Search:stan

Polish multi-instrumentalist and prolific producer Charlie lands on Wrong Era with her earth-shattering EP 'Spacewoman'. As a revered live act and spearhead within the Italo-Proto scene, Charlie’s record is a testament to her unique and impactful sound design, which is on full display in her thunderous progressions.

Having garnered a following with her DJ and live performances at some of the most influential clubs in Europe, the record sees the Polish producer integrate her infectious rhythmic flair into another standout release, capturing the consistently mind-opening energy of her live sets and hooking us in with potent synth lines and vocals.

DJ Support: Louie Vega, Ralf Gum, Jihad Muhammad, Zepherin Saint, Mr. V, Doug Gomez DjPope, DJ Beloved & Brutha Basil to name a few.

Sean McCabe’s Good Vibrations Music label opens the vault doors for a peek inside some of its closely guarded & much-loved releases courtesy of this special limited edition 12 inch. Featuring 4 new to vinyl releases & including a raft of luminary names from across the soulful spectrum this is sure to be a be a hot fave with long standing fans of the label.

Glenn Underground’s Jazz-Funk fuelled rework of 'This Place' kicks things off and needs no introduction… heavily supported & much loved through the soulful circles & beyond with the likes of Louie Vega, Dave Lee, Jimpster, Jamie 3:26 & Fred Everything (to name a few!) all loudly banging the drum – people have been clamouring for this to be on vinyl. You spoke, we listened!

Up next is 'Modulate', a collaborative force of the highest order between Sean & long-time friend Black Sonix. Expertly fuzzying the lines across Deep, Soulful & House is somewhat of a speciality for the duo respectively and there’s bags of all 3 intertwined throughout alongside a hefty sprinkling of sun-kissed, Latino-inspired pianos.

'Still Standing Here' kicks things off on the B-side and begin in March 2022 as vocalist Madeeha recorded an accapella vocal idea in a phone voice message, quietly singing into her phone to avoid waking the neighbours. She sent the idea to drum & bass producer from Bristol, DJ Mixjah, who then approached friend Sean McCabe with the idea. Together they produced a hypnotic afro-tinged soulful backing track to fit with the voice message, with an intention to re-record it in a studio environment. Sean and Mixjah soon realised that the music they had created blended perfectly with the sincerity, intimacy & rawness of Madeeha's heartfelt performance in the original voice message and decided to stick with it. A firm fave for Atjazz, Crackazat , DJ Spen & Emmaculate.

Wrapping things up is 'You Don’t Know', a slick & energetic dancefloor bubbler from London based producer/DJ ‘David Bailey’ and Canadian soulful songstress ‘MissFly’. David Bailey is a firm favourite amongst the London house music community. He’s produced standout releases on labels such as Idris Elba's 7wallace, Makin Moves, Good Vibrations Music, Rhemi Music & Unquantize. MissFly is known for her soulful serenades and ability to write songs 'on the fly' in the studio. She has carved out an impressive discography on soulful house nuggets such as '1972,' 'Wanna Love You' and 'Thankful'

Following a run of successful digital releases, eloelo records presents its debut vinyl release, a multifaceted 4-track EP, featuring three original tracks by label head ELODIE and a remix from coveted producer Michael James.

The A side is headed by the title track, ‘Bohemian’. Consistently well-received, especially by those lucky enough to have heard it on a heavy-duty sound system, the track creates an immersive, euphoric atmosphere that oozes warmth and vibrant energy. Coupled with one-off hits and delightful ear candy meticulously sprinkled throughout, ‘Bohemian’ offers a feast for the senses making it impossible not to move to. Your ears and your feet won’t be able to get enough. Michael James' remix of ‘Bohemian’ transforms it into a peak-time anthem that ignites the dancefloor. His rendition adds a layer of intensity and excitement, characterised by his trademark percs and a thrilling breakdown that leads to an explosive drop, leaving revelers ecstatic every time it is unleashed. A proper ‘bomb’.

The B side takes a more emotive turn with two more original tracks from ELODIE. ‘Like To Dream’, envelops listeners in a dreamy, sense of deep introspection via complex soundscapes which have been expertly woven to create a mesmerising depth of sound. Its seamless blend of pads and synths create a profound journey, inviting listeners to lose themselves in this moving, mature track inspired by the Rominimal sound.

