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repress !!

10" Repress

Nostalgic rave cuts produced by an anonymous stranger from Rotterdam - pressed on clear transparent 10" vinyl. This release clearly reflekts the artist's passion for the haydays of the '91/'92 Hardcore Rave movement.

Strictly underground funk, keep the crossover...

Repress!

As Sure As Night Follows Day is Russell Haswell's landmark second album for London's Diagonal Records. Consolidating a quarter-century at the coal face of extreme computer music, techno and death metal in 19 tracks and 49 minutes, it's Haswell's most coherent yet varied burst of activity to date — zigzagging from improvised n0!se outbursts and asphyxiated R&B to a brace of thundering acid bullets that positively froth for the 'floor.

The album was extracted over a fast-working period in late 2014, and is best perceived as a sort
of fractured regression to his formative influences: you can hear the picnoleptic recollections of
grindcore shows in the Black Country, the refracted shades of mega-raves at Coventry's Eclipse,
the conflating toxic texture-memories of early Japanese noise, and the incandescent stomp of
Mills and Hood in that early 90s phase.

Fortunately for the ravers, this album includes some of Haswell's most direct dance floor attacks to
date. 'Hardwax Flashback', for instance, finds him in pure tekno panik mode — a four-to-the-floor
wrecking ball groove that someone, somewhere, may even be able to mix. 'Gas Attack' distils his
penchant for all things Belgium into a vicious strain of New Beat lactic acid. Haswell then doffs his
cap to Detroit electro legends Drecxiya on 'Underwater Electronic

Struggle' — a story goes that he once thrashed a jet-ski all over the Mediterranean while listening
to 'Wave Jumper' in his 'phones — before he does the salty freestyle electro flex 'ting on 'Industry
Knowledge (For Oscar)' while reminding his trusty apprentice, Powell, that he still has a lot to
learn. In between these 'floor-flexers, we find more freakish disturbances and intrusive drum-box
improvisations: the modular mind-floss of 'Rave Splurge Noise' or 'Noise Rave', for instance, or the
self-explanatory 'Improvisation #1'. 'In The Air

Today' investigates warehouse-ready electro-acoustic percussion, while the chaotic clusters
of 'Interlude' swarm and invade your senses with psychoacoustic incision. This is Diagonal and
Russell at their most f**ked up and fizzy, and an important reminder of the artist's stream-of-
consciousness genius — and the pressing need for more chaos and unpredictability in electronic
music today.

Repress

After various collaborations on some big dnb labels Overlook has his first own 2track EP out on 31 Recordings.

Finally repressed!

Bond commander ''Petter B'' lands on Planet Rhythm with a bombshell record that contains 3 staggering originals
and a fierce Re:Axis remix. The opening effort ''CC21'' is a rough repetitive pacer that will definitely turn some heads.
''Transporter'' serves as a vibey yet evolving piece of work that builds up the tension but let's go every now and then.
Protoportal is yet again a repetitive grower with a somewhat less dark build as the opening tracks. ''Re:Axis'' closes
down with a robust rework of transporter. Belter record.

Part 2 of Editors Kutz 005 pressed on Purple Vinyl feat cuts from JKriv / Noodleman / Riccio & EmVee who round things off nicely.
With edits and reworks on little known or impossible to find originals, and some beloved classics, this release covers various disco styles, keeping the right balance between the up-tempo and low tempo vibes. Limited Repress act fast.

Killer funk from the Henry Stone's Miami vaults...
1972 classic repressed and remastered for 2014 in original artwork as a dinked 7". Heavy duty dancefloor nugget! Official re issue.

REPRESSED

An ultra-pitch non skip DJ scratch tool on vinyl by Ritchie Ruftone, with one side at 100 bpm and the flip side at 133 bpm - includes non-skip drum loops!

Repress!

"Il corpo" is the last one of Luigi Scattini's trilogy, which started with "La ragazza dalla pelle di luna" (1972) and then continued with "La ragazza fuoristrada" (1973). Umiliani's music privileges jazz and funky moods, dominated by the Hammond organ and wah wah, alternated with languid and almost "sleazy" instrumental ballads. This soundtrack finds its strength in melancholy, but also in drama and tension.

