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Jubiläumsfolge: Limitiert 180g Vinyl schwarz, Clamshellbox - Setinhalt: 5 Vinyle

Schaurige Maispuppen, Schüsse und verurteilte Verbrecher - keine guten Vorzeichen für eine Hochzeit. Die drei ??? geben ihr Bestes, um das Fest zu retten. Deep Spring, ein verschlafener Ort in der Wüste von Arizona: Die drei ??? reisen an, um die Hochzeit eines alten Bekannten zu besuchen. Doch während die Vorbereitungen in vollem Gange sind, pflastern unheimliche Puppen den Weg der Detektive. Als sie schließlich ein Hochzeitspaar aus Mais, aufgehängt im Gebälk, entdecken, bekommt nicht nur die Braut kalte Füße. Können Justus, Peter und Bob die seltsamen Geschehnisse aufklären?Sprecher:innen und MitwirkendeErzähler Axel MilbergJustus Jonas, Erster Detektiv Oliver RohrbeckPeter Shaw, Zweiter Detektiv Jens WawrczeckBob Andrews, Recherchen und Archiv Andreas FröhlichTante Mathilda Karin LienewegOnkel Titus Erik SchäfflerKenneth Till HusterChief Householder Gordon PiedesackTricia Cooper Anna CarlssonMr. Rice Stephan Schad Katee Anne MollSergeant Murray Achim BuchMary Svantje WascherScott John Wesley ZielmannJohnson Wanja Mues Nigel Tim Mälzer Patrick Christian Rudolf Dolly Craig Rosemarie Wohlbauer Mrs. Cooper Angelika BergProduktionshinweiseBuch und Effekte: André MinningerRegie und Produktion: Heikedine KörtingRedaktion: Maike MüllerTitelmusik: Simon Bertling & Christian Hagitte (STIL)Musik: Jan Friedrich Conrad, Peter Morgenstern, Constantin Stahlberg, Betty George, Andris Zeiberts, Detlef OelsCover-Illustration: Silvia ChristophDesign: Atelier SchoedsackBasierend auf dem gleichnamigen Buch von André Marx, erschienen im Kosmos Verlag, Stuttgart. Die drei ??? © 2024 Franckh-Kosmos Verlags-GmbH & Co. KG. Based on characters created by Robert Arthur. Mit freundlicher Genehmigung der Universität Michigan. (P) & © 2024 EUROPA a division of Sony Music Entertainment GmbH

Schaurige Maispuppen, Schüsse und verurteilte Verbrecher - keine guten Vorzeichen für eine Hochzeit. Die drei ??? geben ihr Bestes, um das Fest zu retten. Deep Spring, ein verschlafener Ort in der Wüste von Arizona: Die drei ??? reisen an, um die Hochzeit eines alten Bekannten zu besuchen. Doch während die Vorbereitungen in vollem Gange sind, pflastern unheimliche Puppen den Weg der Detektive. Als sie schließlich ein Hochzeitspaar aus Mais, aufgehängt im Gebälk, entdecken, bekommt nicht nur die Braut kalte Füße. Können Justus, Peter und Bob die seltsamen Geschehnisse aufklären?Sprecher:innen und MitwirkendeErzähler Axel MilbergJustus Jonas, Erster Detektiv Oliver RohrbeckPeter Shaw, Zweiter Detektiv Jens WawrczeckBob Andrews, Recherchen und Archiv Andreas FröhlichTante Mathilda Karin LienewegOnkel Titus Erik SchäfflerKenneth Till HusterChief Householder Gordon PiedesackTricia Cooper Anna CarlssonMr. Rice Stephan Schad Katee Anne MollSergeant Murray Achim BuchMary Svantje WascherScott John Wesley ZielmannJohnson Wanja Mues Nigel Tim Mälzer Patrick Christian Rudolf Dolly Craig Rosemarie Wohlbauer Mrs. Cooper Angelika BergProduktionshinweiseBuch und Effekte: André MinningerRegie und Produktion: Heikedine KörtingRedaktion: Maike MüllerTitelmusik: Simon Bertling & Christian Hagitte (STIL)Musik: Jan Friedrich Conrad, Peter Morgenstern, Constantin Stahlberg, Betty George, Andris Zeiberts, Detlef OelsCover-Illustration: Silvia ChristophDesign: Atelier SchoedsackBasierend auf dem gleichnamigen Buch von André Marx, erschienen im Kosmos Verlag, Stuttgart. Die drei ??? © 2024 Franckh-Kosmos Verlags-GmbH & Co. KG. Based on characters created by Robert Arthur. Mit freundlicher Genehmigung der Universität Michigan. (P) & © 2024 EUROPA a division of Sony Music Entertainment GmbH

EVOLV is a visionary window into the mind of Dubfire, the journey of the ‘hybrid’ being and its evolution. Last year in October, an 11-track debut album was released on his long-standing SCI+TEC imprint. And now, just over a year later, Grammy award winning producer Dubfire returns to that sonic discourse, drafting in an impressive array of names to re-interpret the material, and accompanied by Dubfire's new audio-visual EVOLV show which picked up where the critically acclaimed electronic performance experience HYBRID had left off.

The eclectic package will include such notables as Glaskin, Arjun Vagale, Nadia Struiwigh, Mathimidori (dub alias of Mathias Kaden), Maral, Decka, Carl Craig, Truncate, Drumcell, Chris Liebing, Radio Slave and Luke Slater who have all given the original music in their own unique style.

With a career spanning over 3 decades, Dubfire has achieved global success as an artist with relentless drive, talent, and intuition. Pioneering commercial notoriety came initially as one half of the Grammy Award-winning (2001) duo Deep Dish, before embarking on a truly groundbreaking solo career in 2007. A career filled with timeless tracks include his early works, ‘RibCage’ (2007), ‘Emissions' (2007), ‘Roadkill’ (2007) and the highly acclaimed ‘Grindhouse’ (2009) remix from Radio Slave which led to a host of other notable projects over the years.
Collaborative work highlights include projects with Miss Kitten, Luke Slater, Flug, and Oliver Huntemann, as well as co-producing two songs on Underworld’s Barking album. A true artist, he has always been heavily invested in exploring performance technology, unveiled to wide praise with his HYBRID live show. A two-year world tour commenced in 2015 and was followed by his retrospective album, A Decade Of Dubfire (2017), a celebration of his immense output during the first 10 years of solo artist stardom. EVOLV is Dubfire’s debut solo artist album.

