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The Blackwhitecolorful - Brace For Impact  LP

The Blackwhitecolorful sind eine Kölner Alternativ Rockband mit ihrem 2. Longplayer. Ihr Anspruch dabei ist es, ein lebendiges Oxymoron zu sein: Inhaltliche Tiefe schaffen, sich mit komplexen Themen auseinandersetzen, dabei aber zugänglich und einfach bleiben.
Sie sind die Leichten unter den Brachialen, die Leisen der Lauten, die sanftmütigen Stürmer - eine widersprüchliche Rezeptur, die dennoch -oder gerade deswegen - aufgeht. Das Konzept Album Brace For Impact ist das dritte Kapitel der Navigators-Saga. Die Geschichten handeln je von einer Gruppe von Menschen, die aus unterschiedlichen Nöten heraus ihre Heimat verlassen und sich in die Ferne aufmachen. Notgedrungen werden sie jedoch zu Pionieren, denen es gelingt, imaginäre Grenzen zu durchbrechen und Unerschlossenes zu erschließen. Während das erste Album sich noch damit befasst, unbekannte Ozeane zu ergründen, geht es nun darum, den Weltraum zu erobern. Musikalisch manövrieren The Blackwhitecolorful gekonnt zwischen Alternative Rock/Metal, Post-Rock und Post-Hardcore. Neben tiefen, voluminösen Gitarren und glasklaren, eingängigen Vocals finden auch lange Synthesizer-Passagen und Instrumental-Parts ihren Platz. Ein weites Spektrum von sanften Klängen bis hin zu harten Rhythmen. Die erste Single Echoes vereinbart exakt diese Reibungsfläche breiter Gitarren und moderner Synths, sanfte Vocals, ohne auch nur für einen Moment den treibenden Puls zu verlieren. Zahlreiche Kooperationen runden das Ganze ab: Sänger: innen Tobias Brandt (Cera Maven), Emelyn Blanco (Privacy Please) und Eric Stöcker (Illusions Fade), sowie 1LIVE-Moderator Kotaro Dürr für ein Gastspiel am Bass. 2021 spielte die Band auch beim ARD Film Taufalarm-Familie ist ein Fest mit & steuerte 4 Songs zum Soundtrack bei.

Reservar09.09.2023

debe ser publicado en 09.09.2023

Astrud Gilberto With Stanley Turrentine - Gilberto With Turrrentine

Gilberto With Turrentine is an album by Brazilian samba and bossa nova singer Astrud Gilberto and American saxophonist Stanley Turrentine. It features performances recorded in 1971, originally released at CTI Records by Creed Taylor. The album can be described as a blend of jazz, pop, and tropicalia. It was arranged by Eumir Deodato and features appearances by A-list jazz performers including Airto Moreira, Ron Carter, Sam Brown, Hubert Laws, and Toots Thielemans.

Astrud Gilberto gained international fame in the mid-1960s following her recording of the famous bossa nova song "The Girl from Ipanema", while Stanley Turrentine was known for his distinctive work as a jazz musician and his earthy blues style.

Gilberto With Turrentine is available as a limited edition of 1500 individually numbered copies on translucent green coloured vinyl, housed in a gatefold sleeve.

Reservar08.09.2023

debe ser publicado en 08.09.2023

Various - Loud Moving Fast

Falling Ethics' sublabel Moral Standards presents their first V.A. with a stellar lineup of some of the most relevant names of this era.

P.E.A.R.L. starts off the 4-tracker with a groovy and stripped back tool, whereas Not A Headliner contributes a rather driving track, typical for his sound.

On the B-side Ryan James Ford comes with a heavy thumping track led by staccato synth stabs. To close off the V.A., DJ TOOL has the deepest and most trancy cut with stripped back drums and dreamy synths.

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Ültimo hace: 2 Años
Molly Tuttle - ...but i'd rather be with you LP

Among its many riches, the album includes renditions of The National's epic "Fake Empire," Rancid's "Olympia, WA," The Rolling Stones' "She's A Rainbow," FKA twigs' "Mirrored Heart," and the Grateful Dead favorite, "Standing On The Moon."

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debe ser publicado en 08.09.2023

ALICE COOPER - DIRTY DIAMONDS

Alice Cooper

DIRTY DIAMONDS

2x12inch0214319EMX
Edel Records
08.09.2023

“Dirty Diamonds” is Alice Cooper like you haven’t heard him ever since “School’s Out”. The master of shock rock channels his 70s roots and returns to the classic, dirty rock ‘n’ roll.
Hits and hip shakers like ‘Woman Of Mass Distraction’, ‘Perfect’ or the title track ‘Dirty Diamonds’ are must-haves for any Alice Cooper fan. The heavyweight black vinyl gatefold edition is a great addition to any record collection.

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The DJ Producer - Doomsday Expanded Redux 3x12"

Magestic album re-issue : The complete colelctions of tunes Manu Le Malin did produced in 2004, minus the tunes that were already pressed on vinyl and plus the tunes that were not produced on the CD because that would have been « too long »... Here also stand a LFO Mark Bell remix. Peace.... And more...

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Ültimo hace: 5 Años
DIO - FINDING THE SACRED HEART LIVE IN PHILLY 1986

“Finding The Sacred Heart - Live In Philly 1986” was recorded at The Spectrum in Philadelphia during the second leg of the “Sacred Heart”
tour in June 1986.
It is a spectacular show with Ronnie James Dio’s in fine voice as ever while the band delivers a blistering performance featuring tracks from Dio’s first three albums alongside Black Sabbath and Rainbow classics. This monumental live show is now becoming available again on black vinyl.
Produced on 180g virgin vinyl, this edition will please fans of heavy 80s rock.

Reservar08.09.2023

debe ser publicado en 08.09.2023

Grand Cadaver - Deities Of Deathlike Sleep LP

"We never even planned to release a full-length album, and here we are with our second! "Deities of Deathlike Sleep" was conceived and recorded with the same mindset and the same team as our previous recordings, keeping it quick, spontaneous and enjoyable. This time it turned out a bit more dynamic, with the pummeling fury interspersed with some doom, gloom and darkness. But still, it's simply ten tracks of Swedish Fucking Death Metal, the way we love it"

The vocalist Mikael Stanne is also active in "Dark Tranquility" and highly popular band "The Halo Effect".

Other members from Dark Tranquility, Novarupta, Pagandoom, Vordor, Novarupta, Ex-Katatonia and more!

The previous album "Into The Maw of Death" was well received and topped the charts in Sweden when released!

