Suche:moments

Styles
Alle
Moon Duo - Live At LEVITATION LP

The first Austin Psych Fest was held in March 2008, and expanded to a 3 day event the following year. From there the festival quickly developed into an international destination for psychedelic rock fans, with lineups spanning the fringes of indie rock, from up-and-comers to vintage legends, and capped off with headlining performances from The Black Angels each year. The Black Angels and Levitation helped spark a movement, inspiring the creation of similar events across the globe and a burgeoning psych scene that would soon ignite. The series captures key moments in psychedelic rock history, and live music in Austin, Texas. The artists and sets showcased on Live at Levitation have been chosen from over a decade of recordings at the world-renowned event, and document key artists in the scene performing for a crowd of their peers and fans who gather at Levitation annually from all over the world.

vorbestellen30.09.2022

erscheint voraussichtlich am 30.09.2022

Psychic Ills - Live At LEVITATION LP

The first Austin Psych Fest was held in March 2008, and expanded to a 3 day event the following year. From there the festival quickly developed into an international destination for psychedelic rock fans, with lineups spanning the fringes of indie rock, from up-and-comers to vintage legends, and capped off with headlining performances from The Black Angels each year. The Black Angels and Levitation helped spark a movement, inspiring the creation of similar events across the globe and a burgeoning psych scene that would soon ignite. The series captures key moments in psychedelic rock history, and live music in Austin, Texas. The artists and sets showcased on Live at Levitation have been chosen from over a decade of recordings at the world-renowned event, and document key artists in the scene performing for a crowd of their peers and fans who gather at Levitation annually from all over the world. When it comes to following the beat of their own drum, New York’s Psychic Ills have exemplified the phrase since their beginnings in 2003. Initially spawned from electronic-centered home recording experiments, they progressed into all-night full-band exploration in a neighborhood where noise wasn’t a problem. They soon after evolved into a live band seemingly at home within the extended jam, exploring a variety of musical terrain. The early years saw several releases for Social Registry, tons of time on the road, and collaborations with artists as diverse as Gibby Haynes (Butthole Surfers) and Sonic Boom (Spacemen Three/Spectrum). We are proud to welcome Psychic Ills to the Live at Levitation series. The release showcases the band's appearance at Austin Psych Fest 2012. Mixed and Mastered for Vinyl. 1) Midnight Moon 2) Mind Daze 3) Incense Head 4) Ring Finger 5) Electric Life 6) Meta 7) Diamond City 8) January Rain 9) I’ll Follow You Through The Floor

vorbestellen30.09.2022

erscheint voraussichtlich am 30.09.2022

Julie Odell - Autumn Eve LP

New Orleans-based singer-songwriter Julie Odell announces her new album Autumn Eve, out September 30th via tastemaker label Frenchkiss Records (Local Natives, Passion Pit, The Drums). Lead single Cardinal Feather is a quicksilver ripper, with both a graceful, silky patience and fiery rock motor. The accompanying video finds Odell lakeside in swampy Louisiana, shot from sunrise to dusk in the lush environment under swarms of mosquitoes. “We found the beauty in the chaos, much like finding peace beyond anxiety and depression.” says Odell.

vorbestellen30.09.2022

erscheint voraussichtlich am 30.09.2022

Pestilence - Malleus Maleficarum LP

One of the most violent thrash metal albums ever! Raging riffs, outraging drums, screaming solos and totally pissed vocals. Total aggression! Death metal wouldn’t sound like it does without that album. Then the 10 tracks on this legendary album... Let’s start with Side A: The opener “Malleus Maleficarum/Anthropomorphia” sets the tone and remains a classic to this day, with a switch after 50 seconds and then a full on thrash attack only comparable to the best and most intense moments on “Pleasure to Kill”. The mid-tempo part and the solo’s/leads are haunting still and hint at more melodies to come in the future. “Parricide” is brutal Thrash, surely echoing a bit of Slayer/Infernal Majesty as well, but just very intense and brutal. Next up is “Subordinate to the Domination”, another bulldozer song, that simply pounds you into ashes, very thrashy, but also brutal. As a short intermezzo we get “Extreme Unction”, which with it’s one and a half minute echoes a bit the crossover/thrash metal attitude of the late 80’s, and it is in its intensity and compactness a strange, yet fitting track that leads us to the closing song on Side A of the LP (yep, bands did think on closers on album sides when vinyl was the standard)... “Commandments” that is, starting with its acoustic intro, fully bursting out after 35 seconds into one of the standout songs of this album, to some possibly the best song on the album (who am I to disagree) because it is one of those brutal thrash songs that is among the best ever recorded, and a song that everyone knew back then, because of the “Stars on Thrash” compilation.

vorbestellen30.09.2022

erscheint voraussichtlich am 30.09.2022

Nyokabi Kariuki - peace places: kenyan memories LP

Nyokabi Kari?ki wrote her upcoming EP, peace places: kenyan memories out next year on SA Recordings, while away from home, Kenya, in the United States, during the pandemic. She found that imagining peaceful, gentle, memories from her 18 years of a childhood in Kenya became an antidote to remedy homesickness and emotional fatigue — and almost naturally, these imaginings evoked a very visceral and creative response within her. From Nyokabi’s childhood home in Nairobi, where her piano, gifted to her at age 8, still sits; to her father’s hometown of K?r?nyaga (‘Ngurumo, or Feeding Goats Mangoes’) and her grandmother’s farm in Kiambu (A Walk Through My C?c?’s Farm); from holidays by the Kenyan coast (‘Galu’ and ‘Naila’s Peace Place’) to a few in Laikipia (‘Equator song’); these places find themselves crystallised in each track of the EP, most apparent through the inclusion of field recordings taken in each respective place; but also in the music and lyricism of the pieces. As she worked on this record, she realised that her mind was not only taking solace in imagining ‘home’ as physical spaces, but also in seeing that ‘home’ was in ancestry, in language and words, in family and friends, in the palpability of her instruments, in harmony but also dissonance, and of course, in music. My album artwork was painted by a dear childhood friend, Naila Aroni, and so I decided to give back in a similar way: by creating a track around her own ‘peace place’. She chose Lamu on the Kenyan coast, a place I’d never been, so I used the video to guide me. In it, she walks along the beach with her best friend, having a conversation that — in the track, we first hear as a unrecognisable ‘yells’, which are actually timestretches of the conversation; framed alongside hyperreal flurries on the vibraphone (played by Chris O’Leary). Then, in the final moments of the song, the conversation is revealed: “Naila, how happy are you?” her best friend asks. “It doesn’t even feel real, It’s surreal,” Naila responds. When I’d heard the audio, the emotion of pure joy & euphoria seemed distilled into the sounds of their voices. And so Naila’s Peace Place is an effort to freeze that moment in time, so we can marinate in the sound of that joy for just a little longer. - Nyokabi on Naila’s Peace Place.

vorbestellen30.09.2022

erscheint voraussichtlich am 30.09.2022

Ard Bit - Music For Delirious Episodes

In 2011, Ard Janssen was one of the first musicians to grace Shipwrec. Now, some eleven years later, the sound sculptor returns for a full album on Phainomena. Music for Delirious Episodes brings together eleven compositions. Ard Bit is known for his delicate, almost brittle, works. This collection focuses on that same fragility that fascinates Janssen. From the first steps of "Troubled Veil", the listener is absorbed into a digital weave of field recordings, everyday undulations, other day modulations and loose harmony. Traditional instruments, string and wind, are filtered and re-imagined. The mundane echoes of routines are reborn as the percussive hum of pieces like "Stripped" and "Broken Respirator (White Funnel)." Behind the shifts and shuffles lurks something triumphal. Memories are given new form through audio carvings. Birdsong is handcrafted through knob tweaks, elephant trumpets bellow past swells of electronic insects as a glowing sun rises through the speaker. Hazes of static are shorn back, as in "Seppuku", to allow moments of intense focus and reflection. And then we return, to that ephemeral beauty that permeates this record, with the final embrace of "Awakening Delusion". An artist who finds the extraordinary in the often overlooked, or unheard.

vorbestellen30.09.2022

erscheint voraussichtlich am 30.09.2022

Matt Berry & The Maypoles - Matt Berry & The Maypoles

Fresh from the red carpet, award-winning Matt Berry dusts off another of his many bows to bring us a stunning live album.

To be released on November 20th 2015 through Acid Jazz Records, this record, which sees Matt perform his greatest musical moments, lands on shelves the same month that Matt Berry returns to our screens in his BAFTA award-winning comedy series The Toast Of London, placing him once more at the forefront of the public eye.

This album is the perfect opportunity for fans to prepare themselves for the upcoming Matt Berry & The Maypoles tour in December.

Whether you're familiar with Matt's Live shows or want to understand what they are like, this album takes you there! From the excited audience chatter to the clarity of his pulsing KORG, each element resonates with perfect clarity. Berry and The Maypoles' musical prowess shines through their prog-folk excursions and trombone flairs which are reminiscent of an early Acid Jazz release, all with the a nod to Berry's surreal and panoramic world-view.

Available, on Limited Gatefold coloured vinyl, CD, Standard vinyl and digital download. This release offers a format suitable for every Matt Berry fan. It is the first Acid Jazz release to come with a digital download code.