‘Pineapple Ice’ rounds off the EP with a mood that is both tranquil and experimental. The track’s minimalistic yet intricate composition offers a soothing yet intriguing auditory experience, balancing calmness with a touch of playful unpredictability. A dubby techno number which perfectly balances out the EP. ELODIE has stayed true to the production style that she is carving out for herself with an EP that stands to advance the label’s dedication to delivering unconventional releases that cultivate a distinctive and timeless minimal sound.

Brixton based polymath Simon Jefferis has been setting mouths ajar with his expertly crafted, atmosphere-heavy beats over the past few years. With his reputation as both a talented instrumentalist, and adaptive producer steadily circulating through the city’s hip-hop undercurrents, 2020 sees Jefferis return to rising label DeepMatter with his debut LP Vibrations.

From the golden era energies of ‘Back 2 Ours’ featuring Austin’s Abhi The Nomad, through to the silky-smooth melodies of ‘White Rabbit’ (featuring the incredible Rosie Lowe on vocals) and shoulder swaying rhythms of ‘Something In The Water’, ‘Vibrations’ is an expertly crafted production masterclass from start to finish. With ease, Jefferis demonstrates the breadth of his musical capabilities, turning his hand to guitar, keys, drums and bass (with a little help from his friends along the way) with incredible results. Head nod inducing beats, jazz infused keys and interweaving make this a standout record amongst the already sonically rich London jazz scene.

This is the second appearance on our Various Artists catalog for both Berlin-based acts, featuring individual and collaborative tracks from the artists.

Infamous for their industrial/EBM-leaning techno signature sound, Unhuman (Manos Simotas) and New Frames (Mathis Mootz/The Panacea/Squaremeter and David Frisch) join forces to elevate their production style even further.

Dancefloor killers for heads of diverse tastes, featuring one solo track from each artist per side, along with three complementary collaborative compositions. Side A showcases New Frames' fresh-sounding crossover of industrial and dubstep with the track "Dubplate", accompanied by the hard-hitting collaborative stompers "Commander" and "3rd Eye Cataract".
On the flip side, Unhuman delivers his own broken beat-industrial techno beast, "Cerberus", while the release concludes with the final collaborative techno track, "New Force".

Industrial techno heat brought to you by long standing specialists of the genre!

Lake People is finally back with a mini-LP consisting of seven pieces.
Although every track stands for itself and has a rather distinct signature, in their compiled form, they are still able to tell a harmonious story from start to finish — maybe somewhat "Foreverer" which is the title of the release.

Cobra & The Brotherhood of the Grape is a celebration of friends making music together for many years. An album conceived in the Clot neighbourhood and recorded in Barcelona, Mallorca and Buenos Aires. An "All Stars" occasion where many of the musicians who have played in STA over 20 years have come together to contribute.

The album features digital dub, dark roots and other sunny and bright tracks. Experimental and electronic, but also analog and dense in textures, and delicate in showing it.

After 20 years of the first CD, STA follows their personal path to make Dub. A special mention deserves the album's art by Tomás Spicolli, an old friend and collaborator of STA. Cobra & The Brotherhood of the Grape is the sixth LP in vinyl format within a production that also has several CDs, 7'' and cassettes.

A completely self-produced album. All original riddims. Dub for adults.

In recent years, Dzc. has emerged as a highly sought-after DJ, leaving her mark in Austria with performances at numerous venues. As a key member of the Acid Lambada crew, she has been featured in well-established curated festivals and events, both locally and internationally. Her productions mirror her passion for synth-driven dance music, characterized by dreamy pads and playful melodies.

No stranger to Fortunea Records, having already been featured in two editions of the Fortunea Cookies VA-Series, she is set to present her first 4-track EP in February.

The 'Conversations with Birds' EP is a meticulously balanced collection of tracks designed for each phase of a club night. Drawing inspiration from elements of 90s House and progressive sounds, 'Visual Mind' and 'In Sight' are dreamlike journeys with lively synth melodies, joyful basslines, and captivating pads and textures. The latter has also been reworked by Fortunea regular Peletronic, infusing crisp minimalistic rhythms into his 'Blurred Vision' Mix.

