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Paralysis, Paralysis And Amin Fallaha - Duat002

Paralysis,ParalysisandAmin Fallaha

Duat002

12inchDUAT002
Duat
16.01.2018

Paralysis met in Berlin last year. Two young guys hungry for life, living together in a small room. Sharing pizza and gear. Both are gifted with great skills when it comes to production of Techno music. Cesar Mendoza is doing awesome with melody composing, Max Schroeder loves sounddesign. Both are hitting the individual spot of our DUAT sound idea and when we heard their first steps in making music, we knew they need to become family soon. So we shared our studio with them in the summer and helped them to develope their own style and our vision of innovative dance music, detached from repetitive Tech House and Deep House trends. We are proud to pre-sent the very first released record ever by Paralysis and the collab between our label owner Amin Fallaha.

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Ültimo hace: 6 Años
Johnny Winter, Muddy Waters & James Cotton - Wbcn-fm Boston Music Hall 26-02-77

At a point in time when Johnny Winter had only recently recovered from past addictions and blues giant Muddy Waters had faced a decline in his career with illness and the collapse of Chess records in 1975, it was Steve Paul of Blue Sky records who would appear as saviour to both musicians. The results of his investment soon paid off and Winter's childhood dream to play alongside his hero Muddy waters was soon realised. Waters' comeback album was a return to his original Chicago sound. Its raw, expressive feel harked back to his Chess Records days, and the outstanding musicianship and intimate exuberance exceeded all expectations, earning Waters a Grammy in the process.
The Hard Again tour combined the respected powerhouse of Waters, Winter and Cotton with musicians from the Hard Again sessions. Hard Again cast a further four albums with Blue Sky before Waters would leave in 1983. Although this particular collaboration was short-lived, it has provided blues fans a rare opportunity to indulge in the work of two hugely important musical figures whose respect for each other is evidently unflinching.

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Ültimo hace: 8 Años
From (trevor Jackson) - Y.o.u.

From(Trevor Jackson)

Y.o.u.

12inchPRECD003
PRE-
15.01.2018

'Y.O.U' is an emotive album of tripped out ambient hip hop instrumentals by FROM, written and recorded in the mid 90s under Trevor Jackson's infamous production persona The Underdog. Originally planned as a vocally-led, song-based project that should've surfaced between his production for The Brotherhood's legendary British hip hop album 'Elementalz' in 1996 and his acclaimed debut PLAYGROUP release in 2001, for multiple reasons it hasn't seen the light of day, until now.
Only Available as a ultra limited edition Vinyl and CD release, the LP consists of 11 tracks. Dream-like synth lines, ambient melodies, blissful guitars, raw beats and soft, fractured vocals draw you into a hallucinatory 12bit world. Drawing on Jackson's progressive and jazz rock influences as well as psychedelia and early electronics, the album closes with 'Belladonna'- a piano-sampled homage to the east coast golden age hip hop pioneers. NB: The CD features a longer version of 'Veratrum' not available on the vinyl version. All created on an Akai S950 mono sampler (limited to only 20 seconds sampling time), an Akai MG1212 12 channel mixer (which recorded on Betamax style tapes) and primitive outboard gear, Jackson honed his skills from his bedroom, where he produced the majority of his output at the time. With a huge collection of obscure vinyl, he dug deep into uncharted territories for samples and sound clips
- using material no one knew about (or would think about touching) in the mid 90s. The Underdog's initial releases were on Jackson's own Bite It! recordings label, which was started in 1991. A unique platform for UK hip hop with a visual aesthetic and ethos more akin to ECM and Factory
than other rap labels, its mission was to push artists beyond musical and cultural limitations prevalent at the time.
Home to artists like The Brotherhood, Scientists of Sound, Little Pauly Ryan and Lewis Parker (who later signed to Massive Attack's Melancholic label), Bite It! became a great success;
finally British rap had artists and releases that looked and sounded as good as their revered American counterparts. In 1993 Richard Russell (who had just started running XL recordings) asked Trevor to remix House of Pain, resulting in a top ten record, which helped launch Jackson's musical career via further remixes Massive Attack, Run DMC, U2, The Cure and countless others. Off the back of his remix success, The Brotherhood signed a deal in 1994 with Virgin Records. Their 'ELEMENTALZ' album was produced by Jackson and is still lauded by many as one of the finest British hip hop albums of all time.
Jackson continued to remix and produce as The Underdog until managerial issues forced him out of the project he'd been instrumental in instigating.
Soon after his close friend and manager tragically passed away - which when combined with the UK hip hop scene becoming increasingly volatile and the moral demise of rap culture in general - convinced Trevor to hang up his hip hop hat for good.
After leaving The Brotherhood he started Output Recordings. Internationally and sonically diverse, it gave Jackson a free reign to do as he pleased, with genre twisting releases from the likes of Fridge, Four Tet, Sonovac, Colder, his own PLAYGROUP project, The Rapture and LCD Soundsystem. With a non-compromising attitude, strong DIY aesthetic and consistently groundbreaking releases across its ten year life between 1996 and 2006, it became one of the most important and respected independent labels in the world.

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Ültimo hace: 8 Años
Exos & Ohm - Frooari

Exos&Ohm

Frooari

12inchX/OZ002
XOZ
19.12.2017

"The long-awaited Exos and Ohm record will finally see the light of day this November on Exos' new label, X/OZ. This is the second release from the label and also the first Exos and Ohm ep in 16 years. Exos and Ohm are old friends and long-term collaborators having released on the legendary Force Inc. label as well as Thule Records. The pair met in Reykjavik in 1997 and played together in clubs together such as Thomsen and Tunglid, both historical cornerstone in the icelandic club scene. Soon after that they started making music together. This release, Frodari, marks their fourth collaboration and is a sort of sequel to the 2001 Thule Records record ""Paint Me Up"". The records share the track ""Frodi"" which has been remastered for this 2017 release. The album has been in the making for the past two years and is set for a vinyl release in November with a digital release to follow in early 2018.

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Ültimo hace: 6 Años
Rico Puestel - 973272

Rico Puestel

973272

12inchCOR12151
Cocoon Records
11.12.2017
 
2

Although Rico Puestel has been producing since 2005, he still seems to be something of an insider tip. Since 'Caravel' though, his August release on Cocoon Recordings, things have taken a dramatic turn with Puestel currently enjoying 'man of the moment' status, especially when it comes to progressive techno and peak time action on the dance floor."973 picks up exactly where 'Caravel' left off, kicking powerfully with irresistable, effect-loaded breaks that really twist your melon. This one really works you over but there's also feeling and a touch of elegance, in fact we can't remember hearing anything like this since Len Faki's Dustin Zahn Remix! '973 proves that 'Caravel' was no flash in the pan, just one tantalising glimpse into the musical world of Rico Puestel and that's not the end of it..."272 is a little more stripped down and chilled to start with, but soon opens up into the same crazy atmosphere as '973. This is dominated by an up-and-running arpeggio synth, which combines with the now familiar effects-break motif to create an incredible hypnotic effect. A little less brutal than '973 but drenched in more reverb, '272 is something like 'kicking Deep Techno' with a nod to the Tech House corner in the style of Mark Broom or Joris Voorn. Mr. Puestel serves up two choice cuts here and there's no question that 973272 will be with us for a while. Buckle up, hold tight and off we go!

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Ültimo hace: 4 Años
Prins Thomas - Prins Thomas 5

Written, performed and produced by Thomas Moen Hermansen @M57 Studios Asker Jan-Sept 2016

Published by Smalltown Supermusic/Sony ATV Scandinavia

Mastered by Schnittstelle , Photos by Ragnhild Fors, Design by Metric Design

After the slightly more conceptual "Principe del Norte"album, "5" takes two steps forward and one step back
collecting a batch of tracks that was recorded right after it's preceder and in tandem with the recent "Square One"album with Bjørn Torske.
A "freedom"album of sorts, beyond the slightly misleading album opener "Here comes the band" there's a variety in these tracks tracing inspiration from 35 years (unhealthy)obsession with all things "good music" played enthusiastically.
"5" also marks the launch of my new label "Prins Thomas Musikk".

