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Grupo Um - Starting Point LP

In 1975, under the oppressive air of military dictatorship in Brazil, brothers Lelo and Zé Eduardo Nazario invited bassist Zeca Assumpção to join their musical experiments in a basement under Sao Paulo’s Teodoro Sampaio Street. As teenagers, the trio had already been playing together in Hermeto Pascoal’s Grupo, alongside guitarist Toninho Horta and saxophonist Nivaldo Ornelas, and it was while working together under Hermeto’s direction that the Paulista rhythm section (as they were then known) began to realise their own potential.

With many nightclubs and venues closed in the mid-70s and government censors dictating the output of radio, TV and art galleries, many Brazilian artists fled during the years of dictatorship. But underground, Grupo Um were fusing avant garde ideals with contemporary jazz and Afro Brazilian rhythm; making phenomenally free and expressive music - in stark contrast to the sterile, conservative conditions being imposed above ground.

Just like Hermeto Pascoal’s Viajando Com O Som from the following year, Starting Point was recorded over two days at Vice-Versa Studios, by revered engineer Renato Viola. The studio was one of the best in Sao Paulo and musicians communicated with engineers through cameras and a monitor, allowing the group complete immersion in the process. They also made use of the studio’s hemispherical tiled room, which served as an acoustic reverberation chamber.

The album begins with Zé Eduardo Nazario’s thunderous drum solo on “Porão da Teodoro”, before clearing the clouds with the lone Berimbau which opens “Onze Por Oito”. Built around a hypnotic electric bass line, heady Fender Rhodes improvisations, and more rip-roaring drums, it’s a rapturous, electrifying freak-jam in 11/8.

Like some invertebrate deep-sea curiosity, the free-form “Organica” is made up of Lelo Nazario’s playfully eerie prepared piano, with Zé Eduardo’s percussion flurries darting around Assumpçao’s double bass. The equally non-conformist, percussion-only piece “Jardim Candida” features many of Zé Eduardo’s home-made instruments, including a long saw blade played with vibraphone sticks and violin bow. While working with Hermeto, Zé Eduardo famously built his own all-in-one percussion set-up known as the “Barraca de Percussão” (Percussion Tent) - the first of its kind in Brazil, which he would also use on Hermeto Pascoal’s Viajando Com O Som and throughout his career.

“Suite Orquidea Negra'' (Black Orchid Suite) was written by Lelo Nazario as the score for an imaginary movie - the story of a rare, black orchid which produced a substance meant to cure all diseases, but which had mysteriously disappeared from the laboratory… “As a screenplay it’s not very good” reflects Lelo in jest, “but the music ended up being very interesting, the way its parts are chained to one another carries a little of the mystery I imagined for the movie.”

The album closes with the triumphant “Cortejo dos Reis Negros” (Procession of Black Kings) - a groovy variation on the Maracatu rhythm, with a two-note bassline underpinning piano improvisations, exultant wordless vocals, cuicas, slide-whistles and a very special guest appearance from Zé’s dog Bolinha.

Starting Point was to mark the inception of one of Brazil’s most daring instrumental groups. Their debut now sits in the lofty echelon of otherworldly 70s Brazilian music, alongside the likes of Marcos Resende & Index’s self-titled debut, Cesar Mariano & Cia’s Sao Paulo Brasil, Azymuth’s debut and indeed Hermeto Pascoal’s Viajando Com O Som. But just like all of those titles, which were either shelved or largely ignored at the time, Grupo Um - so radically ahead of their time - struggled to find a label to release their debut album. So Lelo kept the tapes safe in his archives, which is where they sat for almost half a century. Finally, almost fifty years later, this mesmerising piece of history is here, and it was only the beginning...

Grupo Um’s Starting Point will be released by Far Out Recordings, on vinyl LP, with an insert featuring unseen photos and liner notes by the Nazario brothers, as well as a CD on 17th February 2023.

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Moonee - Primal Groove

SlothBoogie Records return for 2023 with a five tracker from Moonee.
Groovence Discs boss Francois Lefevre is well versed in deep grooves and has been releasing some of his finest discoveries on the label since 2015. More recently he's been making his own deep and atmospheric productions under the Moonee moniker which took off in 2020 thanks to debut track Faith & Sorrow. Collaborations with some of the French scene’s finest producers Mangabey and Tour Maubourg soon followed as well as a remix for Sweely’s banger 'I Gotta Keep On'.
The Wabi Sabi EP on the label landed in 2022 and was highlighted by Juno's editorial team as 'a sumptuous, slowly building chunk of intergalactic deep house beat loveliness'. That same EP caught the SlothBoogie crew's eye and they immediately began working on presenting a selection of Moonee's tracks that would celebrate their shared love of deep yet pumping Disco and House sounds.
The Primal Groove EP was born and it starts off with 'Apples', a Motor city soul drenched track with filtered bass, dusty horn samples and spaced out guitar licks. Shuffled along by MPC beats before an otherworldly vocal washes over and brings it all to a close. 'Shishingo' is up next with it’s clever vocal manipulation, bouncy drums, subtle organ flourishes and a skipping bassline that builds up to some good ol’ time piano workout. Completing the A side is 'Dinner At Michelle's'... the most disco cut of the 12''. More shuffling shakers and filtered guitar loops backed by a thumping kick and ever circling strings leading the way for a full on 4/4 workout.
Flipping over to the B sides introduces us to the title track 'Primal Groove' that takes us deep into a nostalgic trip with its string swells and filtered bass. Moonee is flexing his deep house muscles on this one as snappy percussion punctuates more MPC sampling, building tension towards the reveal of the main heads down groove section… classy business. Finally for dessert is 'Boka' a sumptuous glistening track that’s primed for beachside sunsets. Saturated with hypnotic vibes that’ll help you drift away into a calmer, more peaceful sanctuary

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Drumskull - Muscle Memory

The first release of 2023 on SHERELLE and NAINA’s Hooversound imprint comes from London based DJ, producer and AV artist, Drumskull.

Drumskull is the moniker of Joel Harrison, started during lockdown in 2020. His debut album, ‘Interlocked’ garnered support from the likes of Addison Groove, Ahadadream, Doc Scott as well as receiving radio support from Tom Ravenscroft on BBC Radio 6 and Avalon Emerson on her BBC Radio 1 Residency.

In joining the Hooversound family, he again showcases his style of meshing jungle, footwork with deep house and breaks across two tracks. 'Muscle Memory’ also features two huge remixes from Nottingham’s Lone and LMajor - both making debuts on the label.

