This album presents the music of a mature artist who has ‘been there, done that’ and returned to celebrate his country, his roots and his dreams in a flawlessly produced collection of songs of love, reassurance, fatherly advice and hope.
The album already has a long history: it was initiated in 2012 by Marc-Antoine ‘Marko’ Moreau, former producer and manager of Amadou and Mariam. Moreau had plans to produce the album and invited Idrissa Soumaoro to start recording in Manjul's studio in Bamako. When Moreau suddenly passed away, work on the album was still missing. The pandemic still added time for the production to continue. With the help of Climax Orchestra, arrangements and orchestrations were finalized in France. At the artist's behest, 'Diré' will finally be presented to the public by Mieruba, the independent label based in Ségou, the home of the blues in Mali. 'Let's stand together so that Mali can flourish': from conception to production and distribution, this is the message that 'Diré' carries.

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Headphones / Kopfhörer - Sennheiser Hd 25

Due to their low weight and the option of one-ear listening, the HD 25 headphones are indispensable for mobile monitoring. The closed-back HD 25 are purpose-designed, professional monitoring headphones offering high attenuation of background noise.

Capable of handling very high sound pressure levels and of extremely robust construction, these headphones perform exceptionally well in loud environments, e.g. ENG, sound reinforcement, studio monitoring and audio equipment testing. Ideal monitoring headphones for cameramen and DJs, these are a pair of true sound professionals’ working headphones.

Key Features

High sensitivity due to lightweight aluminium voice coils

Capable of handling very high sound pressure levels

Very lightweight and comfortable, even if used for long periods of time

Tough, detachable, single-sided cable

Rotatable capsule for single-ear listening



Color black
Frequency response (Headphones) 16 - 22000 Hz
THD, total harmonic distortion < 0,3 %
Contact pressure ~ 2,5 N
Ear coupling supraaural
Jack plug 3,5/6,3 mm stereo
Cable length 1,5 m (HD 25 Plus: 1-3 m)
Transducer principle dynamic, closed
Weight Without cable: ~ 140 g
Nominal impedance 70 Ω
Load rating 200 mW
Max. Sound pressure level (active) 120 dB

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JOHNNY MOPED - THINGS MAY HAPPEN

JOHNNY MOPED

THINGS MAY HAPPEN

7"-VinylDAMGOOD616
DAMAGED Goods
14.05.2024

Limited to 300 copies only! A-side taken from soon to be released LP Quonk! B-side exclusive to this release! 'Things May Happen' is being released as a single. What inspired you to write that song? Slimy - The extraordinary lightness of being ... just the path and what's on it. Marty - This is Toad's one and it's a cracker. Johnny turned 70 last year, celebrating in style with a gig at London's 229 Venue. Some people have said it was the best Moped gig ever. How was it from your point of view? Slimy - I thought Johnny's birthday gig was a rip-roaring success _ I enjoyed it _ The next Moped gig will be the best Moped gig ever and the one after that ... Marty - It's not the best gig as far as how we performed. But as far as the turn out and the size of the crowd that came along to celebrate Johnny's Birthday it was the best vibe of all the gigs for certain for me. This year marks the 50th year of Johnny Moped. What have been the high (and low) points for the band in the last five decades? Slimy - The constitution of these thoroughbred punk rockers is testimony to getting up and rocking out _ Johnny is not stopping he's class. Marty - I've only been in the band since 2017 and before that was the driver and shit carrier and before that a fan and also the band are my mates. So not one low point for me at all. You'll be back out on the road this summer. Any message for fans who'll be coming to see you? Slimy - You better believe it! You enjoyed that you bums or I'll kill you! Tomcats! Marty - Be afraid. Be very afraid.

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FDEZ & AV1 - Split Series Vol. 1

We are delighted to present our first Split Series and to welcome three notable artists to the label.

FDEZ takes charge of the A side with three dancefloor tunes fresh from Barcelona.

A1/ ABSTRACT FUNK is an Electro House track with arpeggio synths and classic hi-hats following a fat bassline.
A2/ SUN FIGHT is inspired by a hot summer's day in the summer of 22. Including a vocal sampler from another planet and 303 notes.
A3/ RAVAL NOCHE is flush with hypnotic and spooky synths, making for an after friendly house track.

Two french producers who require no introduction, Chris Carrier and Le Loup, aka AV1 put thier mark on the B side.

B1/ MYSTIC POINT is a powerful track with mysterious melodies and a forceful rhythm, right at home in an underground warehouse.
B2/ TROPICAL EXCURSION is a hypnotic voyage inspired by the golden age of trance. Ideal company during an endless after.

Only 200 copies

collecting

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Last In: vor 2 Jahren
Juan Ramos - Pulse

Juan Ramos

Pulse

12inchBLESSYOU022
BLESS YOU
08.05.2024

Two powerfully effective club tracks by one of Berlin's most talented Juan Ramos. A clear cut exposé of his vastly amassed knowledge in dancefloor experience throughout over a decade of dedication to the craft of steering some of the most significant contemporary underground dancefloors. Can't really go wrong here, mandatory for any club focused record bag, with an entourage of 125 BPM percussion sample based mayhem on the A side and a slower industrial 115BPM chugger that grows into a tripped out narrative of playfully galloping transient elements.

