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Fourth edition of the Metro Jaxx series, 303 copies, hand-numbered on purple vinyl. Six tracks of jacking acid house, rave and techno. KMRT makes his vinyl debut with the opener Beez Waxx, all breakbeats and wonky 303 lines. Hacienda legend Jon Dasilva brings “Look At The Owl” which repeatedly builds and strips itself back, while Balkan mainstay Nightwave ends the A side with the frantic snares of “Bang The Rocks”. The B side opens with “Xtasy” in typical Acidulant distorted voices and acid lines, Hannah Holland goes high speed & high energy with the vocal talents of Kurtis Lincoln, and label boss Posthuman sees the collection out with dirty 303 & 707 action. And yes, this blurb was 303% written by a human not f’kin ChatGPT.

Striking out in a new creative direction while retaining her trademark dimensionality and shapeshifter styles, Yu Su’s first singles for Short Span set the pace for what's to come in 2026.

Folding together certain elements of minimal, the warm shade of downtempo, and the momentum and horsepower of techno, “Foundry” and “Bonita” highlight the producer and DJ's keen ear for detail and textural variety, carrying the depth and sensitivity which has always made her music so alluring and kaleidoscopic as it twists between genres.

But these are also club tracks and the most dance-forward release from Yu in a minute. The two tunes were engineered as exclamation points and decentered grooves when built for live sets throughout 2025 at festivals like Mutek, and serve as a taste of the bossier, growling end of her forthcoming album’s full range.

In the interim Yu Su's practice has continued to push boundaries. Her Polyphonic Eating series, begun in 2022, has evolved into a transformative approach experimenting with modern culinary environments, applying concepts of Oliveros-inspired deep listening and the heightening of perception through a theatrical marriage of multisensory elements, set in intimate venues. Her relocation from Vancouver to London and immersion in a new location also contributed towards developing perspectives on sounds and sonic inputs that ultimately shaped the direction of these tracks.

Mastered by Miles.

Artwork by Lucas Dupuy.

Carving vast chasms of space with exacting sound design and deadly poise, Katatonic Silentio returns to the Mantis series for another round of highly detailed leftfield techno exploration. The Turin based sound artist continues to plot her own path through contemporary electronic music, taking cues from soundsystem pressure and dubwise minimalism as much as glitchy experimentation and the meditative repetition of techno. While her output across many different labels can reach to noisy extremes and beatless atmospheres, on her latest for Mantis the Italian artist zeroes in on a hypnotic, mysterious sound cast in the icy moods of late 90s tech step and early dubstep. At all times she finds space for surprise interference even in the most austere of situations, creating a palpable tension that amplifies the deep dancefloor potential of her music and moulding powerful physicality out of subtle elements.

Delsin's Mantis series welcomes Agonis with a heavy-hitting four-track workout geared towards adventurous dancefloors. As a leading figure in forward-thinking techno, Agonis has helped pioneer a scene that folds multiple tempos, styles and rhythms into a cohesive, dance-focused strain of psychedelic hypnotism. Co-running amenthia recordings from his base in Z?rich, Agonis has long explored the creative potential where elegant, immersive 4/4 and drum & bass intrigue intertwine. On Mantis 18, he carefully adjusts his sound palette to move beyond typical smoky atmospheres towards more forceful, sharply realised tones and textures. Bold synthesis striking out in brooding soundscapes, underpinned by a powerful low-end undercurrent and playful percussion: this recipe is a polite reminder you're engaged in a corner of club music that thrives on fresh approaches, served by one of the scene's key instigators.

Gainax’ alliance, “oyster sunrise”, had their base a couple light-years off the galactic ice ring. Unassumingly sitting in-between shelves of hyperspace artillery was a black sturdy box, with aluminium details revealing it’s conventionally terrestrial design. Stuck to the box was a label tracing it back to recon-mission-3.31 with a hand-written note that read “destiny’s best FFriend”

Recon Mission 3.31 was the last of a series of top-secret visits to a remote-community of terrestrials who had abandoned the global hegemony. Defined by their abrasive aesthetic but warm nature these self-defined spiritualists welcomed Gainax’ legion with caution. This courageous openness was part of their hopeful prophecy, one that saw the terror of Project-ST as an essential step in the global awakening.

