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After All - Eos LP

After All

Eos LP

12inchMV0341V
Metalville
14.10.2022

Mit ihrem neuen Album "Eos" stellt die belgische Speed-Metal-Band den Sänger Mike Slembrouck und den Schlagzeuger Bert Guillemont vor, die dem Sound der Band eine beeindruckende Dosis an Melodie und Intensität verleihen. Mit "Eos" bestätigen die Gründer Dries Van Damme (Gitarre) und Christophe Depree (Gitarre) zusammen mit dem langjährigen Bassisten Frederik Vanmassenhove einmal mehr ihre Position als eine der besten belgischen Metal-Bands.

After All sind vor allem für ihr originelles Speed-Metal-Songwriting bekannt, bei dem Killer-Riffs die Grundlage für Songs mit Hooks und großen Refrains bilden, die üppig mit Gitarrenleads und Harmonien garniert sind. Nach mehr als 30 Jahren und 10 Alben in ihrer Karriere präsentieren After All ihr bisher bestes Line-Up.

Das neue Album Eos" stellt Sänger Mike Slembrouck und Schlagzeuger Bert Guillemont vor, die dem Sound der Band eine beeindruckende Dosis an Melodie und Intensität verleihen. Mit "Eos" bestätigen die Gründer Dries Van Damme (Gitarre) und Christophe Depree (Gitarre) zusammen mit dem langjährigen Bassisten Frederik Vanmassenhove einmal mehr ihre Position als eine der besten belgischen Metal-Bands.

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Imagination - Shake It

Imagination

Shake It

12inchTAC-009
The Outer Edge
14.10.2022

We are proud to present the official 40-year anniversary issue of Imagination's debut album Shake It. Remastered from original tapes, this deluxe edition is a double vinyl LP with gatefold sleeve, featuring a newly available lyric insert.

Shake It covers a diverse spectrum of styles and sounds, all combining to a unique soulful amalgam that ranges from sunshine AOR funk ("Mornin' Lights") and leftfield disco ("Strawberry Wine") to psychy, epic, downtempo, vocoder grooves ("Can't Stand Without You") and more. Originally released in 1980, it fast became one of Germany's most collectible privately-pressed LPs.

Shake It was the creation of young thoroughbreds working hard on becoming professional musicians, trying to take their next big step in the music business. Starting out as a pure jazz-rock combo in the mid '70s (as we hear on the recently released lost studio tapes, I'm Always Right (The WDR Tapes 1977)) Imagination left behind their instrumental roots, incorporating new musical trends and styles.

Uwe Ziss, their saxophonist and flutist, became one of two lead singers in Imagination. He would be joined by the younger Roger Mork, a student of original guitarist Willi Hövelmann, around 1979. Roger's voice would best be heard on the aforementioned "Mornin' Lights", one of the various standout tracks on Shake It. However, there is much more that this album offers.

There are brilliant soulful soft rock ballads like "Clouds Flee Before The Wind" and "Waitin for your Call" or the catchy "California" song that switches from a dreamy Westcoast sound (as the title implies) to danceable rhythm & blues with equal ease. Last but not least, we have unearthed three unissued bonus cuts. On one, the demo take of "Clouds Flee Before The Wind", we hear, for the first time ever, the original refrain of this song, which, for some strange reason, was taken out from the final mix on Shake It.

When all eight original songs were recorded and mastered in June, at the well-equipped West Aix-La-Chapelle studio, the stage was set for Imagination's long-desired career push. They'd initially press about 2500 copies of Shake It selling it mainly, locally, directly to their hometown fanbase in Düsseldorf. Meanwhile, their manager would attempt to arrange a record deal with a music label. Unfortunately, this became more difficult than expected. Negotiations with a smaller publishing company were made by Imagination, and Shake It was repressed on Nash Records in 1981 without their consent, under the false promises of a nationwide promotional tour which would never come to fruition. At the same time, the group would face a UK band under the same name achieving mainstream success, making it difficult (not to say entirely impossible) to perform as "Imagination". Though the band would remain active after Shake It, they'd split shortly after Nash's duplicitous reissue hit store shelves.

Luckily, through time, Shake It itself has remained worthwhile, creatively, for those who stumbled upon it and financially, too, becoming quite the sought after gem in record collecting circles. This deluxe anniversary double vinyl issue makes the LP available once again at a far more reasonable price, featuring the original, illustrious, eye-catching, Roy Lichtenstein-influenced banana art, as well as previously unavailable press pictures and more.

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Last In: vor 3 Jahren
2econd Class Citizen - Unlearn

Unlearn is the long awaited fourth album of DJ and producer 2econd Class Citizen. It marks the artist's return back to the newly relaunched label Equinox Records. Their previous collaborations achieved high acclaim for their genre bending fusion of hip hop, electronica and folk music.

The new album is an exploration of an artist journeying beyond their conventional confines. It is a musical adventure peppered with vintage samples concerning the perception of reality and our struggles with conforming to a broken society.

Unlearn is the most musically accomplished work of 2econd Class Citizen to date. As one would expect the drum programming, scratching and production is on point. Several tracks feature soothingly melodic and energetic passages of jazz saxophone from Leroy Horns and electric guitar riffs provided by long term collaborator Paul Drury.

2econd Class Citizen, real name Aaron Thomason, resides in Brighton, UK. He is also a painter and visual artist fascinated with abstraction and the chaos of mixing colours. His musical approach on the new LP draws many parallels to this creative process. An original painting from the artist forms the albums striking cover.

Equinox Records is run by DJ Scientist in Germany. The Unlearn project marks the 51st release and provides the perfect launch vehicle for the dormant label to rise again. The vinyl release of Unlearn as well as the single Be Together signify the first stops in a release plan which will please fans of the label.

FEEDBACK:

"Woah! It's sounds rad! Really heavy and cinematic!"
Kid Koala

"A dark and deep dive into a world of dense and diced samples and moody muted melodies. Would sit well next to Shadow's freakier forays into fractured funk. Or Format's last psychy LP, for sure."
DJ Moneyshot of The Allergies

"I love it. The new treatments with the additional instruments sound great, especially the horns. Glad to see that Equinox is back in action. Dope cover art."
Dday One

"It sounds like 2econd Class Citizen has been at a mountaintop retreat studying and meditating and came back with some superpowers."
Buddy Peace

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Kenny Neal - Stright From The Heart

The Southern state’s musical giants have always had their own distinct recipe for
American roots: spiced with jazz, steeped in swamp-blues and cooked up a little
differently by every artist who performs it. As a second- generation child of the
Bayou State, Kenny Neal has taken his own inimitable guitar, gale-force harp and
roadworn voice all over the globe. But in 2022, the Grammy- nominated blues
master’s latest album, Straight From The Heart, finds him drawn by the siren call
of his hometown and musical ground zero, Baton Rouge.“This is the first album
I’ve ever recorded on my own turf, and it truly came straight from the heart,” says
Neal, who both led and produced a crack team of local musicians at his own
Brookstown Recording Studios. “All the tributaries of the blues converge here,
flowing into one rich tradition.”You’ll hear all of Neal’s travels in Straight From The
Heart, but this latest album brings it all back home in every sense. Lining up in the
studio alongside his Baton Rouge compadrés, the respect that Neal commands
on the scene also drew some special guests, including hot- tip blues sensation
Christone ‘Kingfish’ Ingram (who co-writes and plays stinger guitar on Mount Up
On The Wings Of The King), pop royalty Tito Jackson (on Two Timing) and two
songs with Rockin’ Dopsie Junior & The Zydeco Twisters. You’ll even hear Neal’s
supremely talented daughter Syreeta drive the vocal outro of Two Timing.“It was
like a family reunion,” says Neal of the good-natured sessions. “It was excellent
because I had all the musicians that grew up under me here in Baton Rouge. And
just being in my own studio, not worrying about the clock.”Straight From The
Heart is a fitting title for a record that salutes the many loves of Neal’s life.
There’s the brass-driven opener Blues Keep Chasing Me, which tips a hat to his
recently departed friend, Lucky Peterson. There’s the touching piano-led Someone
Somewhere, which salutes his beloved father, harp master Raful Neal, who put
him on this path. Elsewhere, Neal’s deep love for every side of his home state is
underlined by the zydeco chop of Bon Temps Rouler and New Orleans, whose
lyrics reference everything from “sippin’ on Hurricane” to “sittin’ on the Bayou
catching catfish”. Faced with such an open-hearted record, it’s impossible not to
reciprocate. And as the world opens up and Kenny Neal embraces his natural
habitat of the road, this Louisiana icon will bring a little bit of that Baton Rouge
spirit onto every stage he treads. “It don't cost nothing to share a little love and a
little respect,” he says. “And we can all rise above…”

