Buscar:perfect

Honey...rich And Flavorful, Hitting The Deepest Sweet Spot.

Drivetrain (detroit, Usa) - Inside You
Label Founder, Derrick Thompson Sets It Off With A Primetime Floor Filler.
The Gravitational Pull Of The Bass Riff Encapsulates The Vocal Hook As The Keyboard Refrain Perfectly Aligns With An Aggressive Percussion Track.

Rennie Foster (vancouver, Canada) - Detroit City
Demonstrating A Much Deeper Persona, The Sultry Piano Sets A Moody Atmosphere. Luxuriant Strings And Expressive Bell Tones Conjugate As The Vocal Signature Pays Homage To The City Of Inspiration.

Melodymann (ghent, Belgium) - Nobody Else
Explicitly Designed For Maximum Body Movement, A Solid Percussion Theme Is Immediately Established. Soon An Animated Chord Progression Is Introduced,
Then Showered With Kinetic Vocal Samples For Amalgamated Electricity.

Mark Ryal (sitges, Spain) - Imperfect Perfection
This Elegantly Fluid Soiree Debut Parades A Sphere Of Warm Pads Throughout.
Articulated Harmonies, Elastically Weave A Blissful Sonic Terrain Atop An Unyielding Groove Framework.

In 2019, the World is shaking... our man Too Smooth Christ, prolific & sensitive composer invite to expand your body and mind beyond with its new release Emogreen Thoughts EP. Bringing you a good dose of Acid on one side, featuring two bangers flirting generously with Chicago House vibes and Detroit Electro gems, keeping the floor filled and your senses in orbit on the other side with two trippy, cosmic ambient sound scapes, perfect for creative excursions. The FUEGO 004 will come in a limited number of 300 copies, watch out!

Italian boss Wrong Assessment makes his Dynamic Reflection appearance with this 4-track EP including a Shifted remix of the title track.

You can hear the years of experience is in this well-produced and strongly written EP. The balance between the rolling drums and the uplifting percussion are capable of bringing listeners into a certain state of mind. The warm and melodic synths fit perfectly into many layers of each track, while Shifted gives it a more dark approach on remix duties.

Wrong Assessment manages to combine the label's vision and sound authentic and refreshing at the same time, causing him to stand out with this 40th EP on Dynamic Reflection.

Jauzas The Shining (Shipwrec, Last Known Trajectory) returns to New Flesh Records, this time accompanied by his compatriot Eliot Forin aka Foreign Sequence (D.KO Records, Concrete Collage). The unexpected duo delivers four unreleased killer cuts of high caliber for your own pleasure. Very Sci-Fi-esque "Talking Machines" takes place in a dystopian future and brings together a collection of powerful electro tracks incorporating elements of rawness, acidity, and melancholy at the focus of this intent.

In overture of the A-side, gloomy "Death By Fuzz" offers an epic collaboration between the two artists: the song fully illustrates the analog brilliance and dancefloor dazzling that they are able to. This heading jam picks things up with solid metallic drums while punishing percussions lift the track even higher until the end. Brainwashing "Painful Headaches" instantly following sees Foreign Sequence in a brilliant solo exercise where he unleashes the acid whereas a solid rhythm leads you to the dancefloor for some robotic and insane movements!

Side B opens with eponymous track "Talkin' Machines", a pulsating journey into processors and computer drivers from the French pair. Characterized by unhealthy melodies, pounding beats and cyborg noises, the cut merges fascinating sequences and dark atmospheres. With its astral pads, Jauzas The Shining's final song "Colombia" takes you on a cosmic trip, traveling at light speed through time and space thanks to mighty distorted FX. A rough ride, deep and intricate to destination unknown, the perfect future funk soundtrack for an no return exploration.

"Talkin' Machines" celebrates the collision of two worlds, two artists with strong universe and personality to become one entity. Rush on it!

apologia /ˌapəˈləʊdʒɪə/ noun: apologia; plural noun: apologias ● a
formal written defence of one’s opinions or conduct Introducing you the
name of the third release of Insulin. 3 original tracks made by
Damaskin. An artist who comes from Belgium. He is also known as
Seraphym Rhythm, his ambient side-project. This talented genius
offers here a real homeric journey, a travel through the abyssal depths
of his mind and the darkness of his music, thank to those hypnotic and
granular sounds with an incredible sound design, fabricated and melted
at perfection. In already hostile and tumultuous places, Codex Empire
is bringing the last hint of an overwhelming and chimerical
environment.

A world premiere of AI-generated symphonic music!

All three audio files are compiled from two live recordings with different microphone settings. The cover image is generated by algorithms trained with the following image searches: migration, mediterranean, boat, Libyan coast, EU. Different search engines were used. »Land der Musik« celebrated its world premiere on 7 October 2018 at steirischer herbst '18 - volksfronten in Graz, Austria. Commissioned and produced by steirischer herbst in cooperation with ORF Musikprotokoll.

