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MARCOS VALLE - CINZENTO

TRACKLIST A1. Reciclo A2. Se Proteja A3. Redescobrir A4. Rastros Raros A5. Pelo Sim, Pelo N–o B1. Cinzento B2. Nada Existe B3. Posto 9 B4. Só Penso Em Jazz B5. Lugares Distantes INFO Marcos Valle launches in LP the new album "Cinzento" (Deck). The record, due to its minimalist design, with little instrumentation and different grooves, refers to his 1973 "Previs–o do Tempo". "Cinzento" comes with new partnerships such as Moreno Veloso (on the track "Redescobrir"), Bem Gil ("Se Proteja"), Kassin ("Lugares Distantes"), Zélia Duncan ("Rastros Raros") and Domênico Lancelotti ("Pelo Sim, Pelo N–o"), among others. Renowned rapper Emicida collaborates on two songs, sharing vocals with Valle. The partnership between the musicians came about through a suggestion by journalist Marcus Preto. Once the connection was set, Valle went to know better the S–o Paulo-born musician work and sent him a melody. Hence the two prospered the collaboration that culminated, even, with the title track. Produced and arranged by Marcos Valle himself, "Cinzento" was recorded at the Tambor studio (Rio de Janeiro) and hits shelves on vinyl as a Polysom release.

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Последний логин: 6 г. назад
CAMARÃO ORKESTRA - NAÇÃO ÁFRICA

The turntable’s tonearm waves and indicates the West direction, as if it wanted to tear and
take off for Brazil? It’s alright; it's just playing Nação África, new single by Camarão
Orkestra, the most Brazilian of Parisian bands.
Sinewy bass and battery pulsating, it’s stitched to the dancefloor that "Nação África" spreads
its groove. And it's with a variety of keyboards and synthesizers that the tight production
maintains a level of constant motion, surrounded by the burning riffs of the brass section and
Amanda Roldand's refreshing vocals.
Anywhere close to a good record, you’d usually find Patchworks hanging around. He
satiates here his compulsive remix addiction, first by loosening the pressure of the bass,
giving us more fresh air, and covering the mix with airy synth patches. Then with a dub
version where he puts vocals and instruments inside echo chambers and effects corridors of
different scales. The bass becomes rubbery, the beat is robotized and, slowly, an electro
vibes seizes the title.
Nação África announces the return of Camarão Orkestra in the crates, just an appetizer
before a new album… Or two…

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MARCOS VALLE - Marcos Valle

Marcos Valle

Marcos Valle

12inchVAMPICL215
Vampisoul
25.03.2020

LTD COLOURED VINYL EDITION

Exclusive Cargo Records Edition! 300 copies on orange vinyl! HIGHLIGHTS Recorded in Brazil after spending the late 70s in the US, Marcos Valle brought together his innate talent and diverse influences on this irresistible record bursting with groove. Among a selection of top musicians, the line-up features Lincoln Olivetti & Robson Jorge and Leon Ware. Includes the Brazilian boogie anthem 'Estrelar', Marcos Valle's biggest hit from the 80s and one of the most celebrated songs in his entire career. The album is full of soaring disco tracks, killer vocal boogie numbers and blissing instrumentals over a well-balanced tracklist that satisfies both the listening pleasure and the dancefloor needs. Essential! Presented in facsimile artwork and pressed on 180g vinyl. DESCRIPTION Marcos Valle is one of the few artists you cannot miss if you have the slightest interest in Brazilian music. Whether your taste is focused on bossa jazz, samba, psych folk or soul, Valle has surely recorded a great album for you. By the late 60s he had already put out enough quality records to secure a place within the top Brazilian songwriters of all time, but his career luckily did not stop there and he continued releasing amazing music over the following decades until this day. He settled in Los Angeles in the mid-70s, tired of living under Brazil's military dictatorship, and started to collaborate with such talented artists as Leon Ware or Chicago. This self-titled LP from 1983 is the follow-up to the great "Vontade de rever você" (1981) and his second album after moving back to Brazil. It shows all the music influences received during his US years, especially boogie, soul and funk, featuring stellar collaborators: Lincoln Olivetti & Robson Jorge on keyboards and guitar and Leon Ware on backing vocals. The opening track, the Brazilian boogie anthem 'Estrelar', is Marcos Valle's biggest hit from the 80s and one of the most celebrated songs in his entire career, making clear that what he accomplished while in LA would now make its way into Brazil. 'Estrelar' is devoted to workout exercises under the sun and Valle pictures a beach lifestyle and summertime vibe across the entire album that pretty much describes his surfing days in Southern California. A couple of early Valle's classic songs, 'Samba De Verao' and 'Viola Enluarada', are updated here to sit nicely next to soaring disco tracks, 'Para Os Filhos De Abraao', killer vocal boogie numbers, 'Dia D', and blissing instrumentals, 'Naturalmente'. And the list goes on and on over a well-balanced tracklist that satisfies both the listening pleasure and the dancefloor needs. This is an essential album for lovers of 80s cool sounds and the work of Leon Ware, who is the co-writer of three songs in the LP, including the massive 'Estrelar' that was first drafted when both artists were working together in the States and then recorded again when Valle returned to Brazil.

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ZE ROBERTO - LOTUS 72 D

Ze Roberto

LOTUS 72 D

7"-VinylMRB7156
Mr Bongo
14.04.2025

Biig Brazilian tune by Ze Roberto aka Joaquim Roberto Brag.. Here reissued on 7inch with the orgiinal version and the fast version (that was compiled on the Via Brazil compilations begin 2000) Big tune!

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Последний логин: 12 мес. назад
Santana - Tigers Head

Santana

Tigers Head

2x12inchTB6232
Tiger Bay
31.05.2020

In 1969 at Woodstock a relatively little-known band from San Francisco, led by a young guitar virtuoso named Carlos Santana, wowed audiences with their new breed of Latin-tinged rock. The festival catapulted Santana's self-titled debut album to the number one spot on the U.S. charts and onto superstardom. However, before
Woodstock, Santana had been playing around the Bay Area for almost two years. Tiger's Head' is a collection of live tracks recorded during Santana's early period of 1968/69, presented as a deluxe limited edition on white vinyl.

