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[garage rock] 
Goat - Headsoup

Goat

Headsoup

12inchLAUNCH234S
Rocket Recordings
27.08.2021

‘Headsoup’ is a new compilation that deepens the legend of mysterious Swedish psych collective Goat even further. Collecting rarities from across band’s celebrated career, including standalone singles, B-sides, digital edits and two enormous brand new tracks, it’s a globetrotting acid trip of a record that’s even bigger in its scope than their acclaimed studio LPs.From the incendiary heavy psych of their earliest work, like debut B-side ‘The Sun And Moon’, to the serene ‘Requiem’-era alternate take ‘Union Of Mind And Soul’, to the simmering menace of their latest material, it’s a record as multifaceted as Goat themselves, packed with detours in every conceivable direction.Taking in jazz-flute solos, pounding Afrobeat rhythms, ferocious desert blues, drifting Ethio-jazz, this is, as the name of Goat’s first album made clear, ‘World Music’ in its most complete form, a sound unrestrained by genre boundaries. Yet the band are anything but lazy appropriators. They approach their forebears with upmost reverence, articulating a celebratory cultural cross-pollination.And what about these two new tracks? ‘Fill My Mouth’ is a scuzzy psychedelic funk knockout, the sleaziest thing the band have ever recorded. ‘Queen Of The Underground’, meanwhile, is truly herculean, a swaggering psychedelic powerhouse of the very highest order.Sometimes dark and heavy, at others joyous and beautiful, like Goat themselves ‘Headsoup’ is mysterious, and constantly shapeshifting, difficult to properly pin down but constantly enthralling. Almost a decade since they first emerged from the depths of Scandinavia, there is still no other band on earth that sounds quite like them.

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Care of the Cow - Dogs' Ears Are Stupid

Originally released only on cassette in 1983, 'Dogs' Ears Are Stupid' by Chicago trio Care of the Cow is a fascinating blend of psychedelic folk, minimal electronics and post-punk weirdness. Acid fuzz guitar, incredible vocal harmonies, drum machines, analogue synths...

One of Chicago's best kept secrets, Care of the Cow's history goes back to 1974. A trio formed by Victor Sanders, X Baczewska and Sher Doruff, they had a very unique and eclectic sound, experimental yet very melodic, mixing psychedelic folk-rock with art-rock and DIY / post-punk. Their influences were very diverse: Beatles, Fripp, Eno, Joni Mitchell, Carla Bley, Pauline Oliveros, Eric Dolphy...

Care of the Cow debuted in 1975 with a 10' followed by their first LP album in 1981. By 1983, the band was adding drum machines and synths to their sound, highlighted by Victor's amazing guitar playing and X & Sher's perfectly blended vocal harmonies, resulting in 'Dogs' Ears Are Stupid', the second Care of the Cow album, released only as a tiny cassette edition in 1983.

For us, this is a lost gem from the '80s underground which really deserved a LP/CD reissue. Here it is, done in collaboration with Steve Krakow of Plastic Crimewave / Galactic Zoo fame.

'Experimental folk-rock music into minimal synth depths. What a gem!'
-Archaic Inventions

'An absolute unique psych/folk/new music/post-punk blend. Strongly recommended to all open-minded listeners'
-Tony Coulter (WFMU)

*First ever LP / CD reissue

*Remastered from the master tapes

*Insert with liner notes by Steve Krakow (Plastic Crimewave) and photos

*Download card

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The Brotherhood - Stavia

In 1972, Ohio based band THE BROTHERHOOD released their only album, Stavia'. It was a private edition of 200 copies, pressed at the legendary Rite custom plant. This rare album is a good example of US acid-rock / hippie psych with slight soul & funk influences: fantastic playing, swirling organ, powerful vocals, top guitar shredding, flute...

Stavia' has always been one of those shrouded in mystery albums, so rare that some collectors even doubted about its existence. Bootlegged in the '90s in a butchered edition that included two songs from an unrelated band, here's the first ever legit vinyl reissue.


*Includes liner notes by band member John Hurd.

*Remastered sound.

*LP version includes download coupon.

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Various - The Emotional, Cosmic & Occult World Of Joe Meek

A trip through the productions of pioneering genius Joe Meek. Here we have a mix of hits that have appeared on comps before and real out-there obscurities. Designed to be highly listenable. Never a dull moment amongst these songs that cover subjects close to Joes' heart such as vampires, love (and the lack of it), death, outer space, the human soul, Buddy Holly, and more. Artists featured are The Blue Rondos, The Blue Men, Jason Eddie and the Centremen, The Sound Offs, The Moontrekkers, Johnny Leyton, The Cryin' Shames, Mike Berry, The Outlaws, Chick Lewis, Glenda Collins and even Joe himself warbling out a tune. One time very small pressing so please don't sleep.

pre-order now30.04.2021

expected to be published on 30.04.2021

JAY U XPERIENCE - ABUJA

Jay U Xperience

ABUJA

12inchLER1019
LEFT EAR RECORDS
24.05.2019

Melbourne’s Left Ear Records return with an EP release extracted from a lost ’93 CD only album by famed Nigerian artist ‘Jay U Xperience’. Here, modern technology meshes with timeless African Rhythms and the heartfelt influences of New York City.