Reservar08.09.2023

debe ser publicado en 08.09.2023

DEEPER - CAREFUL  LP

Deeper

CAREFUL LP

12inchSPLPX1597
Sub Pop
08.09.2023

You can't get Deeper if you're standing still. That's intentional, says the Chicago quartet's Nic Gohl. "Does it feel good when you're listening to this song? Does your body want to move with it?" These are the questions he asked himself as he and bandmates Shiraz Bhatti, Drew McBride, and Kevin Fairbairn were writing and recording Careful!, their third record and Sub Pop debut. "I wanted these to be interesting songs, but in a way where a two-year-old would vibe out to it," Gohl adds.

"It's pop music, basically." That "basically" qualifier is working pretty hard, as fans of 2020's Auto-Pain might suppose. On Careful!, they're not reimagining their sound so much as testing its limits. If you want to, you can hear echoes of David Bowie's Low in the snapping rhythm and gray-sky synths of "Tele," but you can also hear a bit of Auto-Pain in the nailed-in, stippling lines being spit out by Bhatti's drum programming and McBride's synthesizer.

"Fame" seems to stumble together and nearly fall apart, the dialed-up noise making the beat feel maniacal and a little invincible, the whole thing a series of short, snipped, autonomous gestures that are by now Deeper's trademark. "Build a Bridge" pushes in the opposite direction, using a prickly guitar line to launch into big, smeary art-pop, its emotional palette clear, well-defined, and easy to latch onto.

On "Sub," Gohl sings above and below the melody like Ian McCulloch, bellowing and wondering and ruminating and rounding into swaggering confidence that the band rises to meet. It's festival headliner music that still feels like it was written in a garage. That fraternal interdependence is near the center of Deeper's music. The musical and lyrical devotion to mutuality makes this restlessly curious, stylistically broad album feels like the most coherent portrait of who Deeper is. Or, as McBride ultimately frames it, "Careful! is about looking out for one another."

Reservar08.09.2023

debe ser publicado en 08.09.2023

DEEPER - CAREFUL  LP

Deeper

CAREFUL LP

CassetteSPCS1597
Sub Pop
08.09.2023

You can't get Deeper if you're standing still. That's intentional, says the Chicago quartet's Nic Gohl. "Does it feel good when you're listening to this song? Does your body want to move with it?" These are the questions he asked himself as he and bandmates Shiraz Bhatti, Drew McBride, and Kevin Fairbairn were writing and recording Careful!, their third record and Sub Pop debut. "I wanted these to be interesting songs, but in a way where a two-year-old would vibe out to it," Gohl adds.

"It's pop music, basically." That "basically" qualifier is working pretty hard, as fans of 2020's Auto-Pain might suppose. On Careful!, they're not reimagining their sound so much as testing its limits. If you want to, you can hear echoes of David Bowie's Low in the snapping rhythm and gray-sky synths of "Tele," but you can also hear a bit of Auto-Pain in the nailed-in, stippling lines being spit out by Bhatti's drum programming and McBride's synthesizer.

"Fame" seems to stumble together and nearly fall apart, the dialed-up noise making the beat feel maniacal and a little invincible, the whole thing a series of short, snipped, autonomous gestures that are by now Deeper's trademark. "Build a Bridge" pushes in the opposite direction, using a prickly guitar line to launch into big, smeary art-pop, its emotional palette clear, well-defined, and easy to latch onto.

On "Sub," Gohl sings above and below the melody like Ian McCulloch, bellowing and wondering and ruminating and rounding into swaggering confidence that the band rises to meet. It's festival headliner music that still feels like it was written in a garage. That fraternal interdependence is near the center of Deeper's music. The musical and lyrical devotion to mutuality makes this restlessly curious, stylistically broad album feels like the most coherent portrait of who Deeper is. Or, as McBride ultimately frames it, "Careful! is about looking out for one another."

Reservar08.09.2023

debe ser publicado en 08.09.2023

STATION 17 - OUI MIXE

Station 17

OUI MIXE

12inchBB4311
Bureau B
08.09.2023

"Oui Bitte", das elfte Studioalbum von Station 17, wurde in intensiver Arbeit und nicht selten bis spät in die norddeutsche Nacht auf dem Forellenhof in Nordhastedt produziert. Mit müden Augen saß das Musikerkollektiv so für gewöhnlich zu vorgerückter Stunde beisammen und hörte die Takes durch, die das Tagwerk hervorgebracht hatte. Ist der zwingende Rhythmus als Königsdisziplin der 1989 gegründeten Band in ihrem Werk immer schon angelegt, ergab sich spätestens beim housigen "Hausmann" kollektiv der Wunsch: hier muss ein Remix her! Der Wunsch wuchs und legte sich über das gesamte Album ... Remixalben haben dabei in der über 30 Jahre währenden Geschichte des Kollektivs bereits Tradition: 2001 erschien beim legendären Label Mute Records, das nicht nur Depeche Mode zu Ruhm verholfen hatte, das Album "Mikroprofessor" mit Remixen von etwa DJ Koze, Thomas Fehlmann, Justus Köhncke oder To Rococo Rot. Im Jahr 2011 folgten die "Goldstein Variationen Remixes", darunter Versionen von Erobique, Tobias Thomas, aber auch von Ada und Mense Reents, die uns auch hier wiederbegegnen. Zaghaft fing die Band also an, ihre Lieblingsproduzent/innen anzufragen, die ohne Umschweife komplett zusagten. So stand schon bald ein hochkarätiges Remixalbum mit dem Who-is-Who der hiesigen Landschaft elektronischer Musik im Raum. Und auch, wenn die Grundlagen der Stücke wiedererkennbar sind, ist hier ein gänzlich neues Hörerlebnis entstanden, das durch die Versiertheit der Beteiligten und ihre Expertise zu einem eigenständigen Werk gewachsen ist, das sich auch losgelöst vom Ausgangsmaterial genießen lässt. Wie von Zauberhand entsteht ein zugleich stringenter und abwechslungsreicher Vibe, der "Oui Mixe" zu mehr macht als nur eine Ergänzung zu "Oui Bitte".

Reservar08.09.2023

debe ser publicado en 08.09.2023

blackbody_radiation - Ultra-Materials LP

Faitiche welcomes Andrew Black aka blackbody_radiation. His debut album Ultra Materials gathers six ghostly drones, created with the help of sound masking.

Andrew Black, who hails from one of the UK's post industrial North West Milltowns has a sensitive feeling for space and its acoustics. Having trained as a designer and operated within the realms of architecture and public space, it was only natural to extend his interest to manipulating field recordings.