The EP wraps up a busy year for Hooversound who also put out releases by RAVETRX, Prayer, Thugwidow and Bruised Skies as well as remixes from Response and Denham Audio. Since launching in 2020, Hooversound has become a go to label that pushes the bass continuum, being championed globally by Resident Advisor, Crack Magazine, FACT, Groove, Mixmag and more.

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Forever Pavot - Babysitter OST LP

We're delighted to welcome Émile Sornin's solo project, Forever Pavot, to the BMM family, with this heavily retro soundtrack for the French-Canadian motion picture Babysitter directed by Monia Chokri. As a fan of Jean-Claude Vannier and François de Roubaix, Émile illustrates this light and poetic movie with 18 melodic loops and short ambient pieces, faithful to the 60's and 70's French soundtrack style.

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Franco Esse - Pelle Di Luna / Peluche

Franco Esse is the moniker of Francesco Semproni, who in the late 60s began working as a music and recording assistant in major recording studios in Rome, Italy. He started out at Dirmaphone (then located in Via Pola) under sound engineer Gianni Fornari, before following him to the Emmequattro studios in Viale Mazzini, which at the time were the headquarters of Edipan, the record label founded by composer and conductor Bruno Nicolai after parting ways with friend and fellow composer Ennio Morricone.

Semproni tried to become a singer-songwriter in the early 80s, when he recorded a number of demos with the session musicians who gravitated around the studios. None of these demos was ever released though, for reasons that are still unclear today – his thorny and stubborn personality may have been a factor, since it apparently made him reluctant to compromise with the major record labels of the time.

The unsuccessful efforts to launch his solo artist career led to a personal crisis, and Franco Esse eventually quit music to go to work as a sales assistant in a toyshop in Rome's Prati neighbourhood.

Today he seems to have vanished without a trace, but after extensive research, we managed to dig some of his demos out of an abandoned archive and miraculously bring back to life two semi-instrumental tracks he recorded in 1983.

Both of them reveal Franco Esse as a refined musician with a reserved personality, an almost minimalist approach to lyric-writing, and a strongly cinematic synth-pop style that is in line with the musical trends of the time and gives a nod to the soundtracks of Fabio Liberatori, falling somewhere in between slow-wave and new-romantic.

These two ballads would have been the perfect soundtrack to cold winter nights in the early 80s, with snowflakes floating down on ski slopes, people clad in puffy down jackets, and music pouring into headphones from walkmans kept in back jean pockets.

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zzzahara - liminal spaces

Zzzahara

liminal spaces

12inchLEX164LP
LEX RECORDS
16.01.2023

zzzahara (They/Them) is the solo moniker of Eyedress/Simps/US Velvet
guitarist Zahara Jaime
Plenty of people come to Los Angeles looking to make their California dreams a
reality. But zzzahara has always been here, turning reality into a dream.
Attwood: "A feverish indie rock song drowning in intimate emotion and frenetic
energy, zzzahara's "they don't know" is a vulnerable and raw outpouring from the
heart."
Dummy: "An infectious indie rock number overflowing with emotion and frantic
energy, zzzahara's 'they don't know' is a clear statement of intent from a solo
artist coming into their own."
Paste: "…this single feels like something special."
Guardian: "Cantering through the gloaming with a blend of coldwave and early
Cure, the Los Angeles guitarist and songwriter banishes summer, to cheers from
neo-goths everywhere."

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Rob Acid - Acid Chronicles 3x12"

Robert Babicz started his musical career under the Rob Acid moniker in 1992 and this triple 12“ vinyl pack is a compilation of 12 of his most essential tracks of all times. In this bundle you can find the iconic club tracks like „Homeless Part 1“ and „Android“, rare material like „Herz aus Gold“ Rob released on Force Inc. and his melodic acid UK chart hit „Happy answer“. But also Rob´s collaboration with Marc Romboy „Wall of sound“ and of course the deep, dark and pumping Detroit techno influenced „Acid Warrior“.

This vinyl package was drafted in collaboration between Rob, Marc Romboy and their Marotopia community who were responsible for the tracklisting and name of this release.

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Various - The Mural Dance Experience

The Mural Dance Experience 12" strikes back on the Amikron Records. Six tracks full of diverse Afrobeat and Electronic/House goodies for your DJ club experience, including songs by Júlio Cruz and the debut tracks by General_MIDI. Strictly produced all in Cologne, limited Vinyl Release. Tip!

Artwork by Ju Mu & Krashkid from Guapo Sapo Collective.
Mastered by Sven Ludwig at Frequenz Freiheit Studio, Köln.

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Scerida - By Night

Four Flies Records is proud to present its brand new imprint Edizioni Della Notte, which expands the label's musical range. The sound of Edizioni Della Notte is a sound of twilight atmospheres and moonlit nights, traversing genres from disco-funk to soft rock, jazz-fusion and city pop. It's the music that creeps out of smoky nightclubs and car cassette radios, breaking the silence of empty streets and offering an escape from metropolitan reality into cosmic-exotic dreamlands.

Quite fittingly, the first official release on Edizioni Della Notte is called By Night. It's the debut EP of Scerida, a solo project of musician and singer-songwriter Daniela Resconi, and a perfect match for the sound that the new imprint intends to represent.

Its four tracks explore the idea of night as a time of ecstasy and torment, as a land of freedom and imagination but also of delusion, as an accomplice, a friend and an enemy described through feelings and mental states that range from expectation and euphoria to disillusionment and resignation.

Resconi, who hails from Brescia, northern Italy, formerly released music under the moniker Cara and as part of the duo The Loud Vice. Her new alias Scerida, which combines the French term chérie with the Spanish word querida, signals both a revolution and an evolution. "Scerida is a dive into the exotic side of my imagination, into mischevious thoughts, into a crazy night where I lost and found myself again," she explains. "She is still me, Daniela, but she keeps her eyes wide open on this restless, troubled world to write songs that try to ward off the horror vacui of everyday life."

By Night celebrates the dark hours as magical and mesmerizing, even when mysterious or dangerous. It evokes images and scenarios cinematically – a taxi passing by and fading into the distance, ice-cold Martinis during a party, whirlwinds of emotion, psychedelic sunrises and neon sunsets – through a stream of consciousness filled with noir-inflected pop, lo-fi vibes, slow hypnotic rhythms, suspended grooves and swelling atmospheres.

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DJ Y - Cheech Wizard

Dj Y

Cheech Wizard

12inchBFF04
Faces of Bass
11.11.2022

purple marbled vinyl

Faces Of Bass head honcho Coco Bryce once again dons his DJ Y moniker, delivering two slices of four to the floor sorcery.