Jay U Xperience is the pseudonym of acclaimed Nigerian musician Justus Nkwane.
His first release ‘Enough Is Enough’ was a heavy blend of psychedelic rock and funk epitomising 1977 and yet foreshadows Justus’ experimental and genre-spanning inquisitiveness. Justus wouldn’t record another album until 1993 while living in New York City. Here he emerged with ‘Ancestral Call’, an album that he describes as a “once in a lifetime event”, something from his “inner spiritual guts”. Equipped with a Roland R-5 drum machine and a Roland U-20 synthesizer to extract melodies he was able to create tunes that encapsulated contemporary technology with timeless traditional African rhythms, creating a work that sounds just as relevant Today as it did then. Tracks like ‘Back To Motherland’ & ‘Ancestral Call’ personify this sound, while ‘Okokobioko’, is an onomatopoeic excursion in losing yourself to the rhythm, the EP is then rounded off with the title track ‘Abuja’, a ghostly striped back piece.

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Last In: 5 years ago
Dead Moon - Strange Pray Tell

One of Dead Moons all time classics, filled with some of their catchiest & most rousing songs.
Rockers of the highest caliber such as ‘Destination X’, ‘Fire in the Western World’ & ‘Don’t look back’ as well as perfect ballads such as ‘You can’t do that’ & Out in the blues’.
An utter masterpiece of psychedelic rock straight from the heart. The most requested Dead Moon LP by Mississippi Records store customers!

pre-order now09.04.2021

expected to be published on 09.04.2021

DEAD MOON - IN THE GRAVEYARD

Neu gemastert von den Originalmasterbändern! Offiziell lizenziert von DEAD MOON, die die Royalties von den Verkäufen dieses Re-Issues erhalten werden. Das erste eigenständige Re-Issue dieses modernen Klassikers und Teil Eins der M'lady Serie von DEAD MOON Re-Issues. Diese Platte lässt einen nicht mehr los, sobald sie sich einen Weg in deinen Geist gebahnt hat. Inklusive der genialen Version von ,Hey Joe", dem unvergesslichen ,I Hate The Blues", den Klassikern ,Graveyard" und ,Out On A Wire" und natürlich ,Can't Help Falling In Love With You".

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YUNG - ONGOING DISPUTE

Yung

ONGOING DISPUTE

12inchPNKSLM082LE
PNKSLM
22.01.2021

The Danish quartet Yung returns with their second full-length Ongoing Dispute, their first with PNKSLM Recordings (ShitKid, Hollow Ship, Les Big Byrd etc). Arriving 5 years after their acclaimed debut
A Youthful Dream on Fat Possum, Ongoing Dispute finds Yung leaping forward, with stronger and more confident songwriting and a broader sonic palette.
After the receiving the attention of Pitchfork, NPR, Stereogum and more with the debut, Yung took a step back after returning home following multiple tours around the world and after reassessing themselves and the band they started working on what would become Ongoing Dispute, delivering on the early promise and firmly establishing themselves as one of the premier bands in their genre.

pre-order now22.01.2021

expected to be published on 22.01.2021

Lunch Money - Flashing Neon Signz / Yam Taeng

Lunch Money Is A New Breed Of Psychedelic Jazz. Adventurous Compositions That Keep Both Body And Mind Fully Engaged, The Music Juxtaposes Expansive Textures With Off-kilter Hooks And Rhythms. Deep Basslines Rub Shoulders With Angular Post-punk Guitar Riffs, Floating Synths And Horns, All Blending Onto A Head Nodding Syncopated Drum Beat. A Heady Brew Of Dilla, Davis And Kraut Marks The Arrival Of London's Newest Jazz Deviants.

The Run Of 300 7" Singles Will Be The First Release From New Label None More Records. The Record Will Also Be Available Digitally.

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Prana Crafter - Mindstreamblessing

Cardinal Fuzz and Eiderdown Records are pleased to bring forth Prana Crafter and 'MindStreamBlessing' An electric mantra from the deep heart of the Pacific Northwest woods, "MindStreamBlessing" beckons you to relax and crack open your mind for a little while. Prana Crafter is Will Sol, practitioner of fine guitar spell-casting and audio fortune telling. A heady brew of guitar, drums, and organ that traces its majestic lineage from both the wayward strains of a cosmic Americana blues and the rustling sunshine daydreams of a future primitive past. The tunes contained herein drift and sway through the windmills of your mind, leaving the sweet aftertaste of pine and ocean mist. Accept this MindStreamBlessing as a balm for these troubled times.

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Various - Cumbia Beat Vol 2
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Last In: 6 years ago
DURUL GENCE - BLACK CAT

Untameable Anatolian feline fuzzy folk funk finally uncaged. A spontaneous Turkish-Norwegian-Dutch expedition, where seafaring jazz cats entangled with fugitive roadies and Tee-Set mods, makes the story of Durul Gence’s highly anticipated/ill-fated Asia Minor Mission group the stuff of lost-rock legend and remains one of Turkish music’s great “what ifs?” The black cat is finally out of the bag...

