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Das Ambient Jazz Ensemble liefert mit "Suite Shop Reworks" elektronische Upbeat-Dancefloor-Versionen seines gleichnamigen Albums aus 2014. Mastermind des AJE ist der Filmkomponist und Musikproduzent Colin Baldry, ihm zur Seite stehen Topmusiker wie Neil Cowley (Adele, Brand New Heavies), Finn Peters (Chick Corea) oder Nichol Thomson (Jamie Cullum). Gemastert wurde das Album von Guy Davie (Jon Hopkins, FKA Twigs, Jamie T) am Mischpult von Fela Kuti in Lagos, Nigeria.

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It's five years since we first released Yosi Horikawa's 'Vapor' album. To commemorate the occassion, we're releasing the album on vinyl for the very first time, also including a previously unreleased bonus track, 'Yoggo'.

The devil is in the details. And Yosi Horikawa understands this perhaps better than most musicians from his generation, crafting compositions with broad appeal that also withstand the most intricate scrutiny. Originality has always been a rare currency in the creative arts, and having honed his voice over the years Yosi has plenty of it to give to those willing to listen.

The RBMA graduate has collaborated with artists such as Jesse Boykins III, Dorian Concept & Daisuke Tanabe, performed at Glastonbury, Sónar, Mutek, Dimensions, Low End Theory, Ninja Tune's Solid Steel & Boiler Room, featured in Time Out Tokyo, XLR8R, Dummy & more, and received acclaim and support from the likes of Benji B, Tom Ravenscroft, Fulgeance, DJ Food and Gilles Peterson, with whom he has worked with on several projects since the release of 'Vapor', for Brownswood, Worldwide Festival & Worldwide FM respectively, producing a regular feature, 'Soundscape with Yosi Horikawa'.

Besides writing and producing music, Yosi is a highly skilled sound engineer, working with prestigious architects, fashion brands, and technology firms as well as designing speakers for bars and clubs. He's also composed numerous jingles and theme songs for radio stations to science exhibitions. Such is his diversity and originality, he was the subject of an RBMA film documentary in 2014, 'Layered Memories'.

Following his debut EP on Eklektik Records, two EPs were released on First Word prior to this, his debut album, 'Vapor'. 17 tracks from the Japanese sound designer and producer that weave together diverse field recordings and sample sources, with rhythms and melodies, creating something that defies stylistic boxing. Echoes of dance music, hip hop and musique concrete can all be found amid the sounds of nature and everyday life that underpin the grooves of the music. 'Vapor' is an album in the old-fashioned sense, a tightly-woven sonic journey that benefits from repeat listens.

'Vapor' was named amongst 2013 Albums of the Year lists in Fact Magazine and The Japan Times.

"A sonic masterpiece and an entirely new pathway in to the matrix of emerging electronic creativity. Every piece on the album sounds boundless and full of texture & colour imaginable"

Earmilk: "A serendipitous mishmash of electronic, hip hop beats, and a litany of genres that fall in that spectrum with a liberal dose of acoustic magic

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'Hold Your Colour', the debut album from Pendulum has been pressed on Heavyweight Triple Vinyl, on seminal Drum&Bass label Breakbeat Kaos, to help celebrate it's 15th year as a label. This Limited Pressing 3 x vinyl features the full original album plus bonus track 'Blood Sugar' for the very first time on Vinyl. The Album in full has previously only ever been on CD & Digital and was originally pressed on vinyl as a 6 track album of non single tracks.

'Hold your Colour' was originally released in July 2005 on Breakbeat Kaos and went on to gain Pendulum worldwide critical acclaim and festival headline slots. The album features collaborations with artists such as the DJ Fresh and TC, MC's $pyda, Tenor Fly and Fats, plus vocalists from bands Freestylers and Halogen.

2LP Repress!

Yosi Horikawa makes music quite unlike anything you've heard, music that reflects not only the appeal of rhythm and melodies but also the power and hidden musicality of everyday sounds. In that sense Horikawa is not just a producer or musician or sound artist: he is a world builder whose materials constantly surround us, though we rarely stop to appreciate them. Horikawa honed this approach for more than a decade, travelling far and wide to record forests, beaches, cities and people while never missing an opportunity to also find sounds closer to his home in Tokyo.

