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"Know Your Toms", it struck us that we have in our collections a number of amazing releases from artists writing deep and underground house music all going by the name Tom. The mission - to collect a track from each of them and make the kind of release which finds its way into only the best record collections. Tom Lown records as Lucky Sun and runs his own label of the same name. His track "Tomcat" is deep, pad drenched house for when the sun is out and the dancefloor is heating up.

Tom Gilbert is a master at crafting melody-rich, future-facing electronic music that's as timeless as it is tuneful, atmospheric and pleasingly nostalgic as can be heard in his track "Tom & Roland". Tom Churchill is a Scottish-based electronic music DJ, producer, and label owner involved in the scene since the mid-90s, his track "Backwards Glance" is his trademark deep house at its finest.

Tom (Shur-i-kan) Szirtes needs no introduction and has produced the kind of track which lights up the dance floor in a peak time house set, "Round Robin" is an instant classic. Between them they have been signed to the cream of the crop in underground house labels: Freerange, Headspace, We're Going Deep, Winding Road, Innate, Tronicsole, M>O>S, Nordic Trax, DiY Discs, Echocentric, Lost My Dog, 2Sox, Distant Worlds. The EP Comes on eco marbled vinyl, with "Know Your Toms" sticker and insert which is a guide to identifying the different types of Toms out there. A limited run of T-shirts available from Fourier Transforms Bandcamp

Label Boss TSVI is back with a brand new release on Nervous Horizon: Dance Tripping EP! Inspired by his early years in London, where he spent countless nights at minimal and tech house raves, the EP draws elements from these styles through stripped back productions and groove driven basslines. Moving away from TSVI’s signature percussion focused sound, the record prioritises a more sound design approach, exploring texture, movement and club functionality.
The EP opens with Music is Moving, a high energy festival weapon built around a groovy bassline and a UK garage leaning swing. A sharp, restless lead drives the track forward before exploding into a euphoric climax of phased and distorted sawtooth waves. Next comes The Wasp Track, combining pitched down leads with a rolling tech house groove, built for peak time tension and release. The title track Dance Tripping sees TSVI at his most stripped back, featuring loopy analog textures and hypnotic rhythmic elements that focus on repetition. The last two tracks Kataklisma and Turbo Motion create a literal sonic apocalypse by pounding the club with heavy reeses and mean beats.

TSVI Dance Tripping EP is the ultimate club weapon for 2026!

Following her contribution to Scenic Route’s Road Less Travelled 2, MS RAY returns with MELT — a defining new chapter in what Boomkat described as “adult contemporary soul.”

MELT is set to be a true benchmark for MS RAY - a five-track release that moves between the cathartic and the heartfelt, shifting fluidly between R&B, trip-hop and dream pop. Subtle yet expansive, it captures her most refined and emotionally resonant songwriting to date.

The EP features new single “Miss You” ft. Nourished By Time, a slow-burn duet pairing her velveteen delivery with his unmistakable, off-kilter pop sensibility.

Also included is “Signs,” her standout cut from Road Less Travelled 2, available here for the first time on vinyl, alongside three brand new, unreleased tracks that further explore her palette of nocturnal electronics, minimalist soul and soft-focus atmospherics.

LTDBLBL023 introduces Pove, a producer from near Venice with a deeply personal and intuitive approach to music. Built around a love for groove, the six tracks explore jazzy house and funk influences, driven by warm basslines and playful rhythms. Created without expectation and guided purely by feeling, the record captures a sense of freedom and quiet confidence

Papa Nugs returns for the third installment in the Nug Nation series on his imprint Suckerpunch, this time bringing along Confidence Man’s Sugar Bones for a vocal feature. Drawing inspiration from early 2000s house, electro & electroclash, Nugs once again brings a forward thinking take to his inspirations from the past

Ultra Knites Records welcomes Mike Sharon for UKR058, a refined and deeply effective 4-track statement shaped for the late-night hours. Subtle in detail, hypnotic in flow, and built with the kind of understated pressure that stays with you long after the record stops spinning. Pressed on 180g black vinyl, Genetica EP fits perfectly into that classy underground space: functional for the floor, but rich enough for close listening. A versatile release for selectors who value precision, atmosphere, and timeless dancefloor design.