First Live Album
Limited run of coloured vinyls
Each vinyl with download card
Released in the same month as Matt returns in Toast Of London on Channel 4.
A month before Matt Berry UK tour in December
Arrives in the midst of a heavy marketing and promotion campaign based around Matt's TV, and music and his authorial debut.

vorbestellen30.09.2022

erscheint voraussichtlich am 30.09.2022

Death Valley Girls - Darkness Rains

Limited Edition LP re-press on White Vinyl. At the core of Death Valley Girls, vocalist/multi-instrumentalist Bonnie Bloomgarden and guitarist Larry Schemel channel a modern spin on Funhouse’s sonic exorcisms, ZZ Top’s desert-blasted riffage, and Sabbath’s occult menace. On their third album Darkness Rains, Death Valley Girls churn out the hypercharged scuzzy rock every generation yearns for, but there is a more subversive force percolating beneath the surface that imbues the band with an exhilarating cosmic energy. Album opener “More Dead” is a rousing wake up call, with a hypnotic guitar riff and an intoxicating blown-out solo underscoring Bloomgarden’s proclamation that you’re “more dead than alive.” The pace builds with “(One Less Thing) Before I Die”, a distillate of Detroit’s proto-punk sound. At track three, Death Valley Girls hit their stride with “Disaster (Is What We’re After)”, a rager that takes the most boisterous moments off Exile On Main Street and injects it with Zeppelin’s devil’s-note blues. Darkness Rains retains its intoxicating convocations across ten tracks, climaxing with the hypnotic guitar drones and cult-like chants of “TV In Jail On Mars.” “Death Valley Girls are a gift to the world.” - Iggy Pop

Tracklisting 1. More Dead 2. (One Less Thing) Before I Die 3. Disaster (Is What We’re After) 4. Unzip Your Forehead 5. Wear Black 6. Abre Camino 7. Born Again and Again 8. Street Justice 9. Occupation: Ghost Writer 10. TV in Jail on Mars

vorbestellen30.09.2022

erscheint voraussichtlich am 30.09.2022

Doug Paisley - Starter Home

Doug Paisley

Starter Home

12inchLPDGP9196
Doug Paisley
30.09.2022

Starter Home was originally released November 2, 2018 on US-based
label, No Quarter
From Pitchfork, at the time: "For a decade, Canadian singer/ songwriter Doug
Paisley has turned quiet, specific moments into inquiries on life's larger struggles.
On his 2010 breakthrough, Constant Companion, Paisley used the inevitability of
endings to explore understanding oneself, the only possible constant companion.
For 2014's Strong Feelings, he mulled death and its uneasy relationship with life,
or how their juxtaposition ripples into every wave of existence. And now, on his
fourth album, Starter Home, Paisley details the chasm that separates what poet
Seamus Heaney described as getting started and getting started again. These
songs examine how the person you are never truly aligns with the person you
want to be, especially when you stumble upon a sticking point that's hard to move
past."

vorbestellen30.09.2022

erscheint voraussichtlich am 30.09.2022

Office Culture - Big Time Things

Brooklyn band Office Culture is made up of four longtime collaborators
(and all solo artists in their own right) lead singer and songwriter Winston
Cook-Wilson (vocals/keyboards), Ian Wayne (guitar), Charlie Kaplan
(bass), and Pat Kelly (drums)
Following the electronic avant-pop experimentation of their debut album I Did the
Best I Could, the band's critically acclaimed sophomore LP "2019's A Life of
Crime "unveiled a lush, jazz- inflected sound that Pitchfork described as "sleek
music for a cursed place, opulent like a ritzy hotel lounge." Cook-Wilson's wry and
contemplative songs reflect the bandmates' shared points of musical reference,
including Nite- Flights- era Scott Walker, mid- 70s Joni Mitchell, Curtis Mayfield,
and ECM-label jazz. The FADER wrote: "Office Culture spends the best moments
on A Life Of Crime sounding like the most vital lounge-pop act of all time. Big
Time Things "the band's third album and Northern Spy debut "is a more
maximalist affair. Written and recorded across the course of three years, it's a
meticulously orchestrated and groove- forward record featuring nine of CookWilson's most ambitious compositions to date. Tracks like singles Elegance, Big
Time Things, and Little Reminders draw together a disparate collection of
influences, integrating soulful vocal harmonies, horns straight out of 70s spiritual
jazz, string arrangements informed by modernist classical music, and beats that
reflect the band's enduring love of neo-soul and hip-hop.
The playful experimentation of the arrangements elevates the melodrama and
humor of Cook-Wilson's songs "his most emotionally direct to date "which trace
the complexities of our efforts to better ourselves by learning from our worst and
least rational behavior, and how we attempt to apply that knowledge to nurturing
close personal relationships. The record features a dense cast of supporting
players, including Carmen Q. Rothwell, Caitlin Pasko, Alena Spanger (Tiny
Hazard), and members of Cuddle Magic / Mmeadows. The album releases via
Northern Spy.

vorbestellen30.09.2022

erscheint voraussichtlich am 30.09.2022

Eliza Niemi - Staying Mellow Blows

Our earliest exposures to music can often be the most formative
For Toronto- based songwriter and multi- instrumentalist Eliza Niemi, that
influence came from her Dad who taught her the basics of bass and guitar at
home. These childhood experiences of playing music together by ear fostered the
sense of playfulness that she's approached her craft with ever since. They also
instilled an ethic in her creative work that prioritizes making music with friends
and loved ones.Those honed guitar — and later piano, cello and vocal — skills
make Eliza an ideal collaborator: starting in Halifax's rich music scene with the
mid-2010s experimental pop groups New Love Underground and Mauno, and
later in her role supporting artists Le Ren, Quaker Parents and Evan J. Cartwright.
Through the rhythms of touring and the brilliant spark that's shared in musical
exchange, Eliza found and developed connections across Canada's DIY music
communities. These collaborative moments fuel her creative practice, whether
playing solo, in an ensemble or releasing others' music as the founder of her own
label, Vain Mina Records.Connection and collaboration lives in the intimacy of her
albums, starting with 2019's Vinegar, an understated set of songs for cello,
keyboard and voice that wander with a comforting grace. 2020's Glass furthered
Eliza's reputation for writing songs that are boundless and experimental without
ever being alienating. There's an open, inviting quality throughout the record,
apparent from the close-miked instruments, to her softly sung and affable lyrics
that unfold like a conversation with a good friend.Her latest album, Staying
Mellow Blows, furthers these ideas and aesthetics to a staggering degree,
retaining the candor, humor and emotional humility she's known for, while letting
the vast number of supporting musicians shape each song with their own
emotionally resonant performances. The result feels whimsical and inspired, and
is the sound of an artist flourishing
180g 12" Deluxe Lavender Vinyl

vorbestellen30.09.2022

erscheint voraussichtlich am 30.09.2022

Marxist Love Disco Ensemble - MLDE LP

Sounding simultaneously from the past, the present, and the future, the debut album 'MLDE' by Marxist Love Disco Ensemble seeks to eradicate both the trite from disco and the sobriety from political music. Half poetic, half tongue-in-cheek, this stunning compact eight-track album is influenced by Eastern European and Mediterranean 70s disco records. In the words of band member Paolo, ''it was written in response to hearing 'I love America' by Patrick Juvet. The song prompted the question: why does disco, a genre originally created by oppressed minorities, eventually become synonymous with American capitalist excess?" MLDE seeks to break this connection.

Merging disco, post-disco 80s pop, and boogie into the fold, 'MLDE' was recorded using only analogue instruments, giving it warmth and space. Recorded on cassette, ¼ and ½ inch tape, this gives moments of lo-fi abstraction between the beats of an aggressive, tight drum kit. Instruments used for this recording range from saxophone, trumpet, harpsichord, guitar, and rare analogue synthesisers. The bass sound is shaped by early 80s boogie records, whilst the influence of artists such as Hamlet Minassian can be heard in some of MLDE's more driving-disco outings, such as 'Hues of Red'. In the tradition of Soviet vocal group records, which the band has studied, some songs are sung by a vocal quartet in homage to this tradition.

Tracks such as '1905' and 'Brumaire' have a greater pop aesthetic, with Paolo's vocal style on these more pop-driven songs evoking early 80s bands such as Orange Juice and Chas Jankel.

The format and message of pop and disco are commonly viewed just to entertain and move bodies around a dancefloor; however, lyrically, the subjects range from dialectical and historical materialism, class struggle, Marxist theory and praxis, as well as the concept of Marxist disco music.

Adding the icing to the cake, mastering don Joker aka Liam McLean dusted the album with his magic, giving the songs space where the room is needed, as well as the kick and punch demanded by the modern dancefloor.

Yes, this is a press release, and they are always full of hype, but we were blown away when we heard this album, and we hope it enriches you too.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.


Last In: vor 3 Jahren
SKUDGE - SOUNDWORKS LP 2x12"

Skudge

SOUNDWORKS LP 2x12"

2x12inchSKUDGE-LP04
Skudge Records
29.09.2022

Kicking off with direct, subtle and in-tune basement dust, Skudge has managed to capture two weekend modes. This is a soundtrack for either those apprehensive moments, where things start to fall into place and the crowd is rest assured that this will be a time to remember. But Soundworks is also the soundtrack for those areas that turn party-goers into altered silhouettes, captured between strobe light flashes. All-in-all, what we have here is a return to form for Skudge, with a capital S.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.