The standout piece of the EP is the title track on the B-side, a beautiful composition that elicits uplifting moments and feelings of euphoria.
It features emotive chords, airy strings, and soothing sustained tones that enhance the powerful groove.

The record promises to immerse listeners in an engaging journey that captures Dzc.'s distinctive vision.

’Conversations with Birds' will be digitally released on February 22, followed shortly by a limited vinyl edition.

skorri is an icelandic producer and performer. following his contribution to "hot steel: round 3", "randyrtsport" is his solo debut on Trip and a deep dive into the indulgent world of sound he crafts so meticulously.

randyrtsport, named after 'dyrt sport', an icelandic saying meaning an expensive hobby, explores this theme; each track showcasing the high stakes and rich rewards of skorri's audio adventures. "randyrtsport" stands as a compelling body of work featuring 11 bangers from a producer who views his craft through the lens of lavish auditory explorations.

Warehouse Find!

Seattle's own Manatee Commune (aka Grant Eadie) makes his long-awaited return to
Bastard Jazz with his fourth album, 'Simultaneity'. Lush and vibrant production is
familiar to his previous works, though Eadie has significantly matured in the activation of
space and character. A step away from standard songwriting, and a total disassociation
from lyrics at all, has made this record closer to the ambient genre than anything
Manatee Commune has released, all the while keeping one solid foot in the realm of
dance music.

'Simultaneity', as a whole, is an exploration of the collision between texture and time.
Captured recordings reminiscent of wind in wheatgrass, soft rain showers in the open
plains, and cascading beach sand wash over the mix, splashing into warm drones and
ascending melodies that cleanly syncopate against a steady rhythm. Though decidedly
electronic at times, a raw human element is ever-present in the form of a vocal motif:
just tiny moments of a loving voice lost in a sea of reverberation.

The album is a noticeably positive evolution from previous works. All nine tracks depict
a calmness and subtlety in musicianship, relying primarily on tenuous snippets of live
instrumentation and synthesis that hypnotically coil and coalesce with one another.
'Love Tone', the opening track, features Eadie's partner, a small voice memo clipped
and expanded into an ethereal vocal melody. A crisp felt piano delivers a complex
arpeggiation in 'Mosaic', a warm sonic bath scape reminiscent of Olafur Arnalds or
Kiasmos. Simple, undemanding bass lines drive tracks 'Path' and 'Faulted', though their
simplicity is contrasted with a variety of patterns that combine to create unique auditory
shapes, both building and landing in satisfying climactic movement. The album
culminates in the final track, 'Touch Theme', where a block of sound in the form of a
broad, open synthetic chord warms the ears, eventually twisting and shifting to rhythmic
chunks that shove against a familiar house rhythm.

Bassist Leroy Vinnegar has gone down in history as the person who popularised the "walking bass" style in jazz. He was worked with Chet Baker, Eddie Harris, Les McCann, Lee Konitz, and Stan Getz. His milestone 1973 album 'Glass Of Water' featuring Dwight Dickerson on the rhodes and wurlitzer slipped into obscurity shortly after release. However, in recent years it has been rediscovered and has become highly coveted as a grail for crate diggers and jazz collectors worldwide.

On High is proud to present the first ever reissue of this long forgotten classic. Remastered and pressed on audiophile virgin vinyl to fully capture the wonderful spacey emotion of Vinnegar's classic LP.

Regrooved Records is thrilled to release a limited 45 featuring the legendary Junie Morrison, backed by the dynamic "Crowd Pleasers." Recorded live in 1976, this rare gem captures the raw energy and unparalleled talent of a true funk pioneer. Previously only released as a part of the limited extended edition version of the album "The Funky Worm – Live at Dooley’s 1976" on Regrooved Records, this 7" record is now being offered as a standalone treasure for all funk aficionados. Don’t miss your chance to own a piece of funk history!

CMDRPX and RPX16035 present the first various artists in collaboration and unite the two souls that were already traveling on the same vibrations, opening the v.a is an iconic figure from the underground world, @francescofarfaofficial who with his "Soul Engineering" drags you into his world hypnotic, a fusion track that combines his unique style that looks to the future with bleep and acid sounds with a non-invasive groove that encompasses everything and makes the track one of a kind.