A run through the tracks with a couple of hints to titles and inspiration:

"Here comes the band"
A planned album of a fake band consisiting of me only was ditched. This is their only entry...
Very loosely inspired by "Bandwagonesque"era Teenage Fanclub

"Villajoyosa"
Melodic ideas hummed into a handheld recorded and specific notes about instrumentation scribbled down while on holiday in Villajoyosa in Spain turned into this little ditty when back in slightly colder Norway.

"Bronchi Beat"
Made in bed during a rough patch of bronchitis. Heavily influenced by prescription cough medicine.
Orbe from Madrid made a dizzy techno version which comes out soon enough...

""
I find great inspiration in working on new ideas while travelling the skies. Partly inspired by a detour into the soundtrack of my early teens (Paul Hardcastle, Warp 9, Maze, Mtume...)this particular one was started on a bumpy flight home from Athens and later finished in my tiny M57 Studio(R.I.P.)

"Æ"
Another bronchitis-ridden idea. Slow and low is the tempo. Beat originally inspired by Brian Briggs "AEO", melodies beamed in from Wally Badarou.
"Æ"is the norwegian pronounciation of the A in Acid refering to the 303 screeches going through the "song"

"Ø"
By the title you might think I'm running out of ideas. Not sure what happened here and why...

"Lunga Strada"
The track that took me the longest to complete hence the "long road".
Personal favourites The Pilotwings from Lyon sent over 2 ridiculously good and fun remixes which will
be released on a separate 10"

"London til Lisboa"
Another idea made on a plane when I should have tried to catch some sleep.
Direction steered by Plaid and Pat Metheny. Thank you for the inspiration

"Å"
Initially the final track AND then: scrapped idea for the alphabet soup of "Principe del Norte".
Later evolved into what we have here. Comes with a really nice remix by Pional on a separate 12"

"Venter på Torske"
The final recorded addition to the album. Made while waiting for Bjørn Torske to reply on a text message...

"Aske Hermansen"
In all seriousness, this is probably as soppy as it gets with me.
Tears into my computer keyboard, made on the road missing my wife and kids.

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Ültimo hace: 5 Años
Various - Africa Airways Four (disco Funk Touchdown - 1976 - 1983)

It's just over 3 years since we launched the Africa Seven label in Paris and London. Our first release back then (Airways One) is still our best seller and had to be repressed 4 times so far. Forty or so releases later it is time to take to the clouds again. Being the unimaginative bunch we are, the fourth installment of our African sky filled musical cornucopia is called African Airways Four (Disco Funk Touchdown - 1976 - 1983). This time around all tunes have the Disco flavour. As ever it's all about the music... the skies are wide and funky and the air is filled with musical goodness. Your flight is about to leave.

Your flight opens with a punchy disco funk assault from Paris based Cameroonian Tala AM. Here with his drive bass and guitar funk riff 1981 stomper "Get Up Tchmassi". Next up and staying with the Cameroonian connection is Eko with "Bowaa Mba Ngebe". The lyrics talk of accomplishing the things in life for your family and yourself. The sweeping strings and gloriously uplifting music matching the sentiments of the words perfectly. Uta Bella began singing in the 60's and by the time disco hit in the 70's she was already established a singer in her native Cameroon, here the locked on groove of "Nassa Nassa" is a perfect snapshot of the sound and the African disco times.

Charly Kingson (cousin of Manu Dibango) is next with his "Nimele Bolo". Recorded in Germany with the cream of Munich's session musicians the bass synth is out in force on this one. Punchy brass, rock solid grooves and jazzy Rhodes add all the right ingredients for a fine disco synth excursion. Next is the musical heavyweight from Cameroon cousin Manu with his 1978 Disco, jazz funk masterpiece "Sun Explosion".

Side two opens with a blast of Elvis Kemayo and his piano and guitar funk bomb "Biram". Next Momo Joseph gives us "Africain". Best known in France as an actor, this disco funk groover was released on his self pressed LP "War For Ground" in 1983. A true gem indeed. Nigerian, ex Funkees member Jake Sollo is next with "Tinni Yanana". Recorded in the UK in 83 its slick and smooth with a hint of "at the car wash" groove. Pierre Didy Tchakounte follows on with his soul funk 'golden years' style groover "Soul Magabe". Produced by one of our favourite Parisian producers Slim Pezin. We close off our journey with the tribal chant disco-funk special from the Monstars "Funny Saga".

Ladies and Gentleman, we have landed at your destination, please remain seated until the aircraft has reached the terminal. We look forward to welcoming you aboard Africa Airways again soon.

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Ültimo hace: 4 Años
Fallbeil - Macht Macht Zement

Fallbeil

Macht Macht Zement

2x12inchBOIDAE003
Boidae
17.11.2017

'Macht Macht Zement'—what does it mean 80s drums, synths and vocals, almost without context. Fallbeil, two soon-to-be men (aka boys), finish tracks at the rate of butchers kneading meatballs. Due to laziness and a lack of technique, everything gets recorded on one track and immediately thrown into the frier. Nothing is planned. First up, school detention followed by rough LoFi rap.The album contains a wide variety of themes, from mailmen to warthogs, from latecomers to sensible conversation, every track is created out of spontaneity. Two very short tracks on this album date back to 1999, when the boys performed as 'Funky Granatos' in the local youth centers. Sadly, their performances weren't successful. Nobody wanted to listen to them and almost every concert ended in mass brawls. The track 'Postman' comes from the duo's side project Grand Malheur and was recorded in 2015 in Bronxfeld. More output from this project will appear on various EPs in the near future. The album title 'Macht Macht Zement' originates from Tom Pötgen. Tom always wanted to throw the sacred hand grenades. We hope he does that right now!

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Ültimo hace: 8 Años
Martha High - Tribute To My Soul Sisters LP

Legendary James Brown's protégée Martha High teams up with mighty Japanese Osaka Monaural to pay homage to "JB's Funky Divas" in her new album "Tribute to My Soul Sisters".

Original Funky Diva Martha High has been an integral part of James Brown's life and career for more than 30 years. She was his backing vocalist, hair stylist, payroll master and his always loyal and reliable confidant.

The idea for this project was hatched back in 2014, when Martha was visiting producer DJ Pari, head honcho of the Soulpower organization and manager of soul legends like The Impressions, Lyn Collins and Marva Whitney. While reminiscing about tours with her fellow James Brown veterans, Martha felt that a tribute to the great soul sisters of the JB Revue, better known as "James Brown's Original Funky Divas," was very much needed.

"I looked up to these ladies of soul," says Martha, "Given the opportunity and the pleasure to perform their songs, is my way of saying: thank you, you're not forgotten. To record the music of the Funky Divas, would mean a lot to Mr. Brown. He always wanted the world to know he had powerful women on stage that could hold his crowd while he was off the stage. They were just as powerful and funky as he was."

Without further ado, following DJ Pari's advice, Martha partnered up in Tokyo with one of the hottest names of the new funk renaissance: Japan's Osaka Monaurail. Deeply influenced by the work of James Brown, Bobby Byrd, Curtis Mayfield and with nine albums under their belt, Osaka Monaurail have been leading the international funk scene for more than two decades, appearing at festivals such as Montreal Jazz Festival, North Sea Jazz Festival and Womad's, as well as recording and touring with funk legends like Marva Whitney and Fred Wesley.

