Double vinyl re-issue of the classic Lord Echo debut. Features the huge single - the cover of the classic Sister Sledge track'Thinking Of You'. Available for the frst tme on general release outside Japan. Look out for the brand new album Harmonies from Lord Echo - part 3 in the trilogy
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One year after its original release, the Placid Angles album Touch The Earth is being remixed by an impressive array of artists from the extended Figure family. With John Beltran being a distinct voice within the electronic music scene for over thirty years now, Figure is thrilled to reveal a whole LP’s worth of reinterpretations, including two works by the original artist himself.
Opening up is Marcel Dettmann, who seamlessly has integrated the lush soundscapes of the original album into a beat-driven but equally serene journey. Picking up on the LP’s underlying dark garage tropes, Planet Mu headmaster M-ziq infuses his rework with even more rolling drums and ethereal vocal chops. The also inherent IDM roots of Touch The Earth have been kept close by Warp-veterans Plaid who deliver a shuffling flurry full of horns, synths and syncopated rhythms. More straightforward interpretations include Dauwd’s dazzling piece of feathery, fast, atmospheric techno; a gorgeous melodic house remix by Baltra and Cassy who turns in a rigid UK stomper.
Amidst all the reworks, John Beltran himself makes two appearances across the record. As Placid Angles he adds another heads-down percussive/ambient swirl, which represents exactly what the producer has been hailed for since more than three decades now. His own remix finishes the record on an epic note, with an organic drum track that celebrates life and the necessity for communal gathering in order to dance.
Beltran’s own additions to this LP are like the essential glue that makes it all bind together, forging the old and the new into something equally exciting as already intimately familar.
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We have some very exciting news to share with you. Greyscale is launching a new series for its label and its named the Exposure Series! We are happy to say that many of these Exposure releases will be released on vinyl as well.
To debut this new endeavour we have a four track compilation called "Radiant Energy". Marco Cassanelli is the first artist and his track 'Camden Town' has a pure classic dub techno sound to it. Long delayed chords lull you into a peaceful mid-set trance while the beat is sure to move your body. Sibling's 'Valhalla' rises from the depths with a fantastic bassline and metallic spheres drenched in echo. A heady and busy track that really makes you take notice.
On the second side is 'Evolution' by Federsen and it has a more traditional dub approach. The groove is addictive here. Sounds dip and swell in a master class of subliminalism. Genning's 'Q.3' closes out the first Exposure Series EP with a more modern approach. Pure floorfiller here! This track covers you with a nostalgic euphoric feel while maintaining that deep underground sound.
We are excited for you to take this new journey with us! Welcome to the Exposure series!
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Leon & Marius The Duo Who Form Das Carma Hail From Stuttgart, Germany.
The Pair Have Been On A Steady Rise Pushing Their Irresistible House Grooves Since Their rst Release As Part Of 124 Recordings Va Back In 2016. Since Then They Have Gone On To Release On Other Esteemed House Labels Such As Rough Recordings, Borg And Newly Formed Esouh Music.
2019 See's The Pair Land On Strctr, A Label With A Reputation For Delivering That Sweet House Music And Das Carma Are In Good Company Here With Previous Artists Such As Manooz, Harrison Bdp & Liam Geddes On The Label. Even The Title Of The Ep Shows The Fondness Between Label & Producers : Str -> Mrs (airport Codes Stands For Stuttgart, Germany From Where The Producers Come From And Marseille, France Where The Label Is Based).
Delivering A 4 Track Ep Of Original Productions Das Carma Show That Sometimes A ashy Remixer Is Simply Not Needed. Liftoff Cloud 9 Opens The Ep With A Warm oating Dreamlike Track, Ebbing And Weaving Beautifully Throughout The Course Of The Track. Larry & Frankie And Subnautica Keep The Subtle Refrains Of The Opener But Bring The Funk Slightly More With Bump-in Garage Drums Turning These Tracks Into Feel Good Lo- Burners.
Closing Out The Ep Is Dub101, Here The Guys Waste No Time In Making The Tracks Intentions Felt, Skippy House Drums And A Big Old Slice Of Call & Response From Some Heavy Hitting Dub Chords - Peak Time Tackle. Here's What The Boys Had To Say About The Release: from Our Perspective This Record Brings Almost Everything Which We Stand For As A Producer Duo. Spreading Happiness, Making People Dance And Do Music As We Want It To Be Are Our Goals And We Might Have Achieved Those Targets From Our Point Of View. Nonetheless, This Record Also Works While Just Relaxing At Home To Enjoy Music. We're Very Proud To Work With Strctr And We're Curious About The Resonance Of Our Beloved Community! ' Set For Vinyl & Digital Release In April 2019 And With Only 300 Records Cut, Don't Sleep On This One!