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Hetroertzen - Phosphorus Vol 1

Initially started as a a solo project until Deacon D. was joined by guitarist Åskväder in September 1999. After an hiatus HETROERTZEN resurfaced in Sweden in 2009 with the release of ‘Exaltation Of Wisdom’ issued on their own imprint Lamech Records. That album put forward the band’s early interest in the occult, Gnosticism and Illumination. 2016 saw the release of their critically acclaimed ' Uprising of the Fallen' previous album, HETROERTZEN are now releasing their brand new album entitled ' Phosphorus Vol 1' for a late Spring release on Listenable HETROERTZEN comment about ‘Phosphorus Vol 1' : " A new day has come to pass. A new ray pierces the veil of darkness and confusion. A new gem feeds the astonished sight and yet we walk through times of uncertainty before facing the switching Era… After five years of silence and lots of work, Hetroertzen finally give you the first Volume of ‘Phosphorus', which is the crown for our latest Opus or the new Sephira in our artistic/spiritual development. This is in fact a strong title, taken from the Vampiric-eucharistic ritual of the “Ecclesia Gnosticae” (Gnostic Church) which inspired the “Libation” passage in the Order of the Knight Templars; and even in the Catholic Mass later on. “Unless You Eat the Flesh of the Son of Man and Drink His Blood You Have No Life In You” The Royal Art or the Dragon’s Arts are present more or less in any occult teaching as Alchemy aims to conjoin separated ways into the quintessence of “Holy Marriage”. As one church focused on the feminine esoteric aspect of Communion and the other on the masculine; We use both sides unified as a more accurate representation of “unity” and “oneness”. (The One). 'Phosphorus Vol 1' consists of eight tracks plus one bonus track available on the CD version. They harvest the very soul of Wisdom and Salvation or Salvation through Wisdom as we see it. Each title encloses a key or “Clavicula” which reveals different passages to the Adept. Once more, the term “Eyes to see and Ears to hear” is fundamental when it comes to the listening experience to its fullest. As all of the previous works, this is a unique piece which complements our experimental / conceptual aura into its own mystic tree. Time will tell when the second volume faces the waves of turbulence. Certainly, it shall swallow the soul of the sleepers and haunt the dreams of those who knock at our door… Through plague and war, we survive the hand of destiny by the laws of cosmic thought and the bliss of this endless journey. Light of all Lights, blessed be ! "

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Imagination - I'm Always Right - The WDR Tapes 1977

We are proud to present "I'm Always Right" by Imagination, an unreleased jazz rock LP from 1977. Comprised of five tracks with a playtime of roughly 30 minutes, you will hear one of the finest German late-70s rock-tinged electric jazz albums of the era. The recording is a delightful stand-out with unique compositions, aspiring solo work, and a soulful spirit throughout. Additionally, the album veritably glows with exceptional sound quality, as it has been remastered from original tapes that were cut more than four decades ago at the WDR Funkhaus, Cologne.

Here is the story of how label founder John Raincoatman became aware of these lost tapes:
"I first got in touch with members of Imagination from Düsseldorf (not to be confused with the UK disco band under the same name) in 2017 for licensing the track "Strawberry Wine" from their collectible "Shake It" album from 1980. A couple of months later, when I was speaking with Willi Hövelmann, the guitarist for Imagination, he told me about some recordings the band had made a couple of years before, when they had been invited to to the studio of the WDR, a major German broadcaster. A couple of weeks later, when Hövelmann finally sent me the files that he had requested from the WDR, I could not believe what I heard - not only that the songs were totally different from what I expected, but that they were also very very good! The music wasn't comparable to any other kind of fusion release that I knew of. These five songs were straight forward, tight and soulful electric jazz rock, a combination rarely heard from Germany from that time period."

How come Imagination - at that time a young newcomer band consisting of musicians between 19 and 22 years of age - was able to record at the well-equipped Funkhaus studio of German radio and television? Hövelmann explains: "The WDR got to know us from a newcomer band competition called "Pop am Rhein" (Pop at the Rhine) which was set up to support local bands and was promoted by several bigger newspapers. Imagination was one of the 5 contestants which were picked from 59 bands by a jury of music journalists and our band was invited to play a concert at the Philipshalle in front of about 3500 guests. Although a band called "Accept" won the contest (yes, the heavy metal band that gained international success in the following years!) and Imagination only made 3rd place, we were invited by music host and journalist Wolfgang Neumann to record in a professional studio."

Neumann's broadcasting show at the WDR was called "Rock Studio", and one of his special goals was to help push newcomer bands by giving them airplay. As a side note, Neumann actually compiled a series of three LPs on the Harvest label from 1979-1982, each of them featuring four bands. However, the earlier recordings of Imagination had only been used for broadcasting reasons, they were aired a couple of times but never made it to a vinyl or CD release.
So, on October 10th, 1977, it was time for the band to show up and prove themselves in the studio. The tracks were all recorded in one afternoon, mainly as one takes. In some cases flute, saxophone were overdubbed, as well as the vocals on "Love is Genesis", as Hövelmann remembers.

The first song, "Jazzgang" can probably be seen as Imagination's most characteristic composition out of their early period: heavy bass, saxophone leads and speedy solos by the band members. A genuine, rough, yet funky uptempo jazz rock tune. But it's "I'm Always Right", the second track on the album, that raises the bar as the key track of the release with its 10-minute length. The song starts with a great piano solo by Mario F. Demonte. In fact, "Demonte" was a pseudonym of Ratko Delorko, a classically trained piano virtuoso who is still active today as conductor, composer and performer. At that time, it was simply impossible for him to officially be part in a band like Imagination and hence the alias was invented. Anyway, the speedy intro leads to a very soulful mid-tempo jazz funk groove that offers space and time for the band members to perform a solo. First off is Uwe Ziss with sax and flute combined. The second solo belongs to Willi "Sultan" Hövelmann on electric guitar. For the furious ending the pace is set back to high speed. Delorko serves us with one of the most brilliant uptempo piano solos you may have heard in a while on a jazz record.

The next song stylistically stands out from the rest. "Biting My Time" incorporates a rhythm and blues feel with a 60s soul jazz attitude. The track was composed by Uwe Ziss who leads through the track with aspiring flute solos which feel like an easy summer breeze after the first two rock tinged tunes.

"Himalaya" sees Imagination move away from jazz quite a bit, rather approaching the psychedelic rock genre with a vibe reminiscent of the sound of the early 70s. Again starting with a piano solo by Ratko Delorko the pace is quickly at 150 bpm with the full band laying down an energetic jazz rock sound. Just after a little over one-and-a-half minutes there is a breakdown to a slower tempo with overdubbed mysterious vocals and psyche-y screams which may remind more of the legendary krautrock band Can than what is typically known as "jazz". The mood continues with tense saxophone and guitar solos, just to speed up again towards the end with furious drumming by Andreas Oelschläger.

"Love Is Genesis" concludes the release. It was composed and sung by former bassist Robert Schlickmann. Though most of the band members didn't really like the song at that time it still is a one-of-a-kind soft rock pop ballad which partly reminds of some of the vocal song tracks later to be found on the "Shake It" LP from 1980. The track manifested that Imagination were never really supposed to be solely an instrumental band.

We are now happy to have cleared the exclusive rights for this recording from the WDR and are proud to re-present this amazing collection of songs. It should appeal to fusion, jazz rock and jazz funk aficionados but also to late krautrock collectors. We are also certain that it will also please fans of the "Shake It" album, simply in terms of being such a bright and soulful debut with great music overall.