This unique collaboration gives new life to 13 soulful pearls, masterfully interpreted as only an Original Funky Diva can do. To name a few: "Think (About It)", made famous by the female preacher Lyn Collins, "Mama's Got a Bag of Her Own", Anna King's answer to Brown's "Papa's Got a Brand New Bag," "This Is My Story", of which Martha recorded the original version with The Jewels, and the soul classic "Answer to Mother Popcorn" by Vicki Anderson.

Born in Victoria, Virginia, and discovered by rock 'n roll pioneer Bo Diddley, Martha started her career with the soulful, legendary doo-wop group The Four Jewels, with whom she scored the national hit "Opportunity" in 1964. Soon, The Jewels caught the attention of James Brown and joined the James Brown Revue in 1966. The Godfather of Soul recorded and released several songs featuring The Jewels until the group disbanded. Nevertheless, Martha stayed with James Brown and continued to work with him as his personal vocalist for 32 years. She was with him at the Boston Garden during the iconic 1968 gig after Martin Luther King's assassination. She was by his side when he performed at renowned "Rumble in The Jungle" event in Zaire. Mr. Brown produced several of Martha's singles on his own People label such as "Georgy Girl", "Try Me" and "Summertime." Meanwhile Martha launched her solo career in 1979 with the self-titled debut LP for Salsoul Records. Since, she has released five albums under her name and, being one of the "hardest working women in show business", she became one of the leading singers of saxophonist Maceo Parker's legendary funky music machine, working with him for 16 years.

Throughout her career Martha has shared stages worldwide with iconic artists like Little Richard, Jerry Lee Lewis, The Temptations, Aretha Franklin, B.B. King, Stevie Wonder, Prince, Michael Jackson and George Clinton. Martha has been carrying the torch of soul music for her whole life, like a true soul sister. Now, with this new effort, she is keeping the music of the Funky Divas going, and we are sure that the Godfather of Soul and her faithful audience would appreciate it.

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Ültimo hace: 4 Años
Various - Fluffy

Various

Fluffy

12inchOURSELVES-FLUFFYV/A
Ourselves
08.11.2017

For the 4th release from our beloved 'Ourselves' they've once again invited a group of friends to serve us up a healthy dose of tasty House and Disco. This time, originaltracks from Luvless, Snacks, Siggatunez und Jan Ketel are on the menu.

For starters we have Luvless from Leipzig whose prepared a floor stomper with a side of heavy drums paired with a warm chords- and stringsounds and a groovy bassline... completely love.
The Berlin duo Snacks appear for the first time on Ourselves with their track 'Sisters'. A delicious Disco snack that sounds like an effortless kitchen jam with an extremely funky aftertaste - you're tastebuds will be dancing. Hand played bass sprinkled over percussion, guitar licks and building up synths....hopefully you like your snacks authentic...they muste be true musicians...they are!!
The one love disco & funk and the other jazz...so does Siggatunez. He cuts us up a vibraphonline and sends it on the chase with a chord so delectably deep that not even the side of fat drums can keep up with the bounce and speed it creates but finally gets it and breaks down the club.
Jan Ketel has prepared a desert that at first, tastes like a mere groovy tool but it soon opens up into something bigger and more hectic. It's like you gotta check in at Charles de Gaulle while in anothher moment the unmistakable flavour of a lush warm Rhodes appears...a timeless flavour, and one that you'll never forget.

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Ültimo hace: 19 Meses
Martha High - A Little Taste Of Soul / Unwind Yourself

Record Kicks proudly presents "A little taste of Soul" / Unwind Yourelf" a little appetizer of the much awaited new album by James Brown's protégée Martha High produced and recorded in Tokyo by mighty Osaka Monaurail. This 45 vinyl is limited to 500 copies worldwide and anticipates Martha High's forthcoming new album "Tribute to my soul Sisters".

The "funky diva" Martha High has been an integral part of James Brown's life and career for more than 30 years. After a lifetime spent shoulder to shoulder with the Godfather of Soul, she flew to Tokyo and teamed up with Japanese funk ambassadors Osaka Monaurail to pay homage to the great Soul Sisters of the JB Revue.

Born in Victoria, Virginia and discovered by rock and roll pioneer Bo Diddley, Martha took off her career with soul band The Jewels, with whom she scored the national hit 'Opportunity" in 1964. Soon The Jewels caught the attention of James Brown in the same year the group joined the "James Brown Revue". Martha stayed with James Brown and continued to work with him as his personal vocalist for 32 years. Mr.Brown produced several Martha's singles on his own label "People" such as "Georgy Girl", "Try Me" and "Summertime",meanwhile Martha launched her solo career in 1979 with the self-titled debut LP for "Salsoul Records". Since then she released five albums under her name and, being one of the "hardest working ladies in the show business", she became as well the lead singer of the legendary funky music machine Maceo Parker. Throughout her career Martha shared stages worldwide with some iconic artists like Little Richard, Jerry lee Lewis, The Temptations, Aretha Franklin, B.B. King, Stevie Wonder, Prince, Michael Jackson and George Clinton to name a few.

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Ültimo hace: 8 Años
Dj Manny - Greenlight

Dj Manny

Greenlight

12inchTEKLIFE005
Teklife
16.10.2017

Greenlight by DJ Manny is the fifth release from TEKLIFE Records. This 10 trackLP is a masterclass in footwork production by one of TEKLIFE's leading figures. Born and raised in Harvey on the South-Side of Chicago, DJ Manny has been footworking since the age of ten. The Footwork sound has developed in unison with the dance style that accompanies it, and Manny embodies this synergy.DJ Manny is without doubt one of the best dancers on the scene, harnessing control, grace and power in every movement. So when he steps into the studio, he knows instinctively how to create tracks that make you want to move your feet.Instead of relying on chopped up samples, DJ Manny is more inclined to pickup the microphone himself, and this gives Greenlight an original and individual personality.On the opening track titled Way you Move, his flow is soulful and almost vergingon melodic. His laid back drawl sounds equally great on club bangers like Life in This Bitch and If U Want It. As a young man, DJ Manny was the protégé of the late great DJ Rashad, and Rashad's influence reverberates through classic - sounding footwork tracks like Boop Me Down and I'll Hurt Ya Baby.Elsewhere on Greenlight, DJ Manny explores different moods to great effect.Ghost Out is atmospheric and menacing, with a sparse, minimal rhythm and fearsome lowend pulsing through siren synths. Life In This Bitch is a defiant statement of self-affirmation, and Zancrash feat. DJ Taye is uplifting and dreamy,with complex rhythmic patterns evocative of vintage jungle records.DJ Taye makes a significant contribution to this record, collaborating with DJ Manny on 5 productions including the title track. A fellow TEKLIFE squad member, Taye is a highly accomplished producer in his own right, Expect to hear more from him very soon on HYPERDUB Records. Greenlight also features guest appearances from DJ Lucky, Gant-Man and Sucia.

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Ültimo hace: 6 Años
Shantu - Shantu 001

Shantu

Shantu 001

12inchSHANTU001
Shantu
13.10.2017

Shaun Reeves & Tuccillo present a new facet of their ongoing collaborative efforts, with a collection of works that took root in the woods of Ibiza. SHANTU's first record opens with 'Primero', a classy ride through dreamy melodic elements and a relaxed groove with a steadily rising pace. 'Ingenue' moves things into 2nd gear with a deep and funky bassline that is soon propelled further with a variety of organic percussion elements. The long B side 'Zissou' would certainly be at home in the team Zissou minimalist playlist, a mysterious and psychedelic underwater trip populated with strange echoed synths and steady precision drum machine work.