Hand Stamped & Numbered (limited to 300 copies)

Music as a flowing vibe
modulating frequencies,
spreading through the air,
leading the human mind
to connect with its body,
to shape together
a poetic motion,
breathing time and space
as an art!

With Collective, the Barcelona- and London-based imprint Rhythm Cult once again proves why it stands among the most respected underground platforms in European electronic music. Founded by Paul Loraine, the label has built a reputation for bridging deep musicality, minimal precision, and timeless dancefloor function´, always with an ear for detail and emotional resonance. The first installment of the Collective series gathers a remarkable lineup of producers Jim Rivers, Satoshi Fumi, DCLVIII OFC, Mark Jackus, and Michael Wardemann, each contributing to a shared aesthetic that defines the Rhythm Cult sound: sophisticated, groove-driven, and deeply human. Subtle textures, rolling basslines, and understated movement shape a release that feels equally suited for intimate clubs and open-minded floors. Collective embodies the label’s dedication to quality, authenticity, and artistry, a modern classic in the making from one of the scene’s most consistent and forward-thinking imprints.

RAWAX proudly presents the second part of Ricardo Villalobos' Salvador "Trilogy"!
The three Masterpiece records which came out between 1998 - 2000 on Frisbee Tracks,
are part of Ricardo's own series on RAWAX - including new tracklistings!

Very excited to present this new project on Macadam Mambo, actually it’s not properly new…
Dr Strange was one of the alias of Erick ‘ADN’ Ckrystall’ circa mid-90’s till early 2000’s, when he was producing a sort of Leftfield-Trippy-Goa music, including a lot of Ambient stuff mostly released on CD on a series called Animorph. Everything had a very cinematographic touch like it was made for some documentaries about amphibians and snakes that would evoluate in the deepness of the jungle or on some exotic island...

The music was so magical, that the envie to do a mini-retrospective of the CD series came instantly, specially because none of those golden gems had never been printed on vinyl, It was also a good way to put into the light the Dr. Strange side of ADN’ Ckrystall which was kept in the shadow since many years and that deserves much more attention as the regain of interest for the goa scene has been rising in the last few years.

For the afficionados of proto/early Goa music and trippy ambient in the vibe of the Orb or labels like em:t or Barooni…

Repress!

In 2015 when potential remixes of BIPP were first floated the unequivocal response from SOPHIE was “No remixes..” a long pause followed “..unless it’s Autechre”. We asked, and five years later an email from Autechre arrived “sorry this is so late, hope it's still of some use”. An Autechre live show recording from a Numbers show in 2005 had first inspired SOPHIE to source the equipment used to craft new music including BIPP, LEMONADE & more. The BIPP Autechre mx is 3 minutes 33 seconds long, stripped back and loose. Sounding like Autechre paying tribute to some serious late 80’s influences. The duo's interpretation channels an imagined transition point between NY electro and UK street soul, that pitched down SOPHIE vocal reconfigured into a wanna-be Latin Freestyle Natasha King, jiving over a deep slice of TR-606 funk technology.

2025 Repress

Pete Blaker has been making head-turning (or rather head-nodding) moves of late and he continues his run of form on the excellently named Funkyjaws Music label. This fourth instalment in the Discolifting series kicks off with 'Zulu', a nice fat-bottomed and dubby Afro disco sound with a super sweet vocal and some funky guitar riffs. 'Instrumental' then steps out with more widescreen synths and snappy low ends with more than a hint of 'Bakerman' groove goodness. 'See The Light' is lavish and bright disco with 80s synths and 'Heaven' closes with a more subdued and introspective sound.