BACK IN STOCK NOW!! "Volume One is the debut album. It was the only album recorded with original guitarist Justin Marler, before he became an Orthodox monk. Volume One showcases a darker sound and stronger doom metal influence than Sleep's later work. The image featured on the cover is taken from the Salvador Dali painting "Soft Self-Portrait with Fried Bacon".
Their only album as a four piece of Al Cisneros, Matt Pike, Justin Marler and Chris Haikus

LP repressed for first time in many years.

allmusic
"For all their budding, precocious talent, Sleep's 1991 debut, Volume One, quickly betrays their still quite heavy debt to doom metal forefathers like Black Sabbath, Witchfinder, and Saint Vitus. Driven by Matt Pike and Justin Marler's lumbering mass of low-tuned guitar riffs, Al Cisneros' (still going as Luke here) serpentine bass and ragged screams, and drummer Chris Haikus' cyclopean kit pummeling, occasional highlights such as "The Suffering," "Nebuchadnezzar's Dream," and "The Wall of Yawn" prove less memorable than they are sensorially overwhelming. And yet, ironically, Sleep's rhythm guitars would never again be kept as under control, nor would their leads sound quite as refined as they do here (see the cleaner harmonies employed to good use on "Numb" and "Catatonic," for example). This was probably due to the onetime involvement of the significantly less stoned Marler, who would soon exchange the group for a monastery where he would study to become a monk. Fittingly enough, however, losing the versatility of a second guitarist was exactly what Sleep needed to focus their singular power into a crushing force, and the remaining trio would flourish immediately behind the sheer physicality of Pike's six-string style, as proven by 1993's superlative sophomore LP, Sleep's Holy Mountain."

Finally repressed

Deathchants own Hellfish returns on the XTRM output from PRSPCT. Expect his trademark chopping, cutting and powerfull kicks. Mayhem guaranteed!

Repress!

THE BROTHERS first caught our eye in 1975 with the release of their RCA album Disco Soul featuring a cover version of Carl Douglas' King Fu Fighting', an instrumental take on Barry White's You're My First, My Last, My Everything' and, of course, the superb Are You Ready For This'. Blackpool Mecca were certainly ready as it soon filled the floor and, 40 years on, it's still filling the dance floor. Vying for attention are The Trumains with their 1977 New York smooth disco anthem Ripe For The Pickin'', their final recording.

Serious heat alert! Ridiculously rare sun drenched funky Soul from the mythical Raw Soul Express....

"The Way We Live" is as flawless as it gets, a superior piece of sweet Soul music from all the way down there in Miami, ultra sought after in it's original 45 issue & featuring some absolutely stellar production from the underrated George "Chocolate" Perry this record is an instant party starter! Featured on the mix-tapes & in the play-lists of some of the most discerning crate digging DJ's out there & an OG 45 will literally cost you an arm & a leg ($600 plus) this total gem of a record gets an overdue repress in it's original form. Essential!

Backed here with it's original b-side slow jam "This Thing Called Music" this ultra-rare 45 has been re-mastered, re-pressed & brought back for 2015's dance-floors in conjunction & with the permission of T.K. Disco / Henry Stone Music, Miami USA.

An efficient good Tribe hardtechno killaz. Nice one. (no represses since 2003) !

Riding on the back of a surge of interest in De La Club, the debut LP from Hold Youth, comes a smartly picked repress of House don Nail. While the duo is known for their eclectic vision of dance music, the first repress on the label I've Been There EP is in fact an exemplary example of straight-up, no-fuss House. Enjoying a modest comeback of late both as a producer and DJ, Nail originally released Full of Beestone Promise EP on DIY Discs in '97. The stronger two of the four tracks will be repressed one on each side, 'Our Love' and 'I've Been There', distinctive for its melodic vocal and recent inclusion in the Apollonia fabric 70 compilation.

While we have become accustomed to Hold Youth's diversification of sounds with the current LP, I've Been There reminds us that a pigeon-holable classic can be highly refreshing.

Repress

Second Editions series continues where the 1st stopped with with another 4 track banger. Feat. D.D.R. A.P & Austin Corrosive / Tassid, Chris Liberator & Sterling Moss, MK303 vs. OB1

Finally repressed

MAYAK a stricly vinyl record label, is a part of the occulti music family. We are exploring deep house and techno vibes, remembering that not names, but high quality music is primary key to good experience for DJ's and listeners. That's why we promise to deliver long playing tracks on heavy vinyl records, so DJ's can keep the needed atmosphere. We believe that infinite loops with specific mood is the best way for people to feel what DJ's play and want to say through their sets. That's what we do.