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Ultrasonic Grand Prix - Instafuzz LP

The story of Ultrasonic Grand Prix is one of two vintage 60s guitars and their owners. I love my 1967 Vox Grand Prix guitar,” declares multi-instrumentalist/producer Shawn Lee - creator, among other feats, of the soundtrack for Rockstar video game classic Bully, and one half of Ultrasonic Grand Prix. “It is a serious beast and an important part of my arsenal. Every tone you need…’For guitar maestro Barrie Cadogan - of Nottingham Freakbeaters Little Barrie, best known for the main title theme of ‘Better Call Saul’, The The, Liam Gallagher and playing on the soundtrack for Baz Luhrmann’s ‘Elvis’ - it was the Vox Ultrasonic, also from the same period, that caught his eye. “I first became interested in Vox guitars because of people who used them like Spacemen 3 and the James Brown band of the late 60’s”, he explains, “but it was when I was part of a recording session at Anton Newcombe’s studio in Berlin that I had chance to get to know the Vox gear better. I was borrowing an Ultrasonic from a friend for a while and Shawn already had his Grand Prix. I thought it would be a good name for our project whenever we got it going.’ It was with this shared passion for these weapons of vintage, psychedelic gold that the suave, velvety, and off-kilter cool of INSTAFUZZ was born. While a project born of recent times, the flames of INSTAFUZZ were first ignited all the way back in 2010, where the two met during mixing sessions for Little Barrie’s 2011 LP King of the Waves. Snap forward a decade and we find Cadogan ripping guitar licks on Instagram, the workaholic Lee using these as inspiration to lay down rhythm tracks on analogue drum machines. And not long after that, cut to the two trading files back and forth furiously online, birthing music together in ever more completed forms. And the music that did emerge was weird, startling, and insatiably groovy. With one foot dipped in the organ-warbling garage of 60s psych, and the other vibrating in the mind-expanding fractals of the British Acid House boom, INSTAFUZZ plies the earthly quintessence’s of blues, rock, soul and jazz, against the preternatural discomforts of programmed drums and unhinged synthesisers to produce something distinctly and nostalgically futuristic

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Udg Mixer / CD-player Dust Cover - 1x Dust Cover Black

UDG CD Player/Mixer dust cover made from high quality material with exclusive UDG logo's printed in plastisol ink will be the best choice to protect your gears from dust and liquid drops.

Specification
Weight 0,10 kg / 0.22 lbs
EAN 8717228276187
Color Black
Outer Dimensions (W x H x D) cm: 45 x 32 x 13 | inch: 17.7 x 12.6 x 5.1
Inner Dimensions (W x H x D) Not Applicable
Material Water Resistant Nylon 210D
Protection Various equipment
Extra's UDG logo printed in plastisol
Fits CD Players/Mixers

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Mixer - OMNITRONIC TRM-402 4-Kanal Rotary-Mixer

Classic rotary mixer with 4 input channels and integrated 3-band frequency isolator for DJs Gain control, 2-way equalizer (Highs/Lows) and phono/line switching per channel Dedicated boost and kill cut Kill cut feature allows DJs to completely remove low, mid and high frequencies for amazing mixing Vintage ALPS potentiometers (Blue Velvet RK27) High-grade components ensure long life and excellent sound quality DJ microphone input with separate level control
Prefader listening to input channels and the master output via adjustable headphones output, with cue mix/split function
12-digit stereo LED level meter and master level control
Booth output with separate level control Dual inputs for DJ microphone and headphones on the top and front panel

Inputs: 8 x line and 4 x phono (RCA L/R)
Outputs: master and booth (XLR/RCA L/R) and record (RCA L/R)

TECHNICAL SPECIFICATIONS
Power supply: 100-240 V AC, 50/60 Hz
Gain:
Line: 20 dB
Phono: 60-75 dB
Mic: 44 dB
Max. output level: 22 dBu
Frequency range:
Line: 20-20000 Hz
Phono: 40-18000 Hz
Mic: 20-20000 Hz
S/R ratio:
Line: 85 dB
Phono: 77 dB
Mic: 80 dB
THD:
Line: <0.03 %
Phono: <0.1 %
Frequency isolator: - to +9 dB
Lows: 20 Hz to 300 Hz
Mids: 300 Hz to 4 kHz
Highs: 4 kHz to 20 kHz
Inputs:
LINE: RCA L/R
PHONO: RCA L/R
DJ microphone: XLR
Outputs:
MASTER: XLR/RCA L/R
BOOTH: XLR/RCA L/R
REC: RCA L/R
Headphones output: 3.5 mm jack and 6.3 mm jack (min. 32 ohms)
Dimensions (W x D x H): 247 x 330 x 107 mm
Weight: 4.05 kg
Power consumption: 7,2 W
Height: 10,7 cm
Depth: 24,7 cm
Width: 33 cm

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