Techno News

Pure Pumpin acid tribe from Italy, with a superb Black Qirex visual.

Massive sound !

Must have !

Repress

An Absolute banger.
Acid Shouta !!

The return of…KiNK. His first original record after the latest album and a few bits here and there, is an ode to the miraculous grip that a piano still holds over almost any dance floor. Unmistakably titled „Piano Power Ep“, the Bulgarian hit factory does what it does best: infectious melodies, moving bass and gnarly acid lines as well as the ill beats around. Born out of studio rehearsals for live sets, „2 love U“ is a freestyle jam with regular collaborator Rachel Row (see Hand Made EP or „Follow The Step“): KiNK on keys and Rachel in the vocal booth results in pure positivism, energetic hooks and a certain pop magic. Think Rozalla, Bizarre Inc. or any other sign long and you are almost there. Instrumental included for the faint at heart.
„I Remember“ on the other hand, which is also available as one of KiNK’s beloved video workouts, is presented here as a „303 Mix“ that loses the classic house sample of the first version, in favor of - well, another classic dance music ingredient - the squelchy sound that DJ Pierre invented.
Last, but not least. „Raw“ is the kind of happy-go-lucky piano-bazooka that revokes the spirit of Baltimore’s production outfit Basement Boys in todays’ pagan parties. Using the minimum amount of music tools (lack of effects, volume changes creating dynamics and no more than four instruments), it als feels like KiNK’s reply to Herbert’s infamous dogma. If the ingredients are good enough, you don’t need any spices.

What is probably the weirdest U-TRAX release ever, is now available again on original heavy weight vinyl and has been remastered for digital download and streaming.

Jo-I is Johan Sagel and nine of the drumtracks he made in the 90s with his quite un-hip Roland R-70 drumcomputer ended up on this heavyweight vinyl EP. Label boss DJ White Delight also abused Johan's R-70 together with DJ Zero One, adding a trancey acid re-interpretation of the Jo-I tracks to the EP.

Back in 1995, Johan was a young advertising professional, originating from the far Northern part of Holland, where only potatoes grow and very few people live. He later moved to the city of Groningen and became very active in the scene there, that included Thee J Johanz, of Bally Hoo fame. Johan teamed up with Reyer Caderius van Veen, who released a 12" as Lynx on the U-TRAX sublabel Phoq U Phonogrammen. Together they performed and recorded as Live Acid Performance (L.A.P.) 01 in the 90s.

Original release date: March 1995.
Available again on original 220 grams vinyl

What is probably the weirdest U-TRAX release ever, is now available again on original heavy weight vinyl and has been remastered for digital download and streaming.

Jo-I is Johan Sagel and nine of the drumtracks he made in the 90s with his quite un-hip Roland R-70 drumcomputer ended up on this heavyweight vinyl EP. Label boss DJ White Delight also abused Johan's R-70 together with DJ Zero One, adding a trancey acid re-interpretation of the Jo-I tracks to the EP.

Back in 1995, Johan was a young advertising professional, originating from the far Northern part of Holland, where only potatoes grow and very few people live. He later moved to the city of Groningen and became very active in the scene there, that included Thee J Johanz, of Bally Hoo fame. Johan teamed up with Reyer Caderius van Veen, who released a 12" as Lynx on the U-TRAX sublabel Phoq U Phonogrammen. Together they performed and recorded as Live Acid Performance (L.A.P.) 01 in the 90s.

Original release date: March 1995.
Available again on original 220 grams vinyl

Clear Vinyl The second new release this year by Utrecht DJ/producer P.A. Presents (Peter Aarsman) is a highly varied EP, offering a house, techno, acid and electro track. And just like his Swirling Gas EP that was released in February, these tracks are all conceived in the 90s, and still sound fresh as a Spring morning at the top of the Dom tower.

The housey title track "Sax Madness" is a rather atypical track for Peter, who usually focuses on techno. But don't let the piano or breakbeats fool you, it still has the energy that we are accustomed to from P.A.'s productions. No saxophones have been harmed during the production of this track.

Talking about energy: "Zero P" is filled to the brim with that! Pumping, driving techno beats that remind us of Kevin Saunderson's productions, will get anyone moving. Funky stuff!

The flip side sees P.A. team up with Dazzlinj, aka his long term music buddy Jeroen Lazeroms, also from Utrecht. With "Protrack 1" the two deliver a fresh and at the same time somewhat oldschool acid tune, with the 303/808 duo taking center stage.