A1. soundalikeStrauss (an audio reverse-engineering tool is used after the initial cross-fade) A2. AIstrauss (algorithms are trained with midi-files of Johann Strauss waltzes) B1. AImahler (algorithms trained with midi-files of Gustav Mahler symphonies) B2. (untitled)

A new standard of beauty. Artificial intelligence (AI) algorithms can now group photo pixels or audio waves into meaningful categories. This is similar to how our brain operates, yet the outcome seems distinctively non-human. At the same time it appears that the sphere of our appreciation and imagination may just have expanded. The question of whether we are still able to see and hear the difference between automated and so-called autonomous artifacts should be left to historians. On the other hand, producing this analog audio record with this image on the front cover really is an antagonism. A more appropriate medium might be a tracking chip of your online and offline activities generating customized results in real time—be it images, music, or whatever.

If AI is communist (to quote the libertarian Silicon Valley entrepreneur Peter Thiel), then this statistics-based technology might actually reinforce centralized monopoly capitalism and the coming crisis of inequality, just as it might accelerate into Deleuze's notion of the Society of Control. But it might also be seen and heard as a demo, a new standard of beauty, for the redistribution of wealth and for solidarity; in short as a utopia freed from exploitation, nationalism, and racism, liberating us from our own perception of this world. »Land der musik - The Graz AI Score« demonstrates how machine learning might help us to finally create the perfect Austrian national music identity. Yet in doing so, our ultimate aim is to get rid of the construction of national identities all together.

»God created man because he dreamed him. / But man forgot God and created the machine because he dreamed it. / At the end of the twentieth century, however, the machine has forgotten man. / Who could predict who or what she dreams of« (Friedrich Kittler)

Banging tribe sound, Mental and acid, progressive Vinyl perfect tool...
Sweet sound on this label taking his time to release pearls.

Dolly Dubs welcomes none other than techno royalty Dan Curtin to the label with four forward thinking cuts! In his signature, energetic idea-rich style, Curtin meanders from vibey electro to uptempo Detroit-esque euphoria, and from innovative techno to broken beat lushness. A perfect mini techno-journey!!!

It's easy to fall for a nostalgic approach to dance music, to cuddle oneself in the warm analogue sounds of late 1980's dance productions - especially with the heavy ongoing reissue trend going on. However, we have to stay focus: look out for contemporary sounds and means of production. Parisian producer Nathan Melja makes his debut on Antinote with an idiosyncratic three-tracker and our guess is that it sounds contemporary.

On the A-side: one tune: Deadrums. Both the name and the music speak for themselves. It's hard, it's efficient and at the same time, there's quite a lot going on, tiny bumps on the straightforward road to techno ecstasy. Nevertheless, Deadrums is a precise piece of machinery, an atmospheric banger, yes, but with deadly jaws made out of tempered steel to tear a dancefloor apart, piece-by-piece. On the B-side, Angels stands out as a perfect example of a song that has many dancefloor qualities but, like some of DJ Sprinkles' seminal recordings, turns out to be more of a late-night tale of urban wanderings on wet pavements (think Taxi Driver and its soundtrack by Bernard Hermann). Contemplative, melancholic and - let's say it - sad, its nagging melody can bring a little tear to the eyes of the most sensitive ones. Rounding up the 12' is Candy, a tune under the influence of bad boys like DJ Overdose, or Ghettotech legend DJ Assault - so that you can dry your tears.

It's Nathan Melja's first release on Antinote, but he's definitely not a newcomer. He's been around since Antinote exists, and we're glad to finally collaborate with him.

Last year saw The Last Poets celebrate their 50-year anniversary with the righteous, politically-charged poetic record, "Understand What Black Is". Now to continue the party, Brighton production-maestro Prince Fatty has reworked the album with a fresh twist and blend of smooth, dub-delights. Set to land on the 29th March, the revolution marches on - this is "Understand What Dub Is".

After Prince Fatty's involvement in the production of the original project, he was the perfect person to help update the record with five decades of experience for a new audience to enjoy. The ten tracks of "Understand What Black Is" depict a relevant, historical philosophy of identity and race that has followed The Poets over the last 50 years. Since the origins of the civil rights movements back in the late 60's, Abiodun Oyewole and Umar Bin Hassan (two of the longest-standing group members) have provided social commentaries and a voice to African-American consciousness that has now been heard on a global scale.

Their raps, exploitations and insights quickly evolved into the origins of hip-hop in Harlem, New York back in 1968, and now in 2019 they continue to voice their dedication to the cause with the backing of slick rock-steady infused beats to keep things moving. Having had their work sampled by the likes of NWA, Dr Dre, Kanye West, Snoop Dogg and countless others is just a testament to the timeless sounds and prophecy they have created, and now Prince Fatty has stepped up to put his stamp on it.