Also on side A we find @niki_ilb with his "Acid lover" track which focuses on an IDM sound and which opens the doors to a conceptual acid and Deep style.

@gianluca.pellerano opens the B side with "Stanza di musica", a record projected onto the dancefloor with hypnotic voices, sounds and textures that will drag you towards new musical horizons.
The B2 side was entrusted to @giuseppe__angeloro with his track "Mentalism dance" with a raw sound reminiscent of the 90s, an acid texture and present percussions that make the track evolve in a more introspective direction.

Lastly we find the duo @gianluca.pellerano & @caciotechnology with their "Mango bet" the two combine their styles perfectly the track has an Electro base with a texture projected into the future experimentation in this track is the key word.

Happy listening everyone.

"Rock Steady" was from the first album with Jahari, recorded with Needa on vocals and the first time using machines in the mix. During that session we had another song called "One Night Stand" that didn't make it on the album, but it should have looking back now. PPU Records fixed the instrumental for "Rock Steady". We didn't even know it was on the old tapes, we put it here as a bonus track.

7" with photo insert

Adam Beyer continues his elite studio form with ‘Ghost Kiss’.

The boss has been enjoying the most prolific production period of his career in recent times, while reinforcing his sonic range in the process. Recent highlights have included his standout ‘Let’s Begin’ EP which mined classic Drumcode influences, while his remix of Sharam’s PATT (Party All The Time) with Green Velvet and Layton Giordani showed a different side to his repertoire, and delivered his first overall Beatport no.1 along the way.

His latest three-track offering ‘Ghost Kiss’, continues the creative purple patch. The title track sounds like a techno outtake from ‘Requiem for a Dream’s’ soundtrack, deliciously unsettling and striking. This was made for big moments, propelled by a commanding vox that urges us to move our bodies. ‘Pilot’ shows Beyer’s musical breadth and commanding sound design, taking in elements of synth wave and indie pop all within a driving techno context. A captivating listen. The finale ‘Jack’, continues the inspired sonic referencing; a narrative-led dancefloor jaunt that takes in subtle elements house and electro, with Beyer’s unique twist.

fabric Records to announce the highly anticipated release of *fabric presents Confidence Man*, set to drop on 23rd August 2024. The mix features Confidence Man’s innovative sound and includes two exclusive tracks from the band, alongside new music from renowned artists Joe Goddard, Joshua James, and Mona Yim.

Confidence Man, celebrated for their infectious energy and distinctive style, bring their unique flair to this mix, offering a tantalizing glimpse into the future of dance music. The exclusive tracks, “BREAK IT DOWN (ON THE BASSLINE)” and “Let Them Bells Ring,” showcase the band's signature blend of high energy and catchy grooves, promising to be instant dancefloor favorites.

Complementing Confidence Man’s contributions are cutting-edge tracks from Hot Chip’s Joe Goddard, whose production mastery continues to redefine electronic music. Joshua James, known for his deep house and techno expertise, delivers a track that captures his club-ready sound. Mona Yim adds her ethereal touch with a fresh composition that embodies her innovative approach to electronic music.

fabric presents Confidence Man* stands as a testament to fabric Records’ commitment to curating pioneering music that pushes the boundaries of the genre. This release not only highlights the versatile talent of Confidence Man but also features some of the most exciting contemporary artists in the electronic scene.

The album will be available for digital download and streaming across all major platforms on 23d August 2024.

A mastermind in showcasing various shades of house music in their inimitable manner, Danish-born, Amsterdam-based DJ/producer Samuel Andre Madsen, aka S.A.M., stands as a rare talent within the current house landscape. Whether crafting trippy, cosmic and psychedelic late-night excursions, delicate, hazy journeys, or groove-driven, heady cuts, their studio naus and innate musical talent has seen them release via a list of leading labels while heading up their own Delaphine, Dahlia and Oscillat imprints - not to mention their longstanding role as one-third of globally renowned trio Mandar. Returning to Up The Stuss following their stand-out collaborative ‘Get Together’ project with label boss Chris Stussy three years ago, 2024 welcomes a blissful late summer outing with the excellently crafted ‘Check It Out’ EP. From the deep, captivating and hypnotic sonics of the title track to the skippy Tiger Balm’, the bumping grooves of ‘Race To Lose’ and the classy tones of ‘Forever Rhodes’, prepare to be transported across the house realm with yet another faultless EP from one of the best around.