Turn On The Sunlight is the long-running project of Texas-born, Maui-based musician and producer Jesse Peterson.

Originally formed in New York in the late 2000s, Turn On The Sunlight has evolved into a fluid, location-spanning practice rooted in collaboration, intuition and process. Now based on Maui, Peterson’s work draws together a wide network of musicians and environments, with recordings taking shape across Los Angeles, Tokyo, London, San Miguel de Allende and Haʻikū.

Loosely situated within a framework of organic, ambient-leaning jazz, 'Iseo' unfolds as a series of open, exploratory pieces, with electronics sitting subtly beneath acoustic and environmental elements. Built from layered instrumentation including synthesizers, guitar, zither, flutes, voice and field recordings, Peterson moves between grounded, tactile detail and more expansive, immersive states. A sense of warmth and permeability runs throughout: organic percussion, environmental textures and drifting rhythmic elements lend the record a gently saturated humidity, reflecting Peterson’s base in Hawaii, where the presence of nature is felt as much as it is heard.

Underlying the project is a way of working rooted in gathering, listening and tending. Instruments, ensemble sessions, field recordings and everyday environments are approached with attentiveness, shaped through collecting, refining and allowing things to settle. Relationships, landscape and lived experience shape the sound, giving 'Iseo' a tactile, almost hand-made quality.

Rather than fixed arrangements, the album feels as if it has been organically and lovingly assembled through a process of listening and response, each element finding its place within a wider, evolving whole. This approach reaches a natural centre point in the 15-minute piece 'Medianoche En La Calle Aurora', which unfolds patiently, bending through shifting environments as motifs and textures emerge and dissolve with quiet continuity.

Peterson’s role as both instigator and facilitator is central to the project. Bringing together a diverse group of collaborators including Carlos Niño, Mia Doi Todd, Laraaji, Ko Ishikawa, Luis Pérez Ixoneztli and Miles Spilsbury, he creates space for individual voices to emerge within a shared language. The result is a music defined by openness and generosity.

'Iseo' takes its title from Peterson’s son’s middle name, a word that can be understood to mean ‘one-world life’. The piece itself takes the form of a gentle lullaby, its melody loosely shaped around the syllables of his name and sung to Peterson’s son by Luis Pérez Ixoneztli, a close collaborator whose presence across the record reflects a long-standing relationship that extends beyond the music itself.
Sleeve art and design by Michael Willis.

'We Fell In Turn' is the solo debut from Brooklyn-based trombonist, composer, and quartet leader Kalia Vandever. Vandever, who plays with Harry Styles and Japanese Breakfast, “sculpts her trombone’s golden tones into dazzling compositions” (Pitchfork), writing music that tends to “dip you into a feeling or a pattern or a breathing speed, and keep you there” (The New York Times). In 2022, Vandever released Regrowth, an album that “features the ecstatic, brilliant melodies that have become Vandever’s signature sound” (Bandcamp). This spring, Vandever brings contemplative reflection to We Fell in Turn, a brave and understated work from an ascending voice in American jazz.

Recorded over three days in upstate New York, 'We Fell In Turn' is improvisational — a stark palate of solo trombone, voice, effects, and little more. “My solo process has always been heavily rooted in improvisation,” says Vandever. “I wanted the process to feel similar to the way I perform. Lee Meadvin, who engineered and produced the album, had a heavy hand in the creative process as well. He would dictate prompts before I started improvising and those pieces ended up shaping a lot of the imagery that comes up throughout the record.”

Connecting the dots between Jeff Parker’s 'Forfolks', and early releases from Grouper, 'We Fell In Turn' is a study of space and patience, embracing vulnerability in its sparse adornment. At times, the album is reminiscent of Patrick Shiroishi’s 'Hidemi', both in its familial inspiration and solo instrument study, while sharing the ineffable feel of William Basinski’s 'The Disintegration Loops' — the traces of her trombone folding in on themselves in an organic loop. Emotionally generous throughout, Vandever acts as a torchbearer for jazz’s historical yearning for connection.