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Ültimo hace: 6 Años
Jaime Read - Relief Sevensixty

Mint Condition - A brand new record label focussed on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond, Mint Condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! Dig in....
Jaime Read is something of an unsung UK legend. An original, unique producer who has been making noise in the underground in his own way, emanating from the South coast of England, since the mid 90's. 'Relief Sevensixty' is a collection of Read's rarer tracks that have appeared in a roundabout way, on a legendary Chicago label in a tale that has by now been widely documented. But that's a story for another time. The real focus here is the music, of course. Across 4 tracks this EP shows what a dynamic producer Read is, the music contained within has a depth and maturity and of course it's some funky as, futuristic, space Techno that sounds like it's just escaped the warp drive and landed here on earth and implanted itself in our eardrums. From the joyous, glorious, electronic funk of 'Douch Me' to the curiously monikered piano driven, subterranean stormer 'Droopy Dancing' the whole EP captures a real insight to a remarkable UK talent operating from under the radar. 'Relief Sevensixty' is the first part of a 2 EP set covering Jaime Read's amazing music. Keep your eyes open for the second installment, winging it's way to us through the cosmos as we speak.... soon come!
The 'Relief Sevensixty' EP has been legitimately released with the full involvement of Jaime Read for 2017 and remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - Mint Condition!

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Ültimo hace: 7 Años
Various (john Selway, Alex Cortex, Synapse, Tcmf, Bpmf, Pointsman) - It's What We Live For: Volume 1

Serotonin Records, the little neuron that could, returns with a compilation of futuristic electronic funk.

'It's What We Live For: Volume 1' is the first in a series of compilations sharing our vision of tomorrow and/or the sound of the day after yesterday... Serotonin has always been what we've lived for, now we'll try and make sure it's what you live for too.

John Selway takes us 'Solar Sailing' on a tour of classic Serotonin themes set in the deep space between our ears. Of course it sounds like Selway, but it's the unique sound of Selway on Serotonin.

Alex Cortex has been making electro for years and Serotonin is excited to finally catch up with him. His contribution 'Proxy' is a deep, fat and brain chemistry-altering groove.

Synapse, the duo consisting of label heads John Selway and Jason 'bpmf' Szostek, reach into their archives to deliver 'Payback'. What was the debt Well, that was already paid back with another track so we can share this golden slice of the electro dream with you.

TCMF with isti.f can transform your body with laser beams and bass. 'We Are The Almost People' is just weird enough to rock you out of your seat so you can get up and jam.

Pointsman and bpmf each deliver a loop so that the Serotonin never runs out.

Watch out for more releases soon, including a full Synapse EP and some old friends doing new tricks.

Serotonin, It's what you we live for...

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Ültimo hace: 6 Años
D&s - Thoughts Ep

D&S

Thoughts Ep

12inchASGORX003
Orbis records
09.10.2017

Orbis X is a sublabel of Orbis Records and will be mainly focusing on softer yet often usable as DJ material for the broader mass interested in Electronic music. This sublabel is an extension of Orbis Records softer, more melodical and experimental side.

Music will be ranging from house, dub, chicago over melodic acid and even breaks. Not any track makes it to this sublabel if it can't stand on its own and stand the test of time! We warmly welcome the Dutch duo Dennis Pors & Stephan de Bruijn to OrbisX. New fresh talent, ready to conquer the world. We feel obliged to support these
fine gentlemen to get their music spread across the globe. Dennis & Stephan know each other through their musical perspectives.
They share a similar taste for music, Detroit techno. Before they worked together, Dennis experimented with deep house through digital synths and learned the ins and outs of programming music in Logic.
Stephan was well known with the detroit techno scene. His passion goes out to well balanced electronic music with hypnotizing emotional feeling to it. Add a layer of atmospheric grooves on top of that and you have the perfect blend to potential timeless music.
Soon enough they made the switch to analog gear to be able to create a cleaner and better sound. After three years of hard work, they have reached the sound they were looking for. And this is it!
Their debut on vinyl. D&S servers a full EP called Thoughts EP. A great cocktail of dreamy and diverse electronic tunes. This EP fits well in the back of any DJ bag to warm up the place or fix the atmosphere on roof-top bar in NYC. Smooth cruising, roof down car music or background music on a spring night with a summery breeze This EP is amazing and works best on a big sounds systems and major festivals! Childs play , what s in a name. Nothing like that melody. Creating a generously opening atmosphere, but actually brilliantly mixed creating the perception of simplicity. Groovy, acid touches and funky. Can t keep still when being played. A-track for sure! Thoughts might have a dark feel to it but evolves in a very uplifting track in just a few moments, making
it very bright and fun to play. Shed light to the place, should have been a great title as well, but thoughts is the best name for this track. The story in this track is definitely there to be told and listened to. Edge Of Insanity kicks of the B-side. Goosebumps, as from the start. Building up slowly to a very melodic and yet simply track, it s the perfect translation for a sunrise at the beach. Potential
Ibiza hit if you ask us. Submission is a track straight out of a movie. Clever, nice build up, dreamy, spacey and above all so amazingly subtle. This is what falling in love should sound like. We re humble. We re amazed. We re honoured to host D&S. We hope this duo gets the attention

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Ültimo hace: 6 Años
Dexter Wansel - Life On Mars / The Sweetest Pain

Yet another highly in-demand 12" from the Philadelphia International stable and an artist who's records never go out of date! This is a killer double-sided beauty with the frenetic and jazzy "Life On Mars" from his debut 1976 album on the top-side and the mellow all-time classic and soul boy anthem "The Sweetest Pain" from 1979 on the flip.

Two very different sides of a great artist, both of which show the level of diversity that he was capable of producing. The last legitimate release of this was back 1999 and a Mint copy will currently set you back circa £50, if you can ever find one. Word of warning: there are some U.S. bootlegs from 2008 that still appear to be in circulation and which are easy to spot since they use the U.S. silver P.I.R. label.

We are currently getting these taken down and hopefully they'll soon be removed from the marketplace. Accept no substitute! All our 12" re-issues are licensed from the copyright owners and legally covered. No time for fakes over here!

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Ültimo hace: 5 Meses
Oid - Permanent Departure S P.1-2

(en) Constantly on the move, never standing still. Always looking ahead and never back. Everything sooner rather than later. This is what our modern lifestyles feel like, keeping us prisoners in the wake of time while everything around us is in a permanent state of change. It seems as though Andrei Anto- nets, aka OID, could sing a song, or at least produce a track about it. But rather than the soundtrack to our hurriedness, the Russian musician has seemingly created the opposite with his new track - Perma- nent Departure'. He achieves this by letting various sounds meander alongside a bass drum for about eleven minutes. Guitars, pads, Hi-Hats, everything comes and goes, arranged with tremendous flair. Antonets has already proven his capability to do exactly this with his project Alexandroid or with his work on labels like Pampa and Sealt Records.
The French Band dOP's remix on the B-side is much shorter but sends us on the same trip as the ori- ginal. Shortened to just eight minutes with a slightly new route, the dOP remix takes us directly to the club and peak time for the advanced. If we have to have a departure, then this is the way.
Also available as a digital mini album together with the MMR 28 and four other tracks by OID.
(de) Stets auf Achse, immer unterwegs. Den Blick geradeaus, nie zuru¨ck. Und alles lieber heute als morgen. So fu¨hlt es sich an, das moderne Leben, das uns gefangen im Sog der Zeit und alles um uns herum im permanenten Aufbruch ha¨lt. Es scheint so, als ko¨nnte Andrei Antonets alias OID ein Lied davon singen - oder zumindest einen Track dazu produzieren. Doch statt den Soundtrack zur Hast, erschafft der Russe mit - Permanent Departure' lieber einen kontemplativen Gegenentwurf dazu. Knapp elf Minuten lang la¨sst er dafu¨r weitla¨ufige Sounds entlang der Bassdrum ma¨andern. Gitarren, Pads, Hi-Hats, alles kommt und geht, arrangiert mit massig Gespu¨r statt purem Geto¨se. Dass Antonets genau das kann, hat er bereits zuvor mit seinem Projekt Alexandroid oder auf Labels wie Pampa und Sealt Records bewiesen.
Fu¨r die Ru¨ckseite lo¨sen die drei Franzosen von dOP mit ihrem Remix von - Permanent Departure' hin- gegen nur ein Kurzstrecken-Ticket - das uns aber genauso auf einen Trip wie das Original schickt. Auf acht Minuten und eine neue Route verku¨rzt, steuert der dOP-Remix ohne große Umwege geradeaus gen Club und die Peaktime fu¨r Fortgeschrittene. Wenn schon Abfahrt, dann bitte so. Auch als digitales Mini-Album zusammen mit der MMR 28 und vier weiteren Tracks von OID erha¨ltlich.