Aus der Asche von DAWN OF DISEASE ist eine Melodic Death Metal Band entstiegen, die bereit ist, alles unter Feuer zu setzen: HIRAES. Alle vier
Instrumentalisten von DOD (Lukas Kerk, Oliver Kirchner, Christian Wösten und Mathias Blässe) haben ihre Kräfte gemeinsam mit Sängerin Britta Görtz
(CRITICAL MESS, ex-CRIPPER) gebündelt, um Musik zu erschaffen, die zwischen hymnenhaften Melodien und packenden Gitarrenriffs pendelt:
atemberaubende Hooklines kombiniert mit gnadenlosem Drumming sowie einem allgegenwärtigen melancholischen Spirit und variantenreichen und
eingängigen Growls

Nach dem erfolgreichen Debut "Out in the cold'" erhielt auch der Nachfolger "Home" im Jahr des Releases 2007 von Fans und Fachpresse absolute Bestnoten und zählt nach wie vor zu den Topalben der Band im Oliver Hartmann. "Home", welches musikalisch nahtlos an den Erstling anschließt, enthält neben den Opener "Coming home to you" weitere musikalische Highlights wie "The sun's still rising", "Higher than me" sowie mit ihren Soul- und Blueselementen auch die grandiose Ballade "Crying". Nun erscheint das Album nach knapp achtzehn Jahren erneut als Reissue auf Ltd. 180g High Quality Vinyl, das speziell für diesen Zweck von Miro Rodenberg (Avantasia, Kamelot u.v.m.) remastert wurde. Zusätzlich wurde auch das neue große Booklet mit weiterem zusätzlichen Bildmaterial versehen, das so in der ursprünglichen Version auf CD nicht enthalten war. Mit überarbeitetem Sound und in neuem Gewand ein absolutes Muss für Fans von Hartmann.

Blues And The Abstract Truth is Oliver Nelson’s triumph. Featuring his all-time classic ‘Stolen Moments’, Nelson assembled one of the most potent modern jazz sextets ever. Lead trumpeter Freddie Hubbard is at his peak of performance, while alto saxophonists Nelson and Eric Dolphy (Nelson doubling on tenor) team to form an unlikely union that was simmered to perfection. Bill Evans (piano), Paul Chambers (bass) and Roy Haynes (drums) can do no wrong as a rhythm section. Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

Repress!

For those who know, Bambooman is one of the most sought-after, probing, and distinctive voices in UK electronic music right now.

The Yorkshire-born producer's catalogue builds into an aural mosaic, comprising everything from scrunched up hip-hop to techno deviance, all delivered with an impish sense of individuality.
'Whispers' certainly resonates. It's a lengthy, bucolic work, an album of great breadth but also one of sustained mood – think those hazy summer evenings when shadows stretch out across the road, and autumn lingers around the corner.

This new album has a dusty, organic, and decidedly personal feel, much more at home with Jon Hassel's 'fourth world' aesthetic than the club.

The results are also imbued with an incredible sense of mystery, with Bambooman's productions frequently being shot through with a hallucinatory sense of the uncanny. Entirely self-composed, 'Whispers' utilises "lots of field recordings that I've collected over the last few years, while within the tracks you can find lots of the instruments, percussion, bells and whistles that have been gathered throughout my life."

In certain ways 'Whispers' is entirely autobiographical: Bambooman reaches back to his varied alter egos, to the ambient releases, art commissions, and soundtrack projects that litter his discography. The cover art was even pieced together by Oliver Pitt – of Glasgow group Golden Teacher – who was an early ally in the producer's sonic quest.

Stylistically 'Whispers' veers from avant hip-hop of Flying Lotus to the theoried composition of Terry Riley, from the future-forward percussive energy of Battles to the ever-evolving electronics of Mark Pritchard. It's a record marks by a fiercely independent spirit, but also by a close-knit cast of collaborators.

King Kashmere takes a starring turn, following the pair's collision on the recent 'SUPERGOD' EP.

Each vocal is recorded, chopped up and then spliced across the album, with Elsa Hewitt also making a number of appearances and re-appearances.
credits

Repress!

On 22nd October, the Nottingham-raised and highly-praised musician/DJ/producer Matt Cutler, AKA Lone, presents his 8th album – and first in 5 years – ‘Always Inside Your Head’. It marks two major changes, with both a new label and new approach – featuring vocalists for the first time.

This deeply textural and ethereal artwork is situated high above the clouds, amidst the heavens, occupying a stratospheric state where swathes of synthesized vapour and azure rays sound like a literal breath of fresh air.

A varied selection of music influenced the record, but two main influences were Cocteau Twins and My Bloody Valentine. “I wanted to approach a range of different styles, but attack them from their angle in a way, so for example on 'Inlove2' I tried to imagine what a Balearic / acid house tune might sound like if it were produced by Kevin Shields”, comments Lone.

Another key example of Cutler’s strange but successful combination of elements is the halcyon bliss of ‘Echo Paths’, where his trademark fat drums and love for hip hop meet double-time pan pipes, dub effects and dream pop, mixed into a wonderfully lysergic concoction.

This rarefied auditory stratus was previously evident in tracks like ‘Alpha Wheel 4 (Ambient Mix)’ from ‘DJ Kicks’, ‘Under Cherry Blossoms (Minds Eye Reprise)’ from ‘Ambivert Tools, Vol. 2’, ‘Pulsar’ (from ‘Ambivert 4’), and ‘How Can You Tell’ (from ‘Abraxas’), but is now more fully-fledged, broader in scope and even more celestial.

In addition to the above, the LP exists somewhere between trip hop on Mo' Wax, 90s Warp, intelligent drum & bass and ambient house. There are heavier forays too, like ‘Mouth Of God’, where darker clouds emerge, but are pierced like acid lightning with fierce, tearing tech-step bass.

Although still firmly rooted in club culture – here Lone shows a definite leaning towards a song-based sound, with several tracks edging towards the same crossover space as the nineties hits which also inspired him – particularly William Orbit’s production on Madonna's 'Frozen', and Olive's 'You're Not Alone'. This is especially evident on the bright, spacious brilliance of 'Hidden By Horizons', where vocals and synths swirl around one another, with crisp breakbeats and reggae rolls pushing purposefully through the ether.

Despite initially seeming almost entirely sunny of disposition, upon deeper immersion there’s lot more beneath the album’s surface, both in its deep pools of immiscible layered elements, and also thematically. When recording Cutler kept in mind a loose narrative based on birth, death, and our existence in-between.

He then extended this idea to reach what may happen after death, which is reflected in the sequencing: By penultimate track ‘Undaunted’ the life reflected in this longplayer has come to an end, which is then followed by 'Coming In To Being And Passing Away' – an afterlife epilogue, which evokes a transition from this world to the next.

