A banger for a high meeting of the old school family ! Superb tunes for a dancefloor magic effect !
expected to be published on 30.03.2025
A banger for a high meeting of the old school family ! Superb tunes for a dancefloor magic effect !
expected to be published on 30.03.2025
The Humanoids are back in action with more music from the vibrant Liverpool scene, in the shape of a tasty EP from the in-demand Aerofunk.
On the A-side, “Call Me” sets the vibe in style, weaving a big bass with hypnotic synths and an irresistible vocal sample that does the business on the dancefloor. “F.O.U.” follows up with a punch, its bassline bobbing and weaving around a crunchy beat with power.
Over on the B-side, “Bumpin” keeps up the energy in naughty fashion, whilst “Hugh Mungus” gives a nod towards a more electro sound with relentless drum and synth work to round off a high energy EP full of bombs.
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Halvtrak returns to Cold Blow with techno-romantic rave escapism, riding Chi House-leaning rhythms and intergalactic Techno sculptures. If his previous “Images By Night” dealt with things nocturnal, Digital Dawn opens the curtains to a blue-eyed retrofuturism, bursting with colour and spark.
The A-side shows Halvtrak at his most upbeat vibe to date. X-pressed and Rhythm Overture teleport us on a nostalgia trip to the acid, rave and breakbeat era which is re-imagined by an artist too young at the time but who parsed the ethos from the artefacts of its heyday.
The B-side throws a deeper counterbalance to the release. Born out of studies in the Chicago house tradition, Phase Distorshun quantum leaps into a turning point in time where disco influence was long abandoned and sights set into the unknown deep space.
The closing number, Doubt, does not relent on the 4-to-the-floor but turns the gaze inward, exploring our inner vulnerabilities while musically standing on the shoulders of New York-style house and the early UK-produced Detroit Techno a la B12, Stasis and the like.
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Ukrainian breakbeat/grime crew Tysk was on hype wave in country for 2 years. Kyiv’s Closer, Brave Factory Festival, Module in Dnipro – there are only few places where theirs showcases were held. After that crew launched it’s own vinyl label with first remixes EP from Ukraine finest producers. Breaks, jungle, breakbeat, tekno and many other bangin’ drops from Komponente & Kurilo, Alex Pervukhin, Koloah, Closer resident TripPsy and modular lord SAXR. Limited copies and vinyl only.
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Vienna-based producer and 303 maestro Tin Man returns to Acid Test for his first solo EP for the label in over 5 years. It's another impeccable outing of romantic acid variations, especially tailored for unforgettable dancefloor revelations.
Tin Man has been setting the pace for forward-looking acid lovers for close to two decades now, and on his 15th Acid Test appearance he takes the vibe back to early and proto-house roots, stripping back the musical elements while layering in the euphoria with four perfectly crafted slices of feelgood 303.
Opening track Hidden Acid already sounds like a long lost classic, with strings draped over bouncy acid and motorik drums, stretching out over nearly nine minutes, and beautifully capturing the feel of house music circa 1991. Swaying Acid comes in all propulsive, toms and congas setting the foundation for melodic acid lines to weave through your heart strings.
On the B Side, Running Acid is fully optimized for the autobahn fast lane - a gradual, slow-filtered acid meltdown that builds and releases in tandem with driving hats and vaporous pads that hang over the track like early morning mists. Wrapped Up Acid brings the EP to a fitting close, slowing the tempo for a low-key easy dance excursion par excellence - smooth yet spikey 303 riffs punctuate the chords that drift through with a hint of Badalamenti in the progression.
With the Hidden Acid EP Tin Man might hark back to more vintage times, but the emotive power is as strong as ever. The naivety of the ‘90s is instead replaced with a conviction behind the musical choices that brings even more weight to the heartwarming vibes. This is acid in some of the best shape it's ever been, enhanced and upgraded specifically for the dance.
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repressed !
Bhasmantan - as this body is turned to ash - is the moniker of elusive artist Giuseppe Piol.
In the mid 90s the Italian dance scene was evolving, steering away from the usual Dream House formula, changing and adapting to new sounds and new ideas. Like other fellow electronic music producers, Piol at the time was going through a “psychonautic” period of his life, experimenting simultaneously with new hardware in the studio and psychoactive substances at illegal rave parties. This whirlpool of stimulating experiences gave light to one of the most sophisticated and esoteric Italian techno records, the namesake Bhasmantan #3 (published originally by Spock in 1996).
We are happy to give light again to this extremely sought-after treasure, a transcendent journey from hard stomping acid techno to introspective dreamy downtempo that has no similar.
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expected to be published on 27.10.2023
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2023 Repress
Rats On Acid are quickly becoming the new sewer heroes of the Acid Techno underground, and this 4 track EP shows why. A devastating synth riff, stomping beats, and a screwball acid line make "Super Rats..." a rave classic, whilst on the other 3 trax the acid is ramped up for maximum effect, one of which is a collab with scene stalwart Secret Hero.
