Yellow Vinyl
Second release of the Lost Canvas Series by Mystic & Quantum. London-based analogue whizz and deft ambient-scaper Timothy J. Fairplay has developed an unmatched knack for building evocatively spacious sci-fi scenery. Artwork by Fred Gambino (Guardians of the Galaxy, Cartoon Network LA, Warner Bros) Yellow Vinyl.
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Tresor Records celebrates the return of Psyk on its catalogue, with his new album 'A Moment Before'. This is Psyk's first long player since his debut "Time Foundation" on Luke Slater's Mote Evolver imprint.
The Spanish producer released his first single for Tresor, 'Works' , in 2015. Four years later, the production of 'A Moment Before' comes as natural progression, within the cosmos of the Berlin techno mothership for Psyk.
The album is undoubtedly Psyk's most advanced piece of work to date. It dialogs with practices in reduced forms of techno, as originated by artists like Robert Hood, through the recently re-released "Internal Empire" on Tresor.
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Some five years after re-launching his Crayon label via a fine EP of vintage "Tracks From The Vault", original 1990s tech-house producer Mark Ambrose serves up more gems from his bulging archives. The quality threshold remains dizzyingly high throughout. Check first "Nightshift (Deeper Mix)", where gentle, alien synth lines and deep space chords tumble down over a heavy analogue bassline and locked-in beats, before turning your attention to the slamming techno beats, looped electronics and mind-mangling TB-303 motifs of "Dusty Acid". Also impressive is "Space Animals", a deliciously dubbed-out affair rich in sub bass and drifting, deep space chords.
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Repress
Minimum Syndicat on the Hard stence... Bringing here a Rave banging sound, with an opening tune dedicated to the old school and sounding very Drop Bass Network ! Second tracks still sounds very new York with a loud Things To Come feeling... massive ! B sides groes Belgium with a superb reprise of the classic sample from.. from... uhm... don't remember from where:-/... Anj,d a very PCP bassline... Finally last track goes in an acid german 90's style... sounds like a Mayday anthem !!! BIG BIG record... probably the most successfull release from Tripalium ! ENJOY !
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With 25 years of mercurial electronics under his belt, it's a joy to welcome Edinburgh's Dave Paton for Dream Ticket's fourth release. This is a clear-cut case of big things coming in small packages: on the A, both slices of elegant pressure level up mid-track into their evolved forms; while on the B, Miami bass and Texan electro continually mutate into ever more extravagant versions of themselves. 2-for-1 never sounded so expensive.
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Inner atmos and next time – rain into rivers, rivers to rain.
Sequence is subjective, irrelevant – it’s where we stand. Out of order, we dissolve and reform, coming together to come undone. There is no first, no now, no next – just precision points in the wide deep sky.
Another bang, another – it’s the reading which is important. Repeating in parallel, the natural loop is healing; repair, resonance, return. We live in a fragment; soft light and clouds drift like dreams into memory, showing movement in the mirror.
“Here the performer becomes free like the playful clouds high above the world of pain, suffering, happiness, ecstasy, disappointment, greed and ambition of human life”
In this present, we are touched to have unreleased business from Memphis. In unlocking the stoic DAT tapes we open a direct channel from 1993 to this now; three tracks which are meditative, essential rhythm with direct, organic charge. It’s Dream Night Dance Music and Osram 509, with RHK, En-Trance, and Microgravity.
More poetry in remembering our first release was also Memphis. Big complex loops and inner paths. Who’s been here before? All of us, one of us, none of us.
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The elusive Berlin label MASK are back with another anonymous release featuring four
analogue driven tracks entitled ‘Cliff’.
Known for being purveyors of mysterious yet exquisite hardware induced tracks, MASK continue to
hold up their reputation following on from ‘Hunter’ that picked up support from the likes of Laurent
Garnier, Elena Colombi, Machine Woman, Anastasia Kristensen and DJ Deep. ‘Cliff’ involves four
people live jamming on analogue equipment in a Berlin based studio.
A1 begins with crunchy drums fused with revolving, modulated synths and obscure elements that are
soaked in acid flavours before the A2 focuses on an electro-tinged sequence in harmony with ominous
atmospherics and eccentric oscillations.
On the flip, sweeping pads balanced with intense kicks and washing synths take the focus on the B1
until the B2 rounds off this magical EP with wavering compositions, hard-hitting percussion and
unsettling sound design keeping the atmosphere intense yet truly absorbing.
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Open minded EP opening on a 145 BPM kicker, straight solid and heavy in da bass from Spered... Then comes Ludien with his mental light speed kicks hiding a secret little melodies full of beauty and nostagly... The flip opens with Ito and a solid mental crucher, loud basses and hypnotic hardcore kick. Kebrat finally comes with a broken 165 BPM hardtek tune. Hardfloor loudness ! Fat ! With anonymous style.