Having forged a celebrity status as one of Turkey’s premier percussionists and bandleaders, Durul Gence assembled the underground fusion group known as Asia Minor Mission (AMM) in early 1972 (with Irfan Sumer, Oguz Durukan and Ugur Dikmen) while trying to escape the constant daze of paparazzi camera flashes that followed him across Turkey. During a far-fetched post-gig brainstorm the group pondered relocating to Norway (based on fact that none of them had ever visited the country) when a local seaman who claimed to have recording studio connections in Oslo overheard them. Enlisting the roadie services of a streetwise Istanbul taxi driver friend on the run from the police AMM took the plunge, accepting the sailor’s offer of passage on his next sailing.
In these new idyllic surroundings, the same region that played host to fellow Turkish percussionist Okay Temiz, Durul found the peace he desired discovering a muse in Norway’s welcoming creative climate. Much like Barıs Manço and Mogollar in France, Cem Karaca and Gökçen Kaynatan in Germany, Gence’s relationship with Norway rekindled a passion for composition in ways he couldn’t have imagined in his homeland, opening doors thought previously unreachable. As a potential prodigal son for Anadolu pop Durul joined a wider pop-cultural diaspora alongside electronic pioneer Ilhan Mimaroglu, Tülay German (aka Tuly Sand) Kardasllar’s “Alex” Wiska (collaborator with Krautrockers Can) and Maffy Falay from the band Sevda.
Despite a blooming fan base and original repertoire the Nordic dream was not to be and after two years without a studio session, AMM called it quits during a tour of Holland after which Durukan and Dikmen went home to join Cem Karaca’s band Dervisan - Dikmen’s keyboards feature on Finders Keepers releases by Turkish singer Selda (FKR011). Retreating to the city of Delft to ponder his next move, Durul met Peter Tetteroo, former vocalist from successful Dutch psych-pop combo Tee-Set, who also found himself in a lonely boat after the demise of his long-running group. As an AMM fan, Tetteroo suggested they record two Gence penned AMM demos for Dutch Philips signed exotic songbird Sasi Naz at Peter’s home studio. A session was hastily arranged and a talented, yet unconfirmed, guitarist was enlisted. Durul maintains it was the work of Ferry Lever from Tee-Set/After Tea, something Ferry has denied, and with Tetteroo having died in 2002 the question remains. Upon entering the humble studio Durul stumbled upon a skeletal drum kit. Lacking hi-hat, toms or even a snare he cobbled together a bongo and a tambourine and set to work. Together, under the watchful eye of Tetteroo, the pair jammed stripped back versions of the AMM live staples Black Cat and Boo Song, with an added freak factor otherwise missing from their jazzier approach. Laid down in just 30 minutes, with Gence’s accomplished guide vocals and fuzzy overdubs, the rudimentary but professional recordings never made it to Philips execs and the tapes returned to Turkey under Durul’s arm as one of only two documented AMM recordings (the other being a live performance in Oslo’s Hennie-Onstad Art Centre in May 1973).
Unintended for commercial release, curiouser and curiouser, Finders Keepers proudly present these previously unheard tracks sourced directly from original tapes, which stand as a testament to the inimitable talent of Gence and the only studio document of the mythical AMM Turk jazz funk troubadours, representing a pop-psych Hollandaise holiday postcard which has taken five decades to be delivered. 45 revolutions later... The cat’s got the cream.

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Last In: 6 years ago
Rod Hamdallah - Crawling Back/Mali Jam

Dunkle Geschichten und amerikanische Roots-Musik spielen eine große Rolle in Rod Hamdallahs Songwriting. Er kreiert seinen eigenen Sound aus Garagenrock, Blues und frühen Soul.

Der aus Atlanta, Georgia, stammende Rod Hamdallah ist schon seit einiger Zeit dabei, sein Handwerk in den dunklen Künsten des Garagenrocks, Blues und frühen Souls zu verfeinern. Dunkle Geschichten und amerikanische Roots-Musik spielen eine große Rolle in seinem Songwriting. Er kreiert einen Sound, der an Künstler wie Flat Duo Jets, Captain Beefheart und die Black Keys erinnert. Durch seine Adern fließt dieselbe Art von neo-traditionalistischem Blut, das auch durch die Adern der Black Lips fließt. Nicht zuletzt dadurch scheint sein ehemaliges Nebenprojekt mit Jared Swilley begründet. Mit Arrangements, die robust und schlank sind, ist seine Darbietung eine gerade und belebende Aufnahme von rohem Rock & Roll, die zeigt, wie wenig Verschönerung nötig ist, wenn man es richtig macht. Hamdallah ist als Gitarrist der Legendary Shack Shakers durch die USA und die Welt getourt und auch in der Back-up-Band der Rockabilly-Legende Wanda Jackson aus den 50er Jahren tätig gewesen.

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Eddie Palmieri - Spirit Of Love

Eddie Palmieri

Spirit Of Love

7"-Vinyl850643P
EPIC
20.02.2019

Two sun shine soaked, Latin infused Eddie Palmieri joints from the 1978 album Lucumi, Macumba, Voodoo get the official, remastered reissue treatment - with original copies of the 7' trading hands for upwards of £60.

Born in New York to Puerto Rican parents, multi Grammy award winner Palmieri is a stratospheric salsa master. And for the Lucumi, Macumba, Voodoo LP he assembled a powerhouse, 30 strong jazz orchestra, featuring the likes of Dom um Romao, Steve Khan, Lew Soloff, Jon Faddis, Hiram Bullock and Palmieri's brother Charlie.