Having firmly re-established his underground roots, through a series of killer EPs on his newly birthed imprint, 49North - the Spooky and Animated legend now turns his attention to solo album number 1 - his first ever, as Duncan Forbes.

Laying its first foundations some 5 years ago now - ‘Return Of The Strobelight Kid’ has been stealthily taking shape and developing organically ever since. And as a result, the 8 tracks which now make up the final running order, feel very much a direct reflection of all that was experienced during that time; as someone who - whilst having well and truly bought the t-shirt several times over by now - nevertheless finds themselves back on the starting grid, having to do it all over again from scratch.

But embarking on new adventures from way back on square one - is something Duncan’s no stranger to; and on this album, he invites us to join him on this journey of his, and experience all the ups, downs, twists and turns that come with such intrepid territory.

TASTEMAKER/DJ SUPPORT: Axel Boman, Steve Bug, Baikal, Ame, Len Faki, Red Axes, Agoria, DJ Sabo, Anja Schneider, Alex.Do, Oliver Huntemann, AFFKT, Smash TV, The Revenge, Joshua James, Nicole Moudaber, Tim Sweeney, John Osborn, Powel, Alexi Delano, Davide Squillace, Kasper Borke, Iron Curtis, Optimo, Musumeci, Klose One + more.

Eels präsentiert Vol. 2 von EELS So Good – eine Best of/Essential-Compilation mit 20 Titeln aus den Jahren 2007–2020. Fünf Songs geben hier ihr Vinyl-Debüt, von denen drei bisher unveröffentlicht waren, darunter „Christmas, Why You Gotta Do Me Like This“. Mark Oliver Everett fügt hinzu: “Everyone should have at least three Christmas songs in their catalogue. I’m sorry it took me so long.”

Red Vinyl

EVOLV is a visionary window into the mind of Dubfire, the journey of the ‘hybrid’ being and its evolution. Last year in October, an 11-track debut album was released on his long-standing SCI+TEC imprint. And now, just over a year later, Grammy award winning producer Dubfire returns to that sonic discourse, drafting in an impressive array of names to re-interpret the material, and accompanied by Dubfire's new audio-visual EVOLV show which picked up where the critically acclaimed electronic performance experience HYBRID had left off.

The eclectic package will include such notables as Glaskin, Arjun Vagale, Nadia Struiwigh, Mathimidori (dub alias of Mathias Kaden), Maral, Decka, Carl Craig, Truncate, Drumcell, Chris Liebing, Radio Slave and Luke Slater who have all given the original music in their own unique style.

With a career spanning over 3 decades, Dubfire has achieved global success as an artist with relentless drive, talent, and intuition. Pioneering commercial notoriety came initially as one half of the Grammy Award-winning (2001) duo Deep Dish, before embarking on a truly groundbreaking solo career in 2007. A career filled with timeless tracks include his early works, ‘RibCage’ (2007), ‘Emissions' (2007), ‘Roadkill’ (2007) and the highly acclaimed ‘Grindhouse’ (2009) remix from Radio Slave which led to a host of other notable projects over the years.
Collaborative work highlights include projects with Miss Kitten, Luke Slater, Flug, and Oliver Huntemann, as well as co-producing two songs on Underworld’s Barking album. A true artist, he has always been heavily invested in exploring performance technology, unveiled to wide praise with his HYBRID live show. A two-year world tour commenced in 2015 and was followed by his retrospective album, A Decade Of Dubfire (2017), a celebration of his immense output during the first 10 years of solo artist stardom. EVOLV is Dubfire’s debut solo artist album.

EVOLV is a visionary window into the mind of Dubfire, the journey of the ‘hybrid’ being and its evolution. Last year in October, an 11-track debut album was released on his long-standing SCI+TEC imprint. And now, just over a year later, Grammy award winning producer Dubfire returns to that sonic discourse, drafting in an impressive array of names to re-interpret the material, and accompanied by Dubfire's new audio-visual EVOLV show which picked up where the critically acclaimed electronic performance experience HYBRID had left off.

The eclectic package will include such notables as Glaskin, Arjun Vagale, Nadia Struiwigh, Mathimidori (dub alias of Mathias Kaden), Maral, Decka, Carl Craig, Truncate, Drumcell, Chris Liebing, Radio Slave and Luke Slater who have all given the original music in their own unique style.

With a career spanning over 3 decades, Dubfire has achieved global success as an artist with relentless drive, talent, and intuition. Pioneering commercial notoriety came initially as one half of the Grammy Award-winning (2001) duo Deep Dish, before embarking on a truly groundbreaking solo career in 2007. A career filled with timeless tracks include his early works, ‘RibCage’ (2007), ‘Emissions' (2007), ‘Roadkill’ (2007) and the highly acclaimed ‘Grindhouse’ (2009) remix from Radio Slave which led to a host of other notable projects over the years.
Collaborative work highlights include projects with Miss Kitten, Luke Slater, Flug, and Oliver Huntemann, as well as co-producing two songs on Underworld’s Barking album. A true artist, he has always been heavily invested in exploring performance technology, unveiled to wide praise with his HYBRID live show. A two-year world tour commenced in 2015 and was followed by his retrospective album, A Decade Of Dubfire (2017), a celebration of his immense output during the first 10 years of solo artist stardom. EVOLV is Dubfire’s debut solo artist album.

Coltrane, Shorter, Hubbard, Davis & Perkins from a Latin perspective! The Mantecas represent one of the finest concentrations of experience and talent in Latin and Jazz music ever to be based in the UK. A pure uplifting Latin Jazz music celebration. NOT-TO-BE-MISSED!! Recorded at different locations in London during 2022/23. Mixed at Abbey Road Studios in March 2023. The Mantecas (formerly known as "Manteca") is an eight piece, London-based, Latin Jazz, Soul and Boogaloo band well known for creating a party mood at festivals and gigs everywhere they go, from Glastonbury, Ealing Festival and Tropical Pressure Festival to The 606 Club and The Jazz Café in London. They have a particular ability for bridging the culture gap with any audience getting all crowds up hitting the dance floor in a jive. The Mantecas will blow your mind with a mesmerising mix of salsa, Cumbia, Funk, Latin jazz and Boogaloo. For this new release album, the band is exploring the legacy of some of the Jazz giants through a Latin lens, reworking timeless pieces by Coltrane, Shorter, Davis, Hubbard and Perkins, giving them the infusion of Latin rhythms while remaining true to the Jazz language. The band is made up of some of the best musicians in the Latin, Jazz and Pop scenes in London: TRYPL HORNS: Paul Booth (Incognito/Brand New Heavies), Trevor Mires (Jamiroquai/Incognito), Ryan Quigley (Gregory Porter/Beverly Knight) Dave Oliver: Keys (Lisa Stansfield/Snowboy) Satin Singh: Percussion (Jazz Jamaica/Roberto Pla/Pucho and the Latin Brothers) Javier Fioramonti: Bass and arrangements, MD (Alex Wilson/Jack Costanzo/Joe Bataan/Salsa Celtica) Flavio Correa: Vocals (Omar Puente/New Regency Orchestra) Will Fry: Percussion (Tom Misch, Tony Allen) Rob Luft: Guitar (Dave O'Higgins, Byron Wallen) "Expect loads of hard-hitting salsa, exploding drums and outrageously funky boogaloo". Time Out * "Ripping new Latin Jazz band from the finest musicians of London". Fact Magazine * "One of the best Latin Jazz-funk bands working the scene today". The Jazz Café, London Ltd Ed.