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Last In: vor 3 Jahren
The Hooten Hallers - Back In Business Again

'Back In Business Again', the long-anticipated new record from blues-rock
eccentrics The Hooten Hallers, is a fever-dream of thoroughly American
rock and roll from the fertile musical heartland of Missouri, USA
On this ten track thrill-ride, The Hooten Hallers inhale a wealth of roots and rock
influences — blues, soul, punk, even New Orleans jazz — and spit forth a highvoltage, swinging rumpus that defies what you thought you knew about rock and
roll. Bubbling beneath the rip- roaring surface are all- original songs of outsider
Americana delight, from tall tales about near-mythological characters to a eulogy
commemorating the demise of 15 years worth of tour vans to heartfelt blues and
well beyond. John Randall's infernal howl and frenzied guitar swirls into a
demon's brew with Andy Rehm's otherworldly falsetto screams and unbridled
drumming. Kellie Everett drives the unorthodox low end with the rich tones of her
rumbling baritone and bass saxophones, rounding out the band's sound and
placing it firmly in a class of its own.
Produced by Dominic Davis (Jack White, Greensky Bluegrass), 'Back In Business
Again' takes a match to The Hooten Hallers' fuse and explodes the renegade
power trio to the edge of madness and back again, one vigorous, swinging,
perfectly peculiar song at a time.

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Carsten Halm - Licht Und Schatten

We are happy to release another vinyl 12“ with Carsten Halm adding up to the series we have released with him so far. This ep marks the end of the series, but not the end of the relationship with Carsten. Carsten has been very successful with his releases on Traum starting with his "Taubenflug" ep in June 2020 followed by "Fuchsbau" and "Hammerhai". As we stated with his first ep: „His music has the unique quality to bring people together and experience something very positive“. Carsten showed this quality with all of his eps and last but not least this also makes him a popular DJ. Carsten plays clubs all over Germany but he still sticks to his roots and organizes parties in his hometown Cologne in his own dedicated space which he has rebuild with his friends after it was destroyed last year.

The fourth vinyl release with Carsten Halm "Licht Und Schatten" highlights another cover design by graphic designer Daniela Thiel and shows collages of the animals in a similar graphic context as his previous releases. The idea was to keep the graphic idea of the series but to use only artifacts of his previous designs to create a new cover.

The ep kicks off with "Licht" a track that has the quality to embrace you emotionally as well as musically with a massive warm and widening synth sounds that is a true a-side tune.

"Chimäre" instead is more jumpy and good natured, resulting in a nice break to carry the listener throughout the track.

"Schatten" kicks off with a rather dry drumming but in the course of the track is joined by a merry melody which is pushed aside by a bad ass rectangle synth sound that inflates the track with a techno spirit that is very welcomed at open airs.

The ep closes with the track "Notes" a horse ride though valleys of sparse vegetation with a happy sad Morricone inspired soundtrack that is very easy to like.

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Last In: vor 13 Monaten
Various - Black Hole

Various

Black Hole

12inchSRE602LP
Svart Records
14.10.2022

Finnish Disco and Electronic Music from Private Pressings and Unreleased Tapes 1980–1991

Hot on the sold-out heels of the three previous Svart-issued early 80’s synth pop and underground electronic music compilations (Satan in Love, Dance For Your Life, Cold War On The Rocks comes the last part of the quadrilogy: Black Hole, that reaches the final frontier of collectable cult synth disco music: privately released and completely unreleased music from 40 years ago. Black Hole has been again compiled by Mikko Mattlar, whose encyclopedic knowledge in the field of Finnish electronic music produces 20 cuts of electro-cult has helped him dig up 20 cuts of rare groove from obscure regional compilation records, seven inches of which only a test pressing exists, demo tapes and privately financed singles. Stylistically the compilation moves from 1979 disco funk as performed by Peak Funktion on their unreleased record to homebrewed synth visions by late 80’s bedroom wizards. Interesting curiosities among the 20 tracks include the riveting dance number by Jarkko Väljä, who received some fame back in the day as a Michael Jackson impersonator, and released one 7” single, that has become an expensive rarity. Another thing you wouldn’t believe existed at all if it wasn’t included here is “Israel Is Real” by We, a short-lived gospel vocal quartet, accompanied here by a drum machine and a synthesizer, which makes for an unforgettable and surprisingly catchy four minute piece of underground gospel disco from 1983. The compilation Black Hole – Finnish Disco and Electronic Music From Private Pressings and Unreleased Tapes 1979-1991 will be released by Svart Records on double vinyl and CD on October 14th.

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FRONT DE CADEAUX - WE SLOWLY RIOT LP (2x12")

Hand Stamped, Hand numbered, Limited press, with insert.

An oddly familiar/familiarly odd entity floating about the relatively cohesive surface of contemporary electronic music, Belgium-via-Italy based duo Front De Cadeau has been knocking genres askew and blowing overused terminologies out of the water with unrelenting panache over the past decade. Championing a sound unmoored by vanishing trends and cross-pollinating approaches, F2C punch back in on Antinote with their anticipated debut album, “We Slowly Riot”, an 8-track mishmash of tunes previously released and not.

Bastardizing tried-and-tested rave tropes by slowing the tempo down to barely recognizable shapes and contours, Hugo Sanchez and Maurizio Ferrara dish out a new high in their ever expanding discography. Free-falling down the K-hole with no parachute on, “La Ketamine” burns slow but steady. A practically immersive dub filled with processed minutiae and vibrational drums out a mystic forest, it’s a helluva trippy post-industrial joint that unfolds, heady and empyreumatic to the bone. “We Slowly Rot” puts on offer a buggy script-like swing, adorned with F2C’s trademark blend of spoken word and jacuzzi-warm vibes, whereas “There is Something Wrong” steers us into further sizzling, syncopated groove territories through a fevered meshwork of sliced-and-diced vox samples, overheated machine talk and primitive percussions on a African Headcharge tip.

Draped in eerie, 8-bit-infused layers and Arabian Nights ambiences, “Slam is Slam” treats us to a spookily fun Oriental mix of hot-tempered darbukkahs and FX-soaked riffs. The outrageously sensual “Ouvre Ta Bouche” is a tactile invitation to get down in some dark alcove of sorts and more if you hit it off. A steely dub primed for post-party divagations, “Climate Change” slowly veers off into verbed-out industrial jazz as bars run by, while “Legal Illegal” cuts a path of acid-dipped dancehall from outer-space across the club. Last but not least, Jewish clarinets quietly move along waves of sedated bass on “Casa Gaza”, rounding it all off on a dreamy, cinematic note that serenely phases into a liquid-like roller over one solidly deeper-than-deep home stretch.

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Last In: vor 3 Jahren
Yaron Herman - Alma LP (2x12")

Mit seinem neuen Album beschreitet der Pianist Yaron Herman ganz neue Wege.

Nachdem er bereits zehn Alben veröffentlicht hat, lässt er sich ins Leere fallen und bietet erstmals ein Korpus völlig improvisierter Musik - einen verblüffenden Schnappschuss und einen lebendigen Spiegel seiner Vergangenheit. Das Klavier wird damit zum Mittelpunkt umfassenderen Nachdenkens, ein Gefährte, der dabei hilft, die Geheimnisse der Welt zu lüften. Dieser schöpferische, vielseitige und atypische Werdegang steht im Hintergrund einer begeisternden, großherzigen globalen Reflexion, die er kürzlich in einem früheren Werk durchführte.
Ohne irgendein Konzept im Hinterkopf überlässt er sich völlig dem, was die Musik zu sagen hat; er eröffnet Räume, in denen er selbst noch nicht war. Improvisieren heißt in Echtzeit Komponieren. Beim Komponieren ist die erste Geste - das, was man manchmal "Inspiration" nennt - improvisiert.
Auf diese Weise konzise und kunstvoll aufgebaute Stücke zu konstruieren, Melodien zu erfinden, die sich gemäß einer in Echtzeit entstehenden Logik entwickeln, ist ein unendlich komplexer Vorgang. Er setzt eine außergewöhnliche Erfindungs- und Konzentrationskraft voraus, einen Sinn für die Gegenwart, der mit Offenheit für die Zukunft gepaart ist, ohne die keine Entwicklung möglich ist. 'Alma' ist eine seltene Aufforderung, ein innerer Tanz, der uns sehr weit mit sich führt, eine sensorische Reise, zu der der Hörer eingeladen ist, und eine tiefe Emotion, die ihn nie loslässt.
CD und Doppel-LP (Schwarzes Vinyl)!