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Syncro Jazz - Live

Syncro Jazz

Live

12inchMAD020
Mad About Records
23.06.2020

Rare Brazilian spiritual jazz. Reissue for the first time worldwide from the original master tapes. Legendary sessions produced by Amado Maita. Deluxe Numbered Limited Edition with OBI and thick cover. Recorded Live at S. Paulo in 1982 it was originally issued on Amado Maita’s small indie label in the 80's called Poitou.

Featuring one of the best Brazilian Sax Players, the legendary Nestico and his sister composer, piano player Lilu. Nestico joined several Jazz ensembles in São Paulo, having participated in 1977 in the first Jazz festival held at the Municipal Theater, alongside the musicians Samuel (piano), Nilson (bass) and Caram (drums).

He performed several times in São Paulo with Syncro Jazz group. In 1982 released with the ensemble the LP “Syncro Jazz - Live”, along with the musicians Lilu Aguiar (piano), Peter Wooley (bass), Vidal (sax and flute), Dagmar (trumpet) and Ronny Machado ( drums).

In the repertoire, the songs “Pro César”, dedicated to pianist César Camargo Mariano, “Winter know” and “Black Cock”, all by Lilu Aguiar, “For Guzi” (Peter Wooley), “Cruzan” (M. Santamaria) and Revelation (S. Fortune). The LP contains amazing Fender Rhodes solos in a Heavy Modal Spiritual and Bossa Jazz a la Strata-East & Black Jazz Records.

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Последний логин: 5 г. назад
Martin Buscaglia - Basta de Musica

"The Uruguayan Prince" Monocle

RIYL: Tropicalismo, Candombe, Tima Maia, Jorge Drexler, Baile Funk

Uruguayan singer-songwriter, multi-instrumentalist and producer Martín Buscaglia returns with the new album Basta de música (enough with the music), a dazzling and often surprising record of folk, electronica with a traditional Uruguayan shake.

A key figure in the Southern Cone contemporary music scene for some years now, his chameleon like approach to music, matching a range of different Latin American genres with psychedelic grooves, has repeatedly earned him the moniker of 'Montevideo's Beck'.

His variable approach to music is perhaps best demonstrated in the singles that have preceded this album. The bouncy, uptempo Me Enamoré is followed by the sweet, lo-fi folk of Para Vencer. The third and final single, the bass heavy and glitchy Chuza, is yet another change in pace.

In the past Martín has recorded and played with a wide diversity of Latin artists like Jorge Drexler, Arnaldo Antunes, Julieta Venegas, Leo Masliah, Jaime Roos, Juana Molina, Jackson Browne and Os Mulheres Negras. He has also composed for Theatre, for Carnival and played Salsa bass on cruises of the Caribbean, and even acted as "host" with Paul McCartney for Caetano Veloso's shows in Uruguay.

"The album was recorded in analogue fashion", explains Buscaglia "everything you hear was actually played manually, including effects, drum machines, and programming. Some parts of that programming were assembled with combinations of keyboard presets recorded with microphones, others by finger drumming, and others using prehistoric samplers."

A renowned guitarist, on this album, Buscaglia turns to piano and percussion: "The way I play the piano oscillates between a bubonic plague-ridden Bola de Nieve and Hugo Fattoruso with a sunstroke on the Kon Tiki."

However the biggest influence on this latest record was the three years he spent doing a radio show - "La Casa del Transformador" - for Gladys Palmera.

As Martin explains, "Those broadcasts slowly but surely shaped a certain island and jungle vibe."

Despite his numerous connections none of the musicians who appear on this new album are what you would describe as famous.

"As Hollywood has shown us on numerous occasions, the more stars are in a movie, the higher the chances it's an unnecessary jumble." Hence the sobriety. "If there's one famous guest on it, it's probably Milan Cardozo, an 80-year-old Paraguayan harpist who lives in the jungle of Misiones, and who collaborates on a couple of songs with the harp he built himself."

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Edu Passeto & Gui Tavares - Noite Que Brincou De Lua

As a label guided by the mission of sharing the lesser heard sounds of Brazil with the world, Far Out Recordings are delighted to present the first official vinyl reissue of Edu Passeto & Gui Tavares' Noite Que Brincou De Lua: a super rare and largely unheard masterwork of MPB, originally released in 1981. Disciples of the Clube Da Esquina movement, pioneered by Milton Nascimento and Lô Borges, Edu & Gui mixed psychedelic folk, jazz, bossa, and rock for an album of soulful, dreamy Brazilian pop, with stunning arrangements and lush vocal harmonies. Having first met performing on the music festival circuits of São Paulo and Minas Gerais, it wasn't long before Edu and Gui struck up a thriving song writing partnership and close friendship, united not only by the love of music, but by shared ideals of liberation and greater equality for humankind. The duo's motivation stemmed from a desire for social and political change, during what turned out to be the final years of the Brazilian military dictatorship. Prior to recording, Edu and Gui had to tread carefully with their lyrics, which had to be submitted to the federal censorship authorities before release. Their first application was rejected after the lyrics were deemed to contain too much direct social criticism. 'Profome' (translated 'Pro-hunger'), a song characteristically bittersweet in tone, was initially a matter of fact portrayal of the desperately poor social conditions many people in Brazil faced at the time. Back to the drawing board, Edu and Gui, like many persecuted artists from this era had to refine their lyrics to convey their message more subtly.It took the best part of a year to complete the album, with Edu and Gui saving every scent they could spare from gigging and hitchhiking the 100km to each session from their home in Campinas, so that they'd have enough money to pay for studio time in Abertura Studios, São Paulo. Although the album gained a respectable amount of radio play in the years that followed, it's remained in relative obscurity, despite its spellbinding qualities, evident on tracks like 'Sabiá na Palmeira', a sweet Brazilian rare-groove with shades of Leroy Hutson, and the psych-folk tinged 'Seguir', which harks to the dreamiest moments of Milton Nascimento and Marcos Valle.
Edu and Gui called time on their musical partnership in 1986 when Gui moved to Rio De Janeiro, but they remained close friends until Edu sadly passed away in 2008 after a series of health complications. There is a street named after him in his home city of Campinas, São Paulo. Today, Gui Tavares lives in London, still making music and working within a plethora of Brazilian music projects which include the direction of his own choirs Cantar Vocal Ensemble and Nossa Voz, as well as working with Creative Brazil, who conduct Brazilian music workshops in schoolsThis limited-edition official reissue has been remastered from the original ½ inch tapes and pressed to heavyweight 180g vinyl.