Last In: vor 2 Jahren
Divorce From New York - Sausalito

Spanish producer Divorce From New York (AKA Alvaro Granda) returns with his brand new LP ‘Sausalito’ on London’s High Praise. With his previous full-length 2021 offering ‘This Ain’t Jazz No More’ having gained support from Tom Ravenscroft (BBC 6 Music), Jamz Supernova (BBC Radio 1Xtra), Worldwide FM, BBC Radio 1, Errol (Touching Bass), DJ Mag & many more - the stage is set for this heady and potent sophomore release.

Known for his work as one half of San Sebastian based production duo Reykjavik606 (who have previously collaborated with the likes of Tenderlonious and Ishmael Ensemble) Granda creates a rich web of broken beat flavours, uplifting sonics and syncopated rhythms - melding elements of jungle, house and bruk with jazz sensibilities.

Featuring seven brand-new and flavour-packed tracks, ‘Sausalito’ is an uplifting and joyous listen from start to finish. Immersing himself in his extensive collection of Jazz, Soul and Disco vinyl, Alvaro channels golden sunshine-injected influences into a wonderfully cohesive and infectious record. First single ‘Last Ray Of Sunset’ sees Alvaro join forces with long-term collaborator Piek. As its classic disco sounds meet jaunty, MPC- driven drums, and an irresistible bassline - leaving us dreaming of hazy summer terraces, and those last fleeting moments of daytime as evening takes hold.

‘Holly Grove’ evokes a sense of mystery and intrigue with it’s celestial rhodes and flute flourishes, before being joined by syncopated bruk-beats and the alluring vocals of Sarah Zoyaya, who’s tones entwine with some wild synth playing and twisting polyrhythms. Final single ‘I Haven’t Recovered From Last Night With You’ entrances the listener with it’s hypnotic saturated percussion, swirling vocals and reverb-laced key stabs. Creating visions of endless and vast expanses, it shows Alvaro’s ability to weave textures and melody to incredible effect.

With this record, Divorce From New York solidifies his position as one of Europe’s most authentic and original beatmakers. With a range of styles and influences ‘Sausalito’ takes us on a dancefloor leaning journey from sun drenched rhythms through to detroit-techno esque programming. With extensive live performances scheduled for Summer 22 (including a performance at Kala Festival) you can expect to hear this one doing damage on the world’s dancefloors.

Captained by Hugo Mari and Josh Byrne, High Praise is a london-based record label and party. A vessel for uplifting music, made with good energy - they have released music from Yadava, EVM128, Lay-Far, Partner Music & more.

Divorce From New York will release ‘Sausalito’ on 2nd September ‘22 via High Praise.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.


Last In: vor 3 Jahren
Yhdessa - Along The Simple Line

Purple Vinyl

Concentric Records present this special edition EP by the Berlin-based duo YHDESSA - composed of Dutch-Italian composer and poly- instrumentalist Grand River and Sardinian electronic music experimentalist Enrica Falqui.

Entitled Along The Simple Line, the 5-track EP is a unique sonic journey that merges in pure form the distinct worlds of the two composers, exposing a warm and delicate essence. Perfectly punctuated, and in a pace of its own, the album gently and precisely unfolds through touching musical spaces, dramatic textures, entrancing rhythms and unexpected vocal lines, revealing a wonderful depth. The result is so perfectly uniting as if woven by the same two hands.

Yhdessa is a collaborative project made up of Grand River and Enrica Falqui which was conceptualised in 2017 while the duo shared a music studio and were living as a couple in Berlin. Their first piece, released in 2018 on the label One Instrument Records, was named after the Vermona E-Piano and is composed entirely using the analogue synthesizer that was built in 1978. Following this came their lingering soundscape Waldorf Micro Q featured on the record “One Instrument Volume 01” as well as an impelling remix of Dunes by Jiska Huizing and Rudi Valdersnes.

Aimée Portioli is a Berlin-based Dutch-Italian composer and sound designer who records and performs as Grand River. The name Grand River evokes nature, scale, and movement, all key forces in Portioli’s work. Her first release as Grand River was the resolute 2017 Crescente EP, which includes Flies, a composition named by XLR8R as one of the best tracks of that year. She followed this with her melodious debut album Pineapple (Spazio Disponibile, 2018), which garnered praise from The Quietus, amongst others. The moving and dynamic subsequent album, Blink A Few Times To Clear Your Eyes (Editions Mego, 2020) was lauded by Resident Advisor and The Verge, and was elected among the best albums of 2020 by Inverted Audio. Separately, Grand River’s work has appeared on compilations by Ghostly International, Tresor, Longform Editions and has composed an official remix for Tangerine Dream.

Enrica Falqui is a Sardinian music producer and DJ currently based in Berlin. With artistic versatility as one of her defining traits: she comfortably traverses between the dimensions of electronic music. For over a decade she has dedicated herself to the study of sound and the relentless excavation of lesser-known music, which has earned her bookings all over the world and commissions for her productions from some of the most respected labels including Marignal Returns which released Plexus, a mini-album of cool, divergent compositions. Enrica is also part of the coveted duo, ERIS, whose debut and sophomore EPs, Moments and Champions League, found their home on the illustrious Cabaret Recordings. The releases entwine the forceful with the ethereal and create an original, future-facing and club-orientated sound. Moloko, a drum-focussed track laced with weaving synths, was considered by Resident Advisor as one of the best tracks of 2019.

Aimée and Enrica’s musical union through Yhdessa, is one of colour and warmth. It expresses an experimental electro-ambient side of the two composers, to form a style that is meditative, other-worldly and at times introspective. Although, the two are now, no longer romantically engaged, they maintain a passionate friendship to match this profound musical partnership.

vorbestellen23.09.2022

erscheint voraussichtlich am 23.09.2022

DIVINO NINO - LAST SPA ON EARTH LP

Divino Niño are no strangers to bold reinvention. When Camilo Medina and Javier Forero_friends whose bond dates back to their childhoods in Bogotá, Colombia_moved to Chicago and recruited guitarist Guillermo Rodriguez to form a band, they were psych-pop outsiders playing live shows with a drum machine. With the addition of drummer Pierce Codina, their 2019 breakthrough and debut LP for Winspear, Foam, solidified their place as local indie rock mainstays. Soon after, multi-instrumentalist Justin Vittori joined to round out their lineup. Once again, with their masterful, unpredictable, and eminently danceable new album, the band has done something radical: They totally upended the way they write songs, eschewing practice room jams for unrelentingly collaborative beats, implied grooves for immersive dance floor heaters, and mellow vibes for frenetic doses of reggaeton, electropop, and trap on their most adventurous and ambitious work to date. Welcome to the Last Spa on Earth. Written and recorded over the past two years, Last Spa on Earth deals in release and catharsis: confronting your darkest moments and coming out better for it. The album artwork, done by Medina, a longstanding visual artist, depicts a dreamy, yet graffiti-tagged spa, void of physical bodies so listeners can envision themselves in this unique environment. It represents the yin and yang approach Divino Niño took while creating the album: the serenity of the spa and the chaos of the party. Ultimately, the band's desire is to provide healing in the same way one feels after sweating, shivering, stretching, and resting at the spa against the backdrop of the world's darkness. Last Spa on Earth is the cathartic product of Divino Niño letting go of their musical preconceptions, past traumas, and future anxieties to embrace change, chaos, and each other's contributions both to these songs and to each other.

vorbestellen23.09.2022

erscheint voraussichtlich am 23.09.2022

DIVINO NINO - LAST SPA ON EARTH LP

Divino Nino

LAST SPA ON EARTH LP

12inchWSPLPC140
Winspear
23.09.2022

Divino Niño are no strangers to bold reinvention. When Camilo Medina and Javier Forero_friends whose bond dates back to their childhoods in Bogotá, Colombia_moved to Chicago and recruited guitarist Guillermo Rodriguez to form a band, they were psych-pop outsiders playing live shows with a drum machine. With the addition of drummer Pierce Codina, their 2019 breakthrough and debut LP for Winspear, Foam, solidified their place as local indie rock mainstays. Soon after, multi-instrumentalist Justin Vittori joined to round out their lineup. Once again, with their masterful, unpredictable, and eminently danceable new album, the band has done something radical: They totally upended the way they write songs, eschewing practice room jams for unrelentingly collaborative beats, implied grooves for immersive dance floor heaters, and mellow vibes for frenetic doses of reggaeton, electropop, and trap on their most adventurous and ambitious work to date. Welcome to the Last Spa on Earth. Written and recorded over the past two years, Last Spa on Earth deals in release and catharsis: confronting your darkest moments and coming out better for it. The album artwork, done by Medina, a longstanding visual artist, depicts a dreamy, yet graffiti-tagged spa, void of physical bodies so listeners can envision themselves in this unique environment. It represents the yin and yang approach Divino Niño took while creating the album: the serenity of the spa and the chaos of the party. Ultimately, the band's desire is to provide healing in the same way one feels after sweating, shivering, stretching, and resting at the spa against the backdrop of the world's darkness. Last Spa on Earth is the cathartic product of Divino Niño letting go of their musical preconceptions, past traumas, and future anxieties to embrace change, chaos, and each other's contributions both to these songs and to each other.