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Ültimo hace: 7 Años
Futuro - Alboroto Lp

Futuro

Alboroto Lp

12inchBAP101
Bordello A Parigi
08.09.2017

...and in the end, not a great deal is known about the Spanish duo Futuro. The saga begins with the discovery of a cache of test pressings deep within the shelves of a very dusty record shop near the Plaza Del Toros De Valencia. As is the case with these things there was no promo sheet or any other information outside of three clues etched into the run-out groove: Futuro, Jollyman, MCMLXXXVII. Through deduction and reasoning it was soon realised that Jollyman was a short lived Italian record label that closed it's doors in 1987. There were rumours for a while that Jollyman was a mafia wedding gift to a music enthused female family member, but as the journey continued it became slightly more likely that this was a tax write-off for it's owners, as the label itself was never very successful, and was more likely an afterthought rather than a full on passion project. That is not to say that there were not gems hidden within it's small catalogue, most notably from noted library musician, composer and arranger Alessandro Signoretti, without whose help this release would not be presently in front of you. Alessandro's assistance led us to the infamous Hafenklang Studio in Hamburg, Germany. The very same studio used by Boytronic to record their classic LP 'The Continental' (some of the same DX presets can easily be heard on both albums) and despite the insane amounts of musicians that have passed through those doors the owner clearly remembered the duo and finally the mysterious Futuro had names: Javier C Rayón and Raúl Láynez.Too late for the Italo boom, and too early for the Sonido De Valencia craze, the recordings of Futuro have sat on master tapes since 1987 finally awaiting their much deserved audience. Bordello A Parigi are more than proud to present this lost Late slow-mo synthesizer Italo masterpiece onto the world.

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Ültimo hace: 5 Años
P. Leone - Discipline Signals

New York's P. Leone is back with the second release on his newly launched E-MISSIONS imprint featuring Work Them Records founder Spencer Parker on remix duties.Born and raised in Brooklyn, where he discovered the legendary Storm Rave parties run by Frankie Bones and Adam X, P. Leone cut his teeth DJing in the Lower East side of Manhattan before making techno himself. Before long the producer dropped his first two releases on Work Them Records, joining a roster spanning Radio Slave, Spencer Parker, Young Male, Anetha and Physical Therapy. E-MISSIONS was then launched in early 2017, acting as a platform for co-founders P. Leone and CAIAZZO with more exciting artists soon to be announced.'Discipline Signals' is dark and robust from start to finish, with 'Functions of Discipline 1' inaugurating the package with resonating kicks, trippy elements and industrial synths. 'Functions of Discipline 2' follows a similar aesthetic but heads into a deeper direction with its cavernous atmospherics and glitch inspired effects, making way for 'Laced' with its sinister drones and tantalising melodies. Spencer Parker then remixes 'Laced', concluding matters with rugged drums, energetic hi-hats and a rumbling low-end.

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Ültimo hace: 4 Años
Ohm & Kvadrant - Elevation

Limited triple coloured vinyl pressing. Do not sleep. Brand new label from Copenhagen exploring the universe of chord/dubtechno run by the host of the legendary TweakFM show, Johnny Fredsgaard aka Kvadrant. First release contains four solid dub influenced tracks made by Ohm and the label owner himself. Ohm needs no introduction as he is a well established Icelandic artist and a part of the label family around the Thule label. Over the years he has teamed up with artists such as Exos and Octal Industries with whom he already released two EPs in 2017 on RAWAX and Taped Artifact. Ejer is made for the dancefloor with its heavy rhythm, characteristic Roland Space Echo delayed chords and a stunning break which will make the floor burn as soon as the bass kicks in. Laki is a fast paced track with repetitive chords and heavy kick. Octal Industries takes Laki to a deeper level and delivers a stand out groovy remix of the track and adds a bit of a melodic flow to it. Yding is a groovy crossover track which fits well in the world between techno and house. Watch out for the phat funky bassline.

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Ültimo hace: 8 Años
Various - Terra Incognita

Various

Terra Incognita

12inchERC034
ER Classics
28.07.2017

Emotional Rescue starts its 5th year by shining a light on one of Europe's best underground 80s' label in Spain's Auxilio De Ciento. Their Terra Incognita Volumes I and II collated an international mix of synth-pop, new wave, world and industrial sounds to a small but appreciative following. Released in 1985 and 1986, the Volumes have become highly regarded and rightly sought after, finding a place in discerning playlists from London to Amsterdam and Dusseldorf to Glasgow. Here, taking a premise of avoiding the songs unearthed on other recent reissues, is a unique album itself. Starting with Denis Mpunga & Paul K's esoteric Criola, a fusion of fourth world ideals and poly-rhythmic funk. The music of Mal, Bene Gesserit and La Caida De La Casa Usher, however, soon highlight that the decade also belonged to dark, minimal synth as to shiny balearic ideals. The inclusion of Hector Zazou with Bony Biyake and their contribution Komba, is a fitting continuation from their cult Noir Et Blanc LP before, things continue with US avant-artist Danny Alias and his humorous Big Brother "response" to Laurie Anderson's Superman O. Image Pour Image loose indie-pop and the inclusion of seminal Beast Of Burden lead again to a Zazou contribution, this time in his collaborative Stranger In A New Light, before the compilation eclectically ends with the dadaesque Lakota and the post punk dub of Instead Of's closer, Angels .

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Ültimo hace: 4 Años
Lives Of Angels - Elevator To Eden

Dark Entires is honored to reissue the long out of print debut album Elevator to Eden by LIVES OF ANGELS. Lives of Angels was the brainchild of GERALD O'CONNELL from London, England. In 1974 he worked at CBS studios mastering recordings from tape to disc. By 1977 he joined his first band MYSTERY PLANE, led by school mate Mark Harvey and later joined by his soon-to-be wife Catherine. Gerald branched off in 1980 forming Lives of Angels as an outlet for his own compositions. He recorded, produced and played all of the instruments on Elevator to Eden' between 1981 and 1983, using a primitive set up of drum machines, one keyboard, guitar and a tape echo. Influenced by the Krautrock sounds of Neu! and Amon Duul II as well as US psychedelic rock, Lives of Angles crafted their own unique post-punk sound. Elevator to Eden was originally released in 1983 on cassette by Color Tape Records, the label started by Gary Ramon of Modern Art. Then in 1986 Fire Records remixed and re-released the album on vinyl but the band was not happy with the mixes. This reissue features the original 4-track cassette mixes of Elevator To Eden on vinyl for the first time ever. The LP includes 9 songs featured on the original Color Tapes release. All songs have been remastered for vinyl by GEORGE HORN at Fantasy Studios in Berkeley directly from the original master tapes. Each LP comes with unreleased photos, original artwork and a lyrics for all songs.

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Ültimo hace: 8 Años
Gomorra - Omnibus Idem

Gomorra

Omnibus Idem

2x12inchSS001
SODOM SOUND
28.06.2017

GOMORRA

Gomorra is a passionate DJ and producer from Basel, Switzerland. As an 8 year old boy playing the drums he realized that music might play a bigger role in his future life. After a while, he got his hands on the first pair of turntables and started to experiment with mixing HipHop music. Experiencing a broad variety of music and nightlife culture during those formative years he developed a deeper interest for driving rhythms and repetitive patterns. Soon he got pulled into the pulsating scene that emerged nearly 30 years ago in an industrial and rough urban area at the shore of lake Michigan well known as Detroit, the Motor City. As he already made his first steps in music production while digging HipHop, the obvious development then was to exchange the MPC with Synths and Drum Machines and explore the aesthetics of Techno on a much more profound level.