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Marcos Valle - Samba ''Demais''

Marcos Valle

Samba ''Demais''

12inchCRNBR16050
CORNBREAD
20.03.2018

Marcos Valle's incredible 1963 debut, Samba ''Demais'', established him as one of the premier performers and composers in the emerging Brazilian popular music landscape. Barely out of his Rio high school, where classmates included fellow Brazilian musical legends Edu Lobo and Dori Caymmi, Valle caught the eye of label executives and had a debut record out before his 20th birthday. Though he would later go on to be a massive superstar across his native country and a cult figure throughout the rest of the world, these humble beginning show Valle already had a complete mastery of the samba songwriting form and was already a brilliant performer. An essential Brazilian title on 180 gram vinyl with 1 bonus track from Cornbread.

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Последний логин: 6 г. назад
Various - Mr Bongo Record Club - Volume 2 (2x12")

This instalment follows on from our acclaimed 'Volume One' - Lauren Laverne's 'Compilation Of The Week', supported by the likes of Disclosure, Jeremy Underground, Horsemeat Disco, Hunee and Laurent Garnier. 'Volume Two' picks up where the last one left off — with a touch more soul and disco — records we've been spinning in our DJ sets and on the radio show of the same name, that inspired this series.

We opened a new record shop in the centre of Brighton late in 2016 - 13 years after the mighty London store closed it's door. Now situated on the ground floor of our Gloucester Yard home the shop is open every Saturday to sell records that we love, some of which you'll hear on the radio shows, and on this album.

It's been a resounding success and we've been able to host sunny instore events and Facebook Live broadcasts with guests including Nick The Record, Dimensions Festival family Debora Ipekel, Flamingods, Slugabed, The Physics House Band and Remi Kolawole & Sensible J.

In 2017 and beyond, we will be releasing more of our official reissues including lesser-known essentials from Brazil, such as Gal Costa's 'India', Robson Jorge & Lincoln Olivetti, Burnier & Cartier alongside 1980's Mexican psychedelia from Luis Perez. We've been digging deep, and will share another edition of our 'The Original Sound of...' series, this time across the border from Mali to neighbouring Burkina Faso. As ever, you'll hear these first, on our radio shows.

There will be more 'Mr Bongo Presents' events - we brought Alain Mion & Cortex to the Jazz Cafe in London in 2017 - and we've highly anticipated slots at Bestival and Lost Village festivals, plus a return to RAPPCATS in Los Angeles, more guest shows on Worldwide FM and NTS Radio and, of course, the continuation
of our own radio shows.

Compiled by David 'Mr Bongo' Buttle and Gareth Stephens,
plus a few personal favourites from Gary Johnson, Ville Marttila and Graham Luckhurst.

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Последний логин: 2 г. назад
Celia - Celia

Celia

Celia

12inchMRBLP188
Mr Bongo
05.02.2019

Beautiful debut album from the incredible, Ce´lia. Conducted & arranged by Arthur Verocai and Roge´rio Duprat; featuring songs by Lo Borges, Antonio Adolfo and Joyce amongst others.
Ce´lia recorded four self-titled albums for Continental between 1971 and 1977, 'Amor' in 1982 plus several more before she sadly passed away late in 2017, aged 70. This is her debut album from 1970.
Ce´lia was a Brazilian vocalist who worked frequently with master arranger-composer Arthur Verocai in her early years and many other heavyweights over the course of her extensive career. Joyce was particularly supportive in the making of this album, writing the beautiful 'Abrace Paul McCartney' and her husband at the time, Nelson A^ngelo, recorded some of the songs.
Features an exclusive insert of a translated interview with Celia, completed in 2011 in her hometown of Sa~o Paulo. Focusing, in particular on her recording work with Arthur Verocai, it showcases her wonderful sense of humour and how she was embracing her new legion of fans, particularly in the world of hip hop.
Official Mr Bongo reissue. Licensed from Warner Music.

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Последний логин: 6 г. назад
LOS AFROINS - GOZA LA SALA

Los Afroins

GOZA LA SALA

12inchVAMPI213
Vampisoul
31.03.2020

Los Afroins was the flagship salsa band of the obscure but beloved INS label from Colombia. Their 1975 LP "Goza La Salsa" is just as hard to find as their first record, and contains 10 bright and sassy salsa dura treasures that light up the dance floor with their incessant rhythms, syncopated trumpets and trombone and buoyant melodies. There are smoking covers of hits by Panama's Bush y sus Magníficos ('Salsa Al Pindin') and Bronx timbalero Orlando Marín and His Orchestra ('Está De Bala') as well as updated renditions of old Cuban chestnuts 'La Masacre' (written by Joseíto Fernández of 'Guantanamera' fame) and 'Matusa' (originally titled 'Macusa', composed by Francisco Repilado aka Compay Segundo).

The entire record makes for a very tasty and satisfying party platter filled with guaguancó, mozambique, pachanga, descarga and bolero that deserves to be more accessible and better known by today's fans of Colombian salsa who may have heard of The Latin Brothers or Sonora Carruseles, but have yet to discover the short-lived but highly sought after Los Afroins. "Goza La Salsa" is presented here in facsimile artwork and pressed on 180 gram vinyl.