DevilDuck wagt sich in neue Gefilde vor! WISENT heißt die bisher "härteste" Band im Label-Kontext und sicher liegt man mit dem Genre "PostHardcore" bei dem Quartett aus Leipzig ziemlich richtig. Allerdings mutet nicht nur das Genre etwas ungewöhnlich für das Hamburger Label an, sondern auch die Tatsache, dass es das erste Konzeptalbum einer Band auf DevilDuck ist. "The Acceptance. The Sorrow" heißt das recht ambitionierte Debütalbum der aus dem irischen Sänger Stephen Lyons, dem Bassisten Morris Duff, dem Gitarristen Mathias Bauer und dem Drummer Oliver Ruß bestehenden Band. "The Acceptance. The Sorrow" ist nicht nur musikalisch ein recht harter Brocken voller Kummer und Reflexion über viele vergangene Ereignisse und Gedanken, aber auch über die Hoffnung, die weiter in uns und den Menschen um uns herum herrscht, ohne die das Leben einfach unerträglich scheinen würde.

Sistro (Sistrum) is a kind of percussion instrument that has had several incarnations and names in various cultures since the time of the Sumerians and throughout history has always been associated with religious rituals. It’s from this relationship between music and the transcendent that Nuno Oliveira (Nuno O, Judas Triste, José Pinhal Post-Mortem Experience), Tito Silva (Vasco da Ganza, José Pinhal Post-Mortem Experience) and Rodolfo Oliveira (Oficinas TK) were gradually inspired to create a trio that pays homage to this instrument of ancient times.

The project was born casually and without intentionality throughout several incursions into megalithic monuments in the hills and mountains of northern Portugal, culminating in an unusual two-day session of musical experimentation in Esposende, in September 2019. In this two-day session, codenamed “Arménio Sessions”, the trio explored a sound based on sea soundscapes, electronic beats, electric noises and the strings of na altered guitar. Channeling the strength of the elements and the mystique of the place in the form of a musical experience.

In 2021, Sistro collaborated with Mario Klingemann (aka Quasimondo) who created a music video especially for the band, created using a vintage video mixing board. Then using feedback loops and a process that Klingemann calls “Neural Edit”, which uses an artificial intelligence algorithm to correlate the raw video material with the sound.

After a long period of incubation, the group's first full-length release sees the light of day on the 31th October, 2023, moment in which a sequence of rituals begins to present and celebrate the relationship between music and the transcendent. Sistro's debut album will be released by Favela Discos, having been mixed by Tito Silva and mastered by Pedro Augusto. The photography and graphics are by Oficinas TK.

Justus Jonas ist einmalig - oder etwa nicht? Unerwarteter Besuch und ein Diebstahl führen die drei ??? auf die Yacht des Verrats. Justus, Peter und Bob trauen ihren Augen kaum, als ihnen Ian Carew wieder gegenübersteht. Ein alter Fall verbindet die Detektive mit dem Sohn des ehemaligen Premierministers von Nanda. Kein Wunder, dass Ian erneut ihre Hilfe sucht. Er ist im Auftrag seines Landes in Rocky Beach, doch jemand verfolgt ihn und in sein Hotelzimmer wurde eingebrochen. Können die drei ??? ihrem Freund helfen?Trackpunkte1. Tokoloshe 09:032. Die Vodoo-Frau 08:353. Ein gefährlicher Plan 07:544. Mission Peter 06:275. An Bord 10:456. Leinen los! 07:257. Mann über Bord! 10:228. Enttarnt 12:13Gesamtspielzeit: 01:12Sprecher:innen Erzähler Axel MilbergJustus Jonas, Erster Detektiv Oliver RohrbeckPeter Shaw, Zweiter Detektiv Jens WawrczeckBob Andrews, Recherchen und Archiv Andreas FröhlichIan Carew Sascha DraegerMambo Mawu Regina LemnitzKommissarin Martinez Caroline KiesewetterLarry Stephan SchadMorton Michael PrelleThabani Mathoho Tim GrobeClayton Badu Frank Roder Cumba Balewa Heidi BerndtProduktionshinweise:Buch und Effekte: André MinningerRegie und Produktion: Heikedine KörtingRedaktion: Maike MüllerTitelmusik: Simon Bertling & Christian Hagitte (STIL)Musik: Jan-Friedrich Conrad, Jens-Peter Morgenstern, Constantin Stahlberg Cover-Illustration: Andreas RuchDesign: Atelier SchoedsackBasierend auf dem gleichnamigen Buch von Ben Nevis, erschienen im Kosmos Verlag, Stuttgart. Die drei ??? © 2022 Franckh-Kosmos Verlags-GmbH & Co. KG. Based on characters created by Robert Arthur.Mit freundlicher Genehmigung der Universität Michigan.