Everybody loves a disco gram or two, wink wink, but Spanish label DiscoGram is also a sign of a good time. The main label has put out more than 30 juicy tunes but here they launch a new sub-series, again with the in-house production team at the helm. 'Linda' kicks it off with bright, extroverted and slightly camp disco energy and diva vocals. 'Pages' is a slinky strider with a pained vocal bringing the soulful heat and offering a hugely impressive falsetto crescendo. 'Tabaco Y Ron' gets more florid with its Latin flutes and rhythmic vocal coos, then 'Xulipa' ends with swooning strings and a graceful air of disco cool with some recognisable vocal hooks.

repressed !

Miraculously rare and seriously obscure killer dubs..., one of the very few hard core seventies dub albums mixed by Errol Brown.

A selection of solid dubs originally recorded by BB Seaton at Duke Reid's legendary Treasure Isle studio and mixed in-house by the Duke's nephew Errol Brown. A radical departure for all concerned this bold dub album was never officially released although a few clandestine copies reputedly did the New York rounds at the time

This 12' release is the fourth in the series in support of the Kuzoku film Bangkok Nites. Both songs here are covers of The Countryside is Great', a 70s luk thung classic originally sung by Runghpet Laemsing. The song, which plays a pivotal role in the film, is re-titled on the A side by Ozawa and the Babylon Band, who deliver a funky version with winsome vocals by Katsuya Tomita, one of the film's directors, who, as Ozawa, also plays the leading role in the film. The Babylon Band is led by Iwao Yamazaki, who has a long-running relationship with Kuzok films, he is the sound engineer of Bangkok Nites. The AA side is a version by the Tokyo-based synthesizer quartet Kufuki, with vocals by Rifu Otsu, a singer/voice performer and master of shigin. Cover art by Shinsuke Takagi of Soi48.

'Kizaki Ondo' is a folk song from Nitta Kizaki town in Gunma, north of Tokyo. Played annually by local performers at the Bon-Odori traditional summer dance festival, it features unabashed lyrics about prostitution along with a rhythmic drive sure to appeal to fans of contemporary electronic genres as well as aficionados of traditional musics. The first track is a wildly echoing vocal version recorded in 1980, redolent of humid summer nights; the second track, recorded in 1981, is an instrumental version, both by the Kizaki Ondo Preservation Society. The other two tracks are extensions of tradition, with Tokyo-based producer Clark Naito's 2018 revisions of 'Kizaki Ondo', providing trap-inspired interpretations, with a vocal version using the original lyrics, along with a sweet instrumental take. This release, the third edition of the EM Records Japanese folklore series, directed by Riyo Mountains, is available on LP & CD, with English lyrics and notes, and rare photos. Evocative cover art by Shinsuke Takagi (Soi48).

Germany’s DJ Swagger returns to Dr Dubplate’s Original Pirate Material vinyl series. The fourth release on the celebrated sub-label nods towards a continued evolution in the ec2a sublabel’s sound - rooted in the darker corners of the bass, garage and 140 realms, OPM blurs the lines between genres - its main focus on bringing serious energy to the club. Continuing to showcase talented producers handpicked from the new wave pool of talent on Original Pirate Material, OPM004 comes following February’s celebrated release FTRRLT (Future Reality. No stranger to the ec2a / OPM camp. DJ Swagger’s second offering on the imprint is a majestic return, perfect for the heads-down, hands in the air return to the club.

2025 Repress

The most luxurious of re-edits comes rolling round once again, with the 6th Volume in LUXXURY’s rework series set to hit those platters. Disco from another dimension in its various forms and facets, re-tweaked for the modern dancefloor. All killer no filler, you can’t go wrong here.

"The Word II," which gained instant worldwide recognition after being sampled by Mac DeMarco in "Chamber of Reflection" and by Travis Scott and Quavo's unit HUNCHO JACK in "How U Feel." Shigeo Seikito's seminal work, which includes that track, will be reissued on colored vinyl. It's the most widely listened-to electone piece in the world, drawing attention from a diverse range of audiences including hip-hop, Balearic, and dream pop enthusiasts.