On 'We Fell in Turn' Vandever draws inspiration from childhood memories — events that shaped her approach to love, community, and partnership, and her maternal homeland of Hawaii. “We were exploring childhood memories, earliest experiences with disappointment and pain, and my Hawaiian roots,” says Vandever. “We Fell In Turn came after I titled the track "We Wept In Turn". Both come from the intangible feeling of waking up from vivid dreams, particularly the experience of falling right before waking up or waking up in tears.”

Through this exploration into her heritage, Vandever also found guidance. “In Hawaiian mythology, ‘aumākua are known as ancestral spiritual guides that manifest in different forms, whether physical or intangible,” says Vandever. “My ‘aumākua visits me in my dreams, usually with a reassuring hug or a reminder of my past. Memories and early experiences seem to escape me, but find their way back in dreams.” And now they’ve found their way into 'We Fell in Turn', Kalia Vandever’s stunning solo debut.

Delivering four precise, direct techno weapons with expertise and personality in abundance, Efdemin arrives on Dekmantel with Mirror Phase.

Phillip Sollmann has been an enduring source of inspiration and originality within the techno scene since he rose to prominence in the early 00s. As Efdemin he's found a sweet spot between warmly melodic expression and constantly curious textures, holding true to techno's original MO as a bittersweet soul music while delivering his own distinct take on the tradition. After last year's more introspective LP POLY he makes his Dekmantel debut with a sharp, incisive bundle of workouts that champion unfiltered techno of the highest calibre. In Sollmann's own words, it's a loving tribute to the original Detroit architects of the sound.

"All four tracks are based on studio jams using mainly analogue gear, and were done pretty quickly," he explains. "They all nod to the roots of my idea of techno, which is very much informed by the Detroit-Berlin legacy we all benefit greatly from in many ways. In a way, this EP is a deep bow to this."

The sense of tribute behind the music manifests explicitly on opening track 'Mirror Phase', which features a fully cleared sample of DJ Minx's sultry spoken word intro to Kevin Saunderson's 1997 entry into the seminal X-Mix series — a formative release for Sollmann on his journey into electronic music.

With adventurous synth lines and tweaked samples rubbing up against chiseled 909 drums and a generous serving of emotive machine soul, Mirror Phase EP is a perfectly-formed slice of techno done properly — classic, timeless, futuristic and eternal in equal measure.

LEYO returns with his most refined and personal album to date

Following the success of his debut album on Cécille Records, released in September 2024, which surpassed millions of streams and firmly established his signature sound, LEYO now returns with his second full-length LP on the imprint - a project that marks both artistic growth and a deeper exploration of his musical identity.

Building further on that momentum, LEYO followed up with his ‘Circus’ EP, a release that quickly became a standout moment, with the title track ‘Circus feat. Easttown’ gaining strong support and resonating widely across dancefloors and reinforcing LEYO’s position as one of the label’s most exciting and distinctive artists.
Now, with his new eleven-track album, LEYO opens the next chapter.

Featuring collaborations with Thierry Ganz, 3DDY and Native, the project showcases LEYO at his most refined and confident to date. Building on the foundations of his debut, he continues to blur the lines between soulful house, disco-tinged grooves and raw, stripped-back club cuts - all while maintaining a sound that is instantly recognisable as his own. Where his first album introduced the world to his unique blend of influences, this new body of work feels more focused, more mature and emotionally resonant. Each track carries its own weight, with moments ranging from intimate, melodic compositions to high-energy dancefloor pieces - true gems that reveal themselves over time.

The project has been a long time in the making, reflecting a period of artistic evolution and dedication in the studio. It captures not only LEYO’s growth as a producer, but also his ability to craft music that connects both on a personal and collective level.