The six pieces collected on Ultra-Materials provide an insight into Black's highly sensitive minimalism: they stand for a subtly meandering mediation on room acoustics and place, which are manipulated with the help of sound masking, among other things - that is, the addition and superimposition of artificially generated frequencies to mask unwanted sounds.

Sometimes the pieces are reminiscent of warm engine noise, sometimes one thinks of carefully captured natural phenomena. Their strength lies in their elusiveness: free of concrete attributions or musical location, they can unfold their hypnotic pull without revealing anything about their origins. Harmonics at times shimmer, at times warble and at times coexist. It is an attempt to get in touch with our listening abilities.

Reservar08.09.2023

debe ser publicado en 08.09.2023

Various - Reference Point compiled by Mark GV Taylor and George Arthur LP 2x12"

Curated by Reference Point residents Mark GV Taylor and George Arthur, this 15 track
compilation album features tracks the pair have played at their peripatetic, Europe wide
events since 2012.
Stretching from the 1970s to the present day the Reference Point compilation spans a whole
range of genres, tempos, languages and grooves where the quality of music is paramount
whether $1.00 bin records or $1000 rarities.
Reference Point, 'a place to hear the music', is a truly trans-global album with music from
Argentina, Brazil, Oakland, Detroit, Texas, London and more, including tracks from private
press albums, from artists who have played at Reference Point events and from current
artists such as MF Robots and Caixa Cubo.
Releasing as a CD, digital and a double LP, Reference Point is another essential compilation
from BBE Music and one that belongs in the collection of all collectors and lovers of great
music

Reservar08.09.2023

debe ser publicado en 08.09.2023

Mila Stern - Five Finger EP

Mila Stern

Five Finger EP

12inchKIOSKID021
KIOSK I.D
08.09.2023

Mila Stern's groove-heavy and highly danceable sound explores fringe soundscapes informed by Post-Punk and Electro. What sets her apart is a willingness to embrace unorthodox sounds, explore the beauty in harshness and dissonance, and transform jarring atmospheres into captivating dancefloor moments. With 'Five Finger EP', Mila Stern delivers an eclectic six-tracker featuring two high-pressure originals and four carefully selected reimaginations by Camea, mytripismytrip, Öona Dahl, and Hardt Antoine for Kiosk catalog number 021.

'Five Finger Discount' encapsulates Mila's uncompromising aesthetic: warm, powerful, energetic, and constantly teetering on the brink of disintegration. Morphing, overdriven stabs build energy atop a sub-heavy groove and a sea of pads. A sweeping break fractures the track into shuddering bursts of corroded machinery, before the compact groove returns with punishing dancefloor power.

Camea transforms 'Five Finger Discount' into a heavy-weight techno roller. Shuddering, pitch-shifting bass hits and salvos, sizzling white noise sweeps, and an ominous mantra morph the track into a darkly efficient peak- time banger.


Hardt Antoine builds his rendition of 'Deadline Disco' around an infectiously body-moving arpeggio. Layers of distortion add a searing edge, transforming the original into a stripped powerhouse with Dark Disco undercurrents.

Few artists move on the fringe so comfortably, make unconventional sounds so accessible, or pursue their vision with the same bright-eyed conviction.

With 'Five Finger EP', Mila Stern epitomises the magic that happens when uncommon sounds are embedded in the framework of commanding, floor-focused energy. 'Five Finger EP' embodies her stand-out style and the stunning range of musical interpretations it inspires.

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Ültimo hace: 2 Años
Lauren Daigle - Lauren Daigle Part 2 LP

Lauren Daigle

Lauren Daigle Part 2 LP

12inch0075678624858
ADA
08.09.2023

Die zweifach mit dem GRAMMY® Award ausgezeichnete Sängerin und Songwriterin Lauren Daigle kündigt ihr kommendes selbstbetiteltes Album " Lauren Daigle" an, das am 12. Mai 2023 erscheinen wird.

Die erste Single aus dem upcoming Album "Thank God I Do" markiert den Beginn eines neuen kreativen Kapitels für die aus Louisiana stammende, mehrfach mit Platin ausgezeichnete Künstlerin, die erst letzten Monat bekannt gab, dass sie bei Atlantic Records in Zusammenarbeit mit ihrem langjährigen Label Centricity Music unterschrieben hat.
"Lauren Daigle" umfasst zwanzig gefühlvolle und erbauliche Songs, die in zwei Teilen veröffentlicht werden.
Die ersten zehn Songs erscheinen am 12. Mai, die anderen zehn später in diesem Jahr.
"Das ist mein wertvollstes Projekt", teilt Daigle mit, "es hat lustige Momente, feierliche Momente, extrovertierte Momente und introvertierte Momente. Und ich bin einfach begeistert davon, mein Songwriting auf dieser Platte weiter zu bringen als alles, was ich bisher gemacht habe."

Mit über einer Milliarde Streams und jahrelangen, ausverkauften US- und internationalen Tourneen festigt Lauren Daigle ihren Status als modernes Stimmgewaltmonster mit einer globalen, ständig wachsenden Fangemeinde.

Reservar08.09.2023

debe ser publicado en 08.09.2023

Whitney K - Vivi!

Whitney K

Vivi!

12inchMDR70
Maple Death Records
08.09.2023

Whitney K and band are back with an electric live album that captures the best from their classics ‘Two Years’ and ‘Hard To Be A God’, including a few nuggets from the back catalog and the unreleased tune aptly titled ‘Dire Straits’.

If ‘Two Years’ was the thunder, the rawness and the spirit, a combination of outsider folk, modern psych, grit, humor and everything in between, ‘Hard To Be A God’ was the sophistication, the dedication, the mind traveling far and beyond… ‘Vivi!’ is the hot sauce missing, the perfect setting, the inevitable gift, really putting the word ‘motion’ behind the poetry, the electricity carrying the rollicking combo, the road opening up literally wide and infinite and the wide-eyed dreams becoming a coliseum standing in front of the chaos.

Recorded live in Montreal upon returning from Whitney K’s first European month long tour, ‘Vivi!’ is a vivid, exuberant and jarring photograph of a band that’s lived to see the force of ‘togetherness’, a ritual, a communion of sorts where emotions run free and into the unknown.