Repress

Part 1 of Slam's Reverse Proceed Interpretations with reworks from Planetary Assault Systems, Flug, Edit Select & Slam themselves.

Confirmed Press & Promo:

Press - * DJ Mag, Mixmag, Tilllate, Raveline, Groove, Daily Record, Edinburgh Evening News, TopDJ Ua, Nightshade Mag, Nitebeat, Posivision, DJ Times, Time Out NY. Sound Effect Magazine

Radio - * Carl Cox Global, Laurent Garnier Radio, Kiss 100, Ministry of Sound, Galaxy Network, Radio Scotland, Dinamo FM, Acik Radio, BBC Radio Ulster, Future Radio, Reconwarriors, The Beat Delivery, Anton Banks, XM Satellite Radio, RTE. Dance Under The Blue Moon (Anja Schneider), WHCR, KVRX, Power FM, Dinamo FM, Rise, Pulse Radio, Proton Radio, BBC Radio Cardiff, The Radio Dept, Fresh FM (Holland), Mystic Vibes (NYC), Show B, An Taobh Tuathail, RTE RnaG, Untitled Music, Ibiza Sonica, 88.1FM WESU (USA), Sutil Sensations. Global Dance Sessions

Online - * Soundwall.IT, Ibiza Voice, Radio Magnetic, Mixxradio.fr, CHRY, WESU, Untitledmusic, Ibiza Global Radio, Paris_One Reverse, Doce Pulgadas Spain, Ibiza Sonica, Andres Aguirre - KVRX student radio, FACT, Little White Earbuds, mnml ssgs, Gridface.

There is something singularly unique and peculiar in the degree to which seemingly unsettling themes and extreme taboos have been explored, most notably in the medium of film, in the land of Nippon. Free from the constraints of reality, notions of grotesque brutality, torture, fetishism, and sadomasochism, to name a few, have oftentimes served as driving motifs in the examination of the true nature of violence latent in the most repressed reaches of the human mind. Concurrently, in the realm of electronic music, many Japanese producers have often been able to cultivate and harness a daring yet distinctly refined and inimitable form of organized sonic chaos, one almost instantly recognizable to the occidental ear. The music of Tomohiko Sagae, and in particular his latest contribution to Furanum's catalogue, The Spurt of Blood, is perhaps a quintessential example of the confluence of the former themes and latter medium.
At the outset of the record, the beholder is faced with the 'Vacant Eyes' of a staggering monstrosity, a subdued and subjugated automata in the midst of a bleak dystopia, nearly lifeless but for the grudgingly conceded advance of its death march. As a battery of gratuitous aural violence led by a dominant synth is rapidly unleashed in the subsequent composition, a growing malaise transforms into fractured bone and psyche alike, with no distinction made anymore between the tearing of metal, flesh, or the fabric of the mind. Culminating in 'Severe Pain', with limits of endurance breached and descent into madness the only seeming form of respite, relentlessly rolling drums and hauntingly sublime howls provide the context for the dawning realization of pain as a virtue in and of itself, when a demented pleasure and the exhilarative liberation that lies therein begins to emerge. In the final act, reinterpreted by Furanum stalwarts Uncto, roles are tellingly reversed as the vacant eyes of the victim become that of the oppressor. With cold-blooded precision, the original is reengineered into a force of merciless domination, its elements machined and recalibrated for pure power.Words: PSD

Repress

The second of the three vinyl EPs featuring tracks from Perc Trax's 'Slowly Exploding' compilation groups together three of the label's main artists and closes with a producer making his Perc Trax debut. The A1 slot goes to label boss Perc, whose 'Hyperlink' builds on the sound of the dancefloor tracks of his last album with a huge kick giving way to swooping 8-bit chords whilst Sawf's 'Goves', already tried and tested by Perc over the last few months is an unrelenting breakbeat monster. On the B-side Truss delivers one of the stand-out tracks of this series, with the Surgeon supported analogue juggernaut that is 'Brockweir. Closing things off is Drvg Cvltvre, who lowers the tempo but not the intensity with one of his trademark 303 workouts.