Cheech Wizard is straight-for-the-throat hardcore acid, which wouldn't have sounded out of place at a turn-of-the-century squat party in a deserted warehouse in Rotterdam.

On Junk Waffle he opts for a more rave-centric jungle techno vibe: stabs galore, deep subs, pounding kick drums and a solid dose of Amens.

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Leinad - Souvenirs

Leinad

Souvenirs

12inchMYS015
MYSTICISMS
02.11.2022

'Mysticisms' prides itself on finding the groove, but with a nod (and wink) to discerning ears. However, sometimes it's right to just let it all out and go route one. Berlin based producer Daniel Scholz aka (DJ) Leinad was all about the dancefloor, releasing a series of simple but highly effective EPs of cut up, looped house music that summed up that late 90s Chicago-NYC-London-Paris influenced bombs.

The jack that house built the "heroes" with the "touch" Souvenirs embodies Leinad's sound. Moving from high-school DJ, to computer programmer to professional producer, DJ and soundtrack artist, remixing for the likes of Yellow and Peter Gabriel's Real World, moving from early classic mid-90s German techno and trance releases on to his 'Leinad' moniker (Daniel spelt backwards), the series of releases on JXP can now go for dizzing sums. In Souvenirs, taken from the Disco Part's III EP, Mysticisms found the source - elastic bass, filtered loops, watertight kick and twisted disco'n' strings, all cut back and forth 'for the party' to abandon.

Present day remixes come from Lewie Day's 'Deep Dean' project, offering a wonderful example of an artist at work, a laid back groove, pushing all the right dancefloor buttons, all presented with respect to the past, but with acres of modern day swing; Mysticisms' own cohort Piers Harrison, side stepping his edit school as one of Soft Rocks, to produce a literal peak time acid banger; and to close the 'DJ' returns, Leinad offers a bumping 2022 remake to show he's still a teacher.

Guru The Mystery.

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Saint Abdullah & Eomac - Patience Of A Traitor

Tehran-born, NY based brothers Mohammad and Mehdi collaborate with Ian McDonnell, a.k.a. Eomac on a new record entitled "Patience of a Traitor". Inspired by the traditional bath houses in their native Tehran, the brothers say: "This record speaks to preserving the things that are timeless, through revisiting the past. The traditional Persian bath house — its architecture, the role it played in keeping, building community, the bathing rituals — served as our ultimate symbol. Now we drink from one cup, and fill the jar with the other."


Saint Abdullah is the moniker of Mohammad and Mehdi, New York based Iranian-Canadian brothers working across sound. Inspired by Iran’s religious, political and cultural history, the project was formed out of “a deep frustration with the way the West perceives – and treats – Muslims and the Islamic faith”. They aim to “challenge stereotypes and act as a conduit between unnecessary enemies”. They have released on labels such as Purple Tape Pedigree, Cassauna, Psychic Liberation, Important Records and Room40. Ian McDonnell, a.k.a.

Eomac, is a composer, producer, DJ and label owner. He has released genre-spanning music via The Trilogy Tapes, Stroboscopic Artefacts, Bedouin Records, Killekill, his own Eotrax imprint and the iconic label Planet Mu with his 2021 album, 'Cracks'. His music draws from obscure samples and raw sound design in an ongoing search for musical and collective unity through intense, visceral music for body and soul.

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Presence - White Powder EP

Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics, overlooked gems and never heard before material, mined from the last 30+ years of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond. Mint Condition have got their digging hats on to bring you exclusive heat and those rarer than rare jams that have been in your wants list for years.

Dig in...

East Midlands house legend, Charles Webster, relocated to San Francisco in 1992, setting up Spirit Studios in the heart of the city and a highly productive period ensued. The 'White Powder' EP released in 1995, under Charles' Presence moniker is widely regarded as a classic of its genre, up there with any of its contemporaries on Prescription or Murk. All 4 tracks are flawless and groundbreaking in their ability to to draw together elements of soulful deep house, tribal percussion and the deep melodic tech-house sounds emerging from Europe and America's midwest into a unique whole.

EP opener 'Heart' features the haunting vocals of Sarah Jay, the track builds delicately, adding dark bass, before soaring strings lead into a melodic breakdown. $10's deftly programmed drums really deliver the funk, the deep melodic synth and pad progressions are mesmerising, whilst an unforgettable bass-line underpins the journey. Over on the flip 'Giving Love' intro's with gorgeous pad before shuffling percussion and an uplifting piano turn this track into a joyous ride. Lastly 'Powder Chords' sets the controls for heart of the dance floor, heavy kicks launch a much more techno influenced affair, it's dark and brooding but no less effective in its atmosphere and execution.

'White Powder' is all killer, no filler, a highly sought after slab of wax that has achieved cult status amongst the most discerning DJs, record collectors and music heads alike. Legitimately re-released with the full involvement of Charles Webster, lovingly remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!

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Blint - BLINT006

Blint

BLINT006

12inchBLINT006
Blintmusik
14.09.2022

(Umwelt & Sonae Remix)

For the very rst time Blintmusik welcomes two artists to remix tracks from the label’s back catalogue. Keeping the tradition of two tracks per release - on the A side we meet the french grandmaster of Electro, Umwelt. His remix of ‘Chauncey Street‘ is a pure dark whirlwind with bitter-sweet synth-strings oating over a set of forward pushing drums
and a drilling bassline. On the ipside is Sonae, best known for her immersive albums on labels like Monika Enterprise.

Her Remix of ‘92 Avenue‘ opens the gates to a distorted synth-utopia. In a total deconstruction, the Cologne based artist turns the original club banger into a nightmarish noise staccato which spirals down your spine before dropping into a heavyweight kickdrum-inferno. Truly unsettling club music at its best.