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Trouble - The Distortion Field

Trouble’s 2013 comeback album (feat. Kyle Thomas on vocals) is 100% quality Doom/Heavy Metal! Trouble’s last studio offering (from 2013) has proven to be quite extraordinary. After putting out the “Simple Mind Condition” and replacing Eric Wagner with Kory Clarke, Trouble looked like they were to reinvent themselves. After trying out Kory, Bruce Franklin and Rick Wartell decided to call Kyle Thomas of Exhorder and Alabama Thunderpussy fame to reprise his role as vocalist for Trouble since he had acted as their vocalist for 4 shows during the late 90’s but had never recorded with them. With Kyle Thomas, Trouble was able to truly reinvent themselves, and in a very positive manner. Obviously the first notable topic of interest is the mentioned Kyle Thomas. As this was the first album to not feature long-time vocalist Eric Wagner (who sadly passed away in 2021). With that said, Kyle does a stellar job. He possesses an incredible vocal range, and delivers his vocals in a powerful way. Many of his vocal melody’s soar over nicely layered chords, and a lot of Kyle’s harmonies mesh nicely with the music. Kyle certainly deserves credit for stepping into the lead vocalist position and delivers a stellar performance. Musically, the album sits between Trouble’s classic doomy metal sound and their psychedelia/rock infused material. Some Trouble fans do not like that era of Trouble too much while others embrace and love it moreover Trouble’s classic releases. “The Distortion Field” manages to effectively mesh Trouble’s classic sound and their psychedelic rock nods in a very balanced way. The song writing is more straightforward as far as arrangements go, and the album is full of powerful riffs; Bruce Franklin and Rick Wartell once again prove that they are the undisputed champions of heavy doomy riffing. Their powerful lead work can be heard throughout the album, and as always adds to the Trouble vintage sound. Upon its release in 2013 everybody gave Trouble the credit they deserve, and the album aged really well.

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John Carpenter, Cody Carpenter & Daniel Davies - Firestarter OST

OVERVIEW: The horror master John Carpenter is back with his Halloween franchise collaborators Daniel Davies and Cody Carpenter for their infectious new soundtrack to the 2022 adaptation of Stephen King’s Firestarter. This marks the first official soundtrack that the team has composed together outside of the Halloween franchise and their inspiration and evolution as a creative team is on full display.

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John Carpenter, Cody Carpenter & Daniel Davies - Firestarter OST

OVERVIEW: The horror master John Carpenter is back with his Halloween franchise collaborators Daniel Davies and Cody Carpenter for their infectious new soundtrack to the 2022 adaptation of Stephen King’s Firestarter. This marks the first official soundtrack that the team has composed together outside of the Halloween franchise and their inspiration and evolution as a creative team is on full display.

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erscheint voraussichtlich am 14.10.2022

13 YEAR CICADA - HA HA GRAVITY LP

Während 13 YEAR CICADA ihre ersten beiden Alben auf den Punkt geprobt und innerhalb einer Woche aufgenommen haben, erlaubte das dritte Album HAHA GRAVITY einen sanfteren kreativen Prozess, bei dem zwischen Aufnahme, Schreiben und Überdenken hin und her gewechselt wurde. Das Verfassen von Texten und Themen auf dem Album wurde zu einem kollektiven Prozess, der sich um die Umverteilung von Reichtum und den Widerstand gegen die Machtkonzentration dreht. GTA und Klassenkampf, an einem Ort leben und vertrieben werden, die Trickle-Down-Ideologie und die Arbeit in einem Restaurant sind alle miteinander verbunden. Zu Hause zu bleiben und während der Pandemie zu lesen, hat ihnen gut getan. 13YC wollen Teil des großen Kampfes sein. Es gibt kein "Ende der Geschichte" - die Zukunft wird anders aussehen. Das Bestreben, radikale Träume zu verwirklichen, braucht heute phantasievolle, mitreißende Musik. Alle drei Musiker/Innen von 13 YC haben einen Jazz-Hintergrund, dem sie schon früh in ihrer Karriere entkommen sind - nicht, weil sie das Genre nicht lieben, sondern weil es ihnen wichtig erschien, Teil einer weniger elitären und mehr DIY-Szene zu werden (ok, manchmal machen Moshpits auch einfach mehr Spaß als Stühle) . haha gravity" wird ihr drittes Studioalbum sein, das in einer Dreieckskooperation zwischen Gandula, tomatenplatten und Blaublau Records erscheint.

vorbestellen14.10.2022

erscheint voraussichtlich am 14.10.2022

The Joe Harriott Quintet - Swings High

Newly remastered from the original vinyl at Gearbox Studio with extended
liner notes and new information, The Joe Harriott Quintet’s ‘Swings High’,
recorded in 1967, saw Joe returning to his hard bop roots on a set that
burns with a rare light
A top band of British jazz players, including the UK’s greatest drummer, Phil
Seamen, and the sensitive and less-known-than-it-should-be trumpet playing of
Stu Hamer, create a session that transcends the difficulties of its recording to
create a timeless session, and from the point of view of pure playing, one of Joe’s
very best.
Joe Harriott: alto saxophone
Coleridge Goode: bass
Phil Seaman: drums
Pat Smythe: piano
Stu Hamer: trumpet
“Joe plays so fiercely on the record that at times it seems as though he’s about to
blow his alto apart.” - Coleridge Goode
“Shepherd's Serenade always a big one! great reissue.” - Gilles Peterson
"Some might say that this music is old- fashioned. If you’d call Bird and Fats
Navarro playing “Ornithology” old-fashioned, then this is too. But it’s still strong,
warm music played with skill and feeling, and that’s enough for me." - Richard
Williams (1970)

vorbestellen14.10.2022

erscheint voraussichtlich am 14.10.2022

Black Loops & James Pepper - Three Drops EP

When James Pepper met Riccardo Paffetti (Black Loops) a bromance was quick to bloom. After touring the Berlin-based Italian across Australia, the two soon realised they not only loved each others company but records too.

Following Black Loops maiden trip down under, the dudes stayed in touch and led to Pep crashing on Riccardo’s sofa bed for a week in Berlin. The duo went to work in the studio, brewing up some gems that were released on classy imprints Neovinyl Recordings and Haŵs.

It was on Paffetti’s most recent trip to Oz (well before the world shutdown) that brought about their most anticipated tracks to date. Bunkering down in a Marrickville studio, the cross-continent pairing got up close and personal with some neat hardware. Experimenting with an array of compressors, a TR8 and the Elektron Analog Four MKII ‘Three Drops’ EP was born.

The EP is a lively affair. A rampant message to club folk far and wide. Founded on lo-fi percussion, a crunchy kick and echoed key sections ‘Three Drops’ throws a flurry of punches. Varied combinations of electro, acid and techno rolling together just right. Here we have a welcome jab of adrenaline. You can almost visualise the duo grinning from ear-to-ear, as they bring in each piece of machinery.

'Three Drops’ made its live debut at Pepper’s recent Boiler Room in Sydney and has since taken the interwebs by storm. Hundred’s of ID requests later and the time is right to share this gem as the clubs open back up across the globe.

The B side and new single has arrived in ‘Arp Love’. A frantically beautiful dose of techno. Soaring risers make way for pulsating chords and shimmering TR8 patterns, as we’re led deep into a clubby rabbit hole. In signature Black Loops style, a spoken word sample on the disappointment of love breaks the piece in two.

For a burgeoning Sydney producer like Pep it must be truly amazing to co-write alongside Riccardo - an artist who’s clocked tens of millions of streams worldwide, claimed Deep House Artist of The Year (2017) via Traxsouce plus released weaponry on revered labels such as Shall Not Fade, Toy Tonics, Gruuv and Good Ratio.

We’re grateful James Pepper and Black Loops got together. These two on tracks makes sense.

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Last In: vor 2 Jahren
Daeva - Through Sheer Will And Black Magic... LP

Fünf Jahre nach der von 20 Buck Spin veröffentlichten Debüt-EP "Pulsing Dark Absorptions" erheben sich Daeva aus Philadelphia wie lodernde Flammen aus den höllischen Tiefen mit dem lange schwelenden ersten Album "Through Sheer Will And Black Magic...".