In an era dominated by disco, 'Spirit Of Love' took to the dancefloor, drawing on the glamour and magnetism of the late '70s. Palmieri's distinctive style still weaves its way through though, melding Afro-Caribbean rhythms with modern jazz. 'Spirit Of Love' is full to the brim with striking vocals, cow bells and big horn sections, blended with psychedelic guitars that riff off against clavinet touches and expressive Montunos melodies. Spirit of the salsa, for the disco dancer!

On the flip 'Lucumi, Macumba, Voodoo' is a masterpiece of Latin fusion, with Palmieri's unique arrangements squeezing that Puerto Rican flavour out of every added instrument. Trumpet blasts and sax solos marry with woops and whistles and Latin chants. Couple that with sensuous piano melodies and irresistible percussive elements and it's a recipe of Caribbean spice that'll liven up any record collection.

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Tame Impala - The Slow Rush

Tame Impala

The Slow Rush

2x12inch3521051
Modular
26.03.2021

”The Slow Rush”, das vierte Album von Kevin Parker als Tame Impala, wurde im Februar 2020 mit großemErfolg veröffentlicht. Parker erreichte seine zweite Nr. 1 in Australien und sein bisher höchstes Chart-Albumsowohl in den USA als auch in Großbritannien sowie 14 Top-10-Chartplatzierungen weltweit.

Die neue Farbversion von ”The Slow Rush” in limitierter Auflage, die zum ersten Mal seit der Erstveröffentlichung neu aufgelegt wurde, erscheint auf 180 Gramm cremeweißem Vinyl. Mit ”Lost In Yesterday”, ”Borderline”, ”It Might Be Time”, ”Breathe Deeper” und ”Is It True” taucht Parker auf ”The Slow Rush” in die Tiefen des Ozeans der Zeit und beschwört das Gefühl eines Lebens in einem Blitzmoment herauf, über wichtige Meilensteinen, die vorbeisausen, während man auf sein Handy schaut, ist es ein Loblied auf Schöpfung und Zerstörung und den unendlichen Kreislauf des Lebens.

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Various - girls with guitars know why!

A collection of guitar-wielding all-girl bands, drop-dead female frat rock, garage girls and axe-centric she-pop from the 60s. 14 hot nuggets, each one hand-picked with vinyl lovers in mind.

Features a bevy of genuine all-girl bands – namely Goldie & the Gingerbreads from the environs of New York; the Debutantes from Detroit; Florida’s the Belles; the Rums & Coke and Girls Take Over, both from Wisconsin; and Ace favourites She from California, all of whom give their male counterparts a good run for their money. The Belles, incidentally, released only one record – a killer rendition of Them’s ‘Gloria’, gender-switched as ‘Melvin’ – before drifting apart, never dreaming that copies of the disc would one day change hands for $500 a pop.

Some of the other girls receive help from male colleagues. Glenda Collins, for example, is backed by producer Joe Meek’s favoured house band the Outlaws featuring guitarist Richie Blackmore; Merseyside ex-pat Sandy Edmonds is accompanied by the Pleazers, New Zealand’s answer to the Pretty Things; and teenage trio the Chymes are supported by the Turtles.

Pressed on 180g transparent violet vinyl, with a swanky inner bag sporting a fact-filled 4,000-word track commentary and an array of rare photos.

Compilation and note by Mick Patrick

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Last In: 6 years ago
Various - Ombra INTL009

Various

Ombra INTL009

12inchOMBRAINTL009
OMBRA INTERNATIONAL
22.05.2019

Italy, Germany, and France come together for Ombra INTL 009. Wishing you well in the 6th dimension ocean we call life. Parisian darkwave duo ORDER89 join Berlin's Local Suicide and Curses and Psychedelic guitar trip of Italy's Amarcord and Parma's Dark disco champion Dog.ma.

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Last In: 5 years ago
LAVENDER FLU - BARBARIAN DUST

“In contrast to their prior mobile-unit hole-ups and home-taped fryers, Barbarian Dust, the third album from Lavender Flu, marks the band’s first raid of a proper studio. Extending the formalities further, the conceptual impetus for the sessions stems from a collective meditation on cosmic biker rock. Smokey, sure — and that peculiar, chunky ether seeps into the resulting collection — but it all ultimately
serves to a liquid frame, a set of parameters imposed purely to burst through. Compositionally and thematically, Barbarian Dust alternates between hope and anger, each idealized, a sway thoughtfully achieved through an oftensoaring, occasionally busted version of rock heaviness (without ever approaching ‘Heavy Rock’, thank heaven/hell).

In every sense of the word, it’s their most aggressive work to date. “Barbarian Dust collects songs that move in and out of wobble and explosion, each pushing forever forward, just as the composers themselves do. Galaxies past cool-butcopyist trips, Lavender Flu — brothers Chris and Lucas Gunn, Scott Simmons and Ben Spencer — slaughter the trivial in favor of a newer, deeper, more meaningful sound, indifferent to any path other than their own. Time to transform, yet again.” — Mitch Cardwell.