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LTJ XPERIENCE - DEEPENING OF A GROOVE LP 2x12"

Luca LTJ Trevisi (LTJ Xperience) began his dj/producer career in the 80s. As resident dj in two of the most famous Italian clubs of the
time, Kinky in Bologna and Cap Creus in Imola, he was one of the first Italian jocks to spin House and to re-propose those black music,
jazz and latin-bossa classics from the 70s that at the end of the same decade would have given birth to the Acid Jazz and Rare Groove
movements. His first single release in 1988, titled First Job, together with Kekkotronics, was also the first release ever on Bologna
based Irma Records. It was featured in a lot of compilations of the time and entered several playlists, rapidly reaching cult status for
many UK and US djs. During the early 90s LTJ delivered a couple of singles in a kind of pre-breakbeat style: Dont Stop The Sax, released all over Europe, and Funky Superfly. He also produced US singer Tameka Starrs single Going In Circles, always for Irma Records, still a classic in the downtempo/r&b field. In the second half of the nineties Luca began to produce acid jazz bands like Bossa
Nostra, still today one of Irma Records main acts. Their first album had Vicky Anderson as special guest and today is still considered
one of the most important European acid jazz albums. In the following years he concentrated on developing his activity as collector
and rare vinyl merchant, which gave him the chance to get in touch with djs from all over the World and to discover many forgotten
gems from the past years. Thanks to this experience he was able to create two extremely successful rarities series on Irma Records:
Groovy and Suono Libero. In the meanwhile LTJ started to dj outside Italy too, performing in important venues like the Blue Note and
Jazz Café in London, Giant Step in New York and Montreux Jazz Festival in Switzerland. In 1999 saw the release of his first solo
album under the LTJ Xperience moniker. The album was produced with the collaboration of fellow Irma artist and producer Ohm Guru
and had Taka Boom and Jackson Sloan among the guests. Two of the main tracks on the album are brazil house classic Sombre
Guitar and title track Moon Beat, which became a true hit of the Chill Out genre, featured in dozens of important compilations.
After making countless productions for Irma Records, including their second album When The Rain Begins To Fall (with the participation
of the historic Spanish-American singer Joe Bataan), and the recents singles as ORGAN MIND / I LOVE YOU (favorite track by Larry
Heard ) & ON THE FLOOR / SOUND MACHINE, LTJ is devoted almost exclusively to re-edit and reconstruct tracks from the past with
the addition of sounds and rhythms in post production for labels like SUPER VALUE, SMALL WORLD DISCO, HOT GROOVY RECORDS, OH CRISTO! increasing the production of this new musical genre that is currently defined as beatdown/slo-mo, working with
international labels such as Far Out Recordings, Sleazy Beats, Future Classics, E.A.R. Music For Dreams, Apersonal Music, Roam
Recordings, !K7.

The latest three CDs on the Irma label “I Don’t Want This Groove To Ever End” (2012), “Ain’t Nothing But A Groove” (2013), “Don’t Let
The System Get You Down” (2015) and “Beggar Groove” (2017) show the funkiest and grooviest side of LTJ !
In the last years LTJ has literally toured the world, some really important and popular Festivals have booked him for his reknown DJ
Set performances, Scottish Soul Weekender (Dumfries, Scotland), Mareh Festival (Boipeba Island, Brazil), Garden Festival (Tisno,
Croatia), Jazz Refound Festival (Vercelli, Italy)
And visiting Cities like: Tel Aviv, Skopje(Macedonia), Belfast e Derry (Ireland), London, New York, Berlin, Bucarest, Amsterdam, Paris,
Marsille, Barcelona, and Vilnius (Lithuania). just to name a few.
Deepening of a Groove is the new album, the fifth dedicated to the research of sounds Disco Funk from its origins revisited by today's
rhythms and the dancefloor feeling of 2000. For the first time on this album 4 sung songs appear. Bad Side (already released in single
version) and Infiltrator are sung by Anduze, soul singer from Los Angeles also known for his collaboration with Parov Stelar. I'm Gonna
Funk U and Stranger are sung by the Marche singer AdniL for the first time in collaboration with LTJ.

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Tacit Group - Tacit Group 2X12"

Tacit Group

Tacit Group 2X12"

2x12inchWESA001
Wesa
24.06.2022

Clear Vinyl

Tacit Group is an audio-visual group founded in 2008 with a vision of creating new art for the 21st century. Based in Seoul but working globally, the group comprises composer Jaeho Chang and electronic musician Gazaebal(Lee Jinwon).

With audio-visual art as its core content, Tacit Group has expanded in a contemporary and experimental way in multimedia performances, interactive installations, and music installations. Representative works such as ‘Hun-Min-Jeong-Ak,’ ‘Game Over,’ ‘Morse ㅋung ㅋung,’ combine a systematic worldview weaved through intuitive materials and technology inspired by normal everyday activities such as games and text chatting. In particular, works that utilize the beauty and communica- tion power of characters are among their most striking.

“It’s like wind chimes,” says Tacit Group’s Jeaho Chang. “The creator makes the pipes, but the wind makes the music.” He’s talking about the algorithmic music that Tacit Group creates. Jaeho and Gazaebal create audio/visual systems using code that the pair work within to unleash their utterly compelling AV performances, each show, each track, as unique as a snowflake. The pair met at Korea National University of Arts in 2006. Jaeho Chang was a media installation artist and composer who’d studied classical composition in Korea and electronic music at Den Haag’s Conservatoire. Gazaebal, who’d moved to the US as a teen, had worked at the renowned Quad group studios as a sound engineer, recording acts including Rage Against The Machine, Wu Tang and Janet Jackson. Returning to Korea, he had found success as a K-Pop producer, (founding the act Banana Girl, and writing their No.1 Korean hit ‘Shake Your Ass’) and DJing under the moniker Gazaebal, before deciding to go ‘back to school’ to learn to create more challenging music.
The quiet and reserved Jae and the more outgoing Gazaebal bonded over a shared vision, forming Tacit Group in 2008. And until recently, everything they have done has been through the medium of their globally acclaimed live shows, playing all over the world from Lincoln Center in NY, the Museum of Contemporary Art in Chicago, MMCA (National Museum of Modern and Contemporary Art) and Nam June Paik Art Center in Korea, Aarhus Festival in Denmark, Stereolux in France and NYU Abu Dhabi.

Each show an utterly unique and compelling event, a synthesis of music and visual art that has echoes of the concept of synesthesia: “we love the idea that the audience can ‘see’ the music.” says Gazaebal, “the way that you can hear a painting like Edvard Munch’s ‘The Scream’.” The frameworks and systems are created in advance using code such as C++ and max/M- SP(sometimes combined with analog and modular synthesizers), often growing out a of a simple idea (one of their first composi- tions, ‘Game Over’ explored the idea of a Tetris gameplay as a musical score) while on stage the pair react to the audience, creating new inputs and variables that can lead the performance in ways that are unexpected and even self sustaining - some of their installations could in theory continue to evolve and run on into infinity.