'Spaces' is Horikawa's new album, following from 2013's 'Vapor' released via London-based label First Word. This time the album is released on Borrowed Scenery, a new label setup by Horikawa and close collaborator Daisuke Tanabe to enable them to operate free of constraints.

The album features 11 songs that combine field recordings and sound design with a range of stylistic touch points: the fluid intricacies of hip-hop, the precise efficacy of IDM, the euphoric physicality of dance music, the humanity of acoustic instrumentation. Each song blends a primary sound source with a certain style, with titles often hinting at the origins of the sounds – "Moldy Vinyl," "Vietnam," "Fluid," "Swashers," "Nubia" – or the mood the music evokes. What ties it all together is Horikawa' s deeply personal understanding of what constitutes music, an understanding shorn from the commercial and stylistic structures of music as a commodity.

'Spaces' is a deeply human experience, and through Horikawa's approach music feels as natural as breathing. Horikawa has collaborated with French producer Fulgeance, American singer Jesse Boykins III and fellow Japanese experimentalist Daisuke Tanabe. His music has been supported by Gilles Peterson and Benji B. Outside of music Horikawa is an in-demand sound engineer and speaker designer who has worked with J-WAVE, Kengo Kuma, Mitsubishi and Sound & Bar Howl in Tokyo. 　　　 　　　　　　　　　　　

(by Laurent Fintoni / Original Cultures)

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For the upcoming release on KNTXT, label boss Charlotte de Witte announces a dual EP release. “The Selected EP and Pressure EP, to me, are the perfect reflection of the music I have been playing over the years.” says Charlotte de Witte. “On the Selected EP people will find the straightforward Techno sound with the Acid twist, that I love to bring to the floor when I’m touring.”
“It’s counterpart, the Pressure Ep, is an extension of the mixes that I assemble for my BBC Residency.

A more ambient approach, that’s rougher around the edges.” “Both releases can be seen as an ode to the techno I love and cherish.” concludes de Witte. On the subject of the dual release Charlotte says “For me this duality is essential to explore my interests both as a producer and DJ. Therefore it also made sense to me to release them simultaneously, as we also combine our label releases with events and our weekly radio show.”

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New school Italian techno sensation Alignment is back with a third thrilling EP for on Charlotte de Witte’s KNTXT label that once again stands him apart.

Alignment's previous outings on the label - the Time EP in April 2020, then his Nothingness EP in November 2020 - made huge impacts. They are standout techno offerings from a young and exciting artist who has quickly risen to the top. He has remained hugely busy in the last 12 months with a wide-ranging sound that takes in everything from old school bangers to trance-tinged rollers via futuristic workouts.

Says label boss Charlotte de Witte, "Alignment's music has been strongly represented in all my livestreams of 2020 and 2021 and I honestly can't wait to finally bring his music and his latest creations on Power EP to the dancefloor. It's made to make you move and I'm very happy to have him on board once again!“

The artist himself adds, "The vibes we shared pre-pandemic on our beloved dance-floors inspired me a lot to create Power EP. I tried to focus on effective and highly energetic, peak-time techno weapons for KNTX011. Signature synths, big stabs and kicks following only one formula - no compromise and four to the floor.”

First up is Power, a high octane track with hard drums, slamming bass and bright synths that cannot fail to get hands in the air. The excellent 'Disconnection' has laser-like synths shooting across the face of the track while big, edgy trance stabs light up the barreling drums from way up above. 'Frequency' is another trance-influenced track that brings peak time energy to stomping and distorted drums. It is an emotive rollercoaster that never lets up and will make a mark on even the biggest dance floors. Last of all is 'Radioactivity' which has scuffed metal textures, crashing drums and strobe-lit synth lines that will turn every party into a rave.

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● Essential 14 track collection of "WaJazz" music selected and compiled by renowned Japanese jazz expert Yusuke Ogawa, owner of the Universounds record store in Tokyo.