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The Society - You Girl / Lonely

Fuzzed-out blaster ‘You Girl’ and the brooding ‘Lonely’ by Lakewood, Ohio’s previously unheard garage punks the Society.
Starting out in 1966 but not recording until June, 1967 at the legendary Cleveland Recording in hopes of a record deal.
Presented here in a 100% analog pressing with full color insert with band biography and photos.

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The Sonics - Here Are The Sonics

At the time of its release, this LP made very little noise outside the group’s home state of Washington – but within said home state, the Sonics themselves were making enough noise to blow down every brick wall between Tacoma and Torrance, California.
Seldom has a group ever been better named. The youthful aggression in their music, coupled with singer Gerry Roslie’s ‘80 razorblades-a-day’ vocal attack and a selection of overwhelmingly brilliant riffs that underpinned some of the most wildly recorded music ever to be committed to tape, should have made the Sonics one of the biggest groups the world has ever known or heard.
Instead they went on to become celebrated by generation after generation of collectors, and other young people with an urge to rock ‘n’ roll. The overwhelming importance of tracks like ‘The Witch’, ‘Psycho’ and ‘Boss Hoss’ has provided a template for countless groups who’ve come up in their wake, and who have achieved a level of commercial success that they could never have achieved without the inspiration (direct or spiritual) of the Sonics – fellow Pacific North-Westerners Kurt Cobain’s Nirvana and their successor the Foo Fighters being, perhaps, the most obvious examples.
This facsimile release comes on 180g black vinyl. We have put all the modern legal stuff including barcode, addresses and the like on a sticker, so your thick card LP sleeve will look as original as possible.

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Richard Pinhas - Iceland 2x12"

Originally released in 1979, Iceland is Richard Pinhas' third solo album and his first following the breakup of Heldon. While moving away from the maximalism of his old band, paring down Heldon's hybrid of otherworldly sci-fi imagery and pummeling psych-prog riffs, the journey through Iceland is decidedly more inward.

Consisting of longer, brooding synth-based pieces as well as short proto-industrial études and interstitial sketches, Iceland features Pinhas' delay-ridden electric guitar, pulsating machine rhythms and analog synthesizer washes - all vivid in texture and timbre, notwithstanding an undeniably chilling ambience.

This first-time vinyl reissue includes "Wintermusic," an immersive 25-minute bonus track recorded in 1983 and appearing here on vinyl for the first time. Pinhas' excursions channel the season's stillness and sublimity, its majesty and its threat. Without a doubt, one his finest moments.

Recommended for fans of Cluster, Mica Levi and Fripp & Eno.

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Last In: 5 years ago
Wyldlife - Year Of The Snake

Wyldlife

Year Of The Snake

12inchWKC689981
Wicked Cool
17.04.2020

I feel like WYLDLIFE is kind of the biggest outlier band of our time, says Dave Feldman, lead singer of the fierce four-piece NYC Rock & Roll machine that continues its stylishly anachronistic upending of Rock ’n’ Roll expectations with their fourth album and boldest artistic statement yet, Year Of The Snake, out April 17 on Wicked Cool Records. Stuffed with catchy riffs and choruses, charmingly specific lyrics and a palpable love of 70s punk, glam and power pop, Year Of The Snake is the long-anticipated follow-up to WYLDLIFE’s Wicked Cool debut, Out On Your Block. That 2017 release, featuring their breakthrough hit Contraband, made the upper half of the CMJ and NACC college radio charts and was hailed by Thrasher as Rock & Roll that makes your heart beat faster and your fists scream. The band has also caught the attention of Andy Shernoff of The Dictators, who said, "You know what I never get tired of?....loud guitars, catchy melodies, leather jackets and bands that sneer at the camera. WYLDLIFE brings the ruckus!" Hear their ruckus in its full glory with Year Of The Snake on April 17th, 2020 digitally, on CD, and on yin/yang vinyl.

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Factice Factory - Wie Raben

Factice Factory

Wie Raben

2x12inchMINIMOOD019
Minimood
19.07.2019

Vinyl Only 2x12"

Minimood introduces a series of fusion releases between cold-wave, gothic, post-punk on the one hand and ambient, techno, house, electro on the other hand. We hope that the ensuing synthesis between categories disseminates novel as well as sustained types of inspiration. The first project in this series presents the song Wie Raben by the post-punk band Factice Factory with electronic interpretations by André Galluzzi, Christian Burkhardt, Iori, Reinhard Voigt, as well as ROD.

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Last In: 3 years ago
THE PATHETX - 1981

The Pathetx

1981

12inchTMR625
Third Man Records
27.03.2020

The formation of the Pathetx began in 1980 with singer, Mark Leavitt, and guitarist, Greg Kutcher. They had been playing together in their basements for a while and were looking to get out on stage in the punk clubs in and around Detroit. They assembled the rest of the group, drummer Ted Meek, guitarist happy Tom McHenry and 16 year old bass player Mick Nasty, through newspaper ads, local “punk walls” and music stores. The Pathetx took their inspiration from the West Coast punk scene that was happening at the time, bands like The Germs, Black Flag and Dead Kennedys, as opposed to most of the other punk bands that were kicking around Detroit who were
looking to The Stooges and MC5 to show them the way. Nunzio’s was the band’s unofficial home away from home but they played every legendary punk club in the area: Bookies Club 870, Freezer Theater, Red Carpet, Windsor’s Coronation Tavern... you name it, The Pathetx played it. They shared the stage with Detroit’s fi rst wave punk bands as well as the superstars of this new hardcore thing that was happening. They played the legendary Endless Summer Skatepark show with Necros, Negative Approach and Meatmen. Their live shows were fi lled with beer, blood and pogos. Third Man Records is proud to announce the fi rst-ever release of The Pathetx - 1981. Clocking in at 18:16 minutes