At Cécille, we are incredibly proud to have LEYO as part of our family. Releasing his second album on the label is something truly special for us, and a testament to the journey we’ve been on together so far.

This album is not just a follow-up - it’s a statement.

For almost two decades, Igor Škafar has honed a own unique sound. Warm and nostalgic, the Slovenian artist melts unctuous analogue tones with subtle percussive patterns. This palette is at the heart of Ichisan’s fifth appearance on Bordello A Parigi. An undulating and understated introduction ushers in “Erotika,” the cosmic gazing sounds of the 1970s and the turquoise waters of Balearic flowing as one. Swirling space synthlines are countered by punchy beats, fudgy basslines balanced by the gently rippling melody. The break offers new directions, drum patterns scatter before regrouping around those sunkissed scaling chords care of Škafar’s impeccable craftsmanship. The beats take on a disco snap for “Midnight House,” a smouldering snaking synthline unfurling itself to glorious heights. Bongos and toms support the sci-fi dipped keys of this seven-minute journey into the musical mind of Ichisan. Two tracks that offer a deep dive into the sounds of a truly singular artist.

Sounds of Sirius Music presents SOSNZ012 – Vedanā – Convergence / Polarity

All forces move in pairs. Light and shadow. Push and pull. Signal and silence.
Frequencies bend toward each other, magnetic fields collapsing into a single point of awareness. Tension becomes motion. Duality becomes flow.

New Zealand-based artist Vedanā leads the A-side with two original cuts, channeling a deep, hypnotic energy that moves between restraint and release. Each track reveals a different side of the same spectrum, balancing introspection with forward momentum.

On the B-side, label founder Herman Saiz delivers a reinterpretation rooted in his signature groove, bridging Chilean and New Zealand influences with a refined, driving touch. Romanian producer RQZ adds his own perspective, reshaping the original into a textured and immersive journey.

Convergence / Polarity captures the space where opposites meet — not as contradictions, but as essential counterparts in constant motion.

Following excursions into the liminal spaces between ambient, jazz and minimalist percussive sonics via the self released Balafon Sketches and subsequent Elevations album on Music From Memory; Contours latest offering, Perc EP sees the producer and percussionist deliver a series of club ready percussion work-outs.

Perc EP came out of the same period in which Elevations was being recorded, offering an outlet for the more overtly club focused impulses still being incubated. The EP was built through a period of sampling and resequencing live captured percussion, lending the tracks a particular quality that merges organic and sequenced temperaments.

Eschewing straight up 4/4 frameworks, Perc EP takes on a broken rhythmic framework with nods to Detroit house, dub techno and UK club permeations. The result is a hypnotic rhythmic trip through evolving synthetic textures, and a collection of club indebted tracks formed from initial explorations into rhythmic interaction.

Early support from Gilles Peterson, Steve Barker (On The Wire), Volcov, Marshmello, Kirk Barley/ Church Andrews.

Raw, focused, and deeply machine-driven, a record that embraces the essence of hardware-based production with confidence, energy, and character. There is no excess here, no unnecessary decoration, just a direct and powerful sound shaped by tension, movement, and the unmistakable warmth of true analog gear. Techno record built for dark rooms, serious systems, and lovers of authentic machine music. A powerful release that captures analog techno in its most direct and effective form.

Mathew Jonson on The Nothing Special!

In a dystopian universe where elites manipulate memory to control the population. Vibracid emerges as a technique of liberation through sound: a method for erasing induced memory.

THE RHYME marks the counterattack phase. The insurgents infect the system used by the elites for control and reprogram it from within: patterns, voices and sequences as active code.

Contemporary bass, electro, breaks, acid and rave converge as transmission vectors. Each track operates as a unit of intervention within this science fiction scenario.

At this stage, new signals are incorporated. Power, with a solid trajectory within the underground circuit, opens the EP in a forceful way, with an acid, surprising and spectacular impact. Exieve, a young producer from Chernihiv, continues the attack with a raw tension where vocals cut through the signal like sharp fragments. Alongside them, Lups Digga, Atix, Parand and Calagad 13 continue expanding the system’s reach.