● Gatefold 180g heavy double vinyl LP. Comes with extensive track-by-track liner notes by Yusuke Ogawa.

● All tracks licensed by Nippon Columbia, Tokyo, Japan.

● Mastering and lacquer cut by Jukka Sarapää at Timmion Cutting Lab, Helsinki, Finland.

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Universounds, HMV Record Shop and 180g team up for an exceptional release: from blazing hard bop to free jazz, to introspective saxophone solos and massive big band sounds, renowned Japanese jazz expert Yusuke Ogawa presents an essential 14 track collection of "WaJazz" music taken from the Nippon Columbia vaults. Featuring Jiro Inagaki, Minoru Muraoka, Hiroshi Suzuki, Hozan Yamamoto, Count Buffalo, Takeshi Inomata, and much more!

"Japanese jazz has been recognized and celebrated by music lovers worldwide for decades. The origins of this trend may be traced back to the rare groove movement that flourished in the 1990s, but its current deep and wide popularity seems to be connected to the fact that Japanese people have been reevaluating their own jazz since the mid-2000s, locally referred to as WaJazz ("Wa" meaning Japan but also theShōwa emperor period, from 1926 to 1989). Since the beginning of the 2000s, there has been a growing trend to move away from the DJ-focused perspective and to appreciate jazz with a deeper understanding. Nowadays, there is more and more interest in the background and roots in which jazz has developed in Japan, with Japanese jazz as a whole now considered as its own distinctive genre.

Of course, even if we speak about "WaJazz" as one genre, there is a truly wide variety of styles within it. However, when Japanese musicians play, there is something uniquely Japanese flowing through that creates a kind of synergy. It may be the melody, the rhythm, or even something deeper, like an inexpressible flicker. I would be happy if some of its charms and secrets emerge from the fourteen tracks included in this collection." (Yusuke Ogawa)

Yusuke Ogawa has been running the Universounds store in Tokyo since 2001, specializing in jazz and second-hand, rare, and collector records. He is also a reissue supervisor, label manager, DJ, and music writer. Known for his vast musical knowledge, eye for detail, and archival skills, Ogawa has worked on more than 250 reissues and compilations – including the highly praised Deep Jazz Reality and Project Re:Vinyl series. He is the co-author of the Wa-Jazz Disc Guide and the Independent Black Jazz of America books.

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Remixes by Conrad Mcdonnell ( one half of the Idjut Boys) of the classic Cantoma track ' Alive' . Deep , spacey and dubby grooves aimed squarely at the dancefloor

Originally pressed in 2022, as a vinyl-only release, an edition of 100 fluorescent green 12” and sold exclusively at venues in the USA as part of Luke Vibert & Posthuman’s I Love Acid tour, never made available anywhere else. This second edition repress is in randomly assigned cobalt blue, solid orange vinyl, or split red/black with multiple differently coloured labels.

On the A side - Luke Vibert is “Still In Love” with acid lines & breakbeats here as a sequel to his classic anthem. “Android Webber” strips it back to pure 303, 808, and JX3P analogue action. On the flip, Posthuman opens with the fierce ravey electro of “Grad” before seeing on the 12” with some signature acid slo-mo chug in “Forever Circles”

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2024 REPRESSED !!

Crash Course in Science are a post punk band that formed in 1979 in Philadelphia.The band members, Dale Feliciello, Mallory Yago and Michael Zodorozny, met while attending art school. They began to experiment with crude electronics and off-beat writing. CCIS avoids conventional instrumentation by using toy instruments and kitchen appliances to augment the distorted guitar, drums and synthesized beats.Their first single, 'Cakes in the Home' was released in 1979 and their 4-song 12'' EP ''Signals From Pier Thirteen'' in 1981. Pier 13 was an abandoned coal-loading pier along the Delaware River near where CCIS rehearsed. The band went there often and was inspired by the huge silent machinery, shapes, shadows, ghosts and debris. The songs 'Cardboard Lamb' and 'Flying Turns' quickly became club favorites during the early 80's. This EP's raw, percussive sound influenced both techno and industrial music in later years. CCIS feel a strong connection to Throbbing Gristle, although they consider themselves as working in a parallel universe rather than being influenced by them. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl is housed in the original jacket featuring stark black and white photos of Pier 13. Each LP includes a double sided 11x11 insert with lyrics, photos of the band and the atmospheric pier. Crash Course in Science go above and beyond what is considered 'New Wave' in attitude and sound.