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Gold Vinyl
Exalt Records is proud to present Paul Hierophant’s new release which sets out to further explore the outer reaches of space. Part One of the Utopian Dystopias series, released in 2019 was a retrospective affair, cut through with the fear of the unknown as we went further to explore the outer reaches. Part Two however bubbles with the sound of possibility, with brooding breakbeats, space and bass. The spaceships return with positive news for the uncertain times ahead.
Paul Hierophant has a long history of involvement with the music scene, stretching back to the late 80’s, which has included record shop management, DJing, club nights and record label manager. Paul has a blistering live set ready to roll and releases slated on several key imprints this year, including more Hierophant Dubs on his own label Hierophant Records.
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This is the 5th release on RIOT Radio Records, an independent techno label based in Scotland.Here are 12 artists (The Horrorist, Paul Birken, Neil Landstrumm, Cannibal Cooking Club, Nomad, Durkit, Dez Williams, Martyn Hare, Cymbol, Binny, Morphamish and LADO) each with a wicked track for the first of many Sampler LP's on RIOT.It's named a sampler because it is just that, a sample of the various artists and forms of techno that can be heard on our fortnightly RIOT Radio Show and also of what's to come on the label from each of the artists featuring on the LP. That's because each artist appearing on this LP will be delivering you their own individual release on the label, with each one featuring brand new original tracks and additional solid remixes by various exceptionally talented artists. STAY TUNED ..........)
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The next chapter for Haŵs actualises itself in the form of Dawl’s ‘Break It Down’ EP, a warehouse-ready, bouncy and charismatic record channelling insatiable vigour from beginning to end.
‘Break It Down’ on the A-side is a relentless jackhammer of a track, pumped full of rich breaks and clipped acid lines. ‘Subject 91’ flattens the gas pedal even further, with a gated, spectral synth levitating hazily above the militant drums that heave the whole track forward.
On the B-side, the brawny ‘Proton’ returns to the acidic burn of the opening track, except this one is occupied by chirping synths and oscillations of noise that seem to rise and fall with a trippy authority. Finally, high-flyer and man of the moment Kosh employs his natural gift of the gab on the closing remix of ‘Break It Down’ with a raucous rhythm and a regurgitated bassline that never dwindles on its own gusto.
Despite the substantial weight and pugnacity of this 4-tracker, the staple Haŵs euphoria twinkles through. There’s no shortage in complex drum sequencing, breaks samples and all the other frills, yet the final output is compact and neat. As Haŵs increases it's vision more extensively to dance music from across the board, it seems that the best things might at times come as contradictions, and this record’s tone certainly fits the bill.
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L/F/D/M is from London and studied art with Dom from Factory Floor, who encouraged him to work on music production. But his musical influences range from jazz, exotica, afrobeat, disco, post punk - you name it.
'I guess all the music you soak up just filters through one way or another. Music production is often about exploiting chance and about decisions made in that moment. I'm always trying to reach that magic point where you can remove yourself from what you're making, and the music starts to trigger an emotion rather than just being blocks of colour on a computer.' - L/F/D/M
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Up next in the SPANDAU20 Saga: A new 3-tracker from the family. Claus Schoening returns with a pounding, chordy banger, Rifts, having previously lived on the scharfe Lanke in Spandau officially joins the crew with a classy dubbed out jacker & FJAAK bring the heat with long awaited weapon Ruff & Ready.
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A new heart-stopping piece of work by Visonia in which sadness, happiness, hopeful and desperation are in a continuous battle. As a result of this distress and ad nauseam the Chilean artist has asked himself about the sense of life and figured out how to look on the bright side. Doubtless, If we talk about 'Fake Wings' we could point out that this one is an epic and thought-provoking album composed of 6 wicked tunes and released on lovely pinkwhite vinyl.
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White Vinyl
Even though WaveBndr has grown a name for himself though his other alias "Collision" and especially his vinyl labels (Obs.cur, Hangar, Future Frequencies, InterWave... to name a few), it now made perfect sense to start a newborn entity which fuses, molds & bends all of these frequency flavours into one strong & harmonic blend, where all lovers of ACID underground music will feel connected again.
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Red Vinyl
In 9 records and 22 years Schmer has given you the same four dudes: Prototype 909, DJ RX-5 and bpmf. Now is the time to unleash a new generation of Schmers on an unprepared world and they are prepared to set the world on fire.
Coming out strong to whip us all into shape we've unleashed Isabella and she'll leave you "Spun Out". Isabella has done tracks for Jacktone, Embalming Lately, Borft, S1, Peder Mannerfelt Produktions. She uses hardware, live, to produce unhinged techno. Now she has done one for Schmer, which had already lost its hinges decades before.