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Mats Wawa - Rock Omelettes

Mats Wawa

Rock Omelettes

12inchBLACKPOP008LP
Black Pop Records
27.03.2020

I’m terrible at describing how my music sounds. But this is definitively more AOR than indie. At last you can say that – retro is still king. The above quote is Mats Mentzen Wang’s humble attempt at describing the sound on his upcoming album Rock Omelette, the follow-up to 2018’s EP Scuzz. The young songwriter was unwittingly booked to a handful of showcase festivals in 2015, based on a few bedroom demos. And that’s how Mats Wawa was born – he needed a band. Now, four years later, Wang is older, and so are his musical tastes. Call it AOR, slacker soul or just classic rock – let the listener decide. Whatever you call it, the album is chock full of tunes. From a short rock opera about French & Moland (two Norwegian mercenaries imprisoned in DR Congo), via the song “Canned Heat” which sounds like…and to the first single “Sparkly Eyes”, some of the most beautiful blue eyed soul you’ll hear this year, with strings imported from 70’s Philadelphia. It shouldn’t surprise anyone that this record has become an eclectic collection of songs, as the following influences are named: Elton John’s Tumbleweed Connection, Laura Nyro, Lee Hazlewood, The Byrds and Jessica Pratt. Maybe that’s what Rock Omelette means. Still, the innocent naiveté that’s been Mats Wawa’s calling card, permeates the entire album, fronted by Wang’s characteristic voice which keeps it all cohesive.

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Soraia - Dig Your Roots

Soraia

Dig Your Roots

12inchWKC689931
Wicked Cool
13.03.2020

Soraia epitomizes raw power, unrelenting energy, chaos, and freedom. Above all this, Soraia's ferociously energetic, intoxicating live shows are their trademark calling card, showcasing a will to defy and survive. Singer and frontwoman, ZouZou Mansour has been referred to as "a true mix of Iggy Pop and Joan Jett" onstage. They have relentlessly toured the US, playing the dingiest corner dive bar, to the most massive amphitheaters, and were named one of 2019's "Hardest Working Bands" by Audiofemme. Throughout their career, they have opened for Joan Jett, Bon Jovi, Little Steven & The Disciples of Soul, and more.

Their upcoming album, Dig Your Roots, will be released on March 13th, 2019 digitally, on CD, and on red, black, and purple swirled vinyl. It is their sophomore LP on Wicked Cool Records, Stevie Van Zandt's (E Street Band, The Sopranos, Little Steven & The Disciples of Soul) label. The band co-wrote two of the tracks with Van Zandt (Still I Rise and Darkness Is My Only Candle), combining both of their styles to create a unique and energetic collaboration. David Fricke of Rolling Stone Magazine not only debuted the first single, 'Dangerous,' on his Writer's Block show on SiriusXM The Spectrum, but also stated of the album, "All rise for the fire and euphoria of Soraia: Dig Your Roots is your road to garage-rock salvation." Tracks from the album have been picked up by Fricke, WXPN, Keith Roth, Little Steven's Underground Garage (syndicated show and SiriusXM ch 21), Ollie Winiberg of BBC Music, and more. The album epitomizes the survival story and raw power that define Soraia as a band.

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The Flying Luttenbachers - Shattered Dimension

The Flying Luttenbachers’ “Shattered Dimension” is the first offering by the seminal cult band since 2007. It is released on CD and download on March 1st, 2019 via ugEXPLODE Records and on gatefold double LP in April 2019 via the Austrian God Records label. The current New York City based version of the group on this recording features stalwart leader and primary composer Weasel Walter on drums, saxophonist Matt Nelson (GRID, Elder Ones), bass guitarist Tim Dahl (Child Abuse, Lydia Lunch) and guitarist Brandon Seabrook.

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Last In: 6 years ago
DAVID BOWIE - Best Of Los Angeles ‘74

• 180g Picture Disc in Die-Cut Sleeve • Best of Bowie’s legendary performance from the Universal Amphitheater, Los Angeles • Broadcast on KMET-FM • Digitally remastered for greatly enhanced sound quality • Background liners

“Come out of the garden, baby”, and revel in the sounds of David Bowie’s spectacular Diamond Dogs Tour. Protus very proudly brings together the best of Bowie’s gig at the Universal Amphitheatre in Los Angeles, 5 September 1974, broadcast live by 'KMET' radio station, which featured an extraordinary set list showcasing work from several key Bowie albums including Ziggy Stardust and the Spiders from Mars, Aladdin Sane, Hunky Dory, and of course, Diamond Dogs.

One of the most expensive tours in popular music history, the tour and the album helped the star to crack the North American market.