vorbestellen23.09.2022

erscheint voraussichtlich am 23.09.2022

DIVINO NINO - LAST SPA ON EARTH LP

Divino Nino

LAST SPA ON EARTH LP

CassetteWSPCASS40
Winspear
23.09.2022

Divino Niño are no strangers to bold reinvention. When Camilo Medina and Javier Forero_friends whose bond dates back to their childhoods in Bogotá, Colombia_moved to Chicago and recruited guitarist Guillermo Rodriguez to form a band, they were psych-pop outsiders playing live shows with a drum machine. With the addition of drummer Pierce Codina, their 2019 breakthrough and debut LP for Winspear, Foam, solidified their place as local indie rock mainstays. Soon after, multi-instrumentalist Justin Vittori joined to round out their lineup. Once again, with their masterful, unpredictable, and eminently danceable new album, the band has done something radical: They totally upended the way they write songs, eschewing practice room jams for unrelentingly collaborative beats, implied grooves for immersive dance floor heaters, and mellow vibes for frenetic doses of reggaeton, electropop, and trap on their most adventurous and ambitious work to date. Welcome to the Last Spa on Earth. Written and recorded over the past two years, Last Spa on Earth deals in release and catharsis: confronting your darkest moments and coming out better for it. The album artwork, done by Medina, a longstanding visual artist, depicts a dreamy, yet graffiti-tagged spa, void of physical bodies so listeners can envision themselves in this unique environment. It represents the yin and yang approach Divino Niño took while creating the album: the serenity of the spa and the chaos of the party. Ultimately, the band's desire is to provide healing in the same way one feels after sweating, shivering, stretching, and resting at the spa against the backdrop of the world's darkness. Last Spa on Earth is the cathartic product of Divino Niño letting go of their musical preconceptions, past traumas, and future anxieties to embrace change, chaos, and each other's contributions both to these songs and to each other.

vorbestellen23.09.2022

erscheint voraussichtlich am 23.09.2022

Samuel Rohrer - HUNGRY GHOSTS LP

With his Arjunamusic label and a growing catalog of category-defying releases, Samuel Rohrer
continues to quietly, yet confidently, make a name for himself as a genuinely unique figure within
the European electronic music realm. Over the past decade he has assembled a repertoire of
music that fills a sadly neglected gap in the modern musical landscape. That is to say, he has
made a number of “electronically”-aided works that never seem to make “electronic-ism” the main
selling point or raison d'être. Rohrer understands that we inhabit a networked media landscape
that no longer sees a novelty value in every synthetic or technological sound, and by realizing
this, he makes a music that fully engages with the present without completely disregarding the
exciting speculative sensibility that has allowed electronic music to solidify into a tradition. His
latest solo album, Hungry Ghosts, again shows the high quality of sonic design that can be
achieved by conceptualizing musical passages as living, breathing entities rather than as
signposts to some still distant reality.
Maybe more so than any of Rohrer’s solo records to date, Hungry Ghosts is the one that
most unambiguously displays the artist as a kind of inspired sound “cultivator” or landscaper
rather than just a straightforward “producer”. The emphasis here seems to be biological growth
processes rendered in musical form, and in fact some track titles namechecking the biodiversity
of the external world (“Slow Fox”, “Ctenophora”) and neurochemistry (“Serotonin”) lend some
additional credence to this interpretation.
As with previous outings, Rohrer starts with his skills as a genre-resistant percussionist
and builds from there, with dense clusters of drum hits and icy cymbal exclamations leading the
way into a wide-open atmosphere full of fragmented phrases, marked with strange reversals or
compressions of time. The percussive portions and other ambiences merge together in such a
way that the latter seems like a kind of shifting, holographic camouflage for the former; an effect
which makes for a greater than usual number of shifts in mood. Rohrer’s already established
ambiguity and mystery are the moods that permeate throughout, to be sure, but there are also
surprising moments of humorous whimsy (the flourishes of cartoon mischief and teasing silences
on the tracks “Human Regression” and “Bodylanguage”), reverence (the optimistic organ swells
and steady sequencer guiding “Ceremonism”), and meditative focus (the slow-motion spectral
waltz of “Treehouse”). Also notable here are very brief etudes, such as “Window Pain,” whose
dark, lush ebb and flow actually seem tailored to repeated or looped listening.
It’s particularly remarkable that almost all of this material is recorded solo and in a “live /
no overdubs” mode, given how much it feels like well-rehearsed ensemble playing, and given the
impeccable timing involved in continually exchanging the sounds at the very forefront of the mix.
And here we come full circle to the idea of “electronic music” mentioned at the beginning here:
instead of making us feel that we are in the presence of some fully-realized form brought back
from “the future,” Rohrer invites us instead to witness fascinating processes of transition and
mutation, and to value them for what they are now as much as for where they are headed.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.


Last In: vor 3 Jahren
MARISA ANDERSON - STILL; HERE  LP

Marisa Anderson is one of the most eminent guitarists working today. Her lucid, eloquent approach to guitar music and composition has established her as an unparalleled artist and an insightful, coveted collaborator. Anderson"s work draws on a mosaic of folk musics and lives in conversation with myriad musical traditions. Her music is inviting and candid, beckoning the listener into sprawling ecosystems and intimate corners alike, from barren landscapes to verdant thickets, impassioned communal experiences to pensive reclusions. As a master of her instrument, Anderson translates abstractions into undeniably moving music, tracing through traditional folk tunes, imagined Sci-Fi films, and foggy sanctuaries of sound. Still, Here is Anderson at her most direct, laying bare her practice of processing and understanding the world through music and distilling that practice into pieces as expressive as they are transfixing. The pieces of Still, Here center around Anderson"s present. The album is a compendium of living moments captured by her preternatural ability to mold human realities into enduring, lyrical compositions. Away from the road for the longest stretch of her career, the making of Still, Here affirmed for Anderson the role of the guitar as an essential tool in processing external and internal realities. "I don"t get ideas and then turn to the guitar, rather I turn to the guitar to find out what my ideas are. I turn towards it for meaning." The discordance of protest and upheaval emanates from a propulsive acoustic ostinato and mournful dueling pedal steel guitars on "The Fire This Time," pausing only to allow space for the blare of sirens on the Portland street near Anderson"s studio. "The Crack Where the Light Gets In" rapturously revels in the glimmers of hope that peek through a pall of darkness. Across Still, Here, Anderson"s playing transmutes the tributaries of fluctuating emotions into a unified flow, stirring and sublime.

vorbestellen23.09.2022

erscheint voraussichtlich am 23.09.2022

MARISA ANDERSON - STILL; HERE  LP

Marisa Anderson is one of the most eminent guitarists working today. Her lucid, eloquent approach to guitar music and composition has established her as an unparalleled artist and an insightful, coveted collaborator. Anderson"s work draws on a mosaic of folk musics and lives in conversation with myriad musical traditions. Her music is inviting and candid, beckoning the listener into sprawling ecosystems and intimate corners alike, from barren landscapes to verdant thickets, impassioned communal experiences to pensive reclusions. As a master of her instrument, Anderson translates abstractions into undeniably moving music, tracing through traditional folk tunes, imagined Sci-Fi films, and foggy sanctuaries of sound. Still, Here is Anderson at her most direct, laying bare her practice of processing and understanding the world through music and distilling that practice into pieces as expressive as they are transfixing. The pieces of Still, Here center around Anderson"s present. The album is a compendium of living moments captured by her preternatural ability to mold human realities into enduring, lyrical compositions. Away from the road for the longest stretch of her career, the making of Still, Here affirmed for Anderson the role of the guitar as an essential tool in processing external and internal realities. "I don"t get ideas and then turn to the guitar, rather I turn to the guitar to find out what my ideas are. I turn towards it for meaning." The discordance of protest and upheaval emanates from a propulsive acoustic ostinato and mournful dueling pedal steel guitars on "The Fire This Time," pausing only to allow space for the blare of sirens on the Portland street near Anderson"s studio. "The Crack Where the Light Gets In" rapturously revels in the glimmers of hope that peek through a pall of darkness. Across Still, Here, Anderson"s playing transmutes the tributaries of fluctuating emotions into a unified flow, stirring and sublime.

vorbestellen23.09.2022

erscheint voraussichtlich am 23.09.2022

MAI MAO - Ricshari

Mai Mao

Ricshari

12inchAN33
An'archives
23.09.2022

An’archives announce the release of Ricshari, the first LP from Japanese free improvising duo MAI MAO. Consisting of Shizuo Uchida of Hasegawa-Shizuo, Albedo Gravitas, Archeus, Kito Muzukumi Rouber, TERROR SHIT, UH, etc. on bass, and Kyosuke Terada, of HUH (who have their own release due on An’archives soon), TERROR SHIT, Bay City Rolaz, Praymate, The Obey Unit, etc. on guitar, they’ve previously released two wild cassettes, Curvature Improvement Plan (Haang Niap, 2020) and Folk Dope Rally (2021), both documenting one-take improvisations from live gigs. Ricshari was recorded by Nobuki Nishiyama in January 2021, and is proof, if any was needed, that this duo is one of the most fiercely unique, out -there units currently extant – in Japan, or anywhere, for that matter.

The music of MAI MAO seems to proceed by opposites and juxtaposition, shifting from frantic, hectic runs of splattering note spray to moments of granular stasis, where Uchida and Terada coax their instruments into and out of deep wells of silence, or rest, temporarily, in a lagoon of fermenting fuzz. Spiralling kinetics are largely the order of the day, though – the opener, “Chew a flying flash prayer”, skitters here and there, guitar and bass jumping over one another in games of leapfrog and Twis ter, finding new ways to perplex and puzzle the listener, and perhaps each other in the process, Uchida and Terada fully committed to the short -circuiting spirit of the moment.