Prince Fatty's ever-reliable work gives "Understand What Black Is" another lease of life as he maintains an undeniably slick groove throughout. Both therapeutic and warm, the soulful rhythms of "Understand What Dub Is" provide the perfect platform for The Last Poets to delve into everything from Trump's inauguration, nods to Biggie Smalls and respect to Prince. The calm, collective and downright thought-provoking words go hand-in-hand with the roots-driven reggae medleys with ease - this is dub in its rawest form.

Not only do these songs explore personal struggles and individual endeavours, they also represent a collective of deprived aspects of humanity and socialism, that perhaps now need to be pointed out more than ever. Although there is a variation of sound, the overlying topics remain a constant - it is time to "Understand What Black Is" once more.

Mancunian Hidden Spheres has showcased himself as one of the most innovative producers out there, releasing across the likes of Lobster Theremin, Rhythm Section International and his own imprint Fruit Merchant, all of which have been the perfect outlets for his inspiring blend of house and jazz. Church now features as the latest addition, who continue their stellar discography with 'Words Can't Explain', a collaborative EP which sees Hidden Spheres alongside singer-songwriter and guitarist, Oscar Jerome.

The collection begins with the original mix, lowering you into slick jazz guitar licks and echoing vocals, before Hidden Spheres provides a tight groove to lock around the melodies in fine form. The hybrid creation of jazz meets house binds perfectly as warm keys hang effortlessly in the air and popping guitar lines carry you onwards, supporting the sublime vocal from Oscar.

The dub version opens up room for the guitar licks and synth top lines to take centre stage, a real opportunity to marvel at the arrangement here.

On the flip is Yu Su's rework who ups the tempo and dims the lights for a punchier rework.. The half way point welcomes a percussive led break before the hats return and pick up the groove once again, closing the 'Words Can't Explain' EP in style.

Although Itta (Vocals, Harmonium) and Marqido (Analog Synthesizers) have been regular fixtures in Seoul's experimental music community for years, the vinyl release of Spiritual reflects the growing international recognition of their singular sound, described by The Wire as 'meditative synthesized vistas.' Spiritual certainly embodies the meditative element of their music, layering hypnotic modular synth with Indian harmonium drone and Itta's transcendental vocals. This is more than functional music for the metaphysically curious, however. Perhaps more than any of their previous releases, Spiritual offers an open accessibility, owing at least partly to the channeling of krautrock-influenced rhythms. Tracks like 'Luft' and 'Morgen Tempel' wouldn't sound out of place in any DJ set with kraut or psychedelic leanings, while 'Barabonda' and 'Dodeuri' dig deep into a more meditative place, serving as perfect expressions of the album's title and intent. Fans of Neu!, Kraftwerk, Laraaji or Klaus Schulze might find themselves in a comfortable yet unexplored place.

Spiritual was originally released in 2017 as a limited-edition cassette of 250 copies, produced in collaboration with Seendosi, an arts enterprise in Seoul Euljiro district, the city's heart of printing, packaging and electronics manufacturing. The cassette sold out within a year of its production, prompting Extra Noir, who had previously released Tengger's 'Breathe In, Breathe Out' on their Extra Noir Vol. 1 compilation, to propose reissuing Spiritual on vinyl. Working with Seendosi once again, the result is a beautifully produced piece of work. Closely attentive to the band's vision, the gatefold sleeve features rich landscape motifs that evoke Tengger's commitment to earthly travel and the less accessible places beyond. Pressed onto clear vinyl, the design of Spiritual has been carefully constructed to reflect the entirely unique music within: heavy ephemerality, dense transcendence and grounded wanderlust.

Pig&Dan signal their first solo outing on Drumcode since 2016, with a stirring three-track work.

The duo stands as one of electronic music's most prolific artists, shapeshifting between different shades of house and techno over a 15+ year period, all the while displaying a startling breadth that's ensured their enduring demand. Their relationship with Adam Beyer has solidified over the years, first impressing with a debut EP 'Mexico' in 2016, before collaborating with the Swede himself in 2017 for the fantastic four-tracker 'Capsule', a notable highlight. With their contribution to last year's A-Sides compilation 'La Bruja' one of the strongest of the bunch, their return for a full-length EP is timely.

Title track 'Infinity' is rave-infused stadium techno crafted to perfection, driven by an undulating melodic lead that builds to a tension-packed break, before the chords re-appear and propel the track toward a trippy finale. Vocal cut 'Losing Part of Me' is momentous, with punchy bass and pin-sharp percussion juxtaposing superbly with the emotive vocal and laser-kissed melodic touches. The EP concludes with 'Plex', as a brooding melody line is paired with pumping percussion for an atmosphere-heavy finale.

Rivertones - the recorded music of Caught by the River - have repressed their classic 2012 Dylan Thomas-in-dub 7" Under Dubwood by the Dubwood Allstars.