OMNIBUS IDEM

Omnibus Idem - we are one. The Saga begins. We inhabit each moment to be our own good morning. Everybody else is the same in a different ghetto. What happens when all awareness overlaps to create an Ambient. After dawn in the subway. Submission. A new impression: St. Clair. Where the mechanic meets the organic. To end up alone in suffocation. Buena Noche. Omnibus Idem is process and creation.

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Ültimo hace: 7 Meses
Octad & Phiorio - Ten Years In The Wild

First vinyl release for 10 Years Of Metroline Limited series - Produced by label bosses Octad and Phiorio

This release is one of round numbers. It's Metroline Limited release number 50. You may have actually noticed that we almost got to release 90 by now but number 50 was always kept behind for a collaborative release between the two men behind the label: Andrea and Gianpiero aka Octad and Phiorio. It took a fairly long time to put this release together, mainly because running a label with a DIY ethos is a time consuming affair and most of the time doesn't leave too much free time for sonic experimentations. We really hope it was worth the wait! And what a better opportunity to release Metroline number 50 like for the label's 10 years anniversary. So much has happened since 2007, we released a LOT of music, some of our tracks have been played in the best clubs and festivals and by some of our favourite dj's. We are not going to name names but we are extremly proud of what we have achieved in our 10 years history. We are also proud of the fact that we are still around with energy and enthusiam to keep on releasing new music, this time (finally) by our label owners and also soon by a lot more talented producers in the months to come. Music wise, in this EP you will find some of the syles that made Metroline music known over the years. The two tracks on the A side are produced by Octad. Missing Bits has Octad's trademark minimal groove with hissing hats and a huge sub bass. There is a clever use of percussive bits, dark stabs and vocals to create a sublime dark minimal techno builder. Synopsis of 8 keeps the A side atmosphere well dark. Andrea managed to create a solid machine funk dark and spooky techno number with metallic percussion and plenty of groove. Phiorio takes control ot B side with the opening

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Ültimo hace: 5 Años
Jah Wobble - The Lago Years

While the story of Jah Wobble, from post-punk bassist to Tube driver to world music explorer is well documented, the fact he founded his own label, Lago Records, at the age of just 23 years old has oft been overlooked. Lago Records was set up by John "Wobble" Wardle soon after his acrimonious departure from college friend John Lydon's Public Image Ltd band at the end of the recording of the Metal Box sessions. Although still young, Wobble had already experienced a music career most would dream of and was experienced enough and singular in his thinking that while now working with both Island and Virgin Records, he did not want to be constrained by the traditional label / artist format and release schedule. With a mindful of music ideas and working with a group of friends and musicians, Lago allowed Wobble to express his wider musical interests that now forms it's own unique document in time. This release takes a collection of songs from the 6 EPs released on the label between 1981 and 1985 and captures some of his best ever music, covering a wide palette including dub, jazz, spoken word and even some pop sensibilities, all held together by his instantly discernable bass rumble. The driving post-punk-dub of Invaders Of The Heart is clear a link to the PiL years, while the psychedelic nature of Long Long Way and Fading offer long, drug-induced meditations. Nocturnal and East take this further with long-form instrumental experiments, before both Voodoo and the now highly sought after Blowout take in (Balearic) pop touches that the mid-80s were beginning to encapsulate. Packaged with DJs in mind as much as for the "Heads", the Lago Years double pack is a revelation to those who thought they knew the Jah Wobble sound and offers a perfect framing of a unique musical journey.

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Ültimo hace: 8 Años
Boris Dlugosch - Traveller Ep

Much could be said about German house royalty Boris Dlugosch. From his teen DJ years under the wings of Front's legendary Klaus Stockhausen in Hamburg to his own marvelous tenure there that is pretty much synonymous with the explosion of Acid House in its proto- and post-incarnations. One could examine his role as a herald of US garage and Jersey house or as a remixer of underground gone pop records. But we will leave that and other stories for the Front page soon. The 'Traveller EP' is the result of Dlugosch and Cassara meeting at a mutual friend of theirs, getting excited about their shared love for classic synths (see Sh-101 for the Traveller bass line) and exploiting the latter's extensive synth collection. What you get: classic disco, French house, electro-funk, DJ sound effects (that tractor plowed the Front EVERY night) and most of all fun, fun and a little bit of extra fun. Chin-stroking impossible....

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Ültimo hace: 17 Meses
Franck Roger - EP

Franck Roger

EP

12inchHI15
Home Invasion
22.05.2017

This release is gifted by a special remix from someone who need no introductions today : Chris carrier aka Mr Georget delivers a dope remix of one of the track that Franck already released on Home Invasion called Yabba.. The idea was to give to our favourite remixers (cause we got some good guys coming up aswell) the freedom to choose one of the tracks that they really like from the label.Mr Georget gave us a deep and hypnotic feeling on this one and we already love it it here; that's why we choosed to press it has a 45 rpm full side to give him the best sound and dynamics. On the other side Franck give us 809, a track wich is the result of the sync between the 909 and the 808 together when it comes to speak about drum and some synths delighted by his own secret.
Bugz is a simple ruff track coming out from the MPC wich we can ear from the drums, and some stabs samples coming thru his Vermona filter and passing by some external effects.. in and out its all about the jam here J We hope you will enjoy this new Ep has the summer starts soon guys...
Of course no share has we do vinyl only.

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Ültimo hace: 14 Meses
Various - Lifesaver Compilation 3

Some try it with mouth-to-mouth insufflation and cardiac massage. Others with
psychopharmaceuticals or group therapy. Still others with divorce. By going cold turkey. With a new profile pic and a matching hairstyle. Seen it all at Robert Johnson, already endorsed everything - at least as long as it helps: as a lifesaving measure.
But since the year dot, the Offenbach-based club with its affiliated label recommends to all which are undecided or have doubts particularly one thing: Music. And dance.
Every two years, when life newly blossoms during spring, Live At Robert Johnson opens its windows widely, lets new music out and fresh air into the house. The beguiling scent of nature and aviation fuel blends with the scent of sweat and dry ice fog - and causes sundry healing confusion. As soon as the first tone of the Lifesaver Compilation 3 is heard, the swelling grunt of Vincent Feit's 'X04', the scenery of the dancefloor right at the Main river appears before one's eyes.
On Saint Monday Iconoclasts rebel against the age of self-optimization. A crack goes through the parquet of the dance floor (or the dancing party itself). The post-unambiguities era is beginning. The images become blurred. Bass case. Alternative facts. Resonance hole. No reception. And then it's only the queue answering the club emergency hotline. Finally there is a buzz on the line. 'Just drop the images!', it says.

'It's all not that tragic.' This helps.
The Lifesaver 3 Compilation, the yet most comprehensive package of the lifesaver history, sounds like electro, sharp-edged like the vault in a Hague bunker (Lauer), provides data pop with piano crescendo (Fort Romeau), brings the style characteristics of German Schlager music to the breakdance mat (Rolande Garros), lets the bulky lily-of-the-valley bells clang and sends the reverb tails away with the wind (Benedikt Frey). There are several new names to discover: Felix Strahd, Benjamin Milz, Vincent Feit; and of course there a many old acquaintances: Massimiliano Pagliara, Orson Wells, TCB, Chinaski. Roman Flügel brings us 'Good News', however: 'From Another Planet.' And Fort Romeau feels 'Lost, Again', but in such somnambulistically beautiful manner that you want to get lost with him instantly and jointly find the great joy.
Again and again there are mysterious chants. It's not required to decipher the specific words in order to get the message: Salvation is near. Salvation is here:









[)] e1 | Roman Fügel - Chang

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Ültimo hace: 5 Años
Tackle - Grondman

Tackle

Grondman

12inchACOLOUR004
A Colourful Storm
08.05.2017

New one on A Colourful Storm from soon-to-be-known artist Tackle. Insane breaks and bass programming over humorous sample placement. But there's nothing funny about it's take-no-prisoners approach. One of the heaviest releases we've heard in a long time. Fans of A Colourful Storm will recognise Grondman from Moopie's mix on Dommune late last year. Vital Sales Points: - Fourth release on Australian label A Colourful Storm - First release since 'Benzedrine', which was number 20 of Resident Advisor's 2016 top tracks - Premiered on Dommune in Tokyo last October. - Richie Hawtin's favourite artist. (Probably).