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A Periplus around mediterranean savors from Pellegrino on his debut mini-album, a multi-flavored cocktail of fast-moving disco groovers, spacey jazz-fusion experiments and sun-bleached funky melters .

2024 REPRESS

To understand the significance of the word 'featuring' on Featuring Pharoah Sanders And Black Harold, consider how infrequently Sun Ra used it and the exact way it had been used. The October Revolution in Jazz, organized by Bill Dixon in the West Village in 1964, presented a vivid cross section of approaches to the new music, including a sextet led by Ra. For the October Revolution's continuation, titled Four Days in December, held at nearby Judson Hall on the last days of 1964, the Arkestra performance presented Pharoah Sanders as well as a flautist (who was and remained obscure thereafter) named Harold Murray, nicknamed Black Harold. It wasn't until long after Sanders had achieved worldwide acclaim with John Coltrane that Ra and manager Alton Abraham decided to issue the music they'd recorded at Judson Hall. After its first release in plain or handdecorated covers in 1976, Featuring Pharoah Sanders And Black Harold remained an exceptionally rare item in the El Saturn discography, known to a few lucky collectors. We're lucky to have this glimpse of what Sanders sounded like in such a different context, galvanizing the large group and in turn being inspired to make his first significant contribution on record.' —John Corbett (excerpt from the liner notes)

Andi Otto’s Bangalore Whispers gets finally repressed. The psychedelic track which he recorded together with the Indian singer MD Pallavi in 2016 has become a hit in the downtempo scene around the globe (“Saaaa - resa nisa”). Pingipung press a new edition of the much sought after single on the occasion of their 20th label anniversary. In this 2022 edition the original track is paired with the Peter Power remix which has not seen the light of day on vinyl before.The Brazil-based producer slows the track down a notch and adds even more space. A perfect tune both for the dancefloor or meditation.

Seclusion Finally Arrives on Vynil Format, With a Massive V/a Including Label Artists Productions and Remixes by No Less Than Ben Sims & Mark Broom.

Effective Banger / Funky Techno at the Result. Limited Pressing.
No Repress !
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2025 Repress

finally repressed !

ARCHIELONG LP album consists of 8 intensely rolled tracks dating between 2012-2020. The release unfolds on 4 discs of 180gr, with gatefold covers, coated in Sani Stranskiʼs artwork.

Throughout ARCHIELONG LP, we are absorbed by what typically characterizes his narrative: a peculiar style of story in constant development. Structure and flow are a hallmark feature of his selections, adding one more trippy, eerie minimal style on top of the other, creating a rich and quirky haunted sphere.

A – The opening track, I HEAR VOICES THROUGH THE PIPE sets the scene for whatʼs to come, stirring the imagination with its dreamy, cinematic, organic sounds in disguise. The track provides a guidebook to distilling story, emotion and image into sonic form.

B – EXCESS ALL AREAS – hypnotizes the dancers with endless, reverberating grooves and a punchy 4/4 beat, introducing the audience to his gloomy world of emotions.

C – LA MANIA – lights up some dark pitched atmosphere around you and makes you feel like you are on the mythical La Mania club dancefloor in complete harmony, surrounded by strange and beautiful trippers. The song is like a painting, with frames that evoke flashbacks.

D – NEW LIFE – is a perfect minimalist setup of a percussion loop, throbbing chords and a sinewy walking bass, and itʼs almost intimidatingly heady. Its militant kick and incessant hi-hats propel the beat – definitely a dancefloor highlight.

E – MELODROM – percolates with Latin percussion and shuffling snares, which commingle with an array of voices and whispers that come from every corner of the song. From toolish to melodic, itʼs the diversity that creates the magic.