Justus Jonas ist einmalig - oder etwa nicht? Unerwarteter Besuch und ein Diebstahl führen die drei ??? auf die Yacht des Verrats. Justus, Peter und Bob trauen ihren Augen kaum, als ihnen Ian Carew wieder gegenübersteht. Ein alter Fall verbindet die Detektive mit dem Sohn des ehemaligen Premierministers von Nanda. Kein Wunder, dass Ian erneut ihre Hilfe sucht. Er ist im Auftrag seines Landes in Rocky Beach, doch jemand verfolgt ihn und in sein Hotelzimmer wurde eingebrochen. Können die drei ??? ihrem Freund helfen?Trackpunkte1. Tokoloshe 09:032. Die Vodoo-Frau 08:353. Ein gefährlicher Plan 07:544. Mission Peter 06:275. An Bord 10:456. Leinen los! 07:257. Mann über Bord! 10:228. Enttarnt 12:13Gesamtspielzeit: 01:12Sprecher:innen Erzähler Axel MilbergJustus Jonas, Erster Detektiv Oliver RohrbeckPeter Shaw, Zweiter Detektiv Jens WawrczeckBob Andrews, Recherchen und Archiv Andreas FröhlichIan Carew Sascha DraegerMambo Mawu Regina LemnitzKommissarin Martinez Caroline KiesewetterLarry Stephan SchadMorton Michael PrelleThabani Mathoho Tim GrobeClayton Badu Frank Roder Cumba Balewa Heidi BerndtProduktionshinweise:Buch und Effekte: André MinningerRegie und Produktion: Heikedine KörtingRedaktion: Maike MüllerTitelmusik: Simon Bertling & Christian Hagitte (STIL)Musik: Jan-Friedrich Conrad, Jens-Peter Morgenstern, Constantin Stahlberg Cover-Illustration: Andreas RuchDesign: Atelier SchoedsackBasierend auf dem gleichnamigen Buch von Ben Nevis, erschienen im Kosmos Verlag, Stuttgart. Die drei ??? © 2022 Franckh-Kosmos Verlags-GmbH & Co. KG. Based on characters created by Robert Arthur.Mit freundlicher Genehmigung der Universität Michigan.

Much has changed since Trio Grande"s first release in 2020, not least for the band itself: prodigious multi-instrumentalist Nate Wood now joins the indefatigably creative partnership forged in New York City by Gilad Hekselman and Will Vinson. The foundational triumvirate of drums, guitar and alto saxophone remains and even though each member is rated among the most individual and influential practitioners of their own instrument, the unmistakable enduring character of Trio Grande incorporates them all into its own unique identity, continuing to grow and develop at its own pace, to create new possibilities of form and texture, composition and improvisation.

"On The Inside", das erste eigene Album von Gotts Street Park, ist mehr als nur ein Album - es ist eine Einladung: "Wir möchten, dass die Zuhörenden das Gefühl haben, mit uns einen Raum zu betreten und einen Blick auf unseren Prozess zu werfen", sagt das Trio aus Leeds (UK) und begibt sich auf eine Odyssee zwischen den Genres: Von lässigen Vintage-Soul über R&B und Jazz-Akkorden hinzu Hip-Hop Grooves.

Josh Crocker (Bass, Produktion), Tom Henry (Keyboards) und Joe Harris (Gitarre) fanden sich durch ihre gemeinsame Liebe zum Motown der 60er Jahre und entwickelten sich schnell zu einer gefragten Szene-Band mit Millionen von Spotify-Streams bei der einige der aufregendsten aufstrebenden Stimmen des Hip-Hop und Pop nach einer Zusammenarbeit fragten: Celeste, Kali Uchis, Yellow Days und Rachel Chinouriri sind nur einige der Acts, für die die Band individuell geschrieben und produziert hat. Auch auf "On The Inside" sind einige alte und neue Weggefährten zu hören, wie etwa die aufstrebende R&B-Sängerin Pip Millett, Rosie Lowe und ENNY.

The earth rotates, seasons change_there is but one long day_ Time is a beguiling, indistinct entity_sometimes standing still, sometimes bending back upon itself with premonitions or memories of the future. Growing out of a pen pal style correspondence that took place over the course of a year, separated by the Atlantic Ocean, Gloria de Oliveira and Dean Hurley passed thoughts and music back and forth that would eventually form their collaborative album, Oceans of Time. The result is an aural tapestry of that exchange: woven from conceptual threads of the celestial within, mortality and the realm beyond stars. The duo's partnership is an effortless merge, yet it's the steady presence of de Oliveira's vocals that endows the record with its sense of potency. Throughout the album, there is an innate understanding of how a lyric across a chordal color can sharpen an emotional truth. Much like a sunbeam that pierces a spiderweb to reveal its intricacy, her lyric and melody are purposely aimed in order to illuminate the truths deep within oneself_a process that ties us all to the universal. The Danish philosopher Soren Kierkegaard, a professed influence, wrote about the truth as something that was inherently subjective, less about the concrete reality of what is believed and more about how it is experienced by the believer. Frequent David Lynch collaborator Dean Hurley sets the tonal and sonic landscape of each track on the album, lending a layered ether that envelops, frames and holds de Oliveira's vocals. With its impressionistic synths, shimmering guitars, and ethereal sonics, Oceans of Time at moments recalls the foundational dreampop of 4AD acts like Cocteau Twins and Lush. The album feels especially attuned to the connections between the physical and transcendental realms, and the best dreampop has a way of making the veil between two worlds feel just a little bit thinner. Oceans of Time is a key that has the power to release its listener from the handcuffs of reality, however briefly_

The earth rotates, seasons change_there is but one long day_ Time is a beguiling, indistinct entity_sometimes standing still, sometimes bending back upon itself with premonitions or memories of the future. Growing out of a pen pal style correspondence that took place over the course of a year, separated by the Atlantic Ocean, Gloria de Oliveira and Dean Hurley passed thoughts and music back and forth that would eventually form their collaborative album, Oceans of Time. The result is an aural tapestry of that exchange: woven from conceptual threads of the celestial within, mortality and the realm beyond stars. The duo's partnership is an effortless merge, yet it's the steady presence of de Oliveira's vocals that endows the record with its sense of potency. Throughout the album, there is an innate understanding of how a lyric across a chordal color can sharpen an emotional truth. Much like a sunbeam that pierces a spiderweb to reveal its intricacy, her lyric and melody are purposely aimed in order to illuminate the truths deep within oneself_a process that ties us all to the universal. The Danish philosopher Soren Kierkegaard, a professed influence, wrote about the truth as something that was inherently subjective, less about the concrete reality of what is believed and more about how it is experienced by the believer. Frequent David Lynch collaborator Dean Hurley sets the tonal and sonic landscape of each track on the album, lending a layered ether that envelops, frames and holds de Oliveira's vocals. With its impressionistic synths, shimmering guitars, and ethereal sonics, Oceans of Time at moments recalls the foundational dreampop of 4AD acts like Cocteau Twins and Lush. The album feels especially attuned to the connections between the physical and transcendental realms, and the best dreampop has a way of making the veil between two worlds feel just a little bit thinner. Oceans of Time is a key that has the power to release its listener from the handcuffs of reality, however briefly_

Dirty Electronics (John Richards) and Oliver Torr met in a bar in Prague. One thing led to another. After collaborating at Prague Quadrennial to create a sound-installation in a repurposed ice-hockey arena, gigs followed. They vowed to make an album together, which
finally happened in the geographical space between Prague, London, Brno and Athens. The album brings together disparate spaces and connected artists as a distorted memory trace.
Improvised group scenarios and abrupt electronic episodes are placed side-by-side in a brutal marriag