Reservar08.09.2023

debe ser publicado en 08.09.2023

Ghostface Killah - Bulletproof Wallets  LP 2x12"

Ghostface Killah reunites with his partner in rhyme Raekwon to bring fans Bulletproof Wallets, which continues Ghost’s winning streak of delivering front to back classic material. Filled with the usual Ghost slang, bass heavy production, Bulletproof Wallets dropped not long after Supreme Clientele without skipping a beat. The fun Ghost & Rae are having on this record is beyond apparent. Bulletproof Wallets is almost like a party album, hit singles and street bangers. “Never Be the Same Again” (with Carl Thomas & Raekwon) and “Ghost Showers” play alongside “Maxine” and “The Forrest” all working off each others energy. Other stand outs like “Walking through the Darkness”, “The Hilton” all bang through the speakers and continues to add to Ghost’s undeniable catalog. On some groundbreaking production from The RZA, Alchemist, Carlos 6 July Broady and Mathmatics, Ghostface shines and the chemistry between Rae and Ghost is incredible!

Reservar08.09.2023

debe ser publicado en 08.09.2023

Everything Everything - Man Alive LP

Working with Bat For Lashes producer David Kosten (aka Faultline), the recording of Man Alive was completed mainly in a chapel in North Wales. The album sounded unique. Nothing dates like the future, yet Man Alive sounds dateless, placeless, and as a result, stands up perfectly many years later.

Man Alive was only the beginning of the group's adventures in – to use their words – 'Mismatched styles of music mashed together.' The result is often exhilarating; there are Brazilian drums and a prog guitar breakdown in Schoolin', classical influences, as well. Its subject matter is often way outside the realms of conventional songwriting; MY KZ, UR BF explored the different Americas: the cosy self-centred domesticity of programmes such as Friends versus a foreign policy
based on killing; Qwerty Finger examines imperialism. Anglo Saxon guilt is also present.

The album's artwork was striking – a photograph of a fox by Swiss photographer, Laurent Geslin, reflecting the track Tin (The Manhole) which deals with the theme of depression, through, as the band said in 2010, "the story of an urban fox that ingests all our pollution and grows massively in a sort of dream sequence. We chose photos of an urban fox for this reason, but we partly attacked the code of the digital image to create a glitch distortion . . . a reference to digital manipulation and chaos as well as our modern lives online".

Released in August 2010, Man Alive made the UK Top 20 and was well reviewed.

For example, BBC Music commented that the group "know more than most how to craft a song, how to make an album. They know how to give it depth, light and dark, and they - crucially - know when to stop." Man Alive was shortlisted for the 20th Mercury Music Prize in 2011.

The original LP edition of the album is super- scarce, released before the 'vinyl revival' kicked in, hence the original pressing now selling in the high three figures.

This re-issue is presented with scrupulous attention to the detail of the original UK first pressing, complete with gatefold sleeve, poster and 8 page booklet. It is pressed on 140gm vinyl.

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AMC Trio feat. Randy Brecker - Following the Light LP

Despite the name, the band does not perform exclusively in trio formation, but expands the lineup with illustrious guests of the jazz genre. In the past AMC Trio has collaborated with Philip Catherine, Bill Evans, Ulf Wakenius, Mark Whitfield, Michael Patches Stewart and many others, including the guest on 'Following the Light' Randy Brecker.

The AMC Trio band has been around for about twenty years and consists of pianist Peter Adamkovic, bassist Martin Marincak and drummer Stanislav Cvanciger. It has its musical foundations in mainstream jazz but over the years has managed to develop its very own musical sound and style. The band incorporates many self-experienced stories and emotions in their compositions.

Although their music is influenced by Slovak music, it goes beyond the usual jazz progressions and touches on a number of diverse genres. For example, the wide range of melodies is inspired by popular and classical music, melodies from Eastern Slovak folk music, nature, literature and spirituality.

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debe ser publicado en 08.09.2023

Islands - And That's Why Dolphins Lost Their Legs LP

Taking a giant leap forward, replete with addictive hooks at every turn, Dolphins (the 9th record in the catalogue), stands out as the strongest and most articulate Islands record yet. Nick Thorburn and crew manage to tap into both the pain and the joy of living, (sometimes within the very same breath), while musically stripping things down to their simplest element: a bouncing bassline, a snappy kick and snare, or a persistent, hooky guitar line.

Though Dolphins is arguably their biggest musical departure (which is saying something, coming from a band that has constantly reinvented their sound from album to album), the DNA of Thorburn's first band The Unicorns can clearly be heard throughout songs like "Headlines", "Life's A Joke" and "And All You Can Do is Laugh".

Dolphins, which came together over a methodical, carefully considered multi-year process, continues Thorburn's fruitful collaboration with co-producer Patrick Ford (!!!), and features production on a few songs from Chris Coady (Beach House) and Mike Stroud (Ratatat).

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debe ser publicado en 08.09.2023

Love Tractor - Around The Bend (40th Anniversary Edition) LP

This special release includes two never-before-heard original mixes.

The album marked the band's growth and evolution, featuring vocals and experimental elements that enhanced their sound. "Spin Your Partner," accompanied by a popular MTV video, was a standout track. The "Around the Bend" album was a success for the band both critically and commercially, topping the college charts in 1983.

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debe ser publicado en 08.09.2023

Minor Science - Absent Friends Vol. III LP

Minor Science—aka UK-born, Berlin-based musician Angus Finlayson—makes his Balmat debut with Absent Friends Vol. III, the third installment in a shape-shifting series across a variety of formats and platforms. And with it, he pushes forward his vision of ambient music as neither static vista or merely mood-setting atmosphere, but rather a dynamic matrix of textures, sensations, and even rhythms.

The first two Absent Friends—a 2014 set for Blowing Up the Workshop, and a 2017 cassette and web player for Whities (now AD93)—were hybrid affairs, part DJ mix and part collage, mostly featuring music made by other people. Then, in 2020-21, Finlayson developed the project into a live show of his own material. Armed with hundreds of bespoke stems created in his studio—idiosyncratic FX chains, feedback loops through cheap rack gear, heavily post-processed field recordings, found voices, etc.—he would improvise on four CDJs, mixer, FX, and live synths, extending techniques he learned as a club DJ into a live context, accompanied by visuals by Stockholm-based artist Paul Witherden.