They close off this EP with the powerful electro banger "Creators". High paced electro beats are accompanied by hypnotizing strings, vocoder lyrics and a 303 for an acidic touch. Guaranteed to get crowd going!

Peter knew he wanted to be a DJ since he was ten years old, in a time when this was still a very unusual career to dream about. Long before house music had landed in Europe, Peter was fiddling around with disco and Italo 12"-es and all those years of training is what made him the skilled DJ that he still is today. While the era of house of techno of the late 80s and the 90s brought him countless DJ gigs, his reputation didn't cross the city borders much, until he bought his first gear and started producing techno music himself. His DJ background proved helpful with producing his tracks, as most of his them are dancefloor orientated and usually have an impeccable timing. Peter debuted with the mini-album "Salicylic Acid" on U-TRAX in 1993, followed by the "Flight Stimulator EP" a year later. Both are classics today, but neither brought him the fame that his 12" "Entangled" did on fellow Utrecht record label Deviate, which made it to many charts and compilation albums.

All tracks have been revamped and edited into more current lengths by DJ Zero One, blessed by DJ White Delight and mastered by Thee J Johanz. Label art by Bonk Artwork.

With his first release as EBM outfit Voltage Control on Antler Subway in 1989, Utrecht-based Arno Peeters can easily be considered one of the Dutch Dance pioneers.
Influenced by hip hop, electro and acid house, and his uncontrollable urge to experiment, he moved on to produce techno. Disappointed by the genre s conventions, he rather suddenly stopped with dance music altogether around 1995, letting a wealth of DATs with unreleased material collect dust in his studio.
To our great pleasure, U-TRAX was allowed to pick some nuggets from these archives, resulting in this Titanic EP and an album later this year.

Arno started experimenting with sound at very young age, resulting in his first cassette releases with experimental soundscapes in 1983. In 1986 he joined the notable Centre for Electronic Music (CEM), where he was able to take his experiments to a new level in a professional studio-environment.
In his techno episode , he recorded several 12 -es and CDs as Sp@sms and The Implant, and as part of Random XS, Urban Electro, African Nightflight and The AWAX Foundation, with most of his records being released on the famous DJAX label.
After turning his back on techno, he applied himself to more experimental music again. In 1996, he created AeroSon, a 40-minute sound collage that won him the first prize in the category Composers Under 30 at a high-brow international contest for electro-acoustic music. This piece was later released on the prestigious Mille Plateaux label.

Since then, his focus has shifted away from releasing music, towards working more project-based: on remixes, compilations and interactive (installations, video, sound design), building himself a successful career as radio maker, teacher and engineer, contributing to several award-winning documentaries and podcasts.
This EP is a nice cross section of Arno s dance productions, serving you some acid, techno and electro.

Titanic V1 was originally created to be a Random XS track, the techno band he formed in 1991 with Sander Friedeman. It was performed during their live set at one of the G.U.R.U. parties, organized by U-TRAX label boss DJ White Delight and label artist P.A. Presents.
This acid track was remixed into a techno monster when Friedeman replaced the 303 with a 101 and added a ton of delay on the bass drums, resulting in the woofer destroying Titanic (Underwater Dub).
The flipside sees a rare post-1995 recording by Arno: CEM Traxx 1. As the title suggests, this melancholic electro gem was created using the intricate machinery of the CEM Studio. Originally created as one half of a two-part composition for some project in 2003, it was never released before.

The EP closes with a typical Arno brainchild, the tongue-in-cheek acid banger XD5 Acid Master, from 1994. Tracks like this happen if you leave Arno unattended with a rather un-hip machine like the Kawai XD-5: he turns it inside out and uses it for things it was never intended for. Buckle up!