Two seriously high-grade legends come together to mark the 30th anniversary of the cultured Seasons Limited imprint here: Don Carlos is behind one of Balearic house music's most enduring anthems in 'Alone' and Robert Owens has been voicing the genre since the 80s with his signature smoky tones. Here they cook up 'Inspired' in three different forms - there's a deep and soulful House Mix with an electric delivery from Owens, then a chord-laced and warm Classic Mix with a throwback Chicago bassline and finally a Dub Mix that strips everything back to a more breezy late-night sound that sinks you into the groove perfectly.

Ben Sims' mighty Symbolism returns! Mike Storm cuts including renditions from none other than Deniro and O Phase.

Three releases in, Ottagone has established themselves as one of the more dependable forces in contemporary techno production. Selected III builds on the momentum of its predecessors, delivering six precisely crafted, groove-oriented tracks alongside two exclusive vinyl cuts making their first appearance here. Purposeful, cohesive, and as rhythmically compelling as the series has come to promise.

Omega Sunrise was a US funk and soul outfit made from several members of the Seawind Horns and spent around eight months a year on the road from 1979 to 1986. They recorded a debut album in 1983 that charted well nationally and years on, Feel The Change remains a favourite of deep diggers. It was a 1983 private press release that had it all, from tight, snappy drums with mellow soul vocals and jazzy melodies drenched in spiritual vibes to more slow funk cuts with more defined drums. Brass tones, synth glows and a devotional energy all pervade the 11 cuts and this is its first-ever vinyl reissue, so do not sleep.

DE

Elektronische Klangreisen zwischen pulsierendem Techno, treibendem House und atmosphärischer Ambient-Electronica. Treibende Grooves, verspielte Beats und futuristische Effekte schaffen Kopfkino, Bewegung und positive Energie – perfekt für Dancefloor, Afterhour oder entspannte Hörmomente.

EN

The electronic sound goes from pounding techno to driving house and atmospheric ambient electronica. Driving grooves, playful beats and futuristic effects create mental images, movement and positive energy – perfect for the dance floor, after-hours or relaxed listening moments.

Silhouette is a brand new label from Burnski, who is surely the hardest working man in the underground right now. His thirst for sounds that traverse the garage, tech, dub and minimal spectrum seems to be utterly insatiable. For the second release on his latest outlet, he enlists Budapest-based house-head Vitus. In return, he drops five tunes that will work the floor with muscular grooves but bring the fun with great samples. There's raw filth on 'Got Your Head Nod', choppy, jazzy loops on 'Mind State,' a more heads down minimal sound on 'Take Me (To The Floor)' and bubbly energy on the well swung closer 'House Is (Never) Boring'. A charming EP full of club utility.

Not long after the well-received 'Bottlemess Brunch' and 'Billa' dropped, the FLDIN2 label is back with another killer drop. This one, we're told, draws on Fold producer Rob's early immersion in pirate radio and record-collecting years in suburban London during the early 2000s. Lovers of Ben UFO, Joy Orbison and Floating Points will all be into the lo-fi designs, not to mention the irresistible garage, tech and dub swagger he packs into these jams. 'Lotion' is a crispy, tightly coiled and skeletal UKG sound underpinned with wobbly low ends and sprinkled with chopped vocal fragments that make for a ghostly groove. 'Soft Launch' is fuller, with a more boring emotional impact from the yearning vocal stabs that are teased and buried throughout the mix.

Ben Sims' mighty Symbolism returns! Mike Storm cuts including renditions from none other than Surgeon and Troy.

How much weight does it take before something finally shifts? Character Builder EP is Voorman's introduction to Stelus, four functional studies arranged as a single passage. The A-side carries weight: 'Dense' opens with compressed momentum, focused and unrelenting; 'Pressure' follows with restrained propulsion, austerity with distance held deliberately between the music and any release. The B-side turns inward. 'Angst' sits inside psychological friction without resolving it, letting the feeling stand on its own terms. 'Relief' closes the EP with a gradual lift, not resolution exactly, but the slow return of space. Personal development is built under load.