Since 2015, Ciel's monthly radio show "Work In Progress" in Montreal has been highlighting the best and weirdest in underground electronic music produced by women. She has released tracks on Junted (Marshall Applewhite's new imprint), the benefit compilation Power Puerto Rico, and a three- track EP on Peach Discs which landed on numerous year-end lists from Fact Magazine, Mixmag, and Resident Advisor. She provides Schmer with the pristine sounds of "Bad Luck Comes in 3s".
Hiroko Yamamura is the Classic Chicago ride or die style DJ/producer influenced by The Warehouse, technology, and straight up techno, its no wonder she has been named one of Chicago's top 10 DJs by XLR8R magazine. Finally Schmer stops messing around with the Chicago sound and puts the real thing out with Hiroko's "Babyayez" track.
Experimental Housewife is Evelyn Malinowski, a longstanding DJ and maker of music.(Run The Length Of Your Wildness / Jacktone Records / Perfect Location / Juxtatextureall) Now based in San Francisco, she partakes in multiple open collaborations, like the one with the highly skilled DJ and producer Andrew Bowen aka Bilaga´ana. "Free Ends" was created, a track with grit yet full of innocent meandering. Its the cherry on top of our Schmerlicious cake.
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The 3rd record from Pi Electronics is by the Rotterdam based, Thessaloniki born producer, Damcase. PI03 includes five original tracks of punky electro and techno, flavoured with Damcase s riffs and noisy aesthetic. Sharp percussions, along with distorted grooves and broken beats, as well as some experimentation with voltage control techniques. The label reveals new colours on its palette, though not shifting away from its character.
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St. Theodore is back! Pure EBM, Electro and Acid trax! Supported by: Helena Hauff, Ancient Methods, Terence Fixmer, Phase Fatale, Mick Wills and Extrawelt!
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2x12"
UK Electro duo Phil Klein (Bass Junkie) & Matt Whitehead featuring The Egyptian Lover!
Formed in the void and born with a passion for all things Electro, from its roots in the 80s to the present day, Model Citizens inspiration spans decades and this is reflected in their musical output. With sinister vocoder vocals, driving basslines, soaring melodies and beats designed to energize the dance floor, Are Friends Electro? encompasses all the elements that Electro Freaks throughout the universe will enjoy.
The album, released on the German Dominance Electricity label, also features West Coast Hip Hop/Electro legend The Egyptian Lover with a remix of his jam Into The Future taken from the album 1984 and as a vocalist on Sphinx-O-Matic.
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TOWER OF ACID is the latest release by Toronto electronic music scene veteran Heiki(Hey-Key), the man behind the infamous Toronto EBM project,Digital Poodle.The vinyl edition features five tracks of relentless, industrial-strength, jacking acid house.A radical departure in soundfrom Heiki’s previous albums, which mainly focused more on downtempo, ambient dub techno sounds, Tower Of Acid, as the title implies, is a pure acid house record. The album relies on analogue 303-style synth sounds and acid house/new beat/industrial influenced rhythms. Most of the recordings were made in a single live off the floor pass. Later edits and over dubs of shortwave radio bursts, phased analogue synthesizer pads and vocoded voices were added to the electronic wall of sound. Themes include abuses of power, fraud, failed populist charlatans and fake news, running rampant in this increasingly dystopian times.
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Ten years on from its digital-only release, Utter presents the legendary third Mu album on vinyl for the first time! What can we say? This is possibly the most bonkers and 'out there' Maurice Fulton has gone production-wise, from sub-heavy Hip-Hop to Country (!) to Thrash-Metal (?!) alongside a sprinkling of his signature genius House/Disco magic thrown in for good measure... all with Mutsumi's infamous vocals over the top. Limited pressing with fluorescent pink sleeve & insert. Remastered & cut by Rashad Becker at D&M.
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A long lost gem back in stock again for lovers and collectors of true
skool ELECTRO sounds. About seven years after it's original release
one forgotten box with 30 copies of this limited to 300 hand-stamped
7" pressing suddenly and surprisingly re-appeared from the vaults of
Intrauterin Recordings.
Sascha Müller, one of Germany's most active underground producers with
a large release scale on several digital labels, serves a nice MINIMAL
ELECTRO re-lick of Paul Hardcastle's anti-war anthem "19" plus
"Travelbox", a storming ACID ELECTRO piece for The Hague's underground
Bunker parties. For those who know...
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Journey through vivid sonic currents and a state which might as well be regarded as Rashim's magnum opus: this is a new height with a mini album as the sixth release on ARR. The more basic and primal spirit of this release encapsulates Rashim's music in a way which makes total sense. Bound over for tracks, which all displays a different perspective of this dramatic colossus.
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