For Tacit Group, the process is as important as the outcome, and every bit as fascinating for the audience, who’ve been known to react like the crowd at a rock band gig to tracks / installations like ‘Hun-Min-Jeong-Ak’ which sees abstract geometric shapes based on the Korean alphabet evolve (through the process of live text interchanges between the pair) to become almost an immersive call and response.With that in mind, the duo have long been reluctant to commit to the idea of releasing via a ‘fixed medium’ it was actually the release of an acclaimed (and beautifully designed) book Tacit.print0_Anthology that convinced them to share their work more widely through an album.

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Live For Each Moon - A Vision Of Dance LP 2x12"

The Tears of Joy label boss returns with an encompassing tribute to the power of the dancefloor. As a member of Pacific Horizons and under a host of other aliases, the Los Angeles-based producer has explored the breadth of dance music - from Mancuso-inspired loft house to bassbin rumblers that nod to his familial relationship with the U.K. - but his most personal statements have been reserved for the Live For Each Moon moniker.

As a result of this, and also by nature of its journey/trip sequencing, 'A Vision of Dance' reaches for a comprehensive sound, honed over decades of observation and participation. The producer's varied interests shine through, and they are pushed beyond genre experiment into new, hybridized shapes - sinewy, searching, warehouse techno shares space with crunchy, heaving breakbeat cut-ups and churning, slow motion chugs. While the overall pace leans toward the trancelike whirlwind, a few atmospheric, introspective interludes are cut in as kind of existential breathers - nods to LFEM's back catalog of haunted ambience as much as ravers' respites.

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On-Ly - Yurodivy LP

On-Ly

Yurodivy LP

12inchSAPE016
La Sape
22.04.2022

On-Ly is the solo and collaborative moniker of pianist and producer Joshua Smeltink. On-Ly has been playing local traps since 2017, varying across numerous bands, recently settling into the second line-up for his own On-Ly band: Carl Lindeberg, bass (Surprise Chef), Henry Hicks, guitar (Horatio Luna) and Bryce Zelno, drums (Astral Flex).

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E. Lundquist - Multiple Images LP

Piano, synthesizer enthusiast, composer, and arranger, Eric Borders aka Captain Supernova, makes first release under new moniker, E. Lundquist. Pushing the boundaries of funk fusion, it’s as much 70s library music, as it is Pink Floyd and The Flaming Lips at times. It often feels as if the planet is going to unfold.

Borders, born and raised on the westside of Los Angeles, is known for his cinematic and cosmic compositions that push jazz into a different time and space. ‘Multiple Images’, the debut release as E. Lundquist, is the composer's first attempt at making a Library Style record. A genre that lends itself well to the Sci-Fi and Jazz Fusion vibes that Borders has been known for in the past. The music often plays as if it is the soundtrack to something happening both simultaneously in and out of this universe.

“As we finished the record it sort of evolved from a library piece into a full fledged album with a mix of different inspirations from blaxploitation, 70s funk, soundtrack, themes, cinematic, and contemporary jazz-funk. It only felt right to break away from the fictional character and give this music a composer name as if you read it on the back of a KPM record. Then E. Lundquist was born.”

The new name pays homage to old family bloodlines, and is the last name of his biological grandfather. While Eric Borders was his given name, Borders has no actual blood relation to his family, it was the name his father had adopted from his Step-grandfather. The name of the album “Multiple Images” is an ode to one of Lundquist’s favorite Library tracks by Brian Bennett “Images”.

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Prism - Rain EP

Prism

Rain EP

12inchCMSR006
Cosmocities Records
18.03.2022

Lined up next on Cosmocities is a special delivery and direct nod to our formative years’ loves - in this very case, trance music. Fruit of 90s cross-channel outfit Prism, the collaborative endeavour of French producer Pascal Eloy and UK-based Grant Wilkinson, the three-track EP “CMSR006” mixes unreleased music (Refraction), a 1996-issued goodie (Rain) and an exclusive remix from SYO, better known for his ambitiously retro-futuristic output under the S.O.N.S moniker.

Originally released as part of Planet Dog’s 1996 compilation “Feed Your Head”, “Rain” retains all of its original mystique and soulful use of modern production tools - letting a cascading flow of arpeggiated synths, stealth bass onslaughts and 303-borne trippiness pour down as a fully immersive digital shower for the senses.

An unheard gem from the vault, initially written and recorded in 1995, “Refraction” pulls further dynamic traction from a bubbling drum programming and damp, urban jungle-y atmosphere - beaming us straight back in the rave’s most compelling heyday with its feverish maelstrom of fluttering bleeps, spiralling tribal motifs and faux-organic, Neo-Easternmost harmonics.

Adding his ever innovative spin to the table, SYO cuts into the flesh of the original to deliver a further syncopated and spacious version, flush with complex rhythmic sleights of hand and subtle melodic trickery throughout, bound to keep you on the edge with every bar. 25 years on since it was first designed, Prism’s lasting relevancy shines bright on this all-road, bold-to-the-full trance epic that’s lost nothing of its flair.

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Spartaque & Ramiro Lopez - Frequency

I am excited to finally have Ramiro Lopez and Spartaque back on Terminal M. Their collab delivered 3 peaktime tracks with twisted melodies and vocals which destroy every dancefloor. The best way to start the new year ! (Monika Kruse)

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Ültimo hace: 22 Meses
John Lord Fonda - Altaïr EP

John Lord Fonda announces a new album and returns to Citizen Records after a ten-year absence with a new EP, featuring two hard-hitting unreleased tracks.

A decade after his last album Supersonique, the Dijon-born artist is back with a vengeance, showcasing more than ever his dark side, and the least we can say is that it was worth the wait. Releasing once again on Citizen Records, the label founded by Vitalic, Fonda has dug deep into his psyche, channelling his experiences into strong, metallic, dreamlike rhythms.

Like a steel machine, the deep baseline of They Will Fight For You, with its slow, heavy, mechanical beat sets off at the pace of a long-distance run and keeps us locked into a deliciously brutal alternate reality. Early fans of the artist will go crazy for this dark, cerebral techno!

Les Dunes d’Altaïr offers a warmer, more mystical voyage thanks to its oriental tinges, and is a fitting homage to Plastikman's Spaz and Spastik monikers.

Despite being an ode to the power of rhythm, it's the image and delicate feel of a desert wind that wafts towards us, and the track keeps listeners breathless for nearly eight minutes, oscillating between these two worlds.

Guest of honour Damon Jee has remixed Les Dunes d’Altaïr, delivering a disco-flecked minimal rework perfect for accompanying the sun as it sets, or indeed rises.

The return of John Lord Fonda is definitely the comeback no-one should miss in 2021.