“The aptly named Goza La Salsa (Enjoy Salsa) is the second album by Los Afroins, the flagship salsa band of the obscure but beloved INS label (Industria Nacional Del Sonido Ltda., Medellín, Colombia). The combo's repertoire focused mostly on cover versions hit tunes from New York, Cuba and Puerto Rico, both classic and contemporary, but for this record, their sophomore outing from 1975, their arrangements got tighter and there are more original compositions, which makes for a satisfying evolution in both style and content. Pianist Agustín "El Conde" Martínez, who would later work with Joe Arroyo and Juan Piña, led the group and did some arranging, with studio session production by INS artistic director Alfredo "Sabor" Linares. The vocals were handled by a pair of fresh-faced singers, Lucho Puerto Rico and Roy "Tayrona" Betancourt, who would later go on to fame in the 1980s, the former with his own Lucho Puerto Rico Y Su Conjunto Sonero and Conjunto Son Del Barrio (both in collaboration with Alfredo Linares), and the latter with Willie Salcedo, Reales Brass De Colombia, and Los Caribes. Additional arrangements were by Luis Felipe Basto of Los Black Stars and Luis E Mosquera, while the rest of the band was made up of INS related studio musicians. Goza La Salsa is just as hard to find as their first record and contains 10 bright and sassy salsa dura treasures that light up the dance floor with their incessant rhythms, syncopated trumpets and trombone and buoyant melodies. There are smoking covers of hits by Panama's Bush y sus Magníficos ('Salsa Al Pindin') and Bronx timbalero Orlando Marín and His Orchestra ('Está De Bala') as well as updated renditions of old Cuban chestnuts 'La Masacre' (written by Joseíto Fernández of 'Guantanamera' fame, and a hit for Cuarteto Caney) and 'Matusa' (originally titled 'Macusa', composed by Francisco Repilado aka Compay Segundo and made famous by Duo Los Compadres). This time around there are six excellent originals with the hottest pair being Lucho Puerto Rico's theme song 'Puerto Rico Power' and the percussion heavy final track, 'Alejada' sung and composed by Roy Betancourt. Just like the first album, the entire record makes for a very tasty and satisfying party platter filled with guaguancó, mozambique, pachanga, descarga and bolero that deserves to be more accessible and better known by today's fans of Colombian salsa who may have heard of The Latin Brothers or Sonora Carruseles, but have yet to discover the short-lived but highly sought after Los Afroins." Pablo E Yglesias DJ Bongohead of Peace & Rhythm

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Последний логин: 5 г. назад
Ranil - Ranil Y Su Conjunto Tropical

The 11th Limited Dance Edition Ranil y su Conjunto Tropical. Fourteen mindblowing Cumbia masterpieces - many of which have never seen wide release outside the Amazonian region. Ranil comes as a Limited Edition LP in Gatefold Cover pressed on 180g high quality virgin vinyl and includes a beautiful LP-size poster. Don't miss this powerfull LP!

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Various - Britxotica! Goes Wild!

Various

Britxotica! Goes Wild!

12inchJBH072LP
Trunk
24.09.2018

Volume five of the killer Britxotica! series, looking this time at 16 super rare and briliantly bonkers latin and percussive pop cues from the wild British Isles!

HISTORY:
Britxotica! (pronounced 'Britzotica') neatly describes an odd and yet undocumented pre-Beatles British musical scene where famed UK composers as well as unknown singers and bandleaders threw convention on holiday and went wild wild wild! Put together by Jonny Trunk with DJ / tastemaker and Smashing nighclub legend Martin Green, these groundbreaking new compilations shine new light on lost and forgotten corners of British culture and sound.

For this, Part Five of our planned Britxotica! series we head to lively latin tinged dancefloors where Brits could cha cha cha to the KIrchin band, 'Jump In The Line' with Frank Holder and Mambo with Ido or Don. This killer collection of British dance obscurities brings us lively sounds from the rarest UK record bins, including this time an amazing cover version of the legendary loungecore hit 'House Of Bamboo' plus the stunning 'Jonny One Note' by Ted Heath, the track that originally introduced John Craven's Newsround. To sum up, this is another exciting, wild and occasionally bonkers compilation by Jonny Trunk and Martin Green, two of the UKs most wild record collectors. Also, there are men in underpants on the sleeve, What's not to like

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Последний логин: 7 г. назад
Marcos Valle - Vontade De Rever Voce

First vinyl reissue of this fantastic 1981 album by Marcos Valle, one of the essential artists of Brazilian music.

Recorded in Brazil after spending the late 70s in the US, Marcos Valle brought together his innate talent and diverse influences on this irresistible record bursting with groove. Among a selection of top musicians, the line-up features Sivuca, Chicago's Peter Cetera, Robson Jorge and Azymuth's Jose Roberto Bertrami. Presented in facsimile artwork and pressed on 180g vinyl. A Record Store Day release.

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Последний логин: 4 г. назад
ALLEN TOUSSAINT - Wild Sound Of New Orleans

This is an exact repro reissue of an early Allen Toussaint record, originally released in 1958 and one of his earliest solo recordings. Compelling and soulful New Orleans R&B, featuring the songs "Whirlaway," "Up The Creek," "Happy Times," "Nowhere To Go" and "Nashua."

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ETTA JAMES - Etta James

Etta James

Etta James

12inchWLV82140
WAX LOVE
06.03.2020

After the huge success of the first two albums At Last! and The Second Time Around, Etta James in 1962 suddenly became THE Queen of soul music and this record, originally released on Argo Records, shored up her fame, paving the way to her ascent to stardom.