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Ültimo hace: 4 Años
Jayson Wynters - Double Standards Ep

After debuting on Mr. G's Phoenix G imprint in 2016 with the Unfamiliar Territory EP, Jayson Wynters makes an appearance on DBA for this, his second release, backed by a Kowton remix.

Jayson Wynters is a DJ that is able to combine many genres in one set and make it work. Wynters was first known as a garage MC in Birmingham, before rising to prominence in the city's underground radio and club scene, where he showcased an impressive knowledge of rare groove and house music. As he got older his taste for music began to mature, his collection began to grow, and he soon began to DJ. Using music as an outlet for expression, whether in the form of DJing or having fun on some drum machines and synths, is one of the most defining features to Wynters. He continues to fuel his passion by keeping an eye on the future rather than the past and striving to remain different.

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Ültimo hace: 4 Años
Lagartijeando - El Gran Podor

Lagartijeando

El Gran Podor

12inchWONDERLP23
Wonder Wheel
27.03.2017

Lagartijeando is the name of producer, musician and DJ Mati Zundel. Born, raised and currently living in a small town on the outskirts of Buenos Aires called Dolores. From a very early age, he was musically curious- experimenting with percussion, charango, guitar, bass, voice, and beyond.

Strongly influenced by his travels through Latin America, Mati's signature psychedelic dance tracks latch onto everything from traditional folk sounds from the Bolivian altiplano to the jungle beats of Brazil. Mati hypnotically fuses his traditional influences (with an emphasis on shaman chant and charango loops) with contemporary electronic beats, creating a sound that once left NPR speechless.

Lagartigeando was signed to the infamous ZZK Records in 2009 (Chancha Via Circuito, Nicola Cruz, etc.) on which he released his first EP Neobailongo- a mix of cumbias with electro and dubstep elements. After releasing the EP, Mati soon took to the road and dove deeper into the music of the Andes, studying charango and various traditional folk styles. In 2012, under the name Mati Zundel, he released his first full length album Amazonico Gravitante, via ZZK as well as Waxploitation (Gnarls Barkley, Danger Mouse) in the U.S.

Some more miles later, Mati released his second LP Cardos Redondo also on Waxploitation, which featured 8 songs recorded across Latin America- an album he calls an 'imaginary sound map of Latin America,'

Freshly into 2017, Mati brings us El Gran Poder via Wonderwheel (Novalima, Alsarah & The Nubatones)- named after an important Aymara festival that takes place in Bolivia and Peru, purely to celebrate family. At these festivals, the community also celebrates their culture and the importance of the collective identity. Like these festivals, the album is a celebratory one, and will tempt any listener out of their seat. The album was recorded in Mati's town, Dolores, outside of Buenos Aires. Once again taking a huge variety of sounds- this time influenced by Brazilian house,afro-brazilian rhythms, and folkloric Andean music. All songs are written and produced by Mati, apart from Lunita, a danceable track written in collaboration with Barrio Lindo.

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Ültimo hace: 7 Años
The Willow Band - Willowman/funky Guitar Man
  • Willowman
  • Funky Guitar Man

The Willow Band were singers and musicians under the direction of Jesus Alvarez of the group Shirley & Company. As 'Alvarez' his Polydor his rare groove Sooner Or Later' was on the Step inside My Soul' CD collection, but this much sought after funky project with The Willow Band' has not been reissued since the original Epic 7' came out in 1976.

Reservar17.03.2017

debe ser publicado en 17.03.2017

Mudd & Pollard - N7 Odyssey 2x12"

Mudd&Pollard

N7 Odyssey 2x12"

2x12inchC56LP010
Claremont 56
27.02.2017

It was the spring of 2007 when Paul 'Mudd' Murphy and Kevin Pollard announced the arrival of the former's Claremont 56 label with Villa Stavros', a magical frst collaborative 12'. It
seems somewhat ftting, then, that Claremont 56's fnal release of its' frst decade will be N7 Odyssey, the frst collaborative album from Mudd & Pollard. By the time Villa Stavros' came out, the pair had already been regular studio buddies for a couple of years. Initially, Murphy had recruited Pollard - a hugely talented keyboardist and composer - to play on tracks he was working on for Rong Music. One thing naturally led to another, and soon they were joining forces to make music as Murphy's home studio in
Holloway, North London. As the years rolled by, further acclaimed singles followed Villa Stavros' - the bubbly, Rhodes-laden Balearic disco shuffe of Vincent', and the lilting, intergalactic dub disco of Scaffold', most notably - before the duo's other musical commitments began to take precedence. Murphy had his hands full running the Claremont 56 and Leng labels, while Pollard carved out a successful career as a soundtrack composer for both flm and television. Now, the album they set out to make all those years ago is fnally fnished and ready to be
released. N7 Odyssey - titled in tribute to the Holloway studio they recorded in for many years before Murphy moved - draws together freshly re-mastered versions of their previously released singles with a clutch of previously unheard tracks. Built around the duo's own fne musicianship, with Pollard handling synths, keyboards and electric piano, and Murphy guitar, bass and percussion, the album's ten tracks offer a musical journey through their shared love of shuffing grooves, sun-kissed soundscapes and
gentle positivity. Highlights come thick and fast. There's the swirling strings, futtering futes, jammed-out electric pianos and heady female vocals of Far Away', the enchanting new age ambience of December', and the rush-inducing Balearic disco breeze of Mawson's Walk', a former single blessed with sublime horn solos and rising, cinematic strings. Check, too, the head-
nodding beats, fuid electric piano solos and jazzy guitars of Inatin', the gentle Eastern mysticism and vintage ambient house aesthetics of Anura', and the ultra-deep house pulse of N7 Odyssey'. The album fttingly fnishes with a sublime ambient interpretation of Scaffold', arguably the duo's most celebrated track. It may have taken a decade to emerge, fully formed, but Murphy and Pollard have delivered an album that's beguiling, magical, and hugely comforting. Clearly, it's an odyssey worth
taking.

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Ültimo hace: 4 Años
Tony Rainwater - Rockberry Jam

Tony Rainwater

Rockberry Jam

12inchLHLT009
Lehult
27.02.2017

It's a pleasure to introduce Tony Rainwater - undoubtedly the most productive and creative savage we've come across recently. See usually we don't do this, Lehult is a crew affair, but this guy left us no choice. Being a music enthusiast, DJ and dancer for a long time, Tony has only most recently picked up producing his own music, yet at a stunning rate: When we first asked him for a demo - three months after he started producing - he swiftly dropped us a set of twenty-five tracks, another set of fifty more soon followed. His productions are straight rough edged, no-prisoners-taken Jams, combining samples from the most far-flung corners of his eclectic music collection. His magical patchwork wild style is on full display on his debut "Rockberry Jam" EP for Lehult. The A-Side takes us through the lighter side of his repertoire with the title tracks slow building house groove, some dizzy medieval monk grooves on "To All The World" and seductive R&B on "Lay It On The Line". On the flip "Operalight" irresistible groove and "Black Dream Flowers" provide some darker moments, before "Alone" closes on a soft note. The Vinyl version includes an extra goodie after the runout's. Tony is now a fixed member of the crew already and we're proud to have him and his crazy energy on the team. This won't be the last you'll hear of him.