REPRESSED !!
Tim Xavier's newest imprint looks to cross the boundaries between House and Techno, this time featuring Jamaica Suk with her Spektrum EP. Stepping into harder Techno territory the up and coming artist brings a solid 4-track EP with style and flair like none other.
Born and raised in California, Jamaica Suk has always been surrounded by music playing many instruments as a child. In her teenage years she began to play bass guitar in many Math Rock and Shoegaze bands. After becoming frustrated with the conflicting ideas of band members she would eventually find a new love in electronic music.
After enrolling in audio engineering school in San Francisco, she quickly became a known force within San Francisco's electronic music scene. Once she completed her audio engineering studies she decided she wanted more. Traveling around the world following her Techno dreams, she would eventually find her new home in Berlin where she has built her own fully functioning production studio at Salon Wilde Renate.
Jamaica makes her vinyl debut on Face To Face, following her Embers EP on Coal Recordings. Her sound can be described as sexy and sophisticated contemporary Techno but still packing a punch that puts it perfectly in line for prime time sets. The 4-track EP with a bonus digital only track explores all her ideas as a musician and artist including taking inspiration from her rock roots with gritty raw elements.
Already highly respected amongst her professional peers as a tour de force of creative energy and drive. There is nothing this woman can't do, as all her work is produced and mixed solely by herself. She continues to push the boundaries of Techno music while staying true to herself as an artist and it's through this determination we're sure to see more from Jamaica as she continues to evolve.

2024 Repress
Zum 25-jährigen Nightmares On Wax Jubiläum veröfffentlicht Warp alle LPs noch einmal neu als edles Doppelvinyl mit Downloadcard im Gatefold mit bedruckten Innentaschen und neuem Sticker. "In A Space Outta Sound" aus 2006 markiert Evelyns Rückkehr zu seinen Soundsystemwurzeln. Das Album enthält den Fanfavoriten "You Wish", das dubbige "Flip Ya Lid" feat. Ricky Ranking (The Bug/Roots Manuva) sowie das soulige "I Am You" feat. Mozez (Zero 7).

finally repressed

DYAD is a collaborative music project and label by Ben Gibson and Fundamental Interaction. For their first release they bring two pieces of accomplished techno as DYAD together with a remix by Japanese legend Takaaki Itoh.

Repress

Deathchants own Hellfish debuts on the XTRM output from PRSPCT. Expect his trademark chopping, cutting and powerfull kicks. Perfect blend with the usual XTRM terror. Boom!

finally repressed!

classic release from 1999 brought to you again on musique unique!

played by villalobos & väth !!!

Classic Chicago tracks from the golden age of Wild Pitch from the legendary pioneers, DJ Pierre, Roy Davis Jr, Felix Da Housecat and Danell Dixon. The dance stompers are edited by NY House producer, DJ Duke.

Remastered and Repressed in conjunction with Power Music Records.

After great success of 2 previous releases, 'Sound Of Vast ' is now about to hit 3rd release. The producer of this deep monster is one of the most respectful Japanese artist, and Womb's resident Dj 'The People In Fog (aka DJ Sodeyama).'
Even though DJ Sodeyama is more known as techno producer, The reason that Sodeyama used the other nickname was, As you could guess from poetic sentence, to express his music in more deeper and emotional ways, he even choose EP name as 'Deep', also, all the track's titles contains the word 'Deep', funny but straight forward way of thinking, if you want to deliver right moods on the dance
floor, by not only sold beat but also unusual emotions that come from organic percussion, this whole EP will give you the answer.
As usual of SOV policy, this EP contain one each of exclusive digital, and vinyl only tracks, this time, 'Deep
Woods Remix' chosen as vinyl only exclusive, the remixer 'Elbee Bad' is the legend of US House, as known as 'The Prince Of Dance Music', if you are fan of Rush Hour Records you should be heard about his name, as he is one of the be loved, and featured artist from the label. His remix of 'Deep Wood' is indeed funky and sexy, one more reason to have this vinyl in your collection.
Lastly, this EP will pressed 500 copies only with out repressing, quicker people will have a benefit as usual.

repress

The third output for the PRRUKBLK series is a special one. The Planet Rhythm team came up with an all-star line up consisting out of Rotterdam techno-stalwart 'Bas Mooy', LA based Modularz Head Honcho 'Developer', Berlin resident 'P.E.A.R.L.' and newcomer 'Von Grall'. Developer opens up the A side with a repetitive quest called 'Clench Of Fist'that lingers on and contains minimal yet powerful changes. Berlin Based P.E.A.R.L. delivers a somewhat harder effort with 'Ordeal III' Bas mooy opens up the B-side with the utterly rugged 'Thorfytt' newcomer Von Grall closes down the 12'' with the mystic 'Under A stone'

After the killer first EP, Somewhen is back with another stunning work on his own label SANA.