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JOHN COLTRANE - Africa

John Coltrane

Africa

12inchWLV82142
WAX LOVE
06.03.2020

"Recorded on June 24 1958 at the Van Gelder Studio in Hackensack, NJ, these sessions (except for the bonus, 'Once In A While' ) feature original compositions by Wilbur Harden (best known for his work with Yusef Lateef and John Coltrane) and hard-bop trombonist Curtis Fuller (best known for his work with Art Blakey's Jazz Messengers and appearance on the classic Blue Trane album).The 32-year-old John Coltrane had only just recorded Blue Train a year earlier and it is interesting to hear his style beginning to stretch out, as he makes his musical transition from strict hard bop to the groundbreaking style that would become legendary the following year on Giant Steps, making Coltrane one of the biggest names in jazz."

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MILES DAVIS - Kind Of Blue

Miles Davis

Kind Of Blue

12inchWLV82137
WAX LOVE
06.03.2020

One the most beautiful and essential albums of all times. The 1959 Miles Davis's masterpiece is one of those rare pieces of art beyond ages and genres. A must have for any musically sensitive human being on earth. Miles Davis - trumpet, John Coltrane - tenor sax, Cannonball Adderley - alto sax, Bill Evans and Wynton Kelly - piano, Paul Chambers - bass, Jimmy Cobb - drums.

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SAM COOKE - Night Beat

Sam Cooke

Night Beat

12inchWLV82138
WAX LOVE
06.03.2020

Sam Cooke, inventor and true King of Soul, recorded Night Beat in 1963, an album that was more bluesy and moodier than we had seen before from Cooke. Night Beat is an album that approaches the music at a slow pace but is never lazy. It is easy-going without losing its keen sensibilities.

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MARCOS VALLE - Marcos Valle

Marcos Valle

Marcos Valle

12inchVAMPICL215
Vampisoul
17.06.2020

LTD COLOURED VINYL EDITION

Exclusive Cargo Records Edition! 300 copies on orange vinyl! HIGHLIGHTS Recorded in Brazil after spending the late 70s in the US, Marcos Valle brought together his innate talent and diverse influences on this irresistible record bursting with groove. Among a selection of top musicians, the line-up features Lincoln Olivetti & Robson Jorge and Leon Ware. Includes the Brazilian boogie anthem 'Estrelar', Marcos Valle's biggest hit from the 80s and one of the most celebrated songs in his entire career. The album is full of soaring disco tracks, killer vocal boogie numbers and blissing instrumentals over a well-balanced tracklist that satisfies both the listening pleasure and the dancefloor needs. Essential! Presented in facsimile artwork and pressed on 180g vinyl. DESCRIPTION Marcos Valle is one of the few artists you cannot miss if you have the slightest interest in Brazilian music. Whether your taste is focused on bossa jazz, samba, psych folk or soul, Valle has surely recorded a great album for you. By the late 60s he had already put out enough quality records to secure a place within the top Brazilian songwriters of all time, but his career luckily did not stop there and he continued releasing amazing music over the following decades until this day. He settled in Los Angeles in the mid-70s, tired of living under Brazil's military dictatorship, and started to collaborate with such talented artists as Leon Ware or Chicago. This self-titled LP from 1983 is the follow-up to the great "Vontade de rever você" (1981) and his second album after moving back to Brazil. It shows all the music influences received during his US years, especially boogie, soul and funk, featuring stellar collaborators: Lincoln Olivetti & Robson Jorge on keyboards and guitar and Leon Ware on backing vocals. The opening track, the Brazilian boogie anthem 'Estrelar', is Marcos Valle's biggest hit from the 80s and one of the most celebrated songs in his entire career, making clear that what he accomplished while in LA would now make its way into Brazil. 'Estrelar' is devoted to workout exercises under the sun and Valle pictures a beach lifestyle and summertime vibe across the entire album that pretty much describes his surfing days in Southern California. A couple of early Valle's classic songs, 'Samba De Verao' and 'Viola Enluarada', are updated here to sit nicely next to soaring disco tracks, 'Para Os Filhos De Abraao', killer vocal boogie numbers, 'Dia D', and blissing instrumentals, 'Naturalmente'. And the list goes on and on over a well-balanced tracklist that satisfies both the listening pleasure and the dancefloor needs. This is an essential album for lovers of 80s cool sounds and the work of Leon Ware, who is the co-writer of three songs in the LP, including the massive 'Estrelar' that was first drafted when both artists were working together in the States and then recorded again when Valle returned to Brazil.

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Sessa - Grandeza

Sessa

Grandeza

12inchBOI011
Boiled Records
22.06.2020

Grandeza, the debut album by Sao Paulo’s Sessa, points to new, subtle directions for modern Brazilian music – a deep, minimalist, almost insinuated use of the rich textures that define the songwriting history of Brazil, one which Sessa now joins among its most promising new voices. His songs are sung in Portuguese, with visceral, sensual lyrics in the vein of Caetano Veloso, and the melodic flourishes of Tom Jobim and Arthur Verocai.

However, the music gets a deliberate minimalist treatment rarely found in contemporary Brazilian music, more reminiscent of the bareness of Leonard Cohen, with touches of tropicalia, psychedelia, and the mystic jazz of Moondog and Pharoah Sanders. Recorded in various locations between São Paulo and New York City.

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Conjunto Papa Upa - Libre Para Amar

With their 2013 debut single "Vintage Voudou," Conjunto Papa Upa cemented themselves as the torchbearers of a rare breed of Afro-Caribbean psychedelic soul, a clear delineation from the wonderful world of Venezuelan poly rhythms. That original song, named after the short lived but heavily influential Amsterdam brick and mortar record shop that band leader Alex Figueira founded, was a perfect clue into the deep exploration that Papa Upa would begin to take on their musical journey.