Ein feuriger Strudel aus frühem dämonischem Black Metal und zackigem Thrash Metal bildet die Grundlage des Albums, auf dem Daeva ihre Kunst wie glänzend geschmiedeten Stahl perfektioniert haben. Innerhalb dieses Wahnsinns setzt Gitarrist Steve Jansson die mit Maden übersäte Leiche des Death Metal und eine kräftige, tödliche Dosis reinen 80er-Jahre-Metal-Geistes frei. Die Reise durch dieses verbrannte Ödland wird durch die giftig-säurespritzenden Vocals des Sängers Edward Gonet geleitet.

Song für Song, Riff für Riff ist das von Arthur Rizk produzierte "Through Sheer Will And Black Magic" ein unersättlicher und unaufhaltsamer Wirbelwind aus außerweltlichen Genüssen und infernalischem Gemetzel. Wie in einem unerbittlichen Rausch stürmen Daeva die Tore des Himmels und unterwerfen die schwachen Schafen des Lichts in einem ultimativen Triumph der Hölle!

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Last In: vor 3 Jahren
Daeva - Through Sheer Will And Black Magic... LP

Fünf Jahre nach der von 20 Buck Spin veröffentlichten Debüt-EP "Pulsing Dark Absorptions" erheben sich Daeva aus Philadelphia wie lodernde Flammen aus den höllischen Tiefen mit dem lange schwelenden ersten Album "Through Sheer Will And Black Magic...".

Ein feuriger Strudel aus frühem dämonischem Black Metal und zackigem Thrash Metal bildet die Grundlage des Albums, auf dem Daeva ihre Kunst wie glänzend geschmiedeten Stahl perfektioniert haben. Innerhalb dieses Wahnsinns setzt Gitarrist Steve Jansson die mit Maden übersäte Leiche des Death Metal und eine kräftige, tödliche Dosis reinen 80er-Jahre-Metal-Geistes frei. Die Reise durch dieses verbrannte Ödland wird durch die giftig-säurespritzenden Vocals des Sängers Edward Gonet geleitet.

Song für Song, Riff für Riff ist das von Arthur Rizk produzierte "Through Sheer Will And Black Magic" ein unersättlicher und unaufhaltsamer Wirbelwind aus außerweltlichen Genüssen und infernalischem Gemetzel. Wie in einem unerbittlichen Rausch stürmen Daeva die Tore des Himmels und unterwerfen die schwachen Schafen des Lichts in einem ultimativen Triumph der Hölle!

vorbestellen14.10.2022

erscheint voraussichtlich am 14.10.2022

Tycho - Back To Mine LP (2x12")

It has been twenty years since the first Back To Mine release but still the series is going strong. These personal after-hours soundtracks have never sounded more relevant than now, and next up is GRAMMYr Award-nominated, San Francisco-based artist Tycho. It finds him going deeper than one of his famous Burning Man sets as he heads into otherworldly, cinematic headphone territory with tunes from Lancaster, Little Dragon, Octo Octa, Ulrich Schnauss and many more across four fantastic sides of vinyl.

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Last In: vor 3 Jahren
JOHN CARPENTER/ CODY CARPENTER/ DANIEL DAVIES - FIRESTARTER ORIGINAL MOTION PICTURE SOUNDTRACK LP

Der Horror-Meister JOHN CARPENTER ist zurück und hat wieder seine Mitarbeiter DANIEL DAVIES und CODY CARPENTER für den fesselnden neuen Soundtrack zu der 2022er Verfilmung von Stephen Kings Romanklassiker "Firestarter" an Bord. Der Score ist der erste offizielle Soundtrack, den das Trio außerhalb der "Halloween"-Reihe gemeinsam komponiert hat, und ihre Inspiration und Entwicklung als kreatives Team ist deutlich zu hören. Der Film ist eine Neuauflage des Thrillers, in dem es um ein Mädchen mit außergewöhnlichen pyrokinetischen Kräften und ihren Kampf geht, ihre Familie und sich selbst vor finsteren Mächten zu schützen, die sie gefangen nehmen und kontrollieren wollen. Der Film kommt am 13. Mai 2022 in die Kinos. In den Hauptrollen spielen Zac Efron, Sydney Lemmon und Ryan Kiera, Regie führt Keith Thomas (The Vigil). Der "Firestarter"-Soundtrack bedient sich einiger der besten Elemente aus CARPENTERs berühmtem musikalischen Repertoire und betritt dabei aufregendes Neuland. Die Tracks reichen von pumpenden Sci-Fi-Hymnen bis hin zu langsamen, von Hall durchtränkten Piano-Balladen und nutzen jeweils eine Vielzahl von Klanganwendungen. Schleichende Beats, flirrende Synthesizer, krachende Gitarren und ein ständig lauerndes Echo kommen zusammen, um ein Album zu schaffen, das sowohl atmosphärisch als auch zutiefst melodisch, kohärent und vielseitig ist. Diese drei Musiker arbeiten alle auf dem Höhepunkt ihrer individuellen und kollaborativen Kreativität und dieser Soundtrack festigt sie als Meister ihres Fachs.

vorbestellen14.10.2022

erscheint voraussichtlich am 14.10.2022

JOHN CARPENTER/ CODY CARPENTER/ DANIEL DAVIES - FIRESTARTER ORIGINAL MOTION PICTURE SOUNDTRACK LP

Der Horror-Meister JOHN CARPENTER ist zurück und hat wieder seine Mitarbeiter DANIEL DAVIES und CODY CARPENTER für den fesselnden neuen Soundtrack zu der 2022er Verfilmung von Stephen Kings Romanklassiker "Firestarter" an Bord. Der Score ist der erste offizielle Soundtrack, den das Trio außerhalb der "Halloween"-Reihe gemeinsam komponiert hat, und ihre Inspiration und Entwicklung als kreatives Team ist deutlich zu hören. Der Film ist eine Neuauflage des Thrillers, in dem es um ein Mädchen mit außergewöhnlichen pyrokinetischen Kräften und ihren Kampf geht, ihre Familie und sich selbst vor finsteren Mächten zu schützen, die sie gefangen nehmen und kontrollieren wollen. Der Film kommt am 13. Mai 2022 in die Kinos. In den Hauptrollen spielen Zac Efron, Sydney Lemmon und Ryan Kiera, Regie führt Keith Thomas (The Vigil). Der "Firestarter"-Soundtrack bedient sich einiger der besten Elemente aus CARPENTERs berühmtem musikalischen Repertoire und betritt dabei aufregendes Neuland. Die Tracks reichen von pumpenden Sci-Fi-Hymnen bis hin zu langsamen, von Hall durchtränkten Piano-Balladen und nutzen jeweils eine Vielzahl von Klanganwendungen. Schleichende Beats, flirrende Synthesizer, krachende Gitarren und ein ständig lauerndes Echo kommen zusammen, um ein Album zu schaffen, das sowohl atmosphärisch als auch zutiefst melodisch, kohärent und vielseitig ist. Diese drei Musiker arbeiten alle auf dem Höhepunkt ihrer individuellen und kollaborativen Kreativität und dieser Soundtrack festigt sie als Meister ihres Fachs.

vorbestellen14.10.2022

erscheint voraussichtlich am 14.10.2022

JOHN CARPENTER/ CODY CARPENTER/ DANIEL DAVIES - FIRESTARTER ORIGINAL MOTION PICTURE SOUNDTRACK LP

Der Horror-Meister JOHN CARPENTER ist zurück und hat wieder seine Mitarbeiter DANIEL DAVIES und CODY CARPENTER für den fesselnden neuen Soundtrack zu der 2022er Verfilmung von Stephen Kings Romanklassiker "Firestarter" an Bord. Der Score ist der erste offizielle Soundtrack, den das Trio außerhalb der "Halloween"-Reihe gemeinsam komponiert hat, und ihre Inspiration und Entwicklung als kreatives Team ist deutlich zu hören. Der Film ist eine Neuauflage des Thrillers, in dem es um ein Mädchen mit außergewöhnlichen pyrokinetischen Kräften und ihren Kampf geht, ihre Familie und sich selbst vor finsteren Mächten zu schützen, die sie gefangen nehmen und kontrollieren wollen. Der Film kommt am 13. Mai 2022 in die Kinos. In den Hauptrollen spielen Zac Efron, Sydney Lemmon und Ryan Kiera, Regie führt Keith Thomas (The Vigil). Der "Firestarter"-Soundtrack bedient sich einiger der besten Elemente aus CARPENTERs berühmtem musikalischen Repertoire und betritt dabei aufregendes Neuland. Die Tracks reichen von pumpenden Sci-Fi-Hymnen bis hin zu langsamen, von Hall durchtränkten Piano-Balladen und nutzen jeweils eine Vielzahl von Klanganwendungen. Schleichende Beats, flirrende Synthesizer, krachende Gitarren und ein ständig lauerndes Echo kommen zusammen, um ein Album zu schaffen, das sowohl atmosphärisch als auch zutiefst melodisch, kohärent und vielseitig ist. Diese drei Musiker arbeiten alle auf dem Höhepunkt ihrer individuellen und kollaborativen Kreativität und dieser Soundtrack festigt sie als Meister ihres Fachs.