Absent Friends Vol. III is an album of studio versions of the music developed for the live show. But in Minor Science’s world, even a category as simple as “studio versions” is slightly opaque. “Most of these tracks weren’t ‘composed’ in the studio,” Finlayson explains: “The sounds started out as stems and source material for the live show, and might not have been intended to go together—but then through performance, they settled into shapes that worked. I then recreated those performances in the studio.” That organic process of ideation and realization might help explain the unusual coherence of the album, in which sounds and textures flow seamlessly from one to the next, sometimes seeming to stand still, and sometimes looping back. There are virtually no melodies, few recognizable motifs or riffs, yet the eight-track album nevertheless moves with a distinctive logic and a determined sense of purpose, from the frozen-in-time shimmer of the opening “Introduction” through the early cuts’ studies of space and light; from the seemingly autobiographical “Summer Diary” through the rushing trance (yes, trance) arpeggios of “Contingency” and on to the dulcet denouement of the closing “Gather Your Party (Dispersed Mix).”

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Ültimo hace: 2 Años
The Funk Revolution feat. Lucky Brown - Space Dream

NEW 45 BY DEEP-FUNK PIONEER LUCKY BROWN RECORDED DURING THE NOW LEGENDARY SPACE DREAM SESSIONS!

In around 2001, Joel Ricci, the trumpet player/composer behind his former stage alias, Lucky Brown, went traveling on a worldwide "quest for funk". During that pilgrimage, he went to London England in time to attend Keb Darge's 'Legendary Deep Funk' 6-year anniversary at Madame Jojo's. While in the middle of the dancefloor, he was moved so significantly by this obscure brand of 'deep funk' Mr. Darge was unveiling, he became overcome by a mystical sense of 'coming home'. Additionally, he spent a week at Camden's Jazz Cafe to meet The Poets of Rhythm, The Breakestra, The Sugarman Three, DJ Snowboy, DJ James Trouble, and others. When Joel mentioned the nature of his quest to Neal Sugarman, he warmly invited him to come visit Brooklyn and kick it with members of Antibalas, Binky Griptite & The Mellomatics, and the Dap Kings. But before the trip back to the states, Joel spent some time in Paris playing his trumpet at a club called 'Cithea' where they would host weekly 'rare groove' jam sessions. During the jams, Parisian students of Tony Allen would overtake the stage with their instruments and their full African clothing, chant the word, 'Fela', and begin to play this intense free improvised funk and afrobeat. While traveling by train from Paris to the south of France to visit family, Joel began hearing this inspiring polyrhythm swirling in his inner ear and mixing with the "clack-clacka" of the train moving down the track. As soon as he arrived at his destination, he sat down at a piano and jotted down the polyrhythm, bass line and fundamental horn cluster on a piece of sheet music paper. The simple tune was finally rendered to tape ten years later with Lucky Brown's Crawdad Farmers aka The Funk Revolution on the Magik Carpet at drummer Olli Klomp's Lakeside log cabin in Stanwood, Washington. The tune became the title track to Lucky's first full-length on Tramp Records (Lucky Brown's Space Dream, TRLP-9011).

Space Dream is so titled in part to commemorate a soulfunk masquerade party Joel threw at a temporary all-ages Bellingham Washington music venue called 'The Pickford Dream Space'. This is Joel's stripped-down tape-only remix and re-edit which has never before appeared on 45RPM and commemorates the re-release, remaster and repackaging of upcoming Tramp LPs, "Space Dream" and "Don't Go Away", the fully realised 'director's cut' featuring Ricci's early group funk experiment: "The Funk Revolution."

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Ültimo hace: 2 Años
Adam Pits - Gadget Crew

Constant Sound is one of the many labels Burnski aka Instinct is heading up right now and they are all as good as each other. This one focuses on house and tech sounds and welcomes Adam Pitts to the fam with three standouts. 'Gadget Crew' opens up and has a big, high-energy groove with plenty of oversized drum sounds and a retro melody paired with an intriguing soulful vocal. It has a dark garage tinge and is perfect for late-night action. 'Just This Once' is tough and physical, with warped and naughty bass and thwacking great hits irresistible to all. Last all comes a Skins Junglist Crew remix which is exactly that - a fine one for the jungle heads.

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Ültimo hace: 2 Años
Ray Mono - Paid In Full EP

Ray Mono

Paid In Full EP

12inchMC001
mono_cult
06.09.2023

Ray Mono started out as a resident in Leeds at the cult mono_cult party and has since gone on to emerge as a top talent in the studio. He has a fresh blend of minimal, house and tech that has taken him to labels like Moxy Music but now it is that OG home of mono_cult that welcomes him for a first release on the new label. True to form this is silky and irresistible tech with liquid grooves and smart samples, seductive synth lines and plenty of emotion as well as dancefloor clout. Mihai Pol and Sota remixes completely Ray's standout originals to make for a fine first outing from this label.

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Ültimo hace: 3 Meses
Baby T - Shee Punk 01

Baby T

Shee Punk 01

12inchBSHEE01
Banshee
05.09.2023

Banshee is the new record label from internationally renowned DJ/producer Brianna Price (B.Traits/Baby T). Drawing “esoteric aggressive feminine energy” from the folkloric figure that gives Banshee its name, the imprint will focus on the output of Price’s Baby T alias.

Brianna knows her way around a dance. Years spent producing, DJing, and touring under the B.Traits alias have given Price a vast knowledge of rave culture. Now, all of that experience has been put to good use as part of Baby T’s “hardcore junglist shit only” approach. Anyone who has encountered a Baby T tune in a dark basement over the years should know that there will be no messing around with Banshee’s output. Baby T specialises in hardcore rave tackle schooled by junglism, electro and darkside techno, the project’s sound was honed via releases on labels like Samurai Music and Central Processing Unit. It’s a style at once wild yet focused, untamed yet laser-precise - This is music that will make the hairs on the back of your neck stand up – not unlike a banshee’s shriek, in fact…

The first Banshee release is not a collection for the faint of heart. Each of these four cuts is primed for deployment at the point of the party when things really kick into overdrive. Fiercely danceable, and unapologetically abrasive, Baby T’s productions here can school any challenger in the electro, techno, and jungle fields yet also carry themselves with a punkish spirit that sets them apart from the pack.

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Ültimo hace: 2 Años
Enzo Siragusa - Laughing Tones

FUSE head honcho Enzo Siragusa drops his first EP of 2023 with the long-awaited release of ‘Laughing Tones’, backed by a remix from Subsequent boss Voigtmann.

It’s safe to say that every time FUSE founder Enzo Siragusa steps out on his home label with fresh music, it’s an event that carries a lot of attention and for a good reason. His last EP on the label ‘Dreamscape’ celebrated the imprint’s 50th EP release, while stand-out releases and records dating back to his very first on the imprint back in 2011 have continued to shape and evolve the label’s core identity, pushing the sound forwards while still bringing that trademark ‘FUSE aesthetic’. Returning to the label for his first release of the year, mid-July sees the renowned selector and producer unveil his latest EP ‘Laughing Tones’ as he uncovers a pair of heavily-requested productions that showcase his diverse production range backed by a driving remix from Voigtmann.