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Bonzai Classics is thrilled to announce the highly anticipated release of the 3rd installment of the Bonzai Power Vinyl series. This 2 x 7" vinyl set comes in a stunning orange color and includes Phrenetic System's "Wayfarer," Aqua Contact's "Cinderella," B.W.P Experiments with "Organic," and Cyberdelia with "Deconstruction”.
This vinyl set is essential to any electronic music lover's collection. The tracks have been remastered for optimal sound quality and are presented in a beautiful gatefold sleeve. Be sure to grab your copy and experience the power of the 90s again!
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For the 4th release Mung Records presents a peak time dancefloor oriented 12" EP by accomplished musician Elias Sternin.
Elias has an innate talent to produce expansive and hugely varied sound. As a voice for a new generation of Uruguayan electronic music, Elias has become a powerful presence on the electronic dance music scene.
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2023 Repress
Phoq U Phonogrammen is a recordlabel that puts out quick and dirty music, rough and soulful techno straight from the heart onto vinyl. Who gives a fuck about sound quality
Not Fanon Flowers anyway, who was responsible for the first release in 1995. He had been dissed by a record company, a so-called 'underground' label from south of Detroit even before he ended up with Phoq U. As a student he lived in Ypsilanti nearby Detroit, but he is from Kalamazoo originally, the hometown of Jay Denham, the genius responsible for one of the best techno 12"s ever made: Fade II Black on Derrick May's Fragile Records. Inspired by Jay, he picked up producing tracks himself and in 1992, and made some raw, lo-fi analog 909/101-tracks.
Four of these tracks ended up on this The Sleeper EP. Critically acclaimed by those who know, tracks like 'Flim Flam' will get everybody bouncing. The real gem is hidden on the B-side though, where 'Serinity' lives, a completely mental and beautiful tripping techno jam.
The term 'vintage techno' couldn't be explained better than with this release.
Original release date: February 1995.
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Finally the essential works of Le Petit Prince´s most popular artist Microwave Prince on one album. One of the most remarkable techno producers of the 90s comes along with this remastered 3x-vinyl-package including classic tracks like „Cyclic evolution“, „Eternal light“ and „Topfschlagen“. A must for all techno purists.
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Producer, DJ, founder of many labels, record store-owner and radio personality, Cinthie has grown to become a highly respected figure in the contemporary electronic music scene over the
years and her most recent venture, 803 Crystalgrooves, kicked off in October to critical acclaim.
The imprint stands as a platform to present productions inspired by her beginnings in House and Techno and while the debut focused on Disco-tinged House, here we see things edge towards darker more raw territory, dubbed as the bad little sister of 001 by Cinthie
Push It leads on the package with a stripped-back drum groove made up of a crunchy clap, sharp hats and a weight kick while squelchy 303 licks and vocal shots uttering the track title drive the composition. The Worm follows, this time featuring a high-octane drum workout, subtly unfolding synth flutters and an underlying low-end drive.
Opening the flip is Boomboomroundtheroom employing dusty drums, frenzied synth stabs and gritty bass chops, a cut harkening back to the most robust sounds coming out of Chicago in the
90s. Peep Peep then rounds out the release with vacillating resonant bleeps, bumpy shuffled drums and a dynamically evolving structure.
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Mystery In-Demand Record From the Dansu Discs Back Catalogue!
Dansu Discs has served as platform for some of the most hottest artists in electronic music over the past few years. 9 releases from the catalogue are now available in one pack, along with a mystery record that is either low stock or previously sold out.
Includes. DSD029RP, DSD030, DSD031, DSD033, DSD034, DSD035, DSD038, DSDWHITE001, DSDWHITE002
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Louh returns with his second solo EP on Les Points. Expect 5 signature psychedelic acid cuts.
Moonchild they call me, because I only appear once a month during full moon. I was once saved by the damned & doomed; now I have awoken from a structural nightmare. In my new & limited existence, I felt the urge to cast a bright light on those creatures of the night as we would share a common faith (or systematic oppression). I suppose we are a fragmented community – once a month – when the moon shines the strongest – we bring death & despair to the ones that marginalized our spirits.
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Foundation is set in the future when the world is barely remembered and humans have colonized the galaxy. The record introduces Donnie Ozone, a brilliant visionary rapper and psychohistorian whose job is to use lyrics and rhymes to predict the future. It is divided into six chapters, each showing a part of the bigger picture portrayed on the outstanding cover by Infidel.
Teslasonic gathers together the galaxy's top scientists and artists on a bleak outer planet and sets out to preserve the accumulated knowledge of humankind and begin a new human galactic empire based on Art, Science and Technology. He calls his sanctuary the Foundation and designs it to withstand a dark age of ignorance, barbarism, and warfare that he predicts will last for a long time.
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2023, the new Blumoog Music release features two true masters: this time, taking the pitch with M.R.E.U.X is one of the techno legends, Alan Fitzpatrick Artist that does not need introductions, who worked for best in class labels, such as Drumcode, Cocoon, Soma, Bush, in this feature will contribute to the new project Power Bank, remixing Ardity.