Hailing from Denmark, CTRLS takes the steering wheel for KEY042, delivering an EP that embodies techno and raw industrial energy, marking his third appearance on the label.
The A-side begins 'ectomagnetic', a highly rhythmical track building through layers into a dreamy chord progression thats traddles the line between eyes-closed fantasia and full-body pump. In the midst of it all, the bassline drags our attention as its earthy, round essence stands out from the metallic universe created around it. A2 'injection shuffle' is a heavy hitter, characterized by distorted, ringing textures and old-school methodology, boasting menacing drum programming thatsolidifies its status as a peak-time big room monster. Continuingon the B, 'subsumed' offers another mystical journey blending body music with spaced-out melodies, all stamped with CTRLS's unmistakable touch. A sort of sci-fi tension, eerily drawing listeners into its other worldly atmosphere. Closing with 'nanocaust', the EP dives into intense atmospheres led by a broken beat bone and cavernous soundscapes - once again - presenting a general sound which will make you feel a different kind of energy.
Strong package of densely populated sonic environments, all inline with the sound of KEY.

Although all three tracks offer the listener valuable insight into the level of music production ingenuity that was going on in Japan at the time, it's "Electric City" that really stands out as an unmistakably unique dancefloor track, where the then teenage female vocalists from Shohjo-Tai are left out and a galloping 120BPM beat sets a blank canvas for a number of unexpected elements to present: completely unorthodox accents in a wide range of unidentifiable sounds, a very enthusiastic electric guitar solo, the Ennio Morricone-esque Spaghetti Western vocal moments, all of which get contrasted with a blissful chorus that reminds one that this is somehow still a collaboration with a Japanese female idol band from the 80s. A hard track to forget even in the less sober dancefloors, it is no surprise that it would be a fundamental secret weapon in the repertoire of diggers such as Dea Barandana. Can't go wrong, buy on sight. Remastered with new artwork.

There is propably no single event that has as potent of an
effect on the german Techno- scene as the fall of the Berlin
Wall. A city divided suddenly, in one single night, became
uni¦ed, opening up both sides for the new experiences and
ways to view life the other might have. Berlin’s eastside with
it’s empty, unused warehouses proved to be a fertile breeding
ground for free spirits and those carrying a newfound ¦re in
their eyes. This was the zero hour. The Consolidation. And it
is this mindset, spirit and ¦re of Consolidation that Shaleen
conjures on her debut EP of the same name. The title track
opens up by sampling John F. Kennedy’s legendary “Berlin”
speech from 1964, before absolutely caving in the concrete
with a beyond-heavy kickdrum and a very stripped down but
effective 909-percussion section. Spursed in along the track’s
runtime are droning sirens and JFK continuing to beckon you
to lose yourself in the metropolitan bowels. This is the
anthem of a past revolution. On Deconstruction, Shaleen
goes down a slightly more basement oriented route. The
Percussion shares the title track’s stripped down
effectiveness, but the Groove is more rolling, the Vocal
samples are more distorted and there are sharp synths
cutting through the beats like shards of broken glass. Of
course, a revolution wouldn’t be complete without a mob so
both Cadency aka Hector Oaks and New Frames have put
their spin on the EP’s title track. Mr. Cadeny is up ¦rst and,
being no stranger to revolutionary anthems, has given
Consolidation an almost contemplative mood in his Remix,by adding a very subtle melody. This doesn’t mean it hits any
less hard, mind you, there is an incredibly strong drive to the
track, paired with an almost constantly looping vocal and the
sirens going into overdrive, this would be the track to drive
crowds into a frenzy. Meanwhile New Frames’ track is the
kind of thing you wouldn’t want to encounter alone in a dark
alleyway. The sub-basses are heavy enough to terraform
Mars, the Jungle-esque Synthlines roar and snarl at the
listener and every drop feels like a right hook to the chin. The
original’s vocal is cut in a way that it only adds to the
stomping rhythm, putting you in a mood to throw bricks. So
while this record showcases an aggressive sound and a
mood for revolution, it is important to remember it’s title.
Consolidation. It echoes a message of uni¦cation. Of
standing together. Because together we are, have been and
will always be stronger than by ourselves.