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This record is named after Vedyanta, an ancient philosophy based on the Vedas, the sacred scriptures of India. The music, originally composed and produced by Joseph S Joyce and later remixed by Sebastian Mullaert of Minilogue, was greatly inspired, after reading commentaries from Swami Rama Tirtha's biography "The Scientist & Mahatma" - Chapter 1 - Vedanta and The Secret of Success. Now, some nine years later, it gets served up as a remix EP.
There's a dark El Choop Reconstruct, a gorgeous ambient version from Sebastian Mullaert, a minimal headscape from Van Bonn, Federson SF goes warm and dubby and then a crisp, tech-edged vibe from Paul 90 ends the EP in style.
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The new reference of INDUSTRIAS MEKANIKAS is signed by another great artist of the electro scene, KONERYTMI is who gives name to the seventh reference of the Madrid label, which continues betting on this new release by sounds to the purest electro.
Voimalaitos EP is the title of this new work of KONERYTMI, where he prints all his character in 6 tracks that will shake the dance floors, broken bases and dark bass lines that will hypnotize you and will not let you stop dancing.
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Erol Engintalay's Monomotion project is back with a thrilling new collection of tunes. Sides is an energizing and iridescent trip down the echoing, cavernous halls of dub techno, instantly conjuring the
type of late nights and dark, crowded rooms that this music is meant to soundtrack. His first release in three years, Engintalay showcases a new set of talents on Sides, an affirmation of this special artist’s
stylistic versatility as well as a gesture towards what’s to come from him.
Sides follows 2019’s Fujisan, which captured Engintalay’s capability for crafting shimmering, gorgeous tapestries of electronic music. This time around, he’s turned towards his love of four-to-thefloor dance music—a stylistic shift inspired by time spent DJing in Paris last summer. “I wanted to get back to my origins,” he says while talking about the new sonic direction, exclaiming a sentiment
shared by dance fans the world over: “I missed playing clubs and DJing!” “It brought me back to why I wanted to make music to begin with,” Engintalay reflects on a particular
experience of spinning atop a Parisian terrace. “I wanted to bring the club back to my compositions.” After years of working with the famed Fruity Loops software, he switched to Ableton Live and
discovered a whole new array of sounds within the production software that unlocked previously unknown potential in his music.
Indeed, the title of Sides is a gesture towards Engintalay’s boundless sense of discovery when it comes to creating in the studio. “I can do a lot of different styles, I’m very versatile,” he explains.
“Right now, I’m into club music, which is the music I love. I still hold the groove and the rhythm close to my heart.”
“Mirage” percolates with the effervescence of classic Kompakt material, while the rubbery rhythms that course through “Echoes” are utterly entrancing—and then there’s the huge-sounding title track,
which patiently builds over nearly eight minutes to a purely ecstatic peak. “It’s a banger of a track,” Engintalay marvels while talking about the song. “I imagine it being played at a warehouse with tons
of people and sweating walls. It brings me a massive feeling.”
And bringing that massive feeling is what Sides is all about, as Engintalay explains that exercising these new creative muscles might sound different, but in the end it’s all about his own personal love
of exploring new worlds of sound. “I love to make different kinds of music, and with this project my approach hasn’t changed—I’m just doing what I love,” he says, and when it comes to Sides, you’ll
find his enthusiasm contagious as a listener.
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San Francisco is most often associated with the cartoon sounds of DirtyBird when it comes to electronic music but Federsen offers up some deliciously deep dub techno here. He joins the Lempuyang stable and brings with him plenty of fine Maurizio influences from the off: 'Rotation' is all grainy pads and lo-fi drum loops , 'Noir' has a more silky and minimal tech house feel and 'Expiravit' brings a classic dub sound. The closing track 'Aeon' is perfect for late night smoking sessions.
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Continuing the theme of community collaboration sparked by Hodge and Simo Cell’s recent 12”, Livity Sound presents the first joint works by Azu Tiwaline and Al Wootton. While they come from distinct settings (Azu in the Tunisian desert, Al in London’s urban sprawl), their music shares a similar affinity for intricate percussion and dub-informed space.