F – SING AND RUN – is one of those tracks that gives you nostalgia and reminds us of early mornings at the end of the party when the sun would be coming in through the windows and the dancefloor was in total harmony. Could easily cast a spell with the right audience.

G –RUMBLING DREAM – is a ritualistic-sounding slice, crossing towards the kind of slow-burning, atmospheric cuts that doubtless inspire his intricate studio productions. The vocals are unusually illustrative and make a lasting impression.

H – KLAUS DID IT – is an intriguing interplay between dark functionality and high velocity grooves — the type of deep, trippy, IDM-tipped tunes. Its warped tones are forming dank, lurching rhythms that trap you like a spiderweb, venturing into a bizarre, rewarding territory. The conclusion? You can spend a decade honing a very particular personal vision and not run short of inspiration. Mihigh is a world-builder: everything he does is about further extending and reinforcing that world.

ARCHIELONG LP is capturing the beauty at the intersection of experiment and perpetual learning

Limited repress of this amazing record! Subradeon makes this first EP on their own imprint with a special remix from the well know collective SCAN 7. Timeless and direct, fully inspired by the cities of Caserta, Berlin and Detroit.

2024 Repress

Official repress of Japanese left-field wave/experimental album produced by Yasuaki Shimizu. comes with Obi.

Wicked leftfield disco and Japanese pop. 2021 repress in clean condition with obi! Check for instance "Exotic Dance"

Standard BLACK vinyl repress, DL card with bonus live track. Note new price. The final instalment to the trio of masterpieces from the legendary British rock group. Treading more progressive realms ‘Who Will Save The World?’ sees Tony McPhee moving away from the blues territory of their earlier releases and towards a heavier more psychedelic sound. Achieving Top 10 album success back in 1972, ‘Who Will Save The World’ is the last record that features the classic line up of Tony McPhee, Pete Cruickshank and Ken Pustelnik. A definitive collector’s item as part of the ongoing Fire Records catalogue campaign. This special reissue features the iconic artwork with sleeve notes and an interview with the original Marvel artist Neal Adams. Also includes a bonus download of an unreleased live recording from their final live show in Pocono, USA.

2024 Repress

Rotterdam based artist ''Ben Buitendijk'' has been around for quite a while now. With a string of releases of labels such as ''Ogun Records'', ''Eshu Records'' and appearances on the mighty ''Field Records'', the time has come for Ben to launch his own imprint. Inspired by the city of Rotterdam and his love for anything architectural, Oblique was founded. A label that is designed to cater to Ben's vision on the overall electronic landscape and to display his love for well thought out drum patterns with dense long-stretched builds and strained atmospheres.

''Venomous EP'' comes in a package of three extended techno cuts with a certain corresponding theme. As the title might suggest, all cuts have a certain
touch of hazardousness to them.

''Black Mamba'' is best explained as the experience of poison slowly creeping through one's veins and leaving an irreversible trail of destruction.

''King Cobra'' feels more boisterous than it's predecessor. Again, a long repetitive build keeps on changing into a slightly psychotic state of being while razor-sharp bits of synthesis tickle the listeners brain like when undergoing acupuncture.

''Stingray'' is the final cut of this first ''Oblique'' effort. Whilst maintaining the corresponding ''Venomous'' theme, the last endeavour is a thumping outcry of muscular drums, a ponderous bass shot, and haunting pad sounds that together create a dystopian character. As an extra, Ben has thrown in an ominous locked groove that should be useful in adventurous club settings.

2024 Repress

Three emotional years in the making, Be With and Efficient Space finally present Steve Hiett’s Girls In The Grass. Pressed alongside the long awaited reissue of his one-shot masterpiece Down On The Road By The Beach, these ten balearic soul instrumentals are of equal necessity; unrivalled beauty rescued from the fashion photographer-guitarist’s Paris Tapes (1986-1997).

While recordings unintended for release should often be approached with caution, this is a rare case of unheard material being assembled as an indispensable and coherent piece. Girls In The Grass is something super special. The light and shadow that defines Hiett’s music is arguably more compelling here. It speaks to us in a language that feels profound, yet entirely comforting and familiar.