The Altaïr EP is the first taste of the artist's next album, due this autumn.

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Hi Tech Criminal - Duster EP

Hi Tech Criminal

Duster EP

12inchWRECKS034
Klasse Wrecks
09.07.2021

Originally released on Volume and Tension in 1994, the 'Duster' EP was one of only two releases Toby Warren completed under the Hi Tech Criminal moniker, it has since gone on to become a rare gem of a record that swaps hands for princely sums. Klasse Wrecks is very pleased to announce the re-issue of the original tracks on vinyl and digital and happy to announce an exclusive-never-heard-before mix of the title track. The 4 tracker harks back to a period in time when creativity and originality was at an all time high in dance music. The tracks on the 'Duster' EP defy categorization, part bouncing House, part progressive and driving Techno...all good.

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Soulphiction - WHAT WHAT EP

Soulphiction

WHAT WHAT EP

12inch18437-02
18437
14.06.2021

Let's be honest. A record collection is hardly complete without a Soulphiction release, right?>

Michel Baumann's second release on 18437 is using his Soulphiction moniker and while 2021 is still young, he manages to pull off the one of the best house tracks so far with the opening track Ballin'
The phrase 'top-shelf material' springs to mind for sure.

Up next is 'What What ??!', an expertly constructed shuffling rhythm workout that fits neatly among a seriously funky bassline and piano hooks.
This is as close as you get sounding like a band doing their version of a Soulphiction track, from a one man band.
Finally 'Midi Funk' sounds like a dubbed out tribute to Shep Pettibone...enough said.

How deep can you go?

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Llewellyn - Recapture the Past

Informed by a highly influential early 1980s electronic music classic, the title track literally mind-sets the theme of Llewellyn’s latest release, kicking off with a euphoric vibe and drums shimmering with digital artifacts. At times almost dreamy cinematic pads, upfront with energetic Moroder-esque propelling bass lines, are the sound signatures of Llewellyn’s journey through a warm and synthesizer laden EP, reviving the sound aesthetics of both the post-discoid VHS and today’s club era with a contemporary touch. Finishing off with a laid-back facet, this four track EP contains enough warmth and drive to get you safely through the cold months, into a warm and promising future.

Llewellyn is one of Martin Enke’s producer’s monikers, who is closely associated with the Riotvan crew and also known as Lake People. Past releases can be found on labels like Riotvan, Uncanny Valley, Permanent Vacation, Mule Musiq and others.

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Superpitcher - Heroin

Superpitcher

Heroin

12inchKOM35
Kompakt
29.01.2021

Superpitcher is Aksel Schaufler who is resident DJ at the legendary Total Confusion club night at Cologne’s Studio 672 alongside Michael Mayer and Tobias Thomas. After his storming contribution for Speicher 1 and a remix for Contriva's club hit 'Monika' which became one of the hottest moments during the last cold winter nights he presents his beautiful debut 'Heroin'. Kompakt is his work place, technopop his mission - watch out - you' ll get addicted!

Superpitcher ist Aksel Schaufler, der neben Michael Mayer und Tobias Thomas Resident DJ bei der legendären Clubnacht Total Confusion im Kölner Studio 672 ist. Nach seinem aufsehenerregenden Beitrag für die Speicher 1 und einem Remix für Contriva’s Clubhit “Monika“, der in den letzten kalten Winternächten für heiße Momente sorgte, präsentiert er nun seine wunderschöne Debüt-Maxi “Heroin“. Kompakt ist sein Arbeitsplatz, Techno Pop seine Mission - Vorsicht - Ihr werdet süchtig danach werden!
Downloads

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Various - COMMUNITY - 15 Years of Jazz & Milk

2020 sees Jazz & Milk celebrating its 15th anniversary! Since 2005 the label, founded by Dusty, offers an experimental playground for international artists that share a passion for organic and soulful dance music. Many legendary club nights and over 30 releases later, Jazz & Milk has become a household name amongst the eclectic music imprints. The focus has always been to transcend genres, including a broad spectrum of styles ranging from jazz, soul, brazil, afrobeat to house, broken beat and electronic music.

For this very special occasion, the label presents six exclusive tracks by the likes of Steve Spacek, Àbáse, Sam Irl, Feater, Bongani GiveThanks and Moe Fabrik - the club focused collaborative moniker of Wayne Snow, Ziggy Zeitgeist and StyleBoi 92.

With this compilation project, Jazz & Milk is not only celebrating an illustrious 15 years of operation. The label also wants to take the opportunity to highlight the importance of 'community', at a time when racism, greed, injustice and a deadly pandemic are jeopardizing our ability to harmoniously exist with one another.

Peace, Love & (Comm)Unity!

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Crushed Soul - Family Of Waves

Berlin-based, Dutch-born Steffi possesses near-boundless prowess. As a DJ, she’s proved her effortless mastery of disco, house, electro, and techno; as helm of labels Klakson and Dolly, she’s long maintained her status as tastemaker; as a producer, she has graced us with three solo LPs and numerous 12”s. Dark Entries is now honored to unveil the debut of her project Crushed Soul, a moniker she had used only once in 2013 for an Ostgut Ton compilation track. The mutual esteem of Steffi and DE has been previously fruitful, with Steffi providing a remix for Cute Heels’ 2016 EP on DE, but this is their first full-length collaboration.

The Family of Waves EP represents both familiar and novel pastures for Steffi. While her love of electro and classic Detroit techno have been oft-evident, here we witness the darker shades of new wave and industrial creep to the forefront. This turn for the twisted feels not just natural, but predestined, an inevitable succumbing to morbid forces. But Steffi also views Family as “a playful association...a mix of my past and new modern waves". There is a kernel of whimsy, even joy, lurking within the record’s temporal jumblings. The A-side opens with “Gravitational Field”, which juxtaposes its gnarled bassline with unearthly percussives and a recurrent resonant gong. The wild sonic palette speaks Steffi’s singular voice. “Scalar Property” continues the paranoid propulsion with an unhealthy dose of what can only be described as Metroid-funk, its staccato bass jabs interlaced with ghastly vocal pads. The B-side contains a diptych of slower tracks that juggle reference points both retro and futurist. In “Family of Waves”, a churning EBM-esque bassline battles acerbic yelps. On this track, the collision of past and present is most pronounced, as if A Split Second were covering Mike Parker. “Diffusion of Heat” closes the EP with what feels like a perfect synthesis of Steffi’s musical passions: funky, warbling chord stabs; intricate rhythmic diversions; the ecstasy of repetition. Here, disco, new wave, and techno marry harmoniously, if only to inform us of the disharmony of our present.