The four tracks on LIVITY052 deal in a variety of rhythms and tempos, veering from the propulsive intensity of ‘Blue Dub’ to the sparse, skipping 2-step framework of ‘Light Transmission’. Azu and Al’s refined, detailed approach blurs the lines between electronic sound design and earthy sonics, resulting in dynamic drum tracks loaded with weighty atmospherics and unrelenting tension.
Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.
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The sublime music of Kaoro Inoue is the subject of this essential new compilation on Mysticisms. Inoue describes himself as an "extreme music lover" and has been for more than 30 years. His Chari Chari alias is all about self-expression and the music here has previously only been available digitally. It fuses ambient, house and techno soundscapes across four sides of vinyl with a deeply spiritual outlook and soul-soothing sound. Organic percussion, traditional instruments and new age moods all colour the deeply enticing grooves.
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Pretty ironic given its name, but the Rhythm Method has proved to be a highly fertile series for Steve O'Sullivan's Mosaic label, what with this being the sixth instalment. On the A-side, O'Sullivan joins forces with Reformed Society for the gorgeously light touch techno workout 'Distant Voices', where snippets of voices and tinkling keys pepper what at first appears to be a sparse set foundations but over time reveals itself to be packed with tiny detail. On the B-side we get the dreamier 'Deep Drifting' by Rico Sante, where clouds of soft synths blow gently over an understated dub techno groove. Both are great.
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Black White Splatter Vinyl
When two musicians intensively work together for a period of time, at some point the whole becomes greater than the sum of its parts. If Paul Boex and Dave Miller hadn't already reached that status under their Abstract Division moniker, they certainly have now, with the release of Midnight Ensemble, their first full length album.
Those who have followed the duo since their early days of playing dj-sets together, know that it's hard to define their style anywhere beyond techno or even electronic music, as it is ever evolving and always dependent on the time of the day or night. When listening to this album, the resemblance between their unpredictable selection behind the decks and the eclectic range of subgenres on this album is more obvious than ever before. Midnight Ensemble could be interpreted as an ode to nightlife; a reminiscence of all that happens between dusk and dawn, captured and compressed into about one hour of music. An hour in which they so delicately time their changing of styles and tempos, always reading the room and always being one step ahead of the crowd.
This album is a reflection of that skill, starting its journey with soothing, moodsetting ambient, followed by timeless pieces of Detroit and dubtechno. A daring electro cut providing a refreshing break from the four to the floor tradition, only to be followed by the stripped down sound the duo is so comfortable with.
The final minutes consist of experimental breaks, one last banger to pull out the last bits of energy that is left and a beautiful outro, which concludes the allnighter vibe. There are no open endings, it doesn't make you want to stay in the dark forever. Rather it makes you want to close your eyes one last time before walking outside to see the sun come up again before going home, overwhelmed and satisfied.
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The first composition opens up with a dub tech micro rhythm which evolves gradually along with heavenly like vocal atmospheres. A little riff modulates along with the hypnotic synthtopia and chord stabs vibrate as they are washed over by their dub echoes. In the second track the raspy atmospheric pads and bouncy dubtech prepare us for a tour in the depths of dextrous tape echo tweaking. Empty land, misty air and a calm atmo which becomes entangled through live fx manipulation, are the gist of a deep listening experience. Track 3 is an audio pool of dreamesque digitalia. Slomo dub and nostalgic melodies evaporate in the deep jungle of the tropics. The locked dub groove which dominates track 4 takes us on a journey into a spiral of dark vibrations and tense echo manipulation. On the whole, Normal Stage delivers a playfull, imrpovised yet profound and structured body of work which are traits of his unique sound signature. Time becomes space, sounds, accidents and tape hiss.
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Remastered Vinyl re-issue of the 1994 double album by experimental electronica group The Future Sound of London. With time, it has become their best-known album and is considered to be an important and influential classic of avant-garde electronic music.
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Best Effort dives deeper into the archives of Anthony Maher (Sheriff Lindo) and Andrew Armstrong aka Nutcase & Papachubba. Reissued as a 7 inch, these two tracks see the duo blending their diverse range of shared influences, stepping outside of the Drum & Bass and Jungle blueprint that they carved out for themselves for their singular full-length release, ‘Flex’.
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Twelve years since Brendon Moeller first appeared on Delsin's Ann Aimee offshoot it's time for a welcome return to Delsin Records. The prolific producer, also active as Echologist and Beat Pharmacy, hereby presents one of his most deep going, spaced out and experimental modular works to date. Crispy noodling electronics diluted with Moeller's trademark minimalist dub scapes, reaching from the mesmerizing the rubbery basslines of 'Route' to the energizing fast paced rhythms of 'Motor'.