“While many people know about the influences I draw from jungle and hardcore, my sound has always been routed within house music. The inspiration behind ‘Laughing Tones’ comes from the house music from the late 90s; Mood II Swing, Inland Knights, the dubs and those deeper b-sides.. this record is a bit of a modern twist on that influential sound” - Enzo Siragusa.

A production drenched in rich melodies, title cut ‘Laughing Tones’ is a bright and lively production as the vibrant, sweeping leads and delicate chords meet a zigzagging, engrossing bassline and skippy percussion arrangements for a deep and bubbly trip through all hours of the night. Next, ‘Blossom’ enters the fray built around killer breaks and subtle low-end evolutions, all accented by jazzy tones and hazy textures, before Voigtmann’s vinyl-only remix of the title cut takes things into more off-kilter territories as eerie interludes, sharp hats, and cosmic tones take hold of things and dive deep into the early hours.

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Ültimo hace: 4 Meses
Dom & Roland - Burn Bright / Being

Dom of Dom & Roland, (Roland being a machine), has been a drum and bass visionary since the mid 90’s. He remains the only solo artist to have had award-winning albums on both Metalheadz and Moving Shadow. Dom released his ninth album on Overshadow earlier this year. His collaborations range far and wide and have included the likes of Optical, Amon Tobin, and more recently Noisia. Internationally acclaimed for both his records and performance, his epic brand of music has attracted other pioneers along the way, Art of Noise, David Bowie, Laurent Garnier, Goldie, and Clyde Stubblefield, are just a few of the many loyal fans he has collected over the last 30 years. He still travels the world, is not slowing down, and continues to evolve his music to this day.

“Individual” is his new label. Its purpose, in his own words, is “to celebrate the uniqueness and character of individuals or artists, who stand apart from others of the same”

Any questions about any of these products feel free to get in touch and we'll help you out!
albert.preston@sequence.cc

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Ültimo hace: 23 Meses
Flamingo Pier - Beneath The Neon EP

New Zealand disco-boogie outfit Flamingo Pier plant some Brooklyn roots with their fresh new ‘Beneath the Neon EP’ on Razor-N-Tape. Known for parties in East London and their massive hometown festival, as well as previous releases on Soundway, the Kiwi collective deliver a trio of new songs that solidify and expand their signature danceable blue-eyed indie-soul sound.

Lead off single 'How 2 Feel' shows a clubbier side of the band, with a pulsating house rhythm track and layers of angular synth stabs, vibey horn lines, and vocal chants. 'Beneath the Neon' and 'Remedy' are more familiar Flamingo Pier territory, upbeat indie disco anthems that boast incendiary vocal hooks, funky guitar work, and crisp production by Luke Walker.

Rounding out the EP are remixes by Chicago house legend Glenn Underground, and RNT co-head JKriv, whose mix features a guest appearance by Afro-boogie royalty Steve Monite.

Oozing with hazy sun, Beneath the Neon is the perfect soundtrack to soak up the dog days of summer.

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Ültimo hace: 3 Meses
Smoke Inc. - Waitin' For Love / It's The Same Old Song

This release heralds the launch of a new 7” series from Mr Bongo. In partnership with London-based DJ and digger, Miche, the series will feature his latest discoveries, as well as choice cuts, taken from his 'With Love' compilations. For the inaugural offering, we take a trip to hazy San Francisco, California, in 1977. Smoke, Inc. were an emerging band in the Greater San Francisco Bay area and a regular fixture in the buzzing live music scene. They had a strong following and were in rotation in most of the Bay area clubs, as well as opening for numerous prestigious acts such as Sly & The Family Stone, Taj Mahal, The Pointer Sisters and Toots and The Maytals. Members of the group worked with Jimi Hendrix, Stevie Wonder, Frank Zappa, Martha Reeves & The Vandellas, and many others considered the cream of the crop of the music world.

Smoke, Inc. featured Roy Schmall on keyboards and vocals, Stan Terry on lead vocals and harmonica, Michael 'Ollie' Schotka, on bass and vocals, Keith Stafford on drums and vocals, and Archie Williams Jr on guitar. They went on to release one 12" EP and two 7" singles. One of those 7’s included 'Waitin' For Love’. It was first released in 1977 and came out on the band's own self-titled imprint. It has gone on to become their rarest and most sought-after recording, now fetching up to an astonishing £2,500 on Discogs. It is a breezy, feel-good, modern/crossover soul beauty, with an infectious sing-along chorus, floaty flute solo, and packed with pure, uplifting dancefloor energy. The B-side features a cover version of the Holland Dozier & Holland-penned classic 'It's the Same Old Song’, made famous by the Four Tops.

Miche enthuses, “I included this gem on my first ‘With Love’ compilation and knew that it deserved its own dedicated reissue complete with original artwork. I’m delighted to get the chance to make that happen for this incredible, soulful AOR glide from a band that is well due another round of appreciation. It’s very rare, and consequently very expensive, so here it is for you all to spin and add to your record collections.”

46 years since its original release, it is our privilege to help Roy and the gang’s light shine once again and let a whole new audience relish the beautiful sounds of 'Waitin' For Love'.

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Ültimo hace: 2 Años
Madben - Troisième Sens Remixes

Madben's superb Troisième Sens album is remixed again, as new mixes from Josh Wink and AVNU join previous offerings from Alinka and Avision on this standout EP.

Kicking off this fantastic package is Ukraine-born but Berlin-based Alinka. She is now right at the cutting edge of the scene after big releases on the likes of Rekids and Live at Robert Johnson. She is a regular at iconic spots like Berghain/Panorama Bar, Circoloco and Smart Bar and flips 'Addicted' into a heavy house cut with thumping drums and lithe baselines. Acid sprays about over warmer synths to make for a real peak-time weapon. Next up is Josh Wink, a legendary electronic artist who heads up the Ovum label and has consistently crafted some of house and techno's biggest tracks. He flips '1AM At A Rave' into seven-plus minutes of scintillating electronic deepness with trippy leads and real synth intensity building to an explosive peak.