vorbestellen14.10.2022

erscheint voraussichtlich am 14.10.2022

JOHN CARPENTER/ CODY CARPENTER/ DANIEL DAVIES - FIRESTARTER ORIGINAL MOTION PICTURE SOUNDTRACK LP

Der Horror-Meister JOHN CARPENTER ist zurück und hat wieder seine Mitarbeiter DANIEL DAVIES und CODY CARPENTER für den fesselnden neuen Soundtrack zu der 2022er Verfilmung von Stephen Kings Romanklassiker "Firestarter" an Bord. Der Score ist der erste offizielle Soundtrack, den das Trio außerhalb der "Halloween"-Reihe gemeinsam komponiert hat, und ihre Inspiration und Entwicklung als kreatives Team ist deutlich zu hören. Der Film ist eine Neuauflage des Thrillers, in dem es um ein Mädchen mit außergewöhnlichen pyrokinetischen Kräften und ihren Kampf geht, ihre Familie und sich selbst vor finsteren Mächten zu schützen, die sie gefangen nehmen und kontrollieren wollen. Der Film kommt am 13. Mai 2022 in die Kinos. In den Hauptrollen spielen Zac Efron, Sydney Lemmon und Ryan Kiera, Regie führt Keith Thomas (The Vigil). Der "Firestarter"-Soundtrack bedient sich einiger der besten Elemente aus CARPENTERs berühmtem musikalischen Repertoire und betritt dabei aufregendes Neuland. Die Tracks reichen von pumpenden Sci-Fi-Hymnen bis hin zu langsamen, von Hall durchtränkten Piano-Balladen und nutzen jeweils eine Vielzahl von Klanganwendungen. Schleichende Beats, flirrende Synthesizer, krachende Gitarren und ein ständig lauerndes Echo kommen zusammen, um ein Album zu schaffen, das sowohl atmosphärisch als auch zutiefst melodisch, kohärent und vielseitig ist. Diese drei Musiker arbeiten alle auf dem Höhepunkt ihrer individuellen und kollaborativen Kreativität und dieser Soundtrack festigt sie als Meister ihres Fachs.

vorbestellen14.10.2022

erscheint voraussichtlich am 14.10.2022

SKULLCRUSHER - QUIET THE ROOM LP

Der Grundstein für "Quiet The Room" wurde vor zwei Jahren gelegt, als Helen Ballentine einen Song gleichen Namens komponierte und aufnahm. Im Gegensatz zu den meisten anderen Songs von SKULLCRUSHER wurde dieser auf dem Klavier geschrieben, dem erklärten Instrument ihrer Kindheit. Während Ballentine im Sommer 2021 den Rest des Albums schrieb, flogen ihr Visionen aus ihrer Jugend zu, wie die Fledermäuse vom Dachboden, während sie in der schwülen, stickigen Hitze durch ihre Wohnung in Los Angeles lief. Das Bild eines Hauses entstand in Ballentines Kopf, als sie die innere Welt ihrer Songs mit den äußeren Räumen, die sie jetzt umgab, zusammenfügte. Sie dachte dabei viel an ihre Kindheit in Mount Vernon, NY, die sie als größte Inspiration für die Platte bezeichnet. "It's like layers of tracing paper, like someone is trying to make a drawing and you're seeing the entire process", sagt Ballentine über die Entstehung des Albums. Bei der Durchsicht älterer Heimvideos fielen ihr die scheinbar harmlosen Aufnahmen auf, die durch das Fenster gemacht wurden und sie am Klavier oder beim Spaziergang im Garten zeigten. Versteckte Bedeutungen, die über die Ränder der Bilder hinausgingen, eine sich abzeichnende Dunkelheit, die außerhalb des Blickfelds schwebte (ihre Eltern stritten sich, waren auf dem Weg zur Scheidung usw.). Das Haus schaffte es nicht länger, sie alle unter einem Dach zu beherbergen. Ballentine versucht nicht auf "Quiet The Room" die oft zitierte Unschuld der Kindheit einzufangen, sondern will diese in ihrer intensiven Komplexität darstellen. Das Ergebnis ist ein atemberaubendes wie leise bewegendes Werk geworden, das die Reisen widerspiegelt, die wir durch unsere körperlichen und geistigen Sphären unternehmen, um uns der Welt zu präsentieren.

vorbestellen14.10.2022

erscheint voraussichtlich am 14.10.2022

Lester Robertson - Akirfa/Untitled Ballad

On this 7”, we present two lost jazz tracks by the trombonist and Horace Tapscott-collaborator, Lester Robertson. Lester has worked with some of the greats of jazz including Gerald Wilson, Anita O'Day, Lionel Hampton and Roy Porter Sound Machine on the classic 'Jessica' album.

Lester was a member of Horace Tapscott's The Pan-Afrikan Peoples Arkestra and features on the iconic underground jazz albums 'The Call' and 'Live At I.U.C.C.'. The Arkestra was set up in 1961 in Los Angeles and over the years has included wonderful, inspirational musicians such as Adele Sebastian, Kamasi Washington, Dwight Trible, Phil Ranelin, Arthur Blythe, Jesse Sharps and Nate Morgan.

These two recordings have recently been discovered on an archived master tape that little information on it other than Lester's name and the track titles. Sadly, the other players on the tracks aren’t credited on the tape, so a line-up can’t be 100% confirmed. Still, the magic of what they laid down in the session pays testament to their artistry. First up is the lively popping track 'Akirfa' in which Lester gets space to let rip and exercise his talents. On the flip is the euphonious 'Untitled Ballad', a mellifluent lullaby for an end-of-the-day wind-down.

Lost for a while, but thankfully not forgotten, these beautiful recordings finally get their chance to shine.

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erscheint voraussichtlich am 14.10.2022

Banu - TransSoundScapes LP

South-east Turkey born DJ, sound artist and producer Banu uses music as a political tool. For her, the strong message carried through sound is a vehicle to express emotions as well as a means of fighting against oppression. Using participation, social design, ecology, feminist and queer theory to create multimedia installations with sound as a main element, Banu‘s practice is closer to contemporary art and activist spaces than the club realm.

Banu‘s debut album TransSoundScapes is an exercise in female solidarity between her as a migrant woman and her sisters from the trans community, where an artist from one marginalised group is showing support towards her trans sisters, using her platform to help them amplify their voices and building a bridge towards a mutual understanding of femininity.

Conceptually, TransSoundScapes comes in continuation of Banu‘s previous research-based work, using music as a positive tool for change while working with various marginalised communities. The album originated from the very real experience of being confronted with verbal harassment in Berlin on a daily basis, particularly aimed at her transfeminine friends and companions. As a queer woman of Turkish and Kurdish origin, Banu did not only observe the verbal aggression directed at her friends, but also understood most of the insults shouted in languages such as Arabic. Seeing how she got signifi cantly more verbal violence directed at them when in company of trans people made a lasting impression on her, so she wanted to try and use her relative privilege to amplify transfeminine voices through her music.

Coming from a very conservative family, making music has been her lifelong dream. It was the moment she had the opportunity to work with the iconic Arp 2600 synthesiser (a younger sibling to Eliane Radigue‘s infamous 2500 machine) that all her disparate interests came into place to create an empowering soundscape with the aid of analogue drum machines. TransSoundScapes has a very full, porous sound, where every element that comes into play sounds soft yet clear. Across the 7 tracks, Banu conjures pounding subterraneous bassy techno („Surgery“), slithering tentacular EBM („First Time“) and pulsating cavernous soundscapes („Harem“), where oversized dancefl oor elements are woven with poetic spoken word passages, resulting in sensusous yet political anthems. Banu artfully merges loosely related genres such as techno, electro, dub and sound poems into a sound that is at once deeply personal and extremely compelling.