After his highly publicized breakup with Taylor Swift at LA’s Viper Room ,Iain Howie returned to Vancouver.

Taylor released “Bad Blonde Boy”, a breakup song about Iain and Iain quickly rebutted with “ Patterns” about Taylor.

He began working on his solo album and got a remix of Patterns by his shady neighbour “Jay Tripwire”. Partly because of the fact Taylor could never stand Tripwire.

Over the course of a year Tripwire churned out 10 different remixes for an alternative vinyl only release. Jay would have his friend Anton play various remixes from his hot dog cart in Bucharest.

One early morning it caught the ear from Cally. Cally had only intended to buy a foot long Frankenfurter after Guesthouse, but he was so captivated, that he asked Anton for a cassette tape of the song. Most Romanian DJs often look to Anton’s hot dog cart to find obscure unreleased gems.

Cally began his closed door ritual of compiling songs for closing Sunwaves that year. When getting his tea leaves read, his spirit guide advised him on using “Patterns” as the closing song to the festival.
Whether it was the come down from drugs or low serotonin, SW attendees could be seen crying on the dance floor during the song.
The tears were then collected and drank by Raresh

Darren Roach’s debut album lands on Limo! With its sights set squarely on the dancefloor, ‘Low Ranger’ may seem to have come out of nowhere, but to those who have been paying attention, his music has never stopped making an impact. Roach boasts a catalog of releases that begins in the ‘90s, and a few of these long-lost pearls resurface here, freshly mastered and ready to go.

The bulk of the album, however, consists of freshly crafted nuggets that will surely stand the test of time just the same. The album is a testament that truly good music doesn’t degrade over time, and the decades of quality behind ‘Low Ranger’ reveal a master of his craft.

DJ Support: Marco Faraone, Victor Ruiz, Marco Carola, Cristian Varela, Joseph Capriati, Mauro Picotto, Ilario Alicante, Wehbba, Konrad, Anna Tur, Joris Voorn, Anna Reusch, ANELA

Indira Paganotto and her ARTCORE imprint stand out from the crowd with an exponential sense of uniqueness, front-running pioneers of the new Psy-influenced techno boom. Indira’s upcoming release ‘Gypsy Queen’ is another perfect example of how she has garnered so much love and support for her unique vibe and ethos to date.

Title track ‘Gipsy Queen’ begins in eccentric fashion. A gentle strumming of flamenco guitar lines, a distorted chorus of castanets and an enchanting vocal open the track to remain a key feature throughout waves of razor-sharp synths and hurtling drums sequences. The dips in pace are beautifully accompanied by the stirring vocals but before long the flamenco influences are overrun by the trance-tinged techno Indira is famous for. The out of body like energy summoned by the strings and haunting effects of ‘Vendetta’ offer a different audio experience to that offered by the EP’s title track. With a visceral intensity that becomes more acute following each drop there are several curious effects and tones at play to make for a somewhat dramatic techno heavy melody.

Opening the flip side is ‘Heaven Is For Warriors’ , this comes in hot with thumping drum grooves and crisp percussive drive, supplemented by ominously celestial undertones and rave-inspired musicality throughout-a sinister tirade of punchy electronic grit, marching to a racy tempo built for peak-time sets. The release closes on ‘Requiem’, further playing on the darkened divine theme throughout the EP. Beyond its atmospheric intro, you’re greeted with a marauding flurry of watertight Techno goodness layered with synths, sirens, pads and much more.

There’s no denying Indira’s oneness when considering groundbreaking techno talents; This EP serves as a solid reminder of her commitment to trailblazing a path into the genre’s new and exciting age.