A techno music ep that will shake the ground and make your hard pump harder. Side A will present two tracks from M.R.E.U.X, with his psychedelic sound and obsessive rhythm: Ardity will make the room explode, while Shock Wave will be the real mind trip. Ardity remix will play on side B; Alan Fitzpatrick, a true magician, will fill your nights with electronic illusions. Coloured vinyl, extraordinary sound; nothing is missing in this release.
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The second dose of X2SEE has been cooked up by Lyon’s, Carriego.
Five cuts maneuvering between tripped out shades of darkness, layered with mysterious tones that we have come to love from the producer on the rise. Expect to unearth distinct atmospheres crafted for the hazy hours of the night, raw and energetic moods for your bag.
“Disco Inferno”, let’s go…
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expected to be published on 31.08.2023
Second in a series of 7" vinyl releases on Posthuman’s Balkan Vinyl imprint - the "Kanlab series" - focused on celebrating underground artists from the label roster, are Acidulant and Panda Xpress.
Maltese producer, DJ, label owner and promoter Acidulant and has a long catalogue of acid releases to his name, not just on Balkan but also Flatlife, Acid Avengers, Jack Trax, Zodiak Commune and more. He brings the 303 electro on the A side here. On the flip, high tempo Braindance acid breaks from a mystery artist using the pseudonym Panda Xpress. All artwork for the Kanlab series is by non-binary designer Leo Soph Welton of I Am Human Design.
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French techno titan Madben unveils his much anticipated ‘Troisième Sens’ LP on Maceo Plex’s Ellum Audio.
Madben started absorbing the techno of Jeff Mills, Dave Clarke and Speedy J in the 90s, growing up in Lille in northern France. He retains a passion for DIY culture and warehouse parties thanks to youthful raving at Brussels' Fuse, Gent's Kozzmozz or in abandoned factories in Courtrai. All this has shone through in his music, including a debut album on Astropolis in 2018 that featured a collaboration with Laurent Garnier and a recent EP for Garnier and Scan X’s label.
Over the last decade, he has become a European club and festival favourite playing places like Berghain and Awakenings. His studio boasts a fine array of machines utilised to full effect on this latest opus. ‘Troisième Sens’ perfectly reflects what the artist has always loved, listened to and played, keeping one eye on the dance floor but never at the expense of musical narrative. It’s a genuinely progressive, multi-genre body of work that allows listeners to fully immerse themselves in the seemingly limitless depths of the Frenchman’s sonic capabilities.
He says, “Over the years, I learned to have more fun with the gear in my studio, and this has been the result. The album took three years to finish; I started in an underground basement studio in Paris before moving to Nantes. Therefore, it may surprise listeners with such a diverse selection of moods. It's dark in places but happy in others.”
'Departure' kicks off with uplifting synth work and broken techno beats that have a celebratory feel. 'Addicted' is a lithe cut with steamy vocals and a more fulsome combo of drums and bass, while 'Circuit Breaker' cuts loose in the cosmos. Acid wobbles, smeared synths and metallic percussion all make for a bouncy cut before 'Fade In Fade Out' continues the cosmic trip with vastly oversized synth patterns that will light up a dark space with overwhelming euphoria.
The brilliant 'It's 1 am In A Rave' is a dark, heads-down banger with 'Lost Memories' then layering up melancholic synths and Plastikman-style drum loops into something full of deep thought. There is no let up with the superb acid techno gymnastics of 'No fear', and 'The March' is a turbulent mix of sheet metal synths that whip about over steel-plated drums. 'You Dance Like A Robot' is end-of-the-world electro with a menacing robot vocal, and the electro tip continues with expert drum programming and menacing leads on 'Deep In The Jungle'. 'Meta' is a flailing rhythmic workout that sounds like the machines are in meltdown, and 'I Made A Dream During This Nightmare' is a serene techno soundscape for ruminating about the future of the human race.
Intelligent yet immediate, impactful but emotional, ‘Troisième Sens’ is another standout techno record from Madben.
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Influential Chicago House DJ/producer Parris Mitchell teams up with Siberian producer-singer-songwriter and DJ Nina Kraviz on ‘Feel My Butterfly’ - their debut release on Riva Starr’s acclaimed Snatch! RAW imprint as part of a collaboration with Dance Mania, out 28th June 2019.
The special 2 track vinyl and digital release sees Kraviz and Mitchell officially team up for the first time with their only other release encounter being in 2014 when Kraviz remixed Mitchell’s ‘The Track Stars’, released via Berlin-based label Deep Moves.
The result of the rare partnership is one to be relished, producing ‘Feel My Butterfly’ – a heady acid-laden dancefloor-ready masterpiece comprising of a sick ghetto house groove, an abundance of squelchy TB-303 acidlines and Kraviz’s distinctive spoken word vocal throughout.
To complement the Original Mix, Berlin’s DJ Krime steps up to deliver his own interpretation of the track for the B-side, delivering a powerful peak-time TR-808-tinged rework that boasts the original’s key elements.
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