Although Under Dubwood might seem an incongruous mix - the words of Dylan Thomas, the voice of Richard Burton and the studio sounds of King Tubby - the resulting single actually makes perfect sense - a gloriously woozy psychedelic skank that places Llareggub somewhere just outside downtown Kingston, JA. Since its release five years ago, Under Dubwood has been a staple on BBC6 Music and was used as soundbed music for the BBC's coverage of Dylan Thomas' centenary in 2014. It remains hugely in demand from the Caught by the River shop and has been sold out for the last eighteen months. The identity of the Dubwood Allstars remains a mystery to all at Rivertones.

On the B-side of the Under Dubwood 7" is River Theme by the Time and Space Machine (aka acid house stalwart Richard Norris of the Grid and Beyond the Wizard's Sleeve). River Theme is a hypnotic, fuzzed-up garage groove that's equal parts Dirty Water Club and Trash.

With brand new interest in beats and rhythm once again coming into play, Puzzlebox label owner, Keith (K-1) Tucker, has now decided to revise and revisit the music from his catalog as "Puzzlebox Classics." The very first release is a valued gem of an EP called, "Atomaton", featuring:

"Nemesis" - An instant classic, which brings on Tucker's signature Electro/Techno beats (Aux88), a tough as nails funky bassline, and his trademark eerie strings. Robo-vocals recall us to remember that "The future of the electro movement is upon us"... Believe it.

"Oscillator (bonus beats)" - Brings us the perfect beat, a dramatic bassline, and swinging percussion attitude to the fold.

Sure to be a hit with new ears as well as "heads" from its mid-90's release. Additionally brought to popularity in Detroit by WGRP TV's, "The New Dance Show", as a favorite go-to party recording. Made with the intent of DJ's, by a DJ.

"(Techno) On My Mind" - Mind-bending arps and clicky pecussion shoot this off-world thumper into overdrive for your ears. While the relentless hard snare battles for attention against a triggered piece of electrofunk provided by a 'K-1' bassline, weaving itself around anything constant in the tune, listeners are guaranteed transport to a realm within an alternate universe and the urge to move their feet. A mental-mover, indeed.

#thetimeisnow
#getthisenjoythis'AUX QUADRANT' for what it is.

Seasoned Producer Oliver Kapp Takes Us Back To The Glory Days Of Underground Techno Where Pounding Sound Systems Ruptured The Space Time Continuum For Fun. The Old Guard Will Already Know That Kapp Has Pedigree, From Running And Releasing On His Own Record Labels Indulge And Raygun To A String Of Appearances On Stockholm Ltd, Logistic And Gigolo, His Dedication To The Cause Is Unquestionable. Which Is Why His First Appearance On Cocoon Recordings Is Long Overdue. What We Get Are Dj Friendly Tools Designed For That Time Of Night When The The Second Hand Stops Ticking. Kapp Presents A Perfect Collection Of Timeless Warehouse Techno, Like The Genre Itself There Are No Beginnings Or Ends, Just A Constant Barrage Of Hi Octane Machine Funk, Underpinned By Heavy Duty Beats That Somehow Manage To Induce A Sense Of Weightlessness On The Dance Floor. Scaling Down The Bpms To A Sub 130 Tempo, The Ep Is A Masterclass In How To Balance The Old School With The New. - loud Whisper Is Both Tough And Relentless, Generating An Hypnotic State That Ensnares The Dancer In Suspended Animation As Strobe Lights Flicker Across Closed Eyelids. Scattered Hihats Motor Forward And Trance Inducing Sequences Splice And Dice Causing Mind And Body To Drift Apart. - mantash Is An Altogether Gentler Excursion. Loose Tribal Rhythms Slalom Through The Metronomic Kicks Before Giving Way To Distant Chords That Embrace The Dancefloor In A Warm Fuzzy Glow. This Lush Vibe Extends Over The Rest Of The Track While The Beats Roll On, Accompanied By Delicate Melodies That Enhance The Ride. Euphoria And Delirium Combine On The Aptly Titled - rapture , As Chopped Up Vocal Fx Alternate Across A Hard Hitting 909 Pattern Complete With Angular Snares And Ride Cymbals That Bang The Box Into Submissio

This is an 18-song project featuring some of the most legendary emcees alongside some of today's newest emcees. Every song has scratches on it and each track has that traditional Boom Bap Hip Hop feel.

Los Angeles based DJ and Producer Tone Spliff drops his full-length LP Ardore Melodico (roughly translating to 'blazing melody'). Grounded in an east coast sound and steeped in tradition with an ever-present emphasis on the DJ, Tone links up with some talented emcees to deliver a solid album. Sounding like a beast on the drum machine and the 1's and 2's, it's apparent Tone Spliff has some skills to flex on his latest project.

The beat-creator, originally from Utica, NY, said he made around 70 beats between February and April of 2017. He then started hitting up emcees he's worked with in the past and new emcees he wanted to work with for the album. Tone details that 'All of these tracks were made in 2018, so some of them have only been stashed for a few months.

Nexe Records is back, this time featuring the debut EP from SAMOT, "Forms Of Perception". The NX1 member and label co-owner returns with his solo project delivering a vigorous record including a remix of the French producer UVB.