Little Creatures, a unique genre-crossing band comprised of the unwavering trio of Takuji Aoyagi, Masato Suzuki, and Tsutomu Kurihara, will celebrate their
35th anniversary on November 1, 2025. Since their debut in 1990, they have always taken music seriously, engaging in a variety of individual activities while
continuing to explore the musical wilderness with an insatiable desire for music. To commemorate their 35th anniversary, they will be releasing their debut
single, "Things To Hide" released in 1990, on vinyl for the first time.

Changes In Air ist ein wunderschönes, langsam fließendes Stück in fünf Teilen für elektronische Orgel, Klavier und modulare Synthese. Es ist das dritte und letzte Album der kanadischen Komponistin Kara-Lis Coverdale aus dem Jahr 2025, nach From Where You Came (Frühling) und A Series of Actions in a Sphere of Forever (Sommer), und vervollständigt eine exquisite Trilogie von Werken, die ihre lang erwartete Rückkehr zur Musikaufzeichnung feiern.

Set against the backdrop of New York City’s high-pressure nightlife scene, Black Rabbit centers on two brothers who are pushed to the brink by their duty to family and their pursuit of success. Jake Friedken (Jude Law) is the charismatic owner of Black Rabbit, a restaurant and VIP lounge, poised to become the hottest spot in New York. But when his brother, Vince (Jason Bateman), returns to the business unexpectedly, trouble soon follows; opening the door to old traumas and new dangers that threaten to bring down everything they’ve built. Black Rabbit is a propulsive thrill ride and character examination about the way an unbreakable bond between two brothers can shatter their world and everything in its orbit.
Black Rabbit is a music-fuelled series featuring a brand new song of RAYE and two songs by The Black Rabbits (Albert Hammond Jr. and Jude Law). Also with the exciting score of Danny Bensi and Saunder Jurriaans a vinyl release is an absolute necessity for the this soundtrack.
Black Rabbit is available as a limited edition on crystal clear & black marbled vinyl.

For the first time ever, Marcal's "Thought Control" is available on vinyl to commemorate Enemy Records' 20th anniversary. Previously only available digitally, the EP figures some of Marcal's biggest tracks such as "Seroto"and "Manta Ray." This ep is part of a limited series of reissues and first pressings from the label's back catalog, headed by Dustin Zahn.



"Thought Control" takes on a slightly deeper and heady direction than his previous output for Rekids or Uncage. However, the drums are still slammin' and every detail is crystal-clear. Marcal's natural progression shows he is more in control of his sound than ever before.



Manta Ray starts the EP with swinging drums and shots in the dark that will keep people marching through the night. Nevoa is the most melodic cut on the record. It's moody, wandering, and tripped out enough to disassociate you from reality. Robotic Thinking is as rigged as it is funky. The strong, pedaling, unified groove is laced with vowel formants and pulsing sinewaves. Closing out the EP is Seroto, a steady headsdown tribal workout for those trying to find their way through the late-night fog

Reissue of the very first album ever released by Sly & Robbie’s iconic TAXI label back in 1979.



"Having saved enough money during a tour with Peter Tosh to buy 4 multitrack recording tapes, Sly & Robbie asked Gregory to voice a few songs for them. Because they had played on so many of his hits, Gregory generously agreed to do it for free to help bootstrap the new TAXI label.

In 1979, Gregory Isaacs was by far Jamaica’s most popular artist, earning his "Cool Ruler" nickname many times over releasing hit after hit, most of which were produced with Sly & Robbie, who at 25 years of age were already the hottest backing band. Out of these sessions came hits like "Soon Forward", a fabulous cover of Bob Marley’s "Slave Driver" and 4 other potent tracks. There were no flimsy soul or pop covers: Gregory Isaacs, whose voice and range were at their peak, sang with clarity, depth, verve and confidence, with no unnecessary mannerisms.