All tracks have been produced by Arno Peeters and mastered by Ruud Lekx. Label art by Botterman Ontwerp.

white & blue marbled vinyl

With his first release as EBM outfit Voltage Control on Antler Subway in 1989, Utrecht-based Arno Peeters can easily be considered one of the Dutch Dance pioneers.
Influenced by hip hop, electro and acid house, and his uncontrollable urge to experiment, he moved on to produce techno. Disappointed by the genre s conventions, he rather suddenly stopped with dance music altogether around 1995, letting a wealth of DATs with unreleased material collect dust in his studio.
To our great pleasure, U-TRAX was allowed to pick some nuggets from these archives, resulting in this Titanic EP and an album later this year.
Arno started experimenting with sound at very young age, resulting in his first cassette releases with experimental soundscapes in 1983. In 1986 he joined the notable Centre for Electronic Music (CEM), where he was able to take his experiments to a new level in a professional studio-environment.
In his techno episode , he recorded several 12 -es and CDs as Sp@sms and The Implant, and as part of Random XS, Urban Electro, African Nightflight and The AWAX Foundation, with most of his records being released on the famous DJAX label.
After turning his back on techno, he applied himself to more experimental music again. In 1996, he created AeroSon, a 40-minute sound collage that won him the first prize in the category Composers Under 30 at a high-brow international contest for electro-acoustic music. This piece was later released on the prestigious Mille Plateaux label.
Since then, his focus has shifted away from releasing music, towards working more project-based: on remixes, compilations and interactive (installations, video, sound design), building himself a successful career as radio maker, teacher and engineer, contributing to several award-winning documentaries and podcasts.
This EP is a nice cross section of Arno s dance productions, serving you some acid, techno and electro.
Titanic V1 was originally created to be a Random XS track, the techno band he formed in 1991 with Sander Friedeman. It was performed during their live set at one of the G.U.R.U. parties, organized by U-TRAX label boss DJ White Delight and label artist P.A. Presents.
This acid track was remixed into a techno monster when Friedeman replaced the 303 with a 101 and added a ton of delay on the bass drums, resulting in the woofer destroying Titanic (Underwater Dub).
The flipside sees a rare post-1995 recording by Arno: CEM Traxx 1. As the title suggests, this melancholic electro gem was created using the intricate machinery of the CEM Studio. Originally created as one half of a two-part composition for some project in 2003, it was never released before.
The EP closes with a typical Arno brainchild, the tongue-in-cheek acid banger XD5 Acid Master, from 1994. Tracks like this happen if you leave Arno unattended with a rather un-hip machine like the Kawai XD-5: he turns it inside out and uses it for things it was never intended for. Buckle up!

All tracks have been produced by Arno Peeters and mastered by Ruud Lekx. Label art by Botterman Ontwerp.

The second and, as later would turn out, also the last release in Heinrich Tillack's critically acclaimed Tick Trax-series. The first Tick Trax-release by this talented producer from Braunschweig (Germany) was released as Volume 1 on U-TRAX in 1994 (cat. no.: 13 UTR SYS 1). It was a very successful record, however a bit too 'rough' for U-TRAX. Therefore, Volume II is launched on the U-TRAX sublabel Phoq U Phonogrammen, that has a more raw approach to techno, acid and electro.

Heinrich is a bit of an enigma. Having released some 12"s on Detroit's Plus 8 Records (as Sysex), Force Inc. Music Works (as Absolute) and Disko B (as Festival) and his own label Jakpot (both as Festival, as well as Co-Jack, together with Olivier Bondzio aka Hardfloor), he more or less disappeared from the face of the earth. It is said that he is a developer of children's apps for mobile phones nowadays.

This second Tick Trax release has 6 tracks, all in the distinctive raw Chicago-style that Heinrich uses only in his Tick Trax-identity. For minimalists, the CR-78 orientated beats on 'Samba Track' (from '93!) will be the track to go for. For heavy pounding floor fillers you can rely on 'Heavy Weight Track' and 'Super Heavy Weight Track'. Our personal favorite is 'Rush Track', another minimal track, but heavy and dark at the same time. The power is the drive in this one!

Original release date: October 1995.

10” clear vinyl) Five years on since their last joint outing in Stroboscopic Artefacts Monad series, Speedy J and Lucy team up again as Zeitgeber on 'Seventeen Zero Four', a new three-tracker descending deep into the filthy, tenebrous outskirts of club music.

Five years on since their last joint outing in Stroboscopic Artefacts Monad series, Speedy J and Lucy team up again as Zeitgeber on 'Seventeen Zero Four', a new three-tracker descending deep into the filthy, tenebrous outskirts of club music. Torchbearers of techno as a life-affirming vehicle for human expression, as can be experienced through their multi-dimensional back catalogue of solo records and shared live performances at some of the finest clubs and events including Concrete, Goa Club and London’s E1, it's safe to say Jochem and Luca share a certain taste for taking things off the beaten path and into new perspectives. True to their bold approach towards production, 'Seventeen Zero Four' proudly continues the pair's tradition of chiselled floor-focused shifts and divagations outside the ringfenced domain of no-nonsense 4/4 mechanics initiated on their self-titled debut album in 2013.