‘The Sci-Fi Era’ marks the launch of Utopiality, the new forward-looking project from Berlin-based DJ and producer Rickie. A space where rhythm and texture converge into immersive, ever evolving forms.

On the A-side, ‘Galactica Expedition’ cuts through with aggressive basslines layered against
delicate pads, setting things in motion. ‘Imagination’ follows, diving deeper into unknown realms with a mind-bending, exploratory energy.
The B-side expands the narrative: ‘Stellar’ pairs intricate drum programming with constantly
shifting synths and basslines, while the closing track ‘Destination’ locks into progressive grooves and immersive pads, unfolding toward a hypnotic endpoint.

2026 Repress

RAWAX proudly welcomes Alexkid to the Family! We couldn't be happier with Alexis' debut.
The Bedroom EP is a great trippy techno journey from minimal to electro.

Secrets Of Sound slip into electronic erotica with this new and steamy compilation of after-hours disco and sexually charged sounds. Both originals and tasteful reinterpretations of classic tunes from Kylie Minogue, Amanda Lear, La Tour and Enigma feature on this most intimate collection. There is blissed out depth from Ed Temple, Italo melodic flair from Lipelis and sultry vocal allure on System Olympia's 'Signal Your Love.' Elsewhere, Jorja Chalmers casts you adrift on a new age Balearic life raft and Gareth Anton Averill & Sobrenadar closes with the shimmering 80s nostalgia of 'Paris.' Steamy indeed.

Antuni (translated from Armenian as “homeless”), Margenrot’s third album, was created over five years. It is a personal statement about fragility, vulnerability, and the search for grounding in a world where conflict has become part of everyday life. Antuni is a genre of gusan song (gusans were Armenian folk singers and rhapsodes) – a story told by a homeless, eternal wanderer, exiled and deprived of homeland.

The album’s title also refers to the melancholic ballad Antuni (“The Song of the Wanderer”) by the Armenian composer, folklorist, and monk Komitas. This work was dedicated to the victims of the Armenian Genocide of 1915. Lusia’s new album is about national identity and inner wandering – between contempo- rary wars and deeply personal, existential experiences. She asks an urgent, personal question: “What is my home, and where is it?”

The album weaves together traditional Armenian chants and chorales with electronic music and field recordings. Breakbeat is layered with conversations between Lucy’s relatives about the fading village of Naokhrebi (an Armenian village in Georgia), while samples of Komitas’ liturgy, recorded in a Catholic church, contrast with fractured rhythms.

Legendary is a bold title for an EP, but is fully justified in the case of this new 12" from Silver Walker, which gathers some of house music's best and most proven talents. Jon Dixon opens with the light, fluttering house stylings of 'Five 15', which have sax motifs adding a touch of classy hi-tech jazz. Dallas man JT Donaldson follows by folding jazz phrasing into a swinging, deep house framework with understated finesse. On the flip, Abacus delivers 'A Gathering Of Griots' a warm, melodic cut bathed in sunlight and label head DFRA closes with a tribute to the great Mike Huckaby that is driving but soft, reverential and with a bittersweet energy.

Ed Nine hails from the birthplace of house and brings plenty of Windy City magic to this EP on Spanish label MATE. It's deliciously emotive tackle drenched in meaningful pads and, in the case of opener 'Feel It In Your Soul', an aching vocal sample that really sets it alight as the organic drums jack down low. 'Free Acid' is a stomping workout with prickly 303 lines defining the peak time vibe, then 'Out Of Line' cuts back into a more sunny sound with synths rising up through the mix and bringing joy. Closer 'The Drum Tool 3' is just that - a raw jam to help you get the floor locked in while moving through the gears.