Like the store itself, known for it's solid connection to the musical footprints put down in relatively undiscovered places like Suriname, Curacao, Cabo Verde, Portugal and of course Figueira's native Venezuela, Papa Upa has captured a sound that is entirely unique, a new concoction of influences that at once sound strange, yet totally familiar (...) Perhaps because Venezuela shared such a rich & diverse mix of sounds from the Atlantic, Caribbean & US, a kindred spirit to their neighboring country, Colombia, an equal in terms of their industry output from the 60's & 70's, yet not nearly as publicized and compiled in recent years. Like many places in the greater Afro-Caribbean nexus, they were musically ahead of their time.

This futuristic mélange of sounds is reflective of Papa Upa itself, made up of musicians from Venezuela, Uruguay, Cuba & The Netherlands, all living, practicing & recording at Figueira's
Amsterdam studio, Barracão Sound. With such a wide range of tropical influences, in a cosmopolitan and diverse city like Amsterdam, it's no wonder that Papa Upa's first extended project would find kinship in a collaboration with New York's Names You Can Trust.

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Последний логин: 6 г. назад
Hélio Matheus / Doris Monteiro - MaisKriola / Maita

'Mais Kriola' first appeared on Brazilian Beats Brooklyn compilation put together by Greg Caz and Sean Marquand for us in 2006. It's a lovely laid back mid tempo boogie/soul/fusion jam. Originally appeared on Matheus self-titled LP from 1975.

'Maita' is a wonderful piece of warm, upbeat MPB from Doris Monteiro. Originally appeared on her 'Agora' LP from 1976, released by Odeon.

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Последний логин: 2 г. назад
Various - Outro Tempo - Single Promocional

In the lead up to part two of the highly anticipated Outro Tempo compilation, MFM drops this teaser EP with the never before heard cassette madness of São Paulo's Bruhahá Babélico and Individual Industry's ethereal electro pop on the flip.

Music From Memory announces a series of Brazilian releases for this Spring that pick up where their 2017 Outro Tempo compilation left off. Circling around the musical projects that emerged out of the art world in Brazilian cities during the late 1980s and 1990s, 'Outro Tempo II: Electronic and Contemporary Music from Brazil, 1984-1996' takes anotherdive into the depths of the Brazilian underworld, exploring the rhythms that lurk beneath the Ipanema sunset. It shines light on more illustrious unknowns and on the genre-defying music that maintained asymbiotic, yet uneasy, relationship with mainstream popular culture.

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Последний логин: 6 г. назад
Combo Chimbita - El Corredor Del Jaguar

After a highly-regarded debut single on Names You Can Trust back in 2014, Combo Chimbita returns, expanded and transformed into one of the most original and wild ensembles currently cutting their teeth in the New York City live arena. Their latest 4-track studio effort, EL CORREDOR DEL JAGUAR, co-produced by NYCT's Greenwood Rhythm Coalition and featuring the powerhouse Carolina Oliveros on lead vocals, is an explosive tour de force of unbridled psychedelic energy and futuristic fire with firm roots in the ritmo of the African diaspora. With connections and inspiration drawn from the vast sea of Caribbean music - specifically the band's native Colombia - these transplanted first-generation New Yorkers have carved a unique corridor in the thriving underground jungle of the big bad city.

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Последний логин: 6 г. назад
90 Degrees Of Shade - Hot Jump-up Sounds From The Caribbean Record B

Soul Jazz Records’ new album 90 Degrees of Shade features the music of the Caribbean – Mambo, Calypso, Mento, Merengue, Latin Jazz and much more. The music of Cuba, Jamaica, Haiti, Puerto Rico, Dominican Republic and more all feature in this lightning journey through the many island sounds.

This is the sound of independence, righteous and hot jump-up sounds from the 1950s and 60s, an exciting period of endless new musical styles that would travel across the world – Mento, the Jamaican precursor to reggae; mambos and descargas from Cuba, Dominican merengue, Haitian compas – and more.

This album coincides with the release of Soul Jazz Records’ massive new deluxe large format hardback book 90 Degrees of Shade: 100 Years of Photography In The Caribbean (with foreward by Paul Gilroy) featuring hundreds of fascinating and unique photographs spanning one hundred years of Caribbean history.

The new album comes as a deluxe two-CD pack complete with large outsize booklet, packed full of info and original artwork. There are also two limited edition separate heavyweight double LP vinyl editions, each one housed in gatefold sleeves complete w

Сделать предзаказ30.11.2015

он должен быть опубликован на 30.11.2015

90 Degrees Of Shade - Hot Jump-up Sounds From The Caribbean Record A

Soul Jazz Records’ new album 90 Degrees of Shade features the music of the Caribbean – Mambo, Calypso, Mento, Merengue, Latin Jazz and much more. The music of Cuba, Jamaica, Haiti, Puerto Rico, Dominican Republic and more all feature in this lightning journey through the many island sounds.

This is the sound of independence, righteous and hot jump-up sounds from the 1950s and 60s, an exciting period of endless new musical styles that would travel across the world – Mento, the Jamaican precursor to reggae; mambos and descargas from Cuba, Dominican merengue, Haitian compas – and more.

This album coincides with the release of Soul Jazz Records’ massive new deluxe large format hardback book 90 Degrees of Shade: 100 Years of Photography In The Caribbean (with foreward by Paul Gilroy) featuring hundreds of fascinating and unique photographs spanning one hundred years of Caribbean history.

The new album comes as a deluxe two-CD pack complete with large outsize booklet, packed full of info and original artwork. There are also two limited edition separate heavyweight double LP vinyl editions, each one housed in gatefold sleeves complete with insert, full text and free download code. Also comes as a worldwide digital release.

Сделать предзаказ30.11.2015

он должен быть опубликован на 30.11.2015

TRADISYON KA - Gwo Ka: Music Of Guadeloupe West Indies

Soul Jazz Records continues its journey into the world of Afro-Caribbean roots music with this album of newly recorded music of Gwo Ka music recorded and produced by Soul Jazz Records on the island of Guadeloupe, French West Indies.

Gwo Ka music is a fantastic fusion of African-­derived musical form ( call and response), with vocal styles that draw upon the equally powerful French chanson singers to create a truly unique combination.