A must have for any serious music fan, this crucial album features extended so-called "Discomix" versions of all the songs, providing listeners with a generous serving of the Riddim Twins drum and bass extravaganza. In addition to the original album, we have added 3 dub versions that were only released in Jamaica, as B Sides of singles, in 1979. These have never been reissued until now and provide a fascinating glimpse into Sly & Robbie's drum and bass sound, which revolutionized Reggae music at the time."

Zum 100. Geburtstag von Peter Thomas erscheint erstmals eine umfassende Sammlung seiner Musik zur ZDF-Krimiserie DER KOMMISSAR (1969-1976). Die Serie gilt als Meilenstein deutscher Fernsehgeschichte - gesellschaftlich relevant, stilbildend und musikalisch überraschend. Thomas steuerte zu 22 Folgen Musik bei, die von klassischer Filmmusik über Beat und Soul bis hin zu experimentellen Soundcollagen reicht. Die LP/CD enthält erstmals veröffentlichte Titel, darunter Highlights wie "Du lebst in deiner Welt" (Daisy Door), das 1971 die Charts stürmte. Besonders spannend sind die Stücke aus den experimentellen Folgen unter Regie von Zbynek Brynych, in denen Thomas Volksmusik mit Pop und Rock kombinierte. Die Aufnahmen entstanden mit renommierten Studiomusikern wie Jan Hammer, Jiggs Whigham und Olaf Kübler.

DJ Support: Luke Una, Darryn Jones, Red Greg Gilles Peterson, Patrick Forge

The Mighty Zaf of LoveVinyl fame and Edinburgh-based, Bristol-born Linkwood team up for the sixth outing in their jointly owned 80s label series, delivering two magnetic edits on 12". The A features a conspicuously reconstructed sample of Watson Beasley's 'Dimensions' set to rightly fastened beats, fostering gratitude and grace in the face of life's woes. 'Love & Care' furthers the verve, with incandescent, basso strings in a low tessitura, lifted from B-H-Y's 'Handle Me With Love & Care'.

Vor exakt zehn Jahren, im November 2015, beschenkte Helene Fischer uns mit ihrem grandiosen Erfolgsalbum „Weihnachten“ und lieferte den Soundtrack für Generationen. Nun kehrt sie mit einem neuen,
hochkarätig produzierten Werk zurück, das diese Magie in jedes Zuhause trägt: „Die schönsten Kinderlieder
– Winter- und Weihnachtszeit“ ist die Fortsetzung dieses Erfolgs als generationenübergreifendes Erlebnis.
Das Album beinhaltet 25 unvergessliche Titel, die festliche Stimmung garantieren – allesamt bekannte
und beliebte Weihnachtssongs vom Klassiker „O Tannenbaum“ bis zum mitreißenden „Jingle Bells“. Ein
besonderes Alleinstellungsmerkmal sind dabei die großartigen, deutschen Versionen internationaler Hits wie
„Jingle Bells“, „Lass es schneien“ (Let It Snow!) oder „Frosty, der Schneemann“ (Frosty the Snowman) –
perfekt zum gemeinsamen Mitsingen für die ganze Familie!
Ein weiteres Highlight ist das emotionale Duett „Bald ist Weihnachten“ mit der Kinderlieder-Ikone Rolf
Zuckowski.
Die dritte Ausgabe aus der beliebten Kinderlieder-Serie ist pünktlich zum Fest in verschiedenen Konfigurationen erhältlich.

2025 Repress

At the end of the day, it's about human touch, personal connection and emotional reactions.
With great pleasure we are more than happy to welcome Session Restore and Bernhard Hudalla to the family with a superb debut 12" for the Mojuba sublabel a.r.t.less. A friendship and collaboration that connects musical dots between Hanover and Leipzig resulting in this release called Pathfinder EP. Session Restore might be familiar to some of you through his label rauh, from the party series he's doing in and around Hanover over the last couple of years or as one of the finest vinyl DJs the city has to offer. The debut EP for the Mojuba sub label is a true love letter in four parts to deep and dubby Techno with an emotional touch. As always, let the music do the talking and enjoy! Limited edition in hand-pulled screen-printed cover.