"Petricor" opens the EP, a slow-burning broken track with electrifying synths driving powerful drums and inducing the listener in an hypnotic dance. "Cutis Ansarina" is a muscle flexing exercise, conceived for the dance floor, solid and classy, executed to perfection.

On the B-side "Kinestesia" is and lightning attack against the mind, wildly acid synth and percussions strike your brain. The UVB remix of "Kinesthesia" is taken to his territory where forcefulness dwells at will, built to raze the club.

Marco Spaventi and MOS label head Aroy Dee link up for another of their intriguing collaborations. They have done so before on this label back in 2012, and their latest offers another vital mix of raw house and ambient. Opener 'The Way We Love' features typically rough, blistered drums and sci-fi synths, but this time with a heavenly vocal and uplifting chords up top that tug on your heart strings. An ambient reprise of the same track is a perfect excuse to kick back and get lost in your own thoughts. 'The Way We Move' then takes a long view, with far-gazing Detroit pads and mid tempo drums getting you deep into a dreamy groove that is wide open and expansive. Last of all, Marco remixes this one on his own and flips it into something that is even more melodic, with circling pads and a musical bassline all making for a beautiful piece of timeless house music.

Dean Zepherin is truly a producer who has managed to find his lane and appeal.
Born and raised in London - a suitably eclectic city for a man of his musical persuasion - he is renowned for his consistently genre-pushing productions.
In other words, a perfect match for Local Talk, a label not afraid to go beyond the classic 4/4 sound and explore different styles within house music.

Opening track Blue Moon is an organic, warm and enveloping chunk of deep house bliss and there's no doubt that Dean loves his house served with with plenty of horns.
Next up is Flying High, a jazzy uptempo house cut smothered in expansive percussions, trading organ and trumpet solos over elastic synth lines.

Music that speaks to the senses

Warehouse Find!

Time flies when you're having fun and we can't fathom how this can be Ben Sun's 5th EP for Delusions Of Grandeur but it's true enough and once again he comes up trumps in the form of the Place Of Worship EP. Having previously graced such esteemed imprints as Royal Oak, Tru Thoughts, Razor n Tape as well as his own vinyl-only label Voyeurhythm the London based Australian producer continues to be both highly regarded, yet somewhat under the radar but we're sure that's about to change with this incredible new three tracker.

Opening up we have See It Come Shining, just the kind of life-affirming club track which seem to be in such short supply these days, but that we need now more than ever. Gospel flavoured piano chords tug on the heart strings whilst a simple, raw disco groove with added 909 punch creates a warmth and energy that transcends the dance floors that it's destined to liberate.

Flipping over we have Oceanways T150, a deep, analogue jam that harks back to simpler times when breakbeats collided with a house thump, uplifting pianos meld into punching basslines and discovering music through muffled old cassette mixtapes or patchy pirate radio reception was all we knew.

Rounding off the EP we have the perfect closer Atlantis Transfer. Here Ben puts more early influences into the mixing pot with ambient washes cascading down over a sublime 90's deep house bassline. Analogue hats and tripped-out sound FX skirt around a naive synth melody making for a heady late night treat to get lost in.

- Limited vinyl only release - Including postcard with download code for another new album from Jacek Sienkiewicz.

IMOW, or 'In My Own Wave' - Atmospheric, cinematic, stirring and utterly engaging, this is surely Sienkiewicz's most personal work to date and very possibly his best!

IMOW, or 'In My Own Wave' is a moody record. Although overtly experimental in form, it's quite different to Sienkiewicz's abstract, improvisational albums recorded with Max Loderbauer or AtomTM. Clocking in only 35 minutes and comprising of eight tracks, 'IMOW' is several years of work distilled into a dense, concise whole. Atmospheric, cinematic, stirring and utterly engaging, this is surely Sienkiewicz's most personal work to date and very possibly his best: his constant struggle to find a perfect balance of flesh and machine, or to translate human emotions to sound by means of a modern studio is manifested here in its purest, most consistent and, surprisingly, very accessible form. From subtle drones, through chants and rhythms echoing in mountainous chambers, to innumerable insect-like sounds and tiny details, it's an encephalogram recorded to tape (or disk). With all its complexity, it's not overwhelming: the meticulously constructed compositions leave both space for the sounds to breathe, and for the listener to fully experience it, without being bored, tired, wishing for less or being hungry for more. And there's beauty in this record, and hope - in the world of overpowering darkness and constant noise 'IMOW' feels like a peaceful trip into the untouched nature with all its wonders - offering in equal parts rest, strength and inspiration.

Heads Up! The Berlin DJ and producer Audri present his new label Demut. He inaugurates his project with a stunning 3 track EP with Detroit Techno influence.

On the A side "Refrain Buzz" is an uplifting old school techno track with a stunning bassline and a remarkable whistle that will enter in your head and never leave!