Tradition Ka, made up of some of the island’s finest singers and master drummers, is part of a powerful network of politicised Gwo Ka groups on the island – upholding the traditions and cultural importance of Gwo Ka as part of a larger process of defining the identity of Guadeloupe and its culture.

This album is newly studio recorded in Pointe-­A-­Pitre, Guadeloupe by Soul Jazz Records. Like the cult music of Haiti’s Vodou and Cuba’s Santeria or the roots music of Belize’s Garifuna (all of which Soul Jazz have also released), Gwo Ka is the musical and cultural product of the region’s African ancestry, forcibly brought to the Caribbean through slavery.

Gwo Ka exists only in Guadeloupe, a very different island from much of the Caribbean, in that it remains a ‘department’ of its original colonial master, France. Here, the currency is the Euro and the baker sells croissant and café au lait.

This constant ‘European-­ising’ of the island means that Gwo Ka plays a fundamental and important role in the defining of Guadeloupean identity. As an African-­derived music, its position as a counter-­balance to French influence means that the definition of how and what Gwo Ka represents is also in a constant state of flux.

These new recordings show how Gwo Ka is both a modern Caribbean music form and one firmly rooted in ancestral history.

Over the last 20 years Soul Jazz Records have been documenting and presenting the often hidden histories and deep musical worlds of Cuba, Haiti, Jamaica, Belize, Trinidad, the Bahamas and more. This documentation encompasses reissuing lost recordings, such as the mighty Studio One catalogue of reggae, producing films/dvds (such as the 3-­hour documentary Mirror To The Soul in conjunction with British Pathé, and Dub Echoes), books (check the forthcoming photography book on the Caribbean 90 Degrees of Shade, with text by Paul Gilroy, and Kanaval) as well as travelling to the region to produce new recordings.

Сделать предзаказ04.02.2020

он должен быть опубликован на 04.02.2020

Various - Instrumental Gems Vol. 2

· This compilation features the rarest and unknown instrumental tracks of that Funky Groove early sound.
· Light music along with wind section and keyboard ready to hit the dance-floor, that we call Spanish-Grooves.
· Composers, musicians & arrangers like Gregorio García Segura, Rafael Martínez, Antonio Barco, Antonio Latorre, Jaime Botey, etc.

During the 70's, an important number of orchestras and dance bands popped up in our country but not many of them released their own songs or covers on vinyl, so we can’t say that our music library has bulky volumes, rather it’s just the opposite.

You have to dig deep in the catalogue of obscure record labels to find some quality pieces, which we will usually attribute to Tinglado 13, Conjunto Nueva Onda, The Matches, Conjunto Don Pelegrin, Rafael Martínez, Carlos de Ros, Salgado y su Grupo, Mesié Bató, Pedro González, Jorge Enrique. Most orchestras played bossa nova, soul, some lounge and easy listening, and a usual mix of light music with wind section and keyboards, something like “spanish-soul” or “rhythm'n'blues-pasodoble”.

It was a time when the bands survived playing shows with a repertoire based, mostly, on Spanish popular songs and international hits.

Many artists recorded with nicknames, many others used licensed songs paying rights to the original authors and some orchestras changed their names when they pressed their records, in an attempt to appear modern or simply for pure commercial purposes, that's why it is difficult to trace accurately the musical path of many of these artists. This scene was especially intense in Aragon and Catalonia, where a bunch of labels emerged, often simply as platforms for bands to promote their own music.

This compilation aims to discover to a wider audience some of the most sought-after instrumental gems by discjokeys and disco music collectors, eager for soul, groove and hot sounds.

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Последний логин: 6 г. назад
KASSAV' - LOVE AND KA DANCE

Unavailable for years, the reissue of Kassav’ legendary first album released for the RSD. Founding album of the modernization of Guadeloupe music, it will give birth a few years later to the global zouk phenomenon. This version gathers for the first time the original version as the American version of the album (4 different tracks).

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JAMAN - Sweet Heritage

Rare private press Jazz-Funk with breaks and some spiritual influences reminiscent of Brother Ahh at times. They cover Stevie Wonder’s “You Are the Sunshine of My Life” plus play originals that include “Sweet Heritage,” “Free Will,” “One of a Kind (Love Affair),” “Serene Beauty,” and “In the Fall of the Year.” This is a beautiful sounding record with elements of straight Jazz, Soul/Jazz, and some funky stuff including some Free and Afro-centric influences.

The main man is Jaman himself (J.E. Manuel) on keyboards, who in the past had worked with R&B bands and many people in the Jazz world (Turrentines, Bostic, Stitt, Joe Farrell, Lenny Welch, Ethel Ennis).

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Star Band de Dakar - Psicodelia Afro-Cubana de Senegal

Led by some of Senegal's most famous singers, like Youssou N'Dour and Laba Sosseh, Star Band achieved the perfect gumbo of Cuban and Senegalese sounds. Changüí, Guajira, Salsa, and Son mingled with cosmic Mbalax guitars, Sabar rhythms, Afro-Latin horns, and Spanish vocals spiced with a Senegalese twang.

With just two microphones and a four-track Revox tape recorder, Ibrahim Kassé, Star Band's founder and owner of Le Miami nightclub, recorded their entire catalog in his venue. Each album contained one stand-out Afro-Cuban tune, often covers of Cuban classics or original compositions using the deep, layered sound that had evolved over centuries from the roundtrip journey across the Atlantic. Six of Star Band's most psychedelic Afro-Cuban tracks, an ode to their finest hour, are selected here.

Remastered in the original mono, and accompanied by 12-page booklet containing an essay on Cubanismo in Senegal, a rare interview with Star Band guitarist Yakhya Fall and vintage photos from his personal collection, this album is the soundtrack to a time when Cuban music was the future for 1970's Senegal and commemorates the anniversary when another way — the Cuban way — was possible.