Drawing first blood, the title-track 'Seventeen Zero Four' submerges us in a state of amniotic solitude as hell's all set to break loose around. Sonar bleeps drip and dissolve across invisible plateaux as thunder rumbles and roars in the distance, mirroring and shattering all linearity between the bars. 'One Zero Five' then implements a further straightforward groove, sequenced hats and kicks carving out a more familiar scenario for the dancers to appropriate, whilst maintaining that oddball, slightly off kind of minimal, dubbed-out blur. Rounding off the package, 'Twenty Zero Two' throws further jazz into the mix, letting its sine curves hula hoop into the upper layers of the outer-audio-space as a shrewdly engineered industrial swing drops the hammer for an epic last stretch.

Superb Acid Music, energyfull !!

The Enko & Maddike tune is a masterpiece !

160 to 170 BPM hardtek masterpiece... An excellent story telling collection of tunes, sometime at the trance frontier... Chanting Psychetribe !

Mung Records is an electronic music label founded in 2020, Moscow. For the second release Mung Records presents solid 12’’ Vinyl EP by outstanding Georgian producer Giorgi Koberidze aka Cobert.

The idea of - Worldwide Electronics is to combine Music from all over the world on one Album (In fact, there will be a vol.2 too).
The second idea was to combine well known Artist with newcomer. When Gehm, who runs Cologne Underground together, ask the Artist for Tracks, he don't ask for any specific style. The Artist were free to deliver whatever they want.
So at the end it ended up from Deep House (oldschool definition, not EDM definition) to Acid.

- Worldwide Electronics Vol.1 contains one Track from Greece (DimDj), Gerrmany (Hardfloor), Netherlands (Baz Reznik), England (Perseus Traxx), Columbia (S.Valencia, 2 Tracks from Japan (Takeshi Kouzuki and Jin-Cromanyon) and the first of hopefully a row of collaboration Tracks from Legowelt (Netherlands) and Elec Pt.1 (Germany) as - Gehm & Wolfers".

160 BPM hardtek, meeting of freetekno and acid ambiances. Flangy style !

Yellow Vinyl

Pure hard Techno acid release... Yellow plate. Notice a creative tune called Kickdrum & Bass : a speed hardtek tune with a drum bassline... Quiet well done that stuff !!! The flip bring 2 tachno cruiser. A good batch of a kind on Planet Techno ! Better get it fast before is too late !

Pumpin to oldschool kicker, 160 to 170 bpm, trippy and light, with a reverbless kick leaving loads of spaces to ambiances.

Abstracta Audio co-founder Oliver Long makes his debut on the new label as gnuTron, offering up 4 tracks of dark cane sugar on the "Blackdamp" EP! Each cut is filled with sharp tech rhythms & syrupy atmos with acid bite to satisfy your sweet cravings. Oliver Long has been a consistent player in both Abstracta Audio & Activ-Analog Record labels, producing & releasing as a solo artist & as one half of the techno duo Jon Jerry.

‘Humanoid Gods 02’ is a journey which embraces the unexplained, unidentified and unbelievable events which take place in our stratosphere from the beyond. A gripping odyssey from another realm of the cosmos full of darkness, tension and interstellar soundscapes. Opening with impending power, ‘Aguadilla UFO’ is a thumping track which sets a powerful mood for what’s to come. With the darkness also comes a glimpse of light as ‘Globular Light’ shows off euphoric chords that slowly build into a hypnotic 303 state of mind. Kick comes heavy and hard as ‘Vimanika Shastra’ turns up the intensity with a relentless track that pushes through the darkness of space at hyper speed. ‘Gemini 7’ features a beautifully syncopated feeling of floating through a distant galaxy as its acid notes dance playfully through the unknown. These 4 tracks from Humanoid Gods are a follow on from the first EP bearing the same name. Releasing on the Humanoid Gods’ imprint, these frequencies broadcasted from the far reaches of our universe galvanize harmoniously into a perfectly constructed EP that will excite and elate.