A thrilling immersion into FM synthesis and a puzzle of MIDI data, the Los Angeles based multi-instrumentalist Gregg Kowalsky returns to Mexican Summer with Eso Es, his sophomore outing for the label and first new music since 2017’s L'Orange L'Orange. Representing a significant creative leap for the veteran composer, Eso Es unfolds as a hypnotic journey into Kowalsky’s inner world, laced with a depth of emotiveness and vulnerability that’s rarely encountered in the electronic music realm. Raised in South Florida and trained at Mills College under Fred Frith and Pauline Oliveros, Kowalsky first came to prominence during the mid-2000s as a member of the thriving experimental music scene in the Bay Area, issuing a series of stunning albums on imprints like Kranky and Root Strata and contributing to a reinvigoration of American made Minimalist and electroacoustic music. In an addition to composing solo works, pieces for large ensembles, film soundtracks, dance performances, and site-specific installations over the past twenty years, during the 2010s Kowalsky concentrated his energies as one half of the critically acclaimed duo Date Palms, performing extensively and releasing three hypnotic albums, including 2011’s Honey Devash on Mexican Summer.

LP - 180 Gram Grey Marble Vinyl / Handnumbered Edition limited to 300 Units Prodigious multi-instrumentalist Nate Wood joins the indefatigably creative partnership forged in New York City by Gilad Hekselman and Will Vinson. Urban Myth is a powerful, diverse but unified set of recordings that combines elements of jazz with pop accessibility and the directness and honesty of folk and delivers a new surprise at every turn. The Jazz Mann gave Trio Grande four stars and wrote about them "The sound of three huge individual talents coming together to create something that is even greater than the sum of its parts."

Mit „Es war einmal…“ beginnen märchenhafte Geschichten, die von fantastischen Welten und von mutigen Helden erzählen. Es sind Geschichten, die uns seit Jahrtausenden begleiten und deren Ursprünge in der Fantasie des Menschen liegen. Passend zu diesem Leitmotiv hat Oliver Satyr für das FAUN-Album „Märchen & Mythen“ einen wunderschönen einführenden Prolog ersonnen, der von keinem Geringeren als Otto Mellies gesprochen wurde, also dem Schauspieler, der seine Stimme schon dem Zauberer Saruman im Film „Herr der Ringe“ verlieh.

FAUN hat sich mit „Märchen & Mythen“ von der Welt der heimischen Märchen inspirieren lassen, sie weben uns ein musikalisches Kunstwerk in dem - wie meist in Märchen - die Traumwelt und Realität immer wieder spielend miteinander verbunden sind. Wer sich mit dem Pagan-Folk - der von FAUN erfunden wurde - auseinandersetzt, erkennt sofort das Leitmotiv der mythischen Naturverbundenheit, das sich zu jeder Zeit in der Musik und den Texten der Gruppe wiederfindet.

Dass dies gerade in Zeiten der exzessiven und ökonomisch motivierten Ausbeutung und Zerstörung der Natur und der resultierenden Klimakrise eine durchaus politische Dimension besitzt, sei hier nur am Rande erwähnt. Nun endlich kommt das Album auf coloured Vinyl raus. Auf einer hochwertigen 180g LP und einem 4 seitigen Booklet in Vinyl-Größe - limitiert auf 1.000 Units

Celebrating the 30 anniversary of this legendary cult band from Argentina, with more than 150 releases in labels from Japan, Europe, Oceania, Latin America and USA and shows played and their music presented all over the world. A nondescript, experimental, truly original band with a story to match their legacy. LP includes fold out insert. At last! A comprehensive compilation documenting the exciting career of the legendary experimental Argentinian cult band. A career overview through eight of their most mesmerizing compositions. The fact that their drummer and singer Miguel Tomasin has down syndrome not only makes them one of the longest-running and most notable inclusive rock bands of all time, but also allows us to appreciate the importance of Miguel's creative contribution, both for his singular way of singing and for his inimitable verbal inventions. For his work with the band, Miguel stands as one of the most relevant personalities with down's syndrome in the world and his name appears mentioned in diverse books of neuroscience and neurodiversity. Their long list of collaborators includes luminaries such as Lee Ranaldo (Sonic Youth), Pauline Oliveiros, Damo Suzuki (Can), The Nihilist Spasm Band, Michael Snow, N U Unruh (Einstürzende Neubauten), Alan Licht, Pajarito Zaguri, Acid Mothers Temple, John Oswald and many more.

I want to introduce this work ‘Halos of Perception’ to you in the way Lisa introduced me to it, through the sharing of experiences.

Lisa and I met for a walk near South Yarra station to talk about this work, when inclement weather made it too wet to visit the tunnels. Moving almost seamlessly from a world of leisurewear, infinite milk alternatives and blaring neons to stretches of green by the water that brimmed with sounds and life, we saw a few people climbing the Burnley bouldering wall, butterflies suspended in the hot wind and lots of plants I wish I knew the names of. Overhead the cars rumbled like a ceaseless animal as we talked about hidden ecosystems, imagined spaces and networks of care.

Stemming from a serendipitous encounter with an original Cave Clan member that led to many underground adventures, this work explores the worlds that exist outside of our perceptions. By the river, I leafed through a selection of tunnel photos Lisa had printed off at Officeworks, revealing alien textures, tunnels that stretch on into abysses of their own, underground flowing streams. Light is sparse and delicate, something reflected by the flickering and wavering in Lisa’s piano compositions.

As we walked, we noticed the ways in which infrastructure is often designed to keep people out—cut doors into fencing and clipped wires show an active and ongoing defiance of this. We spoke about how her Cave Clan friend used to go down to this painted room and read in solitude, using candles for light. The way sound exists underground, encased in these hollow cement tunnels, a painted room with its own deep hum. How people used to hold underground shows, how there were rules for safety (no exploring after rain, never alone) that was shared with each other. This warmth and absorption of other’s experiences is present in Lisa’s work—it’s immersive, like wading in water.

We paused on the walk to eat berries and talk about how The Caretaker creates transitory worlds with recorded sound, how this technology captures memory, and the exploratory pursuits of Pauline Oliveros’ Deep Listening Band. These citations of memory and deep listening inform Lisa’s use of analogue and classical instruments, playback artefacts and acoustic feedback in her own world-building. When speaking about ‘Halos of Perception’, she describes it as a fascination with timbre and acoustic artefacts.