All songs have been mastered for vinyl by George Horn at Fantasy Studios. The sleeve and accompanying postcard were designed by Eloise Leigh using video art stills by Goldenliustra.

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Cirez D - Valborg / The Raid

Cirez D

Valborg / The Raid

12inchMOUSE025
Mouseville
24.06.2020

Swedish titan, Eric Prydz, drops two brand new tracks, ‘Valborg’ and ‘The Raid’ under his highly acclaimed techno-focussed moniker Cirez D, via his own Mouseville Records.

Having teased new material at the likes of Tomorrowland and Creamfields last year, many have been eagerly awaiting this 12” and quite rightly too. A double header of big room, synth heavy Cirez D slammers, that take listeners on a hard-hitting techno exploration.

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Various - Tens Across the Board

Celebrating a Decade of Dark Entries with a compilation titled ‘Tens Across The Board’. We revisit our roster and chose 10 songs from 10 bands from 10 different countries spanning the years 1981-1993. The songs flow in chronological order and have never appeared on vinyl, with 7 of the songs previously unreleased.

The compilation begins in 1981 with Parade Ground from Belgium, the duo of brothers Pierre and Jean-Marc Pauly with help from Patrick Codenys and Jean-Luc of Front 242. “The Light’s Gone” was one of their earliest experiments and employs a stark minimalism with modular synthesizers, guitar reverb and tape delay. Next we venture to Granada, Spain in 1982 to meet the trio of Diseño Corbusier. Influenced by Cabaret Voltaire and Dadaism, “La Esperanza está en Antenas” was the band’s take on melancholic pop fueled by a robotic DR-55 bass-line. Sailing the Mediterranean Sea to Athens to meet Greek electronic goddess Lena Platonos who shares a demo from 1983. “Μια Γάτα Σασ Περιμένει Στη Γωνία” translates to “A Cat Is Waiting On The Corner” and is possibly the witchiest sounds we’ve shared yet, ending with a blood curdling scream. Frozen in 1983 we cross Ionian Sea to Messina, Italy and visit Victrola, the duo of Antonino “Eze” Cuscinà and Carlo Smeriglio. They’ve unearthed a melodic instrumental version of “Luca” fueled by a Korg Polysix and TB-303. Traveling across the Adriatic to Slovenia circa 1984, where Borghesia are working on their album ‘Ljubav Je Hladnija Od Smrti’. “Magla” translates to “Fog” fitting for the thick, somber electronics of Aldo Ivancic providing a dense atmosphere for the baritone vocals of Dario Seraval.

On Side B we go down under to Sydney and excavate a hidden Tom Ellard song recorded in 1984 under the alias Lord Metal, an anagram of his name for copyright reasons. “Ga Duum Blitzfonika” is a slow-motion, unadulterated dance groove originally released on the cassette compilation "Independent World”. Skipping ahead to 1986 in Tours, France we salute X-Ray Pop the minimum new wave duo of Didier "Doc" Pilot and Zouka Dzaza. They contribute the hypnotically fragile “Corto Maltese” that originally appeared on the cassette compilation ‘Plop’. Crossing the German boarder we arrive in Dortmund at the apartment of Andreas Sippel of Second Decay who recorded the instrumental demo “Lübeckerstrasse” in 1988 with partner Christian Purwien. Utilizing an TR-808, SH-101 and Arp Odyssey this cold slice of futurism was named after the street Andreas lived on. Traveling westward to England, specifically Basildon, Essex to the teenage bedroom of From Nursery To Misery, the trio of identical twin sister vocalists Gina and Tina Fear and keyboard player Lee Stevens. “Contentment” is an introspective, ethereal pop song with child-like vocals that originally appeared on the Belgian tape compilation ‘Heartbeat Vol.4’ in 1989. Finally, we return home to San Francisco and close out the compilation with Cyrnai the moniker of multi-instrumentalist Carolyn Fok. “Digital Grit Box (Demo)” was an outtake from the ‘Transfiguration’ album sessions recorded in 1993, utilizing dark dance drum beats made with MIDI sequencer programs Studio Vision and Sample Cell.

All songs have been remastered by George Horn at Fantasy Studios. The vinyl is housed in a custom designed jacket by Eloise Leigh featuring our label’s colors black-white-red with connect-the-dots pattern linking the 10 songs via maps/timeline/location, all relating to the reissue process, plus source images from San Francisco, our hometown. For this landmark release we've also printed a 2-sided fold-out wall poster that includes every artist we've released in our first 10 years 2009-2019 in black, red and silver metallic ink, plus an 8x11 insert with lyrics, notes and photos.

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Dr.Nojoke - Inventing Importance MAT ed.01

Inventing Importance - With its third vinyl release CLIKNO starts the MAT editions, which brings together contemporary art with profound texts and deep techno music equally, a conceptual and collectible series for heart, soul and mind - conceived by Dr.Nojoke.

music - Dr.Nojoke throws in three tunes in his unmistakable style hitting the dancefloors of a parallel universe. Stomping beats with gravitational bass-lines are folded with deep textured moods, dub delays and a plethora of subtle sounds and strange loops all in an intricate and organic production build from diverse noises and field recordings. This music aims as much for the dancefloor as it is enjoyable at home.

art - "You Brew Stew" is a digital painting by Denver-based artist Jonathan Canupp. The painting was created in 2018, took 25 hours and is made of 28,000 strokes, original size: 24" x 24". Jonathan is a multi-faceted artist also working as sound designer for video games and films and producing music under diverse monikers such as Ten and Tracer and Petrichoir.

text - Over the course of the MAT editions, philosopher, actress, director and performer Marianne Kjaer Klausen will contribute writings about humanity, society and freedom. Sample from MAT ed.01: "The owl of Minerva spreads its wings only with the falling of the dusk. The paradox, to know when she has landed, would be one true turning point for the wisdom of humanity."

MAT 01 is a strictly limited vinyl-only release with a 12" x 12" inlay in a thick transparent PVC sleeve.
Artwork and text are reproduced in an offset print on offset paper for a premium look and feel.

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Comojii ( Dan Andrei & Paul Agripa) - Joac O Pasta Ep

Planned structures leaving plenty of room for improvisations. Experiments morphed into full fledged tunes and established genres transformed into experiments.

Dan Andrei and Paul Agripa teamed up under the Comojii moniker to release Joac O Pasta, a result of their rich musical imagination going wild, recorded during long jam sessions at times when both artists where experimenting with sounds. Expect raging synth pop sounds, acid elements and electro tinged broken rhythms.