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The inception of 49North marks the beginning of a brand new era for Duncan Forbes; who most emphatically made his mark on the WW scene as one half of legendary duo - Spooky - alongside Charlie May; releasing a string of landmark singles and albums over 3 decades, not to mention timeless remix / production work for International heavyweights like Depeche Mode, M83, Sasha, William Orbit, Mr.G and Apparat.
A1: ‘Strobe Dancer’
“Duncan Forbes’ maiden solo voyage and first ever release on recently birthed imprint, 49North - 'Strobe Dancer' is 9+ minutes of exquisitely-paced, hypnotic dance-floor drama. Sitting somewhere between Deep, Acid House and Slo-mo, Dub Techno - Duncan's opening effort is a wickedly brooding, yet seductive joy to behold.”
B1: ‘Continental Drift’
“After the hypno-House stylings of 'Strobe Dancer' - Duncan takes us to another far-flung corner of his scopic, creative spectrum - via the fittingly titled, ‘Continental Drift’; a pitched-down, acid-glazed slice of mesmeric, widescreen Electronica.”
B2: ‘In The Mansion Of The Gods’
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Bygone, a 5 track exhilaration scripted by Chontane, immerses dancefloor devoted tracks in a rhythm driven yet melodic display. While intertwining wide-angle atmospherics and razor-sharp percussion, Chontane is able to make a reflection on today’s multifaceted, ever-evolving techno sound.
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Aubrey has always brought a detailed sense of sound design to his heavy techno. The Berlin-based artist does that again here on a first EP on his own Solid Groveos since 2016.
Two tracks delve into his archives to come up with some rare and obscure jams from the 90s. One is 'Lose Yourself' - a bright and cosmic take on techno that prime-era Derrick May would be proud of then the other, 'Breaking Out', offers golden US-style house with nice frayed synths and smoky depths. Two new cuts are 'Chase Mind' - a cavernous and dubby, with whimsical pads and unrelenting bass locking you in a trance, then 'Mr Muscle', a twisted acid techno closer that completes a varied and vital EP.
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by the time sewer sender had their inaugural appointment, nokato nomer found his way to the assembly right as remnants from the pulsing waste conformed. with SSNDR002 we make acquaintance with nokato nomer who establish his granular sound with a clear vision. A1 is a steady paced roller with a primary chord that resonates throughout the entire release. A2 expands this notion by widening the soundscape and opens up for an introspective passage while B1 finds it's way home with a long running dub version of A1 the flip side.
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Two years since his Going For It EP, Livity Sound is pleased to welcome back Sydney’s DJ Plead for a second round of versatile, psychedelic club variations. Since debuting around 2018 Plead has forged a distinctive sound which focuses on inventive use of percussion and elegant melodic hooks that draw lines between global dance music cultures without adhering to any fixed formula.
From the carnival futurism of lead track ‘Come Quick’ to the infectious reggaeton lilt and understated trance synths of ‘El Es’, Plead presents a sound as playful as it is serious, predominantly exploring the 100 bpm tempo range. Shaped out by acutely angled rhythms, shifting time signatures and bold licks, Quick EP further establishes him as a vital, individual talent with the kind of flexible club tracks that bend between scenes and inject vibrant energy into the dance.
Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.
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BRUCE, K-LONE, RHYTHMIC THEORY AND GLANCES line-up on this tearing 12" comp. TIP!
The 12" brings these four artists who have close ties to Chris Farrell’s Bristol based label and shop.
Bruce with a contemplative dancefloor dub in tribute to Alex T, esteemed Leeds record shop worker and DJ - sadly taken from us too young.
K-LONE delivers a subtle and subby house roller.
Rhythmic Theory makes a final appearance with a bumpy and bassy techno track.
Glances bring a deft funkiness to the broken techno sound.
This is the end of a chapter. The last Idle Hands release for the time being. The shop continues and new projects beckon.
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Parallel Minds returns after a two-year hiatus with a dub-infested celestial dance debut from a promising Toronto-based producer, record-slinger, and long-time DIY scene mainstay, Ficilio
Ficilio, a.k.a. Will Gillespie and the Parallel Minds crew have enjoyed a long musical friendship. Having met at various underground raves in Toronto, it wasn't long before they found themselves on the same lineups and began trading tunes post-show. When label co-founder Ciel first heard the tunes that would eventually end up on Parallel Minds 003, she was mesmerised by the deep, misty grooves present throughout. 'Dangerous Goods' is the creation of an artist with a super dialed-in sound, whose attention to detail, cohesion, and sound design suggest experience wise-beyond-their-years.