Review: Three German instrumental talents - Chris Haertel, David Nesselhauf, Julian Gutjahr - make up The Drawbars, whom together describe their music as 'off jazz'. Following up their prior outing for Basel's BurningSole, on which two instrumental originals stuck out like raw thrums, their latest is an unexpected curveball in the form of a standout rare groove version of Billie Eilish's modern classic 'Bad Guy'. Riffing of its madhouse hooks by way of a watery high electric keyboard part, the essence of the track pairs timely well the Northern-soulful form of breaks, fills and bass jaunts. The B, 'Smokes & Mirrors', returns to OG songwriting and hears electric glisses and portamento synths dance across sultry, incense-filled rhythmatic rooms and navy-noted blueses.

After the standout success of last year’s maiden edition, Drumcode returns with volume two of its acclaimed Elevate compilation featuring no less than seven label debutants. The compilation’s manifesto is simple. Platform a broader range of emerging artists on Drumcode and help elevate the next generation to make strides in their careers. At the same time, the project gives fans a taste of the future and a sneak peak of some of the names you can expect to see featuring on the label and at showcases over the coming year and beyond.

Anaconga”, the fourth Dome album by Bluey and Citrus Sun, is an homage to jazz and soul greats from back in the day, and is the band’s first to be released as a gatefold 2LP.

The album opens with the gorgeous Maynard Ferguson tune “Mister Mellow” from the Seventies, with backing vocals from Tony Momrelle and Deborah Bond. Bluey and Richard Bull share the production . “Down For The Third Time”, the album’s lead single, is a deliciously funky remake of a classic Bobby Caldwell groove from 1978, with Natalie Duncan on vocals and Dominic Glover and Charlie Allen tearing it up on trumpet and guitar respectively.

“Mystic Brew” was originally written and recorded in the Seventies by funk, soul and jazz keyboard legend Ronnie Foster and Bluey includes it “to say thank you for his massive contribution to the music we love and are inspired by”. Erykah Badu’s “Honey”, also with vocals by Natalie Duncan, features beautiful trumpet and flugelhorn from Kevin Robinson.

The stand-out new songs on the album are “Santiago”, which features the young Indonesian harmonica player Rega Dauna, who starred on the band’s “Hard Boiled” instrumental hit from their last album “Expansions & Visions”, and “In Search of the Blue Note”, with Dominic Glover on flugelhorn and Graham Harvey on keyboards, which Bluey says is “inspired by New York City’s jazz history and nightlife”.

Bluey sums up the mood of the album: “I hope that the rhythms wrap themselves around your consciousness and the music slithers into your soul, whilst you bask in the light of the Citrus Sun! Unconstricted love, Bluey”.

Citrus Sun is the mainly instrumental-oriented side project which runs alongside Incognito and features many of the same musicians. The band released their first Dome album “People Of Tomorrow” in 2014.

Jaden Thompson returns to Crosstown Rebels with ‘Downtown’, with remixes from HoneyLuv and Ghoulish. Marking his first solo outing on the label following ‘Talking Walls’ alongside Seth Troxler, the fabric resident impresses once more following recent material on Classic Music Company, PIV and his own Midnight Parade imprint.

A new school talent whose sound takes cues from Chicago while pointing to the future with forward-thinking allure and energy, Jaden Thompson’s ascent is well-documented, having been tipped by an endless list of industry heavyweights and global media outlets from an early age. Releasing on labels such as Cuttin’ Headz and Classic Music Company, amongst others, plus his own Midnight Parade imprint, Thompson’s sound and dynamic sets have seen the UK talent become a favourite for many while also hosting his ongoing Rinse FM show and curating mixes for the likes of Circoloco and Keinemusik through to Nike for it’s annual Air Max Day. Having made his label debut on Crosstown Rebels in 2022 with his standout collaboration ‘Talking Walls’ with Seth Troxler, Thompson now returns to Damian Lazarus’ legendary imprint as he serves up his first solo record on the label ‘Downtown’ - backed by remixes from surging US DJ/producer HoneyLuv and emerging UK talent Ghoulish, who makes his debut on the imprint.

Merging various shades and sounds from across the electronic sphere, ‘Downtown’ brings vibrant vocals, energy-charged synths, and sharp metallic percussion, all balanced perfectly, to the fore. HoneyLuv’s remix brings jacking drums while warping the original’s vocals todeliver a peak-time interpretation before Ghoulish flips the script, utilising off-kilter drums and spiralling lasers amongst heavy low-ends.