Limited hand stamped copies..

Limited hand stamped copies..

Limited hand stamped copies..

Repress

Vinyl Only

Acid Resistance is Back!

- 2021 repress -

Belgian label Rave Alert have always been on the forefront of a fresh breed of techno, rave and trance which they call 'Neorave'. With 'The Definition Of Neorave' they bring their statement about their vision of the future of hard dance music.

Repress

"The 3rd Vinyl Only Release from London Techno label Monnom Black sees 4 new original tracks from Dax J.

Acidic, rave, dance-floor weapons ready to do some damage. Released on limited edition red marbled vinyl with additional photocard insert. Highly Recommended!"

2x12", 180g

Keith Carnal's debut album on his own Second Degree imprint.

Superb thinlace of sounds... defenitly chanting acid...
Mental, but very alive.
Precise and dancefloor.

Thanks to MarsAssault i disovered this superb sound, and defenitly wanted to share it with you :)

Limited 50 copy Silver Press

2x12", 180g

Keith Carnal's debut album on his own Second Degree imprint.

Three is the magic number and continues the Connection Lost series by Massimiliano Pagliara on Uncanny Valley. The series is a highly emotional project for the masterful Italian DJ and producer with music that is deeply inspired by thoughts on how to cope, once the connection with loved ones is cut. As wide as the feelings and emotions in those situations are, as varied is the sound palette with tracks between Acid, House, Disco and Downbeat.

Latest Vaerel Records artefact limited to 200 copies, bringing together 5 different visions of the label's esoteric aesthetics. The manager of the label Raar bringing powerful percussion accompanied by samples of "Making of a Cyborg". Newcomer Quelza provides us his signature techno with broken rhythms and intriguing synths, then AWB continues to hypnotize us with his deep techno and finally Zadig & Ruhbarb team up for a tool full of high-speed drums and sharp cymbals.

Arkada records is excited to announce our 3rd release - forthcoming split EP featuring the sounds of Phausis and JFrank.

We are very happy to present the first part of the EP and the sounds of one of a kind underground producer and the man behind Arkada label artowrks Phausis also known under his Dj alias Agent2.

Born in London and raised on a mix of electronica and Detroit techno, Phausis doesn't put his head above ground to release music very often. With the occasional release on Earthlings compilation, acre recordings, Subgrade and the Anti- The Social Network here he presents two rare tracks of electro/acid especially brewed for Arkada records.

Second part of our EP presents the music of the Rome based most talanted electronic music producer JFrank.

Co-founder and Generalissimo at brainstormlab, and master General at Distant Future with well over 10 years of live gigs under his belt, JFrank is well known for his late night dancefloor breaks and has played everywhere from the arthouse to the doghouse – London warehouses and Berlin basements to Spanish squats and Roman ruins – with his special brand of space-age electronics. Along with a broad portfolio of releases, he currently has vinyl out on Pyramid Transmissions, Kaer'Uiks and The Irrational Media Society

On the second chapter of Arkada003 - 2 outstanding Electro/Glitch tracks of Julien which were also produced especially for the release.

One of the bright talent emerging from the current Netherlands‘ electronic underground scene is the German and Amsterdam-based, ‘fetish-inclined’, vocalist and performer Sophie du Palais ((Pinkman, Dekmantel Recordings)) also known as “Vrouwe Fataal”. She presents debut solo LP ‘Endurance of Pain is the Power of Being’

Sinister industrial wave music exploring themes of lust, hedonism, technological obsession & millennial alienation

Across six tracks, Du Palais unravels a potent signature, driven by fierce, imperious Anglo-Germanic vocals and eclectic, dissonant sounds. Connecting techno, EBM, acid and electro with vestiges of dub and experimental electronics, on ‘Endurance of Pain…’ Du Palais conjures an abrasive, intoxicating depiction of lust, hedonism, technological obsession and millennial alienation.

With the cruising techno pop menace of ‘Slow Steady Cum’, Du Palais introduces a nocturnal underworld. The descent is intensified by the mania and murk of ‘Glazed Disco Ball’ – a suspenseful dose of guttural low end, scowling spoken words, and crude drum machine clatter; if Gudrun Gut fronted Suicide. Then ‘Boys Tears’ elaborates on the dread and the sleaze with a horror show of gurgling synthesis, drubbing percussion and dissolute enunciations, halfway between John Carpenter and Unit Moebius.