‘Rush-V’ begins the release with a shimmery bang, propelled by infectious chord stabs that sound like they're sprinkled with alien fairy dust and grounded by a driving and subby drum groove. 'Fluid Form' continues in this trajectory, all spacey synths and dubbed out stabs propped up by tough and bouncy drums and a deep low sub. There is an unmistakable 90s influence on these tracks, halfway between old Swayzak and the early 90s output of Dutch label ESP Records. Ficilio is not afraid to flirt with dub techno AND trance influences, which is most discernible on the last track on the A-side, the sublime 'UAM'.
In comparison to the other side, the B-side is a more sub-loaded affair. The drums on this side are less driving and more broken, chopped, and staggered. They work spectacularly on the title track, its vocal chops complement the low-slung groove of the drums to a hypnotic head-nodding effect. 'Second Fold' intrigues immediately with its unusual tempo, fluttering along in a leisurely way until these enchanted synth stabs come in and the track blooms like a beautiful flower. The release comes to a Zen-like close on 'Frame (Amber Mix)', the heavy sub and sparse arpeggiated loops draw us deep within its cavernous interiors.
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Vertere Berlin is a contemporary fashion brand and party collective founded by a group of local DJs and designers. It was founded in 2017 and since then rose to international attention for their club-ready streetwear and their fashion collabos with DJs and labels like Jennifer Cardini, Disco Halal, DUAT Records to name a few. Vertere Berlin also made a name for themselve for their hyped party series “Strictly Dancefloor Business” - hosting artists like Roza Terenzi, Narciss, DJ Fuckoff, Boris, Heap as well as their resident DJs.
As a logical next step Vertere Berlin is now launching their music label Vertere Berlin Records.
The first release is by label founder Uli Hasselmann aka Basic Instinct. Basic Instinct’s DJ sets represent a hypnotic and atmospheric dub-house sound. This is also reflected in this release. “Angel Dust” is an elegant and moody house track - enriched with a stab-led groove and a haunting vocal. “Feel It” is dubby and sexy prime-time track. Seducing vocal cuts are joined by a
warm analogue lead line.
The EP also includes two stunning remixes by VRIL and Narciss.
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prime time dubby techno for mind, body, and soul. vinyl only.
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Across 6 tracks the Noods Radio resident Gareth Psaltis AKA Barking merges dub, ambient and menacing downtempo.
Having released on Deep Seeded and OpenTheNext, the Berlin-based producer returns to the label after his appearance on the A Call Too Close compilation.
Mastered by Alden Tyrell.
Edition of 200 copies.
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clear marbled vinyl + stamped sleeve
Urban Force is an alias of a really well-known Detroit techno producer and we are happy that we can release a 15 years old and lost dub techno track of him with a deep and dubby remix by youANDme.
Vinyl is cut with 45rpm and if you play it with 33rpm you will hear a special surprise.
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This first SECTOR Y release features several rare recordings of the Mizzurna incident, assembled here for your convenience. The end result is dense yet viscid. We hope you find this selection agreeable. Thank you for listening. Notes: BQJ-225(s) and Atmosphere 3(s)™ (a trademark of the revlux™ corporation) have been used extensively; configure your listening stations accordingly. All generators used in the production of this record operate on bio-friendly fuel and have been licensed by the FLAA (ref. HBB250040327)
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A beautifully produced collection of instrumental tracks by The Disciples' Russ Bell-Brown featuring 8 excursions in chill out, atmospheric downtempo and dubby breakbeat. Surely we wouldn't be surprised to hear some of these at a Cafe del Mar sunset session in Ibiza. The way these tracks build up over a gradient (sometimes up to 11 minutes long) from silence to mellowed out spacial trance was clearly not done with industry standards of any sort in mind, allowing the listener to dive deep into the takes of this uncompromising producer. The title Experiments couldn't be more appropriate. In his own words: “This is a collection of tracks recorded in the mid 90`s... not reggae but what i call my `experiments`... downtempo, electronic, ambient, ethnic, jazzy, funky, dubby.... whatever came into my mind.” Surgically re-mastered for vinyl by manmade mastering in Berlin.
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Pristine sci-fi manoeuvres across 4 killer tracks. Dark hypnotic electro ('radius') leads us into the reverb soaked space-house jack of 'further out'. Flip for the classic tech funk groove of 'blueshift' before closing with the remarkable 'final orbit', widescreen dub sonics with a sideways glance at the artcore days of DnB. Essential stuff from Dark Arts.
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