On the B1 side we find "Quake" that is exactly what a B side should be, raw - punchy and obscure, perfect for every dark basement and warehouse.

On the B2 side "Life In Andromeda" closes the EP with emotional pads and an electro soul that brings you into space with a dreamful feeling!

Hot on the heels of the Jaxx Madicine remix of Kyoto Jazz Sextet on Local Talk, Tommy 'Tubojazz' Garofalo - goes on a solo adventure once again.

His previous EP "Unbreakable" had equal parts of soul, jazz and funk blended together with a house twist.
The follow-up "Night Colors EP" shows both that and a deeper electronic side.
Opening track 'Two' is a clever number with its changes & sonic wizardry throughout.
Turbojazz makes the perfect blend between house and techno dipped into one big pot of deep Detroit vibes.

Next up is 'The Joint', a track that wears the distinct Turbojazz trademark throughout with its playful keys and sequenced drum programming at full tilt.

Giorgio Gigli and Bichord team up for the first LP in the Planet Rhythm Black series. With their intricate drum patterns, sophisticated rhythms, and extended pads, these tracks will fit perfectly in any deep techno set. They take their atmospheric sound and submerge it deep in the ocean where only a few rays of light can penetrate. Nevertheless the music breathes and still has a very spacious and airy quality.

Original photography on the poster by Christopher Michel.

The Indigenous - A Minimal Jazz House Track With A Climax. Perfect For Starting Out Or Finishing Off A Set.

Stand Alone - A Driving Track With Chaotic Vibe That Fits Nicely In An Up Tempo House Set

Adrift - Minimal Techno That Builds Into An Atmospheric Groove.

Red & Black Flowers - Some Call This Chicago House And Others Say It Leans More To Techno. A Stormer With A Detroit Chord And Vocal Samples From the Warning'.

These Tracks Were Recorded At The Vibenotic Recording Studio With The Following Instruments: Clavia Nord Lead 3, Korg Minilogue, Elektron Monomachine Sfx-60, Machinedrum Sps 1uw Mk Ii, Analog Keys And Digitakt.

Keeping the energy high in 2019, Sandilé presents just another excellent deep house record. Youre My Type arrives as a stripped-down junction of heavy chords and charming vocals, evolving into a groovy jam. On the flip, Fu stands out with its unpredictable melody and surprising, but nevertheless refreshing break-beat style influences, complementing a heavy house burner. On remix duty, no other than Detroit legend Big Daddy Rick aka Rick Wade gives his finishing touch by turning Fu into a timeless, soulful deep-house groover, perfectly fitting the cover's image of a rainy morning after another great party in Cologne, walking home along the Rhine.

Esencia is proud to present Forgotten Ones, the new album from London based quintet Culross Close. The album opens with 'Fractured', a cosmic musing carried delicately by electric piano and decorated with a synthesized dalliance. The album then cruises into 'Forgotten Ones', a spiritual made potent by their choral-esque vocals by far their most accomplished piece to date.

'Acceptance' finds the quintet in familiar hip-hop territory, carving out a top tier groove with a recurring piano motif of the highest order. Their vocals, this time more chant than choral makes for a brilliant 5-minute mantra.

'Mood' is a stark contrast to anything else on the album, an acidic and rugged illustration of the group's present state. 'The Tiniest Lights Still Shine' is a syncopated excursion in 5/4 time. With an electrifying percussion solo, this will be the song that finds its way onto the dance-floor. 'Healing' is a percussion heavy journey, draped in synthesizers and style, embodying elements of 70's fusion and bossa-nova, a perfect closer to the album.

1 x LP Full Colour Sleeve, shrinkwrapped

Another fantastic release is on the way of Suburban Avenue. The number 012 of the collection is a combo, delivered by the master Zadig and the talented guys, owners of the label, Asymptote.

Both sides are splitted. On the A side you can find the Zadig's masterpiece 'Inlandsis' (previously released on the Resistance vol I mixed by Asymptote) and a2 'Asymptote - Night Shift'; B side is made by b1 'Zadig - Molecular Cloud', an excellent, deep and Spaced out Techno trip and b2, 'Asymptote - Liquid Mineral' an Acidic and perfectly executed Techno track.

There's also a digital bonus on this Ep, 'Asymptote - Jealous Guy': stomping and kicking effective Dj tool, ready for the big floor.

Keep on moving, don't look back; you don't need to know how long is the route. Just enjoy the infinite possibilities of it.

© Suburban Avenue

Following his highly praised album 'Word Color' from last year, Gacha Bakradze offers up this stunning EP on Fever AM. 'Monument' sees the Tbilisi based art- ist taking us on a refreshing, sublime journey over 4 pieces featuring his signature melodies, broken beats and striking sound design. Gacha pulls off a very well rounded EP here that works perfectly on headphones at home or on a sound system in the club.

This is also the first artist besides labelheads Mor Elian and Rhyw to appear on Fever AM, opening up a new phase for the label.