The energy here is hyperactive, but it also speaks of a curious and committed attention to improvisatory responsiveness, one that’s just as likely to fork off into different directions in a split second – it’s real edge-of-the-seat stuff, as though the hands are moving too fast for the mind to follow. That’s all the better, then, to let the gush of genuinely free-thinking, devoted duo improvisation to fly at its most playful and intelligent. File next to the likes of Davey Williams & LaDonna Smith and their TransMuseq companions, or th e wickedly perplexing bass-synth/trombone duets of Dave Dove Paul Duo, and you’ve some idea of what’s going on here, provisionally at least, ‘cos this one’s an enthralling, yet welcoming, head-scratcher of the highest calibre.

vorbestellen23.09.2022

erscheint voraussichtlich am 23.09.2022

Jackie Cohen - Pratfall

Jackie Cohen

Pratfall

12inchLPEL255
EARTH LIBRARIES
23.09.2022

Jackie Cohen decided the only way forward was to succumb to crisis, to
relax into it instead of fighting, to find beauty even in the flame an
approach that fuels her sublime new album, Pratfall
Because of the record's pandemic origins, Cohen was only aided in studio by two
collaborators: her husband, Foxygen's Jonathan Rado, and engineer Rias Reed.
"We were a tight pod," she laughs. The three musicians holed up at Sonora
Recorders in Los Angeles, tapping into the studio's vaulted ceilings and haunted
feeling to amplify Cohen's widescreen songwriting. "Elliott Smith recorded some
stuff there, and it always seemed like there was a ghost banging around in there,
turning lights on and off," she says, before adding a cheery followup: "Shakira
recorded there too, can't forget another 5'2" icon." On Pratfall, Cohen renders both
extremes of that range of experience in warm, inviting indie pop. "I didn't want to
write a dirge inspired by the darkest moments of my life, I wanted a cathartic
moment, to experience the emotion and build from it," Cohen says. "This record is
a climax where everything becomes explosive and you can just close your eyes,
give in, and dance it off."
LP Tracks: Two Days / Coup De Grace / The Valley / Pratfall / Ghost Story /
Moonstruck / Dire Love / Lost Without Fear / Some Days / Extra Credit / Scraps
Of Love

vorbestellen23.09.2022

erscheint voraussichtlich am 23.09.2022

The Cradle - Radio Wars

The Cradle

Radio Wars

12inchLPNNA148
NNA Tapes
23.09.2022

Of all the celebrated home recording artists that haunt the pages of
Bandcamp and the basements of the DIY touring circuit, few have had an
output as eclectic, enigmatic, and consistent as The Cradle's Paco
Cathcart
In a departure from The Cradle's more lo- fi works, "Radio Wars" bounces from
track to track with a polished exuberance as Cathcart delivers some of their
catchiest music to date. Pumping with auto- tuned nursery rhyme hooks and
densely-programmed drum machine beats, the album boasts a sonic palette that
owes as much to the production of DJ Rashad and the erratic vocal approach of
Playboi Carti as it does to Cathcart's more familiar Dub and Gamelan influences.
It's a musical world that draws you in quickly and leaves you deeply immersed
throughout its 22 - track running time.
As with previous releases, Cathcart's lyrics celebrate and reflect on the profundity
of day-to-day city life experiences. The words are delivered through deceptively
simple refrains that often mask challenging subject matter. Radio Wars was
written and recorded in NYC in the lead up to and during the COVID-19 pandemic,
a time which included the run up to the electoral defeat of a fascist president,
historic protests against police abuse across the country, as well as the early
months of the pandemic, when NYC was at the center of the outbreak. Social and
political dissonance, alluded to in the album's title, was at a high, and that air of
contradiction can be heard throughout, bleeding into moments that feel intimate
and reflective. Coupled with bold production choices and feverish energy
throughout, "Radio Wars," is a Cradle album of and for the times.
Tracks: Lights Off / Tell Me What You Want / Ha Ha Ha! / Black River Side / My
Right Side / American Spirit / I Went in and You Came Out / Radio Wars / Let’s
Clean Up / City Life / Numb Time / I Love that Music / It’s Not Related / What’s in
Between / I Love the World I’m In

vorbestellen23.09.2022

erscheint voraussichtlich am 23.09.2022

Sorcha Richardson - Smiling Like An Idiot

Sorcha Richardson's debut album 'First Prize Bravery' was the
culmination of her experiences throughout young adulthood, a time
during which she ventured from home in Dublin to New York, Los Angeles
and then back again
After spending time alone over the last two years to focus on creating a body of
work. The result is her second album, 'Smiling Like An Idiot', which she says,
focuses on what her life looked like over the course of those eighteen months."It
mostly tracks one specific relationship," she says. "It's about falling in love with a
person and a place, which in this case is Dublin, and how those two are
interlinked." Thematically it highlights a pursuit of happiness and the full- blown
intensity of new love, but gaining something so life-affirming comes with the fear
that it could just as easily be swept away. 'Smiling Like An Idiot artfully articulates
those moments in life that you don't want to have to go through, but it emerges
with the optimism that - somehow - things will work out for the best in time.
LP Tracks: Archie / Shark Eyes / Spotlight Television / Stalemate / Purgatory /
525 / Good Intentions / Hard to Fake It / Holiday / Jackpot / Smiling Like An Idiot

vorbestellen23.09.2022

erscheint voraussichtlich am 23.09.2022

Isaac HELSEN - Remnants Series Vol I-VIII

Past Inside The Present co-founder Isaac Helsen - a multi-disciplinary artist from Michigan, creating photography and paintings as well as music - in action on this double cassette alone after a string of collaborations with labelmate 36 and fellow label co-founder zake. Helsen's sound works on a grand (electronically) orchestral scale at times, the proverbial cathedrals of sound coming to mind, at others (see 'Duniskwalgunyi') understated and intimate. On first listen, it's the simpler moments like 'Whisper At A Party' that grab you, but the 17 track selection slowly reveals itself to be quite special on repeated rotations.

vorbestellen22.09.2022

erscheint voraussichtlich am 22.09.2022

COMPRO ORO - BUY THE DIP LP

Compro Oro

BUY THE DIP LP

12inchSDBANULP24LTD
SDBAN ULTRA
21.09.2022

Ghent based psych jazz collective Compro Oro, are set to release new album 'Buy The Dip' on the 2nd September via the groove-obsessed Sdban Ultra label. Having received critical acclaim for their 2020 album 'Simurg' - a collaboration with Murat Ertel, co-founder and frontman of Istanbul's cult psychedelic folk band BaBa ZuLa and his singer partner Esma Ertel - the band's fifth album is less ethno- and more techno-logy, both on a musical and conceptual level.

With tastemaker fans including BBC 6 Music's Gilles Peterson and Stuart Maconie alongside Jazz FM's Jez Nelson, the band's spontaneous quest for psychedelic sounds and jazz grooves has not stopped expanding since their formation in 2014.

After imaginative musical trips to Havana, Mogadishu and Istanbul for previous releases, Compro Oro went looking for sounds and inspirations from other corners of the globe for 'Buy The Dip'. Synthesizers and electronic effects spice up Compro Oro's distinctive musical marriage of vibraphones, electric guitars, jazzfunk rhythms, exotic percussions and dubby bass patterns. Band leader and composer Wim Segers created these new compositions often on piano or vibes in a more analogue way, leaving enough room for his band mates to colour each track when fine tuning the song.

Segers was inspired by the world of crypto markets and the specific concept of 'buying the dip': bitcoin diggers who play the markets at specific 'low' moments to gain higher profits when prices go up again. Are we all reduced to consuming creatures, seeking for nothing more than the thrill of pointless spending and endless profits? It's a fairly philosophical question - especially for an instrumental album - but it's key for the punchy and eclectic sounds on 'Ben Hur' and 'Bitcoins'.

Apart from those synths and fx, a fair bunch of neo-noir western vibes sprout up on this album as well - think detuned piano's, flamenco-like guitars, rattling snare drums, and imminent whistles. Add to that some laid back sunny pop sounds ('Kayak'), off-hook and swaying Turkish psychedelica ('Karsilama') and even some haunted, kraut-ish vocal parts ('Dungeon'), it's evident Compro Oro has a musical voice without any equal in Belgium and beyond.

Compro Oro released their first album 'Transatlantic' in 2015, an ode to jazz vibraphonist Cal Tjader, an icon of the 1950's Latin jazz movement. The release received critical acclaim back home, lauded in the press as a drunken mix of Buena Vista Social Club and guitarist Marc Ribot's, Cubanos Postizos. Subsequent live shows have been called a celebration for the hips, the ear and the soul.

2017 saw the release of 'Bombarda', a bold EP that sailed South and East of Cuba, incorporating different ethnic rhythms and melodies in elaborate jams. No palm trees and cocktails in Havana this time, but instead dingy basements and LSD in West African cities. The critically acclaimed 'Suburban Exotica' followed in 2019 with 'Simurg', released in 2020, earning the band global success.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.


Last In: vor 3 Jahren
Albert Van Abbe & Jochem Paap - General Audio

Albert van Abbe & Jochem Paap join forces for General Audio.