All of the tracks are collaborative efforts, Banu seeing the process as an exchange of care and shared experiences, while integrating research into her writing process. The lyrics in „Transition (part 1+2)‘‘ are an adaptation of Sara Ahmed’s “Living a Feminist Life”, while „Surgery“ was born out of series of interviews with trans people, channeling the metallic sounds of a surgery room to refer to society‘s perception of transness as a medical condition. Tracks like „First Time feat. Patricia“, „Harem feat. Prince Emrah“ or „We feat. Aérea Negrot“ document her encounters with various trans women, centering their life experiences while also developing a deep dialogue through the process of making music together.

The darkest and perhaps the most emblematic track is ‚‘Bianka (In Memory Of)‘‘, dedicated to the late Bianka Shigurova, a 22-year old Georgian actress found dead in her apartment. It was her Tbilisi photographer friend George Nebriedze who told her Bianka‘s tragic story, whose death is suspected to be an assasination due to transphobia. Banu chose one of Nebriedze‘s analogue photos of Bianka as the album‘s cover art.

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Last In: vor 3 Jahren
Gun - The Calton Songs LP (2x12")

Gun

The Calton Songs LP (2x12")

2x12inch1018661CYR
Edel Records
14.10.2022
auch erhältlich

Cassette


Mit ihrer Coverversion von ‘Word Up‘ hat die schottische Band 1994 einen Welthit gelandet, der noch heute im Radio rauf und runter läuft. Während der Pandemie hatten die Brüder Jools und Dante Gizzi die Idee, ihre Lieblingstracks im semiakustischen Gewand einzuspielen, um die Essenz der Songs mal anders herauszuarbeiten. Inkl.

Versionen ihrer ersten Single ‘Better Days‘, ‘Taking On The World‘ aus
dem gleichnamigen Debütalbum, ‘Don’t Say It’s Over‘ und
natürlich ‘Word Up‘

vorbestellen14.10.2022

erscheint voraussichtlich am 14.10.2022

Gun - The Calton Songs LP

Gun

The Calton Songs LP

Cassette1018662CYR
Edel Records
14.10.2022
auch erhältlich

Vinyl


Mit ihrer Coverversion von ‘Word Up‘ hat die schottische Band 1994 einen Welthit gelandet, der noch heute im Radio rauf und runter läuft. Während der Pandemie hatten die Brüder Jools und Dante Gizzi die Idee, ihre Lieblingstracks im semiakustischen Gewand einzuspielen, um die Essenz der Songs mal anders herauszuarbeiten. Inkl.

Versionen ihrer ersten Single ‘Better Days‘, ‘Taking On The World‘ aus
dem gleichnamigen Debütalbum, ‘Don’t Say It’s Over‘ und
natürlich ‘Word Up‘

vorbestellen14.10.2022

erscheint voraussichtlich am 14.10.2022

Miquela E Lei Chapacans - Miquela E Lei Chapacans LP

The first progressive girl group of the French Occitan language
pop scene bring you folk funk, sun-baked bossa, Coltrane jazz and
their own brand of punky ‘Dizco Rural’ against an untouched
French Balearic backdrop spanning the late 70s and 80s.
If even the most assiduous of European record collectors consider
the Occitan language music scene to be France’s best-kept secret
then it’s as fair to say that the incredible multifaceted recordings of
langue d’oc prog girl group Lei Chapacans have spent the last four
decades hiding in plain sight. In all fairness this overlooked
treasure chest of minority language excursions into folk funk,
Balearic, bossa, John Coltrane-penned jazz, baroque psych,
Palestinian poetry, comedic synth skits (and even the rawest form
of femme-fronted multilingual punky disco) has been stowed away
in inconspicuous photographic record sleeves, falsely evoking
something closer to contemporary C&W while oft-misplaced in
record shop cassette racks alongside ‘traditional’ spoken-word and
scholastic albums.
So, for the uninitiated, don’t be too hard on yourself. The fun starts
here. For those who are familiar with the rare and sought-after
one-off solo album by Occitan singer Miquela and have craved for
more, then you’ve come to exactly the right place. Lei Chapacans
(a name that roughly translates to The Vagabonds) is the all-girl
vocal group assembled by Miquela herself just two years after her
debut release, having toured the word and snubbed major label
record deal offers with a steadfast allegiance to the protection of
the Occitan language in which this album is primarily penned and
performed (minus a small amount of German and sarcastic
English in one rebellious instance).
For European collectors with a penchant for French savoir faire,
but have further yearnings for folkloric femme funk, then it’s time
to look towards the Occitan sunset where you will meet Lolo,
Miquela, Sophie, Irena and Denise.
These amazing, and undeniably culturally important recordings
might have taken some time to find a wider audience, but for
music lovers, crate diggers and vinyl vultures alike there are still a
lot of tasty morsels out there to be scavenged and devoured, ask
any self-respecting Chapacan and they’ll concur wholeheartedly.

vorbestellen14.10.2022

erscheint voraussichtlich am 14.10.2022

Cancer Bats - Psychic Jailbreak

Several months on from founding guitarist Scott Middleton leaving the band, Cancer Bats have announced details of their first album without him: Psychic Jailbreak. Due out on April 15 via their own Bat Skull Records in partnership with New Damage Records, the Toronto hardcore punk kings admit that they knew album number seven "had to be special" given the line-up change, with vocalist Liam Cormier explaining of the mood going into it: “Our band has never been one sole member tasked with all the writing. Over the last 15 years of releasing albums, it’s been a collaboration of the four of us forming all musical ideas. That being said, we knew that the three remaining Bats would have to prove our worth with this next album. "We wanted to show Cancer Bats fans that an exciting new future was in store for us. To say the stakes were high on this album, would be an understatement. We were all feeling a mix of excitement and nerves as we began tracking the 11 songs that would form this record.” He continues: "On the final days, while adding the last bits of 'skateboard noises' and guitar shreds, we were all feeling our confidence levels rise with each playback. This last years’ worth of long hours and many late nights writing, finally coming together as a whole and fully formed effort. We were proud as a band and felt this new offering was worthy to join in the legacy of Cancer Bats albums.

vorbestellen14.10.2022

erscheint voraussichtlich am 14.10.2022

Cancer Bats - Psychic Jailbreak

Several months on from founding guitarist Scott Middleton leaving the band, Cancer Bats have announced details of their first album without him: Psychic Jailbreak. Due out on April 15 via their own Bat Skull Records in partnership with New Damage Records, the Toronto hardcore punk kings admit that they knew album number seven "had to be special" given the line-up change, with vocalist Liam Cormier explaining of the mood going into it: “Our band has never been one sole member tasked with all the writing. Over the last 15 years of releasing albums, it’s been a collaboration of the four of us forming all musical ideas. That being said, we knew that the three remaining Bats would have to prove our worth with this next album. "We wanted to show Cancer Bats fans that an exciting new future was in store for us. To say the stakes were high on this album, would be an understatement. We were all feeling a mix of excitement and nerves as we began tracking the 11 songs that would form this record.” He continues: "On the final days, while adding the last bits of 'skateboard noises' and guitar shreds, we were all feeling our confidence levels rise with each playback. This last years’ worth of long hours and many late nights writing, finally coming together as a whole and fully formed effort. We were proud as a band and felt this new offering was worthy to join in the legacy of Cancer Bats albums.