Ideas of networks and enmeshment are felt deeply in Lisa’s compositions, motifs overlaid over each other evoking the image of many hands interlinking playfully, tenderly, softly. The way her compositions delve into refraction and echo makes me think about the tunnels and the way they splinter off into many possibilities. Manipulated textures reminiscent of the chalky, earthy, moss air that perfumes the tunnels’ subterranean air. Tactile details that gesture towards close attention, verging on obsession.

This work is also about imagining ecosystems of potential. Lisa shared with me that during this project, she has been reimagining subterranean networks in dreams, thinking about oral traditions, and the way water moves—from the sky to the earth, through the ground, connecting all these spheres. Realised in collaboration with hyperreal video artist Tristan Jalleh, Lisa’s dream landscape melds waterfalls, leaks, flower graffiti, and hidden messages lit up by imagined light sources with existing subterranean networks. There’s a real sense of wonder in this world she has built, how the city can reveal itself to you with some patience and care, how the city and its secrets can find its way into your dreams.

— Panda Wong

A defining album of the 90s, Last Splash by The Breeders turns 30 this year. To celebrate, the band have returned to the original tapes to give it its first-ever remaster, and by doing so have also unearthed two lost tracks that will delight fans. Recorded by the "classic" Breeders line-up of Kim Deal, Kelley Deal, Josephine Wiggs and Jim Macpherson and featuring singles "Cannonball" and "Divine Hammer", Last Splash was "an alt-rock classic" (Pitchfork"s Top 100 Records of 1990s) on release; a fast seller too, quickly attaining Platinum status in the US. Despite having had the boxset treatment on its 20th birthday, the album was still left to be remastered so 10 years on, the original y" tapes were taken out of the archives and have been lovingly worked on by Kim Deal, Benjamin Mumphrey and Miles Showell (Abbey Road). Never sounding so good, the album for its 30th anniversary, it"s getting the ultimate vinyl pressing. Entitled Last Splash (the 30th Anniversary Original Analog Edition), this new version has been cut at half speed at Abbey Road by Miles Showell, now spanning two LPs and running at 45rpm. A Japanese cd edition will also be available. This edition contains an exclusive, one-sided etched 12" which features two previously unreleased tracks - "Go Man Go" and "Divine Mascis" ("Go Man Go" is a track that Kim co-wrote with Black Francis while "Divine Mascis" is a different version of "Divine Hammer" with Dinosaur Jr."s J Mascis on lead vocals). Both tracks originate from the original sessions and were left forgotten until the sessions were exhumed to create this new master. The attention to detail continues to the album"s art, which equally celebrates Vaughan Oliver"s iconic sleeve. With Vaughan sadly no longer with us, his long-time design partner Chris Bigg has gloriously reimagined the album"s sleeve for this new version.

Dreyblatt"s minimalist conception - a rhythmic drone played on a double-bass strung with piano wire, playing in concert with other stringed instruments performing in 20 unequal microtones per octave and changing key but keeping the same fundamental pitch - dates back to the 1970s, while he studied under La Monte Young and Pauline Oliveros. Resolve acts in intermittent dialogue with the first Orchestra of Excited Strings release, 1982"s Nodal Excitation.

Since then, Dreyblatt has formed new orchestras across various countries and decades, with each phase of his music requiring several overlapping periods of gestation and arrangement.

The current Orchestra is formed by Konrad Sprenger, Joachim Schütz and Oren Ambarchi. On Resolve, each of the members" playing brings new angles to the compositions. Konrad Sprenger"s involves solenoids, sine waves and a computer-controlled multi-channel electric guitar (as well as a relentless style behind the drum kit and oversight of the album production), while Joachim Schütz"s individual conception of electronics and electric guitar and Oren Ambarchi"s undeniable innovations with signal path work together with Dreyblatt"s bass (still strung with piano wire) as magnetic component parts of Resolve.

These contributions lead to Resolve"s dialogue with the early Orchestra of Excited Strings canon - for instance, the track previewed here, "Flight Path" takes off at a pace not often found in the minimalist genre - a rolling lope! Yet the sense of play is palpable: the ensemble scale their microtonal keys with punkish brio, a stance sharing much with the original Orchestra"s downtown pulse, even as as the new Orchestra burn their own path through Dreyblatt"s music.

Approaching his 70th birthday, with over 40 years of work as a solo artist, collaborator, composer, educator and bandleader, Arnold Dreyblatt views Resolve as an important expression within the long story of The Orchestra of Excited Strings. The album title"s tendency to mean different things is an indicator of the dynamic qualities of his music in all its different phases - an evolution that continues to produce new dimensions in acoustic sound with every new release.

Extra Muros - Czech Republic is the result of the fourth edition of FLEE's creative residency program which took place in December 2022 on the dance floor of Prague's most infamous nightclub Ankali.

For two weeks on wooden floor, and under a yellow-tinted skylight, the room usually filled with movement and vibrations became home to six musicians and producers from the Czech Republic and all over the world who came together to experiment on new sounds, inspired by a large variety of artistic environments and soundscapes.
Documenting from various perspectives the music production process, capturing those exchanges, this compilation celebrates a unique form of artistic expression and collaboration.

LP

Extra Muros - Czech Republic is the result of the fourth edition of FLEE's creative residency program which took place in December 2022 on the dance floor of Prague's most infamous nightclub Ankali.

For two weeks on wooden floor, and under a yellow-tinted skylight, the room usually filled with movement and vibrations became home to six musicians and producers from the Czech Republic and all over the world who came together to experiment on new sounds, inspired by a large variety of artistic environments and soundscapes.
Documenting from various perspectives the music production process, capturing those exchanges, this compilation celebrates a unique form of artistic expression and collaboration.

The iconic electronic music masterpiece, "The House Of House" by Cherrymoon Trax, is set to make an electrifying return to the scene. Originally introduced in 1994, this timeless classic, helmed by the talented trio Axel Stephenson, Yves Deruyter, and Franky Kloeck, has been revitalized in a new remastered wax format. The eagerly awaited release is a special double 12", featuring mixes that have never graced vinyl before, alongside the cherished original and other mixes that have left an indelible mark over the years. As an added treat, collectors will find the inclusion of the original tracks "Let There Be House" and "Conflictation." Presented in a captivating 2 color vinyl format (black & white) that harmonizes seamlessly with the sleeve, this reissue is undoubtedly a must-have for electronic music aficionados and vinyl collectors alike. Brace yourselves for the resurgence of a true masterpiece that continues to shape the landscape of electronic music. It’s also the introduction to a new upcoming single with the return of Axel Stephenson.

Jake Muir's latest set of soft-focus, sensual electro-concrète, dissolves X-rated gay sleaze flick soundtracks into a shimmering suite of subdued orchestral flourishes and surreal cosmic psychedelia.