Recorded at Willem Twee studios in Den Bosch, General Audio explores a unique and esoteric approach to sound creation. Using test and measure equipment from the 1950’s, originally designed for the maintenance of various audio and radio transmitters, van Abbe and Paap create otherworldly walls of sound and dense rhythmic abstractions with an early form of synthesis. Rudimentary signals are combined and processed before being committed to tape via mic’s set up to capture the Willem Twee studio’s unique acoustics. The equipment itself predates the invention of the analog, modular synthesizers developed in the 70’s that are now commonplace in many studios.

The record opens with 220Lock-in, a gently undulating drone composition. Effervescent at the top end and fathoms deep at the bottom, it shifts ominously with ring modulated tones that build and then give way to thick washes of white noise. A single synth flourish provides a surprising final moment. The record continues with WZ-1Wobbel Zusatz, a low-sunk percussive piece with an off-kilter rhythm and wet spring reverb doing the bulk of the sonic heavy lifting. Deep in the mix, delicate shifts in pitch and tone deliver a kind of arcane musicality, and as the recording approaches its final moments the piece descends into an exhilarating chaos, with sonic components falling slowly by the wayside. Pegelmesser riffs on a similar reverb characteristic, but this time a driven, arp-like lead propels the work forward. Crisp shifts in colour and distortion arrive unexpectedly, providing a curious musical sensation once more – and harsher moments of feedback break up the recording in its later stages. On Rel 3L 212c LC-pi the pair strip things back, with more present percussive components and subtle distortion lines, before Wandel ups the ante with a corrosive dirge broken up by sporadic submerged synth hits. The penultimate recording SR 250 Boxcar Averager shows off impressive pitch modulation, resulting in a variety of intriguing sensations. Cinematic and remarkably visual, it charts a strange and affecting course, the synth lead underpinned by a repetitive percussive motif and all manner of sends delivering fascinating details. Nim Bin closes the record and once more van Abbe and Paap invite that subtle musicality into the recording. A tight VCO modulation drives the piece while various percussive synth strikes provide a kind of rhythmic component, though they remain untethered to any time signature – a neat conclusion to an intriguing and exploratory record.

Written and Produced by Albert Van Abbe & Jochem Paap

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.


Last In: vor 3 Jahren
Marsen Jules - Herbstlaub

Marsen Jules

Herbstlaub

12inchKEPLARREV08LP
Keplar
20.09.2022

»Herbstlaub,« the third album by Marsen Jules, was both introspective and visionary, modest and ground-breaking. Blending elements of classical music with electronic textures, the German artist created six pieces that draw on the power of repetition, yet are full of internal tensions and sweeping dynamics. Now, Keplar makes it available again on vinyl for the first time since its original release in 2005. This version, remastered by Stephan Mathieu and with a new artwork by Umor Rex’s Daniel Castrejón, shines a new light on a record that paved the way not only for the artist’s later work, but also further developments in electronic and ambient music more broadly.

»The noughties were a special time,« says Marsen Jules today. »It felt like there was a new tool made available practically every day that allowed you to create new musical worlds on your computer.« Hence, this prolific phase saw the emergence of a plentitude of genres and styles that can be traced back to individual records—»precious gems that opened up new possibilities and anticipated a lot of what later would be picked up on,« as he describes them. »Herbstlaub« surely falls into this category, having paved the way for a distinct approach to combining elements from classical and electronic music.

While Wolfgang Voigt was focusing on the marriage of romanticism and techno with his Gas project at the same time, the six pieces on »Herbstlaub« follow a very different concept. Through repetition and reduction, Marsen Jules threw any sense of time out of joint while also inserting an emotional component into the music. »What would remain if you abstract musical contents to this degree, how much of your personality would still resonate in it,« he sums up the questions that shaped his approach. »When will reduction result in monotony, and how could unique, magical moments created through repetition?«

More than one and a half decades later, »Herbstlaub« seems both melancholic and brimming with excitement. This is the sound of an artist experimenting freely with the sounds and structures of two supposedly irreconcilable musical traditions with new and exciting tools, creating something previously unheard of in the process.

All tracks composed and recorded by Martin Juhls.
Originally released on CCO in 2005.
Remaster by Stephan Mathieu. Vinyl cut by LUPO.
Cover art by Daniel Castrejón based on the original by Alphazebra.
Text by Kristoffer Cornils.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.


Last In: vor 3 Monaten
Marxist Love Disco Ensemble - MLDE LP

Sounding simultaneously from the past, the present, and the future, the debut album 'MLDE' by Marxist Love Disco Ensemble seeks to eradicate both the trite from disco and the sobriety from political music. Half poetic, half tongue-in-cheek, this stunning compact eight-track album is influenced by Eastern European and Mediterranean 70s disco records. In the words of band member Paolo, ''it was written in response to hearing 'I love America' by Patrick Juvet. The song prompted the question: why does disco, a genre originally created by oppressed minorities, eventually become synonymous with American capitalist excess?" MLDE seeks to break this connection.

Merging disco, post-disco 80s pop, and boogie into the fold, 'MLDE' was recorded using only analogue instruments, giving it warmth and space. Recorded on cassette, ¼ and ½ inch tape, this gives moments of lo-fi abstraction between the beats of an aggressive, tight drum kit. Instruments used for this recording range from saxophone, trumpet, harpsichord, guitar, and rare analogue synthesisers. The bass sound is shaped by early 80s boogie records, whilst the influence of artists such as Hamlet Minassian can be heard in some of MLDE's more driving-disco outings, such as 'Hues of Red'. In the tradition of Soviet vocal group records, which the band has studied, some songs are sung by a vocal quartet in homage to this tradition.

Tracks such as '1905' and 'Brumaire' have a greater pop aesthetic, with Paolo's vocal style on these more pop-driven songs evoking early 80s bands such as Orange Juice and Chas Jankel.

The format and message of pop and disco are commonly viewed just to entertain and move bodies around a dancefloor; however, lyrically, the subjects range from dialectical and historical materialism, class struggle, Marxist theory and praxis, as well as the concept of Marxist disco music.

Adding the icing to the cake, mastering don Joker aka Liam McLean dusted the album with his magic, giving the songs space where the room is needed, as well as the kick and punch demanded by the modern dancefloor.

Yes, this is a press release, and they are always full of hype, but we were blown away when we heard this album, and we hope it enriches you too.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.


Last In: vor 3 Jahren
Various - 30 Years – We Couldn't Save The Entire Planet, But We Still Like To Save Your Soul

INFRACom!, one of the longest operating Independent labels in Germany, celebrate it´s 30yrs anniversary with a vinyl compilation consisting of tracks that have never been released on vinyl before. Label co-founder Jan Hagenkötter handpicked these from various artist in the catalog, true to the spirit of the label and its operator – We couldn´t save the entire planet but we still like to save your soul.

The artwork was once again designed by Rafael Jimenez Heckmann, a well-known graphic designer from Offenbach. He is responsible for most of the artworks and designs on INFRACom!... his covers have already been awarded several times e.g. in Lürzers Archive and others.

The inlay was designed by the long time friend & well known artist Jim Avignon. In the nineties before Jim went to Berlin and New York to get world famous he lived in Frankfurt for a few years and drew and partied a lot with Jan Hagenkötter & Namé Vaughn…the two DJ´s, friends and founders of INFRACom! He even contributed a song to the very first INFRACom! production. Since that time they cultivate a lovely friendship and Jim was happy to contribute an artwork to this anniversary release.

Most of the tracks included on the compilation were released only on CD and then digitally in the so-called 2000s or noughties, as it was very difficult to release any album on vinyl during that time due to the situation in the music market while the transition from physical to digital products and the piracy phenomenon. Fortunately, today the different formats can coexist again.

INFRACom!, once started locally in Frankfurt with artist like Shantel who released his first recordings on the label. He is featured by a collaboration with the Brazilian duo Rosanna & Zélia. Soon INFRACom! expanded to an international platform for artist from all over the world like Jhelisa (USA), Mop Mop & Gabriele Poso..both from Italy, Metropolitan Jazz Affair the brainchild of French producer and musician Patchworks, Taxi from the UK, Rime from Finland or Aromabar from Austria…all with different styles of music.

The vision of the two founders Jan Hagenkötter & Namé Vaughn was and still is artistically oriented and has never favored just only one style of music.
The roots of INFRACom as a label are based in the various form of black music culture - conditiopned to the influences and personal history of the two founders - but also deeply rooted in the club and DJ culture and various forms of electronic music. The compilation can only show a small glimpse into the universe with tunes that stand the test of time.

One of the best examples is Matthias Vogt with whom the label has a long standing collaboration and who just this year released the album PIANISSIMO on INFRACom!. He can be heard with his Matthias Vogt (Jazz) Trio in a cinematic remix from Joash and two pieces by the highly successful re:jazz band which he leads.

With Valique we are happy to feature a Belarus/Russian artist on the release these days….one who already showed ten years ago on his album artworks what he thinks about the politics of his government. As an open minded label and ethnical diverse ppl. we think “Fuck Putin and his disciples and like-minded people, but let's not condemn all Russian-born people. Some prefer to worship Herbie Hancock...like Valique and we want to support that.”

With Nekta, Dublex Inc. feat Stee Downes and Kosma this release features three more artists from various regions in Germany, each with their great moments.….and last but not least the mysterious Woodland Conclave (UK)…a waltz and a story yet to be told and hopefully will be…on INFRACom!…in the near future!




d A4 | re jazz Feat N'dea Davenport - Don't Push Your Luck (Wagon Cookin´ Vocal Remix)

f B2 | re jazz Feat Mediha - Tears




d A4 | [Re:Jazz] feat. N'Dea Davenport - Don'T Push Your Luck (Wagon Cookin' Vocal Remix)

[f] B2 | [Re:Jazz] feat. Mediha - Tears

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.