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Ültimo hace: 6 Años
Turinn - 18 1/2 Minute Gaps

Turinn

18 1/2 Minute Gaps

2x12inchLOVE104
Modern Love
24.02.2017

Outta the shadows and into the strobe-light, Alex Lewis aka Turinn debuts on Modern Love with a highly rinsable debut double-pack of sawn-off brukbeats and anxious, nerve-riding grooves brewed in the ravines of North Manchester. Turinn emerges from a new generation of producers in the city that include longtime spar Willow, and upcoming producer Croww, soon to offer up his own debut recordings.
Crooked and rugged AF, but tempered by an acute emotive sensitivity, 18 1/2 Minute Gaps renders a bleedin' cross-section of mongrel, hybrid style 'n pattern in a breathless, deceptively freehand fashion that comes riddled with an electric blue energy all of its own.
Committing ten trax of fractious, mutant funk and sore feels, 18 1/2 minute Gaps serves to cap Turinn's formative phase of production like a lead lid on a nuclear rave implosion; trapping original 'ardcore 'nuum, Detroit booty and dank post-punk elements in a perpetual flux of in-the-pocket grooves which ravenously attempt to split at the seams, alternately pushing into Muslimgauze-like buffer zones of distortion or resoundingly wide ambient dimensions, and often both at once.
On the first plate, this ambiguous dichotomy is epitomised between the rare surge of quick/slow torque in Ovum, which almost sounds like Chris Carter sparring with Burial Hex, and then in his nod to the Italian new wave with Elba, which seems to find the square root between Lorenzo Senni and some skudgy as heck Kassem Mosse grind, whereas the bittersweet soul of 1625 finds compatible links with his close peer, Workshop's Willow as well as Japan's Shinichi Atobe and scene enabler Move D, while Parratactico swaggers into quantum dancehall meters.
The second disc is no less deadly: the album title track runs at a nexx level Detroit momentum like DJ Stingray flipping Derrick May and Carl Craig's Kaotic Harmonies, before ESO cuts in like a super cranky El-B wearing itchy Primark underwear, and the bone-rattling hardcore jungle of Spawn soon enough gives way to the sweetlad couplet of Petrichor and Ondine, where his elusive, distressed melodic touch really shines thru.

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Ültimo hace: 5 Años
Prins Thomas - Gerd Janson Remixes

Besides being a close buddy for soon 20 years and one of the best dj's on the planet, Herr Janson is also a safe bet for your "floorfriendly"rework. He just knows what your track will need to work those feet. He handed over his "Prinspersonation" together with a drum-tool version that will be useful for any adventureous dj out there. I also made 2 tracks specifically for this 12" that fills the b-side and wraps up the story of "Principe Del Norte"for now. - Prins Thomas

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Ültimo hace: 7 Años
Anthropous Anonymous - O Quase Ep

Phonograph Music is back with a 4 tracker by Anthropous Anonymous. Four cuts that embody a poetic approach to dance music, trough deep house, balearic and tribal. A few months ago, in the time and space of a few impromptu sessions, an EP was conceived and produced. Not much was planned, but the voice and the keyboard notes our dear Brazilian friend Roberto Coelho hit, gave the whole thing its not so but quite ambiguous form and meaning. Soon after that, the music just flowed...

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Ültimo hace: 5 Años
Chip Wickham - La Sombra

Chip Wickham

La Sombra

12inchLMNK54LP
Lovemonk
23.01.2017

Translated from Spanish as 'The Shade', Chip Wickham's debut album La Sombra drops after a 25-year career touring, recording and experimenting across three decades of jazz, funk, soul, hip-hop, Latin and electronica. La Sombra is a monumental record for Chip as it symbolises the moment he stepped out into the light as a director of his creations with freedom to explore his roots, express and tell his version of jazz and pay testament to his heroes Roland Kirk, Yuseef Lateef & Harold McNair.

Now living in Dubai after an intense and productive six years in Madrid, it was Manchester where Chip studied in the late '80s and became enmeshed in the chaotic and thrilling music scenes emanating from one of the world's most culturally prominent cities of the time. Recording and generally 'keeping things real' with Manchester's hip-hop collective Grand Central Records, Rae & Christian, The Pharcyde, Fingathing, Nightmares on Wax, Graham Massey (808 State), Chip was in a city that was undergoing a music revolution with the Haçienda as its temple. Yet it was the headlights of the M62 motorway and not the strobe lights that were lighting Chip's path during his student years ('88-'92). The lure of the jazz and funk clubs of Leeds, where The New Mastersounds were breaking out and building the blocks that would lead them to UK funk royalty status, proved too strong.

In the 1990s Chip continued to refine his craft in the rainy city and the gigs booked were growing in stature. It wasn't long before he was on the road with Roy Ayers and Badly Drawn Boy. Around that time Chip met up with trumpeter Matthew Halsall that was the beginning of a friendship that lasts to this day. Chip was a recording artist on Matthew Halsall's breakout album Sending My Love and continues to work with him, with live dates confirmed in spring 2017. This close connection with Halsall gave rise to other collaborations, such as with Nat Birchall and Go Go Penguin's Rob Turner.

Three decades after his late night excursions to Leeds, Chip found himself recording with Eddie Roberts from The New Mastersounds in Madrid, as part of their new band, The Fire Eaters, which he'd formed soon after he moved to sunny Spain in 2007 - the same year he released the Fried Samba album under his moniker Malena, his electronic Latin band that became a hit at the turn of the century for Freestyle Records. During his time in Spain he connected with the local scene and brought together many of his musicians colleagues from the UK to Spain and it was for a local and well established label, Lovemonk, that he released two 45s blending raw funk and Latin. These new roads and musical leanings led to an invitation to play for the prestigious Craig Charles Fantasy Funk Band. Based on a poll from Craig Charles' top rated BBC6 radio show, Chip was chosen to play alongside the cream of the UK funk & soul scene: James Taylor (JTQ), Snowboy, The Haggis Horns (Mark Ronson), John Turrell (Smooth & Turrell), and Mick Talbot (The Style Council).

La Sombra takes an altogether more rooted direction than Chip's recent collaborative work, with the jazz of the late '60s and early '70s a dominating influence to the recordings. Comprising of seven tracks recorded in Madrid with musicians assembled by Chip from Madrid's jazz scene, it combines contemplative explorations akin to Yusef Lateef's early work on tracks like 'La Sombra' and 'Pushed Too Far'. There's a fiery cover of Camarón de la Isla's classic 'La Leyenda Del Tiempo' and tracks like 'Sling Shot' and 'Red Planet' are locked in a groove harking back to Freddie Hubbard's Blue Note era and Luv N Haight's Nathan Davis.

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Ültimo hace: 3 Años
Ernie Hawks & The Soul Investigators - Scorpio Man Theme

The mystified sound emanating from the disc in question belongs to the flute wielding monster Ernie Hawks. This dynamic player has grazed the airwaves of the worldwide underground for the past two decades. Now it's his star time.This two-tracker single from Ernie's debut album "Scorpio Man" sinks the listener deep into the moods of European library music and American instrumental funk classics. On "Journey To The Bottom", backed with fuzzy synth lines, he and The Soul Investigators explore emotional funk to the fullest. Their raw sound has pushed artists like Nicole Willis, Myron & E as well as Willie West to new heights before and now it's Ernie Hawks, who holds the torch.The intro of the title track "Scorpio Man" should give the breakbeat friends something to get excited about, while the rest of the track pushes the listener into the midst of a exploitation chase scene. It's possible that it's been a while since you've heard something as hard as well as uncomplicated and sincere. Keep your senses open for the coming full-length, it should drop like a bomb soon enough.

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Ültimo hace: 6 Años
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