Amor Satyr and Siu Mata drop Vol. 3 of their cult series Speed Dembow.
6 high-voltage tracks blending feverish rhythms and trippy atmospheres.
A raw energy burst made to shake the walls.

This vinyl features the music from the 4th film in the Saint Seiya saga. It also includes 2 tracks from the Asgard TV series (tracks 11 and 12), one piece from the soundtrack of the 3rd film Abel, and a variation of a track from the Poseidon arc (track 13). Finally, the last track is once again a variation combining two themes from both Asgard and Poseidon.

Downtown E-Style Sound Crawlers

This exclusive repress comes as a special edition limited vinyl in red, yellow, and white splatter - the signature Peacemaker colours. The Cruel Intentions are finally re-issuing their long sold-out debut album No Sign of Relief! The band has gained massive international attention after being featured on the soundtrack of HBO Max's hit series Peacemaker, directed by James Gunn. On "No Sign of Relief" you'll find the tracks Jawbreaker, Borderline Crazy, Sick Adrenaline and Reckoning - four songs personally handpicked by Gunn for the series. This exclusive repress comes as a special edition limited vinyl in red, yellow, and white splatter - the signature Peacemaker colours. "No Sign of Relief" is an album bursting with confidence and energy that instantly rubs off on the listener. It's groovy, angry, cheeky, and fun - music that sparks emotions of rage, joy, confidence, and pure excitement.

Originally released in 2011 during the second big coming of deep house, Maya Jane Coles' 'Focus Now' EP returns as part of 20/20 Vision's Full Circle 30th Anniversary series. It's been out of print for years and harks back to a very different sound from Coles, who has since spread her sonic wings into many different worlds. This reissue features all three original tracks, starting with 'Focus Now,' a soft focus and bubbly blend of pulsing synths and rubbery drums, 'Little One' which was something of a warehouse classic of its time, and 'Senseless' with Coles' own vocals and slow motion drum churn. Alongside those is 'The High Life', another syrupy and warm blend of smooth drums and aching vocal hooks that, like the rest of the cuts, is freshly remastered.

»Lilac« is the first Donna Regina album since 2019’s »Transient.« The world has changed considerably since then, which has also left its mark on the Berlin indie pop duo. The songs released as part of the 2021 single »Welt in einer Stadt« (»World in a City«) for Karaoke Kalk had already dealt with the pandemic-induced standstill and its effects on urban space, and also the rest of the album shows that Günther and Regina Janssen have been influenced by recent social and political developments. »In ›Lilac,‹ I imagine good ol’ Earth as a big ol’ bear shaking us off because it can’t stand us anymore,« says Regina Janssen. It has become a serious album, Günther affirms, but he is also adamant that it is not a sad one. Musically, Donna Regina have remained true to the spirit of their early work, recently re-released by Karaoke Kalk: their arrangements are as minimalist as they are emotionally rich.

»The music is always there,« says Regina Janssen about the creation of the tracks on »Lilac.« As always, the two record their music »track by track and without computers,« as Günther notes. Samples play a smaller role this time than on earlier albums, with analogue instruments such as a monophonic synthesiser and, above all, guitars coming to the fore again. This frames lyrics that are being delivered by Regina in German, English, or in both languages. They delve even further into the intricacies of urban life. »Cities are underrated! What a civilisational achievement it is to have so many people living under one sky,« says Regina. »They constantly put you in touch with the unfamiliar. Sometimes they’ll be overwhelming, and they are always alive.« This ambivalence shapes the tone of the album that ponders on the state of the world today.

Starting with the ominous sounds of »Whole World In My Town,« through the dreamscapes of »Autumn In Paris,« to the elegiac conclusion of »No More Roses,« Regina and Günther Janssen move through different timbres and styles with a few select means. Their preference for minimalist electronics becomes evident at times, while elsewhere the pieces open up to balladic arrangements in which the guitar plays a leading role. This turns »Lilac« into a city by itself, the songs forming its soundscape: every neighbourhood looks different, every street has its own character.