NYC DJ and producer Avision has released EPs such as ‘Innocence’ on this label while also getting support for his new school techno from Adam Beyer and Chris Liebing. His remix of 'Circuit Breaker' is a chunky and textural affair with seriously weighty drums. Stark synths rise up through the mix next to bubbling acid to make for a heart-of-the-dance-floor classic. Scottish artist AVNU is another label regular who dropped his ‘Tough To Love But Worth The Effort’ album here last year. He flips '1AM At A Rave' into a dark and atmospheric cut with flashes of strobe-lit synth and zippy leads that rip up the crunchy electro-tinged drums.

This is a vital package of varied reworks that bring plenty of new direction to the superb source material.

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Ültimo hace: 2 Años
Various - Winspear Volume 01

Various

Winspear Volume 01

12inchWSP050LP
Winspear
03.09.2023

A label sampler showcasing the best of Winspear’s releases from its early days to the present day. The sampler features cuts from Barrie, Divino Niño, Slow Pulp, Video Age, and more. Digital download included with the LP includes never before heard b-sides and rarities from across the label roster. Winspear Volume 01 is a label sampler from Winspear. It’s a collection of standout songs from the label’s catalog, spanning from their early years to the present day. Featuring tracks by Barrie, Divino Niño, Slow Pulp, Video Age, and more. The digital version of the label sampler (including the digital download that comes with each physical album purchase), will include never before heard demos, b-sides, and rarities from across the label roster. The release of the sampler will be celebrated at a label showcase at Thalia Hall in Chicago. The event, Winspear Review, is happening for the 4th time in the label’s history

Reservar03.09.2023

debe ser publicado en 03.09.2023

Steely Dan - Pretzel Logic LP

teely Dan's gold-selling third studio album Pretzel Logic, charted at No. 8 on the Billboard 200 and restored the group's radio presence with the single "Rikki Don't Lose That Number," which became the biggest pop hit of their career and peaked at No. 4 on the Billboard Hot 100. The 1974 album was produced by Gary Katz and was written primarily by Walter Becker (bass) and bandleader Donald Fagen (vocals, keyboards). The album marked the beginning of Becker and Fagen's roles as Steely Dan's principal members.

They enlisted prominent Los Angeles-based studio musicians to record Pretzel Logic, but used them only for occasional overdubs, except for drums, where founding drummer Jim Hodder was reduced to a backing singer, replaced by Jim Gordon and Jeff Porcaro on the drum kit for all of the songs on the album. Steely Dan's Jeff "Skunk" Baxter played pedal steel guitar and hand drums.

Pretzel Logic has shorter songs and fewer instrumental jams than the group's 1973 album Countdown to Ecstasy. Steely Dan considered it the band's attempt at complete musical statements within the three-minute pop-song format. The album's music is characterized by harmonies, counter-melodies, and bop phrasing. It also relies often on straightforward pop influences. The syncopated piano line that opens "Rikki Don't Lose That Number" develops into a pop melody, and the title track transitions from a blues song to a jazzy chorus.

Other standout tracks include "Any Major Dude Will Tell You," a reflective ballad with lush harmonies, and "Parker's Band," a playful ode to the jazz great Charlie Parker.

Lyrically, the album explores themes of nostalgia, lost love, and the struggles of the creative process. In "Barrytown," the band reflects on their early days as struggling musicians, while in "Through with Buzz," they offer a biting critique of the music industry and the pressure to conform to commercial expectations.

One of the defining characteristics of Pretzel Logic is its use of unusual chord progressions and unexpected musical twists and turns. The band's intricate arrangements and skilled musicianship are on full display throughout the album.

Rolling Stone praised the album, calling Steely Dan the "most improbable hit-singles band to emerge in ages."

"When the band doesn't undulate to samba rhythms (as it did on 'Do It Again,' its first Top Ten single), it pushes itself to a full gallop (as it did on 'Reelin' in the Years,' its second). These two rhythmic preferences persist and sometimes intermingle, as on 'Rikki Don't Lose That Number,' which jumps in mid-chorus from 'Hernando's Hideaway' into 'Honky Tonk Women.' Great transition." — the review said.

AllMusic gave the album 5 stars, with reviewer Stephen Thomas Erlewine noting that "instead of relying on easy hooks, Walter Becker and Donald Fagen assembled their most complex and cynical set of songs to date." Dense with harmonics, countermelodies, and bop phrasing, Pretzel Logic is vibrant with unpredictable musical juxtapositions and snide, but very funny, wordplay.

The album's cover photo featuring a New York pretzel vendor was taken by Raeanne Rubenstein, a photographer of musicians and Hollywood celebrities. She shot the photo on the west side of Fifth Avenue and 79th Street, just above the 79th Street Transverse (the road through Central Park), at the park entrance called "Miners' Gate."

After a brief battle with esophageal cancer, Walter Becker died on September 3, 2017 at the age of 67. Steely Dan has sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time. Rolling Stone ranked them No. 15 on its list of the 20 Greatest Duos of All Time.

This stereo UHQR reissue will be limited to 20,000 copies, with gold foil individually numbered jackets, housed in a premium slipcase with a wooden dowel spine.

Overall, Pretzel Logic is a standout album in Steely Dan's discography. The album's blend of catchy hooks, complex arrangements, and thoughtful lyrics has made it a favorite among fans of classic rock and pop music.

Reservar01.09.2023

debe ser publicado en 01.09.2023

Yukihiro Takahashi - Saravah!

YMO DRUMMER YUKIHIRO TAKAHASHI'S SOPHISTICATED CITY FUNK CLASSIC FROM 1978 CO-PRODUCED BY RYUICHI SAKAMOTO AND FEATURING HARUOMI HOSONO, MINAKO YOSHIDA AND TATSURO YAMASHITA. RELEASED FOR THE FIRST TIME OUTSIDE OF JAPAN - WITH REMASTERED AUDIO, LP COMES WITH OBI AND FOUR PAGE INSERT