Girls In The Grass reintroduces Hiett’s languid electric blues boogie, crafted on Saturday afternoons with fellow art director Simon Kentish. Kentish would cook, pour some wine and then utilise his arsenal of technology. He’d dial up a chugging rhythm, together with some ambient pads or keyboard textures, and anchor the weightless gauze of Hiett’s six-stringed touch.

Hiett’s guitar sings with the same clean, crisp tone as Down On The Road, animated by a carefree weekend groove. Unlike his defining album which was boiled under pressure, these subsequent sessions have all the time in the world. The naïve melodies chart a missing link between Vini Reilly’s ventures into electronica and Booker T, sounding like sun-warped takes on wordless, fractured non-hits from his heroes The Beach Boys.

Remastered for public pleasure by Simon Francis, these private moments are adorned with Hiett’s singular photography and feature typically idiosyncratic liner notes from Mikey IQ Jones

180g Repress!

2024 Repress

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Cerrone steps up for a new single, cut loud and proud on either side of a 12 inch on his own Malligator Préférence label. In the words of the main man himself…

“I composed ‘For You’ with the desire to get back to all the musical sensations I've experienced in 50 years; to translate all that makes the universe, emotion and sensuality about Disco Music. To do so, I chose to record with real musicians (pianist, string and brass sections, etc.) that were playing live, while taking the best of nowadays's recording and production techniques. I really made this creation which is a musical voyage For You. Enjoy!” - Marc Cerrone

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This is Love & Resistance by Crooked Man.
His first single on Vicious Charm and now available on vinyl.

Love & Resistance is 9:59 of beautiful electronic soul music. The dreamy vocals come courtesy of Carmen Squire. A perfect combination.

While the A-side oozes class & sophistication - the B-side is a different beast entirely. Nemesis is a dirty, sweaty mid tempo club track that is hard to resist.
Nemesister is the more dubbier sibling.

Released digitally in January the record was loved & admired across the DJ spectrum.

Honey Dijon, The Blessed Madonna, Luke Unabomber, Tim Sweeney, Luke Solomon, Gilles Peterson, Roisin Murphy, Nick Fanciulli, Fred Everything, Colleen Cosmo Murphy, Andreas Baumecker & Bill Brewster all showed it some love…

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Everyone's favourite virtual band with 2 more of their biggest tracks on very limited 7" vinyl.

Special limited edition "10 years of 22a" repress of Ruby Rushton"s genre-busting debut LP "Two for Joy" - a key album in the rise of UK jazz. One-off pressing of 300 numbered copies, transparent red vinyl. The essential 2015 debut album from the Tenderlonious led jazz outfit - Ruby Rushton. The album tore up the rule book at the time and is a reflective, instrumental composition, nuanced by a fusion of jazz, afro-beat, hip-hop and electronic influences.

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Along the west coast of Co Kerry in Ireland you will find the amazing Valentia Island.

Attached by a bridge to the mainland, it is a place of beauty touched by years of history and the songs of the sea.

I managed to obtain a house there for a few weeks, I took my computer and mic with me not knowing what to expect when I got there. In one of the rooms sat a piano, and as my fingers touched the keys I knew there was a story there waiting to be told.

The sound of the piano in that place was something very magical as 100mph winds battered the house and interrupted my recordings.
Other material has since emerged from those days spent on the island, but the main body of work that I recorded there makes up this album that I now present to you.

Album support from: Gilles Peterson, Skream, Laurent Garnier, Patrick Forge, Jean-Claude (IF), Soulclap, Joszif, Makoto, Breach, Flight, dBridge, Doc Scott, Trevino, Craig Richards, John B, Klaus
Fiehe. Mr Scruff....

2024 Repress

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Official re-release of this 'lost' 6-track mini album by New Yorker Ben Cenac (of Newcleus fame). Recorded and released in 1990 and is an absolute gem of a record - very much in the vein of Larry Heard's best recordings. MASSIVE TIP!
Electronic soul classic! Now available again for the first time in 22 years, remastered + full artwork.