Already having garnered support from the likes of Mixmag and other vital taste makers around the globe, Overdue's continued onslaught is led on by none other than the highly talented, US based artist Dalek One. Keeping the torch brightly lit, the eerie soundscapes and forward-minded arrangements, spellbound within the "Witchcraft EP" serve as a perfect follow-up and yet another example of superb quality.

Going straight for the flip-side, "Witchcraft" lunges straight into a tribal encantation of overdriven tape - rhythms like water luring you towards mammoth bass surges - ecstatically driven forward by bold drums and unparalleled groove. Swaths of low
frequencies hitting your every fibre alongside enthralling percussive movements - danger of high impact on sound systems guaranteed.

Lowering the needle on the other side, "Breakthrough" does literally that. As it sets off with a rainy storm - industrious drone and thunder - metallic clangs propelling us onward into what turns out to be an absolute destroyer, full-on armageddon kind of banger. Heavily overdriven bass surges kick some sense into you as the off-kilter drums and experimental switch-ups keep you yearning for more. Minimal sound system
music executed at its finest.

Finishing off this highly combustible collection of music, "Terror Strike" leaves no prisoners as its tribal atmosphere baits unsuspecting listeners into a low frequency rapture, showcasing Dalek One's intricate sound design once again.

PAUL LABRECQUE (SUNBURNED HAND OF THE MAN) and GHAZI BARAKAT (PHAROAH CHROMIUM) present two epic cosmic, dystopian tracks where guitars, synths and traditional instruments blend into an anarchic sound system.

After excessive years in rock bands like THE GOLDEN SHOWERS or his solo project BOY FROM BRAZIL, time had come for the German-Palestinian artist GHAZI BARAKAT to develop a new aesthetic - the birth of his alias PHAROAH CHROMIUM where BARAKAT creates "meta-music for meta-people in a meta-world", or in other words:a mutoid blend of post-krautrock, psychedelism, free jazz, ancient rituals, science fiction and electronics. So far the Berlin based sonic performer released a couple of solo albums on labels like GRAUTAG or TAPEWORM and a triple LP with krautrock legend GÜNTER SCHICKERT. For his latest output he decided to simply use his civilian name BARAKAT, as does PAUL LaBRECQUE (SUNBURNED HAND OF THE MAN) who contributesguitar and synthesizer to the two side-long tracks. "Jajouka Pipe Dream" is a clear reference to the MASTER MUSICIANS OF JAJOUKA, with lots of flutes and percussion, a very rhythmical, ritualistic track, while "Planet R-101" turns out a spacey trip with elements of krautrock and Kosmische Musik / Berliner Schule.

What may sound contradictionary on paper functions perfectly on LP - freeform / free-floating music, absorbing and integrating a wide range of influences and inspirations, sounds and styles - and highly psychedelic!

Credits:

Ghazi Barakat: guembri, moog synthesizer, beats, Rauschpfeife

Paul LaBrecque: guitar, synthesizer

Mastered and cut by Rashad Becker at D&M, Berlin

Artwork + photography: Nicolas Moulin

Just before Maceo Plex's Ellum Audio label reaches its half century, the influential outlet serves up a standout EP from fast rising talent Fred Lenix.

Iago Frederici is a young Brazilian music producer who merges new era electronic melodies with his unique perspective of Latin American and Turkish cultures. Always expressing himself well, he is a regular face in Sao Paolo who is driving the thriving local scene forwards, and this new EP is sure to win him plenty of new fans across Europe.

It kicks off with 'The Rails', a bristling tech track that is run through with wiry synths and frosty filters. It's cold and austere and perfect to shake up a big warehouse space with a real sense of futuristic drama.

Next comes 'Manipulated Dead', an excellent electro tinged number that builds the suspense with some edgy drum work and rumbling synths. A sense of cosmic ambiance lights up the background and make this a track with real feeling.

The slick electro bomb 'Manipulated Living' closes things out with excellent drum programming and taught kicks. The slippery synths bring real fluidity to the grooves and some distant pads enrich the whole thing with a sense of real serenity.

These are three fantastic tracks from a producer who is all set to blow up.

April 2017, Osaka, Sakura, the beautiful time of the cherry blossom. We quickly get a warm coffee from the drinks vendor down the street, then off to Kabamix' LMD studio downtown. Time is short, the off-days are counted on tour. As the year before at the SVS label camp in Budapest, we stick to the plan: one track a day. This time we have guests! Marimari, Arihirua and Ryoko epitomize the perfect antipodes to the lonesome samurai on his white horse (Shiroi Uma) we had in mind on our first EP (SVS010). Everything flows, everything is improvised, the music itself is the place where we meet, no much talking about what´s happening, we just carry on doing the thing. The studio of Kabamix, longtime soundengineer of Haruomi Hosono, has built up over many years, it´s a hoard of like-minded people. Gekko No Odoriko translates to 'Moonshine Dancer'. The rhythm, as usual a driving force in our music, is converting every listener unwillingly into a squirrelly moving dancer. Heavy, yes, bassy, yes, yet never isolated drums build the foundation of the beatgrid as well as the arrangement. With an ascending condensation of musical events, the track enfolds it´s physical energy vertically and horizontally. And just as the spacey synth enters the track, Mari Mari has entered the studio, a Korg Prophecy under her arm, straight into the recording cabin, recording 'it'. Vocals by Ryoko aka Mt.Chills and us happy bunch. Holy Water: Visiting the holy mountain near Nara national park, the impossible seemed so simple: capturing water. An old man mumbling on the floor next to the entrance, little volvic bottles making their rounds to this special zone, bamboo growing high all over the place, deers walking close by as if there was no distinction between us living beings.