Back in 2020, Muir put together a 90-minute mix for Honey Soundsystem, blending tracks from Kelman Duran, DJ Olive, Daniel Lanois and Terre Thaemlitz with obliquely camp dialog samples from vintage gay porn. The idea was to represent queer sexuality in a looser, more experimental manner, grazing the super-sensory pleasure of the bathhouse experience and the illicit joy of cruising without getting too self-serious while doing it. The mix was so popular that Muir followed it up with a weightless sequel two years later, and began developing the concept into a proper album, using more samples of music and dialogue, eventually performing the piece at the esteemed GRM as part of their FOCUS #4 concerts alongside work by Eliane Radigue, Folke Rabe and Chris Watson.

Bathhouse Blues is split into two side-long pieces that wash and ripple with nervous tension and discreet salaciousness. Opening with a familiar theatre sting, there are echoes here of kosmische and experimental electronics on 'Cruisin’ 87', fashioned into puddles of syrupy, back-room ambience. Occasionally we hear lascivious words thru the fog, men mumbling to each other before sex. "That's beautiful," a voice mutters over a dusky cricket chirp on 'Pipe Dream'. "It is," another replies.

Muir's sonic treatment is suitably explicit, like a 1950s Hollywood jump-cut to a train going into a tunnel; he takes the whole-body, mutual release of queer sex and interprets it with heady gestures, peppering jazzy rhythmic frostings into basins of skewered drone and gurgling synths. His sound is coloured by the pleasure of physical touch, a mussy flux of high frequency scrapes and caresses juxtaposed with woozy, dubbed-out fondles and thrusts. Who said the GRM was buttoned up?

Leave Me Alone is the debut album of Nick Oliveri's Uncontrollable, a solo project created by Nick Oliveri (Kyuss, Queens of the Stone Age, Dwarves, Mondo Generator) released in 2014 on Schnitzel Records. It was recorded in 2013 at Thunder Underground Studios in Palm Springs, California by Harper Hug & Trevor Whatever. Nick Oliveri performs all of the instruments (vocals, guitar, bass & drums) on the album as well as all of the production & writing of the songs. He also recruited guest performers in such as Blag Dahlia of The Dwarves & Motörhead's Phil Campbell. The album is dedicated to deceased Eyehategod drummer Joey LaCaze. Heavy Psych Sounds is releasing a brand new REPRESS with new coloured vinyl.

Magenta coloured vinyl, limited to 300 copies. Leave Me Alone is the debut album of Nick Oliveri's Uncontrollable, a solo project created by Nick Oliveri (Kyuss, Queens of the Stone Age, Dwarves, Mondo Generator) released in 2014 on Schnitzel Records. It was recorded in 2013 at Thunder Underground Studios in Palm Springs, California by Harper Hug & Trevor Whatever. Nick Oliveri performs all of the instruments (vocals, guitar, bass & drums) on the album as well as all of the production & writing of the songs. He also recruited guest performers in such as Blag Dahlia of The Dwarves & Motörhead's Phil Campbell. The album is dedicated to deceased Eyehategod drummer Joey LaCaze. Heavy Psych Sounds is releasing a brand new REPRESS with new coloured vinyl.

Olive green vinyl, limited to 500 copies. "Our upcoming album, titled "Helichrysum," delves deep into the human experience, exploring the wounds we carry and the transformative power that lies within us. It serves as a culmination of the countless creative and personal choices we have made, leading us to a place of greater harmony within ourselves, with each other, and with our collective intentions. Musically speaking, the new album is a testament to our commitment to delivering a sonic experience that is unapologetically raw, adventurous, heavy, groovy and psychedelic. The choice to name the album after the Helichrysum plant, holds a significance as the plant symbolizes endurance, healing, immortality, and the power to overcome adversity, which mirror many of the themes throughout the record."

9 songs of fire, fury and angst. Some of the Songs are reflecting my personal thoughts and some songs are about family and close friends dying and / or committing suicide and some are about My Experience with the corona / sars lock downs. This is a record of real emotion and not for the weak. Nick Oliveri

9 songs of fire, fury and angst. Some of the Songs are reflecting my personal thoughts and some songs are about family and close friends dying and / or committing suicide and some are about My Experience with the corona / sars lock downs. This is a record of real emotion and not for the weak. Nick Oliveri

On the second sampler the first gem on the A side is undoubtedly one of the greatest pearls and trance compositions of the 90's, released on the prestigious German label that all current techno producers revere: Le Petit Prince. Microwave Prince 'Eternal Light' was, upon its release in 1995, already an extremely difficult record to find. 28 years later, this has not changed in the slightest. Closing the A side we have the essential DJ Wout remix of Dave Kane's 'Zero Plus', an enormous hit in the early 00's in clubs like La Bush, La Rocca, etc.

The B side brings us the legendary Delerium 'Innocente', reinterpreted by Mr Sam in his iconic and now timeless 'The Space Between Us Remix' and the German techno gem 'Don't Stop' by Mark N-R-G.

The C Side features 'Miracle', one of the most beautiful trance records ever made coming straight from Germany in the person of Taucher, undoubtedly one of the best producers of his generation. With S'N'S 'Conflicts' the C side brings us another true genius, a future prodigy of progressive and melodic house at the time of this release: Sander Kleinenberg. An emblematic record at Extreme on Mondays if there ever was one.

The D Side is taken up by two tracks that take us even deeper into the essences of trance music with the enigmatic track 'Together We Can Learn' by Awa. This mid 90's English trance gem was already a collector's item upon its release, so it's our privilege to have it on this sampler in 2023. As is the case with the second track 'Lonely Casseopaya' by L.S.G., composed by one of the true pioneers of trance: Oliver Lieb. This record is a treat for those who listen to it closely and feel the classic 'after' vibe of our golden age of Belgian clubbing.

ltd olive green marbled Vinyl

Die legendäre Heavy-Metal-Band CIRITH UNGOL wird am 20. Oktober ihr sechstes Album "Dark Parade" über Metal Blade Records veröffentlichen. Anfang der 1970er Jahre in Ventura, Kalifornien, gegründet, schufen CIRITH UNGOL einen Sound, den die Welt noch nie zuvor erlebt hatte. Anstatt ihre Einflüsse passiv zu kanalisieren, wurde die Band dazu getrieben, einen insgesamt schwereren, dunkleren, apokalyptischeren Sound zu schaffen. Er war obskur und geheimnisvoll, mysteriös und exzentrisch, episch und ausladend, aber vor allem unnachgiebig, knochenbrecherisch schwer, dunkel und doomig.

contains a remix by piec bucci and a very strong hot chip remix !!!