From there ‘Up To No Good’ brings proceedings into a severe form of heat and frenzy, outlaying an exchange of raw jackhammer rhythms and vociferous punk chants that recalls Liaisons Dangereuses’ timeless underground classic ‘Los Niños del Parque’ if remade for 2021. ‘Smash The Mirror’ then finds room for scintillating dub recurrence and freakish machine funk before Sophie concludes the set with the sardonic electro-clash anthemics of ‘2001’, a provocative exploration of self, communication, and compulsion in the digital era. Miss Kitten meets Dopplereffekt for a technoid bonfire of the vanities.

‘Endurance of Pain…’ finds Sophie Du Palais seizing an uncompromising sense of style and intensity, an emergent new artist navigating a merciless, pleasure-seeking existence, from club to bedroom to screen, facing it all down with a cold glare, ready to light the fuse.

RIYL Miss Kitten, Toresch, Liaisons Dangereuses. Mastered by Rude 66. Artwork by Sander Molenaar.

Steve has an undeniable fingerprint that proves his passion for futuristic techno beats with acidic bass-lines, and a special talent for creating atmospheres that generate hypnosis. Two tracks that make proper tension at the dance-floor with an essential force to stand out in the mix with tenacity and groove. On the other hand, JP Enfant, the Dutch DJ and producer who debuts in Triamb with a devastating remix of the track "Codex", has under his sleeve some well crafted releases in prominent labels including DGTL. His version of the track "Codex" is a surgical tool from which he reveals strong passion for pure techno sounds with a majestic festival spirit. To close with a flourish, the multidisciplinary artist based in Berlin, Saumeth, presents a remix of the track Acid Receiver, delivering a solid industrial techno sound, which transports us to that characteristic Berlin raw techno mood, emblematic in bunkers and abandoned places because of their capability to bring a unique sound coming from enormous concrete structures. An essential remix that talks by its own

New school techno star Lee Ann Roberts continues to light up 2021 with another brand new single on her own NowNow Records. Her standout original is backed by remixes from MRD and D.A.V.E. The Drummer.

This year already belongs to South African-born, Amsterdam-based Lee Ann Roberts. Her new label has had high-profile support from tastemakers like Charlotte de Witte & Ken Ishii, and is already well known for its off-grid techno sounds. Roberts herself debuted only last year on Suara. She immediately hit the number 2 spot on the Beatport Hard Techno chart and followed up with more on Octopus Warehouse Series. She has played festivals like Caprices this year and is lined up for BPM as well as plenty more headline gigs.

The excellent 'Feel' is a nine-minute, hard-edged roller. The drums are flat-footed and unrelenting, the synths bring turbulence and dark vocals add dystopian unease. The edgy textures and caustic pads make for a visceral groove that is perfectly designed for shadowy warehouse spaces. An Acid Trip Mix sees the track erupt on wild acid lines that spray about the mix and cannot fail to blow up the dance floor.

Remixer MRD hails from Norway and has released plenty of EPs and an album in a short space of time. He has a ferocious sound that fuses new wave, hardcore and banging techno as evidenced here. His version is break-neck techno with trance pads lighting up the airwaves in euphoric fashion.

The second remixer is the legendary London techno titan and label boss D.A.V.E. The Drummer. He heads up Hydraulix Records and Apex Recordings and always brings the fire. His take on 'Feel' is a wall-rattling banger with oversized bass. Saw-tooth synths rip up the track while the stark, strobe-lit stabs and some buried vocals make the floor sweat.

As we continue on our journey here at Futurepast, we are pleased to welcome a trio that, for many years, we felt shared our vision, Frak! From Sweden, Frak have been founding an original hardware-based sound since the 80's, first via their own label Borft before collaborating with other labels over three whole decades.

On their "Formless Obstruction" EP, Frak have provided a window into the sinister twists and turns of their work. On the A-side, you see creeping Detroit stylings of "Scientific Bella" set against "Wrong Owl" with it's EBM underpinnings and industrial inflections.

On the flip, "Concentrated Feed" bubbles next to the razor sharp "Capacity Faun", both are filled with characteristic machine quirks and experimentalism.

Second venue on this majestic label Pressing 300 LTD. Hardtek classic, a pumpin Gallop, progressive and very DSP/Okupe old school style. Total Deejay friendly sound !