The follow up 12' from Somewhen's SANA tetralogie contains four drifting electronic tracks.
On the A side starter "Nimbus" is followed by the rite "Altar". Banned on the flipside electronic killer
"Ecsit" merges the sound of Somewhen while "Koppernigk" isolates our view.

Unknown number, no repress, no digital download.

REPRESS! 'Sonic Mass' is a dark, grandiose & utterly monumental' KKKK Kerang, 'Heavy, tribal, rumbling rhythms meet searing anthems...one of the uk's greatest ever bands' 9/10 Metal Hammer, 'Captures the intesnsity only matched by Neurosis and Killing Joke' - Terrorizer, 'a masterful work' - Zero Tolerance, Sonic Mass comprehensively re-establishes Amebix's innate ability to rip your head from your shoulders' The Quietus
Color Vinyl + Pic Sleeve

Repress

Rarely you come across a record which embodies Dubstep so well that rallies the entire scene behind it. From the brosteppers to the deep heads this record has been getting love from all corners of the earth. We're talking about "Under Control" the latest outing from Germany's next top wobble aka Bukez Finezt. Its eerie intro sets the tone perfectly to interlude this hypnotic stomper. Once the sonic warfare is unleashed it'll transport you to a word of desolation, where aliens run rampant and technology has absorbed everything around them.
"You Don't Belong Here" & "Pace Yourself" are on a equal tip. 2 bigtime subloaded heavyweights that'll remind you that Dubstep is still very much alive and reminds us why we fell in love with this minimalistic bass heavy genre to begin with.

Here's what some DJ's had to say about Under Control:
"VERY NATTY!" - N-Type (Wheel & Deal)
"This one destroyed Contact last night" - J:Kenzo (Tempa)
"Three words.... Gun, Finger, Riddim." - Kaiju (Deep Medi)
"DUDE TUNE" - Megalodon (Never Say Die)
"System tune. Don't even bother playing this at home!" - TMSV (Artikal)
"Biggest tune of the year" - Tunnidge (Chestplate)
"One of the heaviest, most refreshing records of the year" - Compa (Deep Medi)
"Pfft more like OUT OF CONTROL" - Beezy (HENCH

2024 Repress

Apart from the obvious love for his musical talents, both as a producer and as a DJ, one of the reasons why we love Theo Parrish so damn much is his repressing policy. Unlike some of his peers, the man has no problem in repressing in-demand Sound Signatures from the past, and this time it's number 32 that receives a much-welcomed resurrection. The EP features singer Dummine Depores, first on the utterly hummable and soulful "Chemistry" track, and then on "Untitled One", a classically off-kilter Parrish number filled to the brim with sampling goodness and even a distant set of guitar riffs! Killers.

Repressed in Clear Vinyl!!
Another small limited run of one of the most succesfull Fokuzlp's. This time only Disc 1 & 2. This disc Features a very nice & Deep music roller from Zyonbase, still one of the fokuz Fav;s.. On the A side you can find the killer colab between Mathematics & Fx 909... The A side tune of this album

Repress!

Gost Zvuk is a new Russian initiative that showcases the best kept secret in Russian modern day house music. For the first effort Aleksei Nikitin comes up with an emotive 4 tracker that is bound to have you amazed by the richness of the sounds and the versatility of the EP as a whole. Recommended.

Repress

REPRESSED !!
Official Re-edition of Intelligent techno classic from 1993 by Stasis aka Soul 223 or Otherworld with great remix by Antigone like B12/Blackdog or As One released. Essential release with special Sleeve

Showcases acts who have performed at Something Cold over the years, + friends & allies. North America's minimal DIY synth explosion is represented by bands from East coast to West. LTD 200 repress.

Repress