A mad child of 2 forwardthinking artist minds, Joac O Pasta finds a
perfect home under the Cuplet roof.

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Various - Mind Trip Ep

Various

Mind Trip Ep

exclPMSC003
Pulse Msc
18.12.2017

For their 3rd release, Pulse Msc has traveled worldwide from Rennes to Vienna, Copenhagen, and Adelaide to create "Mind Trip", a detonating 4 tracks Lo-fi House EP with multiple influences.

The first track is signed by Subjoi, a young Australian artist well-known in the Lo-fi game. The man delivers "The Way I Feel", a subtle and emotional tune, embellished with devastating kicks which will leave nobody indifferent.

In the second position, there is an important contributor to the French Lo-fi scene, who has a lot of talent and is clearly to monitor: DJ Psychiatre! The guy has released of his imagination "Our Love Is Real", a wonderful piece conducive to escape with varied & nonlinear sonorities and powerful vocals.

Then Slim Hustla, a Danish duo with well-tempered personalities gives a big contribution to the project with "Ghostryda". The track is a sentimental and melancholic ballad, with beautiful vocals which brings the listeners in weightlessness and strays them into a dreamy universe.

To conclude, gutinstinct, an Austrian versatile artist, owner of Dream Raw Recordings ends the EP with "Blue Sea". The tune is a raw and dark dance-floor killer track, which plunges everybody into an abyssal atmosphere. Take a deep breath and enjoy the trip!

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Ültimo hace: 5 Años
Mana - Creature Ep

Mana

Creature Ep

12inchHDB111
Hyperdub
12.09.2017

Mana is producer and composer Daniele Mana from Torino in Italy. His debut EP for Hyperdub, 'Creature', is also the first under his own surname. It's one of his most vivid, personal and confident releases to date. Since 2010, he has been releasing under the moniker Vaghe Stelle, with EPs and two full length albums on labels such as Gang of Ducks, Aisha Devi's Danse Noire, Astro:Dynamics and most recently, Nicolas Jaar's Other People records. He is also a member of One Circle with Lorenzo Senni and soundtracks composer Francesco Fantini. On 'Creature', over eight tracks, he ingests Shostakovitch, Drexciya, Darkthrone, Frank Ocean and Paul Lansky, and refashions them into an almost operatic record - a rich, melodrama of dark tension and excitable in-your-face synth melodies. In using his own name for the first time, he says he is confronting the unfiltered, brutal truth' of his self, compressing tension and anxiety' into a claustrophobic sense of emotional vacuum.' From the skulking clockwork of 'Crystaline,' the rich drifting ambience of 'Sei Nove', to the panicky, rushy rave stabs meets horror theme of 'Running Man', it's lucid, dynamic synth music which uses drums sparingly, but occasionally swirls into little sublime vortices of arpeggiated hyperrhythm. The melodies are bright and pitch bent, swollen by euphoric voltage surges and stuttering, soaring strings in 'Rabbia', plucking wide-screen, heart strings on 'Uno e Solo' and lulling down into the delicate, shimmering prisms of 'Wetlife' and 'Consolations'. While in its own lane, 'Creature' feels totally at home on Hyperdub.

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Alias - Visions

Alias

Visions

12inchDC175
Drumcode
24.08.2017

DC175 comes courtesy of Alias, a new project comprising of Harvey & Ryan McKay, who are two acts who have previously released solo material on the label. Harvey McKay's last appearance was in late 2016 when he dropped 'The Mad Drummer' on A-Sides Vol. 4 whereas Ryan McKay's last outing was in 2015 when he appeared on A-Sides Vol.3 under the name Skiver. This is the first collaborative project between the Scottish duo under their new moniker Alias.The EP opens with 'Pentatonic'; A tough sounding track that has been designed for the forward-thinkers. 'The Truth' follows up sharply, with vintage piano stabs and a vocal that gives the track abounding energy. The on-point percussion leads you on a trip of pure rapture. The release closes with the apocalyptic 'Dream Taker', which is teeming with sinister vocal action and hostile synth work and a sublime way to sign off.

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Anthony Linell - Emerald Fluorescents

Following on from this year's brooding debut, Anthony Linell gathers a storming double 12" of material to depth charge vacant participants and lilting movers. Leaving aside his well established Abdulla Rashim moniker, Emerald Fluorescents feels like an agile side-step into heavier terrain with a renewed sense of purpose. Scattered fractal stabs revolve around quietly furious low-end fit outs with enough sharp edges to let you know it's someone else's space.

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Dlsk - Subterraneans Ep

Dlsk

Subterraneans Ep

12inchMUSIK095
raum...musik
17.11.2015

After contributing a remix for our label in 2011 Daniel Stefanik now returns to Raum with his first solo single under his new moniker DLSK. The A side - Sense of doubt' is a bit more stripped down and melodic, as the B side and also the title track of this release - Subterraneans' is more of a jazzy house groove, that simply doesn't stop rolling and keeps the tension with subtle variations and other nice little gimmicks. As always we truly hope that you enjoy these tracks as much as we do and we are happy to have Daniel back on board as for sure he can be called one of Germany's top notch producers.

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Dj Hmc - 6am / Maurader

Dj Hmc

6am / Maurader

12inchR001
REFLECTOR
09.07.2015

Propelling Down Under techno and house into the world's clubs with classics such as Phreakin', LSD and 6AM in the mid-90s, djhmc (Cam Bianchetti) is rightly hailed as the 'godfather of Australian techno'.

Now with more than 30 years experience of transcendentally moving dancefloors - and 20 years with his productions, remixes and edits; djhmc is back with a new label - reflector.

This will be an all new platform to showcase totally remastered versions of his back catalogue as well as to provide a vehicle to bring his current and previously unreleased
work to his already loyal following and to new believers.
Cam Bianchetti is a man of many talents who is very much in demand as a DJ and a producer, and he applies the same meticulous attention to detail and knowledge of what works a dancefloor across both disciplines. Under his djhmc alias, it isa very broad church that covers disco, house and techno, whilst his other monikor, Late Nite Tuff Guy focuses more on his love of Funk & Soul. When it comes to giving a classic sound a new contemporary twist, there is simply no-one better.

With the arrival of the 'reflector' label the world is his, and he has embraced it whole-heartedly as in the past the world embraced djhmc; once again its time to prove why he is one of the most talented techno and house producers and DJs to ever grace the turntables....the Godfather is back!

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