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Последний логин: 6 г. назад
EDMONY KRATER - AN BA JOUK

Edmony Krater's work gets 3 remixes for this release! Also comes with the original version of  ''An Ba Jouk''... Check.

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Последний логин: 6 г. назад
Dos Santos - Logos

Ardent sounds attuned to desires & politics of 21st century América, crafted by Chicago quintet’s progressive & poetic approach to (Latin) American rhythm & song. Logos received “Best of 2018” honors from Austin Chronicle, Bandcamp, KCRW, Gay City News, 606 Records, and Ragged Records.

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Последний логин: 6 г. назад
LA CUMBIA MODERNA DE SOLEDAD - LA CLAVADA

Pedro "Ramayá" Beltrán, born in Patico, a small town in Colombia's Bolívar province, is a maestro of Colombian folkloric music known as the King of the 'caña de millo' flute, although he is also proficient in various percussion instruments as well as the reed instrument known as 'gaita'. He founded La Cumbia Moderna de Soledad in the early 1970's. With this group he set out to "modernize" the folkloric music of his people, adding electric bass and a brass section to

fresh arrangements of cumbias, porros, fandangos, puyas and other costeño genres. "La Clavada" (1979) was La Cumbia Moderna de Soledad's sixth record and first for Codiscos' Costeño imprint.

The LP has many excellent examples of Beltrán's inventive mix of the ancient and the modern, making for a collection of tunes brimming with tradition and yet fearlessly bristling with innovation, not the least of which is 'Crees que soy sexy', with its gaita refrain mimicking the main melody of Rod Stewart's international disco smash 'Da Ya Think I'm Sexy'.
The album's title song was a massive hit in Colombia and has become a standard of the genre. Restored to its original glorious sound, this LP is poised to be rediscovered as an innovative yet rootsy gem. Presented in facsimile artwork and pressed on 180g vinyl.

Part of Vampisoul's reissue series of classic LP's from Colombia's Codiscos and it's sublabels such as Zeida, Costeño and Famoso.

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Последний логин: 6 г. назад
LEE MOSES - BAD GIRL PART I & BAD GIRL PART II

Lee Moses' legendary 45 from 1967, produced by Johnny Brantley. Raw, passionate and incredibly moving, this is soul screaming at it's very best. The career of Atlanta's singer and guitarist 'Lee Moses' only left behind eight 45's and an album between the mid-60's and 1973.
Heard today, it's difficult to understand why success evaded those recordings, as they possess a quality and emotional intensity to match any soul track from that classic era.

Particularly his 1967 Musicor single, produced by Johnny Brantley, featuring the two parts of his own composition 'Bad Girl'.
After it's slow build-up comes a torrent of passionate, raw emotion delivered with throat-shredding vocals that is incredibly powerful and moving. ... Pure soul gold.

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Последний логин: 6 г. назад
M.A.K.U SoundSystem - Culebra Coral

One of the original catalysts of Latinx music in New York City, MAKU Soundsystem has been the connective tissue for several creative projects, bands and community roots for over a decade. As a group with a rotating membership, they've recorded multiple albums both DIY and for worldwide labels. Throughout their various iterations, the heart and mission of the ensemble has consistently built bridges, rather than tearing them down, remaining a remarkable beacon of positivity in a consistently competitive environment. The inspiring atmosphere has nurtured several notable musicians and acts over the years, including members of Combo Chimbita, Dilemastronauta, Bulla en el Barrio, Leon Brothers and Prince of Queens. Now down to a core group of three musicians, alongside percussionist Moris Cañate, MAKU and Names You Can Trust have finally teamed up for a vinyl edition after many years of collaborative shows and connections.

Perhaps their rawest and darkest recordings to date, this stripped down quartet is an ode to the creative source of their core members, lead singer & bassist Juan Ospina, drummer Andres Jimenez and guitarist Camilo Rodriguez. The A-side, "Culebra Coral" is a snakebitten taste ofla cumbia, played with an experience and restraint that only enhances the end result. It's a free driven approach born from familiar experimentation, rather than modern day trends — a singular jam, refined from years of playing together. Part psych, part cumbia, total MAKU. The B-side, "Contra Tambor," is emblematic of the group's roots in the traditional sounds of thetambora, a drum-forward percussive arrangement that follows Jimenez and Cañate on a free-driven approach to the ritualistic movements of the drums, this time drowned with an antidote of analog FX, synthesized glitches and atmospheric coros.

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Последний логин: 6 г. назад
ERICK COSAQUE - CHINAL KA 1973 – 1995

HUUGE compilation of music where Erick Cosaque was involved with during 1973 - 1995. Killer Gwo Ka / jazz crossovers from his early days to the more digital zouk bangers he produced in the 80's / 90's.. Almost never reissued or compiled before, this is a big one for the tropical music heads! Comes on a double LP -Including booklet with 8 pages of biography and track by track, translated in English, French and Créole.

Some words from the label:

A strong, rough, plump voice with the typical tone heard in the creole outdoor musical gatherings. Erick Cosaque’s voice is made to go over and above the two boula drums and the makè drum which are associated in general, along a few light percussions, with the Guadeloupean gwo ka. Whether heard at an informal street corner kout’ tanbou, during a traditional evening at someone’s place or in the musical léwoz of a community center, his warm yet imperial voice has been known by West Indians, in the islands and in the mainland through music, radio and television thanks to a career spanning more than forty five years – about twenty solo albums, forty or so participations and collaborations with artists of all generations and genres within the Caribbean music scene.

Although Erick Cosaque is a major figure in Gwo ka, he managed to avoid being part of any institutional system – no label, no alliance, no funding. His voice, one of the strongest in that genre, has been significant since the early 70’s for restoring the original spontaneous and rebellious spirit present in gwo ka with artistic creations starting in the age of vinyl and continuing in the digital era.

Erick Cosaque resembles Gwo ka, whose music has simple components but is deeply rooted in a complex historical and social context made of fights, pleasures, memories and desires.

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