According to Various Artist for Sequel Records, it includes tracks by Stanislav Tolkachev, David Reina, Albert Chiovenda and Azogiař.
Full color cover and 180g vinyl, limited edition.

Ivan Iacobucci & Stella Fiore team up again and present their second discography project, a synthesis of their production research.

The duo picks up the rock rhythms of the track "Close di Door" from Perlon 136 and create a new Ep "Rock da Foz", the first record on their new independent label 'Klopfgeist'.

"Rock da Foz" is a bold declaration of mutual and all-encompassing love that comes to life through the two artists' passion for music.

Their common desire for a fresh and unexpected sound has produced an EP that encapsulates a great musical affinity, while being at the same time the result of their different individual paths. This chemistry is what they also create with each of their b2b DJ sets.

Polyrhythmic, innovative and varied, the courageous EP consists of three tracks. In the first track, 'Rock da Foz', we find distorted guitars that stand in contrast to the sweet and melancholic melodies of the last track "What is inside?". In the middle of the two, 'Brigitte' recalls the elegant Parisian ‘50s with its vocals, inviting you to dance with each repetition of ref. A small journey, leading the listener into a strongly evocative atmosphere, full of energetic, unexpected sounds.

Glockoma 2 is the third studio album from Memphis rapper Key Glock, and follow-up to the wildly successful mixtape, Glockoma. The deluxe physical release sees the addition of 8 new tracks, and includes 3 singles released shortly after the digital deluxe release. As we’ve grown accustomed to with Key Glock’s solo albums, Glockoma 2 features all material written and performed by Key Glock, and only Key Glock. Standout tracks from the album include “Work,” “Dirt,” “Chromosomes,” “Presidential Rolex,” & the explosive single, “Let’s Go,” which saw its own moment of virality upon its cinematic music video release and was recently Certified Gold by the RIAA. The 2xLP deluxe vinyl release is pressed on Cobalt marbled vinyl with Red Splatter, and housed in a gatefold jacket with poly-lined sleeves.

Eco-Responsable Record Produced by Green Vinyl Records. Made Without Pvc and 70% Energy Saved With a New Production Process (Injection Molding Instead of Pressing - the Raw Material Without Pvc Is Much More Expensive Than Standard Wax but Recyclable)...

This original crossover dance and chart hit from 2005 gets two standout reworks from Hannah Wants and Jakkob which will set it up to be huge this summer all over again. The original is a Tik Tok staple with over 4000 creations and has catapulted this classic to the next generation. Hannah’s new rework has already been spun at the Ibiza openings, with constant pressure over the summer planned. The new Jakkob reworks is hot off the press, and if flipped with the updated original and never before released Sunrise mix.

The video will be shot at Amnesia Ibiza with a full release pending, however these limited promo copies are your first chance to snap up this monster!

Introducing the inaugural release from "Vorm", "Vorm Series: One," a compelling compilation showcasing five tracks from a lineup of esteemed and emerging producers. This release marks the beginning for the young record label "Vorm", setting a high standard with its diverse and dynamic sounds.

From the producer and "Newrhythmic Records" founder, "Joton", comes "Neon Dystopia." This opener track of the release plunges into a hard hitting soundscape, blending pulsating basslines with highly pitched atmo surfaces. "Mineral" by Kon Janson dives into a mineral-rich sonic experience, where intricate rhythms meet hypnotic textures. This subterranean grooves is exactly the addition that the A-side needs and rounds off the whole thing as powerfully as possible.

"Ricardo Garduno" delivers "They're Between Us." This starter track on the B-side is a dark, spacious force of cavernous beats and atmospheres, perfect for those moments of peak-time intensity. Founder "Maasym" presents "Raeder," a sophisticated blend of a industrial trippy synth line and highly dense effective elements.

The track evolves with mechanical precision, emphasizing and focusing on the minimalist effects, percussions and drums. Closing out the release is Berlin-based rising producer & live artist "Peryl" with "Melting Room." This track is a melting pot of raw-high energy and experimental tones, pushing boundaries with its innovative, detailed sound design.