Wewantsounds is delighted to announce the release of Yukihiro Takahashi's debut solo album 'Saravah!'. One of the key Japanese albums of the 70s, it was released in 1978 at a key time when, following his tenure with Sadistic Mika Band, Takahashi had just joined the nascent line up of Yellow Magic Orchestra. A sophisticated mix of Disco Funk, synth Pop, Ambient, French Exotica and Bossa Nova, the album has the stylish feel of a night out clubbing in Paris circa 1978. It’s the missing link between the City Pop scene of the late 70s and the synth sound of YMO which was about to revolutionise the world. Newly remastered by renowned engineer Mitsuo Koike, the LP features original artwork with photos by Masayoshi Sukita (David Bowie's Heroes), a 4-page insert and a new Introduction by Benjamin Barouh (Saravah records).
The month before recording the YMO debut album that would help alter the course of music, Yukihiro Takahashi entered the studio with his fellow band-members Ryuichi Sakamoto and Haruomi Hosono to record 'Saravah!' together with the cream of the Japanese scene. He drew his inspiration from globe-trotting French musician Pierre Barouh who had introduced Bossa Nova in France in 1966 with "Samba Saravah" (featured in soundtrack the Oscar Winner A Man And A Woman which he co-wrote) and subsequently launched Saravah Records.
'Saravah' starts off with a couple of French and Italian exotica classics ('Volare' and 'C'est Si Bon') with delicious touches of synth while 'Saravah!' a nod to Pierre Barouh, is a languid Bossa Nova with beautiful soulful strings arranged by Ryuichi Sakamoto. The album gets hotter with 'La Rosa' a superb mid tempo ambient funk featuring Takahashi's beat backed by Haruomi Hosono's bumping bass line, Sakamoto's Hammond Organ and Shigeru Suzuki's fluid guitar.
The first side ends with an amazing exotica-synth version of the standard 'Mood Indigo', announcing the midi revolution that was to come before things get funkier on Side Two starting with Ryuichi Sakamoto's superb up-tempo Disco instrumental ‘Elastic Dummy’ featuring soulful strings and horns with solos by Sakamoto and guitarist Tsunehide Matsuki. The album then moves on to the ambient synth pop of ‘Sunset’ before switching back to Disco Funk with 'Back Street Midnight Queen’ which. like 'Elastic Dummy' has become a dancefloor cult classic over the years.' Saravah! ends on a perfect note with the beautiful 'Present' a perfectly crafted pop song which Takahashi wanted to do in a City Pop mode, featuring a superb melody and high-class arrangements. The perfect soundtrack to an early morning stroll in the Paris streets as illustrated by Masayoshi Sukita's photos featured on the album cover.
A sophisticated album full of glitz and fun, 'Saravah!' gives a unique insight into the versatility the YMO musicians and how funky they could play under Yukihiro Takahashi's influence. This was a key time when the three musicians were just transitioning to a sound that would be dominated by synthesizers and 'Saravah' catch them just at that fascinating moment.

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Ültimo hace: 6 Años
The Wake - Here Comes Everybody

Factory Benelux presents a special 35th anniversary edition of Here Comes Everybody, the highly-regarded second album by Scottish group The Wake, originally released by Factory Records in 1985. Just 800 copies will be made available for Record Store Day on 18 April 2020, pressed in crystal clear vinyl with a bonus 7-inch single + digital copy.

The Wake formed in Glasgow in 1981 after singer/guitarist Caesar left Altered Images. Joining Factory the following year, the group toured with New Order and released popular mini-album Harmony. Trailed by sprightly single Talk About the Past in 1984, second album Here Comes Everybody was eventually recorded as a trio, combining dreampop melodies and wistful lyricism typified by standout track O Pamela (later interpreted by artful French new wave covers project Nouvelle Vague).

Praise for Here Comes Everybody: “Holds up as a touchstone for aching, atmospheric synth-pop, all slinky guitars, crispy percussion, textured keyboards and limber bass" (Pitchfork); “The album stands as a pillar of moody synth pop, still bearing passing resemblance to New Order while retaining the bounce of the Postcard label bands and the cavernous production of Closer-era Joy Division, covering it all in some of the heaviest synth wash this side of Klaus Schulze" (Dusted)

Newly re-mastered for this special 35th anniversary edition, the original 8 track album is now augmented by companion singles Talk About the Past and Of the Matter, pressed on a bonus 7-inch single in a picture sleeve. Here Comes Everybody itself is pressed on clear vinyl, housed in a white reverse board sleeve with printed inner bag containing lyrics, images and liner notes by band members Carolyn Allen and Caesar.

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Ültimo hace: 5 Años
Gustavo Santaolalla & David Fleming - The Last of Us: Season 1 (Soundtrack from the HBO Original Series)
 
46

Der Soundtrack zur HBO-Serie "The Last of Us" basiert auf der beliebten Musik und Klangwelt des gleichnamigen Videospiels. Geschrieben wurde der Soundtrack vom mit einem Academy Award ausgezeichneten Komponisten Gustavo Santaolalla und von David Fleming.Die intime, gitarrenbetonte Klanglandschaft spiegelt die Emotionalität der Serie wider und nimmt die Hörer mit auf die ungewisse Reise durch die USA in einer postapokalyptischen Welt, zwanzig Jahre nach der Zerstörung der modernen Zivilisation durch eine, von einem Pilz verursachte Epidemie.

Based on the critically acclaimed video game of the same name developed by Naughty Dog for the PlayStation® platforms, The Last of Us is written and executive produced by co-creators Craig Mazin (Emmy® Award-winning creator of HBO’s “Chernobyl”) and Neil Druckmann (creator and writer of the award-winning “The Last of Us” franchise and Naughty Dog Co-President).


The Last of Us takes place twenty years after modern civilization
has been destroyed by a viral outbreak. Joel, a hardened survivor, is hired to smuggle Ellie, a 14-year-old girl, out of an oppressive quarantine zone. What starts as a small job soon becomes a brutal, heartbreaking journey, as they both must traverse the U.S. and depend on each other for survival.

The vinyl release to the acclaimed series contains soundtrack
highlights from the show. Featured are score tracks by composer Gustavo Santaolalla, with additional music by David Fleming as well as songs by Depeche Mode, Pearl Jam, Jessica Mazin & Nick Offerman.


The package contains 2x vinyl, standard weight at 140g, 1x green and 1x clear, a double-sided poster of the show’s key art, spot gloss and soft touch on the gatefold and an insert featuring liner notes by Neil Druckmann, Craig Mazin, Gustavo Santaolalla & David Fleming and images from the show.

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Ültimo hace: 2 Años
Max Roach - Deeds, Not Words LP

A pioneer of bebop, Max Roach went on to work on many other styles of music and is generally considered alongside the most important drummers in history having worked with such musicians as Coleman Hawkins, Dizzy Gillespie, Miles Davis, Duke Ellington, Charlie Parker, Stan Getz and more! A seminal set, stretching out towards the directions Max would explore fully on the Candid, Impulse, and Fantasy labels in the 60s. Group members include Booker Little on trumpet, George Coleman on tenor, Ray Draper on tuba, and Art Davis on bass – and the lack of a piano makes for a very exciting sound!

Reservar01.09.2023

debe ser publicado en 01.09.2023

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