Last In: vor 19 Monaten
Serge Devant - Hush Hush EP

US talent Serge Devant makes a welcome return to Crosstown Rebels in July with the three-track Hush Hush EP. Damian Lazarus’ flagship label is familiar territory for the NYC talent, where he’s made several acclaimed appearances since 2015.

Flashback feat. Forrest gets the show underway, as soft kicks live beside pulsing synth tones and Forrest’s echoing vocals throughout. There’s a soothing feel to the piece, making it well-built for both sunrise and sunset moments, whilst still retaining enough oomph to make it perfect dancefloor material. Hot Circuit comes next, taking the form of an out-and-out club-cut packed full of low-slung, Ibiza-ready groove, whilst Hush Hush continues in a similarly punchy vein to round off the EP on a techy note.

Serge Devant has an esteemed reputation in today’s dance music industry, from playing at DC-10 to his music turning the heads of Jamie Jones and Damian Lazarus, his talent speaks for itself. Emerald City, Knee Deep In Sound and Circus Recordings are just a few of the labels he’s released on, whilst performances for international brands such as Day Zero, Music On, Get Lost and Paradise prove his standing as a globally-revered DJ and producer.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.


Last In: vor 11 Monaten
Lemonheads - Lick Lp

Lemonheads

Lick Lp

12inchFIRELP258
Fire Records
16.09.2022

Repress!

Note - Sleeve says contains a bonus CD, these represses do not have a bonus CD, they have a download card.

Fire Records will be reissuing the first 3 albums by the Lemonheads, Hate Your Friends (1987), Creator (1988) and Lick (1989), featuring copious bonus tracks and many never-before released rarities and live recordings on the download card. Together, these seminal albums showcase the band's early punk rock roots and trace the Lemonheads’ transformation towards becoming one of the most successful and influential bands in indie rock. Before the 90s. Before the internet. Before Nevermind. Back when something called “independent music” first began reaching a wider audience, through college radio, word-of-mouth, and that small “underground” record store you seem to find in every town…there was a band from Boston called Lemonheads. High school friends Ben Deily and Evan Dando, Lemonheads’ primary songwriters, co-guitarists and co-vocalists, first recorded together on 4-track cassette in the spring of 1985; by the end of the decade they—together with bass player Jesse Peretz, sometimes-guitarist Corey Brennan, and successive drummers Doug Trachten and John P. Strohm—had created a body of recordings which would see them on MTV’s fledgling “120 Minutes,” beating out the Grateful Dead on college radio charts, and entering the consciousness of a generation of music fans. Cited as influences by artists as varied as Billie Joe Armstrong and Ryan Adams, these fledgling Lemonheads recordings—part rock, part pop, part unique hybrid of the 80s punk styles beloved by the band members—mark the start of the trajectory that would eventually lead to “mainstream” success and stardom for a later version of the band. But they also represent a distinct, never-repeated phase of the band’s history: one that is finally receiving the attention it deserves. Lick is the third full-length album by the Lemonheads, and the last to feature founding member Ben Deily. It was the group's last independent label-released album before signing to major label Atlantic. An odd mixture of brand-new, and considerably older, sounds, 1989’s Lick brings together the output of several distinct recording sources: six brand new songs recorded with Minneapolis-based band friend and producer Terry Katzman, and a collection of older, B-side and never-released material originally overseen by producer and engineer Tom Hamilton. The difficulties of writing and creating a new full-length album every year (Hate Your Friends and Creator were released in 1987 and 1988, respectively) are clearly in evidence on Lick. While the newest material (“Mallo Cup,” “A Circle of One,” “7 Powers,” “Anyway”) hints at promising new song writing directions for both Deily and Dando, there’s an almost valedictory sense of the past in the inclusion of versions of “Glad I Don’t Know” and “I Am a Rabbit” (from the band’s first-ever, self-released EP), and the now-classic track “Ever,” a previously-unreleased tune from the original 1986 Hate Your Friends sessions. At moments, Lick almost sounds like an elegy for itself—or an elegy for a band that has reached the end of the beginning. Also audible in the heterogeneous songs are the tensions of line-up changes—and inchoate, growing frustrations. After various band break-ups or threatened break ups (such as Dando’s brief departure to play bass for Boston band the Blake Babies), the Lemonheads convened to record new material for Lick now featured Dando on drums, Peretz on bass, Deily on guitar (and “piano,” according to the album credits) along with the addition of long-time band friend—and former member of TAANG! labelmates Bullet LaVolta—Corey Loog Brennan on lead guitar. And yet the frenzied, quasi-ironic hammer-ons of Corey’s axe provide some of Lick’s most entertaining moments—like the unaccountably-translated-into-Italian paen to 70s detective Ironside, “Cazzo Di Ferro.” (The song’s music was originally composed by Brennan for his Italian punk band, Superfetazione.) After the album’s completion, Deily opted out of the subsequent European tour, before leaving the band permanently. Jesse Peretz stayed on to record their Atlantic records debut Lovey, but left after the supporting tour in '91. Since then, Dando has been the Lemonheads' sole permanent member. BONUS TRACKS: Features bonus tracks including several never-before-released live tracks from a 1987 radio session, live tracks and an interview from the 1989 European tour, and the 4 tracks of the Lemonheads self-released debut EP, Laughing all the way to the cleaners.

vorbestellen16.09.2022

erscheint voraussichtlich am 16.09.2022

Oberst & Buchner - Marble Arch 2x12"

Grey Marbled Vinyl

Clear water hits the surface of a grainy ball. The stream slowly dissolves and flows down the spherical structure until it finally drops on a candle. The flame extinguishes; fragile streaks of smoke ascend until they hit the rough surface of the colossal globe again.
The cover art to Marble Arch, the second long-player of Vienna- and Berlin-based artists Oberst & Buchner, depicts masterly the dramatic juxtapositions the musicians have always been reflecting in their musical outcome.
The massive density of a giant sound wall is contrasted by spacious openness. Fragile sonic details are sparkling out of colossal pitch-black clouds. The songs are filled with gentle warmth and cold roughness, bright digital clarity and deep analogue crackle, ranging in style from pulsating dark-disco over classic pop to experimental ambient.
The duo's two-week artist residency in a 250-year-old house, located in the mystic landscape of the Bavarian woods set this specific mood for the 10-track album which became a mixture of electronic synthesis, organic instrumentals and field recordings. Heavy-weight basslines in combination with bitter-sweet orchestral instrumentation and the minutiae of precise percussion recordings and drum programming are the characteristics that formed the sound of Marble Arch.
Oberst & Buchner's way to deal with tension is in how they compose their song structures as extreme arcs of suspense in a near classical manner. Their intense dynamic arrangements always alternate between rise and explosion or implosion and fall. This way the compositions pick up the motive of creation and destruction throughout the long-player in the same way as the cover-art.
Taken together, all these fragments form the duo`s signature cinematic articulation of dramatic slowed down club music and moments of surprise.

BIO
Oberst & Buchner are two friends and musicians living in Vienna and Berlin. They look back on a mutual musical journey that is as rich in variety as it is more then 15 years long. For one thing, countless high-energy DJ sets in clubs and at festivals all over Europe in recent years have earned them a reputation as a dynamic duo infernale. At the same time, their own productions draw from the full palette of moods and emotions.
Boiled down to the very essence, there's one common denominator running through the duo's musical works: colossally massive elements are masterfully set against a shimmering backdrop of incredibly detailed layers. Each so full of subtle suspense that they feel like the first raindrops before a monstrous thunderstorm. You can literally hear the calm before the storm in every break they build up, then feel the force of the wind in your face when it hits you.
Ranging from pulsating electronica over slow organic sounds derived from both nature and acoustic instruments to deep dance pop ballads, their songs are full of suspense and packed with drama. In their productions, the two friends conjure up soundscapes that are extremely dense and at the same time infinitely open and spacious. Within this framework, they play with stark contrasts of antithetic elements: repetition and improvisation, functionality and emotions, emptiness and overload, clarity and crackling.

nicht am Lager

Bestelle jetzt und wir bestellen den Artikel für dich beim Lieferanten.