vorbestellen14.10.2022

erscheint voraussichtlich am 14.10.2022

Cancer Bats - Psychic Jailbreak

Several months on from founding guitarist Scott Middleton leaving the band, Cancer Bats have announced details of their first album without him: Psychic Jailbreak. Due out on April 15 via their own Bat Skull Records in partnership with New Damage Records, the Toronto hardcore punk kings admit that they knew album number seven "had to be special" given the line-up change, with vocalist Liam Cormier explaining of the mood going into it: “Our band has never been one sole member tasked with all the writing. Over the last 15 years of releasing albums, it’s been a collaboration of the four of us forming all musical ideas. That being said, we knew that the three remaining Bats would have to prove our worth with this next album. "We wanted to show Cancer Bats fans that an exciting new future was in store for us. To say the stakes were high on this album, would be an understatement. We were all feeling a mix of excitement and nerves as we began tracking the 11 songs that would form this record.” He continues: "On the final days, while adding the last bits of 'skateboard noises' and guitar shreds, we were all feeling our confidence levels rise with each playback. This last years’ worth of long hours and many late nights writing, finally coming together as a whole and fully formed effort. We were proud as a band and felt this new offering was worthy to join in the legacy of Cancer Bats albums.

vorbestellen14.10.2022

erscheint voraussichtlich am 14.10.2022

Ripped to Shreds - 劇變 (Jubian)

Led by guitarist/vocalist Andrew Lee, RIPPED TO SHREDS emerge from the West Coast underground with their ferocious new album, 劇變 (Jubian). The death metal trailblazers unleash their most fully realized and visceral work yet. Recorded, mixed and mastered by Lee in his home studio, 劇變 (Jubian) proves to be RIPPED TO SHREDS at their most focused and refined. The album bursts wide open with “Violent Compulsion for Conquest,” an elegantly dark, new kind of chainsaw sound teeming with acidic vocals gnashing out lyrics inspired by the Mukden Incident. From its lightning-flash solos to those immensely killer echoing “Ough!”s, this absolute scather, according to Lee, was born to lead. Elsewhere, longtime RIPPED TO SHREDS fans will find the latest chapter of the ongoing ‘Sun Moon Holy Cult’ saga to be its most thrilling episode thus far.

vorbestellen14.10.2022

erscheint voraussichtlich am 14.10.2022

Various - SUN RECORDS - ROCK 'N' ROLL COLLECTION
auch erhältlich

Orange Vinyl


CELEBRATING SUN RECORDS - THE LABEL WHERE ROCK 'N' ROLL WAS BORN! The Rock 'n' Roll Collection features 40-songs from the most important record label in the history of music, with everyone newly remastered from the original Sun Records master tapes. A comprehensive introduction to some of the most iconic and influential music ever recorded. These are the list remaining copies of the strictly limited edition pressed on orange vinyl exclusive to UK retailer Sainsbury’s. Elvis Presley introduced the rockabilly sound to the world in 1954 with the recordings he made at Sun Records. These epitomised the famous “Sun sound” and set the scene for the rock ‘n’ roll explosion to follow. This raw and exciting new sound was a remarkable fusion of white country music and black R&B and quickly found an eager audience with the youth of the day. Presley’s extraordinary success at Sun Records led to the tiny Memphis-based label becoming a magnet for aspiring rockabilly singers from all over America’s South. Despite a relatively short heyday, that “Sun sound” has endured the test of time and remains as popular as ever with listeners of all age groups. As well as featuring Elvis and such other household names as Jerry Lee Lewis, Johnny Cash, Carl Perkins, Charlie Rich and Roy Orbison, the gatefold-sleeved double-album also includes significant contributions from the label’s other important artists such as: Billy Lee Riley, Sonny Burgess, The Miller Sisters, Warren Smith, Malcolm Yelvington, Jimmy Wages, and Earl Hooker. Includes such all-time rock ‘n’ roll classics as: Mystery Train, That’s All Right, Blue Suede Shoes, Great Balls Of Fire, I Walk The Line, Yakety Yak, Rock Island Line, Good Rockin’ Tonight, Red Hot, Ooby Dooby, Whole Lotta Shakin’ Goin’ On …and many more!

vorbestellen14.10.2022

erscheint voraussichtlich am 14.10.2022

Various - SUN RECORDS - ROCK 'N' ROLL COLLECTION
auch erhältlich

Black Vinyl


CELEBRATING SUN RECORDS - THE LABEL WHERE ROCK 'N' ROLL WAS BORN! The Rock 'n' Roll Collection features 40-songs from the most important record label in the history of music, with everyone newly remastered from the original Sun Records master tapes. A comprehensive introduction to some of the most iconic and influential music ever recorded. These are the list remaining copies of the strictly limited edition pressed on orange vinyl exclusive to UK retailer Sainsbury’s. Elvis Presley introduced the rockabilly sound to the world in 1954 with the recordings he made at Sun Records. These epitomised the famous “Sun sound” and set the scene for the rock ‘n’ roll explosion to follow. This raw and exciting new sound was a remarkable fusion of white country music and black R&B and quickly found an eager audience with the youth of the day. Presley’s extraordinary success at Sun Records led to the tiny Memphis-based label becoming a magnet for aspiring rockabilly singers from all over America’s South. Despite a relatively short heyday, that “Sun sound” has endured the test of time and remains as popular as ever with listeners of all age groups. As well as featuring Elvis and such other household names as Jerry Lee Lewis, Johnny Cash, Carl Perkins, Charlie Rich and Roy Orbison, the gatefold-sleeved double-album also includes significant contributions from the label’s other important artists such as: Billy Lee Riley, Sonny Burgess, The Miller Sisters, Warren Smith, Malcolm Yelvington, Jimmy Wages, and Earl Hooker. Includes such all-time rock ‘n’ roll classics as: Mystery Train, That’s All Right, Blue Suede Shoes, Great Balls Of Fire, I Walk The Line, Yakety Yak, Rock Island Line, Good Rockin’ Tonight, Red Hot, Ooby Dooby, Whole Lotta Shakin’ Goin’ On …and many more!

vorbestellen14.10.2022

erscheint voraussichtlich am 14.10.2022

The Fixx - Every Five Seconds LP 2x12"

The FIXX has been heralded as one of the most innovative bands to come out of the “MTV” era. For four decades, the style and substance of the band has always created a special connection with its audience. The FIXX’s themes are often complex, introspective and thought-provoking, but not without widespread mass appeal. The band has garnered three #1 hits, five more in the Top 5 and a dozen which reached the Top 10. With millions of albums sold worldwide, songs such as “One Thing Leads To Another,” “Red Skies” and “Saved By Zero” remain everyday staples on the playlists of the Rock, AAA and Alternative radio stations that continue to break new acts inspired by the era that The FIXX helped to define. The FIXX’s classic lineup remains intact, Cy Curnin (vocals), Jamie West-Oram (guitar), Rupert Greenall (keyboards), Dan K. Brown (bass guitar) and Adam Woods (drums). The alt rock pioneers return with their new studio album EVERY FIVE SECONDS,their first in nearly a decade, on June 3, 2022!

vorbestellen14.10.2022

erscheint voraussichtlich am 14.10.2022

Theo Everyday - Holsten FM

Theo Everyday

Holsten FM

12inchCHEEKY006
Cheeky Sneakers
14.10.2022

Balamii resident and Sticky Tapes-founder Theo Everyday arrives with a huge debut on Cheeky Sneakers, seamlessly blending the worlds of jungle, electro and trance with his signature sauce of nostalgic and futuristic hyper-funk.

Having curated the Sticky Tapes mix series and label - supporting music from artists such as Stones Taro, Om Unit, Jossy Mitsu and Lobster Theremin label head Asquith - the DJ and producer knows a thing or two about merging differing styles and energies. The Holsten FM EP plays out like a three hour club set; placing classic UK sounds at its foundation and throwing multi-coloured paint all over them.

'The Way You Feel' makes use of the pitched-vocal, SoundCloud hyper-pop aesthetic with hardcore-piano stabs and heartstring-tugging cheese wrapped within a huge low-end swinging bassline. A great lights-up tool to leave them with a smile on their face. The classic rave energy is maintained on the EP title track - a stripped-back cut of ragga jungle-step that's as meditative as it is devastating.

From golden-era rave and jungle future-mutations to heads-down club sounds, 'Every Body's Talking (Well Let's Talk)' is a strobe-light power sequence for when things are in full swing, before 90s breakbeat and trance join forces on a 'Six and Two Threes' hands-in-the-air moments.

Breaks-littered dream sequences that feel like a warm hug follow on 'Summer Lie In' - its chopped melodies and stirring atmospherics causing ripples within the pond of paradise - before 'Mod Cons' closes with a squelching cut of acid-electro on a killer digi-only exclusive.

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