2024 Repress

Alleviated Records is proud to present the re-issue of the "LooseFingers" EP and to introduce (or re-introduce for some) the original name that Larry recorded under before it was modified to Mr. Fingers in 1985. This EP contains 3 great selections. First the romantic and soothing mid-tempo "Glancing At the Moon." If you enjoyed selections like "What About This Love" or "Children at Play" from Larry, this will most likely be to your liking. Next up, "Lamentation" a more experimental and tracky kind of tune that should provide an enjoyable experience for DJ's and people who like harder dance flavors. The "B" side gives us "Deep Inside." Larry's mellow vocals are featured along with Atlanta talent, Justin Chapman from KemeticJust on guitar. If you enjoy quality soulful deep-house music with jazzy influences, you will most likely want to add this EP to your collection of Larry Heard releases. Enjoy!

2024 Repress

Alleviated Records is proud to present a remastered re-issue of the second installment of the ''LooseFingers'' EP series. This EP, produced by Larry Heard contains 3 selections; on the 'A' Side; ''When Summer Comes'' If you enjoyed tunes like ''What About This Love'' Mr. Fingers, you'll like this great dance-song with a summer feel that should provide a great musical backdrop to any summer event. On the 'B' side ''Acid-Bounce'' an acid-track.. which should be a surprise to many since Larry has not really done a lot of ''tracky'' things in recent years. It should be fun for DJ's to get creative with too! ''Transmission X'' is another acid-style track that DJ's and dancers alike will probably enjoy!!!. DON'T MISS IT!!!

2024 Repress

Steve Rachmad's richly melodic strain of techno has resulted in a huge body of work he has been growing since the early 90s. His sound is the perfect distillation of machine soul - dubby atmospherics and crisp, danceable dynamics balanced in perfect unison. Amsterdam's Delsin Records gathers together some of the Dutch techno figurehead's most important, sought-after works in a new EP series, all remastered from the original DAT tapes from Steve's archives. His flagship Sterac project is present - most notably the Asphyx EP, with a long-standing titling mistake now rectified on the iconic 'X-Tracks' comes first. Four absolute classic Sterac works dating from 1995. The Delsin Sterac series will focus on long-awaited represses and hard-to-find deep cuts from the Rachmad archives. Adding to the weight of this series, the accompanying artwork is being created by Boris Tellegen, aka legendary graffiti artist Delta who first began designing sleeves with Secret Life Of Machines. Since then he created many works for labels including Delsin.

2024 Repress!

Die erste LP ist immer ein Grund zu Feiern, und mehr noch auch ein Grund für freudige Erwartung (auf mehr): nun also, Respekt Leute, denn es naht die Premiere: die erste LP von Marek Hemmann, dem vielseitigsten Elektrotüftler diesseits der Saale.

2024 Repress

Some proper intergalactic acid techno jams right here expertly executed by Lorenz.Audio on the Clone Basement Series.

2024 Repress


Farfalla Records presents its new compilation Amplitude - The Hidden Sounds of French Library. 12 tracks exclusively recorded for professional use between 1978 and 1984 in France.

Dive into the universe of the early 1980s with colorful sounds and catchy rhythms from talented musicians from the French scene, composing and arranging both for library music and variety, and accompanying big names in French music.

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4 To The Floor continues to champion heritage tracks with Volume 6 of the Classics 12” series, ‘The MK Mixes’. As one of the most in demand producers of the halcyon period of house in the early 90s, this special delivery features three gems from MK’s impressive catalogue of remixes.

Kicking off the A-Side MK remixes 4th Measure Men’s ‘4 You’, as his signature 90s-era bumping bassline, sax accents and vocal chop come into play, features typical of all his very best work. Up next the trademark MK sounds continue, as his deep and grooving mix of ‘Free Your Mind’ by Geoffrey Williams powers through the speakers.

On the flip MK’s Club Mix of ‘I Never Knew Love’ by house legend Chez Damier rounds off the release, as this 12” package offers a masterclass in remixing from one of dance music’s most loved artists.