This all French affairs finds the eponymous Politics Of Dancing label head hook up with deep house head Djebali for a quartet of kicking minimal tech sounds. The swirling, circular bass of 'The Moment' soon gets your fists pumping, then 'Question' is a little more loose and wobbly - the fleshy bass and snappy snares contrasting one another nicely. On the flip, 'Ball Lightning' starts off with ascending synth lines and urgency in the grooves that will ensure plenty of locked-in dancers with withering sci-fi motifs adding a little cosmic escapism. The closer 'Whip' is the most fun sound - characterful synths and drums that duck and dive make for fresh house with a relentless groove.

Rhythms Of Prescott debuts on Potency with the highly-anticipated Run Of Deluxe EP. This has been getting rinsed by esteemed selectors such as Ben UFO at Houghton Festival through to Shanti Celeste at Dekmantel. The music speaks for itself on this one, listen for yourself. Limited copies!

The fledgling Supremus is back to roll out a second edition of the London-based Frenchman Giom's classics series with three more carefully chosen cuts that underline his club clout. His own remix of 'As Darkness Falls' returns with warming chords and bright keys over a rolling groove and Apple Rochez vocal that oozes r&b appeal. 'Summerized' resurfaces after years out of reach with a more tight, tense groove and diffuse synth work that washes over the mix. Closing track 'Play On' leans into warm days and outdoor dancing with a nu-disco vibe that's effortlessly lush and absorbing, so it will likely be big all over again this year, especially after a fine remaster for 2026.

The amount of quality music Burnski has produced, A&Red and released in recent years is off the charts. His labels are some of the most played in the underground right now, but that hasn't stopped him from starting another one here with Silhouette. Mundy is a new name to us, but has some serious chops on display here with six stylish cuts that explore the intersection of garage, tech and minimal. The synths are silky and the vocal samples are expertly placed to give each groove real character. 'Real Love' is deep and r&b tinged, 'Find You' has a dark low end and 'The Middle' is all about the filthy bass. Pure heaters.

New edition; new cover, black vinyl



Winner of the 2026 César Award for Best Original Music, the Arco soundtrack is composed by Arnaud Toulon.



Blending sweeping orchestral passages with delicate electronic textures, Toulon’s music accompanies Arco’s temporal wanderings in an expansive sonic journey. An immersive, sensitive, and luminous soundtrack that echoes the great works of Joe Hisaishi while asserting a distinctly contemporary identity. Balancing poetry and dramatic tension, the score stands as a fully-fledged experience in its own right, emerging as a striking cinematic work.


Directed by Ugo Bienvenu, Arco won the César Award and the European Film Award for Best Animated Feature in 2026. It also won the Cristal for Best Feature Film at Annecy in 2025, and was presented at the 2025 Cannes Film Festival and selected for the 2026 Oscars.



Film:

Best Animated Film and Best Original Score at the 2026 César Awards / 2026 European Film Awards / 2025 Cristal Award for Best Feature Film at Annecy

Screened at the 2025 Cannes Film Festival

Nominated for the 2026 Academy Awards



Distributed in over 40 countries

VOD already available in France



Music:

Nearly 1.5 million streams

1,000 vinyl records sold

Over 177,000 views on the live session of “Clouds Away” by Arnaud Toulon x November Ultra

CD released in Japan in April 2026



International releases (movie)

2025

October: France + Belgium

December: Netherlands

2026

January: Portugal, Czech Republic, Spain, China

February: Latin America, Taiwan, Turkey, India

March: Greece, South Korea, Italy, Australia, Estonia, UK, Hungary, Romania

April: Latvia, Germany, Hong Kong, Bosnia & Herzegovina, Austria, Poland, Japan, Switzerland

August: Sweden

October: Lithuania

Diffuse Reality presents Flits - Advance EP. Flits delivers nine tracks across vinyl 12inch and digital, shaping a perfect fusion of Techno with minimalist sounds, elegant textures, and a raw yet dynamic energy, always keeping the groove alive. Deep atmospheres, subtle tension, and hypnotic movement come together in a timeless vinyl made to live inside your bag. TOBAS 006 is here. Let's enjoy the journey together.

Vinyl compilation of Peaces talent artists, the 6th edition "Wonderland with Description"