Plus 4 was originally released on Prestige in 1956 and features Sonny Rollins playing with the Cliff Brown/Max Roach Quintet. Described as a particularly strong hard bop set, the album contains 5 cuts, including 2 Rollins originals “Pent-Up House” and one of his best known pieces, “Valse Hot”. This new edition of the album is released as part of the OJC Series on 180-gram vinyl pressed at RTI with all-analogue mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.

Repress bundle of the XXX333, 666, 999 edit series.

With Processing Music, Dutch composer and electronic musician Casimir Geelhoed offers a compelling meditation on sound transformation as a metaphor for psychological and emotional processing. Operating at the intersection of overstimulation, introspection and fragility, the album unfolds as a deeply immersive and personal exploration — one that invites the listener to inhabit a space of their own projection, memory and reflection.

Rather than imposing a fixed compositional structure, Processing Music follows a bottom-up approach, allowing form to emerge organically from the interaction of sonic materials. Digital signal processing is not used here as a mere technical tool, but as a poetic device: transformation as narrative, delay as memory, distortion as tension. Through slowly eroding loops, gently collapsing textures and shifting layers of timbre and space, Geelhoed crafts a delicate sound world that is charged with friction.

What may at first seem abstract gradually reveals an emotional core. The album evokes the suspended time of a largo, the layering of memory like an excavation, the psychological tension of perceived spatial expansion. These are not literal themes, but associative keys to a music that operates in a distinctly human sonic language.

Emerging from a series of live performances, Processing Music retains a performative sensibility: the music breathes, transforms, and invites attention to nuance. It slowly unfolds a landscape shaped by the subtle interplay between structure and dissolution.

Casimir Geelhoed has presented performances and installations at festivals such as CTM, Sonic Acts, Rewire, Fiber, SPATIAL, and Aural Spaces. He studied computer science, composition, music technology, and sonology in Amsterdam, The Hague, and Utrecht.

2025 sees the release of the fourth volume of their regular soundtrack series, the Library Archives, out on ATA Records. An honest and forthright homage to the golden age of library recording, this new release is no exception - with nods to David Shire, Roger Webb, 60s/70s Hollywood, early anime and golden era video games.

Horace Andy made his debut with producer and mentor Phil Pratt at the age of sixteen. His voice has the soulful influence of artists Otis Redding and Smokey Robinson as well as fellow countryman Alton Ellis.

1975's Get Wise collects a series of singles Including versions of hits like "Money, Money" ("Root Of All Evil") and "Zion Gate" ("I Don't Want To Be Outside"). Recorded between 1972 and 1974, these tracks were record at the legendary studios Channel One, Black Ark, Dynamic Sound and Randy's Studio 17, with house engineers Ernest Hoo Kim, Lee Perry, Carlton Lee and Errol Thompson. The album is also a showcase for The Soul Syndicate Band, the session group that featured Sly & Robbie, Aston Barrett and Earl Smith, among others. Get Wise is available as a limited individually numbered edition of 750 individually numbered copies on orange coloured vinyl.

DJ Support from Alan Dixon, Danny Tenaglia, Made By Pete, Nick Warren, Hernan Cattaneo, Anthony Pappa

The Magic Black Plastic series reaches its 8th instalment for another carefully curated vinyl EP that features a quartet of bestselling tracks from Dave Seaman & Steve Parry’s Selador Recordings imprint.

Wending their way onto wax for this edition is Andrew Sant & Andre Espeut’s achingly beautiful vocal gem ‘The Call’, Dilby’s classy hypnotizing ‘Closer’, Levi David & Abigail Bailey’s anthemic ‘A Better Place’, and last but in no way least, Aubrey Fry & Nick Stoynoff’s heavy hitting rework of Danny Howells’ ‘Stereodrama.’

it’s another awesome foursome to satisfy your vinyl needs.