After a 17-month break from releasing music, La Fleur's Power Plant imprint returns with the stunning 'Aphelion EP' from the label-boss herself. 'Hunting Grounds' was birthed first, a brilliant masterclass of groove-drenched dynamics brimming with personality and spirit that already highlighted her sets for Cercle and last year's acclaimed BBC Radio 1 Essential Mix. Perfectly complemented by 'Aphelion' whose foundations are built on deftly crafted drums before the Swede's distinct flair for melody sees sublime chords fill the space.

For the twelfth output of Invite's Choice Records, the label returns to doing VA releases again!

'Genetic Disorder' by Dark Quadrant opens the EP with a loopy, bass driven industrial track. The monotonous nature of the track makes it a perfect tool track for transition mixing. Biemsix continues on the A-side with a hypnotising synth and snappy hats and shakers. The 90's style present and short kickdrum is the main focal point in 'Hold On, Hold On'! Dold opens the B-side with a four-to-the-floor loop-techno track dubbed 'Cellar', which describes the smothery atmosphere of this track quite well. Mike Storm is put on closing duties and delivers a dusty track which completely revolves around mind-paralysing EFX accompanied by hard hitting drum machine sounds.

The new sampler on Siena has arrived! Number 4.0 is a real dance floor filler. The A1 comes from Lonely Planets Records artist; Sinan Alakus, who opens the EP with his raw drums and sharp synths. To keep the A-side housey, A2 is collab between the mates Tetelepta & Amro. Rollin' bass and smooth melodies. House 2 tha Bone it is!

On the flip, Tom Liem opens the B-side. A perfect dreamy minimal joint. Jocelyn, who had his debut EP on the main ESHU Records last year, delivers the last one on the EP. This B2 is a badass trip you don't want to end. Mean body in the low end, spacey chords on the up. From the start till the end you will dance!

180 GRAM AUDIOPHILE VINYL
- INCLUDING INSERT
- FEAT. THE HIT SINGLES 'TURN AROUND
AND COUNT 2 TEN' & 'COME HOME (WITH
ME BABY)'
- 30TH ANNIVERSARY EDITION OF 1.500
INDIVIDUALLY NUMBERED COPIES ON
COLOURED (PINK & BLACK MIXED) VINYL

Nude is the fourth album by the English pop band Dead or Alive. After the separation from their successful production team Stock-Aiken-Waterman band members Pete Burns and Steve Co took over the control of the ship. They created a respectable release which covers most of their highly attractive and energetic dance, pop and euro-disco music. The big hits of this release were 'Turn Around And Count 2 Ten' and 'Come Home With Me Baby', both an eclectic fusion of electronica beats and danceable rhythms. One thing that makes this album so remarkable is the fact that each song flows into the next and perfectly accompanies the previous one.

Dead or Alive gained success in the mid-1980s and sold over 50 million records worldwide. Founder and vocalist Pete Burns passed away in 2016 and since the band discontinued.

Nude is available as a pressing of 1.500 individually numbered copies on pink & black mixed vinyl.

Roots and Wings is the fourth studio album by the Belgian band Vaya Con Dios, released in 1995. Singer Dani Klein worked together with different studio musicians and the American Muscle Shoals Horns to record this album. The songs are all easy listening and gives you the perfect feeling for those rainy days.

Vaya Con Dios was founded in 1986 by Dirk Schoufs, Dani Klein and Willy Lambregt. They had some international success with songs like "Just A Friend Of Mine", "What's a Woman" and "Puerto Rico". In 2013 they started their farewell tour which ended on 25 October 2014 in Brussels.

Roots and Wings is available as a limited edition of 750 individually numbered copies on transparent vinyl.

Based in Montreal before a recent move to Berlin, Ombossa appeared on DVS1's Mistress Recordings in 2015. Lately he has started his own imprint Zu:Hause with Akatana, and has collaborated with the latter on an album. The young and talented French producer is now set to have another EP released on Fracture in the early months of 2019. ZI brings you on a trippy ride that will drive dancefloors in a second state, it is tasteful techno, delicate yet powerful. On remix duty, Svreca in pure Semantica fashion goes darker and makes it more industrial for a perfect tool in the darkness of a warehouse, or a long and almost endless tunnel without any light.