David Bowie – Vocals
Michael Kamen – Electric Piano, Moog Synthesizer, Oboe
Mike Garson – Piano, Mellotron
Earl Slick – Guitar
Carlos Alomar – Rhythm Guitar
David Sanborn – Alto Saxophone, Flute
Richard Grando – Baritone Saxophone, Flute
Doug Rauch – Bass
Greg Errico – Drums
Pablo Rosario – Percussion
Gui Andrisano – Backing Vocals
Warren Peace – Backing Vocals
Ava Cherry – Backing Vocals
Robin Clark – Backing Vocals
Anthony Hinton – Backing Vocals
Diane Sumler – Backing Vocals
Luther Vandross – Backing Vocals

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Last In: 5 years ago
DESTINY, Bob - Wang Dang/Mahna (Troubles)

LIMITED TO 300 COPIES. NOT TO BE REPRESSED.

Raw and wild soul-funk-r&b-garage from 1970, recorded and released only in Algeria! Imagine JAMES BROWN fronting THE SONICS!

Born in Puerto Rico, Bob Destiny grew up in Harlem (USA) and has a fascinating story: from starting playing piano as a child (self-taught) and tap dancing with the Five Chocolate Drops when he was 6 years old, to meeting Billie Holliday and playing with her; from appearing in a film with Shirley Temple to musicals in Broadway, dancing at Mankiewicz’s movie “Cleopatra”, singing at the San Remo Festival...

In 1969, Bob went to Algeria to teach music at the Algerian National Theater. He also continued with his singing career while living there. In 1970, he released a couple of 45s featuring “Wang Dang” and “Mahna (Troubles)” on the Freedom Musique label. He was also involved with the creation of the first Pan African Festival with Mahboud Bati and Frank Pourcel.

These 45s are very rare and were first discovered by the great Habibi Funk label a few years ago, who included “Wang Dang” on one of their compilations. For our Pharaway Sounds 45, we’ve selected one track from his first 45 and another from his second one.

After playing in Morocco with Hahmed Maraki and forming bands like The Fingers, Bob arrived to Spain in the 80s. He created a jazz school in Zaragoza and was involved with the famous “Jazz en la Margen” festival. In the 90's, Bob move to France, focusing in composition, gospel, musicals and soundtracks. Sadly, he passed away on March 31, 2016.

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LEVEE CAMP MOAN - Levee Camp Moan

Levee Camp Moan

Levee Camp Moan

12inchSOMM058
SOMMOR
19.02.2020

ONE OF THE RAREST PRIVATE BLUES-ROCK ALBUMS FROM THE UK, ORIGINALLY RELEASED IN 1969. ORIGINAL ARTWORK. INCLUDES INSERT WITH RARE PHOTOS AND FULL BAND HISTORY BY PETE SARFAS. RIYL: CHICKENSHACK, SAVOY BROWN, FLEETWOOD MAC, …

In 1969 Bracknell based blues rock outfit Levee Camp Moan released what was destined to become one of the most sought after UK private pressings of the period. Issued on the County Recording Services label (SVVS 132), a small run of discs was pressed up and sold locally at gigs as well as being handed out to friends. Housed in an obligatory custom built sleeve that had a snapshot of the group pasted onto the front, this LP marked out their status as one of the most exciting bands to emerge out of the thriving local underground scene in the Bracknell Delta.

The group had taken their name from the old blues number and the band members, manager and assorted roadies took up residence in a local farmhouse known as Peacock Farm. It was there that LCM would rehearse into the small hours thumping out a mixture of blues standards as well as their own compositions until they had become a tight unit ready to 'take on the world'.

Influences ranged from the urban blues of Otis Rush, Buddy Guy and Junior Wells to Muddy Waters, Skip James and beyond. The more or less contemporary white blues of the time, Canned Heat, Savoy Brown and Paul Butterfield also served as a major source of inspiration.

From their humble roots LCM quickly built up a following on the British Blues circuit, frequenting the likes of the Marquee, Crawdaddy, Klooks Kleek, Eel Pie Island and Rikki Tik club. On the college circuit they toured extensively with Chickenshack, Canned Heat and Muddy Waters with performances being of a high enough standard to generate record company interest.

Unable to secure a record deal, they had no other choice but to do it themselves. And so it was in the winter months of early '69 that LCM entered Virgin Sound in nearby Windsor to lay down eight tracks recorded on a four track machine. At the time of its creation the term private pressing would have had little or no relevance in musical circles and the significant thing to remember is that in such cases there is no record company interference and what the band was able to produce under these conditions was the archetypal private pressing, raw, under produced and thrillingly primitive.

The project successfully captured the spirit and aggression of an exciting new band and the original artefact is now a zeitgeist of that remarkable era. After Levee Camp Moan, Ian Campbell went on to carve out a busy musical career performing with, amongst many others, the Nashville Teens, Arthur Brown's band and Mungo Jerry.

Bassist Dave Stubbs played with a host of notables including gigs in Eric Clapton's band and lengthy tours with Uli Jon Roth (ex Scorpions). This is the first, legitimate vinyl reissue of this extraordinarily rare album. “…gives an intriguing indication of how the first couple of Fleetwood Mac LPs might have sounded had Christine Perfect joined the band three years earlier.” – Richard Falk (Galactic Ramble).