Last In: vor 2 Jahren
TERRI LYNE CARRINGTON - NEW STANDARDS VOL. 1 LP (2x12")

Terri Lyne Carrington is a three time Grammy Award winning contemporary virtuoso jazz drummer and composer. Known for her long association with Herbie Hancock, Carrington has worked with Dizzy Gillespie, Stan Getz, Clark Terry, Wayne Shorter, Lester Bowie, and Pharaoh Sanders. She has been outspoken in the political nature of her work, addressing racism, political protest, and gender discrimination throughout her work.

vorbestellen16.09.2022

erscheint voraussichtlich am 16.09.2022

Arma X - Violento Ritual

Arma X burst onto the hardcore scene in 2019 with a demo that made people take notice from day one, seemingly coming out of nowhere, along with a whole host of new bands from Madrid. Taking the best of heavy hardcore styles, whether it’s Cleveland Straight Edge or NYHC Beatdown, Arma X are making it their own with tunes breathing new life into the genre in their debut album, Violento Ritual. Not for the faint of heart, the band are also redefining just how many dive bombs and breakdowns you can have in one song thanks to guitarists Yoshi and Rodri, and we are here for it! Vocalist Leo sings in Spanish, because there will be no appeasing to the English speaking hardcore masses here and rightly so. The result is vocals that just get taken to another level, delivered with Leo’s huge rasping voice not too dissimilar to Integrity’s Dwid, commanding over what sounds like a straight up war zone. Lyrically Arma X rock about the Straight Edge, naturally, as a true form of outsider behaviour within punk and also dark moments of anger in one’s personal life through occult imagery. Meanwhile drummer Tania and bassist Iker waste no time in pummelling out beats you want to smash heads to in the pit. The group are all hard working members of the Madrid hardcore community keeping their local scene vibrant and inclusive for all, reflected in the band themselves. Thanks to that hard work, along with many others from this new generation, the Madrid scene has been growing from strength to strength for the past 3 years. Arma X are part of this new wave of bands and DIY ethic that is selling out local only shows and making a community that stands strong. XXX. For Fans of Bulldoze, Confront, Integrity, Merauder. Genre: Alternative / Punk & Hardcore

vorbestellen16.09.2022

erscheint voraussichtlich am 16.09.2022

Location Services with Derek Hunter Wilson - Wake

Ryuichi Sakamoto, Daniel Lanois, Loscil, K Leimer, Deaf Center, Tangerine Dream, Arvo Pärt Wake is a distillation and reflection of the work of three Portland musicians thrown, like the rest of the world, into forced isolation by the continually-mutating curse of a natural world in disequilibrium. The product of involuntarily inward-looking emotional landscapes, Wake emerged sounding surprisingly expansive and confident. The trio uses a variety of instruments –including harp, fretless bass, piano, and a variety of synthesizers– to conjure sparkling panoramas of the imagination that are deep-pooled and impressionistic, bracing yet comforting. Mike Grabarak and Joshua Ward have performed together for years as a duo under the moniker of Location Services, while Derek Hunter Wilson has primarily worked as a solo composer in the classical realm. For the Points Of No Return compilation, Beacon Sound's 50th release and a benefit for the Beirut Musicians Fund, they recorded a collaborative piece entitled "Interdependence In Solitude" that was so promising the label offered to release an album if they continued down the path they had started upon. The resulting eight songs are simply mesmerizing. Made during a period of change and upheaval in the world and society where many people were disconnected from others, the album is the product of a collage-like dialogue built on trust and patience. While the musicians couldn’t physically be together for much of this time, they began sending musical ideas to one another in a conversational back-and-forth that acted as an anchor of stability – something they found they could turn to and depend on when things felt uncertain elsewhere. This comfort zone led to some transcendent moments of experimentation. “Delicate Need”, for example, features recordings of exaggerated pizzicato that were sampled and then run back through processing effects, which were then subsequently performed live over the original track. As things became less risky on the Covid front, they would occasionally meet for backyard rehearsals. Indeed, a recording of one of these rehearsals became the basis for the opening track “Photo Aware”. Wake will be available later this summer as a limited edition LP, with design work by Berlin-based Studio Bernhardt. The cover painting was created by Portland artist Nate Ethington. Highlights: – Derek was invited by the artist Gregory Euclide (Bon Iver, Erased Tapes) to participate in his label project, Thesis, along with artists such as Benoit Pioulard, Loscil, and Julianna Barwick. – Derek‘s first and second albums as a solo artist were released by Beacon Sound (Travelogue, 2017; Steel, Wood, & Air, 2019). – Location Services likewise released their 2019 album Reincorporate on the label. – The artists plan to tour together in 2023. Cascadia release shows TBA. Bios: Location Services is the Portland-based project of multi-instrumentalist Mike Grabarek (Magic Fades) and harpist Joshua Ward. They’ve released music on Beacon Sound and Beer On The Rug. They perform both written and improvised music. Derek Hunter Wilson is a composer and multi-instrumentalist based in Portland. He has released two solo albums on Beacon Sound and has also collaborated with visual artist Gregory Euclide for his Thesis Project label, resulting in a split 10" with Spanish musician Rauelsson. He has additionally collaborated with poets Zachary Schomburg and Brandi Katherine Herrera for several sound and performance pieces. He has performed live on the West Coast and in Berlin, sharing the stage with artists such as Colleen, Amulets, and Liima.

vorbestellen16.09.2022

erscheint voraussichtlich am 16.09.2022

Ben Auld - Lemongrass

Ben Auld

Lemongrass

12inchLPEL216
EARTH LIBRARIES
16.09.2022

Ben Auld writes songs whose heartbreak and wonder reveal themselves
moments after the warmth of their beauty sinks in, like slipping into the
ocean on a bronzy morning
Whether he's singing about bookstores and porches or ghosts and space
stations, the Bristol, UK-based singer-songwriter imbues his straight-to-tape gems
with a radiant AM pop warmth. And on Lemongrass, due ia Earth Libraries, that
comfy songwriting crackles and pops somewhere between Roger McGuinn and
Gram Parsons. Auld's debut record brims with homespun charm, dazzling
melodies, and lyrics that burrow deep into the heart.
Throughout the album, the immaculately arranged compositions provide the
perfect frame for smooth and rosiny vocals. Utilizing a series of reel-to-reel tape
machines, Auld chose to meticulously stack his instrumentation rather than
simplify; some songs have dozens of instrumental tracks, all assembled on tape.
"I'd record three tracks, bounce that over, and then record another three. I did it
alone and it took a long time to figure out what was possible," he says. "I went
through two four- track recorders, an 8- track 1/2" reel- to- reel, and finished the
album on a TASCAM 388. One of the biggest challenges of the album was fixing
all the broken old gear."
With each new listen, Lemongrass becomes a fonder friend, Auld's heart-on-hissleeve lyricism and intimate songwriting building a deeper nest. "The time is
ours/ Our time is now," he insists on the psychedelic wonder of "Our Time Is
Now", more certain and wide-eyed than urgent. Through first love and heartbreak,
dawns and apocalypses, Lemongrass keeps turning, collecting flickers of astral
bliss with each rotation, Auld's thumping heartbeat at the core.

vorbestellen16.09.2022

erscheint voraussichtlich am 16.09.2022

Disco Doom - Mt. Surreal

"It's the same as it ever was," Disco Doom sing on the opening - and title -
track of their brand new album Mt Surreal – but it's a lyric that never quite
rings true
While there's definitely a path from these eight new songs to the hearts and
minds of those waiting to hear them, it's never linear, never as straightforward as
just putting one foot in front of the other. Disco Doom is, as always, led by the
band's core of Anita Rufer and Gabriele De Mario, and the pair began working on a
new album back in 2018, with the final version we hear today worked on from
2019 until late 2021, the story taking many twists and turns along the way.
Releasing music together for some twenty years, such longevity has earned the
band a legendary status in Switzerland, as well as a reputation for making
incredibly forward- thinking rock music. Since the release of 2014's "Numerals",
the Zurich- based band have toured the EU/ UK with both Built To Spill and The
Breeders, had their music featured in the end credits of HBO's Animals, and have
also released a critically acclaimed album under their J&L Defer alter-ego.
True to its name, Mt. Surreal is truly that – a strange and peculiar journey that'll
wrap you up deep inside its intoxicating world, where lyrics leap out at odd
moments, where a hook grabs just when the whole thing threatens to combust.
"Mt. Surreal is a feeling we can't describe properly and one that's constantly
changing. It is a longing for what we can not yet describe," the band say of the
new album.

vorbestellen16.09.2022

erscheint voraussichtlich am 16.09.2022

Neighbor Lady - For The Birds

Neighbor Lady

For The Birds

12inchLPPTV116C
Park the Van
16.09.2022
auch erhältlich

Black Vinyl


On new record For The Birds, Atlanta-based Neighbor Lady expand the
boundaries of their country-kissed indie rock sound to encompass an
elegant style of lush and textural guitar pop sprinkled with, as songwriter
and vocalist Emily Braden puts it, with "reverb and magic
" Full of gorgeous top- line melodies, spirited rock hooks, and Braden's richly
emotive vocals (and plenty of twang), For The Birds takes a kaleidoscopic
approach to genre. The record features everything from catchy alternative
("Penny Pick It Up") and starry- eyed country ("I'm With You") to straightforward
indie rock ("Scared") and ambient- indebted otherworldly pop ("Haunted").
Neighbor Lady began as Braden's solo project, but is now a four-piece consisting
of Braden, guitarist Jack Blauvelt, bassist Payton Collier, and drummer Andrew
McFarland. The band recorded For The Birds with Jason Kingsland (Kaiser Chiefs,
Band of Horses, Belle & Sebastian) at Diamond Street Studios in Atlanta and it
was mixed by Noah Georgeson (Andy Shauf, Cate Le Bon, Devendra Banhart,
Joanna Newsom.) Though For The Birds is hallmarked by big sonic flourishes
and brave moments of experimentation, the overall feeling is one of intimacy —
four people in a room, making music together; fitting for a group of musicians
who say they feel less like a band and more like a family. "This record came out of
a lot of love and hard work and us caring so much about the music and each
other," says Braden. "And that's pretty much what we're about."

vorbestellen16.09.2022

erscheint voraussichtlich am 16.09.2022

Artikel pro Seite:
N/ABPM
Vinyl