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Tom Jones - The World Of Tom Jones

"In the late 1960's, Decca was playing to its strengths – mass marketing classical and easy-listening recordings just as it had been doing since the late 1920's. In April of 1968, Decca entered into a venture that would see its repertoire prominently displayed by non-specialist retailers, and after much resistance, it moved into the world of budget releases, with the beginning of its much loved ‘The World Of’ series in 1968.

The first album set out the series’ stall perfectly, focusing on one of the label’s biggest-selling artists. Its whole raison d’être was to drive sales of the artist’s repertoire: inviting consumers to dip in here and discover more, while the rear sleeve clearly offered the catalogue numbers of the parent albums.

Later, the World Of ’s would also become treasure troves for rarities and one-offs.nitially, the series stayed in the ‘Easy’ territory and by the end of ’69, 54 titles were available. Unsurprisingly, given the label’s heritage, classical repertoire would also become a mainstay.

The first classical LP was one of the early issues:
The World of Johann Strauss. The series treated classical music much like pop: compiling the most popular pieces and presenting them across two sides.

• 180 GRAM HEAVYWEIGHT VINYL • CUT AT ABBEY ROAD STUDIOS
• NEWLY-COMPILED SELECTIONS FROM DECCA’S ILLUSTRIOUS CATALOGUE • Please note: The World of Nothern Soul - previous orders still stand.

pre-order now03.02.2023

expected to be published on 03.02.2023

WICKED LADY - Run The Night/I’m A Freak

LIMITED TO 500 COPIES. NOT TO BE REPRESSED.

Two killer Wicked Lady tracks pressed for the first time on a 45rpm 7” for maximum volume & power! “Run The Night” (recorded in 1969, taken from the “Axeman Cometh” album) it’s raw psychedelic hard-rock with dirty fuzz-wah, sounding like a mix between Black Sabbath and The Stooges! “I’m a Freak” (recorded in 1972, taken from “Psychotic Overkill”) it’s a proto-Motörhead hard-rock bomb!

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Various - DOWN UNDER NUGGETS VOL.1 (AUSTRALIA 1965-67)

Originally released in 2012 and long out of print, Down under Nuggets is a highly exciting treasure trove of frantic garage hits. There's no filler in this two fuzz drenched volumes, just gem after gem of wild, untamed 60's Rock'n'Roll from the land of Oz.

29 tracks total (15 on Volume 1 and 14 on Volume 2) of manic, loud and in your face teenage angst from luminaries such as the Missing Links, the Black Diamonds, the Purple Hearts, the Loved Ones, the Lost Souls, the Throb, the Wild Cherries and many more.

You even get early and surprisingly raw stompers from the likes of better known bands as the Easybeats or the Bee Gees and the legendary full/length 5>29 version of the Sunsets- classic -The Hot Generation-. Absolutely essential for any 60's Garage rock fan with a pinch on blood on his veins.

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Various - DOWN UNDER NUGGETS VOL.2 (AUSTRALIA 1965-67)

Originally released in 2012 and long out of print, Down under Nuggets is a highly exciting treasure trove of frantic garage hits . There's no filler in this two fuzz drenched volumes, just gem after gem of wild, untamed 60's Rock'nRoll from the land of Oz.

29 tracks total (15 on Volume 1 and 14 on Volume 2) of manic, loud and in your face teenage angst from luminaries such as the Missing Links, the Black Diamonds, the Purple Hearts, the Loved Ones, the Lost Souls, the Throb, the Wild Cherries and many more.

You even get early and surprisingly raw stompers from the likes of better known bands as the Easybeats or the Bee Gees and the legendary full/length 5>29 version of the Sunsets- classic -The Hot Generation-. Absolutely essential for any 60's Garage rock fan with a pinch on blood on his veins.

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CANDLEBOX - CANDLEBOX

Candlebox

CANDLEBOX

2x12inchMOVLP2499C
Music On Vinyl
19.06.2020

Seattle rock band Candlebox found immediate success with the release of their self-titled debut album in July 1993. Certified platinum by the RIAA four times, it sold more than 4 million copies and peaked at No. 7 on Billboard’s album charts. The album features the singles “Change”, “You”, “Far Behind”, and “Cover Me”.

The tremendous radio, concert, and television success gained them a main-stage slot at Woodstock ‘94 and put Candlebox at the forefront of the 90's post-grunge scene.

The vinyl edition of Candlebox includes the 11 original album tracks (incl. “Blossom”) on 2 LP’s and is available as a limited edition of
2000 individually numbered copies on silver coloured vinyl.

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EISLEY - ROOM NOISES

Eisley

ROOM NOISES

12inchMOVLP2609
Music On Vinyl
21.02.2020

Room Noises is the debut album by the American indie rock/pop band 'Eisley'. The album spawned three singles: “Memories”, “Telescope Eyes”, and “I Wasn’t Prepared”. It was placed at number 9 among Paste magazine’s top albums of 2005. The dreamy sound on this album is pretty unique and the album contains a healthy dose of fragile songs. Fans of dreampop and indie music will be enamoured.

Room Noises is available as a limited edition of 1000 individually numbered copies on gold coloured vinyl. The package includes an insert.

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